#klf talking

[krislgfox]

If you get this, answer w/ three random facts about yourself and send it to the last seven blogs in your notifs. anon or not, doesn’t matter, let’s get to know the person behind the blog!

Ohohoh, first time get this myself, but okie :D

Well, hmmmm

I have increased anxiety

I have a sweet thot

I'm a touchstarve person

That's all I suppose :D

Tags: @steffani-milligan, @sebastiannarrator, @thefriendlyneighborhoodidiot, @lilia-arts, @alinoriandklox, @artismeyou-12, @furineta and @/anyone who wants! :D

[kl-silly-fox]

I have this random headcanon that Jevin gets incredibly moody when sick, to often has to get dragged to bed because he gets so stubborn.

Meanwhile Wenda on the other hand…..she….gets rather emotional when sick, which is as much of a pain to deal with as with Jevin.

Cool headcanon tbh! ><

[2n2n]

really loving the JP responses to this chapter, like (paraphrasing a buncha random things I've seen...) "Tsukasa is so perfect and ruthless and amazing, a full-on mouth kiss no less" "sensei really means business..." "this is the official magazine? (this isn't a doujinshi...)" "I looked at the magazine, and the image is the same as it was last night (so I didn't dream it...)" "sensei is not messing around" "I'm getting really scared of how Nene will react. Will I spend a whole month feeling that? Amazing. Amazing. Amazing. That's amazing." "Both in love with and aghast at Tsukasa in the scene" "What a bright smile on Tsukasa's face! So cute!" "it makes me smile to think Tsukasa saved his first kiss, so him and Amane could be matching" ""It's amazing that Tsukasa combines explanations and mental attacks (unconciously/unintentionally) to his brother at every turn. After the last time he saw Nene, this is what he does … amazing. amazing …" ""thanks for the refreshing (?) NTR kiss, Tsukasa-kun! I baked a pound cake with lemon and yogurt to commemorate the NTR kiss."

perhaps funniest people being like "you don't want to commit or anything, right, Amane? you don't have to do that if you don't want to. You're not in a relationship, right? So, now, who kissed the girl you have no intention of going out with? That's the real question" "I hope that only Nene will notice and sympathize with Tsukasa as a sad person, while Amane will not notice anything and be useless" ""You talked about all the erotic things you could do with the clockkeeper's power before! You were saying 'you could do it as much as you want'! How do you feel now? HEY, hey, hey, how do you feel? You don't have to answer, I can tell by looking at you.""

The people out there are not pulling any punches either, the response is so amazing, my god, AMANE IS BEING TAKEN TO TASK!!! everyone is laughing at him g klf;jfdklgjdkgl

[glitterbunny12]

Yellow Always Turns to Blue

He came on a soft summer day

When the sun was shining and the wind was whispering in your ear.

Yellow

I’ve never felt yellow

Yellow was a new experience

Yellow made me feel good

Yellow was the sunshine on a cloudy day

Yellow was a sunflower, the ones that they always talked about

Yellow lit up my world

But you have to be careful with yellow

Because yellow never stays

And yellow turns into blue

It’s a funny thing we’re talking about blue

His eyes were blue

But not blue like the sky

Blue like the baby breath flowers

The kind of eyes you could get lost in

The kind you could stare at for forever

Simply because they were his eyes

But that’s the problem with blue

Because blue is the type you write poetry about

But not the sweet, fall in love kind

The poetry you write about him is heartbreaking

The kind you read and it shatters your heart

You feel every ache, every pain

Every word that you read you feel it inside your bones

The soul crushing kind

He is the reason you write poetry

My heart aches for him

I want to hold him until i find myself disappearing into him

My heart is conflicted

I want to hate him

I swear i want to hate him but i can’t

His laugh is too contagious

His smile is soft and sweet

His words are heart melting

His hands could make your body feel things you never thought you could feel before

He was yellow

He was new

It turned to blue

He is the reason you write poetry

-KLF

[artcalledwind]

Stop Pressing Me Homie Stop pressing I snap The pressure homie Desire- SisterMachineGun Spaceman - Babylon Zoo Let me talk to the lady Need sometime by With me and her by Herself I writing as I eat you Walls not needed present The groupe I won’t be like thee Trump Not, know knots Tragedy for You - Front242 Outside wolves upon prey I know been listening for a long time Preservation of a human race Relay, connect, industrial Catastrophe I writing as I eat you Just preserve Reserve For future breathing None benched Stop pretending me slowly Stop pressing me homie Lords of Acid gave before a rave I Must increase I must I must You Kook I writing as I eat you 4 into it Ready ur self listening MOLG - Suicide King KLF - What Time Is Love COIL - Windowpane Sto p P. Ressing M.E. Depressions Crators Left UR Bombs For the richest of treasure’s I writing as I eat you You industries of industrials Geared in sync My You Tube Tumblr-Ed It’s a genre generations Not smoking by a front tire Vanishing Cream - The Hunger Grunge AIC - Nutshell So industrial declined Stop pressing me Homie I writing as I eat you I (ate) eight you up Last grudge don’t count Bring pliers & lubricants Grabbin’ at the wind Grabbin’ at the wind Leave the hinges

Have you by the doors

(Added a sometime afterwards)

Don’t bolt me down

[nicklloydnow]

“I would say, when I commenced this work I wanted specifically to talk about the Boroughs, to talk about my family's history there and to talk about the general history of the place. But obviously, as I started to discuss these things, I started to realise you can't really talk about the Boroughs without talking about poverty, and you can't really talk about poverty without talking about wealth and economics. All of these things expanded and, yes you're right, when I started this book in 2006, 2005, I had no idea what kind of world it would be when I finished it and yet, you can only trust your instincts that the thing you're doing will be timely. Indeed, after the financial collapse of 2008, with the introduction of austerity as a buzzword by which most of Europe appeared to be governed, I realised that this was going to have considerable relevance. Considering the position of the Boroughs as an area of particular deprivation — I believe it's still in the top 2 percentile in terms of deprivation in the UK — I realised that this was a kind of condition that recent policies have almost universalised. I've put in an interview I did with one of the local papers; for a long while people were reluctant to visit the Boroughs, but in our current economic climate it seems as though the Boroughs will be coming to visit them, wherever they are.

This is a thing that does seem incredibly timely, but then a lot of things have them about them. You just do these things and there is something eerie about the way they seem to be catching intimations from the future, but you more or less have to ignore that and get along with the work.

(…)

Well, I was just thinking, I have said in the past that the boundary between fact and fiction does seem incredibly porous. I think of when lain Sinclair brought out Down River, which was a kind of curse upon the Thatcher regime, and she had been out of office for two months by the time it came out, prompting the late, and very great Angela Carter to say in a review that it was a tremendous book, but in terms of being a prophet, Jain Sinclair scored "about as high as his idol, William Blake". Iain actually wrote her a letter thanking her for the review, but taking issue with her over the point of prophecy. He was saying, it's not really the job of the prophet to actually predict the future; it's more the job of prophets to make that future happen.

I'm not sure myself, I'm not sure if we sometimes get into what's coming up, or whether it is the other way round; that our ideas get out of us and actually escape to make that future. Anyone's guess, I can say.

(…)

Having had more time to think about that, I would say that something happened to, us as a culture, in the early to mid-1990s. This is something very well expressed in my friend John Higgs' book about the KLF - it's called The KLF: Chaos, Magic & The Band Who Burned A Million Quid. It's a brilliant insight into what was happening during that time, and I'm not just saying that because it does have a very beautiful and windswept image of me in it somewhere. Jimmy and Bill were terrific. John is pointing out in his book that when they left that dead sheep on the steps of the Brit Awards and announced the KLF had left the music industry and deleted their back catalogue — which, incidentally, cost them a great deal more than a million quid — this was around about 1990. That was signalling the end of rave and dance, yes it would still trail on for a while after that but it was pretty much over.

So, as a culture, we waited until there would be another counter-culture, another movement, following the pattern that was established after the Second World War; that there's always a new music movement, a new culture, a new counter culture, every few years; a new way of dressing, a new sound. 1990, we waited and we waited and in 1995 we got Britpop, which was not any kind of authentic musical movement, it was something imposed from the top down and was already a sort of regurgitation of the British pop bands of the 1960s and the 1970s, and just in time for Tony Blair, and New Labour and Noel Gallagher shaking Blair's hand in Downing St. And we haven't had a counter-culture since then, it seems like we're no longer allowed them and I am starting to think that counter-culture is an inseparable part of culture, that's the way it works.

Last November we had a day of counterculture up at the local college which was called Under The Austerity, The Beach. We had various people, Francesca Martinez, Robin Ince, Grace Petrie, Josie Long, Scroobius Pip, me and Melinda, and talking with Scroobius Pip about counter-culture, he said that counter cultures always fail, which is true. The thing is, counter cultures are assimilated by the prevailing culture, but obviously if you assimilate anything, if you eat anything, it's going to have an effect upon you, and if you can make a counter culture that is either toxic enough or psychedelic enough, then the prevailing culture is going to be altered by ingesting it. And I think this is the way that culture works, this is the way it changes, and renews itself.

(…)

I would say that where we are now, 2016, is more or less where were in 1916. At that juncture of the 20th century, the modern world was about to happen. There was the First World War, arguably the first modern war, where you had prototypical tanks alongside bows and arrows. In Lost Girls, me and Melinda incorporated Stravinsky's Rite of Spring which was completely changing our perception of music, at the same time Einstein was completely changing our perception of physics, you had the modernist writers starting around then, Eliot writing about a broken country during World War 1, Joyce — all of these people, they emerged around then. I would hope that there is where we are in our current culture because it seems to me, that after skipping hurriedly through the 1950S, 60s and 70s, with our automotive tail fins that looked like rocket ships, with our science fiction, we were kind of hurrying through those decades trying to get to this promised, Jetsons future and then, around 1990-95, when the internet was starting to become a reality, we suddenly realised that we had arrived, and this was now the future and we froze.

As a culture, we froze, we had no idea what would be appropriate to this new era that we found ourselves on the brink of. So culturally, we decided, it seems to me, to mark time. We marched upon the spot. We started recycling the culture of the previous era that we were most comfortable with. Obviously that's a sweeping generalization, there's always committed artists and musicians and writers who are trying to break into new territory, of course there are, but the dominant mainstream of culture seems to be paralysed and anxiously repeating itself because it can't think of what else to do; it can't think of a culture that would be adequate to this new century.

I'd say that in cultural terms, the 21st century hasn't started yet. We are hopefully seeing its beginnings in this current period of turbulence that we're going through, just as they were going through a considerable period of turbulence a century ago.

(…)

I assumed that, say, having done something like Watchmen, this would suggest to the other people working in the industry that, yes, there were different possibilities for comics, yes there were all of these storytelling techniques that could be exploited; genuinely new ways of conducting a comic story, I naively assumed that if you set an example that there'll be lots of people who will respond to that and will start doing brilliant exciting stories of their own. But throughout the mainstream industry, it seems like a work like Watchmen - which was intended, like Marvelman laka Miracleman] before it, to be critical of the superhero genre — what the majority of publishers seem to have taken from that was: violent and more sexually explicit comics sell better. More depressing comics sell better. Comics that are more difficult to understand sell better, as long as they're violent and grim and more sexually explicit. And this seems to have become the default position of comics since these times, which I don't think has helped the industry or the genre a great deal.

At the point I was getting out of the mainstream industry, ten years ago or more, I was saying that comics, seemingly, had become a kind of pumpkin patch to grow movie franchises. People weren't doing things for the medium itself, they weren't trying to explore the medium, they were more interested in coming up with a character or a concept that might translate to the movies and make them a lot of money. That is a blight which is not just contained within comics, that is one that applies to pretty much all of culture. All of culture seems to think that it has to realise itself upon multiple platforms, as I believe the phrase is, which ends up with movies that are trying to be lunchboxes.

(…)

In one of the text pieces there are references that tie in characters from Homicide: Life On The Streets, The Wire and Jules Verne's Baltimore Gun Club. But in Jerusalem, the reference was made, not just because I was a fan of The Wire, but because I could see similarities. That, if you're talking about an impoverished community, which David Simon and me both were, then if you're intelligent you realise how big the story is in these little, neglected areas, how much space you need to tell that story competently, without editing out any of the most interesting stuff. You need something that is the length of Jerusalem or the length of The Wire. Something that's at least 60 hours long, in terms of time spent immersed in it.

When we unpack these places, these impoverished and disenfranchised places, it's always a surprise how much is in there.”

[my-chaos-radio]

Release: March 4, 1991

Lyrics:

This is Radio Freedom

KLF, a-ha, a-ha, a-ha, a-ha

KLF is gonna rock ya (are you ready?)

(Ancients of Mu Mu) A-ha, a-ha, a-ha, a-ha

(Here we go, ancients of Mu Mu)

KLF is gonna rock ya (are you ready?)

(Ancients of Mu Mu) KLF, KLF is gonna rock ya

KLF (are you ready?)

(Ancients of Mu Mu)

Eternal

KLF is gonna rock ya 'cause you have to

Move to the flow of the P.D. Blaster

Bass ballistics, I'm gonna kick this hard

And you can catch it

Down with the crew-crew, talking 'bout the Mu Mu

Justified Ancient Liberation Zulu

Got to teach and everything you learn

Will point to the fact that time is eternal

It's 3 A.M., 3 A.M.

It's 3 A.M. Eternal (eternal)

KLF is gonna rock ya

(Are you ready?)

(Ancients of Mu Mu) A-ha, a-ha, a-ha, a-ha

Eternal (here we go)

(Ancients of Mu Mu)

KLF (are you ready?)

(Ancients of Mu Mu) A-ha, a-ha, a-ha, a-ha

Eternal

Sample city through Trancentral

Basic face kick elemental

Swings brings new technology

The 'K' the 'L' the 'F' and the ology

Da Force coming down with mayhem

Looking at my watch time 3 A.M.

Got to see that everywhere I turn

Will point to the fact that time is eternal

It's 3 A.M., 3 A.M.

It's 3 A.M. Eternal (eternal)

A-ha, a-ha, a-ha, a-ha

Eternal

KLF, a-ha, a-ha, a-ha, a-ha

KLF, a-ha, a-ha

KLF is gonna rock ya (are you ready?)

(Ancients of Mu Mu) A-ha, a-ha, a-ha, a-ha

(Here we go, ancients of Mu Mu)

KLF is gonna rock ya (are you ready?)

(Ancients of Mu Mu) KLF, KLF is gonna rock ya

A-ha, a-ha, a-ha, a-ha

Eternal (here we go)

(Ancients of Mu Mu)

KLF (are you ready?)

(Ancients of Mu Mu) A-ha, a-ha, a-ha, a-ha

Eternal (here we go)

A-ha, a-ha, a-ha, a-ha

Eternal (here we go, here we go)

(Ancients of Mu Mu, are you ready? Are you ready?)

Got to see that everywhere I turn

Will point to the fact that time is eternal (ancients of Mu Mu)

Eternal (here we go)

KLF

Ladies and Gentlemen

The KLF have now left the building

Songwriter:

James Francis Cauty / William Ernest Drummond

SongFacts:

"3 a.m. Eternal" is a song by British acid house group the KLF, taken from their fourth and final studio album, The White Room (1991). Numerous versions of the song were released as singles between 1989 and 1992. In January 1991, an acid house pop version of the song became an international top ten hit single, reaching number-one on the UK Singles Chart, number two on the UK Dance Singles Chart and number five on the US Billboard Hot 100, and leading to the KLF becoming the internationally biggest-selling singles band of 1991.

The following year, when the KLF accepted an invitation to perform at the 1992 BRIT Awards ceremony, they caused controversy with a succession of anti-establishment gestures that included a duet performance of "3 a.m. Eternal" with the crust punk band Extreme Noise Terror, during which KLF co-founder Bill Drummond fired machine-gun blanks over the audience of music industry luminaries. A studio-produced version of this song was issued as a limited edition mail order 7-inch single, the final release by the KLF and their independent record label, KLF Communications. Q Magazine ranked "3 a.m. Eternal" number 150 in their list of the "1001 Best Songs Ever" in 2003.

There are two video versions for the SSL video. The American version includes an opening with a travel through the mythical "Land of Mu Mu" where the KLF are performing inside a pyramid scenery with singers in a stadium. The European version shows the KLF vehicle (the police cruiser used in their Timelords incarnation) voyage around London with rapper Ricardo da Force singing in the backseat and a rave showing in the background. The video received heavy rotation on MTV Europe.

[krislgfox]

For your safety please avoid goldenstrwbrry! They've been casually exposing minors to NSFW & paraphilia over Discord for months now. Block and move on, do NOT interact as they will attempt to rope you in closer. Please trust me. I've seen this happen before. I don't want anyone to experience what we did.

I was thinking about it a lot, and well.. Do u have any proofs, like photos or smth? I don't want to seem rude okay? Just, it hard to trust an anon who doesn't really show any proofs and ask to block some1, like I'm not that kind of person who believes blindly, okay? Just show me proof, if u have ones, and (maybe) I'll think about it

And @goldenstrwbrry ur opinion about that? If u don't want to answer that, it's okay, I just don't want to not inform you about such thing and just want to hear what u think

(I have a strong feeling that I'll start a drama here, which I don't want to happen so pls, if u want to start drama, anywhere but not here, okay?)

[kl-silly-fox]

"How much to yeet Simon across the football field?"

-Avery

A lot

[my-chaos-radio-90s-list]

I Belong To You - Lenny Kravitz

I Can’t Dance - Genesis

I Can’t Get Enough - Chyp-Notic

(I Can’t Help) Falling In Love With You - UB40

I Don’t Know What You Want But I Can’t Give It - Pet Shop Boys

I Hear Your Name - Incognito

I Knew I Loved You - Savage Garden

I Love You Always Forever - Donna Lewis

I Love Your Smile - Shanice

I Might - Shakin' Stevens

I Need To Know - Marc Anthony

I Show You Secrets - Pharao

I Swear - All-4-One

I Touch Myself - Divinyls

I Try - Macy Gray

I Wanna B With U - Fun Factory

I Want It That Way - Backstreet Boys

I Want You - Savage Garden

I Want You Back - *NSYNC

I Wish It Would Rain Down - Phil Collins

I’ll Be Missing You - Puff Daddy feat. Faith Evans & 112

I’ll Be Your Baby Tonight - Robert Palmer, UB40

I’ll Stand By You - Pretenders

I’ve Been Thinking About You - Londonbeat

Ice Ice Baby - Vanilla Ice

If You Had My Love - Jennifer Lopez

In private - Dusty Springfield

In These Arms - Bon Jovi

Independent - Salt-N-Pepa

Independent Love Song - Scarlet

Infinity - Guru Josh

Insane The Brain - Cypress Hill

Inside Out - Traveling Wilburys

Intergalactic - Beastie Boys

It Feels So Good - Sonique

It Keep’s Rainin’ - Bitty Mclean

It's Ok, All Right - Def Dames Dope

-

Johnny Wanna Live - Sandra

Join Me In Death - H.I.M.

Jump Around - House Of Pain

Justified & Ancient - The KLF

-

Killer - Adamski

Killing Me Softly With His Song - Fugees

Kiss Them For Me - Siouxsie And The Banshees

-

La Primavera - Sash!

Land Of Dreaming - Masterboy

Laura Non c'é - Nek

Learn To Fly - Foo Fighters

Let Me Live - Queen

Lie To Me - Jonny Lang

Life - Haddaway

Lift Me Up - Howard Jones

Little Good-Byes - SheDAISY

Living In Danger - Ace Of Base

Living On My Own - Freddie Mercury

Look Who's Talking - Dr. Alban

Looking For Love - Karen Ramirez

Looking For The Summer - Chris Rea

Losing My Religion - R.E.M.

Lost In Music - Stereo MC’s

Love & Devotion - Real Mc Coy

Love… Thy Will Be Done - Martika

Love Sees No Colour - U96

Lovefool - The Cardigans

Lucky Love - Ace Of Base

Lucky Man - The Verve

[aobashi]

AOBASHI HOUR 20250104 24:00- #AOBASHI

TRINITY - Just the way to love (Pete Hammond 80's style re-mix)

Disco Gurls - Famous (Extended Mix)

The KLF -  Last train to trancentral (808 Bass version)

Pet Shop Boys - What Have I Done To Deserve This? (Shep Pettibone Mix)

KaKi - Madness Ideology (Original Mix)

Homma Honganji - Sakashima (Original Mix)

UMEK, Polyvinyl - The Hammerman (Original Mix)

Dubfire, Decka - Dust & Gas (Decka Remix)

Louie Cut - Sabotagem (Original Mix) 

SidiRum - IRIS (kaoru Inoue Remix)

talk & select : hide shino

[parkerbombshell]

Cobwebs And Strange Radio Show #380

Cobwebs And Strange Radio Show  Mondays 12 noon EST , 5pm BST , 9am PDT bombshellradio.com Archival Shows: bombshellradiopodcasts.com COBWEBS AND STRANGE #380 - Mott The Hoople - All The Young Dudes (All The Young Dudes, 1973) - The Cult - (She Sells) Sanctuary (Love, 1985) - KEELEY - A Doorway to Another World (Beautiful Mysterious, 2024)* keeleyband.bandcamp.com - Electronic - Forbidden City (Raise The Pressure, 1995) - clipping. - Run It (single, 2024)* clppng.bandcamp.com - The KLF -  Last Train To Trancentral (Live From The Lost Continent) (Solid State Logik 1: KLF Communications 7” Hit Singles 1988-1991, 2021) - T. Rex - Jeepster (Electric Warrior, 1971) - Johnny Thunders - You Can’t Put Your Arms Around A Memory (So Alone, 1978) - The Blasters -  So Long Baby Goodbye (The Blasters, 1981) - Rudi - When I Was Dead (Big Time: The Singles 1978-1982, 2021) - Jim Trainor - Better Than You Do (single, 2024)* jimtrainor.bandcamp.com - Thee Strawberry Mynde - Reflections (single, 2024)* theestrawberrymynde.bandcamp.com - Porter & Hello Seahorse! - Cora (single, 2024)* - Fantastic Negrito - Son Of A Broken Man (Son Of A Broken Man, 2024)* fantasticnegritomusic.bandcamp.com - Thee Sacred Souls - One And The Same (Got A Story To Tell, 2024)* theesacredsouls.bandcamp.com - Ambar Lucid - Get Lost In The Music (Get Lost In The Music EP, 2021) - The Stranglers - Genetix (The Raven, 1979) - HENGE - Ascending (Journey to Voltus B, 2025)* - A Place To Bury Strangers - Plastic Future (Synthesiser, 2024) - The Golden Cups - This Bad Girl (single, 1968) - Flu Flu - Volveras (Furia, 2024)* shorediverecords.bandcamp.com - Father John Misty - She Cleans Up (Mahashmashana, 2024)* - Gut Health - Uh Oh (Stiletto, 2024)* guthealthband.bandcamp.com - Panda Bear - Defence (Sinister Grift, 2025)* pandabearmusic.bandcamp.com - The Armoires - Green Hellfire At The 7-11 (Octoberland, 2024)* bigstirrecords.bandcamp.com - 20/20 - Back To California (single, 2024)* bigstirrecords.bandcamp.com - The Jack Rubies - Phantom (single, 2024)* bigstirrecords.bandcamp.com - Halsey - Lonely Is The Muse (The Great Impersonator, 2024)* - The Howl & The Hum - Same Mistake Twice (Same Mistake Twice, 2024)* - Tilli -  Dreamy (single, 2024)* tilli.bandcamp.com - Stick In The Wheel - Can’t Stop (A Thousand Pokes, 2024)* stickinthewheel.bandcamp.com - Blodwyn Pig - It’s Only Love (Ahead Rings Out, 1969) - Whitey - DON'T BE A CAN'T (ALL YOUR LIFE) (MENTAL RADIO, 2024)* musicglue.com/whitey - Goat - Goatbrain (Goat, 2024)* goat.bandcamp.com - Ed Ryan - Fine Art To Letting It Go (Along For The Ride, 2024)* edryan.bandcamp.com - Ex Norwegian (as X-Dirty Norwegians) - Talk Dirty (Sing Wistle Tunes, 2024)* shop.exnorwegian.com - Aursjoen - Nytår (Strand, 2024)* aursjoen.bandcamp.com - Nymphs - Sad And Damned (Nymphs, 1990)  Inger Lorre (born Lori Ann Wening) - Liam Payne - Strip That Down (Acoustic) (single, 2017) - Mitzi Gaynor - Gonna Wash That Man Right Outa My Hair (South Pacific, 1958) - Ka - Bread Wine Body Blood (The Thief Next To Jesus, 2024)* - Miss Mary Jane - Thriller (single, 2024)* Read the full article

[mitjalovse]

The career of the KLF did not follow any sort of a rule as we have seen throughout our discussion on their wild pieces, but their end was not a shocking surprise. I get why they broke down completely after achieving the amount of success I assume they didn't dream of – the things escaped beyond their control. Still, they did finish with an incredibly harsh tune. No, I'm not talking about their Extreme Noise conspiracy, I'm discussing their critical view of the Gulf War. The tune on the link is rumoured to be one of the last things The KLF made, though you cannot be shocked many call that their finale. There's a certain sense of that-is-all-folks with the sheer apocalyptic vibe. Sure, they could still return, but the song represent a marking line for them, they reached their limit.

[dstrachan]

'VIEWS FROM THE EDGE' - w/c 17th April 2023

Coach Party ‘Micro Aggression’

Space Traffic ’Jungle’

Sleeper ‘Feeling Peaky’

Syren ‘Justice’

OST ‘The Simpson’s Theme’

Yeah, Yeah, Yeahs ‘Zero’

Aileen Quinn & Toni Ann Gisondi ‘It’s The Hard-Knock Life’

Powderfinger ‘Poison In Your Mind’

KLF ‘3am Eternal (Blue Danube Orbital Mix)’

Joy Division ‘New Dawn Fades’

OIEE ‘OFF BEAT ECHO ft. Sena, Steve Dub’

Sunbirds ‘Hey’

Saint Saviour ‘Birdsong’

It’s A Beautiful Day ’White Bird’

The Mekons ‘Where Were You?’

Neu ‘Crazy’

Amon Duul II ‘She Came Through The Chimney’

Can ‘Moonshake’

Faust ‘The Sad Skinhead’

Nucleus ‘We’ll Talk About It Later’

Healthy Junkies ‘If You Talk To Her’

Easter Street ‘(Please Talk) Behind My Back’

Jean Cabbie & the Secret Admirer Society ‘Paper Doll’

Tom Perlongo ‘Paper Thin’

Led Zeppelin ‘Misty Mountain Hop’

Marillion ‘Punch & Judy’

Traffic ‘Low Spark Of High Healed Boys’

[hypnosiacon-archive]

Yeah like, if you look at that it's like theres so much reasons for hate and yet theres none

I am alterhuman, I am median, and not just median, I am a traumagenic nondisordered system (my co-host agreed only on traumaendo label l;klf;dskgd;f), I am xenogender, autistic and cluster B (violent one also), I am mspec gay, aroace favorable, disabled

And yet well here we are

I am telling you, the only reason for why we don't get hate is because we don't actually talk about these things and how we experience them I guess. Like we don't talk a lot with people (I don't because I don't receive interaction in the first place) and stuff? I mean posting on our blogs, not just reblogging stuff and coining things.

how do you guys get hate anons? Im bored I need attention but I havent had any geniune hate mail since like,, 3 months ago????

that being said feel free to send joke anon hate too just make it clear its a joke >:D

[krislgfox]

Kinito as dis

Yes