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Katarzyna Kobro, Spatial Composition 2, 1928
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Katarzyna Kobro (PL, 1898-1951)
Kobro K., a female nude, Hors Commerce, with a casting mark 'Clementi cire perdue Meudon', patinated bronze on a wooden base (possibly a posthumous casting), H 21 - 25 cm (without - with base)
Is possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Sold: €14,500.00 (2021)
Estimate: €4,000 - €6,000
source carlobonte . be /auction-lot/katarzyna-kobro-1898-1951_C494A14901
Katarzyna Kobro (26 Jan 1898 – 21 Feb 1951) was a Polish avant-garde sculptor and a prominent representative of the Constructivist movement in Poland. A pioneer of innovative multi-dimensional abstract sculpture, she rejected Aestheticism and advocated for the integration of spatial rhythm and scientific advances into visual art. via Wikipedia
#KatarzynaKobro #palianshow #sztukakobiet #polishart #womensart #PolishWomenArtists
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KATARZYNA KOBRO: SUSPENDED CONSTRUCTION 2, 1921–22 (RECONSTRUCTED 1971), METAL, 10¼ BY 15½ BY 11¼ INCHES. ©EWA SAPKA-PAWLICZAK AND MUZEUM SZTUKI, ŁÓDŹ
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Vetted by: 1) gazavetters my number verified on the list is ( #89 ) 2) a-shade-of-blue Here 3) 90-ghost Here or Here 4) dlxxv-vetted-donations Here
Dear Friend,
I hope this message finds you in a moment of peace. My name is Ghazi Al Amoudi, and I’m reaching out to you from the depths of despair. My family and I are trapped in Gaza, caught in the relentless storm of war. We’ve lost everything—our home, our safety, and the foundation of our lives 💔. Now, we find ourselves huddled in a fragile tent, vulnerable to the harsh elements and living in constant fear 💨💦.
With a heart filled with both sorrow and hope, I am desperately asking for your help 😢. Every bit of support—whether a donation, a share, or a kind word—brings us one step closer to escaping this nightmare. Our home, once a place of warmth and love, is now a memory buried under rubble 💔. We are left with only fear and uncertainty, struggling to survive each day 😔.
Please, if you can find it in your heart, help us find safety 😭🙏. Even the smallest act of kindness can light up our darkest hours, offering us a chance to rebuild our shattered lives. Your compassion could be the turning point between despair and a new beginning 🥺❤.
Here is my campaign link: https://gofund.me/8a2c70d7. If you are unable to donate, simply sharing our story could help us reach someone who can.
From the bottom of my heart, thank you for your kindness and support 🙏❤.
With deep gratitude, Ghazi Al Amoudi
18% of my long-term goal
1,889€ out of 10,000€
Donations are protected by GOFUNDME
Images for reference:
Liked this poll? Consider reblogging and/or donating to Ghazi's vetted campaign!
2346/10000 (23,46%) as of today.
#palestine#free palestine#all eyes on palestine#free gaza#gaza#all eyes on gaza#asks#polls#art#artists#artists on tumblr#art history#undescribed#Untitled#Manoucher Yektai#Spatial Composition Nr. 6#Katarzyna Kobro#Power#Gebre Kristos Desta#Study for a Male Head#SM Sultan#California#Rashid Al Khalifa#best of luck!
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Hello!! I will be booth at Paripico Jogja this weekend May 21-22! I’ll be at wall-7 Sekte Kobro
See you there!
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Polish Constructivist Katarzyna Kobro posing with daughter Nika and polar bear, Srebrzyńska St., Łódź, 1938.
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Przypominamy o wystawie w Galerii Intymnej Domu Oświatowego BŚ
Wystawa „Pomiędzy” Kamila Kuskowskiego
Galeria Intymna, Dom Oświatowy Biblioteki Śląskiej, ul. Francuska 12, Katowice
Termin: 03.10–30.12.2024 r.
Kuratorka: Ewa Kokot
Fot. Iwona Wander
"Najważniejszym źródłem inspiracji Kuskowskiego są inni artyści. Prace celowo włączają się w już istniejący dialog między wybitnymi polskimi artystami – Władysławem Strzemińskim, Kazimierzem Malewiczem i Katarzyną Kobro, którzy inspirowali nie tylko kolejne pokolenia artystów, ale i siebie wzajemnie. Tytułowe „Pomiędzy” to zatem rodzaj dyskusji z historią sztuki i innymi koncepcjami, które współtworzą artystyczną wyobraźnię Kuskowskiego i zamysł całego zbioru. Zapożyczeniem ideowym z twórczości Strzemińskiego jest przede wszystkim koncepcja „alfabetu Strzemińskiego”. Abstrakcje malarskie Kuskowskiego opierają się na kształcie liter (każdy obraz jest zatytułowany osobną literą alfabetu) i wynikającej z tych założeń geometrii – przewadze kwadratów i prostokątów oraz określonych proporcji. Kształt litery dzieli przestrzeń, wypełnioną dwoma kolorami, dzięki czemu zatraca się samo znaczenie litery. Staje się ona każdorazowo przestrzenią między czernią a bielą, płaszczyzną obrazu, potencjałem na abstrakcyjną treść, którą wnosi w całości odbierający ten obraz widz. Wypełnienie owego „pomiędzy” jest w pełni po stronie odbiorcy."
Fragment tekstu do wystawy. Autorka: Anna Duda
Pełen tekst: https://bs.katowice.pl/pomiedzy-wystawa-w-domu.../
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Hélio Oiticica, Katarzyna Kobro, Lygia Clark, Edward Krasinski working on and off the wall, in 2 and 3 dimensions, with different faces; seeing more than one way
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Antje Majewski, suspended construction 2 (katarzyna kobro), 2003, Öl auf Jute, 70 x 70 cm
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DEN SAAKALDTE Sign Multi-Album Deal with Dusktone
Dusktone is proud to reveal another new addition to the roster, Norwegian black metal masters DEN SAAKALDTE! The collaboration will be for more titles under the Dusktone imprint. The band has always been the creature of the guitarist SYKELIG and through time the ranks have hosted fine musicians such as Hellhammer (Mayhem, Arcturus, The Kovenant), Niklas Kvarforth (Shining), Anders Kobro (In The…
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Wk 15, 17th of May, 2024 Artist Reference
Teresa Murak: Sowing
From the text, Teresa Murak by Appel Amsterdam...
Teresa Murak is one of the principal pioneers of Performance, Land and Feminist Art in Poland. With her landscape pieces, Murak utilizes natural materials, especially cress, to create in her terms "organic architecture”.
The concept and gesture of "sowing” – a spiritual and cosmic interpretation of the cultivation of seeds – defines Murak’s body of work and helped her in developing her own style of performative art that engaged with ritual processes. Her work anticipated Murak’s nearly fifty-year concern with the phenomenon of life and the process of growth. The artist emphatically acknowledged a religious dimension to some of her works, pointing at the sacredness of life, but avoided to draw direct analogies between different traditions and rites, such as combining the East with the West, or Polish Catholicism with Taoism.
Murak seems to have striven to express universal truths, beyond national, religious or stylistic divisions, to find the universal in particular manifestations.
Teresa Murak, Cress Smock, photograph of performance, 17 cm x 17 cm, Rzeźba dla Ziemi teresa Murak 1974
Teresa Murak, Sculptures for Earth, making the work, photography- black and white print on paper, 17 cm x 17 cm, Rzeźba dla Ziemi teresa Murak 1974
booklet, teresa murak, 1974-1978, artist words and works
Ecological themes play a significant role in her works – nature, connection between man and nature, plants and relation of man with them. She works with landscape using natural materials: sprouting grains that create their own organic architecture, growing leaven dough, clay, river sludge.
Her most important works: “Procession” (Warsaw, 2974), “For Earth” (Ubbeboda, Sweden 1974), “Sowing – lady’s smock coat”, “River sludge – material of being”. Her individual exhibitions were presented, among others, at the Polish Institute in Düsseldorf, the Centre for Contemporary Art Ujazdowski Castle, Bureau of Encouragement of Arts in Bielsko-Biała, Zachęta. In 2005 she was awarded Katarzyna Kobro award.
Teresa Murak, Starting with a Leaven- performance piece, Land Art Festival 2015, photography
Teresa Murak, Sculptures for Earth, photography- black and white print on paper, 17 cm x 17 cm, Rzeźba dla Ziemi
My reflection:
Land Artist Teresa Murak engages with the larger plain of the landscape. Yet, my practice focuses more on what comes away from the landscape in gleaning. Working out in forests, plains, large lots of gravelled land and grassy fields, Murak's practice walks deeper into wild nature than mine. Looking at the ritualisation, construction and manipulation of nature, Murak moves with hands in muddy soils. Nature covers the body or the hands in her works, specifically in works with her own cultivated cress fabrics. She engages with river sludge, leaven dough and forest soil as a way to connect with old knowledge.
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KATARZYNA KOBRO: SPATIAL COMPOSITION 5, 1929–30, PAINTED STEEL, 9¾ BY 25 BY 15¾ INCHES. ©EWA SAPKA-PAWLICZAK AND MUZEUM SZTUKI, ŁÓDŹ
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Elżbieta Jabłońska laureatką Nagrody im. Katarzyny Kobro za 2022 rok : https://magazynszum.pl/elzbieta-jablonska-laureatka-nagrody-im-katarzyny-kobro-za-2022-rok
Art by Women - Women in Arts @abwwia
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