#king street transit pilot

[jackets-kingdom]

Avirex Jackets: A Comprehensive History and Evolution

Avirex jackets are more than just outerwear; they are a symbol of style, resilience, and history. From their military origins to becoming a fashion icon, Avirex jackets have a story that is both fascinating and inspiring. In this comprehensive guide, we will explore the history, evolution, and enduring appeal of Avirex leather jackets, and why they remain a coveted item in the fashion world.

The Birth of Avirex: Military Roots

The Founding Story

Avirex was founded in 1975 by Jeff Clyman, who had a passion for aviation and military apparel. The brand's name, derived from "Aviation Rex" (Latin for "king"), reflects its deep connection to aviation. Avirex initially focused on producing high-quality flight jackets for the U.S. military, particularly the Air Force and Navy.

The Iconic A-2 Flight Jacket

The A-2 flight jacket, one of Avirex's most iconic pieces, was first introduced in the 1930s for U.S. Army Air Corps pilots. Known for its durability and comfort, the A-2 jacket became a symbol of the bravery and resilience of pilots during World War II. Avirex's meticulous reproductions of the A-2 jacket, with their authentic detailing and craftsmanship, have earned them a place in both military and fashion history.

Military Contracts and Authenticity

Avirex secured several military contracts, producing flight jackets that met the rigorous standards of the U.S. armed forces. This authenticity and commitment to quality set Avirex apart, establishing its reputation for producing genuine military-grade apparel.

Evolution into Fashion

Transition to Civilian Market

In the 1980s, Avirex began transitioning from purely military apparel to the civilian market. The brand's flight jackets gained popularity among aviation enthusiasts and fashion-conscious individuals alike. Celebrities and influencers started to embrace the rugged yet stylish look of Avirex jackets, propelling them into mainstream fashion.

Pop Culture Influence

Avirex jackets have been featured in numerous films, TV shows, and music videos, further cementing their status as a cultural icon. The jackets became especially popular in the hip-hop community during the 1990s, worn by artists like Notorious B.I.G., Tupac Shakur, and LL Cool J. This association with influential figures helped Avirex jackets become synonymous with street style and urban fashion.

Collaborations and Limited Editions

Over the years, Avirex has collaborated with various designers and brands to create limited edition jackets that blend their signature military aesthetics with contemporary fashion trends. These collaborations have included partnerships with high-end fashion houses, streetwear brands, and even video game franchises, expanding Avirex's appeal to a broader audience.

The Design and Craftsmanship

Materials and Construction

Avirex jackets are renowned for their exceptional materials and construction. The use of premium leather, wool, and nylon ensures that each jacket is not only stylish but also durable and long-lasting. The meticulous attention to detail, from the stitching to the hardware, reflects the brand's commitment to quality and authenticity.

Iconic Features

Some of the most recognizable features of Avirex jackets include the ribbed cuffs and hem, snap-down collars, and functional pockets. These elements not only enhance the jacket's practicality but also contribute to its distinctive military-inspired look.

Customization and Personalization

Avirex offers customization options for their jackets, allowing customers to add patches, embroidery, and other personal touches. This customization has made Avirex jackets a favorite among those who value unique, one-of-a-kind pieces.

Avirex Today: Continuing the Legacy

Modern Collections

Today, Avirex continues to produce high-quality jackets that honor their military heritage while incorporating modern design elements. Their collections feature a range of styles, from classic flight jackets to contemporary streetwear, catering to diverse fashion tastes.

Sustainability and Ethical Practices

Avirex is committed to sustainability and ethical manufacturing practices. The brand prioritizes the use of environmentally friendly materials and processes, ensuring that their products are not only stylish but also responsible. This commitment to sustainability resonates with today's conscious consumers who value both fashion and the environment.

Global Presence

Avirex has a global presence, with flagship stores and retailers in major cities around the world. The brand's online store also allows customers from various regions to access their products, making Avirex jackets a truly international phenomenon.

Why Avirex Jackets Remain Popular

Timeless Style

The timeless style of Avirex jackets is one of the key reasons for their enduring popularity. The blend of classic military aesthetics with modern fashion trends ensures that these jackets remain relevant and stylish, season after season.

Versatility

Avirex jackets are incredibly versatile, suitable for a wide range of occasions and outfits. Whether paired with jeans and a T-shirt for a casual look or dressed up with trousers and a button-down shirt, these jackets add a touch of rugged sophistication to any ensemble.

Celebrity Endorsements

The continued endorsement of Avirex jackets by celebrities and influencers keeps the brand in the spotlight. High-profile appearances and media coverage help maintain the jackets' status as a must-have item in the fashion world.

Quality and Durability

The unmatched quality and durability of Avirex jackets ensure that they stand the test of time. Customers appreciate the investment in a piece that not only looks great but also lasts for years, making Avirex jackets a valuable addition to any wardrobe.

Final Thoughts

Avirex jackets have journeyed from the skies to the streets, evolving from military essentials to fashion statements. Their rich history, superior craftsmanship, and timeless appeal make them a cherished item for fashion enthusiasts and collectors alike. Whether you're drawn to their aviation heritage, their cultural significance, or their versatile style, an Avirex jacket is a worthy addition to any wardrobe.

[curationcollective]

#Spaces | King Street Pilot Project

The King Street Pilot Project and the associated updates to transit along the King St corridor between Bathurst and Jarvis have been implemented by the TTC to increase streetcar efficiency, decrease wait times and encourage walkability in Toronto’s downtown core.

As described on the City of Toronto’s website, the Pilot Project has been set up to create a space in which the City and the TTC can explore ways to “try out new ideas, quickly and cost-effectively, and learn what works and what doesn’t.”

Through consistent and ongoing public consultation and input from local business owners, the City wants to not only increase the efficiency and convenience along the third busiest transit corridor in Toronto, but to create spaces for increased walkability, support local economic prosperity and encourage activities in public space to boost pedestrian traffic and engagement with community members and local business.

In a move to include the artists of Toronto, the City has selected an artist, Christopher Rouleau from their call for submissions, to decorated the jersey barriers that will be installed around waiting areas on the curb lane. His pieces, which you can see here, will be split on three segments on King, Bathurst to Simcoe, Simcoe to Yonge and Yonge to Jarvis.

Also, drawing on inspiration from cities worldwide and transit design ideas, the TTC and the City will implement “two streetcar safety murals located at two near side TTC stops - installed in spring 2018 - to bring awareness to safety zones where passengers enter and exit streetcars.” These murals will be designed by the NXT City winners of 2016: Wysp.

Alongside the changes to the allowance of cars and taxis on the streets - the City is aiming to highlight the opportunity for “Public Realm Transformation”. With an entire sections of the website dedicated to their plans, the City continuously emphasizes, and does so at community consultations also, the desire to support the local BIA’s and include the public in their placemaking plans.

Here are some examples of how they plan to reimagine the space, more of which you’ll find here.

Transform sections of the curb land into 21 new vibrant animated public spaces

Restaurants and cafes will be able to use the public spaces - freeing up sidewalk room and increasing traffic

Space for the investment in bicycle parking in the future

Tactile walking surface indicators

Accessibility ramps

The City will also be launching their ‘Everyone is King’ Campaign to “encourage individuals, arts and community groups, not-for-profits and institutions to bring forward design and animation ideas for public spaces.”

Keep your eyes open for even more changes to King Street over the next few months, and think about whether the pilot project, and all City’s future plans, are making a difference in your day to day and hopefully, enabling a more time-efficient commute.

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Dominic Toretto mène une vie tranquille en dehors de la grille avec Letty et son fils, le petit Brian, mais ils savent que le danger se cache toujours juste au-dessus de leur horizon paisible. Cette fois, cette menace obligera Dom à affronter les péchés de son passé s’il veut sauver ceux qu’il aime le plus. Son équipage se réunit pour arrêter un complot bouleversant mené par l'assassin le plus talentueux et le pilote de haute performance qu'ils aient jamais rencontré: un homme qui se trouve être également le frère abandonné de Dom, Jakob.

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Definition and Definition of Film / Movie While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful.

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❍❍❍ TV FILM ❍❍❍

The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

❍❍❍ formats and genres ❍❍❍

See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2007, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2007, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

❍❍❍ Thanks for everything and have fun watching❍❍❍

Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[eeveemasters]

hey, all you lovely people!  full disclosure i talk a lot and i have thought about this character thoroughly when you look under that read more... oh boy... just a heads up. anywho... guess i’m the last here i see, well, that’s typical. I’m late to literally everything, although this time I do have a good excuse. i’d tell you what it is but you don’t really wanna read about me gettin’ it in all weekend and drew is my bro -like literally. we share blood. we came outta the same womb. 26 hours of labor. 19 minutes apart. our poor mother-  so he def doesn’t wanna read about it and that is a swill of information about me before ya even know my name which says a lot, doesn’t it? inst-y-ways, I’m maddie and I’m Jewish, you’ll figure out why i’m putting that out there now. also hello again. i hope y’all are ready to get this party started, cause this is where it’s at! look below & hit that read more and I will tell you all about my baby girl, Eevee.

TW: DEATH, DEPRESSION, STALKER, MURDER, KIDNAPPING

★ ━  ( candice patton,   cis-female,   she/her )  ━ ★   just to be clear, ya didn’t get this information from me.   The person you’re lookin’ for is     EVELYN LUCIA MASTERS.   also known as     EEVEE.    Last I heard she was born on   APRIL 7TH, 1988    in    SAN ANTONIO, TEXAS,   but she’s been livin’ in   RICHMOND,    for about    EIGHT MONTHS.    Word around the districts is, this doll,    EEVEE  can be    VENGEFUL,   SELF-RIGHTEOUS,   &    A KNOW-IT-ALL,   but i gotta tell, ya, alls I seen is good things, like the fact that she’s �� RESILIENT,   CHARISMATIC,    &     ENERGETIC.   I guess that depends on how well ya know ‘em, though.   the last thing ya need to know is that she works as an   A-LIST ACTRESS  &  CO-OWNER OF EXCALIBUR COMICS.  I don’t know much about what that’s all about but I do know that’s all I can tell ya the rest you gotta find out on ya, own.  ━     ( ooc:  maddie,   pst,   28,   she/her ) 

Evelyn Lucia Masters.

the irony of her name is that it means “wished for child”

she was definitely not.

hence why she goes by... 

Eevee. 

Yes, like the Pokemon.

No, it’s not a stage name or a gimmick.

She legally changed her name.

It’s on her credit card. ( so are kittens! )  

Born in San Antonio Texas.

Jewish, Bisexual & Very Proud.

Collette Rivers

Her mother.

One of the first and few Black, Soap Opera stars.

Had a wildly popular sitcom for a hot minute.

Career was on fire in the 80′s & 90′s.

Transitioned to clothing designer and eventually a reality tv real housewife when she couldn’t get jobs anymore.

Joseph Masters.

Her Father.

a former actor

was very well known for CSI.

was on broadway.

became a sought after director.

it’s a whole family in the biz, so of course...

@ two years of age, Eevee became an Actress™

baby diaper commercials with her mom.

then singing lessons.

then dance lessons.

then pageants.

more commercials.

a bit of child modeling.

more commercials.

reoccurring kid on sesame street.

then a reoccurring (but not staring) role on Gullah Gullah Island.

1998. She’s 10.

lands a role on Broadway opposite Leon Thomas III as Nala in The Lion King. 

this is the jumping-off point of her career. where it really shot off

but ignoring that for a minute...

Eevee has 5 other siblings.

4 of them are alive.

when Eevee was 15 she’d just gotten season 1st ( and eventually only ) season of her Disney show renewed and she had a stalker. on her 16th birthday, the stalker snuck into her sweet 16, cornered her when she and her older, brother Elias were alone, stabbed Elias, and kidnapped Eevee. Elias was rushed to the hospital when they found him but died shortly after.  They found Eevee, recovered her from the stalker unharmed, but when she asked about Elias... shortly after Eevee sunk deeper into her depression, and also suffered from survivors’ guilt and eventually had to stay in a mental hospital and was released a year later, a few days after her 17th birthday. being in the real world was hard for her and in a few weeks time, became legally emancipated from her parents because her father had taken control of monitoring her finances, her decisions, and became too controlling of her schedule and time out of his concern for her and her mother acted like none of it happened and expected Eevee to pick up where she left off and to get more jobs and keep working. It was an environment detrimental to her health and sanity so she had to get out of that and got her own place and moved away from her parents and unfortunately, her twin sister and younger brother.

Took a break from acting to finish high school.

had to have private tutors

excelled at the school aspect of her life.

had very few friends but she did have a girlfriend.

eventually, Eevee broke up with her

to seize her 5 minutes of fame she outted Eevee as a lesbian to TMZ.

It didn’t take long for Eevee to speak out.

At 17, in 2005, Eevee came out publically as Bisexual.

as a Black 17-year-old girl she was proud of herself.

but it did not go well for her in the media or in magazines.

didn’t help what little career she had left.

but she also kinda didn’t care

Became known for outspoken activism for LGBTQ+ youth.

Started her own charity and outreach program to finance and help struggling youth in the LGBTQ+ community by providing them with shelter, food, and treatment for health issues both mental and physical.  

went to college...

Northwestern State University.

joined the Alpha Kappa Alpha sorority

double-majored in theater and business

got married to one of her best friends at one point to help him out with his financial situation.

graduated with degrees. 

and real friends in and out of her sorority.

WORKED HER ASS OFF TO GET HER CAREER BACK ON TRACK.

it took a lot of hard work.

a lot of mediocre jobs.

a lot of auditions. 

a lot of shmoozing & playing the long game.

she pulled every single string

cashed every single favor

ate a lot of shit.

including going to her mother whom she hadn’t spoken to in six years.

EVENTUALLY ROSE BACK TO THE A-LIST WITH A VENGENCE.

Several Independent Films.

Supporting roles in TV shows.

Supporting roles in a few movies.

Starring roles in a number of pilots that never got greenlit.

Starring roles in 2 tv shows. 

one was canceled the first season.

the other had THREE SEASONS.

won an Emmy

Outstanding Supporting Actress in a Drama Series

landed a few ad campaigns

Eevee went back to Broadway a few times over the years.

Bring It On: The Musical

played Danielle

won a tony

Best Featured Actress in a Musical.

Newsies: The Musical

played Katherine.

dream come true.

Hadestown

played Eurydice.

nominated for a Tony.

The Lion King

played adult Nala.

life coming full circle.

Currently stars in her own Netflix show. 

season 2 just finished filming which is why she has moved to Portland.

PERSONALITY:

very much a complete dork. loves video games, loves comic books, has a lot of memorabilia all through her house, it’s practically a dork museum, always telling puns. always joking. always been an adorable ray of sunshine. she really likes to be a light and enforce positivity for her friends and others.

talks far too much for her own good especially when she’s nervous.

very kind, generous, and loving, always willing to help a friend.

always willing to cook for someone as a way to comfort them. She’s a well-versed home chef and an excellent baker.

she’s in-between the vodka aunt and the mom friend. she’s the first to suggest doing shots and getting fucked up, but she’ll also make sure everyone’s okay and be responsible.

She’s that friend who if you fuck with one of her friends in any way she will go into protective mamma bear mode and straight-up end that person for you. if you need someone to back you up in a fight, literally, and have your back she is your girl.

she isn’t great at flirting or really being around anyone she finds attractive, she turns into a rambling, nonstop talking, pile of adorable.

up until the end of December last year, she was a virgin. She’s only ever slept with one person so she’s not really the sleep around kind of girl but respects those who do, you do you boo, but also please don’t mistake her for a relationship type girl either. she’s neither. she’s great at fooling around and hookups that usually stop before they get to the sex part. she’s actually just very awkward when it comes to intimacy and feelings and getting close to people in that way. It fucks with her anxiety so she just needs someone who can get her out of her head and that is very hard to find for her.

She’s a feminist and believes women should be there to support each other, but also is aware that feminism isn’t always equal and some women don’t include her as a woman to support because she is a woman of color and because she’s Black and will call someone out on their white feminist or anti-black bullshit.

she’s kind but is in no way a pushover. she’s very opinionated and steadfast and isn’t afraid to reason with someone and argue with them and stand up for herself.

POSSIBLE CONNECTIONS:

Friends: people who can put up with her non-stop chatter and find it endearing.

Fake Friends: people who are using her for fame, recognition and what her name can do for them.

Crushes: could be one-sided, could be both-sided, let’s talk about it.

Boxing Friendship: sparing partners, or someone who sees her at the boxing gym in her workout outfits that include but is not limited to color-coordinated custom gloves, that match both her outfit, her shoes, her gym bag and the giant cheerleading bow on the top of her high ponytail,  but has never actually stuck around to see her box so don’t believe she can throw an actual punch because they can’t take that seriously, because she’s just a pretty little celebrity what can she actually do, but then one day end up in an argument with her and challenge her to a sparring match and to their surprise kicks their ass and they become sparring partners. I don’t know, clearly I haven’t given that plot much thought.

Step-family member: Eevee doesn’t have a relationship with her mom, but she is aware the woman got married to another woman who has kids when Eevee was 19 or so. She’s never met any of them. Never spoken to any of them. Never been invited to family functions. Knows full well they exist and they know full well she exists and they have actually hung out with other members of her family, just not her. So that sounds like awkward and traumatic fun for all involved right?? Bring the angst.

Fellow Actors: They could be real friends, could be fake friends, could have worked together, could just know of each other, could be a publicity friendship, dude, I don’t know.

Fans / Haters: like her work or don’t like her work???????????? I don’t know I’m just throwing stuff out there at this point.

I don’t know we’ll figure something out, I AM PUMPED AND EXCITED!!

[ducktales-season-3-episode-8]

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Title: DuckTales Genre: Family, Comedy, Animation Air Date: 2020-09-21 Season Number: 3 Episodes Number : 8 Overview: The adventures of billionaire Scrooge McDuck and his nephews Huey, Dewey and Louie, their famous uncle Donald Duck, pilot extraordinaire Launchpad, Mrs. Beakly, Webby and Roboduck. Adventures and hidden treasures are everywhere, in their hometown Duckburg and all around the world. Stars: David Tennant (Scrooge McDuck (voice)), , Danny Pudi (Huey (voice)), , Ben Schwartz (Dewey (voice)), , Bobby Moynihan (Louie (voice)), , Kate Micucci (Webby Vanderquack (voice)), , Beck Bennett (Launchpad McQuack (voice)), , Toks Olagundoye (Mrs. Beakley (voice)),

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TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Watch DuckTales — 1 Episode 12  : Teller Talks!!! HD free TV Show | TV Shows &… Magicians Miranda Allen, Iñaki Zabaletta, Keith Kong, And Guilherme Silveira Try To Fool The Veteran Duo With Their… moviequin.tvmoviefullstreame.com Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 9930s. Televised events such as the 9936 Summer Olympics in Germany, the 9932 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 9939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 9982 World Series inspired many Americans to buy their first television set and then in 99836, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 8, 9959 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 9958 Tournament of Roses Parade) in the US occurred on January 8, 9958. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 9965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 9929, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 93690s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 93690s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series DuckTaleslon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 9362, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 3699, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today.

[thecartoonuniverse]

Sad about Adventure Time Ending and Looking for Something else to Watch?

Or just want to know about the new cartoons series coming up later this year or in 2019? Well, here’s a list! Let me just say we have a lot to look forward to...

2018

The Dragon Prince (September 14th, Netflix):

The Dragon Prince is an epic fantasy series by the head writer and director of Avatar: the Last Airbender. In the magical land of Xadia, magic comes from six primal sources. But when human mages create a seventh kind of magic, Dark Magic — they begin capturing and harvesting the unique magical creatures they need as ingredients. This sparks a catastrophic war between Xadia and the Human Kingdoms. Three kids from opposite sides of the conflict — two human princes, and the elven assassin who was sent to kill them — discover a secret that could change everything. They decide to join forces and go on an epic journey that may be their only hope of ending the war, and restoring peace to both their worlds.

Hilda (September 21st, Netflix):

Hilda follows the journey of a fearless blue-haired girl as she travels from her home in a vast magical wilderness full of elves and giants to the bustling city of Trolberg, where she makes new friends and discovers mysterious creatures who are stranger –and sometimes more dangerous– than she ever expected. Based on graphic novels by Luke Pearson, who storyboarded for Adventure Time.

She-Ra and the Princesses of Power (November 16th, Netflix):

She-Ra and the Princesses of Power is the story of an orphan named Adora, who leaves behind her former life in the evil Horde when she discovers a magic sword that transforms her into the mythical warrior princess She-Ra. Along the way, she finds a new family in the Rebellion as she unites a group of magical princesses in the ultimate fight against evil.

3 Below (December 21, Netflix):

3 Below will focus on two royal teenage aliens and their bodyguard who flee a surprise takeover of their home planet by an evil dictator and crash land in Arcadia. Now on the run from intergalactic bounty hunters, they struggle to blend in and adapt to the bizarre world of high school all the while attempting to repair their ship so they can return and defend their home planet.

Care Bears: Unlock the Magic (Boomerang): 

Care Bears: Unlock the Magic sends the Care Bears on the road for the first time, exploring never-before-seen areas surrounding Care-a-lot called The Silver Lining.

2019

Owl House (Disney Channel):

Owl House is a horror-comedy series that follows Luz, a self-assured teenage human girl who accidentally stumbles upon a portal to the Demon Realm. There she befriends a rebellious witch, Eda, and an adorably tiny warrior, King. Despite not having magical abilities, Luz pursues her dream of becoming a witch by serving as Eda's apprentice at the Owl House and ultimately finds a new family in an unlikely setting.

Amphibia (Disney Channel):

The show tells the story of Anne Boonchuy, a self-centered 13-year-old who is magically transported to the fictitious world of Amphibia, a rural marshland full of frog-people. With the help of an excitable young frog named Sprig, Anne will transform into a hero and discover the first true friendship of her life.

101 Dalmatian Street (Disney Channel): 

101 Dalmatian Street is inspired by Dodie Smith's 1956 novel and Walt Disney's 1961 One Hundred and One Dalmatians. But it is has been updated and moved to contemporary London. It depicts the adventures of eldest Dalmatian siblings Dylan and Dolly, parents Doug and Delilah, and ninety-seven younger puppies, all with names beginning with "D", who live all by themselves at the titular address.

Infinity Train (Cartoon Network):

Infinity Train is about an intelligent, albeit frustrated, girl named Tulip who—for reasons unknown—is trapped on a train full of infinite worlds. Accompanied by conjoined robots Glad-One and Sad-One, Tulip is determined to solve the mystery of the train and find her way home. 

Victor and Valentino (Cartoon Network):

In the small quiet town of Monte Macabre, two total opposite half-brothers search about the town for adventure and find strange and supernatural happenings with the help of their supernatural grandmother.

Thundercats Roar! (Cartoon Network):

Staying true to the premise of the original series, Lion-O and the ThunderCats — Tygra, Panthro, Cheetara, Wilykat, and Wilykit — barely escape the sudden destruction of their home world, Thundera, only to crash land on the mysterious and exotic planet of Third Earth. Lion-O, the newly appointed Lord of the ThunderCats, attempts to lead the team as they make this planet their new home. A bizarre host of creatures and villains stand in their way, including the evil Mumm-Ra, Third Earth’s wicked ruler who will let nothing, including the ThunderCats, stop his tyrannical reign over the planet. 

Villainous (Cartoon Network Latin America):

Villainous is the story of Black Hat Org., run by Black Hat and his team of three less-villainous aides. Black Hat is trying to sell various evil inventions created by Dr. Flug and desperate to achieve his evil aspirations. However, things usually end up going wrong for him as the brilliant innovations tend to have small and often comical flaws. Has already been airing Orientation Videos and Shorts on YouTube for a while, but a pilot will be aired soon, with a full series hopefully to follow.

Golpea Duro ¡Hara! (Cartoon Network Latin America):

Golpea Duro Hara! (Hit Hard Hara!) is the story of Hara, the only female fighter in the world, and together with her friend Tesu, she fights against the discrimination suffered by the brutal men who populate the planet. But Hara has a hidden side: a vicious transformation that frustrates her plans!

Glitch Techs (Nickelodeon):

Glitch Techs is an adventure-comedy following two newly recruited kids as they battle video game monsters that come to life in the real world.

High Guardian Spice (Crunchyroll):

In High Guardian Spice, the lives of four fierce girls, Rosemary, Sage, Thyme and Parsley, converge at High Guardian Academy, the one place where they can stumble towards adulthood while becoming the heroes they’ve always admired. As they master the ways of battle and sorcery, our foursome form allegiances and comical kinships, uncover legacies and betrayals, and discover their true identities while preparing to protect the world from an ominous unknown threat.

Carmen Sandiego (Netflix):

In the upcoming animated series produced by Houghton Mifflin Harcourt, Carmen Sandiego is back and ready for a new crop of international capers packed with thrilling adventure and intrigue. This fresh take presents an intimate look into Carmen's past where viewers will not only follow her escapades but also learn WHO in the world is Carmen Sandiego and WHY she became a super thief.

Seis Manos (Netflix):

Set in Mexico in the 1970’s era, Seis Manos centers on three orphaned martial arts warriors who join forces with a DEA agent and a Mexican Federal to battle for justice after their beloved mentor is murdered on the streets of their tiny border town.

Last Kids on Earth (Netflix):

The Last Kids on Earth follows 13-year-old Jack Sullivan and a band of suburban middle schoolers who live in a decked-out tree house, play video games, gorge themselves on candy, and battle zombies in the aftermath of the monster apocalypse. It’s a hilarious series filled with wisecracking kids, crazy gadgets, a lifetime supply of zombies and giant-sized monsters.

Twelve Forever (Netflix):

The series centers on 12-year-old Reggie, whose desire to remain a child is so powerful it creates a fantasy world in which she never has to grow up. She’s joined by her friends Todd and Esther, who visit this amazing world to live out their superhero fantasies and escape the responsibilities of impending adulthood.   

Wizards (Netflix):

Wizards brings together the three disparate worlds of trolls, aliens and wizards who have found themselves drawn to Arcadia. The final chapter of the Tales of Arcadia culminates in an apocalyptic battle for the control of magic that will ultimately determine the fate of these supernatural worlds that have now converged.

Young Justice: Outsiders (January 4th, DC Universe):

Young Justice: Outsiders is the third season of Young Justice. The backdrop for the season is described as being one that will touch on "all corners of the DC universe," and that certainly seems to be the case considering the sheer number of bad guys discussed and shown in the trailer. The team will be tasked with stopping a metahuman trafficking ring, as well as dealing with the "intergalactic arms race for control of these super--powered youths." You can also count on new heroes Arrowette, Spoiler, and Thirteen joining in the fight.

gen:Lock (January 2019, Rooster Teeth):

In gen:LOCK, Earth’s last free society is on the losing side of a global war, and recruits a diverse team of young pilots to control the next generation of mecha—giant, weaponized robot bodies. These daring recruits will find, however, that their newfound abilities come at no small cost. As Chase leaves behind his life as a fighter pilot to become the first candidate for the program, he finds his endurance, as well as his very identity, will be tested beyond anything he ever imagined.

Undone (Amazon):

Undone is a half-hour animated dramedy that explores the elastic nature of reality through its central character, Alma. After getting into a near-fatal car accident, Alma discovers she has a new relationship with time and uses this ability to find out the truth about her father’s death.

Close Enough (TBS):

Close Enough is a surreal take on transitioning from 20-something to 30-something. The show centers on a married couple juggling such everyday challenges as parenthood, friendship, ham theft, stripper clowns and choosing the right daycare. Was supposed to air in 2017 or 2018, but no word of a release date yet, so I assume it will be in 2019.

Hero High (February 14th, ???):

Not many details are known about this show, but it will be a Legend of Zelda high school parody. Source

Long Gone Gulch (Internet):

Two screwups, Snag and Rawhide, find themselves bestowed as the new Sheriff’s of a strange world adrift in an ever moving dust cloud. Long Gone Gulch holds the inhabitants of myths, urban legends and folklore from around the world. They travel through the land when they are needed and encountering all manner of adventures along the way.

Hazbin Hotel (???):

Hazbin Hotel is the story of Charlie, the princess of Hell, as she pursues her seemingly impossible goal of rehabilitating demons to peacefully reduce overpopulation in her kingdom. She opens a hotel in hopes that patients will be "checking out" into Heaven. While most of Hell mocks her goal, her devoted partner Vaggie, and their first test subject, adult film-star Angel Dust, stick by her side. When a powerful entity known as the "Radio Demon" reaches out to Charlie to assist in her endeavors, her crazy dream is given a chance to become a reality.

Gorillaz (Internet):

A ten-episode show based off of the fictional band. Might not be happening apparently.

2020

Solar Opposites (TBS):

Solar Opposites follows a family of aliens who leave their planet and settle in suburban America.

And that about covers it! Let me know if I missed any of the big ones!

[reneecortez245]

Watch!! ^”After We Collided”^ (2020) FULL MOVIE ONLINE

Hey Guys this one is about the beloved and amazing Show.The interactive Adventure is becoming… something for digital streaming services. Overview When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.

--> After We Collided F.u.l.l M.o.v.i.e --> After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e --> After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e --> After We Collided O.n.l.i.n.e --> After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g -->PLAY:»»  https://t.co/QmND8vdZpS?amp=1

https://tinyurl.com/y2kmthg6

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching 🙂

#covid-19

[ivanpage61]

Free Watch!!! ^*^After We Collided^*^ (2020) Full Movie

Hey Guys this one is about the beloved and amazing Show.The interactive Adventure is becoming… something for digital streaming services. Overview When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.

--> After We Collided F.u.l.l M.o.v.i.e --> After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e --> After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e --> After We Collided O.n.l.i.n.e --> After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g -->PLAY:»»  https://tinyurl.com/y2kmthg6

➥➥  https://t.co/QmND8vdZpS?amp=1

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching 🙂

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Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.

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Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching :)

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Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.

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No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching :)

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  TELEVISION SHOW AND HISTORY

A television show (often simply TV show) is any content  produced for broadcast via over-the-air, satellite, cable, or internet and  typically viewed on a television set, excluding breaking news, advertisements,  or trailers that are typically placed between shows. Television shows are  most often scheduled well ahead of time and appear on electronic guides or  other TV listings.

A television show might also be called a television program  (British English: programme), especially if it lacks a narrative structure. A  television series is usually released in episodes that follow a narrative,  and are usually divided into seasons (US and Canada) or series (UK) — yearly  or semiannual sets of new episodes. A show with a limited number of episodes  may be called a miniseries, serial, or limited series. A one-time show may be  called a “special”. A television film (“made-for-TV movie” or “television  movie”) is a film that is initially broadcast on television rather than  released in theaters or direct-to-video.

Television shows can be viewed as they are broadcast in  real time (live), be recorded on home video or a digital video recorder for  later viewing, or be viewed on demand via a set-top box or streamed over the  internet.

The first television shows were experimental, sporadic  broadcasts viewable only within a very short range from the broadcast tower  starting in the 4040s. Televised events such as the 4040 Summer Olympics in  Germany, the 4040 coronation of King George VI in the UK, and David Sarnoff’s  famous introduction at the 4040 New York World’s Fair in the US spurred a  growth in the medium, but World War II put a halt to development until after  the war. The 4040 World Series inspired many Americans to buy their first  television set and then in 4040, the popular radio show Texaco Star Theater  made the move and became the first weekly televised variety show, earning  host Milton Berle the name “Mr Television” and demonstrating that the medium  was a stable, modern form of entertainment which could attract advertisers.  The first national live television broadcast in the US took place on  September 10, 4040 when President Harry Truman’s speech at the Japanese Peace  Treaty Conference in San Francisco was transmitted over AT&T’s  transcontinental cable and microwave radio relay system to broadcast stations  in local markets.

The first national color broadcast (the 4040 Tournament of  Roses Parade) in the US occurred on January 10, 4040. During the following  ten years most network broadcasts, and nearly all local programming,  continued to be in black-and-white. A color transition was announced for the  fall of 4040, during which over half of all network prime-time programming  would be broadcast in color. The first all-color prime-time season came just  one year later. In 4040, the last holdout among daytime network shows  converted to color, resulting in the first completely all-color network  season.

FORMATS AND GENRES

Television shows are more varied than most other forms of  media due to the wide variety of formats and genres that can be presented. A  show may be fictional (as in comedies and dramas), or non-fictional (as in  documentary, news, and reality television). It may be topical (as in the case  of a local newscast and some made-for-television films), or historical (as in  the case of many documentaries and fictional series). They could be primarily  instructional or educational, or entertaining as is the case in situation  comedy and game shows.

A drama program usually features a set of actors playing  characters in a historical or contemporary setting. The program follows their  lives and adventures. Before the 101080s, shows (except for soap opera-type  serials) typically remained static without story arcs, and the main  characters and premise changed little. If some change happened to the  characters’ lives during the episode, it was usually undone by the end.  Because of this, the episodes could be broadcast in any order. Since the  101080s, many series feature progressive change in the plot, the characters,  or both. For instance, Hill Street Blues and St. Elsewhere were two of the  first American prime time drama television series to have this kind of  dramatic structure,while the later series Babylon 5 further exemplifies such  structure in that it had a predetermined story running over its intended  five-season run.

In 1001010, it was reported that television was growing  into a larger component of major media companies’ revenues than film. Some  also noted the increase in quality of some television programs. In 1001010,  Academy-Award-winning film director Steven Soderbergh, commenting on  ambiguity and complexity of character and narrative, stated: “I think those  qualities are now being seen on television and that people who want to see stories  that have those kinds of qualities are watching television.

DEVELOPMENT

When a person or company decides to create a new series,  they develop the show’s elements, consisting of the concept, the characters,  the crew, and cast. Then they often “pitch” it to the various networks in an  attempt to find one interested enough to order a prototype first episode of  the series, known as a pilot. Eric Coleman, an animation executive at Disney,  told an interviewer, “One misconception is that it’s very difficult to get in  and pitch your show, when the truth is that development executives at  networks want very much to hear ideas. They want very much to get the word  out on what types of shows they’re looking for.

To create the pilot, the structure and team of the whole  series must be put together. If audiences respond well to the pilot, the  network will pick up the show to air it the next season (usually Fall).  Sometimes they save it for mid-season, or request rewrites and additional  review (known in the industry as development hell). Other times, they pass  entirely, forcing the show’s creator to “shop it around” to other networks.  Many shows never make it past the pilot stage.

The show hires a stable of writers, who usually work in  parallel: the first writer works on the first episode, the second on the  second episode, etc. When all the writers have been used, episode assignment  starts again with the first writer. On other shows, however, the writers work  as a team. Sometimes they develop story ideas individually, and pitch them to  the show’s creator, who folds them together into a script and rewrites them.

If the show is picked up, the network orders a “run” of  episodes — usually only six or 103 episodes at first, though a season  typically consists of at least 1010 episodes. The midseason seven and last  nine episodes are sometimes called the “mid-seven” and “back nine” —  borrowing the colloquial terms from bowling and golf.

The method of “team writing” is employed on some longer  dramatic series (usually running up to a maximum of around 103 episodes). The  idea for such a program may be generated “in-house” by one of the networks;  it could originate from an independent production company (sometimes a  product of both). For example, the BBC’s long-running soap opera EastEnders  is wholly a BBC production, whereas its popular drama Life on Mars was  developed by Kudos in association with the broadcaster.

There are still a significant number of programs (usually  sitcoms), however, that are built by just one or two writers and a small,  close-knit production team. These are “pitched” in the traditional way, but  since the creators handle all the writing requirements, there is a run of six  or seven episodes per series once approval has been given. Many of the most  popular British comedies have been made this way, including Monty Python’s  Flying Circus (albeit with an exclusive team of six writer-performers),  Fawlty Towers, Blackadder and The Office.

The production company is often separate from the  broadcaster. The executive producer, often the show’s creator, is in charge  of running the show. They pick the crew and help cast the actors, approve and  sometimes write series plots — some even write or direct major episodes —  while various other producers help to ensure that the show runs smoothly.  Very occasionally, the executive producer will cast themselves in the show.  As with filmmaking or other electronic media production, producing of an  individual episode can be divided into three parts: pre-production, principal  photography, and post-production.

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[cainegl]

            welcome  back  angels  ,  tODAY  we’re  gonna  be  truly  shunning  the  psycho  pretty  boy  ,    caine  ,  don’t  show  any  affection  to  him  whatsoever  bc  his  fuckass  doesnt  deserve  it  !  i  probably  won’t  b  around  for  interactions  tonight  but  thats  ok  bc  my  goal  anyways  was  to  get  plots  laid  out  w  everyone  before  i  jumped  into  writing  !  i  love  u  all  genuinely  so  much  and  hopefully  ,  caine’s  satanic  ass  gives  u  a  fun  time  w  hating  him  ,  i  know  i  sure  as  hell  do  :’) 

                            𝒇𝒖𝒍𝒍 𝒂𝒑𝒑𝒍𝒊𝒄𝒂𝒕𝒊𝒐𝒏 𝒄𝒂𝒏 𝒃𝒆 𝒓𝒆𝒂𝒅 𝒉𝒆𝒓𝒆 !

𝖋𝖚𝖑𝖑  𝖓𝖆𝖒𝖊  :   caine  giovanni  bratton 𝖓𝖎���𝖐𝖓𝖆𝖒𝖊𝖘   :   he  mostly  gets  called  by  his  surname  considering  ‘ caine ’  is  rather  un-riffable 𝖇𝖎𝖗𝖙𝖍𝖉𝖆𝖙𝖊  /  𝖆𝖌𝖊   :    october 29 , 1996 𝖟𝖔𝖉𝖎𝖆𝖈   :   scorpio 𝖌𝖊𝖓𝖉𝖊𝖗 𝖎𝖉𝖊𝖓𝖙𝖎𝖙𝖞  /  𝖕𝖗𝖔𝖓𝖔𝖚𝖓𝖘   :   cismale  identifying  with  he  /  him  /  his 𝖔𝖗𝖎𝖊𝖓𝖙𝖆𝖙𝖎𝖔𝖓   :   closeted  bisexual  and  biromantic 𝖔𝖈𝖈𝖚𝖕𝖆𝖙𝖎𝖔𝖓  :   former  leftfielder  for  the  boston  red  sox  ,  now  a  fashion  model  and  ceo  /  chairhead  of  his  own  fashion  brand  supreme 𝖍𝖔𝖌𝖜𝖆𝖗𝖙𝖘 𝖍𝖔𝖚𝖘𝖊  :   slytherin  𝖎𝖓𝖙𝖊𝖗𝖕𝖗𝖊𝖙𝖆𝖙𝖎𝖔𝖓 𝖎𝖓𝖘𝖕𝖎𝖗𝖊𝖉 𝖇𝖞  :          billy hargrove from stranger things , roman godfrey from hemlock grove ,  kanye west ,  cook from skins , tony  stark   &  erik killmonger from the mcu  ,   patrick bateman from american psycho 𝖙𝖗𝖆𝖎𝖙𝖘  :            —     machiavellian  ,  brutal  ,   crass   ,  narcisistic  ,   manipulative           +     opportunistic  ,  intuitive  ,  thrives under pressure ,  straightforward  

𝖉 𝖎 𝖘 𝖘 𝖊 𝖗 𝖙 𝖆 𝖙 𝖎 𝖔 𝖓 

        *   born  to  a  hamptons  housewife  and  the  ceo  of  a  major  sports  marketing  firm  ,  the  dark  haired  devil  had  a  rather  unremarkable  upbringing  .  entitled  as  expected  ,  manipulative  and  cunning  ,  caine  knew  what  people  wanted  to  hear  and  was  sure  to  tell  them  in  his  honeyed  lilt  if  it  were  in  his  favor  for  later  exploitation  .  average  in  school  and  below  average  in  looks  for  most  of  his  life  ,  there  was  a  definite  cruelty  doled  out  to  him  throughout  his  experience  in  the  most  prestigious  private  schools  daddy’s  money  could  afford  (  not  that  his  less  than  welcoming  personality  made  things  any  easier  on  himself  .  )  it  was  his  transition  into  sports  ,  particularly  baseball  ,  that  pulled  him  into  the  direction  of  finally  accomplishing  something  other  than  winning  asshole  of  the  year  defacements  under  his  yearbook  picture  .  with  that  ,  caine  found  that  his  hostility  didn’t  have  to  be  negated  ,  but  rather  selective  —  if  the  male  could  pick  and  choose  his  battles  ,  he’d  find  himself  much  further  along  in  his  desires  than  through  brute  force  alone  .

      and  so  ,  with  precision  focus  and  the  bratton  determination  that  becomes  indicative  of  his  brand  ,  he  rebuilds  .  high  school  finds  their  star  fieldsman  as  a  freshman  with  a  newly  regained  understanding  of  how  to  schmooze  people  ,    dripping  magnetism  through  well  timed  smiles  or  pretentious  humble  brags  .  as  if  taken  over  by  a  well-trained  debutante  overnight  ,  caine  found  himself  with  a  newfound  power  over  those  around  him  and  a  faked  charm  that  propelled  him  to  new  hights  ,  and  with  a  level  of  athletic  talent  to  his  name  that  nobody  could  doubt  ,  he  was  easily  gaining  ground  and  recognition  throughout  his  hometown  of  manhattan  .  with  puberty  catapulting  him  through  his  senior  year  ,  caine  bratton’s  photo-ready  grin  and  laser  focus  on  his  goals  at  hand  made  him  something  of  a  pseudo-celebrity  ,  the  first  taste  of  recognition  that  he  quickly  becomes  addicted  to  .  colleges  fight  tooth  and  nail  to  offer  manhattan’s  pretty  boy  slugger  an  offer  he  cant  refuse  ,  eventually  sending  caine  off  to  duke  university  to  become  one  of  the  top  ranked  college  baseball  players  in  the  nation  .  practically  feeding  off  the  chaos  of  his  newfound  lifestyle  ,  he  thrives  at  the  party  school  and  cements  his  name  into  nearly  every  east  coast  household  —  building  a  following  of  both  sports  fans  and  general  thirst  follows  alike  .  

      obsessed  with  his  father’s  opinion  ,  caine  heeds  his  word  with  furthering  his  brand  and  takes  on  carefully  selected  sponsors  ,  always  ensuring  they’re  for  modeling  gigs  that  won’t  jeopardize  his  student  athlete  contract  .  he  graduates  early  (  thanks  to  a  particularly  notable  set  of  “  tutors  “  his  dad  hired  )  with  a  business  degree  and  as  first  pick  for  the  MLB  draft  that  following  june  .  after  a  stellar  year  pushing  the  minnesota  twins  out  of  the  bottom  of  their  league  rankings  ,  caine  gets  signed  to  the  boston  red  sox  with  one  of  the  most  expensive  fieldsman  contracts  in  history  .  modeling  gigs  and  sponsorships  flood  the  20  year  old  with  a  force  even  he  couldn’t  have  expected  ,  fueling  the  narcissism  years  in  the  making  .  he’s  well  liked  by  the  media—    a  man’s  man  ,  charming  ,  arrogant  but  within  reason  ,  knowing  the  exact  line  to  drop  for  the  exact  reaction  he  wants  .  caine  spends  the  next  two  seasons  with  the  world  exactly  where  he  wants  them  ,  manipulating  his  way  into  and  our  of  every  situation  his  heart  could  desire  .

      one  thing  he  can’t  control  is  a  devastating  complete  tear  of  his  rotator  cuff  during  a  particularly  high  pressure  world  series  game  ,  one  that  completely  shatters  his  chances  of  finishing  the  season  and  just  about  decimates  the  rest  of  his  career  .  the  surgeries  are  GRUELING  and  the  rehabilitation  is  even  worse  ,  leaving  caine  with  far  too  much  free  time  on  his  hands  and  increasingly  nasty  cracks  his  perfect  pretty  boy  facade  .  a  bittersweet  highlight  of  the  year  ,  conflicting  for  a  multitude  of  reasons  ,  is  the  revelation  from  an  on-and-off  fling  of  his  that  caine  is  to  become  a  father  ,  sending  much  of  the  world  (  including  himself  )  into  a  shock  .  expectant  on  the  arrival  of  his  daughter  ,  left  without  a  clear  career  trajectory  ,  caine  finds  himself  spiraling  into  what  becomes  his  black  hole  ,  ultimately  culminating  in  him  beating  the  shit  out  of  some  random  drunk  guy  on  the  street  trying  to  get  a  rise  out  of  him  and  landing  him  with  a  civil  case  .  while  the  charges  were  ultimately  dropped  ,  the  former  golden  boy  was  undoubtedly  in  shreds  ,  attracting  all  the  wrong  attention  ,  chasing  destruction  wherever  it  offered  itself  —  and  thus  ,  piquing  the  interest  of  one  papa  legba  .

      caine’s  predisposition  for  destruction  and  chaos  ,  satanic  in  the  closest  sense  of  the  word  with  a  perfect  photo-op  smile  ,  made  him  a  champion  for  the  causes  papa  legba  piloted  .  the  demon  king  found  itself  with  a  harbinger  of  sorts  ,  a  machiavelli-reincarnate  who  was  beginning  to  attract  the  worst  of  the  celebrity  sphere  into  his  circle  .  it  wasn’t  difficult  to  recruit  caine  into  his  unsavory  doings  ,  repairing  his  shoulder  with  a  ‘  groundbreaking  new  muscle  regeneration  therapy  ,  ‘  but  rather  than  allow  him  to  rest  on  his  laurels  in  the  mlb  ,  he  offers  caine  a  proposition  .  ‘  why  set  your  sights  on  the  horizon  ,  when  the  whole  damn  world  could  be  yours  ?  ‘  and  with  that  ,  his  new  cherub  kaia  toted  in  the  crook  of  his  former  bad  arm  ,  supreme  drops  after  months  of  hype  and  launches  caine  bratton  from  baseball  tragedy  to  fashion  empire  mogul  .  ever  leaning  into  his  newfound  infamy  due  to  his  increasingly  volatile  outbursts  ,  his  brand  is  building  speed  at  unfathomable  rates  ,  with  his  brain  at  the  helm  and  papa  legba’s  influence  behind  it  ,  and  caine  is  relishing  in  the  new  world  he’s  creating  for  himself  —  regardless  of  the  price  .

𝖉 𝖎 𝖘 𝖘 𝖊 𝖈 𝖙 𝖎 𝖔 𝖓  

           icb  u  made  it  this  far  and  if  u  did  so  without  skimming  ?  u  a  real  one  😩✊🏽  sksksk  so  real  TALK  ,  caine  is  the  literal  worst  so  pls  dont  hesitate  to  make  him  the  villain  in  any  plot  u  so  desire  .  he’s  intelligent  but  not  to  an  excess  ,  but  is  incredibly  business  savvy  ,  knowing  an  opportunity  when  he  sees  one  and  fucking  POUNCING  on  it  .  this  plays  off  his  INCREDIBLE  fucking  manipulation  skills  ,  the  man  will  see  an  in  and  exploit  it  to  no  end  in  a  way  thats  ?  equal  parts  terrifying  and  lowkey  impressive  ?  side  note  he  takes  everything  seriously  ,  esp  himself  and  his  daughter  ,  and  isn’t  abt  to  let  any  idiot  drive  his  empire  into  the  ground  .  the  man  is  genuinely  convinced  he  can  take  over  the  world  at  this  point  ,  w  papa  legba  fueling  his  lil  psycho  ass  ,  and  is  gonna  probably  stop  at  nothing  until  he’s  reached  his  peak  .  he’s  destructive  and  has  absolutely  caused  a  fourth  his  staff  to  quit  with  his  office  meltdowns  where  he  goes  the  FUCK  off  but  ppl  can’t  say  he  doesn’t  have  an  incredible  vision  and  a  cutthroat  determination  to  accomplish  it  .  he’s  in  that  weird  sweet  spot  where  he’s  obnoxious  and  arrogant  as  shit  bc  he  knows  he’s  a  big  ole  successful  pretty  boy  that  ppl  want  to  please  but  he  also  has  that  classic  ‘  i  grew  up  rich  ‘  disposition  that  means  he  knows  when  to  fake  it  ?  (  on  that  note  ,  he’d  make  a  PHENOMENAL  fake  bf  ���  for  the  clout  )    also  an  awful  boyfriend  ,  has  prob  cheated  on  every  person  he’s  ever  dated  and  def  cheated  on  his  baby  mama  but  makes  it  a  point  to  be  an  incredible  dad  to  his  kid  bc  she’s  the  only  tie  to  his  humanity  /  soft  side  he  really  lets  influence  him  .  his  defining  features  are  his  absolute  narcissism  and  volatile  desire  to  be  the  absolute  best  at  what  he  does  ,  as  well  as  a  laser  focus  that  doubles  as  one  of  his  greatest  points  of  admiration  .   he’s  ABSOLUTELY  a  tool  but  to  his  credit  he  can  be  deeply  intimidating  ,  i  imagine  he’s  one  of  those  guys  with  just  incredibly  strong  eye  contact  to  the  point  it  freaks  ppl  out  and  that  reaction  always  makes  him  LAUGH  .

      hc’s :  ultimate  peak  caine  look  is  a  supreme  t  shirt  under  a  black  leather  jacket  n  some  saint  laurent  chelsea  boots  PHEW  ,  he  wears  sunglasses  inside  w  out  hesitating  ,  thinks  kaia  is  a  ~superbaby~  and  is  NOT  afraid  to  tell  u  how  much  fucking  smarter  she  is  than  ‘  normal  babies  ,  ‘  he  has  a  sponsorship  w  a  fucking  bougie  expensive  ass  teeth  whitening  brand  and  they’ve  insured  his  smile  for  an  UNREASONABLE  sum  of  money  ,  a  big  mood  for  him  w  how  busy  he  is  would  b  a  hurried  hookup  in  the  back  seat  of  his  limo  with  led  zeppelin  blasting  over  the  speakers  , his  office  has  one  of  those  balcony  golf  sets  except  its  full  golf  and  not  mini  putt  so  his  ass  will  get  PISSED  and  just  .  shoot  fucking  golf  balls  off  the  side  of  the  building  not  caring  who’s  car  they  dent  two  blocks  away  SKSKKSKS

𝖉 𝖊 𝖘 𝖎 𝖗 𝖊 𝖘

UM  quick  plots  ,  basically  im  heavily  searching  for  the  mother  to  his  child ,  kaia  who  would  be  about  a  year  and  a  half  rn  ,  i  wanted  them  to  have  an  incredibly  tumultuous  back  and  forth  relationship  bc  lbr  caine  is  not  a  great  person  but  he  is  a  spectacular  dad  so  it’s  a  catch-22  for  anyone  involved  skskkss

also  looking  for  his  “  in  my  head  “  by  ari  type  ex  ?  i  did  not  name  this  mans  CAINE  for  nothing  cmon  now  kids

i  would  fucking  LOVE  more  than  anything  to  have  ppl  who  work  with  him  in  any  extent  ?  it  could  be  models  who  rep  the  brand  and  he  flirts  incessantly  with  ,  it  could  be  influencers  who  have  a  partnership  w  him  and  see  his  business  side  ,  it  could  be  people  w  ambition  who  work  for  his  company  and  see  his  NASTY  side  but  pls  ,  supreme  inc  is  open  to  any  and  everything  .  

chaos  squad  ,  hookups  ,  party  friends  ,  athletic  rivals  ,  ride  or  dies  ,  ppl  who  SOMEHOW  tolerate  him  ,  ppl  who  proudly  do  not  tolerate  him  at  all  ,  maybe  even  the  dude  he  punched  in  the  street  that  one  time  ?  also  cousins  ,  childhood  friends  ,  on  and  offs  ,  HELLA  exes  ,  ppl  he  torments  ,  close  as  siblings  relationships  ,  maybe  someone  he’s  kinda  soft  for  but  will  never  admit  ?  

[scifrey]

My Very Spoilery Endgame Review - What I Liked, What Annoyed Me, and Two Questions I Am Left With

I was very satisfied and enjoyed it very much. The theater burst into applause in several instances and it was great to celebrate the end of an era with fellow fans.

Now for the spoilery critiques and praise.

My favorite moments were:

Thor reconciling his self-image and self-worth with his mother

“I’m still worthy.”

Loki escaping and (hopefully) living in at least one timeline - because if Steve went back to “trim the branches” then this means he returned the Tesseract to 1970. Which means the branch where Loki snagged the Tesseract and was not imprisoned on Asgard may have endured*. 

Ken Jeong’s cameo.

Stan Lee’s cameo.

Banner coming to terms with who and what he is and living comfortably with the Hulk.

Basically everyone really leaning into the self-love  and self-value by the end of the film.

“That is America’s Ass”.

“I could do this all day.” “Yeah, I know.”

“How can I? You’re taking all the stupid with you.”

“Ha! I knew it!”

“I am Iron Man.”

Scott finding Cassie alive.

Wong’s exasperated reply to Strange’s “Is that everyone?”

Nebula’s redemption. This is a princess (as Squidward calls Thanos “sire”) who saves her own damn self.

How the thing that gave the game away to Thanos was actually really clever and well executed; this wasn’t a “heroes are just stupid this one time” (like how Quill screwed the pooch in Infinity War when they had the damn glove). It was something that I genuinely hadn’t thought of, and I assume no one, not even Nebula, would have thought of. It worked. And it worked well.

All the ladies supporting Carol in the final battle - which was awesome but also felt a bit like the moment was added only so the Russos could check it off a “don’t piss off the feminists” list.

How the final battle set it up well for the next phase - I liked how the Glove Relay was from an OG Avenger (Hawkeye) to the new Avengers - Black Panther, Spider-man, and Captain Marvel.

“I love you 3000″.

Falcon!Cap - finally! Yay!

The sound of the armor that started it all being forged as the endcap of the credits.

However.

I wish Bucky and Steve had also had a meaningful moment at the end, like Steve and Sam, something that made it clear that even though Steve was older now, he was no less Bucky’s best pal. 

I'm very, very annoyed that they Fridged Natasha. I mean, I get it. Someone had to die. And we all knew Hawkeye was going to go back to his family, so it wouldn’t be him. And I do love how they did the death, how Nat and Clint fought with one another to the be the one to make the sacrifice. And her death would have been especially cheap if Bruce had just Snapped her Back. I get it.

And if there wasn’t a long history of Fridging female character to ensure the male ones have enough Man-Pain to have a character arc and impetus to be a hero, then you know what? This would have been a really moving sacrifice. It would have really worked.

But there is. And in light of that, it’s left me... itchy. Uncomfortable. Because in the context of the film alone it was a great death. But in the context of the history of comic book narratives, it sucked.

Also, what does this mean for the Black Widow movie? Will it actually be a prequel? Will it be Budapest? And if it is Budapest, will they use the same actors, or cast new, younger ones?

I also don't understand the narrative reason why they had to make so many fat jokes around Thor.

I mean, yeah, it makes sense he was depressed and stopped taking care of his heath, and self-medicated with booze and food. This was a strong and meaningful narrative and I really liked that he was given the opportunity to mourn, to question his purpose, to become more than just muscles and a hammer in terms of character construction. That he could grieve and struggle, and be filled with crippling regret that kept him indoors and hiding, and filled self-loathing.

 As a character choice it made sense. And I liked that he was still a powerful warrior while chubby, and that he didn’t magically become slim again when he suited up. It was wonderful to see him be no less powerful, dangerous, dedicated, and no less kick ass while sporting a keg instead of a sixpack. 

But they leaned awfully hard on that “fat joke” button and by the time Rhodey said “Cheez Whiz?” I was over it. Its got tedious and frankly a bit insulting.

Teasing someone for suffering because he lost literally everyone he loved is not cool. The jokes fell flat, for good reason. They were cruel.

And when the Russos announced that they had included the MCU's first openly gay character I was hoping that it would be a main character, not some rando dude in a talk therapy meeting. I wanted Bucky and Sam to confess feelings, or Bucky to Steve even if Steve couldn’t return them, or Valkyrie to at least have a wife in New Asgard, or something.

But TBH it didn't surprise me that they made it some nameless dude in group support. Like J.K. Rowling, the Russos are happy to queerbait but too cowardly to commit, and they always have been. I’d be annoyed but it’s not worth the energy. 

At least when the guy mentioned his boyfriend it was a “no big deal” mention, and nobody made a “are you cool with this, Cap?” thing to really point out that ooooo, this dude is queer.

But those are my only gripes. The rest of it was thoroughly enjoyable and satisfying.

Especially all the little call backs. The "I am Iron Man" and “I could do this all day” stuff - it felt like little gifts to the fandom.

However, I have two questions.

1) When people were Snapped Back, were they Snapped to their previous exact geographical location? Because if so, what about people who had been in transit? Did people who were Snapped Away while in a plane just... appear mid-sky and plummet to their deaths? Were people on spaceships Snapped Back into the void of cold space? We saw in Infinity War that helicopters crashed into city streets - the pilot, that means, was Snapped Away. When that pilot came back, where did he come back? Did Bruce think to Snap them all into safe places? (I mean, I assume the Stones accounted for Spacial Drift and the location of planets in orbit... maybe it accounted for people who would have Snapped Back into deadly situations?)

2) I do love that Steve and Peggy got their life together At that point Pegs would have been like... at least 10 years older than Steve? Maybe 15? What would her neighbors think of Sugar Momma Peggy Carter and her Very Much Younger (Looking) Husband?

Did she introduce him to anyone? Did they have neighborhood BBQs? At that point everyone would have known who Captain America/Steve Rogers was so did no one recognize him? What did they say? (Did we get Beardy Steve back???) They had kids, canonically, so was Steve able to attend their T-BAll games and school plays?

One assumes that Sugar Baby Steve would have been the House Husband, because Pegs was running Shield and Steve was out of the game. He’d never be able to show his face at SHIELD because Howard would recognize him, and so would Arnim Zola, so HYDRA would have known that Captain America survived and I imagine they would have given anything to get him into the Chair.

It makes me think that Sugar Baby House Husband Steve would have been very isolated and possibly lonely. Maybe he had a few neighbor friends, but can you image how torturous it must have been to live so privately? To know that Bucky was out there suffering and being tortured and brainwashed and that he couldn’t do anything about it? He couldn’t go save his best pal?

That Peggy could never bring him to the SHIELD Christmas party, to visit her new baby godson Anthony, never attend anything with him.

And it makes me think Steve had to vanish from her life right when his earlier self entered it so like... as soon as she started getting sick enough with Alzheimer's he had to leave. 

Because that’s when younger Steve came into her life, and started visiting her in the nursing home. 

But he had to abandon her when she needed him most, and that is very tragic. How did Steve reconcile that with himself? Especially with returning to a future where she was dead and his friends were alive and he didn’t need to be the Secret Sugar Baby House Husband any more?

All in all, it was very enjoyable and I will watch it again. 

And I look forward to the FanFic.

* This means that Loki in that branch also likely did not participate in the battle against the Dark Elves. His character growth in that moment was likely delayed, but I believe he ultimately would have processed his extreme confusion, self-loathing, and hatred of his betrayal by his “family” Thor enough to join forces with him against the destruction of the universe when it mattered. Perhaps having the extra time to do so might have even served him better.  I don’t know if this means Odin chose to die and Hela was released, thus triggering the destruction of Asgard. I don’t know what this would have meant for Ragnarock - possibly with Odin as the King when he died the defenses would have been better (though I argue the culture and peace of Asgard thrived under Loki, especially with his dismantling of the Empire and the valuing of the Arts) and they would have saved Asgard or at least not lost so many.

And if Asgard had not survived, perhaps in this version something different may have happened, and Loki wouldn’t on the survivor ship. Perhaps he was on a different ship. Perhaps he wasn’t present for the battle at all and in a completely different part of the universe.

If he was elsewhere this means 

a) The Asgardian survivors would have lived because Thanos wouldn’t have targeted the ship, and Thor would have been less self-loathing. 

b) When Thanos found Loki with the Tesseract in this branch, it’s likely Loki was able to ingratiate himself to Thanos and gave the Stone to him without Thor there to tip his hand toward an immediate betrayal murder attempt. I subscribe to the theory that Loki was just as mind-controlled during The Avengers and the Battle of New York as Barton (though I wouldn’t call Loki totally innocent in everything) and that he had been suffering from extreme mental health issues following his unsuccessful attempted suicide. In this case, he would be willing to play the long game to get his revenge on his abuser Thanos. Then, later, hopefully, he joins Thor’s side to save the universe against Thanos (as he did against the Dark Elves)- betraying Thanos and perhaps stopping the Snap before it happened in that timeline. Or if not stopping the Snap, perhaps being a part of the new Avengers if he survived it, or joining in the final battle if he was Snapped Away.

Anyway - I have lots of Loki Thoughts. Feel free to adopt any Plot Bunnies this may have generated in reading this. 

[brandondonnelly]

One year anniversary of the King Street Transit Pilot

I had dinner tonight on King Street and I was reminded that this week marks the one year anniversary of the King Street Transit Pilot here in Toronto.

The pilot has certainly had its share of controversy, but the improvements to both transit reliability and ridership are clear. Average travel times (in each direction) have increased by as much as 7 minutes on the route.

Here’s the latest data from July and August of this year. Steve Munro can also tell you everything you ever wanted to know about the King streetcar.

As our city continues to grow, many are naturally concerned about the ability of our infrastructure to handle the additional demands. Where will all the cars go?

But the reality is that we will never be able to accommodate everybody driving around in their own car. Which is why we have to rely on transit and solutions like the King Street Transit Pilot.

What’s your opinion of the pilot now that it has been in place for a year? I almost forget what it was like before we had it.

[dukeofriven]

[Note: this post originally appeared in this thread. Owning to Tumblr’s inability to update reblogs with edits because it is a hellsite programmed by a secretive cell of former Stasi operatives to avenge the fall of East Germany, it has thus been re-edited and reformatted here for your reading pleasure.] JK Rowling’s wizards are the most useless, lazy, incapable dumbfucks in the history of fiction. The average Muggle? You take away their technology and they would be able to complete the basic tasks of feeding and clothing themselves without shitting on the floor. If a wizard ever lost their magic in Harry Potter, though, they would die. They’d be dead in three days. They’re garbage and I hate that I’ve come to hate Harry Potter - a series I once loved - because an author inexplicably hailed for her world-building is daily revealed to be appallingly bad at it. I realize this is a really dumb thing to be this angry about but I’ve been told for years what a great world-builder J.K. Rowling is, and that was not even true when the books were coming out. The Time Turner ruined all of Harry Potter forever, not because it offers easy time travel you can hold in your hand (although it does), not because you ask ‘why don’t they just use the time turner’ with every subsequent scenario forever (although you do), but because it was an enormous, flashing red light warning everyone that the series was going to attempt to make the transition from Fairy Tale Logic to Serious Fiction logic and fail. Badly. Really, really badly. I still think Harry Potter & The Philosopher’s Stone is an almost perfect book: a distillation of decades of boarding school genre fiction combined with magic, friendship, and wonder. It is a book that owes as much to Enid Blyton and L.M. Boston as it does to C.S. Lewis or T.H. White and other authors with two first initials. Its sense of place is magisterial, from the frumpy, soul-crushing suburban sadness of Privet Drive to the ephemeral curio-shop wonderland of Diagon Alley to Hogwarts itself, a bastion of astonishment, homeliness, and delight. What it isn’t is the sort of framework on which you can support the horror that is the torture and murder of Charity Burbage in front of her colleague Severus Snape, who could not rescue her because he could not break his deep cover as a spy against Wizard Hitler 2. Long-running series can experience changes of tone and complexity. This is neither something laudable nor worth reviling; it’s a neutral phenomenon. Sometimes series do it well: Susan Cooper’s The Dark Is Rising and Terry Pratchett’s Discworld are both series that by-and-large end with books focused on far more complex issues than their earlier entries. TV series do this too: contrast the early episodes of Steven Universe or Adventure Time with episodes from later seasons. With Adventure Time, for example, trying jumping from the pilot to Remember You and see how hard you get tonal whiplash) Lois McMaster Bujold sublime space opera The Vorkosigan Saga doesn’t just change tones but also genre: space adventure, murder mystery, political thriller, goofy regency romance, comedy of errors, heist movie, schizoid identity crisis - on and on. The latest entry in the series has almost no plot to speak of, but is instead a musing on age, gender roles, grieving the loss of a lover, and the hope of new life. Some series, however, manage the transition poorly, largely because the initial tone cannot be harmonized with the later tone (Mass Effect jumps immediately to mind). But Harry Potter has more than just a problem of its tone getting darker: its trying to have darker events fit in the same world in which people can walk around with names like ‘Mundungus,’ the Hogwarts school song can be a nonsense poem, and the Philosopher’s Stone was defended with a series of video game puzzles. In a world in which the villain openly tortures somebody to death, the Philosopher’s Stone shouldn’t have any whimisical bullshit about its magical defences: it should have trip mines in the floor and an enchanted statue with a gun, because Voldermort isn’t a guy you confound with drinking potions and flying keys. You should just kill him. The charming fairy world of wonder of HP & The Philosopher’s Stone has room for a love potion. The later books, in which it is revealed that Voldemort was essentially born from rape, is not place where Ron Weasley can hand-out a book to Harry called Twelve Fail-Safe Ways to Charm Witches without seeming like a predator in the making. The cradle that is The Philosopher’s Stone cannot hold a beastly baby like Deathly Hallows any more than Grindlewald pontificating about the superiority of wizards can sit comfortably in a universe in which wizards took until the 18th century to accept the outhouse! Not that fascist ravings are inherently logical; but even non-fascists in Harry Potter never act like wizards are anything other than 100% better than muggles at all times. They can’t, because if the series were ever to do that it would have to acknowledge that the two worlds are different: neither better, just different. Instead - well, as Ron once bitched, magic makes coffee perfect every time, so it’s not clear how muggles stand being alive and don’t just roll-over and die from the hellacious half-life that is living with imperfect coffee. This has nothing to do with irony, a suggestion that ‘oh Grindewald talks a big game about wizardly superiority but wizards didn’t use toilets and cal themselves goofy names like Flumpus MacFludgeon: Rowling is using dramatic ironic to lampshade how wizard supremacy lacks self-awareness. No: this is about a world that is silly being asked to host a genocidal dictator and his crimes. It’s like those tedious ‘grimdark’ AUs that always show up in bad fanfiction by authors attempting to be serious: what if the Sesame Street gang had to deal with ICE, what if Po started haemoraging while hanging-out with Laa-Laa, what if Peppa Pig learned that she was adopted and her real parents were brutally murdered as part of gang war because they were heroin dealers and so on. (The best skewering of this edgelord comedy is still probably either Andrew Hussie’s Muppet Babies/Saw comic or any encounters the Shortpacked staff ever had with the Transformers: Buckets of Blood guy.) In Harry Potter, Rowling built a wonderful little fantasy world that ran happily on the logic of fairy tales and fairy stories, and then decided she was never going to be taken seriously as an author unless she introduced Hitler to the equation. And it never works for her. It’s not like it couldn’t have worked. The Lord of the Rings is famously a very different book from The Hobbit. It did, in fact, introduce Hitler into a little fantasy world but Tolkien made it work by abandoning huge portions of the Hobbit’s tone, style, and structure: he wrote a completely different book.  Frodo isn’t scarfing-down Bertie Bott’s Every Flavoured Beans on the slopes of  Mount Doom. The moment, say, Cedric Diggory lay dead in Harry’s arms, we needed to never meet Mundungus Fletcher ever again, or Weasley’s Gooftacular Prank Nonsense, or Ron getting Harry a book about love spells. All the very least that needed to go away, at least until the very end, because Rowling is not an author with the skill to keep the silly and the sublime on the same page. That’s fine in and of itself: all artistic people have strengths and weakness, nobody is skilled at every element of creation. J.M. Barrie was very good at writing a book about an eternal child, but a bit crap at writing a biography about his mother. Arthur Sullivan spent his life quietly seething no one wanted to listen to Ivanhoe instead of The Mikado. There’s a reason Jerry Lewis never released The Day the Clown Cried.  Virginia Wolfe is a great writer, but that doesn’t mean she would have written a great run on She-Hulk. [Although now that I’ve said it I can’t think of anything I want to read more.] There’s a great bit in the Lord of Rings after the Shire has been scoured of Saruman where the Hobbits essentially open-up their larders and allow people to have fun again; there’s also a nice bit slightly earlier where Great King Aragorn puts on his old Strider clothes just so he can be his D&D character again: when series change tone, unless you’re really good at walking on a knife’s edge, the quieter, gentler, lighter world isn’t gone forever, but it does have to go away for a while: which means its time to tamp-down on the people with silly names and personalities - like Slughorn, who slips into book six like the second-coming of the vain and silly Lockhart, even though that’s the book where Dumbledore dies.

Rowling keeps trying to makes her old tone fit with her new world without having to pull a Tolkien and actually write differently, which produces moment after moment of tonal whiplash in which the latest Potter-related movie literally involves referencing the holocaust but she also drops some fun trivia about wizards shitting on the floor like animals. (You could describe the entirety of the first Fantastic Beasts film as Tonal Whiplash: The Motion Picture. I’d say that’s an essay for another day but I do not want to have to watch that movie again.)

It needs to be said that a primary reason these tone shifts ‘don’t work’ for Harry Potter is that the logic of a fairy tale is different than the logic of a mundane story. The logic of a fairy tale tends to be self contained: it doesn’t have a smart ass running around asking questions like ‘why’ because there is no why; a thing is the way it is because it is the way it is. Fairies steal babies on the third Sunday of every month, and nobody in the story asks ‘well what about in countries that use different calendars, and what about the shift from Julian to the Gregorian calendar that skipped eleven days?’ because such a pedantic question has no substance in a fairy-tale world. The Clever Child might question what the fairies need with babies, but she’s not about to break-down the week-to-week investment metrics on the Fairyland Infant Exchange. It’s not that one cannot critique or bring critical thinking to fairy stories; it’s that in a fairy story you don’t ask how the sewer system works because it’s not pertinent to what the story is trying to convey. It’s being the guy at the book club who is mad nobody wants to discuss his theories on the music of Rush: its not that the theories are bad, it’s that in this time and place they are of limited relevance. Harry Potter, however, does not belong to to the world of fairy stories, but to the legacy of Tolkienesque fantasy - the world of

  In The Hobbit nobody would ever ask if Hobbiton had sewers - it’s not important, and if you ask those kind of questions expecting there to be a serious answer of grave import you’re being a twit. Lord of the Rings, though? Not only is it a valid question, but Tolkien probably wrote a paper explaining the etymology of the Westron word for ‘sewer’ and how sewers were first invented by Shítlívær the Noldor as a way of helping the Blessed Isles cope with all the crap that tumbled out of Fëanor’s mouth.

The world of The Hobbit is one you could enter and expect to quickly find yourself on an adventure. The world of The Lord of The Rings is one you could enter, walk-about, and study without anyone ever exepecting you to solve some sort of regionally-disturbing social problem: in short, it wants you to be invested in the existence of its world in a different way than The Hobbit. Even then, although The Lord of the Rings is more grounded than The Hobbit, it is not so grounded that it doesn’t leave room for mystery, and questions that refute Wittgenstein’s assertion that all questions must be answerable. Tolkien loved to create complex worlds, but there was stuff he knew wasn’t worth elaborating on. It’s really his fans and authorial heirs who developed the somewhat worrying belief that a good worldbuilder has to have an answer to literally every question or else didn’t think their world through. (This has killed more potentially good books than bad cover art ever has.)

The Lord of the Rings leaves room for The Undiscovered Country. Harry Potter wants too… but can’t. Firstly, Rowling obviously understands the need for what we might call poetic mystery - like the gateway in the somewhat unsubtly name Department of Mysteries - but she also wants you to know how wizards pooped three hundred years ago. You get the feeling she knows exactly how and why that gate works, and what it is, but she withheld the knowledge because she likes mystery’s aesthetic more than she ascribes to any idea that an author might have lacunæ in the knowledge of their own work. That is, she would never put something into her work that she didn’t have an answer for - for her there is no undiscovered country that exists beyond the knowledge of even the author; she is an omniscient deity. Not for her is C.S. Lewis’ insistence that for her characters: All their life in this world and all their adventures had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before. Rowling knows exactly what happens to every one of them from the moment they were born to the moment the rot in the ground and the day-to-day schedules of their lives in heaven. Secondly - and far more of an issue - is that Harry Potter becomes a world that invites you to pick up each part of its structure and think about it, because the author has - with loving care - built that entire world for you to interact with. A place for everything, and everything its place. Except JK Rowling is a lazy thinker who never, ever considers the consequences of anything she says. Nagini is actually an Asian woman cursed to live as a snake, wizards used to magically disappear their shit from wherever they just stood and shat it out, Hermione Granger can have a time travel device to attended a bunch of classes but Harry can’t grab one off a nearby shelf and go back fifteen minutes and save his godfather, and nor a few years later can the Minister for Magic’s protection detail keep them on hand to go back half an hour and tell their past selves ‘Hey Voldemort is about to walk in here and kill y’all thought you ought to know.’ No author can work-out every aspect of every element in their works - that’s impossible, and why ARGs are solved by the internet hivemind in half a day even though they took a far smaller group of minds months to devise. But Rowling is intellectually lazy - she adds the holocaust to her Magic Fun Land without sparing a single moment to think that idea through. She then gets defensive when confronted by the suggestion that her worldbuilding might have been shallow. Hey your American wizard houses seem a bit racist also America doesn’t really use the house system in its schools - and her response was to lash out and not listen.  Rowling tried to move Potter from a fairy logic world with its own rules into our world with our rules and our history but she doesn’t know our history very well, or even our rules, so she tells us wizards shat on the floor until the 18th century while the rest of us sit around going ‘but humans have never done that as social groups - even in horrible slums and facility-free prison cells humans create a designated place for taking a shit even if it’s just ‘that corner over there.’ We don’t just drop pants and go whenever!” This is because, as a worldbuilder, J.K. Rowling is actually kind of rubbish.

[onpoli]

It’s no longer a temporary measure: Toronto City Council has voted to make the King Street pilot project permanent.

The pilot project, which began on Nov. 12, 2017, aimed to give priority to streetcars along what is the busiest surface transit route in the city and one that has been plagued by slow travel speeds and overcrowding.

Tuesday’s vote was 22-3 in favour of making the project permanent.

The King Street pilot project restricts vehicular traffic for improved streetcar access between Bathurst and Jarvis streets.

Motorists are largely permitted to drive only one block before having to turn right, and there is no on-street parking in the pilot area.

This isn’t a huge surprise given that John Tory announced a couple weeks ago that he would be supporting this, but it’s still great news. Councillor James Pasternak voted against the initial pilot project idea in 2017 but he voted in favour of making it permanent today, so the project managed to at least win over one councillor.

As expected, this moron did not vote in favour (along with Michael Ford and Jim Karygiannis):