#kind of its mentioned

[coldturkeybabe]

do you remember the Desert? /doodle

[asthedeathoflight]

Still thinking about none houses left grief, and while I understand where people are coming from, "it took me out of the world" is just... Really not a relevant criticism here. Like, that line is SUPPOSED to be jarring. It is supposed to be kind of darkly funny, but the point isnt for you to laugh. Its not trying to be a punchline. The point of that line IS to "take you out of the world" because the point is that *this world isn't what you thought it was.*

[lopsaii]

Ongoing stepladder debate

[demigods-posts]

headcanon that percy and annabeth have a relationship contract they made after they got together once the war came to pass. they outlined it on paper in percy's bedroom. typed up a final draft using sally's laptop. and printed out and laminated it at the local library on their two month anniversary. and they abide by it like it's the law.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[onawhimsicot]

i know not many people would want to read a 10,000 word article about the minecraft end poem and how the author, Julian Gough, was never fairly compensated for his work and has made it public domain.

But it's a very well-written and heartfelt read, and he makes it very clear that none of this is a cash-grab and despite the fact that he is essentially a starving artist in this capitalist society, he only mentions his financial struggles despite Minecraft's huge huge success at the bottom of this article and not in the tweets so as to not dilute his message.

Anyway, I just think it'd be cool if those who are able to could support him in some way whether it be subscribing to his substack or donating to his paypal (that's linked in the article, you can ctrl + F to find it easier), that's all.

[electoons]

I love the college of winterhold. everyone there is casually deranged and there's like an alarming number of students and staff who threaten you immediately when they meet you. it's always one of the first questlines I do. which makes it even funnier when you get made the arch-mage of the college. I'm level 12 and got through this questline knowing exactly 3 spells. what do you mean you want me to lead the college. this school CANNOT be an accredited institution

[crabussy]

"humans are inherently evil" "humanity deserves to go extinct" okay. if that's the case why are we such a community based species. why have we seen evidence of careful amputations in ancient humans that allowed them to live longer, fuller lives. why do we have thousands of years of evidence of toys made for children by their guardians. why do we consistently find burial sites where the deceased has been buried with items of significance because the people in their life cared about them even after they were gone. why do strangers help strangers without any reward. why are most of the people you meet each day not cruel. we have ALWAYS been kind. I know it is so so easy to get swept up in all the horrible happenings in the world. these things can be extremely important to know about. but please, please please know that there are so many kind people in the world. you are one of them!

I BLOCK DEBBIE DOWNERS ON SIGHT. REEVALUATE YOUR WORLDVIEW OR SCROLL PAST AND HAVE A LOVELY DAY ALSO READ MY TAGS

[hinamie]

binding vow

[bunnieswithknives]

Gore, Violence and Blood under the cut

What a mess

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[audliminal]

Survivability Bias Pt 3

Masterpost

Content warning: This chapter involves depiction of a train derailment and subsequent fire throughout. There is also brief mention of death. I will be putting a brief summary in the description if you prefer not to read this part.

Danny jolts up from his fitful sleep. He’s intangible and invisible before he’s even fully sitting up and he’s in the air before he registers the loud boom that woke him. Any concerns about his bright transformation are made totally irrelevant by the warning sirens blaring in his head.

Wait, no. Those are real sirens.

In the distance, lights are now accompanying the sirens; flashing as they speed down what looks like main street. It’s pretty clear where they’re going too, from the violent orange glow cascading over the tops of the nearby buildings.

I knew it, Danny thinks, flying towards whatever disaster is unfolding. probably it’s stupid to get involved, when he still knows so little about this place, but- well, old habits die hard. It doesn’t take long for the problem to become obvious, and Danny freezes as he struggles to process the scene before him.

The metal carnage is nothing like Danny’s ever seen before; what looks to be a freight train has derailed at the worst possible location, sending its cars careening into the various apartment buildings and stores on the east side of town, and to make matters worse, one of them has clearly crashed straight into the gas station by the freeway, and fire is spreading faster than Danny could have imagined.

Danny can already see two buildings blazing, but he quickly focuses his attention towards the carnage of the train itself. Luckily it’s fairly obvious what direction it was headed, and Danny moves fast, looking for the engine. In ghost form, physical sensations always feel a little more distant but even through that, Danny can feel his heart rabbiting in his chest. Luckily it takes less than a minute to find the engine, but as he approaches it, the presence of death catches in his throat, and he immediately knows it’s a lost cause.

He can’t sense any actual ghosts, though, so instead Danny whips around to stare at the derailed cars. He’s far more used to fighting than he is rescues, but he can hardly just ignore the possibility of people trapped, so he carefully begins phasing through the wreckage, searching and listening for signs of anyone. Already, people are starting to gather outside; both those who were nearby and those who have managed to escape on their own, and Danny is careful to maintain his invisibility as he works. 

Danny’s made it through about half the wreck by the time he spots the firetrucks arriving, he’s pretty certain that nobody’s trapped under any of the cars, and he’s also thinking more clearly. The fire has also gotten worse now, and Danny watches as fully equipped firefighters spill out onto the street, already jumping to work as the fire chief shouts out orders. Some rush to start battling the flames, but others head towards the crowd.

They’re getting headcounts, Danny realizes. It seems so obvious in retrospect, but of course, Danny would have to be visible to check with anyone. And now that they’re here, anything he tries to do in secret would probably just make things harder. There is, of course, an easy solution to that, but- Danny has yet to find any evidence that all the meta stuff is anything but propaganda.

Even as Danny considers the dilemma, he knows what he’s going to do. He’s survived danger before, after all, and if he can keep people from assuming ghost, then he’ll have an advantage on them even if it comes to the worst. Besides, there’s that whole great powers-great responsibility thing, so in a way, it’s kind of his responsibility...

Danny floats out of the wreckage before shifting into visibility, figuring it’s probably polite to approach in their field of sight.

“What can I do to help?” Danny asks, causing most of the crowd to stare in shock. Belatedly he realizes he’s still floating, but actually that’s probably a good thing. Makes it clear he’s a meta right off the bat, at least

“New hero, huh? Powerset?” The man responds promptly, leveling Danny with an even gaze. Probably the lack of shock is a good thing. Probably.

“Uh, flight obviously, enhanced strength as well, and um... The ability to turn people and things intangible?” Danny responds promptly. It’s far from his full set, but he figures those are the most relevant, and keeping most of his tricks under his sleeve makes him feel better about what he’s doing.

“Is the fire gonna hurt you? I’m not sending some kid in there to die of third degree burns or smoke inhalation.” The man frowns, giving Danny the distinct feeling he’s not particularly impressed with Danny’s answer.

“Oh! Yeah, no, I’ll be fine! I like, don’t exactly need to breathe? And I’m fine in extreme heat too, so it shouldn’t be a problem...” Danny trails off and the head firefighter narrows his eyes as he tries not to flinch at the assessing look. To Danny’s right, someone shouts and when he turns to look, he sees a firefighter wave their arm and plant some kind of flag before moving on. No longer paying attention to Danny, the chief walks over and speaks to another firefighter. Danny wonders if he’s been dismissed, but before he can do anything, the chief calls out to him.

“Alright kid, you’re up, I guess,” he says, when Danny walks over. “We don’t know how injured he is, so do not move him, but if you’re strong enough to move this stuff fast and safe, that’ll be a damn good help.” He gestures to the twisted mess that Danny’s pretty sure was the edge of a building. 

Danny nods, stepping forward to examine the rubble. The firefighter that spotted the man points to a couple beams.

“Those beams are protecting him from the worst of it right now, but we’ll need to move them in order to get him out, so you gotta make sure that there’s nothing that’ll fall on him him when you move them.” 

“Righty-o,” Danny says, stepping forward to grab the two support beams he’d pointed too. He carefully examines the rubble collapsed around and over it. It’s sort of like a puzzle, he realizes - not quite the same as fixing his parents tech; certainly nothing here is supposed to be smashed together like that, but-

Danny blinks and refocuses. If he  just moves a few things first, he thinks he can get enough cleared away and just intange the beams. He tries to be fast as he does, without forgetting the emphasis the chief had put on safety, and after a few moments, he’s ready to move the beams. He gets into a good position, and then carefully makes them intangible, ready to react if anything bad happens. When nothing does, he carefully pulls them up and away, watching as the waiting firefighters rush in and start to work on actually extracting the guy.

He watches for a bit as a backboard appears and they begin a very slow and careful process of getting the guy onto it.

“Kid,” the chief calls, pulling Danny’s attention away.The chief guides him towards one of the buildings that’s on fire. “Got two people trapped on the third floor here. The stairs are unsafe, so if you can, get yourself up there, locate them, and get them out.”

Danny nods, not waiting for further instruction. He flies up two floors, and goes straight through the wall with his intangibility. The majority of this building isn’t terribly damaged, but one side has collapsed in on itself so if that’s where the stairs were, he can understand the difficulty. The air inside is already thick with smoke, and he quickly stops breathing, belatedly remembering that he’s supposed to not get smoke inhalation. Luckily, it doesn’t take long to catch the sound of voices, and Danny follows it to a room where two people are huddled next to an open window. Right, that’s a smart way to limit the danger of the smoke.

“Rides here!” Danny announces cheerfully, dropping his intangibility. Both people startle as they spot him, but one recovers relatively quickly.

“Him first,” they say, nodding towards their companion, who definitely looks more dazed.

“Right, here we go!” Danny says, stepping forward, and scooping the person up, and wasting no time flying directly through the building, and down to the waiting paramedics. There’s no stretcher currently available, so Danny gently sets them on the ground away from the worst of the smoke, before flying back to get the other person. They’re already standing up, and waste no time in wrapping their arms around his neck as he picks them up and flies them out to the medics as well.

Danny hardly has time to set the person down, before the chief is pulling him away again. They send him in to save a couple other trapped people, but after that, it sounds like everybody is accounted for, because the chief starts focusing all their energy on putting out the fire, rather than just containing it.

Danny is surprised to find himself pulled into helping with this part too. He gets assigned to a fire attack team, and Danny trails along after the two firefighters as the enter the building and begin to fight the fire from the inside.Occasionally, one of them will point at some piece of wall or ceiling and ask him to check what’s on the other side. He goes where they say, looking for signs of the fire, and when he does spot flames, occasionally tearing stuff down so they can get to it with their fire hose. It’s honestly a fascinating process. Danny’s never been anywhere near a major fire and the fact that the firefighters actually do more damage to the building as they work echoes in Danny’s brain as a morbid refrain.

What they’re doing is clearly working though, because he can actually feel the ambient temperature going down as time goes on. He briefly wonders if he should be trying to use his ice powers when one of his teammates complains about how hot it is, but they have protection, and he doesn’t want to risk any more info on him getting out. And anyways, he’s busy enough just doing his job. By the time they leave the building, Danny is exhausted. The interrupted night’s sleep is making itself known, alongside the surprising realization that Danny has actually worked harder tonight than he ever has before.

He lets himself half-collapse against a wall beside one of the fire trucks, once they finish their work putting out the fire. Beside him, his teammates are divesting themselves of their gear. it’s funny, Danny was anxious about revealing himself at first, but this whole night - and Danny belatedly realizes the sun is beginning to drift above the horizon now - he’s not been scared at all. Sure he’s been worried; with people in danger he’s hardly going to feel good, but in the last few hours he’s both worked harder than he has in any of his fights, and he’s done it without feeling terrible. Now, with just everyone accounted for and just about all of them either fine or in the hands of doctors, he feels odd.

It’s not a bad feeling or anything, kind of like when he successfully beats a hard level in a video game, or how he used to feel when he finished science projects in middle school.

Satisfaction, he realizes. And that’s what it is, though it’s far stronger than any version of it that he’s ever felt before. He does have a lot to feel proud of too. He  helped, even though he wasn’t sure it was safe to, and he might’ve actually saved somebody’s life tonight.

“You did good, kid.” One of his teammates says, echoing Danny’s thoughts. He startles a bit, feels himself flushing, and then in his embarrassment, he feels himself tumble over into a full blush. It’s always felt more embarrassing blushing in his ghost form. The way his skin actually glows with the green tinge is just so obviously inhuman, and he tries to avoid, tries his best to seem normal and alive, even when he’s a ghost.

Of course, these people don’t know he’s a ghost, but from what he’s seen, most of the heroes out there at least look functionally human, and he waits for the firefighters around him to freak out at the reminder that he isn’t even remotely one of them.

“Damn,” one whistles. Green glow is a new one. Makes your freckles real cute though.” The others laugh, and the other of his teammates steps forward to pat him gently on the back.

“Stop embarrassing my new favorite hero,” the chief says, walking up to join them. “You gotta name?” 

“Oh, yeah!” Danny answers, desperate for a distraction from this line of conversation. “I’m Danny!”

“Danny,” the chief responds flatly. he almost sounds exasperated, though Danny can’t imagine why, unless...

Unless that absolutely sounds like he just introduced himself normal and they think he’s a hero and he sounds like a dumbass without a secret identity, which- technically isn’t exactly wrong. 

“Yup!” Danny says, trying to make it sound intentional. “Danny Phantom at your service! Y’know cause of the intangibility and like. It just sounded good?” There. That sounds plausible. If he actually does end up having to be a hero, though, he’ll probably need a different first name. If he gets a civilian identity, that is.

“Well, Phantom,” the chief grins, that same assessing look from before back, but noticeably more relaxed now that there’s no immediate danger. “We’re damn grateful for all your help, and if you need anything you come let us know, alright?”

“Yeah, one of his teammates echoes. “You’re an honorary firefighter now, you should come hang out at the station sometime!” A couple of the others echo the sentiment. It’s surprisingly kind, and Danny smiles at the unrelenting wave of welcome.

“I’ll think about it,” he offers uncertainly. “For now, I think I ought to go back to sleep for a few more hours.”

“That sounds like a good idea, Danny,” the chief says. “Just make sure to get something to eat first. You’ve burned a lot of calories today.”

“Yeah, will do,” Danny offers an awkward salute to the man, and then, before he can actually fall asleep standing up, he takes off to hunt down a good spot for a nap.

[potatobugz]

dugon my friend my buddy my pal

[cybertron-after-dark]

Average transformers g1 episode:

Megatron is attempting to black out the entire sky across a hundred mile radius and funnel all the sunlight into one, concentrated solar death ray to target a heavy duty solar panel he's having soundwave and the cassetticons build in order to convert it to energon. Then he plans to hit the autobot base with the death ray just for funsies. Starscream plans to push Megatron directly into the death ray, also just for funsies.

Optimus sends Wheeljack and Spike to deal with it, along with two bots you're pretty sure have not been in this show before this point, but you're kind of past asking how many of these fuckers were on the ark offscreen when it crashed. One of them has the worst fake Canadian accent you have ever heard, and the other's name sounds inexplicably dirty.

Starscream tries to get Megatron to stand in the spot he told Skywarp and Ramjet to direct the death ray, but is interrupted when Rumble asks why Starscream stuck him with extra work (a task Megatron assigned specifically to Starscream). This vexes Megatron. The autobots show up and try to figure out what the point of the blacked out sky is while Starscream attempts to talk his way out of it. Then the death ray goes off two feet away from Megatron, which only pisses him off further.

The Canadian bot yells "AH BINARY-BEAVERS!!" because the death ray caught him off guard and completely gives away the bots' position. Soundwave immediately fires on them. Gratuitous robot violence ensues. Spike is generally useless and tries chucking rocks at Rumble. Megatron is too busy trying to almost-murder Starscream to bother with the autobots and just lets Soundwave handle it.

Probably-an-innuendo-name-bot is luckily a flier and takes the chance to see what's blocking the sun now that their cover's blown anyway. He gets up there and the seekers are sticking tinfoil on the clouds to make the tops reflective. The writers are really just hoping you don't think too hard about it.

Skywarp starts firing on dirty-name and calls him a nerd. Dirty-name takes evasive action. Skywarp runs out of ammo and starts just chucking tin foil at him. Dirty-name calls him dumb and says his processor is made of spare toaster parts. Then he crash lands and canada-bot asks if dirty-name's wings are spare toaster parts as well. Wheeljack yells that they'll all be spare toaster parts if they don't focus on the decepticons. The death ray goes off again and barely misses the autobots. Wheeljack corrects himself to Melted spare toaster parts.

Dirty-name gives Wheeljack the rundown on the tinfoil clouds so he can figure out a way to get rid of them while Canada-bot fights Soundwave and the cassettes in the background. Spike is kind of helping too sort of almost. Those rocks hes chucking sure are damaging. Ravage gets straight up drop kicked. It cuts back to Wheeljack whipping up a good old fashioned Device™️.

Starscream flies up past the tinfoil barrier while Megatron shoots at him. All the holes he's shooting in the blackout barrier are just making more, slightly shittier death rays and the main one is losing concentration. One of them hits Megatron right in the optic and he keels over with an over the top screech. Starscream descends, breaking another hole in the tinfoil to see a golden opportunity.

"MEGATRON HAS BEEN BLINDED!!! I, STARSCREAM AM NOW YOUR LEADER!!!"

Wheeljack finishes his Device™️: A grenade that makes tinfoil entirely invisible, thus rendering the whole weapon unusable. The writers are hungover, please do not think about it too hard. Pretty please. Dirty-name doesn't know if he can throw it into one of the holes in the barrier on his own since he can't fly in robot mode and he cant throw in altmode. Spike offers to get on his back and throw it in for him if he can get close enough. And he's just SO good at throwing things. The other two agree he's their best shot, they're so happy spike is around, couldn't do it without him.

Starscream is hovering in the air as he gives his Decepticon Leader Acceptance Speech he's prepared for this very occasion, golden light streaming in from the him-shaped hole in the barrier. Dirty-name and spike zip past him and spike makes the best goddamn throw of his life. Before starscream can properly question the Fucking Audacity of these autobots interrupting him while he's trying to have a moment, the invisible explosion goes off that the animators are just happy they don't have to put that much effort into drawing. Starscream gets knocked out of the air and crashes directly onto Megatron. This vexes Megatron.

Sky's normal again. Don't worry that there's still tinfoil there, don't even fuckin worry about it dude. Spike and Dirty-name touch back down. Round of applause for spike for throwing super good. Wheeljack comments that he's just happy it blew up the way it was supposed to. Cue uncomfortably long laughing. Megatron manages to roll starscream off him and calls for a retreat.

Back at the decepticon base, Megatron has an eyepatch and is skulking. Starscream yaps about how it makes him look like a proper tyrant, brooding and battle scarred, and, dare he say, darkly handsome? This vexes Megatron.

[handlewithcare-delicate]

Ok so based on the most recent info...we can all agree that all Joost did was stick up a middle finger at a someone who was filming him without his permission, right? We can all agree that it was extremely manipulative to imply what he did was way worse by describing it as "threatening a female member of staff" and just letting it just hang in the air, effectively making it sound as if he had (sexually) assaulted a woman, right?