#kind of feeling both tbh

[khryptid]

Okay but imagine a reunion between Rose and Eleven that’s from Rory and/or Amy’s pov

and it’s not about any jealous on River’s behalf but instead,,,

It’s a little pity towards Rose because nothing is going to get between the Doctor and the weird thing he has with his Sexy (ahem, his Tardis)

except,,,,EXCEPT

when Rose comes aboard, she does the Exact. Same. Thing.

and then it clicks that the pair truly are perfect for each other

[heartorbit]

figure skating set right now please. thanks

[bullagit]

due to personal reasons i am now firmly on team “i hope aziraphale does change heaven for the better actually (going on the assumption that his return is as straightforward as it seemed etc” 

like if the alternative is just this ohhh he’s so NAIVE and SOFT and so WRONG and he’ll have to LEARN A TOUGH LESSON etc etc nonsense then yeah 1000% go for it babe knock it out of the park

i hope choosing hope and kindness pays dividends. i hope the soft traits that made other characters continually disparage and underestimate him and his intelligence turn out to be his greatest assets bc i kinda don’t give a shit about a “toughen up it’s the only way everyone else knows better” life lesson for this character

(which like honestly a lot of the rhetoric is dismissive of the fact that persistent goodness in the face of an existence of disparagement takes great strength and that at the end of the day aziraphale has always been able to stand up in his own way)

[tcfactory]

I've been thinking about QiJiu and how they could be post-reconciliation and I'm like. I love most flavors of these tragic idiots, but I like them as either romantic or full on disaster siblings the most, probably.

Because them becoming close platonic friends feels like sort of... an extension? Of the state they are in canonically, where they are devoted to each other, but in a lot of ways have grown apart. They just fix up the holes in it - and I don't think that works all that well for them on the long run, because it would be all too easy to be reminded of the bad times. I think for them to be happy and stable long term, they need a shift in their dynamic either to something new (romantic relationship, with the courting period acting as a sort of soft reset) or back to the (codependent, but not necessarily in a bad way) sibling-relationship they had before.

Like. Honest to god I want a story where the two of them make up and Liu Qingge is the first one to look at them and go:

"What the fuck?! WHAT THE FUCK?! So this was just a sibling tantrum?? Like the time Mingyan refused to talk to me for three weeks because I got monster guts on her new dress, except you idiots dragged it out for thirty years?! I'm ashamed to be your shidi! Shame on you!"

"It was a bit more serious than-"

"Zhangmen-shixiong, what could you have possibly done that's worse than monster guts?"

Just Liu Qingge shaking Yue Qingyuan until dumbass failbrother explains what happened - perfect grounds for Liu-Jiu reconciliation too, because in LQG's mind 'making your little brother think you willingly abandoned him to slavery' is a perfectly valid reason to become the angriest, bitchiest bitch to ever peak lord. It doesn't matter that it doesn't make sense, his big brother instincts tell him that if he did something like that to Liu Mingyan then blood would flow. He doesn't know what a Joker even is, but in his mind that would be Mingyan's Joker moment for sure.

[poorly-drawn-mdzs]

You're mine now, old man.

[First] Prev <–-> Next

[gingermintpepper]

“Your hair’s gotten longer.” 

It’s conscious effort that keeps him from tucking the strands behind his ear, from taking the knife at his hip and shearing it all off. He keeps his stance focused, attentive, there’s little else he can do when he’s taken so completely after his mother when it comes to his hair. His father scratches his chin, the clouds of his beard snaking about his finger like mist parting for mountain-peaks. Ares’ chin is still child-smooth. He can feel the tickle of his over-long fringe against his soft jaw. There’s no heart in his chest, but still he feels as though a pulse is lodged in his throat. 

Father sighs, put-upon, disappointed, and Ares feels a slight tremor start in his calves from holding himself so tense. “Well done, Ares. Go clean yourself up and get some rest. Phoebus will want to look you over later.” 

He should be ecstatic to be praised by his father. Over-the-moon with joy. There should be pride emanating from every pore of his body, the blood on his skin should be sweeter than ambrosia. 

Instead, he bows, manages a soft ‘thank you, Father’ around the lump in his throat and immediately flees the room. A mild ‘make sure to trim your hair’ hits the back of his head like a spear through the skull. He almost wishes the great door had slammed on his foot so he would have reason to feel this horrid in his retreat.  

Phoebus Apollo is waiting for him in his infirmary. 

He’s gilded as ever, gold from crown to heel. Perfect like the statues they carve of him in his temples. He has a smile for Ares when he sees him, a crinkle at the edges of his pretty eyes from the weight of his joy. Ares is waiting to see the crack in the marble, to see if that’s the chip that’ll reveal his fangs.

“Brother,” he greets, and his voice is warm - like the arms that embrace him, his voice is so warm, “Welcome back. I’ve heard you’ve done well.”  

There’s a tremble in Ares’ fingers he hadn’t noticed before. Strain from carrying his sword for so many days, a throb from wounds he hadn’t noticed he’d accrued. “Heard? There’s already gossip?” 

Phoebus blinks, disarming, demure, coquettish, “But of course,” and Phoebus’ voice is honey to Ares’ gravel, the juxtaposition is grating on his skin, “It’s Olympus. The gossip began long before you set your course.” Those warm hands lead him further into the room, bodily sits him on the chaise, pulls his helmet from his head. It’s all one, unbroken motion, “It’s summer alas, so I could not watch your war myself, but I hear it was quite the decisive victory.” 

A thousand thoughts run on horseback through his mind then. 

Did Father overhear some terrible slander that pre-emptively disappointed him? Was Ares’ victory merely a rumour, a bet his father hadn’t bothered to take? Was the gossip more enticing than the stark truth? That Ares wasn’t some child toddling about in the shadow of his sister, that his sword and spear weren’t merely for show - he’d think such a thing would warrant celebration. Not -

“Oh my,” Phoebus is in front of him, pleasant warmth more sticky heat with how close he’s pressed himself into Ares’ space. From this angle, Ares can see the multi-coloured flecks of his eyes, like shards of golden glass suspended in ichor. From this angle, with his hand so gently holding his hair, were Ares to blink too hard, he’d swear Phoebus looked just like his mother. “Your hair’s grown long again.” 

He pushes Phoebus off with such force that he bangs into the wall. It’s Phoebus, it won’t make even the impression of a scratch on him, but Ares wishes it would. Wishes he’d hit his shoulder or crack his neck or hit his head just hard enough for all that perfect, gilded gold to bleed. 

“I’m only here for you to heal me,” the tremble in his hand extends to his shoulder now. He flexes and unflexes his palm. Gods what he would give to just have a sword - “Don’t waste time with the pleasant-work.” 

Phoebus huffs, adjusts the fit of his himation, “...Only because we’re meant to be celebrating your victory.” He crosses the room in two great strides, his hair a swirling tempest behind him as he gathers his poultices and wraps. “The only reason I’ll not throw you from the window is because we are meant to be celebrating your victory.”  

There’s not enough acid in his tone for this to truly be a fight. Ares’ jaw clenches, he bites out a terse, “How benevolent.” 

“Aren’t I?” He’s got nectar and his sutures in hand, that focused look falling upon his face when he switches from overbearing busybody to Paeon of the Gods. “Now strip unfaltering Ares, let us see the measure of damage done to your indomitable flesh.” 

(Somewhere between the fifth set of stitches and the gentle frown that crosses Phoebus’ face when he notices the persistent tremble in his fingers, Ares pins his eyes to the far wall and asks, “What does it mean when Father says ‘well done’?” 

Any other sibling would mock before they gave a true response. Any other sibling would laugh and dismiss it, would say that praise is praise and any lingering ill feeling is just the worst of the war still fogging his mind. Phoebus does not answer immediately. He doesn’t make a single sound. The question settles like fetid water between them, unignorable, the scent right there on the tip of the tongue yet firmly unacknowledged. Ares closes his eyes and tries again to settle his squirming so he does not interfere with Phoebus’ work.  The metallic snip of scissors cutting thread breaks the silence. Phoebus bids him to sit up and slides his warm palms up his back until his fingers tangle gently in the ends of his hair. He twists the dark red strands until he’s gathered it all into a neat handful, holding it loosely as he switches his scissors for his shearing blade. “You should know it was not praise,” Phoebus says softly. The first of Ares cut hairs fall like viscera from his head. Phoebus treats each cutting with the sacredness of a blood-sacrifice. If he focused on the moment of tension right before the blade cuts though, Ares thinks he can imagine the agony of his sister’s sacred birth. “It is acknowledgement. Father thinks you’ve done well so he says ‘well done’.”

Gently, Phoebus releases him. Ruffles his head so all the extra hairs fall like red rain to the floor. Ares runs his fingers through the ends now curling against his ear. “Has he ever told you ‘well done’?” 

A laugh, warm and gilded, “No, and it would not make you feel better if he had.” 

Ares swallows down a thousand different questions. Phoebus wouldn’t answer them, he’s infuriating like that. Instead, he clenches his teeth, the phantom of Father’s dizzying tangle of grey cloud-hairs persistent in the corner of his eyes. “Cut it shorter.”

Phoebus doesn’t protest. He never seems to say a word when it really matters.)

[dailyloopdeloop]

DAY 75: onehat

[elliewiltarwyn]

just a song before i go

a lesson to be learned

traveling twice the speed of sound

it's easy to get burned

i wouldn't exactly call Ellie a ladykiller, but there are multiple women she's loved throughout her career where things just didn't or couldn't work out...

bonus: the ones who did;

[miusato]

Ken, it's too early to give yourself a mid life crisis and worry too much 🙃

[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[edenfire]

🗡❤️ you're nothing without me ❤️🗡

I just finished all of my planned pieces for shuake week👀 so I decided to take a break and fill out one of these ship charts💗💞

these are just my headcanons, so don't worry about whether or not it's accurate to what you interpret~♡

[dorkydiaz]

i made a short post here referring to my own experiences and wanted to expand on it, you can reblog both of these posts btw. I am only writing this all down because the way some of you have spoken about chris and his decision very much bothers me. trust when i tell you i do not want to completely lay out my trauma on the internet for all of you to read, but if it makes one of you understand why this works, why it is important, then it will have been worth it to me.

When I was 12 my father was diagnosed with frontal temporal dementia. the adults in my family and his doctors decided that it was best for him to be moved to a a full time care facility. The next year, and after hearing, seeing, and understanding my father's condition and where it would go, I, at thirteen years old, made the decision to say goodbye to him, that I did not want to hear about what levels of deterioration he had reached. I wanted to remember him as he was when he remembered me, and all the adventures and fun things we did together.

I made that decision. I made it because it was easier than watching him deteriorate, forget who his sister, his brother, my brother, my mother, and me. And I knew that at twelve and thirteen. It was never a decision I ever thought I would have to make, it wasn't a decision I should've had to make.

Now, the important part, over the next few years my decision was questioned and ignored by the adults in my life and even my brother, some of the questioning I can understand now that I am older, but it should have never reached the level it did. My aunt and uncle would openly discuss his condition over dinner when he came to visit, and I would run away to the restaurant bathroom and cry my eyes out until my mom came to get me. I was forced into visiting him in his care home, which ended with it causing far more harm than good. Only then was my decision somewhat respected, it took me being retraumatized for it to be taken seriously.

Despite all of that, I do not regret that decision.

I can't know how I would be different if none of that happened. But at this point in my live, eleven years and some therapy later, I am fairly certain I would be less traumatized, carry less resentment and anger, if maybe my mom had spoken up at those dinners and made arrangements to get updates without me next to her trying to enjoy my pizza. Had I not had to see my own father forget my name and then have some sort of mini medical emergency. Had my brother heard me in a way only a sibling could.

So, yes, Christopher at thirteen made a indefinite and truly most likely temporary decision to remove himself from an environment where he doesn't fully trust his sole and primary caregiver. He knows his dad loves him, Eddie made that so clear. And it could really be 5 minutes, 5 days, 5 weeks, and so on and so forth until Christopher is ready to come home. And him knowing that Eddie respected his decision and loves him no matter what is what is going to make that time shorter. If he had walked out with his father begging him to stay, to forgive him before he was ready, the chances of him coming back would in my opinion would be far slimmer than the circumstances under which he did leave.

with that i leave you this, "yeah people go away. and it's sad. and it hurts. but you know, not everyone goes away forever. sometimes they come back. and as much as we miss them, that's how happy we are to see them again."

[saltyb0ba]

a deep blood moon, a starless night

dark enough to see the light

[scalpelsister]

dark justiciar shadowheart is genuinely so interesting to me as like... a facet to her character. like it really hammers home how desperate she is for shar's love and affection (+ the validation and love from other worshipers of shar). like in a lot of ways I get that it seems shocking to others / some fans because it really does contradict some of the morals we see her express BUT imo that just speaks to the level of desperation she feels. her comments on how shar "must" love her for her to survive the shadowcursed lands, or the bit where she talks about shar nurturing her and loving her and sounds... almost more like shes trying to convince herself more than shes trying to convince you. theres a bit about other sharrans not thinking she had earned her name, and of course the mother superior not thinking she was ready / worthy of being a dark justiciar. like shes just so completely desperate to feel unconditionally and securely loved, and to earn the approval of others that shes entirely willing to injure herself in the process (as well as.... the people who actually love her, of course).

not to mention that mechanically, afaik, she can only end up there if shes encouraged to by the player. ie... she needs to know someone else approves.

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[zhuoyichenpretty]

Ep 22-23 Commentary

Ha...I was inexplicably nervous for eps 22-23 and it looks like I was right to be (-: What a rollercoaster. Spoilers below!

I've just come out of ep 23 and uh????? holy shit????? ZYC????

Ok ok but to backtrack, let's do my comments semi-chronologically:

Ep 22:

A carry-over from ep 21 that I have to mention—heck yeah PSJ give WZY hell. She doesn't have all that many lines but she sure knows how to make them count. Also seeing PSJ and WX get screen time just the two of them makes my brain go "yay <3"

Back to ep 22, loved the fake-out sundial ayeee that was a nice Chekhov's gun that also brings the real sundial back into relevance for later. Also me eating up the PSJ and ZYC crumb of an interaction has brought to my attention how starved I am of their screen time together.

This whole ep was a great lament towards the feared inevitable. Every sad downcast look from ZYC, every complicated glance WX gives him. A wonderful, terrible crossroads for these characters. I love that for ZYC especially, it's such an incredible mess of emotion coming to a head. Bad enough that he's come to care about the demon who killed his family and ruined his life, bad enough that he's sworn a blood oath he regrets and tied himself to punishing someone he no longer finds culpable, bad enough that ZYZ's life or death depends solely on his choice and ZYZ is constantly practically begging for death when ZYC wants him to live. How much immensely worse it makes the whole situation that WX is literally ZYZ's soulmate. And obviously the whole team has only grown more and more attached to ZYZ, too. ZYC's personal turmoil aside, how heavy must that responsibility and guilt be? For the finishing blow that only he can deliver to also deeply threaten every other person he cares about? Everyone understands in the abstract what must happen and why, but just like seeing ZYZ lose control firsthand, the gulf between understanding and experiencing is so unimaginably wide. If he kills ZYZ, can there really be no resentment from his friends? From WX?

Also it seems ZYC only wears cloaks so that he can give them to other people lmao

Ah fuck, the farewell drinks. I didn't even factor in how ZYC might not survive the encounter (''': The drama truly was like hm can we possibly give ZYC a worse day than that night his whole fam died? Maybe give him a bunch of new family members and also the blade and the fate and the sole responsibility to potentially irrevocably scar said family members with? And he might die in the process too? (-: haha maybe? (((-:

Oh. Oh. Addendum. I forgot this til I saw it mentioned in another post—ZYC recounting his oath as he watched WX smile when they discussed reviving the tree...I could feel him weighing those words against his own life, against ZYZ's life, against WX's happiness. One way out of this impossible situation is indeed to doom himself. I'm in pieces.

Damn if WX isn't dedicated heart and soul, going into the sundial like that. I'm sad no one could keep her company for those 300 years but also I guess that's kind of an impossible ask (and maybe not survivable for the other non-goddess mortals? I'm admittedly very unclear on sundial time loophole logistics). It would have been nice to see someone offer though, even just to be turned down.

Ooh I like the soul needle fake-out, given this show's penchant for retroactive "actually we had a plan all along" moments. A good subversion of the narrative's own style.

Also I saved this for the end because it doesn't really fit the linearity of my comments but what the fuuuuuuuck oh my god I absolutely flipped out at this scene:

I am at once rabidly intrigued and at the same time not sure if I'll be satisfied with whatever payoff will come for this so I don't want to overindulge in theorizing and setting my own expectations too high. Maybe this is just a fevered hallucination, maybe it means nothing (I hope it means something). But damn!!! What a gorgeous man crazy scene.

In conclusion, ep 22 had some good stuff for me. Plot development and reflection and tension enough that I may have been satisfied with just that one episode. But they gave us two, so onward to ep 23 comments!

Ep 23:

I like how many solid reasons the team has to suspect ZYC being possessed. Even though I withheld judgment during my watch given how quickly the show usually confirms that kind of stuff with a possession mark, just simply casting that doubt made the whole build up that much more intense.

ZYC slowly walking down the corridor with the whole grounds lit a somber and haunting gold—*chef's kiss*

ZYC's monologue to a catatonic ZYZ is so important to me. The closest we'll get to his internal monologue about this whole situation. The kinds of things said when we think there's no conscious listener.

Okay so, having finished this episode and looking back, Li Lun's hands coming up from behind ZYC was not to denote possession (at least in this episode), potentially is a visual from ZYZ's POV, and seems related to the above screencap. I am so, so curious. Once again, I'm stopping myself from further speculation because I want to be surprised but ahhhhhhhhh

PSJ shooting at Ao Yin is so gorgeous. Her action scenes seriously never disappoint—the creativity of her fight choreos!! Also very cool that the whole team is getting to take part in the action, not just the two male leads.

Bai Jiu possession was not on my bingo card but I sure do love that we literally saw the possession take place and I still didn't connect the dots. Good shitttt. Also oh no ): ZYC was telling the truth about the soul needle, he was just tricked ):

Seriously from the Ao Yin case to getting PSJ released to reviving the Divine Wood to getting tricked by possessed!Bai Jiu to making pear soup to fighting ZYZ to fighting Li Lun—when will ZYC get a single goddamn vacation day holy shit.

Also when will WX tear up that contract so ZYZ can stop having a mild heart attack every time he wants to kiss her ): &I love that they saved the 300-year montage for this moment. While their ship doesn't give me brainrot personally, who could be unmoved by that incredible and undisclosed sacrifice? That's soulmatism.

Okay, I'd seen clips of them filming the ZYC and Li Lun fight but damn I did not expect it'd be happening right now!! Right after already taking damage from ZYZ? And my god is Li Lun brutal. The two actors did such an impressive job on this entire fight, what with Li Lun's ease and ZYC's suffering. I really appreciated the extensive hand-to-hand combat after Li Lun literally obliterated ZYC's sword. (Also though, given the origin of that sword, I kept hoping for a flashback to ZYC's brother once it broke, but alas, no dice.) Anyway, the show does not play around about ZYC whump it seems. I was very very shook by that throat punch; that shit legitimately looked like it hurt.

Honestly, I had a hard time with the extended ZYZ and Li Lun conversation at the very end because oh my god someone please heal ZYC lmao. But of course, that's the end of the episode~~

Y'all...check on your local ZYC stans because I was not okay after all that (': I need a heaping dose of comfort after all that hurt, but as always I'm cautious of hoping for much from canon itself. So yeah! Ep 23 was solid, but I would probably be in better shape if today's release just ended on ep 22 ((':

Time to go wait for the cast's Hi6 episode to drop so I can heal my battered heart ;-;