#kiriro

[kittarts]

[k-roi]

Aaa could we get Kiri/Rotxo first kiss?

mountain dweller

ao3 fic by: titaniumized

A moment of distraction during a lesson with Rotxo leads to one of the best questions of her life. If only they could just be less awkward about it.

Words: 3856, Chapters: 1/2 (In Progress), Language: English

Fandoms: Avatar (Cameron Movies)

Rating: No Warnings Apply

Categories: F/M

Relationships: Rotxo (Avatar)/Kiri te Suli Kireysi'ite

you can read the fic by clicking here or clicking on the title of this post. will update this post as the chapters continue to be released!

[miano-oscarwilde]

My Barbie posters ❤️

[2stregafangirl]

Akmuko: “ okay team! We can do it!”

Morgis: “ Probably”

Ryuka: “ Yes!!! Let’s give it our all!”

Anhiko: “ With enough Effort we win!”

Yuuka: “ I-I’m sure the canvas of our victory is clear cut!”

Mapei: “ Let’s mop the floor in this battle dudes!!”

Fuken: “ This is so poggers!”

Harjiro: “… Let’s just hope our victory doesn’t hurt anyone”

Akesuru: “ Our beautiful dances on the battlefield will be elegant”

[nonbinarypirat]

Derkila, Alikred, and the ring theory

Ok, so I had a whole post planned about a different theory about sullivan but as I reviewed the information I realized that i was being silly and it didn't make since. BUT i did come up with a new idea from it so ill share that here

So we know that more than likely, Derkila is probably Alikred right? I'm not going to go over that, the names and chapter 307 says it all. What I'm curious about is why Ali gets more powerful with every rank up. Because no one else, from what we've seen, becomes more powerful when they rank up. Ranking up is moreso a status symbol of your hard work and dedication. It's not something you just easily earn, it's something you work towards. You don't raise in rank and gain more power or knowledge, you gained that because you worked towards it.

So why does Ali-san say he gained more abilities and magic potential once Iruma became rank 5? My theory is because of how powerful Delkila was before he somehow became the ring, it caused his magical strength to be scattered throughout each rank. He would have been rank 10, maybe even beyond the comprehension of the current ranking. That could just be an exaggeration, but we do know that apparently his abilities have never been matched since.

Could this spell/curse placed on him caused a cap on his abilities and only someone capable or worthy attain his full power? As a way of testing the owner's resolve? Like, sure ok you could achieve power beyond the average demon, even stronger than the strongest demon, but you must strive towards that. And we have seen iruma growing towards that, Ali-san even commented on how he's getting better and better at weilding magic.

Maybe the owl saw the potential in Iruma to attain (and be trusted!!) with this power. Because I don't think this strength would just be given out willy nilly. It would need to be someone who could handle that responsibility. There's a reality where iruma wasn't given the ring. I mean sure, there's the prophecy but no one said it had to be iruma. What if iruma had been less caring, less understanding? Less worthy of the magical potential of the ring?

The reason why i started thinking this is because i started to question why exactly iruma gains wings whenever he taps into advanced magic. We have seen it at least two times, maybe three. The first time was when he used pandaroola during the battler party, the second time was when he achieved his bow, and maybe during the harvest festival using Clara's stored energy. Each time was when he tapped into magic far more powerful that his current level would allow for.

For instance, we know pandaroola esentially counts as a level 10 spell. That's why it could break Kiriro's barrier. With the bow, he tapped into advanced magic to create a bow that resonates strongly with his spririt esentially, created from deep desires (which was only possible with Ali-san's help). And during the Harvest festival, he basically got super charged with magic, beyond the amount the ring typically holds at that point in time, which caused wings to burst out (Iruma's? or was it just the plants? hard to tell) and a vision of Derkila. basically, the ring has a basic cap on the magic abilities, that's why not just any spell or usage triggers the wings. but super charged spells or ones that supersedes the limits? could be a good reason to make this happen

My theory is that when he taps into strong magic, he is tapping into the full strength of delkira's powers thus allowing (or maybe even requiring) a human to be more demonic. Maybe this power can only be weilded by a demon? or maybe the demonic power is so strong it forces iruma to become partially a demon (or maybe just gain demon features) when the spell is used. Which makes me think that iruma isn't somehow a reincarnation or half demon or something like some theories mention. Of course, they could come out with the steel chair and make that so but for now this is my theory

As for the Sullivan stuff, i genuinely don't think he has any idea about Derkila. I do wonder what he thinks happened to him however. He believes he will come back, that much is clear. But he doesn't have the air of someone who believes he died and will come back. I think he fully believes he is just in hiding or cast a spell so people could find him (which, maybe is true? we still don't know the story of the ring). I think if he had any idea of Iruma's possible connection to Derkila through the ring, his reaction would be a LOT different. According to Sullivan, the ring is just your average glutinous feeder ring, esentially a battery. (This part has been edited for clarity because I worded this section weirdly): He more than likely knows/has a good guess that certain actions will lead to others. So he knows the "Ring of Solomon" (which is more than likely Iruma's ring) plays a role in the future. But I don't believe he knows the full picture, the Derlika connection. Or at least, not that he may be inside the ring. He plays the role of "wow what a lucky chance that my cool grandson can use magic and learn to protect himself," while more than likely there's more to it, just not the full story.

idk if any of this makes sense but it's an idea i've been cooking up because it simply makes no sense why he gains more power from what we know of leveling up. and im super curious why iruma obtains wings with super powerful spells

[transboykirito]

every time someone even mentions “oh i like this skin” (for any game)

kiriro wips out his card.

silica said for a second she thinks the smallest thing on a skin is cute?

bought.

Asuna likes the hair on a skin?

Bought.

Unless its klein or liz.

He refuses to buy them things.

Sinon is on thin ice.

he just likes being an asshole like that to them

REAL and he justifies all of it by saying he has money from the casinos so then asuna and yui yell at him

[mod-makoto-yuki]

Have the first part of my P5 x P3 fusion AU cast!: Akmuko Arirusu ( Female Hamuko + Akiren fusion) a mysterious girl, arrested by police she was sentenced to live in Tokyo in Leblanc, Akmuko at first is very quiet and reserved only giving passively friendly remarks but once she’s fully out of her shell she’s very bombastic playful and teasing, she’s the leader of the S.E.E.S. Thieves and excels in Her work as a Tartarverse Thief, she is also a wild card.

Morgis ( Female Aigis + Morgana fusion)

A weird clunky mechanical robot-like cat who appears to be weirdly attached to Akmuko and has allegedly been in the Tartarverse Thief business for quite some time, she’s very doll-like and is the poster child of the creepy little-girl trope, though she can be rather annoying at times she means well, in the real world Morgis takes the form of a cat with robotic limbs. ( 3d printer made)

Ryuka Takemoto ( Female Ryuji + Yukari fusion) A abrasive and sometimes rude girl who means well she has a heart of gold, she’s a Ex member of the Volleyball team who truly resents them for the abuse they did to her causing her to be quite moody at times, but she means well.

Anhiko Sanamaki ( Male Akihiko + Ann fusion)

A courteous down to earth yet normal person he’s famous for his boxing model magazines and has millions of simps, he’s fairly popular at school but doesn’t let it go to his head and remains level headed.

Yuuka Yamagawa ( Female Yusuke + Fuuka Fusion) Shy yet outspoken, Yuuka is one of the most talented digital artists at Kosei high, most of time she doesn’t socially interact with anyone because she’s to busy getting her art pieces done on time, but when she does she acts shy at first but if she’s comfortable around you get ready to hear her ranting about art pieces she finds interesting the future of digital art nerdy things and things that she finds interesting, she is not a navigator.

Second part of the p5 x p3 fusion AU cast

Mapei Iojima ( Male Junpei + Makoto fusion)

A silly yet serious boy, he cares very deeply about the rules and is a student council president but he doesn’t have the willpower to properly punish others and generally means well, it’s a wonder how he is still a student council president

Fuken Amashiki ( Male Ken + Futaba fusion)

A socially inept and NEET young boy who can be rather abrasive and rude but ultimately means well, being on the internet he tends to use internet slang a lot but he uses it to cope with his dead mother, he’s the navigator.

Harjiro Aramura ( Male Shinjiro + Haru fusion)

A silent yet mysterious brooding type, he is surprisingly kind hearted pure hearted and overall a good person, he is the heir to the Aramura corporation and as such is destined to take over, he’s extremely good botany and cooking.

Akesuru Kiriro ( Female Akechi + Mitsuru fusion)

A elite and well known investigator who never fails at Autopsies, Akesuru is rather beautiful elegant charismatic and intelligent, her main person she has eyes on is Akmuko and the Tartarverse thieves, being primarily directed by her father Takeho.

Suyoji Mochizawa ( Male Sumire + Ryoji fusion)

A kind yet extremely mysterious student at The academy, he acts nice and kind enough but what is he hiding? And once again he seems socially approachable but tends to latch onto Akmuko.

That’s pretty cool au story

[asunayuuki1925-blog]

[everyanimatedmovie]

381. Tatsu no ko Taro (AKA Taro the Dragon Boy) (1979)

7/10

Produced by Toei, this movie tells the story of Tatsu no ko Taro, a Japanese folk hero who brought the people of the mountains down to the valleys and taught them to farm rice. He meets many strange people and animals on his journey to find his mother, who was turned into a dragon for being greedy, and he even fights a couple different mythological Japanese monsters.

Although the style is not so blatantly psychedelic, Tatsu no ko Taro is more like The Little Prince and the Eight-Headed Dragon than it is any other animated movie before it. The animal animation is more realistic, but the tone of the writing is very similar, and a few bits seem like direct homages, including a scene at the beginning in which he wrestles with his animal friends, the design of the flying horse, and the general theme of learning to be considerate and care for others (he has super-strength, but only when helping someone else.) This movie peculiarly tricks the viewer into craving white rice, by showing every step in the production and cooking process, and having characters opine about how delicious it is. I suppose it should go without saying that rice and rice farming was integral to the development of Japanese cuisine and civilization, but I had never considered the history of it before.

Though not the most esoteric or radical movie ever made, the animation is well produced, and the story and characters are cute and well written. This is a great children’s movie, unless you are the sort of weirdo who doesn’t let their kids see nudity, as there is a running joke about the main character, a child, not wearing underwear (underwear not having been invented yet.) If you are one of those people, I would like to remind you that all children are naked sometimes, and unless they are blind, there is a 100% chance that your child has seen a naked person before.

[afrojuke]

Sammy Irungu – Kiriro Giaku Ft Sammy K (MP3 Download)

https://ift.tt/2O01Wf4

Kenyan gospel musician who sings in vernacular ‘Kikuyu’, neatly known for his Reward and Contend with songs, Sammy Irungu is here with one other gospel music titled Kiriro Giaku featuring Sammy Ample RELATED: Sammy Irungu – Muthenya Wakwa

AfroJuke - Download Mp3, Latest Naija Music, Latest Bongo flava, South African, Ghana Music & More!

from AfroJuke https://ift.tt/3d7zYqh

[miguelmarias]

TOP 2021

A) Grandes películas realizadas después de 2016, pero vistas por primera vez en 2021:

Mo er dao ga(Anima;Cao Jinling, 2020)

Cry Macho(Clint Eastwood, 2021)

Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)

À l’abordage (Guillaume Brac, 2020)

Still Life of Memories(Yazaki Hitoshi, 2018)

Doraibu mai k?/Drive My Car(Hamaguchi Ryûsuke, 2021)

Let Him Go(Thomas Bezucha, 2020)

Dorogie tovarishchi(Dear Comrades!;Andreí Konchalovsky, 2020)

Il n’y aura plus de nuit(Éléonore Weber, 2020)

Marx può aspettare(Marco Bellocchio, 2021)

——————————————————————————————————————–

The Marriage Project(Hesam Eslami & Atieh Attarzadeh, 2019)

Gûzen to sôzô/Wheel of Fortune and Fantasy(Hamaguchi Ryûsuke, 2021)

Suzanna Andler(Benoît Jacquot;a.Marguerite Duras, 2020/1)

Maixabel(Iciar Bollain, 2021)

News of the World(Paul Greengrass, 2020)

Country Music(Ken Burns, 2019)

——————————————————————————————————————–

B) Grandes películas hechas antes de 2016, pero vistas solo en 2021:

Serdtse materi(The Heart of a Mother;Mark Donskoí, 1966)

Yumechiyo Nikki(Yumechiyo’s Diary;Urayama Kirio/Kiriro, 1985)

Petit à petit(version 4 hrs)(Jean Rouch, 1971)

The Whistle at Eaton Falls(A Drama of Real Life)(Robert Siodmak, 1951)

Taking Sides/Der Fall Furtwängler(Szabó István, 2001)

Losing Ground(Kathleen Collins, 1982)

Dream Girl(Mitchell Leisen, 1947/8)

Valley of the Sun(George Marshall, 1942)

The Silent Partner(S1,Ep.12 de Screen Directors Playhouse)(George Marshall, 1955)

Life Begins at 40(George Marshall, 1935)

Peesua lae dokmai(Butterflies and Flowers;Euthana Mukdasanit, 1985)

Hellfire(R.G. Springsteen, 1949)

Shin Heike Monogatari:Yoshinaka o megoru sannin no onna(Kinugasa Teinosuke, 1955/6)

Texas(George Marshall, 1941)

Vremia zhelanií(Time of Desire;Iulii Raízman, 1984)

Nigorie(Imai Tadashi, 1953)

Die Rebellion(Wolfgang Staudte, 1962)

Kirmes(Wolfgang Staudte, 1960)

Joi no Kiroku(Shimizu Hiroshi, 1941)

Stories We Tell(Sarah Polley, 2012)

Días de otoño(Roberto Gavaldón, 1963)

Man’s Calling(Almost a Friar;Allan Dwan, 1912)

Das Lamm(The Lamb;Wolfgang Staudte, 1964)

Bokuseki(Gosho Heinosuke, 1940)

Hashi no nai kawa(The River with No Bridge; Higashi Yôichi, 1992)

Taiyô no suwaru basho? no suwaru basho(The Place Where the Sun Sits;Yakazi Hitoshi, 2012)

Suîto ritoru raizu(Sweet Little Lies;Yazaki Hitoshi, 2009/10)

Fuon(The Crying Wind;Higashi Yôichi, 2004)

Ainsi soit-il(Gérard Blain, 1999/2000)

The Rose of Kentucky(D.W. Griffith, 1911)

The Romantic Story of Margaret Catchpole(Raymond Longford, 1911)

Odoriko(Shimizu Hiroshi, 1957)

Escape(Mervyn LeRoy, 1940)

Raí/Paradies(Paradise;Andreí Konchalovsky, 2016)

Never a Dull Moment(George Marshall, 1950)

A Millionaire for Christy(George Marshall, 1951)

Friendly Enemies(Allan Dwan, 1942)

Maging Akin Ka Lamang(Lino Brocka, 1987)

Bulaklak Sa City Jail(Mario O’Hara, 1984)

Kawanakajima kassen(The Battle of Kawanakajima;Kinugasa Teinosuke, 1941)

The Girl Said No(Sam Wood, 1930)

Eno nakane bokuno mura(Village of Dreams;Higashi Yôichi, 1996)

Atlantis The Lost Continent(Siren of Atlantis/Atlantide;Gregory G. Tallas,coll.John Brahm,Arthur Ripley, 1947//9)

Koiya koi nasuna koi(Love, Thy Name Be Sorrow/The Mad Fox;Uchida Tomu, 1962)

Destry Rides Again(George Marshall, 1939)

A Message to Garcia(George Marshall, 1936)

Chicago-Weltstadt in Flegelsjahren(Heinrich Hauser, 1931)

Die Stadt der Millionen. Ein Lebensbild Berlins(Adolf Trotz, 1925)

Wandering Papas(Stan Laurel, 1926)

C) Películas recientes muy buenas:

Dereka no mokkin(Somebody’s Xylophone;Higashi Yôichi, 2016)

Hostiles(Scott Cooper, 2017)

Ray Meets Helen(Alan Rudolph, 2017)

Tre piani(Nanni Moretti, 2021)

Des Hommes(Lucas Belvaux, 2020)

Petite Maman(Céline Sciamma, 2021)

Running Wild(Alex Ranarivelo, 2016/7)

Degas et moi(de 3e Scène;Arnaud Des Pallières, 2019)

Eskape(Neary Adeline Hay, 2021)

Dangsin-eolgul-apeseo(In Front of Your Face;Hong Sang-soo, 2021)

The Marksman(Robert Lorenz, 2021)

Un soupçon d’amour(Paul Vecchiali, 2019/20)

The Miniaturist of Junagadh(Kaushal Oza, 2021)

L’equilibrio(Vincenzo Marra, 2017)

Felkészülés meghatározatlan ideig tartó együttlétre(Preparations to be together for an unknown period of time;Horvát Lili, 2020)

Longe(Far;José Oliveira, 2016)

Seize printemps(Suzanne Lindon, 2020)

Onoda, 10.000 nuits dans la jungle(Arthur Harari, 2021)

Huda’s Salon(Hany Abu-Assad, 2021)

The Sea Ahead(Albahr’amamakum)(Ely Dagher, 2021)

Les Apparences(Marc Fitoussi, 2020)

Pray for Rain(Alex Ranarivelo, 2017)

Quién lo impide(Jonás Trueba, 2016-21)

A Quiet Place Part II(John Krasinski, 2020/1)

A Quiet Place(John Krasinski, 2018)

Antlers(Scott Cooper, 2019//21)

Zeros And Ones(Abel Ferrara, 2021)

Supai no tsuma(Kurosawa Kiyoshi, 2020)

A todo tren. Destino Asturias(Santiago Segura, 2021)

The Great Indian Kitchen(Jeo Baby, 2021)

What Is Life Worth/Worth(Sara Colangelo, 2020)

Errementari(El herrero y el diablo;Paul Urkijo Alijo, 2017/8)

Sylvie’s Love(Eugene Ashe, 2020)

La Telenovela Errante(Raúl Ruiz,Valeria Sarmiento, 1990/2017)

Irradiés(Rithy Panh, 2020/1)

Traidores(Jon Viar, 2021)

Impuros(Alberto Utrera, 2021)

Wild Mountain Thyme(John Patrick Shanley, 2020)

Explota Explota(Nacho Álvarez, 2020)

Asa ga kuru(True Mothers;Kawase Naomi, 2020)

The Song of Names(François Girard, 2019)

Coda(Claude Lalonde, 2019)

(The)Borderlands(Samarth Mahajan;col.Nupur Agrawal, 2020/1)

Sardunya(Geranium;Çagil Bocut, 2021)

Ride or Die(Hiroki Ryuichi, 2021)

The Beatles Get Back(Michael Lindsay-Hogg/Peter Jackson, 1969///2021)

Summer of Soul or When the Revolution Could Not Be Televised(Questlove, 2021)

Concierto para la batalla de El Tala(Libro primero de La Saga de los Mártires Unitarios)(Mariano Llinás, 2021)

My Octopus Teacher(Pippa Ehrlich & James Reed;coll.Craig Foster, 2020)

D) Películas más antiguas muy buenas:

You Never Know Women(William A. Wellman, 1926)

Out of the Furnace(Scott Cooper, 2013)

Watashi no Guranpa(My Grandpa;Higashi Yôichi, 2003)

Mubansô(A Cappella;Yazaki Hitoshi, 2015/6)

Panic in Year Zero!(Ray Milland, 1962)

The Man I Married(Irving Pichel, 1940)

Show Them No Mercy(George Marshall, 1935)

Badlands of Dakota(Alfred E. Green, 1941)

The Treasure of Lost Canyon(Ted Tetzlaff, 1951/2)

Nie wieder Liebe!(Anatole Litvak, 1931)

Mukashi no uta(Old Sweet Song/Old Song;Ishida Tamizo, 1939)

Keshin(Metamorphosis;Higashi Yôichi, 1986)

Sekando rabu(Second Love;Higashi Yôichi, 1983)

Slave Ship(Tay Garnett, 1937)

Evelyn Prentice(William K. Howard, 1934)

Zwischengleis(Wolfgang Staudte, 1978)

Heimlichkeit(Wolfgang Staudte, 1968)

The Moon’s Our Home(William A. Seiter, 1936)

All Our Yesterdays(of 77 Sunset Strip)(Richard L. Bare, 1958)

I Live My Life(W.S. Van Dyke II;scr.Joseph L. Mankiewicz, 1935)

Una Romantica Avventura(Mario Camerini, 1940)

Le Grand Jeu(Nicolas Pariser, 2015)

Erótica(Emilio ‘Indio’ Fernández, 1978)

Oatsurae Jirôkichi goshi(Jirokichi the Rat;Itô Daisuke, 1931)

Desert People(Ian Dunlop, 1965-7)

Tap Roots(George Marshalll, 1948)

When the Daltons Rode(George Marshall, 1940)

Scared Stiff(George Marshall, 1952/3)

The Blue Dahlia(George Marshall, 1945/6)

Flowing Gold(Alfred E. Green, 1940)

This Side of the Law(Richard L. Bare, 1949/50)

Gränsfolken(Mauritz Stiller, 1913)

Rendezvous(William K. Howard;uc.Sam Wood, 1935)

High, Wide and Handsome(Rouben Mamoulian, 1937)

Heat Lightning(Mervyn LeRoy, 1934)

Black Jack(Julien Duvivier, 1950)

Nancy Steele is Missing!(George Marshall;uc.Otto Preminger, 1937)

The Woman Between(Victor Schertzinger, 1931)

The Woman I Love(The Woman Between;Anatole Litvak, 1937)

Want Ad Wedding(William A. Seiter, 1955)

El agua en el suelo(Eusebio Fernández Ardavín, 1925)

De sueur et de sang(Wonderboy;Paul Vecchiali;coll.Pierre Sénélas, 1994)

The Ghost Breakers(George Marshall, 1940)

State Secret(The Great Manhunt;Sidney Gilliat, 1950)

The Spieler(Tay Garnett, 1928)

Culpables(Arturo Ruiz-Castillo, 1958)

Phenomenon(John Turteltaub, 1996)

Shack Out On 101(Edward Dein, 1955)

The Dog Lover(Alex Ranarivelo, 2015/6)

Il Fauno(Febo Mari, 1917)

Satánico Pandemonium(La Sexorcista;Gilberto Martínez Solares, 1975)

Parisian Love(Louis J. Gasnier, 1925)

Hollywood on Trial(David Halpern,Jr., 1976)

Beyond Mombasa(George Marshall, 1956)

Money from Home(George Marshall, 1953)

Hook, Line and Sinker(George Marshall;p.,w.Jerry Lewis, 1968/9)

Variety(Bette Gordon, 1983)

Séraphin ou Les Jambes Nues(Louis Feuillade, 1921)

Effraction(Daniel Duval, 1983)

Jalaler Golpo(Jalal’s Story;Abu Shahed Emon, 2014)

Cover Up(Alfred E. Green, 1948/9)

Manchas de sangre en la Luna(Come Die My Love;Luis Marquina & Edward Dein, 1952)

Le 7ème Juré(Georges Lautner, 1962)

La Route de Salina(Georges Lautner, 1969/70)

The Squall(Alexander Korda, 1929)

Rose Bernd(Wolfgang Staudte, 1957)

L’Emigrante(Febo Mari, 1915)

Cenere(Febo Mari & Arturo Ambrosio, 1916/7)

Sâdo(Third Base;Higashi Yôichi, 1978)

Universal Citizen(Peter Thompson, 1987)

Nightfall(Gwyneth Gibby, 1999/2000)

Where Lights Are Low(Colin Campbell, 1921)

Mo hozue wa tsokanai(No More Easy Life;Higashi Yôichi, 1979)

Ureshi hazukashi monogatari(A Tale of Happiness/The Pursuit of Happiness;Higashi Y?ichi, 1988)

Strawberry Shortcakes(Yazaki Hitoshi, 2006)

Shiki Natsuko(Higashi Yôichi, 1980)

Yoi ga sametara, uchi ni kaer?(Wandering Home;Higashi Yôichi, 2010)

De cierta manera(Sara Gómez, 1974//8)

Broadway Love(Ida May Park, 1918)

Forza Bastia 78 ou L’île en fête(Jacques Tati & Sophie Tatischeff, 1978///2000)

…addio del passato…(Marco Bellocchio, 2000)

Die Geschichte vom kleinen Muck(Wolfgang Staudte, 1953)

Sangatsu no raion(March Comes Like a Lion;Yazaki Hitoshi, 1991)

El Movimiento(Peter Thompson, 2002)

Lowlands(Peter Thompson, 2009)

E) Grandes películas que mejoran:

Limelight(Charles Chaplin, 1951/2)

Morocco(Josef von Sternberg, 1930)

Körkarlen(Victor Sjöström, 1920/1)

Fool’s Paradise(Cecil B. DeMille, 1921)

Shane(George Stevens;associate d.Fred Guiol, 1952/3)

Potomok Chingis-Khana(Vsevolod I. Pudovkín, 1928)

Man Hunt(Fritz Lang, 1941)

The Tall T(Budd Boetticher, 1957)

Ruan Lingyu/Center Stage(Stanley Kwan, 1991/2)

Something To Live For(George Stevens, 1942)

One Way Passage(Tay Garnett, 1932)

La Roue(Abel Gance, 1923)

Waga seishun ni kuinashi(Kurosawa Akira, 1946)

East Side, West Side(Allan Dwan, 1927)

The Unfaithful(Vincent Sherman, 1947)

Kuhle Wampe oder Em göhert der Welt?(Slatan Dudow, 1932)

Silver River(Raoul Walsh, 1948)

Il Gattopardo(The Leopard;Luchino Visconti, 1963)

You’re the one(Una historia de entonces)(José Luis Garci, 2000)

George Stevens:D-Day to Berlin(George Stevens,Jr., 1994)

The Mating Game(George Marshall, 1959)

The Edge(Robert Kramer, 1967)

Ice(Robert Kramer, 1969)

Alias Nick Beal(John V. Farrow, 1948/9)

Tenshi no harawata:Nami(Angel Guts:Nami;Tanaka Noboru, 1979)

The Savage(George Marshall, 1952)

Underwater!(John Sturges, 1954/5)

A Face in the Crowd(Elia Kazan, 1957)

Cheers For Miss Bishop(Tay Garnett, 1940/1)

Joy of Living(Tay Garnett, 1938)

A Ilha dos Amores(Paulo Rocha, 1982)

Sentimental Journey(Walter Lang, 1946)

The Man Who Died Twice(Joe Kane, 1958)

The Cheat (Cecil B. DeMille, 1915)

F) Muy buenas películas que cambian después de una nueva visión

The Birth of a Nation(David Wark Griffith, 1914/5)

Suez(Allan Dwan, 1938)

Saskatchewan(Raoul Walsh, 1954)

The Plough and the Stars (John Ford, 1937)

Doblones de a ocho(Andrés Linares, 1990)

My Cousin Rachel(Henry Koster, 1952)

Arsenic and Old Lace(Frank Capra, 1941//3)

Big City(Skyscraper Wilderness;Frank Borzage, 1937)

Make Haste to Live(William A. Seiter, 1954)

Cattle Drive(Kurt Neumann, 1951)

The Gun Runners(Donald Siegel, 1958)

Woman Of The Year(George Stevens, 1942)

Bram Stoker’s ‘Dracula’(Francis Ford Coppola, 1992)

Yoru no nagare(Evening Stream;Narusê Mikio & Kawashima Yûzô, 1960)

The Duel at Silver Creek(Donald Siegel, 1952)

Sólo para hombres(Fernando Fernán-Gómez, 1960)

If I Were Free(Elliott Nugent, 1933)

Stand-In(Tay Garnett, 1937)

The Great Houdini(George Marshall, 1953)

Nightmare Alley(Edmund Goulding, 1947)

The Gazebo(George Marshall, 1959)

The Sheepman(George Marshall, 1958)

The Shanghai Gesture(Josef von Sternberg, 1941)

Her Man(Tay Garnett, 1930)

Confession(Joe May, 1937)

The Sophomore(Leo McCarey, 1929)

Luz de domingo(José Luis Garci, 2007)

Drive A Crooked Road(Richard Quine, 1954)

El mar y el tiempo(Fernando Fernán-Gómez, 1989)

Yo la vi primero!(Fernando Fernán-Gómez, 1974)

Sneakers(Phil Alden Robinson, 1992)

Josette(Allan Dwan, 1938)

The Guns of Fort Petticoat(George Marshall, 1956)

Nitôryû Kaigen(Initiation to the Two Sword Style;retitled  in 1954 Miyamoto Musashi;Kongo-in ketto;(Miyamoto Musashi;Duel at Kongo-in Temple;Asaka Katsuhiko & Itô Daisuke, 1943)

Forfaiture(Marcel L’Herbier, 1937)

The Old Dark House(James Whale, 1932)

The Amazing Quest of Mr. Ernest Bliss(The Amazing Adventure;Alfred Zeisler, 1936)

The Male Animal(Elliott Nugent, 1942)

No Man’s Woman(Franklin Adreon, 1955)

Padre no hay más que uno 2(Santiago Segura, 2020)

Trader Horn(W.S Van Dyke II, 1931)

Trade Winds(Tay Garnett, 1938)

Alye parusa(Scarlet Sails;Alieksandr Ptushko, 1961)

It Started with a Kiss(George Marshall, 1959)

Benvenuta(André Delvaux, 1983)

L’Arlésienne(André Antoine, 1922)

Erotikon(Mauritz Stiller, 1920)

Four Hours to Kill!(Mitchell Leisen, 1935)

Hot Saturday(William A. Seiter, 1932)

The Moderns (Alan Rudolph, 1988)

Carmen(Cecil B. DeMille, 1915)

Loves of Carmen(Raoul Walsh, 1927)

Wrong is Right(Richard Brooks, 1982)

Miguel Marías

Fuente: http://www.paginas-del-diario-de-satan.com/pdds/?p=6985

[miano-oscarwilde]

It's not his fault he likes seeing other people's despair. He was just born in the wrong family that made him feel like he's useless and everyone else including his other siblings are doing stuff that's worthwhile while he's been miserable all the time bullied and isolated by their overwhelming presence. And do you think a little girl his age can become a cure? Not at all. He was deprived of family love and care at a tender age. Like Kerori he didn't even have his grandmother as support. Not everyone will become Narutos. Even he had proper guidance. Kiriro fell into the wrong hands. Baal is his family. Where has Sullivan grandpa been when he could have adopted Kiriro or done something for him before Baal got him? If that happened kiriro would have been a demon with good intentions though he'd still bleed and he would have just developed magic tools and stayed with Iruma's army.

This OP is Currently not listening to otherwises. And all you kids who discriminated him based on his horn, or bullied him, you all suck. If Kiriro is stuck in his wicked phase it's because of his family and wicked demon peers. He snapped out for a moment and prevented Iruma from falling down but that's because he's human. A different vibe. The demon world, has always been unfair to the poor kiriro Just like the human world has been to Iruma.

[2stregafangirl]

Second part of the p5 x p3 fusion AU cast

Mapei Iojima ( Male Junpei + Makoto fusion)

A silly yet serious boy, he cares very deeply about the rules and is a student council president but he doesn’t have the willpower to properly punish others and generally means well, it’s a wonder how he is still a student council president

Fuken Amashiki ( Male Ken + Futaba fusion)

A socially inept and NEET young boy who can be rather abrasive and rude but ultimately means well, being on the internet he tends to use internet slang a lot but he uses it to cope with his dead mother, he’s the navigator.

Harjiro Aramura ( Male Shinjiro + Haru fusion)

A silent yet mysterious brooding type, he is surprisingly kind hearted pure hearted and overall a good person, he is the heir to the Aramura corporation and as such is destined to take over, he’s extremely good botany and cooking.

Akesuru Kiriro ( Female Akechi + Mitsuru fusion)

A elite and well known investigator who never fails at Autopsies, Akesuru is rather beautiful elegant charismatic and intelligent, her main person she has eyes on is Akmuko and the Tartarverse thieves, being primarily directed by her father Takeho.

Suyoji Mochizawa ( Male Sumire + Ryoji fusion)

A kind yet extremely mysterious student at The academy, he acts nice and kind enough but what is he hiding? And once again he seems socially approachable but tends to latch onto Akmuko.

[nonbinarypirat]

Hiii I love your Iruma-kun analyses!! And since you're open to questions I wanted to ask, what do you think about Kirio and his relationship with Iruma and his ambitions?

damn, i knew someone would ask this LOL. im going to try my hardest to answer this but full disclosure, i have autism and for me, kiriro is a very difficult character to understand because of his morals (or lack there of?) and personality. For me, it's hard to understand people/characters that don't seem to be fully truthful. He's not a fav of mine (im sorry, i know people like him but i can't fully get into him at this moment. maybe if we see him interact more with baal's group.). So i'll try my best! (also i hope yall are ok with frequent posting, i am currently on winter break from college so i have nothing better to do but hyperfixate on this series lol)

Okay, so I think kirio is deeply in love and lust with iruma. I think it's farily obvious he is deeply interested in seeing iruma's "look of despair" in a attracted way, the manga calls him out for being a pervert about it. For Kiriro, Iruma is one of the first characters (besides his childhood friend of course) to ever really be nice to him. He was a friend to him and even if he wasn't being fully truthful with Iruma (like about his true motivations to getting rid of ranks) he did trust iruma with deeply personal information about himself. I think from there is where the obessesion began. Because then, he started to seeing them as kindred spirits who (similarly) went through deeply traumatic experiences in their childhoods, weaker than most, and similar personalities. For the first time, it was like he was being seen by someone (outside of baal). And I think he grew unheathilty attached to that idea of having someone so like him.

That's why I think wanting Iruma see his friends die in front of him was such a big deal for Kiriro. I said this in a different post, but the six fingers operate under the belief that people will all fall to their more primitive selves with the right push. And i think Kiriro wanted that from iruma. he wanted somone even more like him, so deeply intertwined with his experiences. Kiriro's childhood can not be understated, that shit was fucked up. And in turn that fucked him up. Not to say that he couldn't have become the way he is now without his childhood (yes i know, nature vs nurture), but I think the trauma plays a major role in this. He experienced something his brain wasn't able to understand at the time (friend being really heartbroken about the necklace + blaming himself) and according to him, THAT was when he started to long for despair. From there, he wanted another person he perceives as like him to also experience something fucked up so they'll cast away morals too, there by solidifying Iruma's place with Kiriro. Forever fucked up together

Iruma outright rejects that and Kiriro's whole world view is destroyed. Why was this person he considered an equal, a comrad, denying his "affection." His way of making sure they could be together. Kiriro projected too much of himself onto Iruma and by doing so, ignored the things that made them so different from each other fundamentally. And Iruma did the same thing to Kiriro. But Kiriro can't give up Iruma just like Iruma can't give up Kiriro. They want the other in their life but think about the world too differently. So in order to stay together, they both want the other to change, believe their way of thinking and being is better. In this way, I can understand why people ship them together even if I don't. Sort of like a tragic love

What i find interesting is that Kiriro seems to have found his space. He found the connection he was looking for. He is honestly himself (in all his fucked up glory), jokes about his pervertedness, and seems happy. But he can't get rid of the idea of Iruma coming to him. I mean, I don't blame him. It's poetically beautiful how much Kiriro is unapologetically a demon and Iruma is unapologetically a human. At odds but so alike. I think in his own messed up way, the idea of eating iruma is a way of keeping iruma always with him because he now sees he can't force iruma to bend to his ways. And he wants iruma the only way he thinks he can have him. But in the end, even this would end in tragedy.

There isn't really a happy ending to this i believe where all parties are happy. Because if iruma gets his way, ok cool. but kiriro is (at least by this point) too far gone in his belief about demon origins. Kiriro could never be happy, he would need to supress so much of himself for the sake of iruma. And if kiriro gets his way, ok cool. But now he no longer has iruma as an "enemy." the person he felt most alike and connected to is now gone. And I imagine he would just feel empty about that because shit, now he's truly gone and i have nothing else besides the memories

As for his ambitions, I honestly don't understand them besides the iruma part. It feels very, the world hurt me and now i want to see the world hurt too which has been cultivated with his trauma. sorry i can't discuss that part much but thats as far as my autism will grasp. hope you liked this despite that!

[anitokio]

Anunciado Sword Art Online: Alicization Lycoris para PS4, Xbox One y PC

Bandai Namco ha anunciado un nuevo juego de Sword Art Online con Sword Art Online: Alicization Lycoris, el cual se lanzará para PlayStation 4, Xbox One y PC en todo el mundo en una fecha todavía por determinar.

Bandai Namco ha anunciado un nuevo juego de Sword Art Online con Sword Art Online: Alicization Lycoris, el cual se lanzará para PlayStation 4, Xbox One y PC en todo el mundo en una fecha todavía por determinar.

El juego seguirá los eventos de Sword Art Online: Alicization y nos presentará el encuentro de Kiriro con Eugeo, Alice y otros personajes de la historia, siguiendo fielmente la misma.

La…

[richallela]

For all the mothers who sacrificed their dreams for us. Happy Mothers day! Have a WONDERFUL one! #mothersday #dreamscometrue #mother #airhostess #kiberatotheworld #kibera #dreams . . Created by – Rich Allela Executive Producer – Sandra Mutuku Assistant Producer – Riziki Ambrose Director of Photography – Enock Oyoo Assistant Director – Dano Kiriro Asst. DOP– Lorella Jowi Costume designer – David Avido Make-up artist – Michelle Ngonje Hair stylist – George Ochieng Fixer – Dennis Baqteria BTS- Dennis Muigai Air Hostess – Monica Anyango (at Kibera Town Centre)