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fatehbaz · 6 years ago

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Some of these sources might be useful for anyone interested in indigenous Polynesian and Micronesian ethnobotany, folklore, and astronomy:

Abbott, Isabella A. “Polynesian Uses of Seaweed.” In Islands, Plants, and Polynesians: An Introduction to Polynesian Ethnobotany. Edited by Paul Alan Cox and Sandra Anne Bannack. Portland, Oregon: Dioscorides Press, 1991.

Alencar, Victor Aves. “Sky Observation and Mythology: Paths to an Astronomical Culture.” Proceedings of the International Astronomical Union Volume 5 Issue S260, 207-212.

Allen, Melinda S. “Coastal Morphogenesis, Climatic Trends, and Cook Islands Prehistory.” In Cultural Ecology in the Pacific Islands. Edited by Patrick V. Kirch and Terry L. Hunt. New Haven: Yale University Press, 1997.

Alpers, Antony. Legends of the South Sea: The World of the Polynesians seen through their Myths and Legends, Poetry and Art. New York: Thomas Y. Crowell Company, 1970.

Anderson, Atholl. “Epilogue: Changing Archaeological Perspectives upon Historical Ecology in the Pacific Islands.” Pacific Science 63:4 (2009).

Aswani, Shankar and Michael W. Graves. “The Tongan Maritime Expansion: A Case in the Evolutionary Ecology of Social Complexity.” Asian Perspectives 37:2 (1998).

Aveni, Anthony. People and the Sky (Our Ancestors and the Cosmos). New York: Thames and Hudson Inc., 2008.

Bannack, Sandra Anne. “Plants and Polynesian Voyaging.” In Islands, Plants, and Polynesians: An Introduction to Polynesian Ethnobotany, edited by Paul Alan Cox and Sandra Anne Bannack. Portland, Oregon: Dioscordes Press, 1991.

Beckwith, Martha. Hawaiian Mythology. Honolulu: University of Hawaii Press, 1977.

Black, Sharon, Thomas Wright and Lynnette Erickson. “Polynesian Folklore: An Alternative to Plastic Toys.” Children’s Literature in Education 32:2 (2001).

Buck, Peter H. Vikings of the Sunrise. New York: Stokes, 1938.

Burley, David V. “Archaeological Demography and Population Growth in the Kingdom of Tonga: 950 BC to the Historical Era.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.

Connell, John. “Island Dreaming: The Contemplation of Polynesian Paradise.” Journal of Historical Geography 29:4 (2003).

Coppett, Daniel and Andre Iteanu. Cosmos and Society in Oceania (Explorations in Antrhopology). Oxford: Berg Publishers, 1995.

Couper, Alastair. Sailors and Traders: A Maritime History of the Pacific Peoples. Honolulu: University of Hawaii Press, 2009.

Crawford, Peter. Nomads of the Wind: A Natural History of Polynesia. London: BBC Books, 1993.

Cunningham, Sean P. “A Story of Yams, Worms, and Change from Ancestral Polynesia.” The Journal of Island and Coastal Archaeology 7:2 (2012).

D’Arcy, Paul. The People of the Sea: Environment, Identity, and History in Oceania. Honolulu: University of Hawaii Press, 2006.

Despland, Michel. “Two Ways of Articulating Outsider’s Knowledge of Polynesian Culture and Religion: Melville’s Typee and Mardi.” Method and Theory in the Study of Religion 16:2 (2004).

Devall, Bill and George Sessions. Deep Ecology: Living as if Nature Mattered. Layton, Utah: Gibbs Smith, 1985.

Edwards, Edmundo. “Astronomically-aligned Religious Structures on Raiatea and Raivavae and the Matariki Festival of 1770 on Easter Island.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).

Eliade, Mircea. “Nostalgia for Paradise.” In The Inner Journey: Myth, Psyche, and Spirit (PARABOLA Anthology Series). Edited by Martha Heyneman. Series Editor: Ravi Ravindra. Sandpoint, Idaho: Morning Light Press, 2008.

Filihia, Meredith. “Shamanism in Tonga: An Assessment.” The Journal of Polynesian Society 117:4 (2008).

Finney, Ben. “Myth, Experiment, and the Reinvention of Polynesian Voyaging.” American Anthropologist 93:2 (1991).

Gladwin, Thomas. East is a Big Bird: Navigation and Logic on Puluwat Atoll. Cambridge, Massachusetts: Harvard University Press, 1970.

Glavin, Terry. The Last Great Sea: A Voyage through the Human and Natural History of the North Pacific Ocean. Vancouver, British Columbia: Greystone Books, 2000.

Gooley, Tristan. The Natural Navigator: The Rediscovered Art of Letting Nature Be Your Guide. New York: The Experiment, 2012.

Goto, Akira. “Archaeoastronomy and ethnoastronomy in the Ryuku Islands: A preliminary report.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).

Grimble, Arthur. “Gilbertese Astronomy and Astronomical Observations.” Journal of the Polynesian Society 40 (1931).

Grimble, Arthur. Migrations, Myth and Magic from the Gilbert Islands. London: Routledge, 1972.

Groube, L.M. “Tonga, Lapita Pottery, and Polynesian Origins.” Journal of Polynesian Society 80:3 (1971).

Gunson, Niel. “A Note on Oceanic Shamanism.” Journal of the Polynesian Society 119:2 (2010).

Gunson, Niel. “Understanding Polynesian Traditional History.” The Journal of Pacific History 28:2 (1993).

Hamacher, Duane W. and Ray P. Norris. “‘Bridging the Gap’ through Australian Cultural Astronomy.” Proceedings of the International Astronomical Union Volume 7, Symposium S278 (2011).

Hames, Raymond. “The Ecologically Noble Savage Debate.” Annual Review of Anthropology 36 (2007).

Heyerdahl, Thor. Early Man and the Ocean (A Search for the Beginnings of Navigation and Seaborne Civilizations). Garden City, NY: Doubleday & Company, 1979.

Irwin, Geoffrey. The Prehistoric Exploration and Colonisation of the Pacific. Cambridge: Cambridge University Press, 1996.

Kahn, Miriam. “Tahiti: The Ripples of Myth on the Shores of the Imagination.” In History and Anthropology 11:4 (2003).

Kalakaua, His Hawaiian Majesty King David. “Hina: The Helen of Hawaii.” In The Legends and Myths of Hawaii. Edited by R.M. Daggett. Honolulu: Mutual Publishing, 1997.

Kelley, David H. and Eugene F. Milone. Exploring Ancient Skies: A Survey of Ancient and Cultural Astronomy. New York: Springer New York, 2011.

Kirch, Patrick V. “Changing Landscapes and Sociopolitcal Evolution in Mangaia, Central Polynesia.” In Historical Ecology in the Pacific Islands. Edited by Patrick V. Kirch and Terry L. Hunt. New Haven: Yale University Press, 1997.

Kirch, Patrick V. The Evolution of the Polynesian Chiefdoms. Cambridge: Cambridge University Press, 1984.

Kirch, Patrick V. “’Like Shoals of Fish’: Archaeology and Population in Pre-Contact Hawaii.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.

Kirch, Patrick V. “Solstice observations in Mangareva, French Polynesia.” Archeoastronomy: the Journal of Astronomy in Culture 18 (2004).

Kirch, Patrick V. “Temple Sites in Kahi Kinui, Maui, Hawaiian Islands: Their Orientations Decoded.” Antiquity 78:299 (2004).

Kirch, Patrick V. and Jean-Louis Rallu. “Long-term Demographic Evolution in the Pacific Islands.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.

Ladefoged, Thegn N. and Michael W. Graves. “Modelling Agricultural Development and Demography in Kohala, Hawaii.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.

Lessa, William A. “Origins.” In More Tales from Ulithi Atoll: A Content Analysis. Edited by William A. Lessa. Berkely: University of California Press, 1980.

Lewis, David. “A Return Voyage between Puluwat and Saipan using Micronesia Navigational Techniques.” Journal of Polynesian Sociology 80:4 (1971).

Lewis, David. “Voyaging Stars: Aspects of Polynesian and Micronesian Astronomy.” Philosophical Transactions of the Royal Society of London: Series A, Mathematical and Physical Sciences 276:1257 (1974).

Lewis, David H. We, the Navigators: The Ancient Art of Landfinding in the Pacific. London: Angus and Robertson, 1972.

Luomala, Katharine. Ethnobotany of the Gilbert Islands. Honolulu: Bernice P. Bishop Museum, 1953.

Magli, Giulio. Mysteries and Discoveries of Archaeoastronomy (From Giza to Easter Island). New York: Copernicus Books, 2009.

Makemson, Maud Worcester. The Morning Star Rises: An Account of Polynesian Astronomy. New Haven: Yale University Press, 1941.

Malnic, Jutta with John Kasaipwalova. Kula: Myth and Magic in the Trobriand Islands. Wahroonga, NSW: Cowrie Books, 1998.

Mawyer, Alexander. “The Oceanic Drift in Polynesian Linguistics.” Language and Communication 28:4 (2008).

McLuhan, T.C. The Way of the Earth: Encounters with Nature in Ancient and Contemporary Thought. New York: Simon and Schuster, 1994.

Mercer, P.M. “Oral Tradition in the Pacific: Problems of Interpretation.” The Journal of Pacific History 14:3 (1979).

Neves-Graca, Katja. “Elementary Methodological Tools for a Recursive Approach to Human-Environmental Relations.” In Person, Space and Memory in the Contemporary Pacific: Volume 1: Experiencing New Worlds. Edited by Jurg Wassmann and Katharina Stockhaus. Oxford: Bergham Books, 2007.

Nunn, Patrick D. “Fished Up or Thrown Down: The Geography of Pacific Island Origin Myths.” Annals of the Association of American Geographers 93:2 (2003).

Nunn, Patrick D. “On the Convergence of Myth and Reality: Example from the Pacific Islands.” The Geographical Journal 167:2 (2001).

Oliver, Douglas L. Ancient Tahitian Society: Social Relations. Honolulu: University of Hawaii Press, 1974.

Oliver, Douglas L. Oceania (The Native Cultures of Australia and the Pacific Islands). Honolulu: University of Hawaii Press, 1989.

Penprase, Bryan E. The Power of Stars (How Celestial Observations Have Shaped Civilization). London: Springer, 2011.

Poignant, Roslyn. “Polynesia.” In Oceanic Mythology: The Myths of Polynesia, Melanesia, Australia. Edited by Roslyn Poignant. London: Paul Hamlyn, 1967.

Ragone, Diane. “Ethnobotany of Breadfruit in Polynesia.” In Islands, Plants, and Polynesians: An Introduction to Polynesian Ethnobotany. Edited by Paul Alan Cox and Sandra Anne Bannack. Portland, Oregon: Dioscorides Press, 1991.

Rallu, Jean-Louis. “Pre- and Post-Contact Population in Island Polynesia: Can Projections Meet Retrodictions?” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.

Ryan, Anna. Where Land Meets Sea: Coastal Explorations of Landscape, Representation and Spatial Experience. Farnham, England: Ashgate Publishing Limited, 2012.

Sahlins, Marshall D. Social Stratification in Polynesia. Seattle: University of Washington Press, 1958.

Smith, W. Ramsay. Myths and Legends of the Australian Aborigines. Mineola, New York: Dover Publications, Inc., 2003.

Stone, Benjamin C. “The Role of Pandanus in the Culture of the Marshall Islands.” In Plants and the Migrations of Pacific Peoples: A Symposium. Edited by Jacques Barrau. Honolulu: Bishop Museum Press, 1963.

Strathern, Andrew and Pamela J. Stewart. “Actors and Actions in ‘Exotic’ Places.” In Person, Space and Memory in the Contemporary Pacific: Volume 1: Experiencing New World. Edited by Jurg Wassmann and Katharina Stockhaus. Oxford: Bergham Books, 2007.

Suggs, Robert C. The Island Civilizations of Polynesia. New York: The New American Library, 1960.

Titcomb, Margarex (with the collaboration of Mary Kawena Pukui). Dog and Man in the Ancient Pacific with Special Attention to Hawaii. Honolulu: Bernice P. Bishop Museum, 1969.

Tuljapurkar, Shirpad, Charlotte Lee and Michelle Figgs. “Demography and Food in Early Polynesia.” In The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives. Edited by Patrick V. Kirch and Jean-Louis Rallu. Honolulu: University of Hawaii Press, 2008.

Williamson, Robert W. Religious and Cosmic Beliefs of Central Polynesia. London: Cambridge University Press, 1933.

Winduo, Steven Edmund. “Unwriting Oceania: The Repositioning of the Pacific Writer Scholars within a Folk Narrative Space.” New Literary History 31:3 (2000).

Whistler, Dr. W. Arthur. Polynesian Herbal Medicine. Lawai, Hawaii: National Tropical Botanical Garden, 1992.

My first thesis was about Oceanian environmental knowledge. These are some of the better references I have come across. Two of the most authoritative researchers of early Polynesian knowledge are David Lewis (expert on wayfinding) and Patrick V. Kirch (expert on ethnobotany and land-use); they dominate most bibliographies on the subject. I also like the work of Patrick Nunn, who focuses more on Polynesian folklore.

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ettalongaustralia · 3 years ago

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erinaaustralia · 3 years ago

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terrigalaustralia · 3 years ago

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landgarden12 · 2 months ago

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Enhancing Outdoor Spaces with Landscaping in Wahroonga

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architectnews · 4 years ago

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2021 Australian Interior Design Awards Shortlist

Australian Interior Design Awards 2021 Shortlist, DIA News, Architecture

2021 Australian Interior Design Awards Shortlist News

20 May 2021

Australian Interior Design Awards 2021 Shortlist

Australian Interior Design Awards 2021

The highly anticipated 2021 Australian Interior Design Awards shortlist has been announced, with 190 projects recognised for excellence in interior design.

As Australia’s eminent design program, the industry-based awards acknowledge the exceptional interior design work produced across the residential, commercial and public sectors, both domestically and internationally.

Delivered by the Design Institute of Australia (DIA) and Architecture Media’s Artichoke magazine, the 2021 campaign marks the awards’ eighteenth year, and a return to the regular program following the successful execution of the first-ever digital broadcast in 2020.

The jury, made up of some of the countries most esteemed interior designers, noted that this year’s shortlist highlighted the ingenuity of Australia’s design community, with featured practices embracing the challenges presented by the pandemic, resulting in a transformation of traditional typologies that reject the ways of the past for something entirely new.

The 2021 jury, convened by Geraldine Maher, Director of Geraldine Maher Design, includes:

• Madeleine Blanchfield, Director, Madeleine Blanchfield Architects (NSW) • Caroline Diesner, Principal, Hassell (QLD) • Ryan Genesin, Director, Genesin Studio (SA) • Yasmine Ghoniem, Principal, YSG (NSW) • Patrick Kennedy, Founding Director, Kennedy Nolan (VIC) • George Livissianis, Founder, George Livissianis (NSW) • Rachael McCarthy, Studio Director, Bates Smart (VIC) • Adele Winteridge, Founding Director, Foolscap Studio (VIC)

The full list of final award recipients will be presented at the Awards Announcement Dinner, which will be held at the Hyatt Regency in Sydney on Friday, 3 September 2021.

Burgmann Anglican School – Early Learning Centre:

photo : Anne Stroud

2021 SHORTLIST

Residential Design

Adam Kane Architects for Barwon Heads House, Victoria ADDARC for Toorak Residence, Victoria Alcorn Middleton for Walan Apartment, Queensland Alexander and Co for Spotted Gum House, New South Wales Architecton for Moonee Ponds Residence, Victoria Architects EAT for Bellows House, Victoria Architects Ink for Margie’s Dream, South Australia Arent and Pyke with Luigi Rosselli Architects for La Casa Rosa, New South Wales Arent and Pyke with Polly Harbison Design for Garden House, New South Wales Arent and Pyke with Vitale Design for Queens Park House, New South Wales AVID Alice Villella Interior Design with Cera Stribley Architects for Myvore House, Victoria Beatrix Rowe Interior Design and Pop Architecture for South Yarra 01, Victoria Biasol Studio for Scalpellino House, Victoria Carole Whiting Interiors and Whiting Architects for Peace Project, Victoria Carr for Peninsula House, Victoria Cera Stribley and McCluskey Studio for Tess’ House, Victoria Conrad Architects for Toorak Garden Residence, Victoria Conrad Architects for Middle Park Residence, Victoria Design Office for The Carringbush Hotel, Victoria DKO Architecture for Alexander St, New South Wales Eastop Architects for Chenier, Victoria Eastop Architects for Eastbourne, Victoria Fiona Lynch Interior Design Studio for Ottawa House, Victoria Flack Studio for Potts Point, New South Wales Flack Studio for Middle Park, Victoria Flack Studio for Maxwell, Victoria Fox Johnston for SRG House, New South Wales Fox Johnston for Whale Beach House, New South Wales Jackson Clements Burrows Architects for Divided House, Victoria Kennon Architecture and Interiors for Packington, Victoria Killing Matt Woods for Four Ages, New South Wales KPDO for White House, Victoria KPDO for Art House, Victoria Kyra Thomas Architects for Queens Park House, New South Wales Martin J Scott Design for Berwick Residence, Victoria Mathieson Architects for Kirribilli Apartment, New South Wales Matt Gibson Architecture and Design for Fitzroy Bridge House, New South Wales McKimm Design for Sussex House, Victoria Myers Ellyett for Evelyn, Queensland Myers Ellyett for Harcourt, Queensland Megan Hounslow in collaboration with Neil Architecture for Netherby House, Victoria O’Connor and Houle Architecture and Landscapes for Oliver Lane Apartment, Victoria Pohio Adams Architects for Fairweather, New South Wales Powell and Glenn for Canopy House, Victoria Renato D’Ettorre Architects for K House, New South Wales Sam Crawford Architects for Annandale Terrace, New South Wales Skulptur Architecture & Interiors for Toorak Town Residence, Victoria Splinter Society Architecture for Colonnade House, Victoria Studio AEM for Inside Outside House, New South Wales Studio Bright for 8 Yard House, Victoria Studio Esteta for Mornington Peninsula House, Victoria Studio Four for Cunningham Street Residence, Victoria Studio Prineas for Bona Vista, New South Wales Templeton Architecture for Sussex House, Victoria Therefore for Richmond House, Victoria Tobias Partners for Bronte Terraced House, New South Wales Tom Mark Henry for Wahroonga House, New South Wales Travis Walton Architecture for Carlton North Residence, Victoria Williams Burton Leopardi for Walkerville Residence, South Australia Wrightson Stewart for Hendra Project, Queensland

ACMI Renewal:

photo : Shannon McGrath

Residential Decoration

Arent and Pyke for Garden House, New South Wales Arent and Pyke for Hue House, New South Wales Arent and Pyke for La Casa Rosa, New South Wales Arent and Pyke for Queens Park House, New South Wales AVID Alice Villella Interior Design for Myvore House, Victoria Chelsea Hing for Emerald Terrace, Victoria Doherty Design Studio for Toorak House, Victoria Esoteriko for Bunker in the Treetops, New South Wales Flack Studio for Middle Park, Victoria Hare and Klein for Woollahra Valley House, New South Wales Louise Walsh Interior Design for Mona Lane, New South Wales Lucy Bock Design Studio for Williamstown Residence, Victoria Martin J Scott Design for Berwick Residence, Victoria Matt Gibson Architecture and Design for Fitzroy Bridge House, Victoria Nickolas Gurtler Interior Design for RDG Residence, Victoria Pohio Adams Architects for Fairweather House, New South Wales Skulptur Architecture and Interiors for Toorak Town Residence, Victoria Studio AEM for Inside Outside House, New South Wales

The Mercy Centre Mater Private Hospital Townsville:

photo : Andrew Rankin

Hospitality Design

Agents of Architecture for Farmer’s Daughters, Victoria Alexander and Co for Harbord Hotel, New South Wales Amok for Agnes, Queensland BAR Studio for Park Hyatt Niseko Hanazono, Japan Bates Smart for Hilton Melbourne Little Queen Street, Victoria Bergman and Co for Poodle Bar and Bistro, Victoria Biasol Studio for Billie Buoy, Victoria Chris Connell Design for Hero ACMI, Victoria Derlot Group for Ping Pong Thai Restaurant, Queensland Design Office for Byrdi, Victoria Fiona Drago Architect for First Love Coffee, Victoria Fiona Lynch Interior Design Studio for CicciaBella, New South Wales Foolscap Studio for 1R Australia, Victoria Genesin Studio for Never Never Distillery, South Australia Genesin Studio in collaboration with Walter Brooke for ITL, South Australia Genesin Studio in collaboration with Walter Brooke for SOL Bar and Restaurant, South Australia Greg Natale Design in collaboration with PTID for Cotton On Wellness, Victoria Hecker Guthrie for Maddox Fit, Victoria Hecker Guthrie and Walter Brooke for EOS By SkyCity, South Australia Jackson Clements Burrows Architects for Mercedes-Benz Lifestyle, Queensland Kennon Architecture and Interiors for Citizen Snack Bar, Victoria Loop Creative for Sydney Tower Projects, New South Wales Luchetti Krelle for The Upper, Japan Platform by Design Office for Industry Beans Brisbane, Queensland Proto-Tipo for No. 179, Victoria Ritz and Ghougassian for Prior, Victoria Sans-Arc Studio for Bloom, South Australia Setsquare Studio, Chamberlain Architects and Hearth Studio for Sense of Self Bathhouse, Victoria Studio Gram for Hotel Indigo, South Australia Wall Architects for Meet Fresh, Victoria Woods Bagot for The Next Hotel, Melbourne, Victoria YSG for Four Pillars – Eileen’s Bar and Gin Laboratory, New South Wales YSG for Atomic Beer Project, New South Wales

Installation Design

Becoming You Exhibition Project Team for Becoming You: An incomplete guide, Victoria BoardGrove Architects for NGV Triennial 2020 Outdoor Pavilions, Victoria BVN: Re-Ply for Re-Ply: NeueHouse Longhouse, USA Enoki and Alison Currie and Australian Dance Theatre for Of All Things, South Australia Fiona Lynch Interior Design Studio for 80 Collins, Victoria Liminal Spaces for The Bleeding Tree, Tasmania Russell and George for Sarah and Sebastian, Victoria Scott Carver in collaboration with Artists in Motion for Sydney Opera House Tours Immersive Digital Experience, New South Wales Studio Plus Three for The Nicholson Galleries, Chau Chak Wing Museum, New South Wales Sydney Living Museums with collaborating practice Local Projects for Hyde Park Barracks Visitor Experience, New South Wales Thylacine Design for Penguin Parade Visitor Centre, Victoria Thylacine Design for Western Australian Museum (Boola Bardip), Western Australia Youssofzay and Hart for No Show, New South Wales Zwei Interiors Architecture for Citizen.MDW, Victoria

Rouse Hill Childcare, New South Wales:

photo : Ross Honeysett

Public Design

Alexandra Kidd Design for Cheltenham Early Education Centre, New South Wales BKK Architects and Razorfish for ACMI Renewal, Victoria Bury Kirkland Ferri with Gilby and Brewin Architecture for Spring Bay Mill – The Banksia Room, Tasmania CO-AP Architects for Rouse Hill Childcare, New South Wales Cox Architecture for Equine Education Centre at Willinga Park, New South Wales Cox Architecture for Burgmann Anglican School – Early Learning Centre, Australian Capital Territory Cox Architecture, Neeson Murcutt and Neille for Project Discover, New South Wales Kosloff Architecture for La Trobe University Library Bendigo, Victoria Peddle Thorp for The Mercy Centre, Mater Private Hospital Townsville, Queensland Studio Jigen for Yakult Visitor Centre, Victoria

Spring Bay Mill – The Banksia Room, Tasmania:

photo : Samuel Shelley

Retail Design

Akin Atelier for Camilla and Marc Armadale, Victoria Hecker Guthrie for Piccolina Degraves Street, Victoria Hecker Guthrie for Piccolina Hardware Lane, Victoria Hecker Guthrie for Piccolina Swan Street, Victoria Herbert and Mason in Collaboration with Grown Alchemist for Grown Alchemist, Victoria INK interior architects for AHW Studio, New South Wales Kennon Architecture and Interiors for Joey Scandizzo Salon, Victoria Latitude Group and Studio Massive for SBB, Victoria Loop Creative for Locali, New South Wales MADA Studio for Men’s Culture, New South Wales Russell and George for Sarah and Sebastian, Victoria Skeehan Studio for Canberra Glassworks, Australian Capital Territory Studio Griffiths for KTT Showroom, Victoria TA Square Architects for Kurimu The Glen, Victoria We Are Triibe and Future Studio for Dimes Cannabis, Toronto, Canada Woods Bagot for Sculptform, Victoria YSG for Four Pillars – Gin Shop, New South Wales

Workplace Design

3XN with NH Architecture for 600 Bourke Place Lobby, Victoria A1 Office for Clevertronics, Victoria Akin Atelier for INCU HQ, New South Wales Alexander and Co for Alexander House, New South Wales Architects EAT for Alfred Stables, Victoria Bates Smart for Publicis Groupe at Workshop, New South Wales Hayball for Melbourne Studio, Victoria BVN for Yarpa Indigenous Business and Employment Hub, New South Wales Carr for Norton Rose Fulbright Melbourne, Victoria Carr for MinterEllison Melbourne, Victoria Carr for Lander and Rogers Melbourne, Victoria Cox Architecture for Agile Workplace, New South Wales Cox Architecture for Transurban Workplace, Queensland Davenport Campbell for The Foundry – CBA at South Eveleigh, New South Wales Elenberg Fraser for Market Lane, Victoria Esoteriko for Dental Clinic: Brave New World, New South Wales Fitzpatrick and Partners Architects for F+P Studio, New South Wales Foolscap Studio for ANZ Centre, L10, Victoria Gray Puksand for The Hester Hornbook Academy, Victoria Greg Natale Design in colloboration with PTID for Cotton On Beckley, Victoria Grimshaw for 35 Collins Street, Victoria Group GSA for Chanel, New South Wales Hassell for Langdon Coffee Merchants, Victoria Hogg and Lamb for McConaghy Projects, Queensland Native Design Workshop for Victoria Arduino Experience Lab, Victoria Pierce Widera for Core Performance Physiotherapy, Victoria Pixel Architecture for Young Group Collins Street Office, Victoria Powell and Glenn for Gurner Head Office, Victoria Siren Design for The Commons Cremorne, Victoria Smart Design Studio for Smart Design Studio, New South Wales Studio Jigen for Yakult Visitor Centre, Victoria Those Architects for Aje Office, New South Wales Travis Walton Architecture for Caulfield North Office, Victoria Tzannes for Judith Neilson Institute for Journalism and Ideas, New South Wales Unispace for QIC Melbourne, Victoria Woods Bagot for Goodman – The Hayesbery, New South Wales Woods Bagot for Central Park Lobby, Western Australia Woods Bagot for SLR Consulting Sydney

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photographs : Trevor Mein

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Indigo Slam, NSW, by Smart Design Studio: photo : David Roche

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jeremystrele · 6 years ago

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A Beginner’s Guide To Bauhaus… in OZ!

A Beginner's Guide

by Miriam McGarry

Marcus Seidler House, Wahroonga NSW, by Architect Harry Seidler, 1953. Photo – Harry Seidler.

Marcus Seidler House, Wahroonga NSW, by Architect Harry Seidler, 1953. Photo – Harry Seidler(Left) Rose Seidler House, Wahroonga NSW, by Architect Harry Seidler, 1950. Photo – Marcell Seidler. (Right).

Rose Seidler House, Wahroonga NSW, by Architect Harry Seidler, 1950. Photo – Marcell Seidler.

What Was The Bauhaus School?

The Bauhaus School was founded by German Architect Walter Gropius in 1919 for art, architecture and design. Bauhaus means ‘House of Building’ or ‘Building School’, and its legacy has shaped modernist art, architecture, graphic design, interior design, industrial design, and typography. Pioneers of the movement include Mies van der Rohe, Paul Klee, Wassily Kandinsky, Marcel Breuer (designer of the iconic Wassily Chair) and Josef Albers.

Rather than promoting a specific aesthetic style, the Bauhaus school was about a way of working – of collaboration between disciplines, and the value of craftsmanship coupled with an acknowledgement of the power of mass production to share beautiful utilitarian design. The goal was to create accessible, beautiful design for living – a Gesamtkunstwerk: ‘total work of art.’ (On a side note, the movement also brought us Bauhaus Ballet, which if you haven’t seen, is WELL worth a look).

The Bauhaus School was shut down by the Nazi regime in 1933, who were suspicious of the Bauhaus’ left-wing leanings. But teachers and students at the school continued to share and develop their teachings… including those who subsequently migrated to Australia.

Migrating Bauhaus – The Movement In Australia

The Bauhaus narrative in Australia is one of European diaspora, where students of the movement migrated to a new continent and created an enduring influence on local art, architecture and design. For a full discussion, including the works of artist Ludwig Hirschfeld Mack and designer Gerald Herbst, listen to the M Pavillion lecture ‘Bauhaus Emigres in Australia.’ Below we introduce you to two significant figures, architect Harry Seidler and sculptor Inge King.

Iconic Australian architect Harry Seidler was born in Austria, and forced to flee to England as a teenager when Nazi Germany occupied Austria in 1938. He later obtained a first class degree in Canada, before attending the Harvard Graduate School of Design under Walter Gropius and Marcel Breuer, and the famous Black Mountain College with painter Josef Albers. In 1948 Seidler arrived in Australia, and designed the Rose Seidler House for his parents. This important project translated Bauhaus architecture to an Australian setting, and Seidler’s legacy continues to shape the architectural identity of the nation.

Sculptor Inge King was born in Germany and migrated to Australia in 1951, but first connected with the Bauhaus school during a trip to New York in 1949. While in America, Walter Gropius assisted in arranging her a scholarship at the Chicago Institute of Design. King’s work was celebrated with a retrospective exhibition at the NGV in 2014, and her large scale sculptures sit at Heide and the Arts Centre on Southbank.

Peter D Cole, Elemental landscape 2009-19, enamel on brass, 52 parts, dimensions variable. Exhibited in the ‘Bauhaus Now!’ Buxton exhibition. Photo – courtesy of Peter D Cole.

Inge King Constellation. (left) Herald fountain, maquette 1957. Photo – courtesy of The NGV.

The Bauhaus school – (Left). Liam Fleming, Graft Vase, 2018. Image courtesy of the artist. Exhibited at the JamFactory in ‘Materials Matter.’ (Right)

Susan Frost, Porcelain vessels, 2017-2019. Photo: Michael Haines. Exhibited at the JamFactory in ‘Materials Matter.’

100-Year Celebrations

As part of the centenary of Bauhaus, exhibitions are being held all over the world the celebrate the ongoing legacy of the school and its teachings. In addition to the two exhibitions we describe below, you can also visit ‘From Bauhaus To Ikea’ in Sydney and Bauhaus Foto in Ballarat later in the year.

So much Bauhaus, so little time….

On now in Adelaide, the JamFactory presents Materials Matter: A Bauhaus Legacy from May to July. The exhibition highlights the influence of the Bauhaus philosophies on the craft and design culture in South Australia. Materials Matter reflects the teaching practices of the Bauhaus, in relation to the JamFactory’s craft and design workshops in metal, ceramics, glass, furniture and textiles. The 10 exhibitors – Frank Bauer, Kay Lawrence, Christian Hall, Susan Frost, Gabriella Bisetto, Lex Stobie, Liam Fleming, Lilly Buttrose, Jake Rollins, and Ebony Heidenreich – explore the legacies of the Bauhaus in their contemporary works. Frank Bauer, whose father Carl trained at the Bauhaus explains ‘we are just part of a long, continuous chain, with a long accumulation of techniques and wisdom. We are always constantly building on that, and we should acknowledge that. We should give homage to predecessors.’

Materials Matter: A Bauhaus Legacy May 17th – July 14th JamFactory 19 Morphett Street Adelaide, South Australia

Bauhaus Now at Melbourne’s Buxton Contemporary runs from July to October, and celebrates the legacy of the art and design school in Australia. The exhibition highlights the ‘visionary, collectivist ideals’ of Bauhaus, and the experimental practices of members of the Bauhaus Diaspora. Bauhaus Now features a Lantern Parade inspired by the early Wiemar Bauhaus mid-winter festivals, as well as a video performance by Mikala Dwyer and Justene Williams titled ‘Mondspiel/Moonplay’ inspired by members of the Bauhaus forced to flee Germany. There will also be a recreation of Bauhaus experiments of colour and light, and archival pieces from Bauhaus students who migrated to Australia.

Bauhaus Now June 26th – October 20th Buxton Contemporary Corner Dodds Street and Southbank Boulevard Melbourne, Victoria

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grandpaintingau · 7 years ago

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Painter Roseville: All About Painting And Its Type

Painting is a broad concept that most of us are not quite aware of. According to painter Roseville, many take up painting as a serious profession. To apply paint on any surface, you need a brush or a sponge. Even knives or airbrushes can be used. No doubt, the use of new equipments in the field of painting is getting more and more common with the passage of time. Several painter Roseville explains that painting is the mode through which one can express their emotions and show their creativity. Each painting symbolises different aspects of life. Paintings can include portraits or landscapes. Abstract painting is something which holds subdued stories within them which can only be explained by the painter himself. Narrative painting is also much known in Roseville. Paintings express those emotions which words cannot. Paintings can represent one’s life and the suffering attached to it. Painter Wahroongadigs- deep into the elements of painting Painter Wahroonga says that there are several elements of painting. The colour and tone are the two most important parts in painting. Colour has a subjective value for example black represents death and white represents peace. Red is the colour of affection while blue is the colour of happiness. The colour red is always considered as something bright and lustrous. For a layman, there is no difference between the different shades of blue. But painter Wahroonga explains the various shades of blue which they use while painting. Each shade has its own characteristics. Painters not only play with colours but also with its pigment. Each colour has its own psychological meaning but painter Wahroonga and other painters all over the world focuses on the subjective meaning of the colour. Different non-traditional methods have been introduced in painting for example many painters use sand, wood or cement in their painting or “collage” as they would term them. Last but not the least; rhythm is a very important element. Rhythm is important in music as well in painting. The application of rhythm in painting gives the painting an aesthetic value. Painter Roseville explains the different theories of painting Painter Roseville emphasised on aesthetics of painting. It refers to art and beauty. It’s very important for any painting to portray art and beauty. Some painters hold the view that paintings not only show truth but can show reality as well. While some painters focused on beauty, some focused on subliminal value. Some defined painting as a form of poetry also. Iconography is term which focuses on the content of painting. Based on this study, it says that every painting has a social and religious meaning. Previously painters used to focus on the nature but nowadays it’s the content that matters. The oldest painting is said to be 32.000 years old. A big slab of stone was engraved and ochre red was used to paint on it. The painting showed several abstract designs and animal figures. There are several examples of cave painting all over the world which proves the historical existence of painting.

#Painter Roseville

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landgarden12 · 8 months ago

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Investing in professional landscaping in Wahroonga offers numerous benefits, from enhancing property value and supporting local ecosystems to improving personal well-being and lifestyle. By taking advantage of these benefits, homeowners can create beautiful, functional, and sustainable outdoor spaces that enhance their enjoyment and contribute positively to the community.

#Landscaping Wahroonga

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landgarden12 · 8 months ago

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The Advantages Of Professional Landscaping In Wahroonga

Landscaping in Wahroonga can offer a range of benefits that extend beyond mere aesthetics. Whether you’re looking to enhance your home’s kerb appeal or create a serene outdoor retreat, professional landscaping provides valuable advantages tailored to the local environment and community. This article explores the unique benefits of investing in landscaping services in Wahroonga.

1. Enhancing Local Ecosystems

- Habitat Creation:

Landscaping can support local wildlife by creating habitats with native plants and shrubs. This can attract beneficial insects, birds, and other wildlife, enhancing the biodiversity of the area.

- Pollution Reduction:

Trees and plants help absorb pollutants and reduce noise levels. In a suburban setting like Wahroonga, this contributes to a quieter and cleaner environment.

2. Personal Well-being and Lifestyle

- Outdoor Living Spaces:

Professional landscaping can transform your outdoor areas into functional living spaces. Features such as patios, pergolas, and outdoor kitchens create areas for relaxation and entertainment, enhancing your lifestyle and enjoyment of your home.

- Stress Reduction:

Spending time in well-landscaped outdoor areas has been shown to reduce stress and improve mental health. A beautifully designed garden or peaceful backyard can provide a calming retreat from daily life.

3. Customisation and Personalisation

- Tailored Designs:

Landscaping professionals in Wahroonga offer customised designs that reflect your personal style and preferences. This ensures that the final result aligns with your vision and enhances the unique characteristics of your property.

- Adaptive Solutions:

Professional landscapers can adapt designs to fit the specific conditions of your property, such as soil type, sun exposure, and slope. This tailored approach ensures optimal results and functionality.

4. Sustainable Practices

- Water Conservation:

Modern landscaping practices include efficient irrigation systems and drought-resistant plants that help conserve water. This is particularly relevant in regions like Wahroonga, where sustainable water use is important.

- Eco-Friendly Materials:

Landscaping professionals often use eco-friendly materials and techniques, such as permeable pavers and organic fertilisers, to minimise environmental impact and promote sustainability.

5. Increased Usable Space

- Functional Areas:

Landscaping can optimise the use of outdoor space by creating functional areas for various activities, such as dining, play, or relaxation. This maximises the utility of your property and provides more space for enjoyment.

- Privacy and Security:

Proper landscaping can enhance privacy by using screening plants or strategically placed fences. This adds a layer of security and creates secluded areas within your outdoor space.

6. Professional Maintenance and Longevity

- Expert Care:

Professional landscapers provide ongoing maintenance services to keep your outdoor spaces in top condition. Regular upkeep ensures that plants remain healthy, hardscapes stay clean, and your landscape continues to thrive.

- Long-Term Solutions:

Quality landscaping is designed for durability and longevity. Professional installation ensures that features like retaining walls, irrigation systems, and plantings are built to last and withstand local environmental conditions.

#Landscaping Wahroonga

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