#lashya

[falkoirm]

Succubus job

Soul in exchange for pleasure, simple game

My part of trade with mdrlalo82 and his OC Lashya

[themclovenlegacy]

So, I finally finished the Shadows of Revan storyline with all 8 characters. I've been playing this game for over a year and I finally finish it now. YAY ME!!!

Look at my cool smuggler child. 

[lazycalzonecreatordiplomat]

[laprecious21-blog-blog]

My Angel 😇 #MYNIECE #SoonToBeBirthdayGirl #Big11 #May30 #AllMyBabiesBirthdaysCloseTogether #Lashya #Mikaya #Mariyah (at Princeton, Louisiana)

[rajeswarisainath]

The 8 Best Indian Classical Dance Forms

Dance is the hidden language of the soul of the body!

Dance is to move rhythmically to music, commonly following a set grouping of steps. Be that as it may, for somebody, it is adored, for somebody it is a craftsmanship, for somebody it is a declaration of feelings, for somebody it is an image of satisfaction, for somebody it is stimulation, for somebody it is real existence. Bharatnatyam Dance Academy still keeps this traditional dancing form alive.

Indian old style dances are as varied as Indian culture.

It is difficult to state when the ascent of dance came. Be that as it may, the convention of dance in India is originating from the time of the period.

A bronze statue of a dancing woman showed up from the leftovers of the Mohenjodaro or shake artistic creations of people while dancing made in India's sanctuaries; Stupas, caverns show the history and advancement of the hit the dance floor with proof.

In India, various sorts of dance have been conceived and celebrated in the nation. Each dance type has come to end with the particular time and the impact of the air around.

The 8 Indian Classical Dance Forms:

The Bharatanatyam dance academy in Hyderabad distinguishes eight distinct types of old-style dance in India which are ~

1.   Bharatanatyam,

2.   Kathak,

3.   Kuchipudi,

4.   Kathakali,

5.   Manipuri,

6.   Mohiniyattam,

7.   Odissi,

8.   Sattriya.

In Bharatanatyam, Kuchipudi, Kathakali, Manipuri, Kathak, Odissi all has been the foremost component of God venerate. Bharatanatyam is the most established traditional dance style, yet with it, seven other territorial structures have likewise developed:

Bharatanatyam (South); Kuchipudi (southeast coast); Kathak (North); Kathakali, Mohiniattam (south-west coast); Odissi (East Coast); Manipuri (Northeast); And Sattriya dance (Assam, upper east).

Indian Classical Dance Bharatanatyam:

Bharatanatyam is a blend of feelings, music, mood, and articulations. Bharatanatyam incorporates all the conventional parts of Indian old-style dance – postures (hand position), acting and Padma. Bharatnatyam is well known for its remarkable signals. For the most part, the fixed upper-middle, legs bowed or knees flexed out joined with tremendous footwork.

Kathak:

Kathak signifies 'Katha' which means a dance that portrays a story. Kathak is an extremely custom and unadulterated Indian old-style dance style, in which complete consideration to mood. In this old-style dance structure, specific consideration given to the foot stroke and meandering. Most old-style Kathak dance style portray the romantic tales of Radha-Krishna and an incredible spring. Kathak has fervor and forte of stimulation which is because of the act of the beat and quick revolution in it, which holds a functioning spot in it and is the most basic element of this type.

Kathakali:

Kathakali is a celebrated traditional dance of Kerala. Kathakali signifies 'dramatization of a story' or 'a dance show'. Kathakali is a blend of dance, music, and acting. The most heavenly and fanciful perspectives identified with life and work of celestial creatures, divinities, evil presences, and holy people showed as Kathakali's substance. In Kathakali, the artist remains quiet and shows hit the dance floor with a wide scope of hand motions and most loved stances.

Kuchipudi:

Kuchipudi is an indigenous dance style of Andhra Pradesh. In the most popular Kuchipudi dramatization, the narrative of Lord Krishna's most envious spouse, Satyabhama, which despises imparting her heavenly husband to her sixteen thousand wives, and swore to never come outside of the apartment. At that point, Madhavi assumes the job of a sort and smart middle person to accommodate among Satyabhama and Lord Krishna.

Generally, the job of ladies is likewise being played by men, in which the character of Satyabhama is the most renowned. It is a dramatization known as the most prevalent dance show in current India, called Bhamakalpam. Different acclaimed Kuchipudi plays are Usha Parinayam, Prahalad Charitram, and Gola Kalapam.

Manipuri:

Manipuri dance was conceived in the territory of Manipur in the north-eastern piece of India. It is one of the main dance styles among the different styles of Indian old-style dance. The universe, the formation of the world, the human body, and human exercises portrayed in this dance. Artists of this dance keep their feet on the ground with delicacy and delicate quality.

There is a local the story behind this idea is that when God made the earth, it resembled a body. Seven Lanwarah danced on this recently made half of the globe, delicately squeezed it to make it steady and smooth with its feet which is the start of the ascent in otherworldliness. This dance depends principally on Hindu Vaishnav manifestations, in which the relationship of Radha and Krishna is conspicuous. The subjects utilized for the dance are of Vishnu Purana, Bhagwat Purana, and Geet Govind.

Mohiniattam:

Mohiniattam signifies "Dance of the Sorceress," which is the main dance type of Kerala, performed by female artists. Mohiniattam clings to the Lasya type that exhibits an increasingly agile, delicate and ladylike type of dancing. Mohiniattam gets its name from the word 'Mohini', a female symbol of Lord Vishnu.

Mohiniattam is identified with the 'Lashya' style, which is female, delicate and wonderful. The acting accentuated by a snake, and on the paw is misbehaving and down, which is like the influxes of the ocean and the slants of lake plants in coconut palm trees or the homestead.

Odissi:

Orissa's customary dance, Odissi was conceived by the dance of devadasis in the sanctuary. The Odissi dance found in the Inscriptions, it portrayed in the Inscriptions of the Brahmeshwar sanctuary, alongside it is referenced in the focal assembly of the Sun sanctuary of Konark.

The Odissi dance is committed to Lord Krishna, and its stanzas are taken from the play of the showy tune Govindam, which is utilized to show love and dedication to God. In Odissi dance, stories are told about the eighth encapsulation of Krishna, Lord Vishnu.

Sattriya:

One magnificent normal for this dance stand apart is the dress and the group cast, which resembles the coordination of various hues which all combine and grasp one another and make a one of a kind and particular style made of Assamese Demonstrates greatness and social legacy.

Customarily, this dance was at first performed in the religious communities just by 'Bhokat' (male priests), as a piece of their day by day ceremonies or for stamping novel celebrations. However, presently, today Sattriya dance is additionally performed by the females and furthermore by the individuals outside of Sattras.

[444names]

just the entire early quenya dictionary

Abiringain Acitter Afracinday Agulpath Aikier Ailkal Ainqilqe Aisine Alarima Alats Alina Almend Ancendage Antarisid Antya Anuvain Aperined Apiqinqa Aristenda Artiolme Attukolto Aulqele Ausar Aushosea Austelind Avaqa Barmanie Beiteep Beizzle Besse Betille Binelénied Bliqa Blumni Boresseace Borig Boutya Bravannush Brippe Brita Bromenqis Brounch Butlease Chooppark Clankerind Clettyunge Cleulosta Cliksanly Comes Conigun Conte Corde Corini Cormatur Coryúva Cossime Cotto Coval Crooplova Curse Dayant Dectav Dorinda Drementy Drinie Eandat Ekkawarows Eland Eleno Elfied Elumbod Embile Eminqenew Endastart Enshme Eqime Essed Essestya Etter Exachne Exion Exprence Fachinde Faime Falkarawas Falqeat Fardow Fativans Fatto Feepicker Fendóripil Fiftheenta Finda Fitiffoubs Flumb Foding Forempra Frequin Fring Friss Fulmeatel Fultaksix Geripe Gintiry Glooko Gnest Gooffy Graineng Grequi Grift Gront Guing Hable Hadous Hatsile Heatle Henim Hepnent Herdurm Hermakte Herwe Hilkoinket Hinatch Horya Hostya Hualkeng Huelleme Hundo Hwate Hyalis Hónaird Húrast Ikalka Ilindea Iling Ilithfulum Ilqele Imather Innaunina Irion Joitsexce Kaikea Kaimea Kaimp Kaimpie Kaing Kaiyáve Kantra Kanty Karindarie Keanqe Kentiutne Kesseríse Kinqistala Knieksan Koissing Kolinatina Korneranu Kotsindy Ktarme Kuluiling Kumboll Kurgoomiqi Kólen Kúmakte Laiqiqing Lande Lantive Laperiling Lasaft Lashya Lauktahóri Lesse Letne Limpeass Linartle Linaus Lindrand Linempin Liniqil Lintle Lirthwa Lishalon Litil Littelpilk Llust Lousi Lowdellows Lowile Lumely Lusighep Lálead Léning Lómasi Lúmastho Maidlon Mairdle Makin Maksinglo Manwe Marispass Marty Marweftyur Maserro Mavima Meath Mencer Mesproust Mightl Milde Mineclo Minget Miqimpap Mirispord Mirma Moity Monda Monolle Mottapat Moval Multa Mórive Nahóreal Nailwing Narina Narnee Nasedl Neliney Nelle Nesterhoom Nighbort Nillokkil Nistinu Nivinding Noing Nolima Noredi Notsarúvil Ntambubse Numotl Nyuval Nyélar Nívis Núlest Núord Núsivo Núvitye Oalealwe Oarelehtel Obstilu Oitto Oliff Ommen Opele Orcid Orinekt Oritipop Orspie Orunlya Ouggyan Paiqildesh Palaiward Palan Palauge Pappityú Parmakiny Passea Pasto Peaparkare Phangura Pherd Pictilto Piliande Pinkean Plando Plante Plesta Pouttaupir Prokend Pulon Qalleva Qarqa Qiluth Qirch Qolwelkon Quanta Qívalak Ralipt Ransionis Rantlyline Ranvin Raunt Ravasta Reari Retta Rityenind Rityentup Roltenme Roorner Ruivoiq Rámalkost Rámarno Rámelénds Sagal Sagen Saily Salaqa Samba Sampions Sapie Saven Sehtam Shailt Shlya Sicale Siffal Sihye Siltinda Simand Singea Slacite Slaikon Slaref Slastamóle Slindo Slukar Soqolet Sounwe Sovere Spettuing Spidestol Spine Spispeark Spityords Splin Sprilmar Sprionqe Sqark Sqill Stakasea Stivest Stole Stoma Suffender Sulinaure Suqilion Swaya Swenitsite Swente Taccuff Taked Tamen Teenqet Teento Tefana Teness Tenqe Tenthruksa Terne Theréred Thesseack Thfui Thinde Thinearmis Thome Throktais Ticle Timasse Tinya Tiond Tireemy Tirkarage Todshipele Tolderval Toling Tolop Totso Towin Towlya Treed Trisplaite Trizzling Trote Tucea Tukta Tukurda Tunsta Tusundilk Tuvaliqe Twesta Twing Twista Tárumagare Túren Uinetaled Uingere Ulwavery Uncea Unklikter Unqiss Untamb Untami Ushar Usubiry Vaksi Valain Valath Valdra Valon Vandonen Vared Vasitelop Vassildea Vastarisi Veninthing Verintea Vidift Vienke Vileht Vinenush Vourin Voutur Várowenta Wanighta Wanwine Wedge Wentappati Wenty Wholowdnea Whoomo Winqe Wirised Witya Wolwa Wóreqirya Yaitya Yalitafy Yaltaktern Yinyak Yukarúkea Yulmo Yunfurunga Úrinqa Úvande

[missfilmycom]

Gunjan Saxena Landing On OTT On August 12', Announces Janhvi Kapoor

Gunjan Saxena - The Kargi Girl is the story of India’s first woman Air Force officer.  The lead role is being played by actress Jahnvi Kapoor. She took to her Instagram handle and announced the release date of the film. It will be streaming on Netflix from August 12. The actress wrote a note on being an important part of the film and playing the character.  She wrote, "Proud to bring to you the story of India's first woman Air Force Officer to go to war. A journey that I hope will inspire you the way that it has inspired me. Gunjan Saxena - The Kargil Girl is landing on 12th August to your Netflix screens." (sic)           View this post on Instagram                   Proud to bring to you the story of India’s first woman Air Force Officer to go to war. A journey that I hope will inspire you the way that it has inspired me. 🤞🏻GunjanSaxena - The Kargil Girl is landing on 12th August to your #Netflix screens! @dharmamovies @zeestudiosofficial @karanjohar @apoorva1972 @pankajtripathi @angadbedi @ayeshiraza @vineet_ksofficial @manavvij @sharansharma @netflix_in @zeemusiccompany A post shared by Janhvi Kapoor (@janhvikapoor) on Jul 15, 2020 at 9:33pm PDT The film also features Pankaj Tripathi as her father and Angad Bedi. The move was to be released in halls on March 6 but was later postponed to April 24. It will now be streaming online due to coronavirus lockdown. The actress will also feature in Dostana 2 with Kartik Aaryan and debutant Lashya.  She Read the full article

[nepaltourismntp]

Celestial Journey to the Holy Land of Mt. Kailash

In the Hindu religion, Lord Shiva is believed to be the point of origination of eternal energy. Situated in the pristine location of Tibet, Kailash Mansarovar Yatra is thought to be the auspicious one. Every year thousands of pilgrims travel to this sacred destination for seeking the blessings of the lord. According to Skanda Puran, religious text, Kailash is the dwelling place of Lord Shiva and his consort Devi Parvati. Why do the pilgrims visit this auspicious land every year? Everyone is in search of inner peace. It is said Mt. Kailash is the seat of eternal energy for the mortal beings. Such a sanctified journey occurs once in a lifetime. The devotees endure hardship in this due course of the journey just to encounter the significance of the lord. The omnipresence of the lord has made him completely prominent among the devotees. In Kailash Mansarovar Yatra, the prayers of the devotees come out of the depth of pure heart. The pilgrims devote to undertake this life-changing journey leaving behind all kinds of life-related problems. This journey embarks the path of salvation. In the Hindu religion, nirvana is the ultimate goal to annihilate the soul in the spiritual realm. It is advised that one takes this auspicious journey to Kailash Mansarovar to rediscover own self. Most of the pilgrims use Nepal as the gateway to enter Mt. Kailash. The devotees from India as well as from the Western countries travel to Tibet to catch the holy glimpse of Mt. Kailash. Due to high altitude, the devotees face unavoidable conditions. The enigmatic location of the site will show you the elegance of spirituality. Every devotee surrenders completely to the supreme power of Lord Shiva.

Parikrama around the mountains

The devotees undertake extreme hardships of life to reach the heavenly abode of the Lord. This journey remains incomplete without completing the circumambulation around the mountains. The life of a person starts from his birth and comes to an end with death. It is believed that the parikrama around Mt. Kailash brings a new life to the devotee. An individual starts realizing that the Lord exists in every nook and corner of this spiritual place. The Hindus believe that 108 parikramas around this religious mountain will transform his experience towards life. In spite of its arduous nature, the pilgrims will achieve a rewarding experience at the end. The yatra will bring an enlightening change in the human soul. Another parikrama is around Lake Mansarovar. The etymological meaning of the word Mansarovar is the clear stream of consciousness that brings a complete change in the human soul and mind. The devotees take a holy dip in the lake to rinse off the committed sins of life. The spiritual thinkers believe before stepping into the holy site of Mt. Kailash, everyone needs to be pure from heart and mind. Therefore this bathing ritual means to be a compulsory event for the devotees to cleanse the sins. The auspicious time to encounter the holy water of the lake is between 3 am till 5 am. In this Brahma Muhurta, it is said that the celestial beings from heaven descend to earth to take a bath in this holy water. The pilgrims cover 32km trek on foot in the mere hope of encountering the supreme power of the lord. On urgent need, the pilgrims can also hire yak to complete the journey across Mt. Kailash.

 The myth around Mt. Kailash

In Hinduism, the philosophy of Prakriti and Purusha is believed to be the ultimate seat of energy source. In the religious scriptures, Lord Shiva is defined as Purusha and Devi Parvati as Prakriti. The radiance of such spiritual power will guide you to seek true wisdom and knowledge of the universe. From the tinkling sounds of the anklets of Prakriti, the universe confronts its first sound AUM. Such cosmic sound makes reverberation in the valley. When an individual steps into such divine space, the aura of the sound can be felt easily. In this life-changing tour, one comprehends the essence of ultimate truth- ATMAN. The chaotic nature of the universe gets a form with such resonance of aura. Prakriti and Purusha indulge in the bewildering dance form of Tandav and Lashya. The spiritual thinkers believe such cosmic dance is perceived as the undying spirits of the pilgrims to travel the magical land. It is believed that the inner consciousness of an individual is knotted tightly at the apex of Mt. Kailash. After encountering such an incredible site, the conscious minds of the pilgrims are set free. After confronting the grandeur of the lord, the pilgrims rediscover the truthfulness of life. The philosophy of Shaivam stands on the base of hope and faith.  

[nicefrogtees]

Hawkins Babysitting Club Inspired by Stranger Things shirt

Watch out when it is your turn the Hawkins Babysitting Club Inspired by Stranger Things shirt! I miss Darryl So called babysitting me and lashya Free my brother. Babysitting a fussy baby and taking care of my sick bubba has taken everything outta me today. Spot of babysitting while her family get sorted. He babysits his nephews. Do any of my friends that I really no and trust babysit cheap. Good…

[themclovenlegacy]

Character Profile: Lashya

Name: Lashya Riggs (also with an uppercase i because L was used)

AKA: Voidhound, Captain, beautiful (by Corso)

Class/Species: Scoundrel/Miraluka

Specialty: Heals (mostly just stealth through everything)

Relationship Status: Married, because even though she’s a flirt, country accents really do it for her.

Partner: Corso Riggs (he had to work for it, too. I mean, he had to break that gentlemen charm for her to finally admit she wanted him. Practically threw her over his shoulder when she finally let him have her.)

Orientation: Likes her men rich or country( mostly country though, rich men are no fun and usually Sith or snobbish.)

Family/Sibling: Older Sibling/Lukas

Personality: Sassy, Sassy, Sassy. Not serious about anything except money and her friends. Loves her ship. I mean, really loves it. Really weird about stuff she likes when people ask her about them.

Background/History: The youngest of two and orphaned with her brother at age 15. She is force sensitive but does not want to become a Jedi or have anything to do with that kind of life. She has trained with her brother to suppress all force abilities that does not contribute to her vision.

The first ship she ever owned was bought for her by her brother. She quickly learned the trade of smuggling during their travels. Terrific at Sabacc and has been banned from Nar Shaddaa twice under two different names that were not her own. Though, her brother would never tell anyone, he has been banned 4 times before the Jedi cleared his name with the help of the SIS.

Became a smuggler shortly after her brother joined the Jedi order. They made a deal with the Jedi consul that she would not join the order as long as she remained in Republic space and checked with them from time to time. She quickly broke that rule, but stays in contact with her brother regularly and only he knows where she is most of the time.

Her first job as a smuggler and not a privateer was for a man named Skavak.

[themclovenlegacy]

Character Profile: Lukas

Name: Lukas (its actually spelled with a uppercase i because L wasn't available)

AKA: Hero of Tython, Jedi Commander

Class/Species: Sentinel/Miraluka

Specialty: Damage (the soft kind)

Relationship Status: With someone, but if the devs make another person romanceable, idk.

Partner: Lana (but Scourge though)

Orientation: Isn’t into really a gender, it's kind of depends on how the force looks around them. Something about how the dark side surrounds a person really interest him, even though he is completely light sided.

Family/Sibling: Younger Sibling/Lashya

Personality: Humorous and witty. Likes to remember how he was before the order, but also likes how he is now. Like to joke and tease his teammates, but can be serious when he needs to be.

Background/History: He and his sister were, I guess, orphaned, when their father died, but it was later in life. Their mother, who was a Jedi, died early on when Coruscant was attacked by the Empire. He also joined the order much later than most people, not because they didn't want him or he didn't want to, but because he wanted to wait until his sister was older enough to care for herself.

His family was quite comfortable before they passed. Even though they are both from the Miraluka home world, their parents left him and his sister a home on Coruscant, which they still own and meet with each other sometimes.

He was a privateer with his sister for a time and bought the ship that he left with his sister when he joined the order and had to give up his worldly possessions. While he was a privateer, he used his force-sensitive abilities to coerce better deals out of people and learn where were the best places to go and who he could and couldn't deal with. Amazing at Sabacc and taught his sister how to play.