#laurence cottle

[myvinylplaylist]

Black Sabbath: Anno Domini 1989-1995 (2024)

Black Sabbath Anno Domini 1989-1995

4LP Super Deluxe Edition Featuring

• 3 Albums Newly Remastered

• 2024 Tony Iommi Remix Of Forbidden

• 1989 Headless Cross Tour Replica Concert Book

• 40-Page Book With Photos, Artwork & Liner Notes

• Headless Cross Poster

Warner Records

[r3tr0r0ck3r]

Happy Halloween 2024

💀🪦👻🪦💀

There's something wrong there's a chill in the air And the blood in my veins running colder The eastern sky is beginning to silver And the words that you speak start to falter The seal is broken, the oath has been crossed In the house of the dead there's a taker Some say that this is the ultimate sin When the spirit world turns to the altar

There's been a kill in the spirit world There's been a kill in the spirit world

Behold the dead; clutching at fading hands, out of reach forever "In glory die" calls the voice of the void Your assassin has cursed every spectre The seal is broken, the oath has been crossed And the house of the dead seeks a master Stretching every muscle I wait for the end And a kiss on the wind, whispers murder, murder

There's been a kill in the spirit world There's been a kill in the spirit world There's been a kill in the spirit world

When heaven is closer, it's pleasure and pain Kill in the spirit world

Did you see another in black Is the blood in your veins running colder If you did then there's no turning back As the spirit world turns to the alter

The seal is broken, the oath has been crossed And the house of the dead seeks a master Stretching every muscle I wait for the end And a kiss on the wind, whispers murder

There's been a kill in the spirit world There's been a kill in the spirit world

Oh here it comes, oh no

The seal is broken, the eastern sky is beginning to silver There's something wrong, there's a chill in the air I feel the Evil, I feel the Evil Somebody whispers murder

A kiss on the wind whispers murder...

[longliverockback]

Black Sabbath Anno Domini 1989-1995 [Box Set] 2024 Rhino ————————————————— Tracks CD One: Headless Cross 01. The Gates of Hell 02. Headless Cross 03. Devil and Daughter 04. When Death Calls 05. Kill in the Spirit World 06. Call of the Wild 07. Black Moon 08. Nightwing 09. Cloak and Dagger

Tracks CD Two: TYR 01.  Anno Mundi 02. The Law Maker 03. Jerusalem 04. The Sabbath Stones 05. The Battle of Tyr 06. Odin’s Court 07. Valhalla 08. Feels Good to Me 09. Heaven in Black

Tracks CD Three: Cross Purposes 01. I Witness 02. Cross of Thorns 03. Psychophobia 04. Virtual Death 05. Immaculate Deception 06. Dying for Love 07. Back to Eden 08. The Hand that Rocks the Cradle 09. Cardinal Sin 10. Evil Eye 11. What’s the Use

Tracks CD Four: Forbidden 01. The Illusion of Power 02. Get a Grip 03. Can’t Get Close Enough 04. Shaking Off the Chains 05. I Won’t Cry for You 06. Guitly as Hell 07. Sick and Tired 08. Rusty Angels 09. Forbidden 10. Kiss of the Death 11. Loser Gets It All —————————————————

* Long Live Rock Archive

[onryou-onryou]

ÁLBUM BLACK SABBATH

[ulkaralakbarova]

When Queen Elizabeth’s reign is threatened by ruthless familial betrayal and Spain’s invading army, she and her shrewd adviser must act to safeguard the lives of her people. Credits: TheMovieDb. Film Cast: Elizabeth I, Queen of England: Cate Blanchett Sir Walter Raleigh: Clive Owen Sir Francis Walsingham: Geoffrey Rush Sir Christopher Hatton: Laurence Fox Amyas Paulet: Tom Hollander Elizabeth Throckmorton: Abbie Cornish Robert Reston: Rhys Ifans King Philip II of Spain: Jordi Mollà Mary, Queen of Scots: Samantha Morton Anthony Babington: Eddie Redmayne Calley: Adrian Scarborough William Walsingham: Adam Godley Archduke Charles: Christian Brassington Count Georg von Helfenstein: Robert Cambrinus Dr. John Dee: David Threlfall Spanish Minister: Vidal Sancho Ursula Walsingham: Kelly Hunter Lord Howard: John Shrapnel Torturer: Sam Spruell Cellarman: David Sterne Admiral Sir William Winter: David Robb Courtier: Jonathan Bailey Walsingham’s Servant: Steve Lately Woman with Baby: Kate Fleetwood Infanta Isabel of Spain: Aimee King Annette: Susan Lynch Mary Walsingham: Kristin Coulter Smith Queen Elizabeth’s Waiting Lady #1: Hayley Burroughs Queen Elizabeth’s Waiting Lady #2: Kirsty McKay Queen Elizabeth’s Waiting Lady #3: Lucia Ruck Keene Queen Elizabeth’s Waiting Lady #4: Lucienne Venisse-Back Laundry Woman: Elise McCave Margaret: Penelope McGhie First Court Lady: Coral Beed Second Court Lady: Rosalind Halstead Manteo: Steven Loton Wanchese: Martin Baron Walsingham’s Agent: David Armand Sir Francis Throckmorton: Steven Robertson Ramsey: Jeremy Barker Burton: George Innes Mary Walsingham: Kirstin Smith Old Throckmorton: Tim Preece Dance Master: Benjamin May Royal Servant: Glenn Doherty Dean of Peterborough: Chris Brailsford Executioner: Dave Legeno Spanish Archbishop: Antony Carrick Marriage Priest: John Atterbury First Spanish Officer: Alex Giannini Second Spanish Officer: Joe Ferrara Courtier: Alexander Barnes Courtier: Charles Bruce Courtier: Jeremy Cracknell Courtier: Benedict Green Courtier: Adam Smith Courtier: Simon Stratton Courtier: Crispin Swayne Mary Stuart’s Lady in Waiting: Kitty Fox Mary Stuart’s Lady in Waiting: Kate Lindesay Mary Stuart’s Lady in Waiting: Katherine Templar Courtier (uncredited): Morne Botes Young Boy (uncredited): Finn Morrell Tyger Salior (uncredited): Shane Nolan Film Crew: Screenplay: William Nicholson Director of Photography: Remi Adefarasin Editor: Jill Bilcock Original Music Composer: A.R. Rahman Original Music Composer: Craig Armstrong Set Decoration: Richard Roberts Stunts: Peter Pedrero Stunt Coordinator: Greg Powell Casting: Fiona Weir Stunts: Rob Inch Stunts: Andy Smart Additional Camera: David Worley Costume Design: Alexandra Byrne Supervising Sound Editor: Mark Auguste Production Design: Guy Hendrix Dyas Supervising Art Director: Frank Walsh Director: Shekhar Kapur Screenplay: Michael Hirst Editor: Andrew Haddock Art Direction: David Allday Set Costumer: Martin Chitty Sound Re-Recording Mixer: Steve Single Scenic Artist: Rohan Harris Stunts: Ray Nicholas Art Direction: Andy Thomson Art Direction: Jason Knox-Johnston Production Manager: Mark Mostyn Stunts: George Cottle Stunts: David Anders Stunts: Peter Miles Visual Effects Supervisor: John Lockwood Stunts: John Kearney Stunts: Paul Kennington Stunts: Nick Chopping Costume Supervisor: Suzi Turnbull Hairstylist: Morag Ross Art Direction: Phil Sims Music Editor: Tony Lewis ADR Recordist: Robert Edwards Stunt Double: Abbi Collins Script Supervisor: Angela Wharton ADR Editor: Tim Hands Art Direction: Christian Huband Visual Effects Supervisor: Richard Stammers Stunts: Rowley Irlam Assistant Art Director: Helen Xenopoulos Foley Artist: Mario Vaccaro Visual Effects Supervisor: Steve Street Property Master: David Balfour Greensman: Ian Whiteford Foley Editor: Andrew Neil Stunts: Gordon Seed Sound Re-Recording Mixer: Tim Cavagin Dialogue Editor: Sam Auguste Scenic Artist: James Gemmill Unit Publicist: Stacy Mann Camera Operator: Ben Wilson Visual Effects Editor: Aled Robinson Stunts: Paul Herbert Hairstylist: Do...

[juliansiegel]

Conducting

Julian studied Music at U.E.A. majoring in Saxophone and Clarinet. He also studied orchestral conducting directing the Student Symphony Orchestra and Chamber Choir including performances of the music of Mozart, Beethoven, Schubert, Stravinsky and Milhaud. During his time at U.E.A. he attended the Canford Conducting Summer school studying with George Hurst and Adrian Leaper. 

Since leaving college he has focused on his first love the Tenor Saxophone and working as a Jazz improviser, band leader and composer, but interspersed with this he has also continued to conduct / MD various ensembles across a broad musical spectrum from Jazz to contemporary classical music  

In 2001 Julian directed the BBC National Orchestra of Wales and BBC Singers in a concert of the music of Oscar winning composer Stephen Warbeck as featured on the BBC TV programme 'Classic Challenge’, the music commemorated the Normandy landings in WW2 and the performance took place on board a cross channel ferry, the orchestra and choir performed to an audience of Normandy Veterans.

In 2010 Julian directed the BBC Big Band in the London Jazz Festival with guests Billy Jenkins and Iain Ballamy at the Purcell Room, Southbank Centre London  

In 2013 Julian conducted a performance of Brian Eno’s ‘Music for Airports’ at ‘Bold Tendencies’, Peckham Car Park as part of the London Contemporary Music Festival 2013. 

Julian has directed the Trinity Laban Conservatoire of Music Postgraduate Jazz Ensemble in concerts of 

- the Big Band music of UK Saxophonist and composer Stan Sulzmann,

-  he co-led a project of the music of Ornette Coleman ‘Harmolodic  Ensemble’ with ex - Loose Tubes Trumpeter Chris Batchelor, 

- directed a performance of the Trinity Laban Conservatoire Big Band playing the music of Jaco Pastorius featuring the in-demand bassist Laurence Cottle at London's Ronnie Scotts Jazz Club. 

In 2021 Julian directed the Royal Academy of Music Big Band in a performance of the Big Band music of UK Saxophonist and composer Jason Yarde. 

In October 2023 Julian conducted the BBC Big Band in a recording session for the forthcoming album with Jacqueline Dankworth and Charlie Wood at Livingston Studios in London

For all conducting enquiries please contact management at Julian Siegel dot com 

[mitjalovse]

The planned comebacks of the veteran musical players should be an appropriate term for the records, such as Supernatural and Electronica 1, because they feel like they were made by a committee. The latter looked for the most obvious signifiers of their musicians and then told them to apply them a lot on the discs. For instance, Reload by Tom Jones might be one of the better platters of such an approach, he's quite invigorated there with his collaborators bringing the best out of him. However, something rings fake about the whole enterprise. You see, there's nothing surprising about the LP, since he basically does the repetitions of what he did with Art Of Noise before that one. I mean, I get why the album sold a lot, yet Mr. Jones merely cosplayed himself here.

[intergalactic-strut]

"Endless blue sky fell steeply all around us like a bell. To have reached the peak was glorious, but the nearness of the sky was overwhelming."

K2: Tales of Triumph and Tragedy Track Overview by Don Airey

The album was produced by Don Airey and Stuart Taylor, re-mastered by Karl Adams at SRT Cambridgeshire, England, with new cover-art by Simon King-Underwood 1. K2 Overture (Airey) The savage mystery of K2 is evoked by the opening four chords of doom, TV newsreader Gordon Honeycombe’s sinister narration, the unusual 7/4 time signature, and the heavy pulse of Cozy Powell’s drumming. 2. Sea of Dreams Part I (Airey/Thompson) Refers to the twelve day hike from Skardu, Northern Kashmir, across rivers, over passes, and along the Karakoram glacier, to the foot of what Mallory called the most awful sight he had ever seen, “a mountain of inconceivable height”, K2. Vocal is by Manfred’s main man, Chris Thompson, the sublime guitar work by Gary Moore, and all underpinned by Cozy’s austere thunder. 3. Sea of Dreams Part II (Airey) Concentrates on the state of mind of the climbers as they approach the object of their obsession. Vocal is by Trapeze, and Whitesnake singer/guitarist, Mel Galley. The lyrics were written in the pub next to the studio, just prior to the session, whilst Mel warmed himself up over a large gin and tonic! 4. Voice of the Mountain (Airey) Being mainly an avalanche created on Minimoog 2. 5. Song for Al (instrumental) (Airey) Sets the scene as Al Rouse, perhaps England’s finest ever climber, contemplates the Gilkey Memorial at base camp, before setting off on the first stage of his climb. Laurence Cottle’s virtuoso 5-string fretless bass enters the fray, and Gary Moore surpasses himself on lead guitar. 6. Balti Lament (Airey) Sounds the first note of warning of the catastrophe to come, as the native Balti porters mourn the loss of one their number in an icefall. The vocal sound was created using a sample of Italian rock singer Georgio Veronesi, from my Casio FZ10 7. Ascent to Camp 4 Recreates on keyboards only, the penultimate stage of the climb, to Camp 4 at 26,000 feet. Solo is on Minimoog 1, heavy breathing comes courtesy of co-producer Stuart Taylor, and the ending is a tip of the hat to my old band Colosseum II. 8. Can’t Make up your Mind (Airey/Thompson) Loosely based on the argument at Camp 4 between Al Rouse and famed female Polish climber Dobraslawa Wolf, ( aka Mrufka), about the advisability of going the last 2,000 feet to the summit, with a storm imminent. Vocal and lyric are by Chris Thompson, and the solo was played on a Roland JX10 linked to a Yamaha DX7IID. 9. Summit Push (Airey) Hold on to your icepicks as Messrs. Powell, Cottle, and the brothers Airey, power you to the top of the mountain. Vocal is by Keith Airey, and the solo was played on a Roland RD300 piano. 10. Close to the Sky (Airey) Evokes the mystical (and short-lived) high engendered on reaching the summit of K2. Strictly a family affair this, with brother Keith on lead guitar, my son Michael (then aged 8) on glockenspiel, and his Uncle Cozy on timps and cymbal. 11. Blues for J.T. (Airey) A solo piano piece, recorded unbeknownst to me, by engineer Renny Hill, as I messed around on the studio’s 9ft. Bosendorfer. “J.T.” is Julie Tullis, who became after Al Rouse, only the second English climber to conquer K2. 12. Julie If You Leave Me (Airey) The lyric assumes the persona of legendary Austrian climber, Kurt Diemberger, Julie’s partner. They both fulfilled their main ambition together August 4, 1986, by standing athwart ‘the mountain of their dreams’. Vocal is by the equally legendary Zombies’ frontman Colin Blunstone, and the solo played on Memorymoog 1. 13. Death Zone/Whiteout (Airey) Death Zone refers to anything above the altitude of 26,000 feet where the lack of oxygen can have dire consequences. Atmospherics are courtesy of various Moogs, and Laurence Cottle’s bass. In “Whiteout” the vocal is by Genki Hitomi, lead singer of Japanese rock outfit Vow Wow, and the extraordinary double-tracked lead guitar solo by Keith Airey. The instrumental passage that follows conjures up the five-day blizzard at the peak of the mountain, in which Al, Julie, Mrufka, and three other mountaineers who had just reached the summit of K2, died. Cozy adds to the chaos with a marvellous drum break, Gordon Honeycombe reads the obsequies as the four chords of doom re-appear, and the guitar in the coda is unmistakeably that of Gary Moore. 14. Song for Al (vocal) (Airey/Newsinger) The key to the allegory implicit in the whole work is contained in Betty Newsinger’s plangent lyric. Chris Thompson handles the vocals, and Gary the guitar. BONUS TRACK 15. Take Me Home (Thompson/Airey) The song speaks for itself. This track was recorded at Sonet studios in 1987, features Cozy, Keith and Laurence, with Chris Thompson on vocals, and is my adaptation of an upbeat country song Chris originally wrote for Crystal Gayle. The 2-track master had been lost for ten years and duly turned up in Stuart Taylor’s garden shed, none the worse for wear this March.  ~DON AIREY, MAY 1999

[spongebobsoundtrack]

Jean Christophe Thomas, Laurence Peter Cottle - Keep Cool

Plays in:

14b. "Karate Choppers" 

[peterviney1]

The Deep Blue Sea-2019 review Review added of Terence Rattigan's The Deep Blue Sea (LINKED) at The Minerva Theatre at Chichester. This is a key play in the Rattigan revival of the last 25 years, and this is the finest version of it we've seen. it avoids the slightly camp approach so often taken with Rattigan and reveals the play as a powerful piece of theatre.

[shalalazla-blog]

Boston Based Video Production Company

Sha La the melody highlights 65  sha la la acclaimed performers meeting up to make something novel inside the Indian Music Market. The strangely infectious melody highlights unbelievable multi-Grammy grant winning ability like Guthrie Govan, Laurence Cottle, Ralph Salmins, Richard Cottle and that's only the tip of the iceberg. Sha La is composed, masterminded, delivered, performed and aced by Indian-conceived worldwide honor winning artist Shayan Italia.

 Everything on the track is 100% natural. The track was recorded in 9.1 Dolby Atmos at the absolute best studios on the planet including Abbey Road Studios, Air Studios and Metropolis Studios.

 Sha La isn't only a solitary bit of music. Through its different cycles beneath, you will get the chance to encounter its numerous melodic parts and truly feel the force to be reckoned with of melodic ability that has gone into rejuvenating the music. It's a track that could be utilized for a promotion, a film, a game, a sentimental date, a festival… toward the day's end "yeh dil" signifies "this heart" in Hindi, and… the heart needs, what the heart needs! Whip your headphones out and leave on a melodic excursion.

 Known for her contemplative and vaporous tunes, the London-conceived artist normally combines her melodies with shortsighted instrumentation or a capella. Her vocal tone is heartfelt and her feelings leak through each expression. "I like sustaining something," ALA.NI says toward the start of the visual. "The more I come into myself as a distinct individual, I like my opportunity."

 All through the video, ALA.NI exhibits indications of discovering balance while lolling in the magnificence of life. She adjusts gems, sages her space, showers, sparkling in the sun and, regularly, joyfully moves. The melody opens up with popping a capella that step by step creates and grows. Yet, don't let the energetic and bubbly solid moron you, this is a separation tribute in it's own right.

 "At the point when you disclosed to me a day or two ago/That you need to return and stay/It calmed me/Your words they relieved me, infant," ALA.NI admits. "At that point I got notification from one of your folks/All you let me know truly was an untruth/It hurt me/Darling, you hurt me."

 In spite of this awfulness evoked, ALA.NI gives off an impression of being making a mind-blowing most and discovering satisfaction inside herself. The foundation vocals get in force as the melody folds in extra percussion while we see the craftsman reflecting, extending and chuckling. What is maybe generally invigorating about "SHA LA" is the positive turn it places on a moderately negative circumstance. Rather than harping on cynicism, ALA.NI realigns with the world and herself, tolerating change. The visual closes with ALA.NI giggling, falling more infatuated with herself.

 "SHA LA" is the lead single off ALA.NI's forthcoming collection, ACCA, booked for a mid 2020 delivery date.

  The melody was secured by Dutch Eurodance bunch Vengaboys in 2000. It remixes the melody with common Vengaboys synth and rhythms, in spite of the fact that it keeps considerably a similar beat. It was delivered on 23 February 2000 and turned into another significant hit for the band, beating out all competitors in New Zealand and Romania, and topping inside the main five in at any rate 10 different nations, including Australia, Germany, Ireland, Sweden and the United Kingdom

[myvinylplaylist]

Black Sabbath: Headless Cross (1989)

2024 Vinyl Reissue as part of the Black Sabbath - Anno Domini 1989-1995 Box Set

Warner Records

[rockaramarocks]

Don Airey lançará álbum solo em maio

O tecladista Don Airey, há 17 anos no Deep Purple, mas com extensa carreira ao lado de nomes como Rainbow, Ozzy Osbourne, Jethro Tull, Michael Schenker, Gary Moore e… - https://goo.gl/zo7sKf

[longliverockback]

The Alan Parsons Project Ultimate 2004 Arista ————————————————— Tracks: 01. A Dream within a Dream 02. The Raven 03. What Goes Up 04. I Wouldn’t Want to Be Like You 05. I, Robot 06. The System of Doctor Tarr and Professor Fether 07. Lucifer 08. Damned if I Do 09. Games People Play 10. Time 11. Sirius 12. Eye in the Sky 13. Prime Time 14. Don’t Answer Me 15. Psychobabble 16. You Don’t Believe 17. Days Are Numbers (the Traveller) 18. Old and Wise —————————————————

* Long Live Rock Archive

[doom-metalhead]

Tony Iommi - “Time is Mine” (Iommi, 2000)

Phil Anselmo on vocals, Laurence Cottle on bass and Matt Cameron on drums

[kamfalk]

From Britain: The Laurie Cottle Big Band performs Jaco Pastorius' Donna Lee Solo as a Big Band Soli Section. Featuring Laurence Cottle (bass, arranger), Nigel Hitchcock, Sammy Mayne, Claire Mcinerney, Alex Garnett (Solo) and Martin Williams (saxes), Gareth Lockrane (flute), Andy Greenwood, Tom Walsh, Pat White and Sid Gauld (trumpets), Ade Hallowell, Andy Wood, Neil Sidwell (Solo) and Mark Nightingale (trombones), Miles Bould (percussion), Ian Thomas (drums).

From Britain: The Laurie Cottle Big Band performs Jaco Pastorius’ Donna Lee Solo as a Big Band Soli Section. Featuring Laurence Cottle (bass, arranger), Nigel Hitchcock, Sammy Mayne, Claire Mcinerney, Alex Garnett (Solo) and Martin Williams (saxes), Gareth Lockrane (flute), Andy Greenwood, Tom Walsh, Pat White and Sid Gauld (trumpets), Ade Hallowell, Andy Wood, Neil Sidwell (Solo) and Mark Nightingale (trombones), Miles Bould (percussion), Ian Thomas (drums).