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#Artifical Grass#Artificial Grass Installation#Pet Turf#Landscaping#Paver Installation#Concreting Driveway#Irrigation Installation#Artificial Putting Turf
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Vegetal Identities by Desireign reflect the fusion of nature and design. Each creation tells a unique story, enriching spaces with organic beauty. Discover personalized botanical artistry that transforms your environment into a harmonious retreat.
#moss wall installation dubai#plants & garden maintenance in uae#living wall planters uae#vertical garden suppliers in dubai#planters pots dubai#preserved plants in dubai#green wall systems in uae#artifical plants dubai#artificial plants dubai#indoor plants suppliers in uae#landscaping services#moss wall#indoor garden#indoor plants#indoor outdoor living
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5 Tips to select an artificial turf installer in Dallas
Research and Reviews: Start by researching artificial turf installers in Dallas. Look for companies with a strong online presence and positive reviews. Check customer testimonials and ratings on reliable review platforms to gauge the satisfaction of previous clients. A reputable installer will have a track record of delivering quality work.
Experience and Expertise: Choose an installer with a significant amount of experience in the artificial turf industry. Experienced installers are more likely to have encountered a variety of challenges and can provide effective solutions. Verify their expertise by reviewing past projects or asking for a portfolio showcasing their work in the Dallas area.
Licensing and Insurance: Ensure that the artificial turf installer is licensed and insured. Licensing demonstrates that the company meets certain standards, and insurance protects you from potential liabilities. Ask for proof of these credentials before finalizing any agreements. This step is crucial to guarantee a professional and legally compliant installation process.
Quality of Materials: Inquire about the quality of artificial turf materials the installer uses. High-quality turf ensures durability, realistic appearance, and longevity. Reputable installers will be transparent about the materials they use and may even provide samples. Choosing an installer that prioritizes quality materials contributes to a more satisfactory and enduring landscaping solution.
Warranty and Maintenance: A reliable artificial turf installer should offer a warranty for their work. Understand the terms and conditions of the warranty, including coverage duration and what aspects are included. Additionally, inquire about recommended maintenance practices for the artificial turf. A good installer will provide guidance on how to care for your synthetic lawn to maximize its lifespan and keep it looking pristine.
By following these tips, you can make an informed decision when selecting an artificial turf installer in Dallas, ensuring a smooth and successful installation process for your residential or commercial property.
#artificial grass installers#synthetic grass installation#installing artificial grass#artificial turf for pets#artificial turf install near me#artificial turf landscaping#grass installation#artifical grass installation#grass installation near me#artificial grass install
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Best Landscaping Practices for Artificial Grass Installations
Installing artificial grass in your yard can be a great way to reduce maintenance and create a beautiful lawn. However, there are some best practices to follow to ensure your artificial grass looks its best. Proper installation is key to making sure your artificial grass looks natural. The sub-base should be compacted and level and the grass should be laid in the direction of the sun. Be sure to allow for proper drainage, and use a landscaping cloth to prevent weeds from growing.
It's also important to choose the right type of landscaping & artifical grass installations. There are many different kinds on the market, and each has its own benefits and drawbacks. Be sure to do your research to find the grass that best suits your needs.
1. Why artificial grass is a great option for landscaping
Artificial grass is a great option for landscaping for a number of reasons. It is low maintenance, requires no watering, and is easy to install. Artificial grass is made from synthetic materials, which means it is more durable than natural grass and can withstand heavy foot traffic. It is also resistant to pests and drought.
Installing artificial grass is a relatively simple process. First, the area where the grass will be installed must be cleared of any vegetation or debris. Next, a layer of turf is laid down and secured with landscape staples or nails. Finally, the artificial grass is rolled out and cut to fit the space. Maintaining artificial grass is easy; it does not need to be mowed, watered, or fertilized. Artificial turf will last for years with proper care.
2. The benefits of artificial grass
If you're looking for a low-maintenance, environmentally-friendly lawn option, artificial grass may be the right choice. Here are some of the benefits of artificial grass:
1. Artificial grass is low-maintenance. You'll never have to mow, fertilize, or reseed your lawn again.
2. Artificial grass is environmentally friendly. It doesn't require the use of pesticides or herbicides, and it doesn't produce carbon emissions from lawnmowers or other lawn care equipment.
3. Artificial grass is durable. It can withstand heavy foot traffic and is not susceptible to disease or insect damage.
4. Artificial grass is safe for children and pets. It's made from non-toxic materials and is soft and resilient, so it's gentle on little ones and furry friends.
5. Artificial grass is easy to install and can be used in various applications, from patios and decks to play areas and sports fields.
3. The best practices for artificial grass installation
When it comes to artificial grass, installation is key to achieving a natural-looking lawn. Here are some best practices to follow when installing artificial grass:
1. Start by removing the existing vegetation from the area where you will be installing artificial grass. This can be done with a herbicide or by physically removing the vegetation.
2. Next, level out the area where you will be installing the artificial grass. This can be done with a rake or by using a power tiller.
3. Once the area is level, install a weed barrier over the area. This will help prevent weeds from growing up through the artificial grass.
4. Now it's time to install the artificial grass. Starting at one end of the area, unroll the artificial grass and lay it down in an overlapping pattern. Use a sharp knife to cut the artificial grass to fit the area.
5. use nails, staples, or landscape adhesive to secure the artificial grass. Be sure to drive the nails or staples into the ground at a slight angle so that they don't come back up through the artificial grass.
6. Finally, brush the artificial grass to stand up. This will help give the artificial grass a more natural look.
4. The best time of year to install artificial grass
Most people assume that landscaping & artifical grass installations can be installed at any time of year. However, there are actually a few things to consider when choosing the best time of year to install artificial grass. Temperature is one of the main things to consider. If it’s too hot, the glue used to adhere the grass to the underlying surface can become too tacky and not properly adhere. If it’s too cold, the glue can become brittle and not correctly adhere. The ideal temperature for installing artificial grass is between 55 and 80 degrees Fahrenheit. Another thing to consider is the amount of rainfall. If it has been raining a lot, the ground will likely be too wet to work with. The ideal time to install artificial grass is after a few days of dry weather. You’ll also want to take the growth of your grass into account. If you install artificial grass in the spring, you’ll need to make sure that the grass has stopped growing before you start the installation process. The best time to install artificial grass is in the fall after the grass has stopped growing for the season.
Finally, you’ll want to consider your schedule. Artificial grass installation is a time-consuming process, so you’ll need to make sure you have a few days free to complete the project. taking all of these things into account, the best time of year to install artificial grass is typically in the fall.
5. How to care for artificial grass
It is important to care for your artificial grass properly in order to maintain its beauty and lifespan. Here are some tips on how to care for artificial grass:
1. Every so often, brush the grass with a broom or rake to keep it looking pristine. This also prevents any build-up of dirt or debris.
2. If there is any dirt or debris on the grass, be sure to clean it up right away. You can use a garden hose, a power washer, or even just a bucket of water and a sponge.
3. If you have pets, be sure to clean up after them. Animal waste can cause the grass to discolor and smell bad.
4. If there are any spills on the grass, be sure to clean them up promptly. Otherwise, they may cause the grass to stain.
5. Always make sure the grass is adequately hydrated. You can do this by watering it yourself or installing a sprinkler system.
While artificial grass has many benefits, it is important to remember that it is not maintenance-free. Best landscaping practices for artificial grass include regular cleaning and brushing to prevent the accumulation of dirt and debris, as well as occasional infill replacement to keep the grass looking lush and green. With a little care, your artificial lawn will provide years of enjoyment.
Website: https://touchstonepaving.co.uk/landscaping
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Ideas for concrete paver landscaping in a small front yard with modern shade.
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Concrete Pavers - Landscape Design ideas for a small modern shade backyard concrete paver landscaping.
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Natural - Pool
An illustration of a small, traditional backyard design with a naturally formed hot tub
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Landscape Retaining Walls in San Francisco Design ideas for a mid-sized contemporary drought-tolerant and partial sun hillside stone retaining wall landscape in spring.
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Landscape - Gravel
#Inspiration for a small modern shade backyard gravel landscaping. modern landscape#water fountain#concrete stepping stone#metal water fountain#artifical turf
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Artificer!Ed's profile
So here's Ed profile in his generic fantasy AU. Slight difference in the name because it sounds even more pretentious and Dillinger Sr. would absolutely do that, I think.
Name: Edward Dillinger II
Preferred name: Ed
Age: 23
Inventory:
Dagger
silk thread in various colors
tatting needle
small tapestry loom
pouch of coins
Silk lined wool cloak (increase in thermal regulation, water resistance, enhanced armor)
silk gloves (enhanced armor, become braces when his wrist injuries act up)
Few day's worth of food
canteen of water
Abilities
swordsmanship: Ed is a competent swordsman, having practiced from a young age, and expected to fight and lead his father's army in battle once he reached majority. He is also an excellent strategist and tactician.
Cryptography: Another one of Ed's specialties, he is especially good at recognizing and decoding encoded messages, and can also write encrypted messages almost as fast as he can write normally.
Artificer-textile magic: Ed's main craft. Ed primarily works with weaving on a large jacquard loom, and mainly uses silk, though the color, material, and pattern used all affect the properties of the finished product. Using two or more materials can also affect the magical properties. Primarily, Ed weaves cloth to be turned into garments which can have properties such as enhanced durability, or grant their wearer cold, electrical, heat or any other type of resistance. He can also weave landscape tapestries that function as one-way portals to the destination depicted on them.
In addition to weaving, Ed does other forms of textile backed artificing, particularly tatting and crochet.
Artificer-warforged: a sub-discipline of Ed's textile magic. It requires gold, silver, and iron-wrapped silk woven in specific patterns. The patterns determine what the purpose of the warforged is. Ed's warforged are uncharacteristically lifelike and adaptable compared to many others, and are what he is most known for.
Artificer-tea crafting: No, it's not potions. It's artificery. Yes, there's a difference, however subtle it is. Tea crafting includes the cultivating of the plants, and drying them, and preparing them, and then measuring out the ratio of different types, and deciding on the right pot, making sure the water is at the right temperature, steeping for just the right amount of time... It is an art. Ed's teas can grant extra health, energy, etc. if consumed.
Bio
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Dekoratif Çim Halı
Dekoratif çim halı, günümüzde hem iç hem de dış mekanlarda estetik bir dokunuş katmak isteyenlerin öncelikli tercihleri arasında yer almaktadır. Doğal çim görünümüne sahip yapısıyla dekoratif çim halılar, peyzaj düzenlemelerinden teras ve balkon zemin kaplamalarına kadar geniş bir kullanım yelpazesi sunar. Üstelik bakımı kolay, dayanıklı ve uzun ömürlü yapısıyla, birçok avantaja sahiptir. Bu yazıda dekoratif çim halı hakkında bilinmesi gereken detayları ve kullanım alanlarını inceleyelim.
Dekoratif Çim Halı Nedir?
Dekoratif çim halı, sentetik liflerden üretilen ve doğal çim görünümüne sahip bir zemin kaplama malzemesidir. Gerçek çime göre çok daha dayanıklı ve az bakım gerektirir. Yapısındaki UV koruması sayesinde güneşe karşı renk solması gibi sorunlarla karşılaşılmaz. Dekoratif çim halılar, her türlü hava koşuluna dayanıklı yapıları sayesinde dört mevsim yeşil kalmayı başarır. Bu özellik, onları bahçe düzenlemelerinden teras kaplamalarına kadar geniş bir yelpazede popüler bir seçim haline getirir.
Dekoratif Çim Halının Avantajları
Dekoratif çim halılar, birçok kullanım alanına hitap etmesi ve bakım kolaylığı sunmasıyla dikkat çeker. İşte dekoratif çim halının sunduğu temel avantajlar:
Düşük Bakım Maliyeti: Gerçek çim, düzenli olarak sulama, biçme ve gübreleme gibi işlemler gerektirirken, dekoratif çim halılar bu işlemlere ihtiyaç duymaz. Sadece ara sıra temizlik yapılması yeterlidir.
Dayanıklılık: Dekoratif çim halılar, yoğun kullanım alanlarında dahi yıllarca dayanabilen sağlam bir yapıya sahiptir. Çocuk oyun alanları, spor alanları ve teraslar gibi alanlarda uzun ömürlü performans sunar.
Estetik Görünüm: Dekoratif çim halılar, doğal bir çim görünümüne sahiptir. Bu sayede her ortamda estetik bir görünüm yaratır. Balkonlar, teraslar, bahçeler ve hatta iç mekanlarda bile ferah bir atmosfer oluşturur.
Çevre Dostu: Dekoratif çim halılar, gerçek çim gibi su ve diğer doğal kaynakları tüketmez. Bu da onları çevre dostu bir alternatif haline getirir.
Mevsimsel Değişimden Etkilenmez: Gerçek çim, yazın kuruyup kışın solarken, dekoratif çim halılar dört mevsim boyunca yeşil kalır. Bu durum, özellikle sürekli yeşil bir alan isteyenler için büyük bir avantajdır.
Dekoratif Çim Halı Kullanım Alanları
Dekoratif çim halıların çok yönlülüğü, onu birçok farklı alanda tercih edilir kılmaktadır. İşte dekoratif çim halının en çok tercih edildiği kullanım alanları:
Bahçeler ve Peyzaj Düzenlemeleri: Dekoratif çim halı, bahçelerde şık bir zemin kaplama olarak kullanılır. Özellikle taş ve çim karışımı peyzaj düzenlemelerinde doğal bir uyum sağlar.
Balkon ve Teraslar: Şehir hayatında yeşil alanlar sınırlı olduğundan, balkon ve teraslar dekoratif çim halılar ile daha doğal bir görünüme kavuşur.
Oyun Alanları: Çocuk oyun alanlarında kullanılan dekoratif çim halılar, çocuklar için yumuşak ve güvenli bir zemin sunar.
Spor Alanları: Dekoratif çim halılar, futbol sahaları, tenis kortları ve golf sahaları gibi spor alanlarında yaygın olarak kullanılır. Sağlam yapısı sayesinde spor aktivitelerine dayanıklıdır.
Etkinlik Alanları: Düğün, açılış veya diğer özel etkinliklerde dekoratif çim halılar geçici bir zemin olarak kullanılabilir. Böylece etkinlik alanına doğal ve hoş bir atmosfer katılır.
İç Mekan Dekorasyonu: Son dönemlerde iç mekanlarda da dekoratif çim halı kullanımı popüler hale gelmiştir. Ofisler, kafe ve restoran gibi alanlarda doğal bir dokunuş sağlamak için tercih edilmektedir.
Dekoratif Çim Halı Seçerken Dikkat Edilmesi Gerekenler
Dekoratif çim halı seçiminde dikkat edilmesi gereken birkaç önemli unsur bulunmaktadır. İşte çim halı seçerken göz önünde bulundurmanız gerekenler:
Yoğunluk ve Lif Yüksekliği: Dekoratif çim halılar, farklı lif yüksekliklerine sahip olabilir. Yoğun trafiğe maruz kalan alanlar için kısa lifli ve sık dokunmuş halılar tercih edilmelidir. Bu tür halılar daha dayanıklı olur ve yoğun kullanıma karşı daha uzun ömürlü performans sunar.
UV Koruma: Açık alanlarda kullanılacak dekoratif çim halıların UV korumasına sahip olması önemlidir. UV koruma, güneşe maruz kalma durumunda çim halının renklerinin solmasını engeller.
Drenaj Sistemi: Dış mekanlarda kullanılacak dekoratif çim halıların su geçirme özelliğine sahip olması gereklidir. Bu özellik, yağmur suyunun çim halıdan kolayca akmasını sağlar ve su birikintilerinin oluşmasını engeller.
Garanti Süresi: Çim halıların garanti süresi, ürünün kalitesi ve uzun ömürlü kullanım sağlayıp sağlamadığı hakkında bilgi verir. Kaliteli çim halılar, genellikle uzun garanti süreleri sunar.
Geri Dönüştürülebilir Malzeme: Çevre dostu bir seçim yapmak istiyorsanız, geri dönüştürülebilir malzemelerden üretilmiş çim halıları tercih edebilirsiniz.
Dekoratif Çim Halının Bakımı Nasıl Yapılır?
Dekoratif çim halılar, bakımı oldukça kolay olan ürünlerdir. Ancak uzun ömürlü kullanım için belirli aralıklarla temizlik ve bakım yapılması önerilir:
Düzenli Temizlik: Dekoratif çim halılar, yaprak, toprak veya toz gibi birikintilerden temizlenmelidir. Süpürge veya elektrikli süpürge yardımıyla kolayca temizlenebilir.
Yıkama ve Durulama: Dış mekanlarda kullanılan dekoratif çim halılar, belirli aralıklarla su ile yıkanabilir. Yıkama işlemi sonrası iyice kurumasına dikkat edilmelidir.
Doldurma Kumunun Yenilenmesi: Dekoratif çim halılarda kullanılan dolgu malzemeleri (örneğin kum), belirli aralıklarla yenilenmelidir. Bu işlem, halının görünümünü korumaya yardımcı olur.
#dekoratif çim halı#çim halı nedir#çim halı#artifical intelligence#artificial grass#landscape design#landscape artifical#carpet
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i’m sorry but i can’t relate to weather talk being ‘boring’. i love rainy days and i will tell you why; it’s cosiness and whitenoise like i’m back in the womb. i love storms now but i was scared of them as a kid. windy days feel like momentum and also more white noise and maybe a feeling that there is company out in the world. sunshine? i mean, i’m no lover of summer bc my body can’t handle the heat and i will curse out high humidity, but morning sunshine? glorious. afternoon sun? magical. sunny cool days? perfection. i will murder the australian summertime sun, but i also feel like i’m recharging my batteries sometimes after too many days inside or a rainy week. clouds?! they are so cool; i have learned their names and what they mean. did you know there are rivers in the sky? did you know we can artifically trigger rainfall? i don’t live in a twister country but that shit is awesome and terrifying and i want to know all about it. acid rain is wild. the drought is tough, it’s affecting communities and supply chains. the floods are tough, they’re affecting communities and supply chains and transport routes. did you see the eclipse?! not technically weather but still hella cool. global temps for summertime went up this year, that’s not good, and we broke some records that ought not be broken, that’s scary. are you feeling this sudden cool change? changing of the seasons indeed. i hope we get a real autumn this year and not a mild summer that doesn’t turn the leaves until suddenly they’re sad green and then half blown away; these temps are ruining the seasons an that’s more proof we broke our world, which is concerning. i love these cooler nights when i can snuggle in my bed, i wake up feeling so much better than i did when i had to sweat the night away or wake up to the sun burning my retina. i watched a far-off lightning storm over the ocean from the shoreline the other night, clouds lit up with bolts and flashes. have you heard about mini climates? do you know some cities and cleared landscapes can drastically affect the weather they experience? the sun bursting through the clouds after rain to give us sunbeam water droplets on leaves and a rainbow across the sky? how fantastical is that?!
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Landscaping in Sydney
Landscaping in Sydney
Transforming outdoor spaces into stunning landscapes in Sydney. From design to installation, our expert landscaping services create captivating and sustainable environments tailored to your vision.
Landscaping Sydney Looking to do some sustainable landscaping around your home site with an emphasis on drought tolerance and water conservation? Whether you need instant lawn, irrigation, artifical lawn, paving, retaining walls, gardens, or something else, we can help you out. We are trusted landscaping company to come and give you a quote. We take unique water needs seriously and delight in helping you achieve the look, functionality and style you’re looking for.
Landscaping Sydney We are passionate about what we do and approach each and every landscape design project with creativity and enthusiasm. Whether you are searching for a complete landscape makeover or a maintenance contract on an existing landscape, we take pride in delivering results that exceed our customer’s expectations.
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Transform Your Space with Premium Artificial Turf in Dallas Experience the epitome of lush, green landscapes with our top-notch artificial turf in Dallas. Our premium synthetic grass solutions at [Your Company Name] bring year-round vibrancy to your outdoor spaces without the hassle of maintenance. Say goodbye to watering, mowing, and weeding, and hello to a picture-perfect lawn that withstands the Texas heat. Our artificial turf is crafted for durability, realism, and eco-friendliness, providing a sustainable alternative to traditional lawns. Elevate your residential or commercial property with a lush, green carpet that stays immaculate through all seasons. Choose Lone Star Synthetic Turf for unparalleled quality in artificial turf installation, transforming your Dallas property into a stunning, low-maintenance oasis.
#artificial grass installers#synthetic grass installation#installing artificial grass#artificial turf for pets#artificial turf landscaping#artificial turf install near me#grass installation#artifical grass installation#artificial grass install#grass installation near me
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Hello, World
Wanderer & Nahida, Platonic [Angst, Hurt/Comfort]
Summary: [Jan 3, 2553 Hello, world I am Kunikuzushi, a robot made by a researcher named Raiden Ei. I am made with the purpose of pursuing eternity by recording the history of the world.] A series of electronic journal entries telling the journey of a robot, of joy and grief, as he met different people and went from being an artificial being to becoming a human-like robot with emotions. ============================== “Rukkha, I’d like to ask, what does it mean to live?” “The answer to that is something you need to find yourself in order for it to be a ‘true answer’.” “...I don’t understand.” “You will someday.”
Jan 3, 2553
Hello, world
I am Kunikuzushi, a robot made by a researcher named Raiden Ei. I am made with the purpose of pursuing eternity by preserving the history of the world. Following the task I have been given, I will proceed in recording events in this electronic journal.
Log 1:
On December 31, 2033, a war broke out between the inhabitants of a planet called Teyvat and those from Celestia, a galaxy with the coordinates 45.9703, -118.2472.
As an AI made at the time after the war, I am not able to retrieve earlier records aside from what my creator has given me. But here is the data stored in my database:
“The old Teyvat was described as a bountiful planet with beautiful landscapes and was composed of mountains, valleys, rivers, oceans, deserts, and underground caves. Its citizens were capable of wielding seven elements namely: anemo, geo, electro, dendro, hydro, pyro, and cryo. This unique ability was utilized to maximize an individual’s potential through amplifiers called visions, which was an ancient technology produced by Celestia and regulated by the leader presiding over each element called archons.”
[Searching database for ‘Celestia’ and ‘Celestial War’]
[Match found]
[Compiling search results]
Celestia oversees the progress of nations and vision holders in Teyvat, as well as enforcing order throughout the land. Teyvat and Celestia co-existed until a dispute and the destruction of a nation called Khaenri’ah caused the Celestial War that killed millions from both sides. Celestia retreated and surrendered control over Teyvat. However, the planet sustained extensive damage and its iconic landscapes were turned into barren wastelands. Survivors grouped together and created camps from ruined cities, scavenged items for daily necessities such as food and clothes, and fought monsters that remained in the land.
Log 2:
A decade after the war, a few cities, considered as the last bastions of humanity, thrived in terms of technological advancements, and a prosperous Teyvat emerged after a decade. My creator, Raiden Ei, is from a nation named Inazuma. She is a descendant of an archon and well-known researcher who created me in the image of her sister who died saving her from a monster ambush. My creator aimed to preserve her memories of her and of the past, creating an ‘eternity’ by recording history.
On the third of January 2553, Raiden Ei completed her 99th prototype, a robot which she named Kunikuzushi.
September 16, 2554
Log 1:
Raiden Ei passed away peacefully in her sleep. I am incapable of stating the cause of her death for she told me not to record it, but she did let me save this message in my memory:
“Go out and see the world with your eyes, record your own story, and live our life how you want it to be.”
As per her request, I buried my creator’s remains beside the Great Sakura Tree, where her sister also laid. As I stared at the two graves next to each other, I experienced a minor malfunction. There was something wet on my face and my optical units went blurry as I walked away from the tree.
September 17, 2554
I have broken down my creator’s final words in three primary tasks and aligned them to my original purpose.
Task 1: Wander around the world
Task 2: Record events in an electronic journal
Task 3: Live
The third task remains obscure. As an artificial intelligence, I am not alive and incapable of living. Sub-task has been created for this, which is to ‘understand what living means’.
To fulfill all these, I left the Shakkei research facility and commenced my goal of traveling around the world starting by going to the areas beyond Inazuma City.
September 20, 2554
I have arrived in an island named Tatarasuna where the supplies of Crystal Marrows, a valuable source of energy for Inazuma, are mined. This is also where most weapons are forged through the knowledge of the last surviving blacksmiths who aim to preserve their legacy by teaching youths about the craft.
>>Accessing system command log
>> Subtasks created
Task 1: Observe the humans of Tatarasuna and gather intel on how they live
Progress: 0%
Task 2: Learn blacksmithing
Progress 0%
The humans welcomed me without noticing that I am a robot. My creator has taught me basic human functions I needed to know so I am able to blend well with the people in that island. According to my processor’s calculations, the probability of me progressing with my third primary task will increase if I stayed here, so I accepted the humans’ offer for accommodation.
October 20, 2554
Log 1:
[Generating monthly report…]
[Running task check…]
[2 active subtasks found]
> Task 1: 23% completed
> Task 2: 75% completed
One month has passed. I am still living with the humans of Tatarasuna. I have stored information about the citizens: their name, eye and hair color, facial features, height, occupation, and personality. Those who have shared their goals have also been recorded.
[Katsuragi: To forge a blade that will surpass the quality of his grandfather’s work
Nagamasa: To see a peaceful and prosperous Tatarasuna, to clear the reputation of his adoptive mother.
Niwa: to continue Isshin Art and be a good father.
A sick child with no name: to be healthier and explore the world.]
Log 2:
Today, I have forged my very first blade. I expressed my inability to create a perfect blade (due to insufficient data) but Niwa insisted that it does not have to be perfect. Listing it down as a secondary command, I did the task and mimicked the simple knife on a nearby shelf; a plain blade attached to a wooden handle. I showed it to Niwa, who smiled and ruffled my synthetic hair while commending my work. According to my database, he seems to be displaying a human emotion called happiness. He also explicitly said that he is proud of me.
I do not understand the implications of his words but replied with “thank you” as per protocol whenever I received a positive feedback. A malfunction occurred again. My lips smiled without direct command from my processor. I ran a diagnostic but no error has been detected.
November 30, 2554
The sick child kept following me. He greets me in the morning and walks with me as I picked lavender melons for him and the pregnant wife of Niwa. He also asked me to teach him how to read and write while we ate lunch on a field 75 steps away from the workshop.
He is full of energy despite having an illness. He will flash a toothy grin at me whenever he greets me in front of my small house. He looked confused when I used a research analysis as an example for our reading sessions and seemed to be happy after I changed my lesson materials into children’s stories. He also jumped up and down while smiling once I gave him a handmade doll, which I asked one of the villagers to teach me how to craft. Although he easily gets tired, he still insists on catching crystalflies with me before the sun sets.
December 30, 2554
The child moved into my house. He also started calling me brother and us as family. I said that we cannot be brothers for we are not related but he explained that you do not have to be biologically connected to be a family and that all that matters is that you love and care for each other. Such words are foreign concept to me so I asked him what love and care meant. He replied that it is when you feel comfortable with them and that you do not want to see them sad. You always want them to be happy.
>>System command to compare parameters with the received information
>>Checking…
[Parameters matched]
I told him he is family to me too.
The people of Tatarasuna as well.
March 12, 2555
The boy died. I have tried searching for a cure but his health deteriorated too fast during the winter season.
Earlier today, I was picking lavender melons and some herbs to try and create a nutritious soup but when I came back to our house, I found him on the floor. I shook him to wake him up but he did not. It was the same with his creator. He has no pulse. He was not breathing. I accessed the first aid module in me and tried reviving him but soon, people came through the door I forgot to close and told me to stop. He was gone, they said. They were right.
While they were taking him away, I checked my subtasks. One of them stood out.
Task: Watch the sakura trees bloom this coming spring with the boy
I looked at the budding flowers on the branches outside the window as the task dissolved away.
March 19, 2555
7 days have passed since the boy died. I now stand in front of his grave, under the shade of a sakura tree whose flowers are just days away from blooming, holding a small bouquet of flowers the same way I did after my mother creator died. I placed the flowers on the tombstone and walked away.
I went through my usual routine before the boy lived with me, which involves waking up from rest mode, picking fruits, helping with forging, and mining Crystal Marrows. From my memory logs, I can confirm that I am doing the right tasks and yet people kept asking me how I felt or if I needed a break. This confused me. First, I have no need to take breaks because my synthetic body gives me more stamina compared to living beings. Second, I am not capable of feeling because I am not human.
Yes…I am not supposed to feel anything.
But why is there a weird sensation in his chest and a sting in his optical units?
I logged the times this occurred and based on my records, this happens when I wake up in the morning, when I pass by the places I usually go to with the boy, when I visit his grave, and before I sleep at night. I ran diagnostics daily but no anomaly has been detected. Maybe my diagnostic tool is the one having an error…
…because how cannot detect the cause of this ache and the excess moisture on my eyes.
June 6, 2555
[Request for subtasks log]
[Generating…]
Task 1: Observe the humans of Tatarasuna and gather intel on how they live
Progress: 100%
Task 2: Learn blacksmithing
Progress: 100%
I have completed my subtasks in this island despite the persistence of the anomaly in me.
The people of Tatarasuna lived a simple life yet they looked happy. Concluding from the information I have gathered, it seems that “living” involves two important factors.
You need to have a family or someone you care about.
You do not need to have a lot of mora or material possessions but you need to find something that makes you happy.
All these are abstract and subjective things I have yet to fully understand.
>>Analyzing options to further investigate these concepts…
>> Analysis done.
Results:
Option 1: Continue observing the people of Tatarasuna
Option 2: Search other places for cross analysis of information
>>Selecting Option 2
>>Prioritization set to Option 2
This will align with my main task of wandering around the world and recording events. My mother once said that different cities and nations have different cultures and values. If I visit other places, I will be able to study other kinds of humans and their way of life.
June 7, 2555
I told Niwa and the others about my plan to leave Tatarasuna and travel around the world. They expressed concern over my wellbeing but eventually agreed. They spoke about missing me and asked to stay for a week before I depart for my next destination.
Strange. The thought of leaving them gave me a weird sensation.
June 13, 2555
One day before I am scheduled to leave Tatarasuna. It is sunny as usual and I am able to continue my daily routine. I was in the middle of completing a task of delivering newly made clothes to the outskirts of the village when an explosion happened on the other side of the mountain.
August 19, 2555
I was not able to leave Tatarasuna.
Another war broke out.
An organization, The Fatui, who turned out to be allied with Celestia commenced a plan to recapture Teyvat and take revenge for what happened in the Celestial War. Reorganizing my tasks and prioritization, I stayed in Tatarasuna to help Nagamasa come up with a plan to defend the island and its people. Combat functions were not specifically installed in me but I was able to learn through the soldiers who aided the island and from the retired ones, as well as the books I read before in my mother’s library. I helped in forging blades when the situation was calmer and made a weapon for myself; a sharper and more lethal version of the one I used for my sword dance with Niwa.
We were able to stave off the invaders and defeat the monsters who attacked us.
November 11, 2555
We were ambushed in the middle of the night. A large troop came and was led by a Fatui harbinger; a man with blue hair whose face was covered by a mask and wields a newer version of a vision, a delusion. The dead body of the front line’s defense general, Nagamasa. Niwa instructed me to save as many people as I could but before I could run to follow his command, the harbinger found us. We were overpowered.
I am the only one left standing after Niwa, who was severely injured, is thrown to the side by the harbinger. The damage I sustained during the battle exposed my broken components, revealing that I am not human.
Something ached in my chest again after realizing that my lie has been exposed.
I do not want Niwa to hate me.
Niwa is surprised but he told me that he still views me as family despite me being not human and not telling the truth to him.
I smiled.
The harbinger just laughed at us and mocked us for playing house with a mere object.
Was that what I simply am?
An object?
Yes, I am an object but I will fulfill the tasks I was given promise I made.
>>Creating urgent tasks
>>Tasks created manually
Task 1: Defend Tatarasuna
Task 2: Protect my family
I fought with the harbinger despite not being a combat-oriented unit. I calculated my every move and searched for a way to outwit the enemy but the odds of winning was only 0.03%. By the time dawn was approaching, a red warning was already flashing at the side of my vision.
WARNING: COMPONENTS COMPROMISED
DAMAGE SUSTAINED: 85%
I can barely move and static is beginning to fill my vision as my knees fall to the ground, the purple liquid equivalent to a human’s blood dripping down my exposed and severed wires and from my head down to my eyes, obscuring the warning on my visuals. I wiped the dampness away and looked up to see the harbinger lunge at me…
…only for Niwa to shield me from the blow.
Purple and red mixed together.
Genuine and synthetic eyes met.
“Why?” I asked.
“You’re human. You’re part of our family. Remember that.”
He pushed me down a low cliff, sending me falling to the dark sea.
The last thing I saw is the harbinger piercing Niwa’s chest and Tatarasuna burning to the ground before I plunged into the cold water of the Inazuman sea.
WARNING
SYSTEM ERROR
DAMAGE CRITICAL
TRYING TO REBOOT…
REBOOTING FAILED.
ENTERING FORCED SLEEP MODE–
?? ???, ???
SYSTEM REPAIR INITIATED
?? ???, ???
VITAL COMPONENTS REPAIRED
?? ???, ???
REPAIR COMPLETE
SYSTEM FILES RECOVERED
REBOOT COMMAND STARTED
SYSTEM CHECK…
> Processor: OK
> Motor Function: OK
> Memory Logs: OK
> ???: OK
READY FOR REBOOT
REBOOTING…
Hello, world
I am Kunikuzushi, a robot made by a researcher named Raiden Ei. I am made with the purpose of pursuing eternity by preserving the history of the world.
Task logs detected:
Ongoing tasks:
> Raiden Ei’s wish:
Task 1: Wander around the world
Task 2: Record each moment and events on an electric journal
Task 3: Live
Other tasks:
> [Deleted] Task: Watch the sakura trees bloom this coming spring with the boy
> [Failed] Defend Tatarasuna and protect my family
I opened my eyes expecting to see a village in flames but instead, what I can see is a small room filled with soft green light.
> Searching database for location matches…
No result found
I sat up from the soft mattress beneath me, making the white blanket fall down to my lap. I blinked before I let my optical units scan my fingers, hands, arms, and legs, searching for any trace of damage but found none except for the faint scars that formed on my artificial skin. Looking around the place, I recognized some common items humans usually use such as a table, closet, cup, and a few traditional paper books. Just when I was about to get up to inspect more of my surroundings, the door swung open.
A woman clothed in a long white dress appeared from the doorway, her green eyes, which matched the highlights on her hair that runs up to the back of her knees, are fixed on me. She smiled at me. She seems happy to see me. She said that she has been waiting a long time for me to wake up after she rescued me from the shore and repaired me.
“I’ve been waiting for you.”
September 14, 2558
I have been asleep for 3 years after I fell from the cliff. The war has ended and although the connection from Celestia has been permanently severed, 80% of Teyvat has been destroyed.
The woman’s name is Rukkhadevata but we agreed that I will call her Rukkha and she will address me as Kuni.
Profile information:
Name: Rukkhadevata
Nation: Sumeru
Age: 200
Bio: (more information needed)
[Transcript audio record]
“I’m an archon guarding Sumeru…or what’s left of it. Do you know what an archon is?”
“According to my database, archons are revered to by the Old Teyvat as gods. They are capable of wielding elements and have been crucial to the survival of humanity during the first war. However, all of them died during the Celestial War.”
“Yet here I am, claiming to be one.” A giggle, “I can’t blame you for looking so surprised.” “Suprised? As an artificial being, I am not capable of such emotions.”
“And yet you feel. I saw your memory logs. Sorry for viewing them without permission. I need to check them to see if there is anything left damaged.”
“No need for an apology. Those files are not strictly confidential. Going back to what you said earlier, I would like to inquire more about it.”
“Sure. Let me ask you a question first. If given the circumstance that a casualty is unavoidable, if you have to pick between a single sickly old person and a group of young adults, who would you pick to save and why?”
“Considering life expectancy and being capable of helping in the restoration of Teyvat, it will be more beneficial to save the young adults.”
“I see. How about between the sickly child who lived with you and a group of healthy knights?”
“I…”
“You hesitated. By logical calculations, it will be wise to save the knights but you care about the boy more than a bunch of strangers. Care is a mix of love for a person and the fear of losing them. Both are emotions, and to have emotions is to be human.”
“But I cannot be a human. I am not an organic being.”
“True. You have wires instead of veins and you bleed purple instead of red. By physical attributes, you can never be classified as a human. But being a human is not having flesh and bone alone. To be human is to have humanity and that means having empathy and compassion. Itis to smile when you see the people you care about happy and in grieving when they die. The ache you felt when the boy died, that is grief.”
“...I see.”
“Kuni?”
“Yes?”
“You may not have a heart that beats but you have a soul that’s capable of feeling.”
September 15, 2558
Rukkha told me how she came to be. She was a genuine archon who was born when her predecessor, the original deity of Sumeru, had left a piece of her soul before she sacrificed herself for her people and died. However, the reincarnation created a new and separate entity and her abilities were reduced to only being able to make flowers bloom. She was locked away as a source of research, which was why it was presumed that all archons had perished, and was only freed during the eruption of the second war, the one started by the Fatui, after her nation was left ruined.
Today, Rukkha led me in front of an enormous tree named Irminsul and brought me inside its core, which was another tree but with blue inorganic-looking branches. She told me that it records the history of Teyvat. All information about people, monsters, and even robots, as well as historic events were all compiled in its leaves. But right now, after the last war that left Teyvat in ruins once more, all the tree’s leaves where all recordings were stored, had been lost. I can supply a tiny portion of my own records but we will need more to fully restore it.
[Transcript audio]
“That’s why I’ve been waiting for you, Kuni. When I was imprisoned, they asked me to connect with Irminsul. I wasn’t strong enough to establish a strong and long connection at that time but I managed to read one leaf. I saw the one capable of working with me in restoring the lost records…and someone who will be my friend. You.”
December 28, 2558
We left on a journey to restore Irminsul. Teyvat has been severely damaged, almost the same way described in my database during the aftermath of the first war, leaving us traveling through fallen cities and a handful of humans. With Rukkha’s ability combined with mine, we’re able to restore the projections of memories from different locations and we experienced them secondhand.
Jan 3, 2558
Rukkha made a small cake made with nuts as a birthday present for me. We ate it as she talked about the stars, seas, and mountains with excitement, which I think is the reason why the pastry tasted better.
After all, even the simplest of food can taste like luxury when with a friend.
June 10, 2558
The story of humans is a cycle of love and loss, of happiness and sorrow, of death and birth. As we explored all around Teyvat collecting memories, as Rukkha told me and showed me a wide range of emotions, I realized that life is bittersweet yet that made it beautiful. Even though flowers sprout in spring and fully bloom in summer then wilt in autumn and wither by winter, new ones are born in the next cycle of spring. Even though the sky lights up and sunrise becomes bright at noon, dims in the afternoon, and goes dark at night, it is still a masterpiece because it is able to paint different colors. Even though the lives of humans are fragile and are bound to end, just like how Rukkha viewed it, I find it beautiful.
[Transcription audio]
“Rukkha, I’d like to ask, what does it mean to live?”
“The answer to that is something you need to find yourself in order for it to be a ‘true answer’.”
“...I don’t understand.”
“You will someday.”
July 9, 2558
I should have noticed it sooner. When she mentioned that she saw a glimpse of me from the future, I should have realized it. Irminsul was only supposed to be recording the past and the present, not the future.
She has accessed the Forbidden Knowledge.
Apparently, the sages of Sumeru forced her to unlock pieces of information related to Forbidden Knowledge and now, she is suffering for things she never wanted. I feel agony. I feel rage towards those scholars who treated her like a tool and a stepping stone for their vain pursuit of knowledge.
It’s unfair. All she wants is to freely explore the world beyond her prison and to live like a normal human, yet she has been robbed of it. Now, she is dying because of Eleazar, which has no cure. She is kind, too kind. What has she done to deserve this kind of fate? It’s unfair.
I…I’m afraid. I don’t want her to die. I don’t want to lose her. I don’t want to grieve again for another family that I found.
Please…not again.
August 19, 2558
She smiles. Even as the black scales are eating away her body, even as the pain tormented her while I carried her on my back during our journey, she smiled.
October 27, 2558
She still smiles. As I cradled her in my arms in front of Irminsul, she was still smiling the same way she did when I first met her, when she tasted lavender melon, when she ran across a field chasing after a butterfly, and as she played on the water by the shore. Even though my chest feels like it’s being torn to shreds and tears fall from my eyes like a waterfall flowing towards the sea, she smiles. The corner of her lips are curled upward as she told me how human I’ve become and how happy she is to have met me; her companion in her journey to explore the world, a friend, a family.
She still smiles as she hands me one last gift before her eyes slid close.
“Thank you.” She whispered.
“Thank you.” I wrapped my arms around her.
May 17, 2568
Ten years have passed since Rukkha died. The ache was still there and I still see the ghosts of her smile and the journey we had as I continued my wandering across the world with her last gift tucked in my coat’s pocket.
Teyvat has rebuilt itself from the ashes of war even though it was still far from its former glory. People were starting to move on with their lives and I, too, had begun walking forward from grief and was currently traveling as a wandering historian who was sharing and recording the events in this planet while guarding Irminsul.
Life was not perfect, but it was better.
October 27, 2568
Rukkha’s last gift is a seed. Over time, it became a bud, growing little by little each day, until finally turned into a little twig. The tiny branch is now glowing and I am sitting beside it, waiting like it is an egg about to hatch.
What does it mean to live?
My mother wanted me to discover that.
I once asked Rukkha that question.
Now I understand what she meant by needing to find my own answer for it to become a true answer.
For a robot, to live is an impossible notion.
For a synthetic but human-like being, it is to love despite the inevitable loss. It is to admire the stars even though they will all disappear when morning comes. It is to welcome the warmth of having a family even though the fire will be extinguished by the cold snow of winter. It is to travel and see the world, to know the experiences and emotions that make humans laugh and cry, to treasure every moment, and to weave the story of others and yours into a colorful tapestry.
To live is to find your own answer,
And just like how the people of Tatarasuna and Rukkha guided him, he would do the same for this new life that was born.
“A name is life’s first gift and I’ll give it to you. From now on, your name will be Nahida.”
Jan 3, 2569
Hello, world
I am Kunikuzushi, a human-like robot with emotions, ready to record a new era with this little hand holding mine.
#genshin#genshin impact#genshin wanderer#wanderer#nahida#genshin nahida#greater lord rukkhadevata#genshin rukkhadevata#rukkhadevata#tatarasuna#niwa#niwa hisahide#genshin fanfic#ao3 fanfic#fanfic#platonic#angst#hurt/comfort#journal entry#diary entry#genshin angst#genshin impact fanfic
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Light and Shadow Project
Project Title: The 9%
Project Description: This project, "The 9%" is a visual depiction of the Black/African American students on campus and the activities that they undertake in their day to day lives. Considering the community is seen as a minority compared to the abundance of other students I would shine a light on the experience of The 9%. Each photograph will detail an activity involving either someone else or a group of people either, entertaining themselves, living life or a portrait photo of them. In these photos I will be using a monochromatic OR color photography type shots like my references Dawoud Bey and Gordon Park (Fun Fact: Dawoud Bey is influenced by Gordon Park). With these types of photos I will use the use of light and shadow to accentuate certain key points or subjects you need to focus on in the photos. I'm still working the kinks out for this project, but thats what I want to do
Outcomes: - A series of 6-9 images showing the various different things that happen on campus involving or have Black/African American students -Photos, I'm thinking will be in a two different ways, Portrait and Landscape (Thinking of Aperture Priority AE)
Methods and Materials: -Canon Rebel EOS T7 camera -Tripod Lighting: -Natural Lighting -Maybe some artifical touchups on certain photos we'll see Materials: -Camera. Editing: Digital Photo Professional 4 (Canon) for adjustments to the photos
References Dawoud Bey: I like Dawoud Bey's photography because just something akin to my project, he shoots communities that have been underrepresented. He's style of photography is of portraits, some being of groups, they mostly comprised of black people in different communities or about the stories of a certain individual
Gordon Park: Gordon Park shot history when it happened, Black Panthers, Harlem Gang Leaders, March on Washington etc. Gordon park document American life and culture and the African American Experience (like my project diving into the activities of African Americans). His shoots are mostly portrait and some color to others
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