#krzysztof wodiczko

[garadinervi]

Wall Works: Judy Platt, Sol LeWitt, Michael Giler, Dorothea Rockburne, Vernon Fisher, Krzysztof Wodiczko, (announcement card), Organized by James Cohan, John Weber Gallery, New York, NY, June 7-28, 1986 [J.N. Herlin, Inc., New York, NY]

[milksockets]

krzysztof wodiczko in xtreme fashion - courtenay smith + sean topham (2005)

[cosmicanger]

krzysztof wodiczko in xtreme fashion - courtenay smith + sean topham (2005)

[mikemoon-artdes498]

Krzysztof Wodiczko, "Homeless Projection" (1986)

Motive-Driven Exploration: Public projection art

Description: Wodiczko projected images of homeless individuals onto public buildings, drawing attention to those displaced by urban growth and highlighting the loss of community.

[steamedtangerine]

Krzysztof Wodiczko - Dis-Armour

1999-2000

Dis-Armor is designed for socially withdrawn Japanese youths – mostly dropouts – who shun interaction, speech or expression – alienated users for whom normative modes of behavior and rules don’t apply. Krzysztof Wodiczko has here created a wearable prosthetic device and helmet that allow one to see through one’s back. He gives these youths a chance to reconnect with society by allowing them mediated communication. The form itself is empowering; Dis-Armor is a muscular warrior suit with a detached headpiece that makes one look like a super hero. The wearer’s exaggerated eyes appear in two LCD monitors affixed to the metal exoskeleton at the top of the back. Metal eyelids effectively and dramatically begin and end conversations. They can be controlled by the wearer from the helmet, and they make a satisfying electronic noise as they open and close. The voice is amplified through a speaker positioned below the screens. The wearer has access to a rearview mirror, a microphone, a video camera and headphones so that they can see behind them, and hear and talk as well. The piece promises indirect communication, and ultimately, a way out of silence and seclusion. http://www.sensorystudies.org/picture-gallery/dis-armor/

[afterthebeep]

[furcafe]

5 years ago tonight: Krzysztof Wodiczko’s “Hirshhorn Museum, Washington, D.C.” from 1988, projected on the @hirshhorn ‘s facade, Independence Ave., SW. Lens c.1965-70, camera c.2017. #wbw #dcondigital #zeisslife #distagonlife zeisszeissbaby #metaboneslife #zeissikonlife #contarexlife #digitalcontarex #sonylife #sonya9 #ilce9 #manualfocus #notleica #availablelight #acreativedc #exposedDC #FotoDC #igdc #dctography #dcfocused #mydcist #202creates #walkwithlocals #streetmeetdc #dcisreal #WeAreDC #nationalmall #spring2018 (at Hirshhorn Museum and Sculpture Garden) https://www.instagram.com/p/CpiXy1Guwz6/?igshid=NGJjMDIxMWI=

[mtonino]

Krzysztof Wodiczko - Projections

Democrazia significa dovere di comunicare entro lo spazio pubblico e di prendere la parola. Per me, l'arte come parola e come messaggio è una componente molto importante della democrazia e dello spazio pubblico. L'arte attiva e critica aiuta la democrazia a sopravvivere.

Krzysztof Wodiczko

[saaraah-plg]

[avtavr]

Krzysztof Wodiczko, Guests, 2009, (5) synchronized video projectors with sound system, Polish pavilion, 53rd Venice Biennale, Venice.

[science70]

Krzysztof Wodiczko, Personal Instrument, 1969.

[milksockets]

krzysztof wodiczko in xtreme fashion - courtenay smith + sean topham (2005)

[czpraa]

source: krzysztofwodiczko.com

[banffcentrelibraryandarchives]

Artists’ book display for the week of October 15th, 2018

Anton Zeilinger / [Documenta und Museum Fridericianum Veranstaltungs-GmbH, Kassel- Ostildern : Hatje Cantz, 2012

untitled by George Dokoupil- Koln: Walther Konig, 1991

Public Projections by Krzysztof Wodiczko 1980

Die Notizbucher der Mademoiselle Heidi Schreber = The Notebooks of Mademoiselle Heidi Schreber by Miguel Ventura- Mexico : The new Interteritorial Language Committee, 1995

Karin Ogren by Karin Ogren- Stockholm, Sweden - Carlsson Bokforlag, 1995

[conversationsincontemporaryart]

Rafael Lozano-Hemmer and Krzysztof Wodiczko

Friday, September 7, 2018, 7pm Le vendredi 7 septembre à 19 h Concordia University Sir George Williams University Alumni Auditorium (H-110) Pavillion Henry F. Hall, 1455 Boul. de Maisonneuve O. https://goo.gl/maps/YkXMyhedwbN2 www.finearts.concordia.ca In connection with the current exhibition Rafael Lozano-Hemmer, Unstable Presence, Conversations in Contemporary Art is proud to partner with the Musée d’art contemporain de Montréal (MAC) to present a conversation between artists Rafael Lozano-Hemmer and Krzysztof Wodiczko, who collaborated on the production of Zoom Pavilion (2015).   Admission for all Conversations in Contemporary Art events is free and open to the general public. Seating is first come, first served. The lectures are held in English.

+ Rafael Lozano-Hemmer Rafael Lozano-Hemmer was born in Mexico in 1967. He was the first artist to represent Mexico at the Venice Biennale, with an exhibition at Palazzo Van Axel in 2007. He has also shown at biennials and triennials in Cuenca, Havana, Istanbul, Kochi, Liverpool, Melbourne (National Gallery of Victoria), Montreal, Moscow, New Orleans, New York (International Center of Photography), Seoul, Seville, Shanghai, Singapore and Sydney. Lozano-Hemmer’s artistic production has been the subject of monographs and performances in numerous institutions, including MUAC in Mexico City (2015), SFMOMA (2012), the Museum of Contemporary Art in Sydney (2011), the Manchester Art Gallery (2010), the Guggenheim Museum (2009) and the Barbican Centre in London (2008). Krzysztof Wodiczko Born in 1943 in Warsaw, Krzysztof Wodiczko lives and works in New York, Boston and Warsaw. Since the early 1980s he has produced more than eighty public projections in Australia, Austria, Canada, England, Germany, Holland, Northern Ireland, Israel, Italy, Japan, Mexico, Poland, Spain, Switzerland and the United States.  At the same time, he has been designing and implementing a series of nomadic instruments and vehicles with homeless, immigrant and war veteran operators, for their survival and communication. Wodiczko won the Hiroshima Art Prize in 1998 for his contribution as an international artist to world peace, and has represented Canada and Poland at the Venice Biennale. He is Professor of Art, Design, and the Public Domain at the Harvard Graduate School of Design. http://www.lozano-hemmer.com/ https://www.krzysztofwodiczko.com/ + Dans le cadre de l’exposition Rafael Lozano-Hemmer. Présence instable, le Musée d’art contemporain de Montréal (MAC) en partenariat avec le programme CICA présentent une conversation entre les artistes Rafael Lozano-Hemmer et Krzysztof Wodiczko, qui ont collaboré à la création de l’œuvre Zoom Pavilion (2015). Tous les événements du programme Conversation in Contemporary Art sont gratuits et ouverts au public. Les sièges sont assignés selon le principe du premier arrivé, premier servi. Les conférences se dérouleront en anglais. Rafael Lozano-Hemmer Rafael Lozano-Hemmer est né à Mexico en 1967. Il a été le premier artiste à représenter le Mexique à la Biennale de Venise, avec une exposition au Palazzo Van Axel en 2007. Son travail a également été exposé dans les biennales et triennales de Cuenca, La Havane, Istanbul, Kōchi, Liverpool, Melbourne (National Gallery of Victoria), Montréal, Moscou, La Nouvelle-Orléans, New York (International Center of Photography), Séoul, Séville, Shanghai, Singapour et Sydney. La production de l’artiste a fait l’objet de présentations monographiques et de performances dans de nombreuses institutions, parmi lesquelles le MUAC de Mexico (2015), le SFMOMA (2012), le Museum of Contemporary Art de Sydney (2011), la Manchester Art Gallery (2010), le Guggenheim Museum (2009) et le Barbican Centre de Londres (2008). Krzysztof Wodiczko Né à Varsovie en 1943, Krzysztof Wodiczko vit et travaille à New York, Boston et Varsovie. Au cours de sa carrière, il a réalisé plus de quatre-vingts œuvres de projections publiques en Allemagne, en Angleterre, en Australie, en Autriche, au Canada, en Espagne, aux États-Unis, en Irlande du Nord, en Israël, en Italie, au Japon, au Mexique, aux Pays-Bas, en Pologne et en Suisse. En même temps, il a notoirement conçu et mis en pratique une série d’instruments et de véhicules nomades avec des opérateurs sans-abri, immigrants et vétérans de guerre dont ceux-ci se servent pour survivre et communiquer. Wodiczko s’est mérité le Hiroshima Art Prize en 1998 pour sa contribution, en tant qu’artiste international, à la paix dans le monde, et il a représenté le Canada et la Pologne à la Biennale de Venise. Il est professeur en art, design et domaine public à la Harvard Graduate School of Design. http://www.lozano-hemmer.com/ https://www.krzysztofwodiczko.com/