#keffiyeh scarf manufacturer

[africanprintmanufacturer]

African prints stand out in the fashion industry due to their high quality clothes, vibrant long -lasting colors, cultural importance and moral production. Whether contingent, formal, or traditional wear, these clothes provide durability, style and comfort, making them one of the best options for quality clothing.For More Details Contact Us - +91 9724949480 Now!!!

[librarycards]

Since Israel began its genocide of Gaza in October 2023, the accelerated erosion of traditional food systems has made Palestinians increasingly vulnerable to Israel’s mechanisms of violence; the starvation campaign Israel has waged on Palestinians in the Gaza Strip for the past sixteen months demonstrates this. But these systems of dispossession have been at play for much longer. For the past few decades, for instance, Israel has regularly sprayed herbicides on the eastern farmlands of the Strip to undermine agrarian life. In Masafer Yatta and across the West Bank, Israel’s colonial legislations have disrupted the relationships with, and strong sense of responsibility for, the land, animals and plants that Palestinian communities have maintained for centuries. Food plays a major part in how this is done.

[...]

There are other insidious ways that the settler economy disenfranchises Palestinian shepherds [beyond forcing them off of their lands outright]. Abu Saber, a shepherd from Khirbet Tuba told me that his herds remain inside shacks, as there are no pastures upon which to graze. ‘This means a total reliance on [manufactured Israeli] fodder, which I cannot afford to buy as it is expensive. Only three years ago, I used to have 350 heads of sheep. Now, I only have 180,’ he said. Because of these challenges, many Palestinian pastoralists now see their traditional lifestyle of raising herds as a burden that exacerbates their impoverishment under Israeli settler colonial deprivation. Meanwhile, the younger generation of Palestinian herding families in Masafer Yatta, like Abu Saber’s sons, are compelled to seek poorly menial, poorly paid jobs in the Israeli market of construction and agriculture beyond the Green Line, turning nomadic pastoralists – once owners of the means of production – into wage labourers under an imperial, capitalist power.

The forcible proletarianisation of Palestinian shepherds is not the end goal of the Israeli state. Rather, it is a bid to further undermine Palestinian right to life and mobility – including systems of community, which involve sovereignty and customs surrounding food. Because of this, touchstones of social interaction are disappearing from pastoralist communities in Masafer Yatta. Sheep shearing – locally referred to as al-Qesas – is one of the popular rituals in the area which is threatened by obliteration under the pressure of colonial violence. ‘While the men would wash and shear the sheep, women would be busy cooking for lunch,’ Umm Amer, from Khirbet al-Mufagarah, told me. ‘We usually make a barbecue, mansaf or stuffed vine leaves with rice and ground meat. For me, al-Qesas is like a picnic, an occasion where the family gathers,’ she said. Today, a single Israeli settler lives in an outpost near where they carry out the shearing. The IOF uses the need to ensure his ‘security’ as a pretext to restrict the mobility and presence of Umm Amer’s family on their ancestral land.

Palestinian shepherds in Masafer Yatta also observe that Israeli pastoral settlers practice a Palestinian semi-nomadic lifestyle. Samir, a shepherd from the community of Khallet ad-Dabe’, tells me that settler herders graze their sheep in the same way as Palestinians. Some of the settler herders dress like Palestinian shepherds by covering their heads with a scarf similar to the Palestinian keffiyeh. ‘While grazing their sheep, they also listen to Dehiyyah music … When they host a feast, the settlers make Mansaf,’ he says. In this vein, Israeli settlers ‘indigenise’ themselves by appropriating the same Palestinian identity that the settler state continuously curtails and destroys.

Manal Shqair, Starving Palestine. [emphasis added]

[spacelazarwolf]

i apologise if this is an ask that could be considered discourse considering the subject matter, and with the harassment you face you are of course 100% in a position to simply ignore this; wanted to give it a go. i've seen people over the hears having varying opinions on wearing a keffiyeh as a scarf without it being a statement. i hail from the times where punk and emo kids used to wear them constantly in the early 2000s but i see them coming back in my area. i still have mine but i have not worn it in years; is this a case of it by definition disrespectful or does it vary per situation/per person? i do hope you're having a good night. :3

i'm not palestinian, so obviously take what i say with a grain of salt, but from what i've heard from palestinian friends and activists, it's considered very distasteful (probably an understatement) to wear it simply as a fashion statement, given the very specific history and symbolism behind it. when people in the west started wearing them as a fashion trend, a lot of palestinians were driven out of business by chinese manufacturers, so if you want to buy a keffiyeh to wear in solidarity, i'd suggest buying one from a palestinian business, like hirbawi, and making sure you know the history and significance behind them.

[xtruss]

Love For All: Forever Palestine 🇵🇸!

A Symbol of Palestine, Made By Izzat Hirbawi (Mosab Shawer/Al Jazeera)

— By Mosab Shawer | Published: 6 January 2024 | Al-Jazeera English

Forever Palestine, Hebron, Occupied West Bank — Izzat Yasser Hirbawi, a balding 55-year-old man, stands smiling at the entrance to the Hirbawi Factory in Hebron, the only place in Palestine, its website proudly proclaims, that produces Palestinian Keffiyehs.

Three Hirbawi Brothers, Izzat, Abdullah and Jouda, who now own and operate the factory, started working there as children, accompanying their father, Hajj Yasser, who had founded it in 1961.

A Merchant turned Entrepreneur, Hajj Yasser began his career importing Keffiyehs from Syria before deciding to start his own Factory with Two Looms imported from Japan.

Hajj Yasser was deeply passionate about the Keffiyeh, something he transferred to his boys at an early age, instilling a deep respect for its symbolic value among Palestinians everywhere, as well as the importance of it being made in Palestine by Palestinian hands.

“We’re Happy … We Love Our Work, No Matter How Long or Hard We Work,” Hirbawi Tells Al Jazeera.

'Visitors can’t stand this noise, but I’ve gotten used to it, just like I’ve gotten used to every detail of every machine in here,' says Abdulaziz al-Karaki (Mosab Shawer/Al Jazeera)

The Hirbawi boys were not the only kids working the looms; Abdulaziz al-Karaki was there, too, from age 15, accompanying Hajj Yasser.

He is now a regular fixture on the factory floor at 70 years of age. He still gets the looms going every morning and makes sure that everything is prepared for the day.

“The Keffiyeh Isn’t Just Something To Earn Money From. It Preserves Palestinian Heritage.”

As the 20 looms the factory now boasts start up, a huge racket rises in the cavernous space and al-Karaki smiles at the familiar din. Moving away from the rattling machines, he says: “Visitors can’t stand this noise, but I’ve gotten used to it, just like I’ve gotten used to every detail of every machine in here.”

He does not want to retire, ever, he tells Al Jazeera as he leans over a roll of fabric coming off a loom, cutting extra threads off to make sure the pattern comes through cleanly.

“I just want to keep working at this job, I love it so much, making quality Keffiyehs that will mean as much for the people buying them as they do to me,” he says emotionally.

Izzat Hirbawi inspects one of the shuttles used in manufacturing keffiyehs (Mosab Shawer/Al Jazeera)

Worn as a scarf or head covering, the Keffiyeh adorns people from all walks of life, from the young to the old, from people with a more traditional fashion sense to the hip and trendy.

But the Keffiyeh is more than a garment. It carries a deep symbolism, so entrenched with Palestinian identity that some people refer to it as an alternate flag.

This Keffiyeh, Hirbawi says, is distinguished by its quality, as the family insists on using high-quality yarns that are dyed well and weaving them together at a higher thread count.

In fact, despite local and international markets being flooded by cheaper keffiyehs made in other places with lower-quality material and a flimsier weave, Hirbawi insists that their quality will prove itself in the end.

“We will compete with importers, our competition is quality. The quality of our Palestinian industry and the power of that label: Made in Palestine."

The patterns of the Keffiyeh speak to the nature of Palestine as much as its history (Mosab Shawer/Al Jazeera)

Many Palestinian men wear their Keffiyehs day in and day out, with most of the older generation unable to imagine being seen out without one on their heads.

Younger men consider it a revolutionary symbol and wear it when confronting Isra-helli Terrorist Fascist Forces, attending demonstrations or simply participating in traditional Palestinian events.

Hirbawi’s traditional Keffiyeh design captures the essence of Palestinian life. Olive leaves represent perseverance, strength and resilience, as well as culture and peace. A fishnet pattern represents fishing and closeness to the sea, the broad lines embody commercial routes, and the thin lines are Palestine’s long history.

A typical Palestinian Keffiyeh comes in white and black, but now many different colourways are available. “We Now Produce More Than 300 Models of Keffiyeh Colours … [to] Suit Young People,” Hirbawi says.

A popular Hirbawi variation is white, red and black - a nod to Jordan, the country that hosts the largest number of Palestinian refugees and that shares, Hirbawi says, a deep “interconnectedness” with Palestine.

After the outbreak of Israel’s current war on Gaza, global demand for Keffiyehs increased dramatically as people marched and demonstrated in solidarity with Palestinians. But the Hirbawis cannot increase exports as Israel has cut off the cities of the occupied West Bank from each other and there are no Palestinian airports or ports.

Two men walk through Hebron's Old City (Mosab Shawer/Al Jazeera)

Fathi al-Jebrini, 87, has worn the Keffiyeh every day since he was young and reckons that he has not been without his keffiyeh for a single day since he turned 50.

The Old City of Hebron shopkeeper leads the way gently down an arcade of shop doors, pausing to open his little stall with an old-fashioned key.

He sells food items from here, nestled among similar holes in the wall whose owners have all formed a community over the years.

Everyone knows him and he greets a dizzying number of people by name and with a smile. Many of the men are, of course, wearing their Keffiyehs.

He tells Al Jazeera that this tradition is inherited through the generations, with men learning how to wear their keffiyehs from their fathers and grandfathers.

“Wearing it has become an important thing for us to express our identity, especially since the Old City is considered a destination for tourists and is also invaded by settlers who think it’s their country” he says.

In addition, he argues, it is a generally attractive addition to any person and any outfit as well as something that helps keep the elderly warm in the winter as they use it to cover their heads.

Al-Tamimi's shop is full of Palestinian Souvenirs and Knick-knacks (Mosab Shawer/Al Jazeera)

A little further on in the Old City’s market arcade, Badr al-Daour al-Tamimi, 58, is hanging displays of Keffiyehs outside his shop and arranging the other Palestinian souvenirs that he sells to tourists and sometimes exports overseas.

Items made with Fragrant Olive Wood share display space with maps of Palestine and items embroidered in the vibrant traditional colours of Palestinian Tatreez.

The shopkeeper agrees that the Keffiyeh has become a global symbol for people who stand with the Palestinians and a source of Palestinian pride in Palestine and around the world.

This is to the point that, he says, Isra-helli Terrorist Fascist Soldiers often cannot bear to see Palestinian youth wearing it. He, himself, has seen Isra-helli Terrorist Fascist Forces attacking young men in the Old City and forcing them to take their Keffiyehs off.

The Keffiyeh will persevere as a symbol though, the four men agree. As will Palestinian culture and pride in their identity.

For Hirbawi, the mission is as personal as it is national. “This is our heritage, we’re trying to pass it on to the next generations of our family. It is very important to continue and for our family to be in this factory.

“The Keffiyeh Isn’t Just Something To Earn Money From. It Preserves Palestinian Heritage.”

Fathi al-Jebrini, 87, opens his shop (Mosab Shawer/Al Jazeera)

[fionatheicicle]

As of recently i found out that the info in red is incorrect, see below. Just an FYI if you’re going to buy a Palestinian kufiya/keffiyeh/shemahg/scarf buy it from Hirbawi as they are the only manufacturer left in Palestine, all the others were driven out of business by Chinese companies selling cheap knockoffs. Buy from Hirbawi to support actual Palestinians!!!!! Link provided below. Feel free to reblog.

https://www.hirbawi.ps/

Thank you @whatwwwwwww for the info apparently not the only one in Palestine as there is one other place to get them and buying from this place will be supporting Palestinian women!!!!! https://www.womeninhebron.com/

[aboutandinfo]

Sri Belha fashions Pure Cotton Arab Shemagh Head Scarf Neck Wrap Arafat Keffiyah Desert Army Wear Scarf Stole

Sri Belha fashions Pure Cotton Arab Shemagh Head Scarf Neck Wrap Arafat Keffiyah Desert Army Wear Scarf Stole

Price: (as of – Details) Also known as Arab, Shemagh, Keffiyeh and Arafat Scarves, these are fashion-forward and perfect for all year round wear. Ideal for men and women of all ages, the super light-weight feel keeps you cool and comfortable all day. Wear with a tee and jeans for a relaxed and chilled daytime look Is Discontinued By Manufacturer ‏ : ‎ No Package Dimensions ‏ : ‎ 20 x 15 x 1 cm;…

[cheaprtravels]

The art of the Palestinian scarf: Browsing the kuffiya manufacturing facility in Hebron

The art of the Palestinian scarf: Browsing the kuffiya manufacturing facility in Hebron

The kuffiya (or keffiyeh) is a cotton headscarf, which is customarily worn in the Middle East, woven in a square, with colourful patterns whose real this means stays mysterious, though some experts assert that they may characterize fishing nets from Mesopotamia.

Arabs use it folded into a triangle, with the fold worn across their forehead. The kuffiya has its origin in the Iraqi town of Kuffa,…

[arhcamt]

my face when someone asks for my food. #joeydoesntsharefood on a more serious note, my dad got me this scarf when he went umrah (the “small” pilgrimage made by muslims to mecca—the “big” one would be hajj) last year with my mom and gave it to me when i went back home earlier this year. it’s called keffiyeh or kufiya, a traditional palestinian scarf. though it originated from palestine, nowadays most are manufactured from china—driving palestinians out of the business sadly. so if you’re interested in getting one, i would recommend getting it from the website hirbawi.ps—the palestinian manufacturer, hirbawi. this one that my father bought for me is not made by hirbawi unfortunately (it’s made in india) but i’m definitely getting my next one from them. i was a bit hesitant to wear this scarf at first, like a should i or should i not situation, because i don’t want to commit a cultural appropriation crime. but i decided to just go for it because i want to appreciate what this scarf signifies: that it’s a gift from my father and that there’s a story of cultural and political representation behind it. may the people of palestine soon find the peace and freedom they rightfully deserve. 🙏🏻 (at Consulate General of the Republic of Indonesia)

[africanprintmanufacturer]

How Yoto Impex offers the best quality of African Fabric?

African prints stand out in the fashion industry due to their high quality clothes, vibrant long -lasting colors, cultural importance and moral production. Whether contingent, formal, or traditional wear, these clothes provide durability, style and comfort, making them one of the best options for quality clothing. For More Details Contact Us - +91 9724949480 Now!!!

https://www.africanprint.in/how-yoto-impex-offers-the-best-quality-of-african-fabric/

[africanprintmanufacturer]

How Yoto Impex offers the best quality of African Fabric?

African Prints, also known as Ankara, Kitenge or Wax prints, are recognized globally for their vibrant colors, unique patterns and high quality fabrics. This is why they offer the best quality of clothes:

1. High quality fabrics

Most African impressions are made of premium cotton or cotton materials, ensuring durability, breathability and comfort. The cotton fabric absorbs moisture well, making it ideal for hot climates.

2. Strong and lasting dyeing techniques

African impressions use high quality dyeing techniques such as batik and wax resistance dyeing, which ensure that colors remain vibrant even after several washes. Unlike synthetic impressions, these designs do not disappear easily.

3. Unique and culturally rich standards

Each African Fabric impression carries cultural meaning, usually telling a story through symbols and motives. These patterns are carefully designed and printed accurately, ensuring authenticity and uniqueness in all parts.

4. Versatile and comfortable wear

Breathable cotton fabric allows easy movements, making African clothes perfect for daily use, formal occasions and even professional costumes. The smooth and strong texture ensures comfort for all stations.

5. Arcado and produced ethical

Many African impressions are handcrafted by qualified artisans, supporting local communities and promoting sustainable fashion. Unlike mass -produced tissues, these impressions usually suffer meticulous quality checks, ensuring first -rate products.

6. ECOLOGICAL PRODUCTION

Because African impressions are mainly cotton -based and use traditional dyeing methods, they are more environmentally friendly than synthetic tissues, which contribute to pollution and waste.

Conclusion

African prints stand out in the fashion industry due to their high quality clothes, vibrant long -lasting colors, cultural importance and moral production. Whether contingent, formal, or traditional wear, these clothes provide durability, style and comfort, making them one of the best options for quality clothing.

[africanprintmanufacturer]

How Can You Identify Quality African Fabric?

Identifying quality African fabric involves examining several factors. Firstly, the authenticity of the fabric can often be determined by its weight and texture. Quality African fabrics, such as Ankara and Kente, are typically heavier and have a distinct texture when touched. They are also often hand-woven and made from 100% cotton. African prints will provide best quality African fabrics, valuable insights and inspiration. For More Details Contact Us - +91 9724949480 Now!!!

[africanprintmanufacturer]

When choosing Keffiyeh Scarf manufacturers or supplier in Gujarat, India, it is important to consider factors such as quality, price.

[wordpress-blaze-181354329]

The Second Rail: In Justice

 Will we be extremists for the preservation of injustice or for the extension of justice? 

Martin Luther, King, Jr., Letter from the Birmingham Jail

The Prophets revealed the three rails of a Ten Commandments' based society- In truth, in justice and in righteousness. Citizens, conservative or liberal, must engage in debate and constructive measures to make sure that each rail functions.

Recently, in the United States, forces have attempted to distort the truth. The judicial system has been hijacked for political purposes. Monies intended for acts of righteousness have been co-opted.

Dr. Martin Luther King, Jr., in his Birmingham Jail letter, sought to tackle the rail of justice's imbalance. Arguably, he wished to restore justice. In doing so, he referenced the Prophet Amos.

Justice, as a concept, is complex. Justice includes laws, lawmakers, and justice administrators. Rev. King's questions pointed fingers at many parts of the justice system. For this post, the administrators of justice will be discussed.

The Torah addresses directly addressed the administration of justice in the Portion Yitro. Surprisingly, it was an outsider Jethro, Moses' father-in-law, and Midian Priest, who was the Israelites' judicial system's architect.

During the early stage of the fledgling nation, Jethro visited Moses. He observed how Moses was physically and emotionally taxed trying to single-handedly dispense justice.

Jethro intervened. He offered suggestions. He proposed that Moses would be the one who would consult directly with God. Moses would also educate others concerning the laws and instructions.

Jethro also proposed a judiciary: "And you will envision, out of all the people, worthy men, who fear God, men of truth, who hate bribery, and you'll set chiefs of thousands, chiefs of hundreds, chiefs of fifties, and chiefs of tens over them. And they'll judge the people at all times. And it will be: they'll bring every matter that is big to you, and they will judge every matter that is small. Exodus 18:20-22.

With remarkable brevity, Jethro set forth a workable justice system. He created a means upon which societal members had ready access to justice. It would be in a system which was staffed by educated and honest judges. It would be one in which complex legal matters would be addressed at a "higher" level.

Conclusion

Tackling injustice requires an understanding as to what exactly "justice" means. One aspect of justice is its administration. Other aspects of justice include both the laws and the lawmakers.

The Torah Portion Yitro created a frame work for the administration of justice. Judges are to be educated and upright individuals. Further, justice system staffing was to be on a per capita basis. Finally, the justice system was designed to address complex legal matters. The system appreciated that there are different types of matters; some big and some small. It also took into account that big cases of required a "higher" authority to make a determination.

It was an outsider's perspective and intellect created the Yitro's justice system. The willingness to be open to the observations and recommendations proved invaluable.

Be well!!

Please like, follow, comment or share.

Recommended Readings: Letter from Birmingham Jail, The Torah Portion Yitro

Source: The Second Rail: In Justice

[africanprintmanufacturer]

How can you identify quality African fabric?

Identifying quality African fabricinvolves examining several factors. Firstly, the authenticity of the fabric can often be determined by its weight and texture. Quality African fabrics, such as Ankara and Kente, are typically heavier and have a distinct texture when touched. They are also often hand-woven and made from 100% cotton.

Secondly, the vibrancy of the colours and the intricacy of the patterns can also be indicators of quality. High-quality African fabrics usually have bright, vivid colours that do not easily fade, and elaborate, unique patterns that are well defined.

Lastly, the reputation of the seller or manufacturer can also provide insight into the quality of the fabric. Established sellers or manufacturers are more likely to provide high quality, authentic African fabrics. Therefore, it's always a good idea to do some research and read reviews before making a purchase.

In addition to the previously mentioned factors, the price of the fabric can also be a good indicator of its quality. Authentic, high-quality African fabrics are often more expensive due to the effort and time that goes into their creation. However, a higher price does not always guarantee better quality, so it's important to take other factors into account as well.

Another factor to consider is the fabric's origin. Genuine African fabrics are usually made in countries like Ghana, Nigeria, and Senegal. Therefore, checking the fabric's country of origin can help ensure its authenticity.

Finally, the feel of the fabric can also give you clues about its quality. High-quality African fabrics should feel soft and comfortable against the skin. If the fabric feels rough or itchy, it may not be of good quality.

In conclusion, identifying quality African fabric requires careful examination of several factors including weight, texture, colour vibrancy, pattern intricacy, seller's reputation, price, origin, and feel. By paying attention to these details, you can ensure that you're getting the best quality fabric for your needs.

African Fabric Supplier in Rajkot, Gujarat provides best fabric like Ankara, Kente, Khanga, Kaftan & Dashiki etc. at best price.

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