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#komal lawn
pakioutfits · 7 years
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Latest Komal Exclusive Embroidered Lawn Range 2017
Latest Komal Exclusive Embroidered Lawn Range 2017
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magazinepk · 2 years
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Lakhany Komal Bakra Eid Lawn Prints 2022
Lakhany Komal Bakra Eid Lawn Prints 2022
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gracefashion · 3 years
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Omal By Komal Fancy Latest Lawn Collection 2021 KM-2106
Omal By Komal Fancy Latest Lawn Collection 2021 KM-2106
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Komal Prints Lawn by LSM '21 - KP-2012-A
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*Komal* *Fabric Lawn 3pc* *Brand Code No: 025* *Neckline* Heavy Embroidered *Daman* Embroidered Patch *Trouser* Embroidered Patch *Dupatta* Chiffon Printed Suf https://www.hilltopfashionsvalley.com 🌍For help or for new Updates : 📱WhatsApp : 0321-4520007 📞Call             : 0333-8294111 100% original accessroies guaranteed https://www.instagram.com/p/Bzgsg4HHw2P/?igshid=os0bpi7bvrkw
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fashionmiddlefan · 6 years
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Mina Hasan Exclusive Lawn Collection 2016
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Mina Hasan Lawn Collection 2016 by Shariq Textiles is attractively decorated. In summer, various lawn collections dominate the market and Mina Hasan has announced the wonderful Summer Lawn Collection 2016 by Shariq Textiles to make women more fashionable and trendy. These dresses made to keep it cool in the hot summer season are the reason Lawn's comfortable fabrics have been used to make this collection.
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(adsbygoogle = window.adsbygoogle || ).push({}); See Also:- Amina Yasmeen by Mansoor Akram Collection 2015 (adsbygoogle = window.adsbygoogle || ).push({ google_ad_client: "ca-pub-2115497069807192", enable_page_level_ads: true }); Komal Nasir Winter Shawl Collection at PFW10 London 2016 (adsbygoogle = window.adsbygoogle || ).push({ google_ad_client: "ca-pub-2115497069807192", enable_page_level_ads: true }); Ahmad Bilal ‘Noor-e-Nazar’ Bridal Collection 2018 (adsbygoogle = window.adsbygoogle || ).push({ google_ad_client: "ca-pub-2115497069807192", enable_page_level_ads: true }); Gogi by Hassan Riaz Collection at Pakistan Fashion Week London 2018 (adsbygoogle = window.adsbygoogle || ).push({ google_ad_client: "ca-pub-2115497069807192", enable_page_level_ads: true }); Cross Stitch Latest Winter Collection 2018-19 (adsbygoogle = window.adsbygoogle || ).push({ google_ad_client: "ca-pub-2115497069807192", enable_page_level_ads: true }); Farah Talib Aziz Wedding Wear Collection 2019 (adsbygoogle = window.adsbygoogle || ).push({ google_ad_client: "ca-pub-2115497069807192", enable_page_level_ads: true });
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youngmagazin · 8 years
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Komal Spring Summer Lawn Collection 2017 By LsmTextile
Celebrate Summer in Style with latest Komal Life Spring/Summer 2017 Collection. Komal Life offers 6 sub-collections that cater to the demands of a versatile you. Komal Life collections are all about the perfect color combinations, intricate patterns, and the best fabric.
LSM Textile Introducing Komal Summer Lawn Collection 2017
Check out online catalog to pick your favorite designs. You can pre-book NOW via http://www.lsmfabrics.com. The collection will officially launch online and nationwide on 1st March. Komal Life Spring/Summer 2017 By LsmTextile
A fabric that is woven with tender care and dyed in the adorable shades of nature adds elegance and magnificence to the world. Lakhany Silk Mills (LSM) is a manufacturer of fabulous fabrics that speak of unparalleled quality and unmatched comfort.
In a span of 63 years, Lakhany Silk Mills (LSM) has come a long way to achieving the success and reputation it now enjoys. Through hard-work, innovation, and creativity, we have achieved both a strong position in one of Pakistan’s most popular industries and a unique characteristic of our designs and prints.
To maintain this reputation and a substantial output of new and innovative work, we keep abreast of the ever-changing trends of the global market and successfully meet the needs of our customers in the best way possible, making Lakhany Silk Mills one of the best textile manufacturers in the world.
Celebrate Summer in Style with latest Komal Life Spring/Summer 2017 Collection. Komal Life offers 6 sub-collections that cater to the demands of a versatile you. Komal Life collections are all about the perfect color combinations, intricate patterns, and the best fabric.
Check out online catalog to pick your favorite designs. You can pre-book NOW via http://www.lsmfabrics.com. The collection will officially launch online and nationwide on 1st March.
Komal Life Spring/Summer 2017 By LsmTextile
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Komal Spring Summer Lawn Collection By LsmTextile Komal Spring Summer Lawn Collection 2017 By LsmTextile Celebrate Summer in Style with latest Komal Life Spring/Summer 2017 Collection.
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micaramel · 4 years
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Artists: Pacita Abad, Liu Chuang, Mae Clark, Mary Dhapalany, Izmail Efimov, Chang En-Man, Charles Gaines, Dominique Gonzalez-Foerster, Julia Mage’au Gray, Bibhusan Basnet & Pooja Gurung, Korakrit Arunanondchai & Alex Gvojic, Sheroanawe Hakihiiwe, Andrew Thomas Huang, Sudhira Karna, Vvzela Kook, Emma Kunz, Liu Kuo-Sung, Hao Liang, Rebati Mandal, Madhumala Mandal, Britta Marakatt-Labba, Patrizio Di Massimo, Ana Mendieta, Pavel Mikushev, J.D. ‘Okhai Ojeikere, Uriel Orlow, Lam Tung Pang, Antonio Pichilla, So Wing Po, John Pule, Komal Purbe, Naufus Ramírez-Figueroa, Ashmina Ranjit, Citra Sasmita, Ekaram Singh, Katerina Teaiwa, Batsa Gopal Vaidya, Pan Lu & Bo Wang, Brittney Leeanne Williams, Trevor Yeung, Hung Fai & Wai Pong Yu
Venue: Para Site, Hong Kong
Exhibition Title: Garden of Six Seasons
Date: May 16 – August 30, 2020
Curated By: Hit Man Gurung, Sheelasha Rajbhandari
Artistic Director: Cosmin Costinas
Selected By: Christina Li
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Full gallery of images, press release and link available after the jump.
Images:
Images courtesy of Para Site, Hong Kong
Press Release:
Little by little and then all of a sudden, in the two months between the original opening date of this exhibition and the actual date, all events merged into one event, familiar in its conjuring of sickness, death, and our fear of others, and yet awesomely new in its might, effortlessly stopping the unstoppable wheels of our world. There are many things that will change against our will and many things that we must change ourselves. Changes that were already on the way, in how we work, pay, and value each other, our being together, and the presence, the signs, the gestures, and the touching in the art world will find perhaps a chance in the ruins of any certainty to arrive faster. Others, we will have to summon and midwife ourselves, working together for the ruin of the old and ruinous. How we will succeed in this, and thrive in the impoverishment that looms over our future, in the severed and narrow parishes we have been forced into, for months, maybe more, we are yet to see.
This exhibition was made with a certain desire and privilege of embracing the world. Without melancholy, from the fortunate gaze of Hong Kong, where we can open to the public with a certain sense of safety, we can now perhaps reflect on what became obsolete about this exhibition, in the two months that have passed. The art world of the past allowed many artists without much privilege the conversations, mobility, knowledge, and transcontinental intimacy often reserved for oligarchs. This exhibition was a product of that, conceived with the help of our artist colleagues in Kathmandu, as a precursor to the Kathmandu Triennale, which we symbolically removed from the ill-fated Gregorian calendar year of 2020 and restored in the ancestral indigenous Nepali system of counting the time. This system registers the 7 months from now (seemingly an eternity from our vantage point), when at the time of this writing we are still planning to open the Triennale, as 2077. In the exhibition, we wanted to talk about the world as it stood until this recent season, with its struggles, visions, and passions. A world that was, perhaps for the first time, beginning to truly admit that it is seen, dreamt, and described from hundreds of different angles, each inhabited by communities with histories, rules, idiosyncrasies, and visual languages, and almost all of them lumped together as ‘indigenous cultures’. This plurality was creeping into the way we were representing the world through art and this was one of the leading thoughts that organized the exhibition we were putting together. Alongside that nagging and perhaps obnoxious pretense of affecting change through our practice, which, until the end of last season, had been a central part of how so many of us saw our role in the world, even when such change seemed a monumental task. In this new season, change is happening above us, with frightening ease.
Like the whole exhibition, its title is obsolete in many ways. It is the name of a real garden in Kathmandu, better known by its other name, Garden of Dreams, built by a dynastic prime minister in Nepal, exactly 100 years ago. It was designed as an Edwardian English Neo-Classical Garden amidst Kathmandu’s urban fabric. The waves of change in the last century brought its six pavilions down to three. Climate change merged Kathmandu Valley’s famed six seasons into four. The Rana dynasty of the garden’s patron is long gone. So is the monarchy, swept away more recently by the revolution of this generation, the source of Nepal’s abundant critical energy that can teach us all so much.
As you enter the exhibition, you might feel and see things differently than you would have in the previous seasons. At Para Site’s top floor, you will be drawn into an (almost) symmetrical architecture, with a darkened perimeter corridor enclosing a brighter space, a patio that hides perhaps an austere garden. Along this corridor, with an ease that might make more sense to you now, the artworks connect our bodies, their insides, the networked maps of our social worlds, and the cosmos with its frightening designs. You will encounter artists who have worked in different traditions, gongbi and xieyi, braidings of hair and pandanus, yet all of them of our time, on the cusp of seasons. Many of them harness the power of women to think about our world. The patio extends these axes, the (gendered) body, its microscopic interiors, its laterals in the social crust of the Earth and its higher place in the universe, each level populated by strangers and dangers, as seen through different traditions of healing and art. The very core of the exhibition is thus occupied by medical thinking, with its different cultural histories and understandings of where the disease nests, what is to be healed, what can be left untouched, and when to let go.
Downstairs at Para Site, the secrets in the back room might be more hidden than they appear at first. Even more, at the exhibition’s temporary station in Sheung Wan, you will enter a secret garden, artificial like any other, but perhaps more cold. Like the way medicine sees more than the inside of our bodies, and mapping the world draws both more and less than what really exists in the terrain, unseen by humans, gardens are themselves small visions of both a human organism and of the entire universe. Tending to a garden is akin to healing a body and to keeping a cosmic balance. But gardens were seen very differently across continents: implausible symmetric rows of calming but petty harmony, serene surfaces of water dividing the world in unreal halves, mountains and waterfalls and oceans no bigger than a gravesite, savagery hidden in a manor’s lawn, or gardens built by runaway slaves, summoning the landscapes of the home continent, its crops, knowledge, and beauty.
As you face the tall wall of mirrors on the longest side of the exhibition, you see that the world there closes in on itself, quite uncomfortably. Gardens are also set apart by how we live and move in them. There are gardens where empires organize their entire universe with millions of us lost amongst the weeds, and others where lovers frolic about carefree, or lovers-to-be cruise each other, aroused among secret succulent leaves, fondling and fucking under the damp dark canopies. Other gardens however, are solitary rooms, where scholars painstakingly stage their knowledge of everything alive and dead, weeding and pruning around the stones with their tired hands. And then there are the gardens of our darkest nightmares, the gardens of loneliness in our own inner world, bereft of any human touch, beneath our burning, febrile thorax.
Garden of Six Seasons is a precursor to the Kathmandu Triennale 2077 (Artistic Director: Cosmin Costinas, Curators: Sheelasha Rajbhandari and Hit Man Gurung).
The works of Izmail Efimov, Britta Marakatt-Labba, and Pavel Mikushev have been included with the crucial curatorial advice and support of Anders Kreuger. Alongside artist fees to all participating artists, Para Site is offering medical and dental insurance coverage for Hong Kong artists in the exhibition, generously made possible by the following supporters: Katie De Tilly, Dave Chapman, Chantal Wong, Yuk King Tan, Crystal Chen, and those who wish to remain anonymous.
Para Site Art Space is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region. The content of these activities does not reflect the views of the Government of the Hong Kong Special Administrative Region.
Link: “Garden of Six Seasons” at Para Site
from Contemporary Art Daily https://bit.ly/3jYPJ5q
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clothing9 · 7 years
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Lsm fabrics is a leading online shopping destination of Pakistani shalwar kameez. It has been working since 1947 and giving us premium quality stitched and unstitched fabric. Lakhani silk mills designs represent unique aesthetic with cultural philosophy. Thus, every women loves to buy lsm designer dresses. By continuing legacy, Lakhany presents komal exclusive embroidered collection 2017. This is another lawn catalog for summer informal wear. Komal embroidered collection incorporates 7 gorgeous designs in two color ways. Which are remarkably adorned with floral essence, prettiest hues and fine embroideries. Komal Exclusive Embroidered Lawn Collection is designed to style up your summer look. So with breathtaking colour palettes, Lsm has sprinkled intricate prints and perfect embroideries. And very lively yet soft chiffon and net dupattas are making every outfit perfect for any event. (adsbygoogle = window.adsbygoogle || []).push({}); Komal Exclusive Embroidered Collection is available in 3700-4500 prices range. So this mid-summer & eid-ul-Azha season feel refreshing, classy and elegant with Komal Exclusive Embroidered Collection.
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LSM Komal Exclusive Embroidered Lawn Collection 2017-18 Lsm fabrics is a leading online shopping destination of Pakistani shalwar kameez. It has been working since 1947 and giving us premium quality stitched and unstitched fabric.
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efashionstream · 9 years
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LSM Fabrics Komal Summer 2015 Collection
LSM Fabrics Komal Summer 2015 Collection
Let’s welcome summer season in a very glamorous yet decent style by wearing LSM Fabrics Komal Collection 2015 for Summer. Although you will find countless collections of summer season that will be made of lawn fabric but only LSM can give your persona a different style statement that go beyond of our expectations. LSM fabrics lawn suits will not only saves you from heating temperature but also…
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mgfashionblog · 10 years
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LSM Komal Lawn Summer Collection 2014 Vol -3
After launching beautiful collections for spring, summer and eid-ul-fitr, now our fashion brands and designers are preparing to welcome Mid summer season with some different and colorful lawn dresses. Today the race of bringing lawn collections is started again by one of the most famous textile company of Pakistan called LSM. Lakhany Textile Mills is a well known name of Pakistan. It counts into one of the most coveted brands of Pakistan. LSM has made its own identity by bringing its own style of designs adorned with pure LSM signature style. LSM Komal Lawn Summer Collection 2014 Vol -3 features breathtaking designs of lawn dresses adorned with eye catching colors and mesmerism textures. Lakhany has introduced a wide range of prints in this 3rd volume of Komal Lawn 2014. From bold digital prints to chic paisley, ever green floral to mosaic, dots to artistic many brilliant prints are available to snatch your heart. Lakhany Komal Lawn 2014 Vol 3 features 6 piece lawn dresses including shirts, dupatta, trousers, sleeves, embroidered patch for border and neck line. The shirts and trousers are made with pure lawn fabric while dupattas are made with chiffon fabric. To adorn the dresses LSM has used thread embroidered patches for neck lines and borders. The price of Lakhany Komal Lawn 2014 Vol 3 is 2950 /- of 6 piece dress, while the kurtis are available in 900 PKR only. Check the complete range of Lakhany Komal Lawn Vol 3 below on Tuxgossip.
 LSM Komal Summer Collection Vol - 3
  Lakhany Komal Lawn 2014 Vol 3
LSM Summer Collection 2014 Volume 3
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pkgarments · 4 years
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New Post has been published on Pakistani Clothes & Fashion Dresses Online
New Post has been published on https://www.pkgarments.com/offers/lakhanys-komal-prints-limited-collection-2020
Lakhany's Komal Prints Limited Collection 2020
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pkgarments · 4 years
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New Post has been published on Pakistani Clothes & Fashion Dresses Online
New Post has been published on https://www.pkgarments.com/offers/lakhanys-unstitched-komal-collection-volume-iii-2020
Lakhany's Unstitched Komal Collection Volume III 2020
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pkgarments · 4 years
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New Post has been published on Pakistani Clothes & Fashion Dresses Online
New Post has been published on https://www.pkgarments.com/offers/lakhany-unstitch-komal-volume-ii-2020
Lakhany Unstitch Komal Volume II 2020
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pkgarments · 5 years
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New Post has been published on Pakistani Clothes & Fashion Dresses Online
New Post has been published on https://www.pkgarments.com/offers/lsm-komal-spring-collection-2020
LSM Komal Spring Collection 2020
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pkgarments · 6 years
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New Post has been published on Pakistani Clothes & Fashion Dresses Online
New Post has been published on https://www.pkgarments.com/offers/komal-spring-summer-collection-2019
Komal Spring Summer Collection 2019
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