#ktl ep.10

[sunjaesol]

"And we'll travel much more. It'll happen."

[theinfinitedivides]

totally obsessed with king the land and i need to rant about it somewhere and i figured this would be a fun place because i love your takes and can i start off by saying i've haven't seen someone as down bad as gu won in a really long while. to think he realized his feelings because he took a quiz a few weeks back and look at where he is now, confessing his love on a rooftop to the woman he falls in love with more and more every second.

ep 10 was honestly one of the most fulfilling romantic escape episodes i've ever seen in a show, like the locations were stunning, the chemistry was chemistrying like crazy and god the way won looks at sarang? the way he smiles so wholeheartedly? it's like she helped him rediscover what happiness and love feels like.

one thing i really loved from the earlier eps is how won always gives in and tries new things with sarang and realizes how much he enjoys it. also, the way sarang's grandma is such an important figure to both sarang and won now makes me so happy. i love how won takes all of her advice to heart and actually works on his communication.

i also absolutely loved how this week's eps focused on them just being in love and enjoying their dating era, the quality time and the constant need to touch each other and express their affection is something so precious. can't wait to see what's in store for them in the weeks to come. 🥹

i cannot tell you how honored i am to be the recipient of this little love letter to KTL bc you!!!! you get it anon!!!! i'm going to be addressing some of your points but i should warn you that it will be all over the place so i hope that doesn't confuse you once you get around to reading this sksksksk

first off, i think Won automatically gravitates towards Sa Rang's halmeoni bc in some ways she is that mother figure for him. we still haven't been told exactly what happened to his mother btw, but considering the age gap between him and his half-sister Hwa Ran you would think that after eomma "disappeared" (using that term for now) Hwa Ran would have stepped in. their relationship is so, so f*cked up, however, that she's never actually treated him as her actual sibling (as seen by her dangling the pocketwatch his mother gave him out the window/breaking it by letting it go. he still carries it around, even after all of that.) and so there is no love lost between the two of them. she has always viewed him as a competitor, someone to be wary against in her struggle for their father's company, and even though Halmeoni acts as if he is also one (for Sa Rang's hand) the way they interact says differently. (there's so much to unpack about why that is, namely the way that Gu Il Hoon treats his children and the lessons he's instilled in them, but that's not the point rn and i don't have energy to write that essay today)

so when Hwa Ran tells him not to try anything in terms of the company bc he won't be able to do anything substantial anyway, he listens, bc that fear has been bred into him. he's learned early not to expect anything akin to affection from her, learned that the only reason he's allowed to come so close is bc she knows his weaknesses (ep 3 publicity interview/panic attack anyone?) and uses them to keep him on a leash so he doesn't get in her way and he's tired. he says as much when he tells her '나 싸우고 싶지 않았어' — 'i didn't want to fight' during their convo in the lounge in ep 8 (have some slightly unrelated commentary on that scene here, although in the more recent eps after meeting Sa Rang he has begun to buck against her incessant emotional abuse). but when Halmeoni tells him to do something, he listens, bc he knows, instinctively, that whatever she's telling him is not going to sabotage his relationship with Sa Rang. she's not out to get him, and she does not loathe his entire existence—she is treating him like the grandson she does not have, and she in turn is the mother that he has been deprived of for so long.

(frankly i think the best way to describe Hwa Ran and Won's dynamic with the influence of their father coming into play is uh. 'but business is business! / and business runs in the family' from Amanda Palmer's Runs In the Family. fair warning the video is a bit all over the place and the lyrics may be triggering but i highly recommend listening to the song if you haven't already)

building off of that, i think Sa Rang is also another outlet of love for him that is making up for what he has lacked. the way she and her circle of friends, much like her halmeoni, treat him when he is around (even after a bit of a false start in the first episodes) is in contrast to his sister as well—it's implied, albeit not explicitly, that he has the tendency to attach himself to people other than her once they show him any kind of care (standing up for Sang Sik taking him with him from the internship after Sang Sik tried to help him adjust in case he got in trouble, for instance). he trusts them even if he doesn't say it, since he does not trust her, and in some ways the kind of fear he has around Hwa Ran has been rechanneled into the need to keep his eyes on Sa Rang, bc he is afraid he might lose her. and he does not want to lose her, bc he has loved someone, for once, almost as much as he has loved his mother. and so once he realizes that that is what it is he tries to tell her as much, every chance that he gets, and we get to see that in the touches and glances and the small things that he does, an opening up to her as best he knows how. i spoke more about that here, but one of the best comparisons to their relationship that i can think of (other than Mitski's Come Into the Water and KK's Aankhon Mein Teri that i have already made a post about) is this line from Lee Hae Ri's gorgeous song Maybe that she sang for the OST of Her Private Life ('어쩌면 그게 사랑 일지도 몰라 / 반복되는 일상 / 그 속에 나를 보듬어 준 네가 / 조용히 떨리는 심장이 말해 / 너를 보고 싶다고 말하래' — 'maybe it [this feeling] is love / you who've cared for me in my repetitive everyday life / my quietly trembling heart tells me to say that i miss you'), bc that is just Won telling Sa Rang in the pool in the gloriousness that is ep 10 that he missed seeing her face in so many words and God. God them!!!!! laying face down on the ground and sobbing they're too much for me

despite all of this i know something has to give in the upcoming episodes, though, and while i am not asking for heavy angst (no devastating messy breakup arc i am on my knees begging at this point) i do hope we get to explore more of that kind of dynamic between Sa Rang and Won and get a cathartic moment for him while we're at it. (if you're not going to send him to therapy to address his childhood trauma [possible panic attack trigger i see you in the ep 11 preview] then let the man cry ffs) looking forward to whatever they do as much as you are, anon <333

[mystarmyangel]

Netflix Global Weekly Top 10 (Non-English TV) 12 June - 18 June 2023

[INFO] Netflix Global Weekly Top 10 (Non-English TV) 12 June - 18 June 2023

#7 - #KingTheLand (1.6 million views in the week) 🆕

KTL 1st 2 eps air on 17 June & 18 June (Korea time) so they literally has only 2 days at most to chart but look at them!

Source: Netflix

[whoisnox]

Kill this love EP PERSONAL ranking

1. Hope not

I simply love this song! The vocals are absolutely BEAUTIFUL! I love ballad songs and i relate to the lyrics on a personal level :')

2. KILL THIS LOVE

KTL is SUCH a bop! I love Rosé in the car, I dunno why but that scene is just something that spoke to me. And again, The VOCALS!

3. kick it

This song is so beautiful, It fits the girl's vocals so well and LiSAS ENGLISH RAP DAMN-

4. Don't know what to do

I don't really have much to say hahaha

The girls vocals are so pretty in this! Like always! The rapping is 100/10

5. DDU DU DDU DU

Oh come on. I love dddd but.. Again? Don't get me wrong, I'm not hating but... AgAIN?

[stormyrecords-blog]

GIANT new release list

stormy records13306 michigan avedearborn, mi 48126 313-581-9322 AMAZING week of new releases - we've got new works by old favorites (members of SCORN, PANASONIC), JOHN ZORN, EUGENE CHANDBOURNE, new music by COLLEEN, KING KRULE, DON CABALLERO, and hallowwen favorites including BOLLYWOOD BLOODBATH, GUNDELLA THE WITCH, and VINCENT PRICE!!!!!! so many great new tunes for your ears!!! new arrivals for 10-20-17 BULLY:   "LOSING"  (Sub Pop)  LOSER EDITION COLOR VINYL LP - $19.99 / CD - $13.99        BRAND NEW FULL LENGTH!   Free Poster & Sticker (while supplies last) WOLF PARADE:   "CRY CRY CRY"  (Sub Pop) LOSER EDITION COLOR VINYL Double LP - $24.99 / CD - $13.99       A couple of weeks late on this one, but we do have the Loser Editions!  Free POSTER and STICKER while they last COLLEEN:   "A FLAME, MY LOVE"  LP - cd $16.99 lp $21.99A flame my love, a frequency marks another bold step in Colleen's evolution as an artist, as Schott set aside her signature instrument the viola da gamba for an entirely electronic setup, utilizing pocket synthesizers and Moog pedals. Like her move from instrumental music to vocally driven songs, or her move from guitar to cello to the viola da gamba, the keyboard melodies of the album captures Colleen's ability to adapt and grow with each release, while retaining her singular qualities as an artist. KING KRULE:   "THE OOZ"  Double LP      $25.99   COURTNEY BARNETT & KURT VILE:   LP - $19.99 / CD - $13.99 DESTROYER:   "KEN"   Color Vinyl LP w/ BONUS 7" - $26.99 /  Black Vinyl LP - $19.99 / CD - $13.99   THE CLIENTELLE:   "MUSIC FOR THE AGE OF MIRACLES"  LP - $19.99 SPOON:   "GA GA GA GA GA"  Double LP - $29.99       10th Anniversary Re-issue.  Remastered 180 gram.  Download Included.   Extra 12" includes previously unreleased songs. SUPERCHUNK:   "SUPERCHUNK"   LP - $19.99      Remastered Debut Album comes with a poster & an additional download of a 1990 NYC concert. WILLIAM TYLER:   "DESERT CANNON"  Double LP - $21.99      Double LP cut @ 45 rpm.  USA Re-issue of this album originally an import only release from 2008 WILLIAM TYLER:   "MODERN COUNTRY"  LP - $19.99        Back In Stock!   Outstanding recent release by this wonderful instrumental guitarist.         A Stormy Records favorite! RADIOHEAD:   "OK Computer OKNOTOK"  Triple LP - $39.99      BLUE COLOR VINYL!!!! One Copy Back In Stock   PAVEMENT:   "CROOKED RAIN, CROOKED RAIN"  LP - $20.99       Back In Stock after a long absence. THE NATIONAL:   "SLEEP WELL BEAST"  Double LP - $25.99      Blue Color Vinyl.  1st time in stock.   JACKIE SHANE:   "ANY OTHER WAY" (Numero)  Double LP - $25.99 / Double CD - $21.99  Known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, Jackie Shane has remained largely unknown outside Toronto, where her career briefly flowered in the 1960s. Beyond her unmistakable gift of the gab, Shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. Any Other Way is the first artist-approved collection of Ms. Shane's work, collecting all six of her 45s and every highlight from the legendary 1967 live sessions at the Sapphire Tavern, including three mind blowing, previously-unreleased tracks. Rob Bowman's 20,000 word essay is Jackie's first communication with the public in nearly half a century, telling for the first time ever Jackie Shane's story in her own words. RITUAL HOWLS:  "THEIR BODY"  5 song 12" EP - $14.99       Back in stock - brand new music! ALEX LAHEY:   "I LOVE YOU LIKE A BROTHER"  (Dead Oceans)  LP - $17.99        Limited Edition OPAQUE YELLOW VINYL Pressing DON CABALLERO:   "SINGLES BREAKING UP (Vol. 1)"  LP - $21.99       13 song collection of singles from the 1990's.   COLOR VINYL first edition - download included.   HEADROOM:   "HEAD IN THE CLOUDS"  (Trouble In Mind)  LP - $17.99        Color Vinyl 1st pressing.   PASTOR T.L. BARRETT:   "LIKE A SHIP...(Without A Sail)"  (Numero)  LP - $16.99         FINALLY BACK IN PRINT!   JOHN CARPENTER:   "LOST THEMES"   (Sacred Bones)  LP - $18.99         GREEN VINYL * Limited to only 500 copies JOHN CARPENTER:   "ANTHOLOGY Movie Themes 1974-1998"  (Sacred Bones)  LP + 7" - $22.99         Limited Edition COLOR VINYL pressing - includes a bonus 7" CULTS:   "OFFERING"  LP - $21.99        Brand New Album REPTALIENS:   "FM-2030"  (Captured Tracks)  LP - $18.99          "Full of lush melodies and catchy hooks, Reptaliens create psychedelic, chameleonic dreamscapes on their debut album" NHK YX KOYXEN:   "EXIT ENTRANCE"  (DFA)  LP - $18.99 Exit Entrance is the Japanese techno artist’s first record for the veteran New York label. According to a press release, the album’s eight tracks cover “elegant arrangements and crisp drum breaks”. The album closes with ‘Outset’, a “somber hushed techno tune” dedicated to the late Mika Vainio, who collaborated with Matsunaga on several records over the years. SHIGETO:   "THE NEW MONDAY"  Double LP - $22.99         Brand New Release * COLOR VINYL and also comes with a SHIGETO button. MOGWAI:   "EVERY COUNTRY'S SON"  Triple LP Box Set - $52.99         third album in this limited edition Box Set includes demo versions.  Also comes with the CD version and a set of photo prints. ASTON NEIGHBORHOOD PLEASURE CLUB featuring DAVID J  -  "HIS SIDE / HER SIDE"    $9.99      BRAND NEW Clear Vinyl 7" Single released by HOLD FAST.        Limited Numbered Edition of 500 copies HER DARK HOST  -  "CRIMSON QUEEN" / "LYCANIA"         $6.99      Danzig / Blues Metal.   Brand New Single released by HOLD FAST.       Limited Numbered Edition of only 300 copies "THE ORBIT MAGAZINE ANTHOLOGY"    256 Page Book  $35.00   die ANGEL: Entropien l LP $23.99Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (Schneider TM) retitle themselves Die Angel for Entropien 1, their eighth LP of electro-acoustic music together, and the duo's debut for Shapednoise's Cosmo Rhythmic label. Accompanied by skilled improviser Oren Ambarchi on two tracks, Die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, electric guitar, and field recordings warped and riddled with FX. Taking its title from both the Finnish word and German plural for entropy -- in physics, the measure of thermodynamic disorder within a system -- Entropien 1 renders seven examples of their kinetic systems in elusive action, keening from arrhythmic mulch to sloshing Brownian motions and a brilliantly towering 15-minute exploration that tips into billowing, white hot feedback with scintillating effect. The amorphous results document and describe a freeness of energy travelling from body to machine and diffused across alternating acoustic environments. Each player works as controlled, external variables which act upon and interact with the different acoustic conditions to tempestuous impact, convulsing between squashed, recursive diffractions in "Roha", to the sublimated roil of jazz drums and electric guitar wail in "Terminen Kevät", before harnessing sloshing feedback chaos in the combustible, diaphanous two parts of "Entropia" -- both "North" and "South" -- which bring the LP to its logical, compelling conclusion. With the addition of Wold or KTL-like metal emulsification and lacquer-bubbling grain in "Kitka", and Ambarchi's plasmic overdubbing in the burning plasmic plong of "Silvaticum", the overall impression is like auditive DMT, dissolving the senses and the ego -- simultaneously theirs and the listeners -- to better snag the listener in the music's metastable potential and aid our unanchored exploration in those dimensions. Entropien 1 is dedicated to Mika Vainio. RIYL: Pan Sonic, Mika Vainio, KTL. Mastered and cut by Matt Colton at Alchemy. Sun Ra: Discipline 27-II CD $16.99Corbett Vs. Dempsey present a reissue of Sun Ra Discipline 27-II, originally released on El Saturn Records in 1973. Arguably the last great original-era Saturn LP to be reissued on CD, Discipline 27-II has long deserved to be more familiar to Sun Ra fans and layfolk alike. Recorded during the same sessions in 1972 at Chicago's Streeterville Studios that produced Ra's most popular and best-known record, Space Is The Place (1973), it's got much the same vibe, from the 24-minute four-part suite of the title track -- an important conducted piece that Ra performed frequently in these years -- to the opening cut, "Pan Afro", with John Gilmore's sensational tenor work. Sporting a percussion-rich 18-piece Arkestra, the music can be thick, voluble, and dense or it can winnow down to a small group, as on the delightful track "Neptune", a vehicle for June Tyson's singing and the site of the indelible Sun Ra space chant: "Have you heard the latest news from Neptune, Neptune, Neptune?" This marks the first time Discipline 27-II has been reissued on CD. It has been remastered from the original tapes, includes a never published period photo of Ra by Charles Shabacon, and ends with an explosive bonus track from the same session, showing quite a different side of the same ensemble. Personnel: Sun Ra - electronic keyboard space age instruments, Moog synthesizer, vocals; John Gilmore - tenor saxophone, percussion, vocals; Marshall Allen - alto saxophone, flute; Danny Davis - alto saxophone, flute; Pat Patrick - baritone saxophone, bass; Danny Thompson - baritone saxophone, flute; Eloe Omoe - bass clarinet, flute; Akh Tal Ebah - trumpet, flugelhorn, vocals; Lamont Kwamie McClamb - trumpet, percussion; Russell Branch - percussion, congas; Stanley Morgan - percussion, congas; with Alzo Wright, Harry Richards, Lex Humphries, Robert Underwood on drums and vocals by June Tyson, Cheryl Banks, Judith Holton, and Ruth Wright. Cover art by LeRoy Butler; cover design by Alton Abraham. Recorded by Ed Michel at Streeterville Studios, Chicago, October, 1972; LP produced by Alton Abraham for Infinity Inc. Chadbourne, Eugene: Lost Eddie Chatterbox Session CD $16.99Corbett Vs. Dempsey present The Lost Eddie Chatterbox Session, a reissue of Eugene Chadbourne's album, first released as a cassette on No Prestige Records in 1988. Dateline: Christmas Day, 1977, San Francisco. On an ailing quarter-track tape deck, in a marathon session, Eugene Chadbourne recorded a series of slide guitar solos playing compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, along with a few standards and originals. Although the recording quality was imperfect, the playing was absolute genius -- enough so that Chadbourne was eventually convinced, a decade later, to issue it as a cassette tape, which he sold at concerts. Long pre-dating the slash-and-burn-and-reinvent approach to jazz songbooks now familiar from groups like News From Lulu, Chadbourne leapt into each short track with giddy abandon, introducing the piece with a nerdy credit line, then ripping and tearing at it adoringly, his improvisations forcing a new view of the familiar melodies. Anyone familiar with Chadbourne's wonderful duets with Frank Lowe on Don't Punk Out! (1979), waxed in the same period, has a general sense of his modus, but the complete commitment he gave to the project on The Lost Eddie Chatterbox Session makes it a special and wholly unique item in the manic master's chronicles. On this special CD reissue, the tracks have been tenderly but respectfully restored, eliminating some of the most distracting audio flaws but leaving the inconceivable artistry intact. Four unreleased tracks have been added to the jam-packed program, as well as the original cover photo and Chadbourne's unreadable track listing, which is carefully reproduced on the interior. Recorded December 25, 1977, in San Francisco John Zorn and Eugene Chadbourne: 77-81 LP+BK   $44.99Song Cycle Records present a reissue of 1977-1981, a collection of rare free-jazz pieces performed by John Zorn and selected by the American guitarist and music critic Eugene Chadbourne originally released in 1998. Originally released to accompany the book release of Sonora: John Zorn (Materiali Sonori), the album is presented here for the first time in an exclusive release in limited edition on vinyl. This special issue includes the original book that features exclusive interviews, essays, and photos about the artist's entire oeuvre up to 1988. VA: Bollywood Bloodbath CD $17.99 VA: Bollywood Bloodbath 2LP $29.99restock on one of carl's essentail listening favorites!!black vinyl,  2 slabs of screams, sighs, shrieks and sitars!! songs from horror slasher bollywood films - makes great halloween listening!! Caretaker: Everywhere At The End Of Time 1-3 3CD set $29.99The first three stages in a series of six albums by The Caretaker, compiled here on a deluxe three CD collector's edition. Each album reveals new points of progression, loss and disintegration, progressively falling further and further towards the abyss of complete memory loss and nothingness... Embarking on the Caretaker's final journey with the familiar vernacular of abraded shellac 78s and their ghostly waltzes to emulate the entropic effect of a mind becoming detached from everyone else's sense of reality and coming to terms with their own, altered, and ever more elusive sense of ontology. The series aims to enlighten our understanding of dementia by breaking it down into a series of stages that provide a haunting guide to its progression, deterioration, and disintegration, and the way that people experience it according to a range of impending factors. In other words, Everywhere At The End Of Time probes some of the most important questions about modern music's place in a world that's increasingly haunted or even choked by the tightening noose of feedback loops of influence; perceptibly questioning the value of old memories as opposed to the creation of new ones, and, likewise the fidelity of those musical memories which remain, and whether we can properly recollect them from the mire of our faulty memory banks without the luxury of choice. It's highly encouraged that you join The Caretaker on this, his final journey through the endless haunted ballrooms and mazy corridors of his wasting mind... Features new and exclusive artwork by Ivan Seal on each panel -- made especially for this series. Housed in a deluxe eight-panel, triple digifile. Mastered and cut by Lupo. Fret: Over Depth 2LP $28.99  Mick Harris (Scorn, Quoit, Painkiller) returns after several years of hiatus with ten tracks of blasting landmine bass and interlocking shrapnel rhythms. Derek Szeto on the album: "... For someone with decades of releases over various solo projects, collaborations and pseudonyms, whether it's doing blast beats in the original Napalm Death to crushing techno brutality as Monrella, or savage drum & bass as Quoit. Then of course there's the mighty Scorn and his numerous collaborations with fellow luminaries such as John Zorn and Bill Laswell (in Painkiller). Rather than being tied to genres or scenes, Mick Harris is one of those producers who creates a whole sonic world uniquely of his own . . . Needless to say his work has influenced legions of producers like Surgeon, Regis, Ontal, Vatican Shadow/Prurient, Fausten, Shapednoise et al. . . . And yet after all this time, it is impressive that Harris still stands way above his successors and has never been surpassed in his own production/performance game. After a hiatus of several years, he is back with a new album under the guise of Fret. Working at a faster tempo than his Scorn material, the Fret project first surfaced years ago on the Downwards label, rooting it firmly in the dark, industrial and technoid world, and appeared more recently on Tresor (Kern mix by Objekt), maintaining the characteristic colossal bass-heaviness and textural depth. And now a full album on Karlrecords, Berlin. Harris fans will be delighted to know that despite the 130 bpm tempo, the newest Fret still resolutely avoids any straight four-on-the-floor kick drums; every track lurches, stumbles, staggers and charges forth with beats in beautifully broken asymmetry. We get ten tracks of crushing, percussive destroyers, each itself a storm of precision chaos, with colossal low-end frequencies that'll cause stampedes in the right circumstances. The classic Harris sound is there; searing waves of feedback distortion, intricate, interlocking rhythms and cold, abattoir atmospheres . . . The lazy-minded would probably lump it in with the term 'techno', but the disciplined brutality, blasting landmine bass and interlocking shrapnel rhythms are clearly Harris's own trademark style, sitting somewhere between Scorn and Quoit. The tracks appear deceptively chaotic on the surface, yet each is meticulously and masterfully composed with great attention to layering and detail." 180 gram vinyl; Includes download code. Outro Tempo: Electronic And Contemporary Music From Brazil, 1978-1992 double cd $22.99Double CD release of the outstanding compilation, Outro Tempo: Electronic And Contemporary Music From Brazil, 1978-1992. Contains three tracks not included on the double LP version (MFM 016LP). For their first multi-artist compilation, Music From Memory take a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic And Contemporary Music From Brazil, 1978-1992 explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerizing tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders. Features: Piry Reis, Nando Carneiro, Cinema, João De Bruçó & R. H. Jackson, Os Mulheres Negras, Fernando Falcão, Anno Luz, Andréa Daltro, Bené Fonteles, Maria Rita, Carlinhos Santos, Bené Fonteles, Priscilla Ermel, Carioca, Marco Bosco, and Luhli E Lucina. Greiner, Svarte: Knive LP $23.99Miasmah present a reissue of Svarte Greiner's debut album Knive, originally released on Type in 2006. 11 years since its inception, the surreal and darkly romantic Knive still sounds like a mystery and something that's hard to pin down. Svarte Greiner's debut album feels like a trip into the forest at midnight, with all the sounds and impressions that comes with it. Spiritual, horrific, and fragile in essence, its melancholic core is hard to shake off, and feels as present today as it did back then. While starting off the sub-genre of "acoustic doom" back in 2006, it's difficult to say what else to name it now, with its inspiration and elements from countless genres. The record flows through the dissonant cellos and washed-out vocals of "Ocean Out Of Wood" past the introverted church organs of "The Black Dress", distorted guitars and wooden beats of "The Dining Table" to the operatic finale of "Final Sleep". Everything is scattered, with field recordings from crows, branches, walking, sleeping, rain, wind, and who-knows-what. Knive stands on many feet, wherever they may be. Erik K Skodvin's path as Svarte Greiner have since been dwelling more and more into this world, picking each element apart to focus on them, stretching them out or cutting them down, looping, experimenting, and flooding with reverb -- trying to make time stop and night fall. But for now a re-visit to where it all started seems appropriate. Includes download code; Full-tone color artwork; Edition of 500. Partch, Harry: And On The Seventh Day Petals Fell In Petaluma  lp $26.99Performed by The Gate 5 Ensemble: Harry Partch (director), Danlee Mitchell, Harry Partch, Michael Ranta, Emil Richards, Wallace Snow, Stephen Tosh. Limited edition LP release (180 gram vinyl) with previously unpublished bonus tracks + free download card. "'In late 1962 Harry Partch returned to California and began a project that would not only become the bones of a masterwork, Delusion of the Fury, but have a life of its own. In a too-small space within an abandoned Petaluma chick hatchery, Partch gathered the instruments he had designed and built -- new and old -- eager to once again expand the boundaries of his compositional fabric. He learned each individual part as he composed, establishing that it could be played. And On The Seventh Day Petals Fell In Petaluma (1963-64, rev. 1966) was born of his exploration and assembled with that 'minimum of players' over a three-year period. In spite of rough conditions and meager resources Partch's dogged persistence, along with the efforts of his dedicated assistants, eventually succeeded in realizing the 34 verses of expanded duets. With this album we revisit an important work and turning-point, guided by the original 'Statement' Partch wrote for the first commercial release of the piece. Previously only excerpted, it is a voicing of his beliefs that transcends one project to illuminate an entire purpose. We also reprise exquisite notes by the late Bob Gilmore, who distills and explains the story of Petals so clearly and eloquently. No one wants a dead reissue, so by digging into the archives, I am pleased to offer hidden gems. First, The Petals Sessions is an aural glance into the cramped quarters of the recording space, as composer and players labor to bring new notes to life, Harry himself giving direction. The montage ends with a 'test take' by Danlee Mitchell and Michael Ranta that could have easily been a keeper! Finally, we present the original Verse 17. In 1964 Partch wrote two duets that used the Adapted Viola; by the time the piece was finished in 1967, he had excised them. The ending track -- never before released -- brings Harry back to life, playing and recording Adapted Viola for one of the last times. I was completely unaware of this recording until I examined the outtakes and it glows, fifty years on. That Petals ever came to be, like much of Partch's story, stands somewhere between determination and miracle.' --Jon Szanto, The Harry Partch Foundation" Price, Vincent: Hornbook for Witches  CD $12.99Reissue of the ultra-rare 1976 vinyl, Vincent Price's A Hornbook For Witches, Stories And Poems For Halloween, on CD for the first time. Turn up the volume, and turn down the lights. Suspense-master Vincent Price presents a hair-raising, bone-chilling collection of classic horror tales featuring a ghastly brew of witches, ghosts, and goblins. Edgar Allan Poe's eerie Dreamland, John Collier's offbeat Thus I Refute Beezly, and Marias Leech's practical but frightful How To See Ghosts Or Surely Bring Them To You, are just a few of the tales stirring up fear in this chilling concoction of horror. These stories, sounds, spells, and incantations will send shivers up your spine. This is a truly amazing landmark recording from the good old days presented by one of the greatest voices of horror. Also features pieces written by Leah Bodine Drake, Charles Kingsley, and John Kendrick Bangs. Comes complete with all the original stunning album artwork. Digitally remastered. Gundella - The Hour Of The Witch LP $27.99 Make someone love you, discourage an unwanted suitor, and more - with the power of witchcraft! Finally, this obscure LP of spells reappears! A descendant of the green witches of Scotland, part of a Detroit area coven, and author of multiple books and a newspaper column helping solve everyday problems from the Wiccan perspective, Gundella helps you test your psychic powers, make ritualistic candles, and mold wax dolls. She’ll define witchcraft & magic, and teach you how to cast your own spells! Gundella’s arcane instructions are accompanied by a perfectly atmospheric and esoteric soundscape created by her son. All scribed into bewitching green vinyl or CD! Both including extensive notes by Gundella’s daughter! The LP features a 16 page portfolio of Witch Watch articles compiled by Gundella herself! Kelela - Take Me Apart black vinyl $24.99 Kelela - Take Me Apart (TRANSPARENT VINYL) $28.99With great anticipation, Kelela's debut album emerges as an epic portrait of an artist spanning the past and future of R&B. In her hands, however, the genre knows no boundaries and so Take Me Apart exists as an absolutely singular and fearless addition to a canon of recent classics. From her very earliest work, honesty and vulnerability have been cornerstones of Kelela's art - even when clad in the armor of the avant-garde electronics she so deftly inhabits - and Take Me Apart sees her double down on both the emotional intensity and resonance of her message as well as the sonic seeking she is renowned for. Single vinyl with printed inner and outer sleeves includes download code. Various Artists - Detroit Ghetto Blues 1948-1954 LP $20.99 Laraaji - Bring On The Sun + Sun Gong CD restock  $17.99 Wolfe, Chelsea - Hiss Spun LP $26.99 While past albums operated on the intimacy of stripped-down folk music (The Grime and the Glow, Unknown Rooms), or the throbbing pulse of supplemental electronics (Pain Is Beauty, Abyss), Chelsea Wolfe’s sixth official album Hiss Spun wrings its exquisiteness out of a palette of groaning bass, pounding drums, and crunching distortion. Recorded by Kurt Ballou (Converge), the album was conceived as an emotional purge, a means of coming to terms with the tumult of the outside world by exploring the complexities of one’s inner unrest. “I’m at odds with myself,” she explains. “I got tired of trying to disappear. The record became very personal in that way. I wanted to open up more, but also create my own reality.” Hiss Spun features contributions by Aaron Turner (Old Man Gloom, SUMAC) and Troy Van Leeuwen (Queens of the Stone Age, Failure). Various Artists - Lake Michigan Blues 1934-1941 LP  $20.99 MacKay, Bill and Ryley Walker - SpiderBeetleBee LP $22.99 Drag City presents the second volume of Bill MacKay and Ryley Walker's inspired collaboration. It's been nearly two years since their much-admired 2015 debut, Land of Plenty (Whistler Records), and SpiderBeetleBee more than makes up for lost time with rich, resonant performances that elevate the sound of the guitar duo as they work with an ever-widening panorama of styles. Their first album was developed over a month-long live residency at Chicago bar The Whistler, and reflected MacKay and Walker's shared joy in a new relationship with a kindred spirit, in playing that might wordlessly finish a phrase or suggest a direction, as they spoke through their guitars. SpiderBeetleBee continues fluidly down the path of their initial psych-folkblues-raga tandem, brewing further explorations in mixed-and-matchedidioms, turning composed melodies inside-out via improvisation, and finding in the blend a shared Walker/ MacKay pasture, serendipitously found somewhere between Appalachia and the Highlands. SpiderBeetleBee radiates forth with equal parts austerity and whimsy, opening with an almost-baroque dance before giving way to a Celtictheme, both featuring MacKay and Walker's acoustics in rambling conversation, picking through intricate passages as though they were exchanges, thoughts and afterthoughts. The second of these, Pretty Weeds Revisited is enhanced by sonorous statements from Dutch cellist Katinka Kleijn (a veteran of the CSO), showing a deep, instinctive feel for the Walker/MacKay sound. The album then takes an unexpected turn at midpoint, slowly melting down and drifting soulfully through the expansive space of Naturita. Side two picks up the tempo on 'I Heard ThemSinging,' with the aid of MacKay's requinto (a kind of 5-string Mexican guitar), Walker's rolling chords and the percolating tabla of Ryan Jewell, suggesting a hitherto unknown short-cut from Brazil to India. Drafts of slide guitar and bittersweet blues evocation illumine further fruitfultravels before Dragonfly, also featuring Ms. Kleijn's haunting cello, closes the cycle with a flourish. Adorned with Bill MacKay's colorful and wilfully primitive cover-art, SpiderBeetleBee wanders through styles, landmasses and hemispheres, capturing the further adventures of MacKay and Walker with spellbinding snapshots that only bloom Iggy & The Stooges - Raw Power limited  RED VINYL lp $29.99 "Released less than a year after The Idiot, Lust For Life is a return to the sloppy, sleazy, blues-y, swagger of the Stooges. Though the record is, again produced by David Bowie, he takes much more of a back seat musically, allowing for Iggy Pop to take center stage in his return to form. His best solo album and an absolute classic from this legend. Limited edition of 1,000 on red vinyl." Upcoming events at Trinosophes Coming Soon:10/27:  City of Djinn,  Lime Rickey International 11/3: Embral, Devotional11/10: Circuits Des Yeux - $10 general admission $12 at the door. Advance tickets available at Trinosophes or by phone during business hours. 12/2: NOW! (Alex Harding, Vincent Chandler, Leonard King, Phil Hales)12/6: Larry Oches/Nels Cline/Gerald Cleaver Trio. Related10/26: Joel Peterson performs an original score to silent classic   Der Golem  at Toledo Museum of Art EL CLUB UPCOMING SHOWS  (most shows all ages - ticket will say all ages or not)remember - tickets are cash only. this saves us all the service charges!! algiers fri oct 20th $13giraffage sun nov 5th $17kelela tues nov 7th $20parquet courts thurs nov 16th $17daniel ceasar sun nov 19th $15 MARBLE BAR (all shows 18 and over) cults sat oct 21st $19hoop sun oct 22nd $5bully wed nov 8th $15shy girls thur nov 9th $13cold specks wed nov 29th $10 ASSEMBLE SOUND (18 and over) the blow, ema fri nov 17th $13

[sunjaesol]

They're bonding!!!!!! Childhood stories!!!!! Vulnerability!!!!!

[sunjaesol]

THE WAY HE PULLED HER INTI THE WATER RBYE BYE IM DEAD DECEASED IM DONE

[sunjaesol]

Oh my god. 1:03:44.

See y'all in the afterlife

[sunjaesol]

Not them suddenly in black tie dress code attire djdjdjdjdkd when did they make a pitstop at the house for a change of clothes???

[sunjaesol]

Won and Sa-rang running away to find freedom djdjfjfjdjd this show is so unserious

[sunjaesol]

Not the boys spilling tea omfg. Ro-woon fits in so well with the clique it's adorable

[sunjaesol]

UFUFJDJDJS NOT PYUNG-HWA'S BOY GOING TO SEE HER IN BANGKOK I CANT WITH THESE MEN BYE

[sunjaesol]

Besties get ready for another long kiss scene I'm barely holding on

[sunjaesol]

WON GIVING HER THE EGG BYE IM DECEASED THIS IS THE PERFECT PORTRAYAL OF A LOVELY RELATIONSHIP

[sunjaesol]

Lmao I think the government of Thailand asked the KTL production to make a tourism video for them

[sunjaesol]

Not Won being away from sa-rang for 0.5 seconds and needing to switch seats THIS MAN