#lareau

[maxdibert]

On one of the previous asks about Snape Versus James you said James 'chose not to be functional' when James canonically improved as a person whereas Snape bullied way into his adulthood. Of course, we don't know James wouldn't have, but considering he stopped hexing people in corridors and Lily fell in love with him despite hating him before I think it's fair to say James DID improve whereas Snape really didn't...

I also think the class argument can be used to a certain extent. James presumably grew up in a world where his blood status gave him power, but was not prejudiced whereas Snape was born with a lower blood status and likely faced discrimination from it (ie Bellatrix's distaste for half-bloods) and yet still embraced those views even into his adulthood (treatment of hermione)

Idk I'm not totally fond of James but I can't help but think you're being a bit unfair

Your argument overlooks several key points that complicate the simple narrative of “redemption” in James’s character. First, using Lily’s eventual affection as evidence of James’s moral transformation is problematic. It implies that a woman’s validation is the ultimate marker of a man’s improvement—a perspective that is inherently misogynistic. Genuine maturity should be measured by an internal commitment to change, not by external validation from romantic interest. After all, James continued to badmouth and bully Severus behind Lily’s back, which hardly aligns with the image of a reformed, mature individual.

Moreover, we must consider the profound impact of class and privilege. James was born into a wealthy, aristocratic family—a background that provided him with extensive social and cultural capital, as Pierre Bourdieu would argue. This advantage means that he had the support systems, resources, and a safety net that allowed him to navigate his missteps with far less consequence than someone like Severus. Academic studies, such as Annette Lareau’s Unequal Childhoods show how children from privileged backgrounds are often raised in environments that normalize and even excuse certain behaviors that would be harshly judged in less advantaged settings.

In contrast, Severus’s behavior must be understood in the context of his troubled, disadvantaged upbringing—a life marked by poverty, violence, and a lack of supportive resources. His struggles and the environment he was forced to endure shaped him in ways that make direct comparisons with James both unfair and overly simplistic. Expecting Snape to adhere to the same behavioral standards as someone who had every structural advantage is to ignore the sociological reality that class significantly influences one’s ability to “improve” or even just behave in a socially accepted manner.

Ultimately, comparing James and Snape based solely on a surface-level reading of their actions not only misses the deeper nuances of their characters but also reinforces a flawed understanding of morality. It’s not enough to note that James stopped hexing people or that Lily eventually chose him; true change should be evident in consistent, principled behavior—and in that regard, his continued mistreatment of Severus and reliance on his inherent privileges suggest that his “redemption” might be more a product of circumstance than genuine personal growth.

Or, to sum it up for you better, let me tell you something my grandfather once told me, which is basically the foundation of my entire argument:

It’s very easy not to steal when you’re not starving.

[notaboypossiblyagenius]

why do jj and tara have some chemistry in 11x08!! what in the lesbians! is that a ship? maybe it should be… i shipp all tbe femal characters together. jmeily? YUp. temily? YUP. penemily? YUP. Jordan Todd and Emily? YUP! Jara/Tennifer Lareau/Jara Jewis? Yup. yup and YUP! elle and jj? YUP. Emily and Elle? YUP.

[rebeccalatham]

Rebecca Latham’s Watercolors Featured in the 2025 Green Mountain Watercolor Exhibition

We are pleased to announce that two of Rebecca Latham’s exquisite watercolor paintings, Berry Whispers – Chickadee and Robin’s Solitude, have been selected for inclusion in the 2025 Green Mountain Watercolor Exhibition. This prestigious event will take place from June 15 to July 20, 2025, at the Red Barn Galleries at Lareau Farm and Forest, located on Rt. 100 in Waitsfield, Vermont. The opening…

[alexalblondo]

So like:

Bookclub to read “Unequal Childhoods” by Annette Lareau and discuss how the concepts apply to different countries with different school systems and social expectations wheeeeeeen???

[cdntennis]

Paris 2024 (Day 7)

Canadians Félix Auger-Aliassime and Gabriela Dabrowski won earlier today the bronze medal in the mixed doubles event with a 6-3, 7-6(2) victory over the Dutch team of Demi Schuurs and Wesley Koolhof. This is Canada's second medal in the history of the Olympics in tennis, the other one being a gold medal won by Daniel Nestor and Sébastien Lareau at the 2000 Olympic Games in Sydney. Auger-Aliassime will have a chance to win a second bronze medal tomorrow against Lorenzo Musetti in the singles event.

[daggerzine]

Cut Worms- S/T (Jagjaguwar Records)

After his Memphis produced double album, Nobody Lives Here Anymore, in 2020, Max Clarke (aka Cut Worms) ventured to a few different studios to capture some new sounds. Maybe that’s why the music on this album has him moving in different musical directions as well. On his third full length self-titled album, all songs are written, arranged, produced, and mixed by himself. Clarke is back with his psychedelic folk filled with nasal, deadpan vocals and slide guitar, but this time he’s joined by many guest musicians. But don’t worry, his great touring band, drummer Noah Bond and bassist Keven Lareau, still perform on this album. 

The album begins with “Don't Fade Out,” a piano-driven boogie. Guest artists, courtesy of the D’Adarrio brothers of Lemon Twigs fame, add a nice touch with their piano and bass. A foot tapping gem that’s a terrific way to start off the album.  Next, “Take it and Smile” is a slower song, but filled with some amazing guitar picking and “roller-skating rink” organ. “Ballad of the Texas King” is by far my favorite on the album. A bouncy song that features Florist’s Rick Spataro on piano and additional guitar. (Rick’s Onlyness Analog Studio also provided one of the recording spaces this time out.) A soaring melody and stunning piano work highlight this song. “I'll Never Make It” captures the sound of the 50s’ greats Buddy Holly and The Everly Brothers. It’s a bopping piano ballad that will have you singing along in no time.  “Is it Magic?” continues the 50s sound, but this time Beach Boys harmonies join in. 

“Let's Go Out On The Town” is another favorite of mine that takes me back to early (“Not A Second Time”) Beatles, but then shifts to more of Clarke’s unique, twangy sound. “Living Inside” slows things down a bit, nothing wrong with that; it adds to the variety of this album. Gorgeous strings written and arranged by Simon Hanes and performed by Ansel Cohen and Gabe Valle add to this mood. The next track, “Use Your Love! (Right Now),” returns to the Beach Boys scene. Another great summer song! The album ends with “Too Bad,” a somber song that we can only wish isn’t the last song. 

Nine songs in 32 minutes, not quite the quantity of his double album, but definitely the quality of the Cut Worms that we’ve grown to love. I caught his band live back in 2018 at West Fest in Chicago. I’m glad to see he’s still putting out great music and utilizing his contacts to add to his sound. Looks like a US fall tour(September through October) is set up, so be sure to catch these songs live!     ERIC EGGLESON

https://www.cut-worms.com/

https://jagjaguwar.com/artist/cutworms/

[kamalkafir-blog]

Google’s new AI will help researchers understand how our genes work

“We haven’t designed or validated AlphaGenome for personal genome prediction, a known challenge for AI models,” Google said in a statement. Underlying the AI system is the so-called transformer architecture invented at Google that also powers large language models like GPT-4. This one was trained on troves of experimental data produced by public scientific projects. Lareau says the system will…

[bautia10]

Academic Article #5: Parental Practices and Educational Achievement: Social Class, Race, and Habitus

In the article Parental Practices and Educational Achievement: Social Class, Race, and Habitus, Katerina Bodovski explores how social class, race, and parental practices intersect to shape educational outcomes. The study emphasizes that while social class influences parenting strategies, race remains a significant factor in shaping children's academic success. Middle-class parents tend to engage in "concerted cultivation," involving structured activities and active school involvement, which correlates with higher academic achievement. In contrast, working-class parents prioritize independence and discipline, fostering children’s resilience and practical skills, but this approach often does not align with the behaviors valued in schools, which can contribute to educational inequalities. Racial differences also show in the study, with African American families engaging in less concerted cultivation despite holding high educational expectations, and differences in gender investment, with White families often investing more in daughters and African American families in sons.

The article draws on Pierre Bourdieu's concepts of cultural capital and habitus, and Annette Lareau’s distinction between concerted cultivation and natural growth to frame the discussion of parental practices. The study's quantitative analysis reveals that social class and race both shape educational expectations and children's school performance, with race continuing to influence outcomes even after accounting for social class. Additionally, it underscores the importance of early childhood education in addressing racial achievement gaps. The study’s focus on Black and White families limits its broader applicability, suggesting future research could explore the experiences of other racial and ethnic groups. The article also highlights the systemic barriers, including segregated schools and unequal resources, that affect educational achievement, particularly for minority children.

[lina-vas-dom]

Moderation is a smart, simple and elegant way to live. It can be summed up in one magic word: enough. /Dominique Lareau

Художник Marina Dieul

Умеренность - это умный, простой и одновременно элегантный способ жить.  Он укладывается в одно волшебное слово - достаточно.

/Доминик Ларо

[karaoketracks]

Don't Let Me Go by Lareau Custom Mix Backing Track

[lougirlposh]

Check out this listing I just added to my Poshmark closet: Alya Lareau Black and White Floral Dress Size S.

[thebowerypresents]

Cut Worms Come Home to Close Out Tour in Brooklyn

Cut Worms – Music Hall of Williamsburg – October 11, 2023

Brooklyn-based singer-songwriter Max Clarke, better known by the moniker Cut Worms, cultivates vintage sounds that harken back to yesteryear but with timeless themes from teenage love to the American dream. On his third self-titled album, Clarke leaves behind traditional studio spaces opting for organic collaborations amongst friends — like the Lemon Twigs — in DIY spaces to continue the ruminations on love and dreams. Paste magazine dubbed his latest “an arrival of lean, pithy and charismatic psalms.” Cut Worms concluded their fall tour at Music Hall of Williamsburg on Wednesday.  Opening the set with “Let’s Go Out on the Town,” Clarke playfully remarked, “Now we are out on the town. It’s an immersive experience.” It was indeed a night out filled with echoes of Americana jangle-pop that had the hall swaying and bopping infectiously. The twang was quite prominent on “Take It and Smile,” as pedal steel player Hamilton Belk slid notes and created deep vibrato. For the more quieter, country-tinged “Is It Magic?” keyboardist John Andrews (also the opener for the night) and bassist Keven Louis Lareau came in on backing vocals to round out the enchantment.

An extra-special treat was doled out with a cover of Tom Petty’s “Louisiana Rain,” followed by the autumnal-themed “Living Inside,” offering the lyrics “When the leaves all start to change.” Clarke announced that “Don’t Want to Say Good-Bye” would be the last song of the night, but it wasn’t surprising when he returned to encore solo on “Last Words to a Refugee” and then welcomed the entire band back for “Veteran’s Day” before fans exited into the crisp fall evening with an extra pep in their step. —Sharlene Chiu | @Shar0ck Photo courtesy of Sharlene Chiu

[rebeccalatham]

Green Mountain Watercolors

I’m happy to share that two of my watercolor paintings, Berry Whispers – Chickadee and Robin’s Solitude, will be part of the 2025 Green Mountain Watercolor Exhibition at the Red Barn Galleries at Lareau Farm and Forest in Waitsfield, Vermont. The show runs from June 15 through July 20, with an opening reception on June 15 from 5:00 to 7:00 PM. Berry Whispers – Chickadee, Opaque & transparent…

[andronetalks]

What is UAW? What to know about the union at the heart of industry-wide auto workers strike

USA Today Mary Walrath-Holdridge, Eric D. Lawrence, Jamie L. LaReau, Phoebe Wall Howard, Lily Altavena, Susan Tompor USA TODAY September 15, 2023 A breakdown in negotiations late Thursday night has led to major union movement in the automotive industry. UAW, the labor union representing hundreds of thousands of auto industry workers, called a strike when the deadline to make a new deal passed at…

[cdntennis]

WTA Finals 2024 (Riyadh, Saudi Arabia)

Canadian Gabriela Dabrowski and Erin Routliffe captured the title at the WTA Finals thanks to a 7-5, 6-3 victory over Kateřina Siniaková and Taylor Townsend. The pair won their five matches this week en route to the title (three wins in round robin and two in the final phase). Dabrowski is the first Canadian to win a title at the WTA year-end championship, and the fourth man or woman (with Grant Connell, Sébastien Lareau and Daniel Nestor).

[mag202o]

https://www.freep.com/story/opinion/columnists/2023/09/10/jamie-lareau-character-grit-requisites-for-longevity/70681119007/