#la esfera magazine

[putrefawn]

"El Hada Madrina." Manuel Bujados. La Esfera Magazine, Spain Oct 1915.

[mote-historie]

Manuel Bujados, Illustration 'The Sphere' "Two lizards" from the Ural fairy tale for La Esfera Magazine, October 1915.

[pussymarty]

[the-evil-clergyman]

El Hada Madrina, from La Esfera Magazine by Manuel Bujados (Oct. 1915)

[thejazzera]

Roberto Martinez Baldrich, La Esfera, Calber, 1920

source

[thedeadleafs]

Roberto Martinez Baldrich, La Esfera, Agua de Colonia Las Meninas Calber, 1919

source

[monkeyssalad-blog]

BUJADOS, Manuel. La Esfera, April 1921. by Halloween HJB

[nobrashfestivity]

Manuel Bujados, Illustration from La Esfera magazine, 1921

50wattsbooks seems to be the expert on Bujados so they may have scanned this

[psikonauti]

Manuel Bujados (Spanish,1889-1954)

La Esfera (Magazine), December 1926

[polymorphousculturevulture]

Manuel Bujados, Illustration ’The Sphere’ for La Esfera Magazine, October 1915.

Source : mote-historie

[mysterious-secret-garden]

Manuel Bujados. From 'La Esfera' magazine, 1929.

[artdecoandmodernist]

Art deco illustration by Roberto Martínez Baldrich (1895-1959) for La Esfera Magazine, Madrid, Spain, 1925.

[halloweenhjb]

Featured illustrations by Enrique MARTÍNEZ ECHEVERRÍA, aka “ECHEA” (Spain, 1884-1959)

ECHEA, “Carnaval”, cover of La Esfera, April 1916.

ECHEA, untitled, cover of La Esfera, Feb. 1915.

ECHEA, “El Diablo y la Muerte”, La Esfera, Oct. 31, 1914.

ECHEA, cover of La Esfera, 1928.

[signorformica]

“But one day in the summer of 1914 (Hans) Arp became altogether more serious. He told me about the need to flee. The atmosphere had become hostile and suffocating in Germany. War was imminent, he said, and its catastrophes would annihilate all that was dear to us —our youth, our ambitions, our happiness, and all that we loved best. None of my friends was in any hurry to sacrifice his life for God, the king and the Fatherland. Arp (who came from Alsace) had the good sense to take the last train before general mobilization. “He invited me to accompany him and then I regretted many times having ignored him. According to legend, they closed the border between Germany and France just as the train was crossing and precisely over the wagon where Arp was traveling. Hence the duality that the character presents… “He is the only one among the friends of my youth whom I ever saw again. In the first year of the war August Macke was killed... Macke's attitude had puzzled us. Influenced by Futurism, he had accepted war not only as the greatest manifestation of modern madness, but also as a philosophical necessity (War, necessary for the realization of the idea of humanity!). For the rest, there was no patriotism in his warmongering as there was in (Guillaume) Apollinaire's, who —as we later learned— had also allowed himself to be deceived by events. “Those who are inclined to believe in the irony of fate may find confirmation of their belief in the fact that those two men, who had met and became friends, who had identical concerns, died as "enemies", one the day after the declaration of war, and the other one, on the eve of the armistice. “August 1914. And then the great mess.” —Max Ernst, “Writings” Image: “The Victor” Illustration from the now-defunct Spanish magazine La Esfera (1914-1918) • via Bibliothèque Infernale on FB

[the-evil-clergyman]

Más allá del amor, from La Esfera Magazine by Manuel Bujados (Oct. 1915)

[thejazzera]

Roberto Martinez Baldrich, La Esfera, Jabon Calber, 1920

source