#kinda fun to draw so much movement about the transformers:33

[bamburh]

Pocky (LATE) Day ;)

อี๋ๆๆ ค่ตโง่เลย

[totesmccoats]

Saga #48

We catch up with Ghus, Squire, Upsher, and Doff as they starve on Quietus, waiting for the protagonists to return with supplies. Things are desperate enough for Upsher to consider eating Friendo, and so Ghus decides to take Squire hunting for a Dreadnaught – an invisible apex-predator that only Squire can see; well, he can see it’s innards.

Ghus, with his trusty “chopper,” leads Squire, armed with a bow, on his first hunt into the woods; and Squire asks him about his connection to Friendo and if he’s ever had to kill a person before. But, before things can get too deep, the duo are attacked by the Dreadnaught, which is only seen by Squire as a brain and eyes on top a pile of guts and veins. The creature breaks Ghus’ chopper, meaning Squire has to make the kill-shot. He looks into the Dreadnaught’s eyes…and he can’t do it.

As the two go home the next morning, empty handed, they notice smoke from their camp, and are in for quite a surprise.

I think this might be the first time that BKV and Staples end the arc with a palette cleanser, or at least not, you know, Kalima. Nobody dies; there are no sudden cliffhangers; everything is just kinda, nice. And Staples killed it with the Dreadnaught design, a pile of innards ambling around like some sort of gorilla is creepy as heck. It also appears that there’s been another brief time-skip in this issue, so next arc should fill us in on that. But we know of one very important development – fidget spinners exist in Saga now.

  Amazing Spider-Man #790

Peter and Harry have gone around the world, liquidating Parker Industry assets and apologizing to everyone the closing of the company hurts. They finish Pete’s apology tour by selling their most prized asset, the Baxter Building. But, tired of all the crap he’s getting as Peter, he decides to escape for a while as Spider-Man, taking pictures with his once-again fans, playing skip-rope with some girls, helping little old ladies with groceries, that sorta thing.

But, he’s got to bite this bullet eventually. Unfortunately, Pete’s not the only one mad he has to sell the Baxter Building. Johnny Storm is steamed about his old home going up for sale. And Pete, tired of not being cut any slack, boils over and decides that if Johnny wants a fight, he’s got one.Additionally, Clayton Cole – Clash – wants ownership of all of his work he did for PI, and is willing to steal it back. And his henchmen have plans of their own.

Christos Gage knocks out another issue as the series’ pinch-script writer, filling this book with sharp quips and just enough dialogue to keep the issue moving at a great pace, including the top-half of a spread long montage of Spidey goofing off. Immonen, Gracia, and von Grawbadger continue their run as one of the best art teams on superhero books today, with a distinct cinematic approach; and von Grawbadger in particular does some spectacular work with the Human Torch and how he acts as essentially a second sun, making everything around him seem that much blacker in comparison.

  Black Panther #166

Klaw has found a way to enhance his abilities by using Reverbium, and plans to ascend to godhood through Vibranium. He reveals himself as the voice in the ear of Wakanda’s previous threats over the run of the series so far, uniting Stane, Faustus, and Zenzi under his cause; and convincing the people of Azania that he is their new god.

The motivation behind Klaw’s latest efforts: the memory of his sister, who was lobotomized after having been beaten by their father and because she heard voices – voices that Klaw had always believed were real as well.

I got a really strong B:TAS Mr. Freeze sense from this issue, most likely because it’s the story of a scientist who was irreversibly transformed into a non-human by the product of their own research, and is motivated by the loss of a woman they loved. And being that Klaw is made up of semi-solid-sonics, it would even make sense that his voice would have the same reverb effect as Mr. Freeze. Well, the issue was fun to read with that voice in my head, in any case.

Unfortunately, the art in this issue just doesn’t stand out, mostly because so much of it takes place in gray hallways in Alaska. Klaw is still just a fun character to look at, because frankly he looks ridiculous; one of the worst-aged silver age character designs in my opinion, with his dumb satellite dish hand and featureless red and purple mannequin body.

  Batgirl #16

In flashback, Barbara and Dick drop in on some hackers that Ainsley used to work with, who tell them that they kicked her out of their group for designing nanobot-based drugs for the Mad Hatter. They find Ainsley shortly after and tail her to what ends up being an addicts-anonymous meeting, where they find out that she didn’t know she was designing drugs, and is a recovering addict herself. And after learning all this heavy information, Babs and Dick release some of their own emotional tension.

In the present, Batgirl and Nightwing follow the trail of bodies to a rehab clinic that Ainsley once checked into, but find it already under attack by the Red Queen’s tripped-out henchmen. Luckily, Babs remembers a way to hack the nano-drugs into making their victims docile. And afterwards, digging through the hospital records, they make three unfortunate discoveries: 1. Ainsley died of an overdose, homeless and alone; 2. She has a sister, now with the proper motivation and tools to become the Red Queen; and 3. They just let her slip through their fingers.

As with the earlier issues in the arc, the main draw for me is seeing the evolution in Dick and Barbara’s relationship, both as crimefighters, and as a couple. While there are a couple of quick fight scenes in the issue, Dick/Babs get a lot more mileage in their cases by simply sitting down with people and talking to them. Also by breaking HIPAA and digging through medical records, but hey – who hasn’t done that once or twice?

Wildgoose does a lot with smaller details in their pencils; things like younger Barbara kicking her legs as she sits with Dick on the edge of a building, or the anime-girl posters in the hackers’ apartment. And I’m really enjoying Lopes’ colors on this book, giving everything the impression of softer lighting – moreso in the flashbacks of course, giving a more washed-out effect to those scenes – while still saturating the primary and secondary reds, blues, purples and greens in the duo’s costumes enough to make them pop.

  Wonder Woman #33

Whoever it was that came up with Kid-Darkseid, Johns, Snyder, or Robinson; give them a medal. Kid-Darkseid is hilarious and I love him. I hope he doesn’t grow up too fast – they always do though, don’t they?

This issue is entirely from Grail’s perspective, as she goes around the world, killing the the Greek Gods to provide the energy to grow her baby Darkseid big and strong. But a mother worries: will he be evil enough? Feared enough? That’s not a joke, that’s in Grail’s narration in the book, and it’s darkly hilarious that even when you’re trying to raise the worst kid in the multiverse, you have parental fears that you’re gonna somehow screw up. Kinda reminds me of raising dark chao in SA2.

It’s also interesting for this story to fill in what exactly all these demi-gods have been doing with their immortality on Earth, which is overall, not much. Perseus became a Wall Street bro; others became librarians, fishermen, bears…like, just normal bears. Wonder Woman is the only one who it seems decided to do something good with her powers; likely because she was raised by the Amazons with a strong sense of moral justice.

  Nightwing: The New Order #3

Kate Kane gives orders to the Crusaders not to engage with the captured Dick Grayson in the slightest. One of them disobeys, asking if he’d at least like a glass of water, and Dick takes his opening to escape capture and begin looking for Jake. He goes to one of his oldest allies, Tim Drake, who hacks into the government files to find that they’re bringing Jake to a stasis facility in Central City. But before he heads there, Dick goes to Gotham to gear up. Thankfully, he doesn’t have to break into the Bat-cave, with it having been turned into a Batman museum shortly after Bruce died; but there are still sub-basements that only members of the family have access too. He grabs his old Nightwing gear and rides to Central City before being stopped by one old friend, and saved by a couple more. Congratulations. If you placed your bets on this story going Minority Report, collect your no-prize up front. Come to think of it, old-Dick even kinda looks like a taller Tom Cruise. The issue has the same pacing as that style of action movie, too; cutting from location to location; moving from action beat to exposition beat and ending on an action beat. The story has seemed to stray from the initial “Nightwing, but if fascist” angle, but that may be for the best. And it’s still there in softer strokes. The Bat-Cave museum, for one, is a genius bit of world-building; but smaller even, is that Tim reminds Dick that he was right to set the world on this path, despite what’s happening to his son. The desire to preserve order, any order, is a powerful one, despite the harm it could bring to even family members. The same applies to Kate’s reaction to Alfred’s death. It’s a personal loss, but not worth rocking the boat over. Plus a lighter touch really is just more fun, especially with a character like Nightwing, who was never as dark as other members of the Bat-family. McCarthy’s layouts continue to be awesome at conveying movement across the page. He uses non-traditional panel layouts, non-rectangular shapes, and overlappingoverlapping to match an action director’s camera motions: pans, zooms, cuts, etc.There are almost no gutters in the issue, as panels bleed into the next, making the issue feel fast and kinetickinetic.

Comic Reviews for 10/25/17 Saga #48 We catch up with Ghus, Squire, Upsher, and Doff as they starve on Quietus, waiting for the protagonists to return with supplies.