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yanderenightmare · 4 months ago

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♡ TW: NSFW, dubcon, bathroom sex, bullying, overall just really filthy smut, virgin insert, virginity loss, somewhat dom reader, somewhat bully reader, somewhat yandere reader

♡ FEM reader

You look like one of those girls that never smiles. Like, if he were to take that empty seat next to you in the lecture hall, you’d scowl with stink eyes and then proceed to fully ignore him. Yeah, a real bitch. That's what you look like—scary. He bets all your socials are filled with the same picture—the same deadpanned pouty face over and over, every single one with hundreds of likes and comments saying “Wow, babe!” followed by a dozen emojis from besties and horny admirers. Selfies in the mirror, showing off skin in your tight tops and short skirts—similar to the outfit you’re wearing now. Captions saying, “You can look, but you could never touch.” Yeah, he bets you’re a real attention whore. And the worst part is that you’re not even overselling, either. You’re gorgeous—even with that sour look on your face, he’d pay cold, hard-earned cash in exchange for a pair of your worn panties.

Yeah, there’s no way he’d dare sit next to you. He’s already sweating bullets just thinking about it. Even though you’re one in a million similar girls who wouldn’t give him the time of day, he's still one in a million loser incels who would do anything for it. And that’s the cold reality.

Even if he’d like to get just a whiff of your sweet perfume, he can’t. The status quo forbids it. He’s afraid the jocks will smell fresh blood in the water the moment he does, then swarm him in a matter of seconds, circling before tearing him to shreds. They’d beat him to a pulp in the bathroom, smash his head in over the sink—piss in the toilet, then flush it down with his bloodied face—and he’d have to walk reeking of it all the way home.

So, no—he really can’t sit next to you.

But no other seats are available, and the lecture is starting soon…

Why did absolutely everyone decide to show up today?

Oh fuck it, this isn’t high school. College bullies surely don’t bother with petty cases like this, right? They’re all about their frat initiations and rivalries to have enough spare time to beat him up over improper seating. Oh, but what if you’re one of their girlfriends—you’ll tell on him, and then he’ll definitely be beaten up, maybe even killed.

No. He’s overthinking—like always. No one is that mean. If you don’t like him sitting there, you’ll just tell him. And he’ll move. No harm done. Right? He’s not sitting in the stairwell when there’s a perfectly good and empty seat right there, right? Is he?

Yes. Yes, he is.

“Hey, if you’re looking for a seat, this one’s empty,” a sweet voice calls out over his inner monologue, making him clutch the strap of his bookbag tighter with a flinch of his entire rigid body—his eyes peeled as he looked around to try and find the source of the sound even though he knew where it had come from. It’s as if the possibility of your voice sounding like anything aside from a she-demon was out of the question. But no, it is you.

But there’s no way you’re talking to him, so he looks around again—there must be someone else in need of the seat aside from him. But then, why are you looking right at him? Are you pulling some type of prank? Are you really that cruel? You’re probably filming him or something—live-streaming—the chat’s blaring with ew, what a creep and omg, uggo alert right about now. He should just go home before the jocks, along with the rest of the internet, can get him.

“Are you okay?” you ask—but no, he must be hearing you wrong—there’s just no way, even though you’re looking right at him. “I think it’s starting soon—you should probably sit.”

It’s as if his fight or flight response is broken because he does the exact opposite of either—as if on autopilot, sitting down in a rush against his better judgment.

The lecture starts shortly, solidifying his choice, but he can’t pay attention. No, he needs to keep his guard up. Any second now, someone’s going to do a drive-by and throw a milkshake at him or something vile of the like, and you’ll have filmed it all even though he can’t spot you holding a phone—and then the entire hall would burst into laughter at his expense.

“Pst—” A soft whisper comes from next to him, from between the gloss of your pretty lips. You smell like candy and fruit, and it makes his gut tighten—both from anxiety and something more shameful. “I’m sorry to bother you, but do you have a pen I could borrow? Mine’s all out’a ink.”

You give him an awkward smile, and he very nearly runs away. But no, he’s glued to the seat—with nervously wrecked hands shaking as he bends for his bag and unzips it, reaching for his pencil case painfully slow as if disarming some type of bomb. Redoing the same when he opens the case and rummages for a viable pen he could offer.

When he hands it to you, he’s almost sure you plan to stab him with it. But you do no such thing.

“Thanks, you’re a lifesaver!” You cheer instead, beaming with a much brighter smile than before. “I owe you!”

His ears ring with your praise. Blushing beat red as he rips away from your gaze—still unable to focus on what the professor is preaching—not when from out of the corner of his eye, he can see you sucking on his pen like a lollypop—or something else not so innocent.

Oh, he’d been so wrong.

So, so, so very wrong.

You do smile. You smile a lot, actually. You just have one of those faces that rests bitchy. But still, bubbly airhead or not, a girl like you still shouldn't be seen with a loser like him. It’s social suicide. And still, you’re on your knees before him in a dirty little bathroom stall—the same dirty bathroom stall he feared getting a swirlie, scraping the walls with his nails to try and thwart his assailants—only, now clutching the walls for a much different reason, holding on for his mortal soul as you seek to suck it out of his fat throbbing cock.

You want to repay him—you’d said—for the pencil. He hadn't understood why you’d winked at him before you’d all but dragged him off and flung him inside the men’s bathroom, having his very life flash before his eyes.

You both make the sloppiest sounds as you make an utter mess on and of him, making him cry on all fronts—cock weeping with thick pearly beads of pre while his eyes well up with tears down his flushed face, all sweaty with panic and bliss.

The moans springing from his chest are virginal and raw and sweet music to your ears, panting for you like a puppy—you’re sure they can hear him out in the hallway when passing by. One of his hands clasps itself on top of his mouth, holding tightly to keep it all within—eyes shut and brows cinched. And yet, he makes no effort to shove you off—hips left jerking and jittering in response to your refined technique where you take him deeply, all the way down to the base, hallowing your cheeks, throttling him with your throat as your tongue wipes his creamy slit clean.

It’s painfully clear he’s never experienced anything like it, but that’s what turns you on the most. Sick as you are, you could suck him dry and savor every drop of him, knowing you’re the first ever to get a taste. But no, by now, your pussy’s so soaked you feel yourself dripping past the soggy lace of your panties, running down your soft thighs in waste.

He’s misty-eyed when you pull off with an ever-cruel pop—a sick mix of relief and sorrow warping his chest, feeling conflicted by the pulse making him think he’s on the verge of a heart attack if you continue—and another strumming his cock, making him think he’s going to keel over and die if you leave him unfinished.

Even so, he’s in a state of complete shell shock as you mount him on top of the toilet seat he’s melting against. Chest heaving, watching you as you lift your skirt up and peal your slick underwear to the side for him to lay his bleary swiveled eyes on your bared and dripping pussy.

“I love nice guys like you—” you moan, pouring the honeyed words down his throat as you ghost his parted lips with your spit-slicked ones, straddling his lap and shimmying ever closer until your tits squish against his chest. “They make me so wet, I lose all self-control.”

He gulps in your shadow, looking up at you for mercy—cock twitching painfully between your thighs as your wrap your hand around his base real snug, giving him a nice tug as you line him up with your needy heat—making him all but squeal beneath you.

Your other hand makes its way into his hair, braiding your fingers within the locks to hold him steady—gently pulling his head back while leering down at him like caught prey. Playing with him just so, teasing him with your words, all in your sultry voice, making his head spin hot with a fever, “You’ll be a good boy and fuck me, won’t you? Pretty please?”

His breaths are heavy and wet, coming out shaky with his instant answer, “Y-yes—” all weak in a pathetic whimper that almost has you cum too soon.

“You’re so nice~ thank you,” you croon against his lips, kissing him sloppily with your tongue in his mouth as you shift your hips and start lowering your sopping cunt down upon his seeking length, taking him in with greedy ease, eagerly gripping his soft cockhead like a toy in a claw machine.

“Fhu—fuck—” he stutters under his breath, whinging before planting his teeth into his lip to keep it at bay—feeling like putty beneath you, sweaty and heavy and dumb, eagerly wanting all which you sought to give him—only more flushed at your mean undertones as you play with him like food on a silver platter.

You sling your arms around his neck and push your chest harder against him, moaning all too brazenly, “Oh! Fuck yes—that’s so good,” you sing while slowly taking him in further. “A nice guy with a big bad bully’s dick is the best!”

He whines in return as his inches get eaten—each devoured one by one until his tip kneads into the mouth of your womb.

Sighing happily, you kiss his cheek and put your lips right at his ear with another wanton whimper, “You fill me up so so good.” Roosting on the size, thighs resting flush against his, feeling all giddy as it stretches you out oh-so-nicely. “Such a good toy-cock for me,” keening at the way it twitches inside you, pulsing in response to your tight walls, clenching it in ways it’s never before felt.

His eyes are already rolling back into his skull once you start lolling your hips—riding him, but keeping him deep at all times—lifting just enough for it to pull out only a little before sinking back down, making it settle into that perfect needy little spot inside you that makes your whole body shiver in delight.

“Mmh,” You suck his ear lobe, releasing it with a soft bite, before smiling down at him and his sweat-pilled expression. Cooing at him, “You’re a virgin, aren’t you?”

He can’t even answer with words anymore, only giving a dumb mewl as he nods his head. But, of course, you’re already well aware.

“Mmh—” your eyes gleam with delight, giving his lap a mean ride, leaving him all but breathless, before asking, “D’you like it, virgin boy? ‘You like my pussy? Like the way it milks your chubby cock for your cum?”

He nods again, even more eagerly this time—looking downright pathetic in every sense of the word.

“Do you want to?” you offer to his desperation, feeling as though he’s falling apart at your fingertips, needing you to hold him together. “I’ll let you since you’re such a sweet guy—” you tease while clenching his cock, making it impossible to want anything else no matter the consequence. “In exchange for a favor, of course.”

He couldn’t care less what the favor was—way beyond willing to pay any price you ask of him as he finally makes a move and grabs your hips with a strength you hadn’t thought he had the balls to perform, planting you down firmly and holding you with such need as his hips jitter and stutter—resting his cheek on your shoulder in drool and tears with a lovesick groan leaving him as he fills your pussy up with his creamy spend.

His whole body shakes—spasming in cute little aftershocks as he clutches onto your body, hugging you tightly.

You respond in kind, cuddling him and kissing the top of his head. “That was so warm and filling—what a good boy—you did so well,” you murmur ever-sweetly while petting his head, combing through his sweaty locks with your long glitter-pink nails—keeping your voice saccharine. “Did you enjoy yourself, hm? Your first time cumming in pussy instead of your dirty ol’ sock?”

You pick his face up—cupping his sloppy jaw in both palms—his eyes half-mast and glazed as you nose-kiss him with a smile on your face.

“You loved it, didn’t you? Silly virgin boy…”

Your cunt tingles at the sight of him—wrecked beauty, sweaty and undone. You feel his cock unswell inside you and decide to lift off and release him—letting it flop out and splat on his tummy in a puddle of slick.

“Look,” you fuss, holding his face in direction of it. “You made such a pretty mess—isn’t it lovely?”

Your pussy is left glistening and puffy, still wanting and waiting for its final hurrah. Your breath turns headier and so does your voice, now with a new darkness to it as you whisper, “Time for that favor, sweet boy.”

He blinks dumbly, impossibly hopeless, wrapped so tightly around your pinky it’s pitiful. Of course, you take advantage—guiding his head to level with your cunt.

“Open wide, tongue out flat.”

He obeys wordlessly. And oh god it makes your gut stir viscously—watching his tongue loll free between parted lips.

Your voice flares with bliss at the sight, shy of unhinged, as you giggle breathily, “That’s right—taste the pretty mess you made.”

He’s pushed face-first, trapped between your thighs with his jaw like an open cup beneath you, tonguing the mixed slick from your slit and slurping it all up without shame.

And fuck—it feels so good, you lose even more of your mind while tugging him even closer—all but pulling him off the toilet seat, making him kneel down on the floor instead. And still, he makes no effort to escape, but the opposite—seeking to go deeper into your cunt, crying into you as he laps up every last drop of yours and his arousal—making your thighs quake around him, grinding down against his mouth, onto his eager tongue, having it pet your clit over and over until you also come to the same sudden stumbling halt.

“Yes—yes! Oh, fuck! I’m gonna—it’s coming—”

And there it goes, ripping along your loins, surging from your lower belly. With both your hands tangled harshly in his hair, he’s not going anywhere, lips locked with yours as it starts pouring.

You’re squirting on him—hot and hard—on his tongue, inside his mouth, down his throat, in his belly. You’re squirting on him and he’s drinking it, he realizes—but even so, he isn’t able to stop. Instead, he unwinds his jaw even wider, digs his tongue deeper, and accepts every drop of the warm stream as it drenches his face and splashes down his collar and shoulders, utterly soaking his shirt, making in see-through as it clings to his chest like a second skin.

You’ve closed your eyes and thrown your head back, basking in every last little twitch of your body as you relieve yourself all over his face.

Finally, after a moment, you let go of his hair and step back—feeling refreshed and happy with your work—seeing the poor loser sit before the toilet, all drenched and exhausted with his limp cock spent and messy, looking like a beautiful wreck.

You smile, pulling your panties back in place, and you skirt down again before unlocking the stall and opening the door, only looking back at him for a moment, tapping your nail at a few matching pink scribbles written on the wall. “Here’s my number and address if you wanna have more fun." And then you leave, just like that. "Bye-bye~”

♡ BNHA – Amajiki, Deku, Shigaraki, Shinso ♡ JJK – Yuuta, Choso, Nanami ♡ HQ – Kageyama, Kenma ♡ CSM – Denji ♡ BLLK – Isagi ♡ DS – Zenitsu ♡ WB – Sakura, Nirei

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

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isaacathom · 1 year ago

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i had a ridiculously long post in my drafts about my lil firefly knockoff thing ive got buzzing around the brainpan but what if i didnt do that, and made it much shorter

basic setting shit - different systems are daisy chained together by something called the Interstellar Highway, which are fantasy bullshit that basically tunnels through space and loop around the edge of systems for a speed boost. Because of the speeds needed, every system on a highway has a structure called the OnRamp, which basically fucking catapults you onto the highway. theyre great.

it used to be that you would stop at every system on the highway to refuel and to check ship integrity, because engine efficiency wasnt good enough for long journeys. however, in the last 40 or so years, industrial-grade engines have gotten to the stage that they can go 2-3 systems without stopping, and that has naturally meant some systems have started languishing.

the system the story takes place in is one of those, where it primarily acted as a pit stop. the only traffic it really gets now is its own import traffic, which generally goes maybe 1 system over in either direction for essential goods.

because of the lack of Business, the systems sucking shit, and a lot of people in the inner system rely on a gig-economy of delivery ships that travel between them and the onramp.

the ship at the story's core is one of these gig economy ships. it's a like 30yo ship, bought on loan by one Captain Foster Cline, whose hectic routes throughout the system have gotten him within sight of owning the ship outright, but not quite.

the crew can be divided into sub groups, starting with the "captain core":

Foster Cline, a guy in his 50-60s. pretty nice guy overall, jovial and hard-working. owns and manages the ship, and can do most of the jobs alright

Andrea Seward, lady in her 40s. shes very cautious and 'safe', preferring known routes and repeat customers. handles a lot of the paperwork and accounting, though she can apparently pilot.

Ogawa Yuuji, guy in his early 50s. really sweet guy, always trying to help and offer advice even when its unasked for. works as the ships gunner and security guy, as well as being a general strong pair of arms.

These three have known each other for years, Cline and Ogawa in particular going back to before he bought the ship, and Seward being one of their first 'hires' when they went into business.

Then we have the younger gen:

Jalen Romilly, man in his late 20s. He's a guy who likes to follow rules and structures, always wanting things planned out and knowing what's happening. He's also particularly worried about diseases and germs, so he keeps his areas of the shop spotless. He's the ship's slow and steady primary pilot.

Gideon van der Karmozijn, man in his early 30s. He's a creative guy, loves tinkering and trying new shit, and he's always confident it will work. He's the ships primary mechanic, and secondary pilot.

These two are more recent hires, the last 5 years or so, replacing an irregular churn through other pilots and mechanics over the 30yrs of the ships operation.

The basic vibe is this ship always starts its route at the OnRamp, and the captain core + Romilly will sit down and plan out what jobs they're taking for the next little bit, trying to layer as many on top of eachother as they can for maximum profit, with the understanding that they'll revisit the list at every stop to tack more onto the end, continuing a month-long rush of work before they will return to the OnRamp station for a week.

It's gig economy delivery, and it can vary a good deal. You'll get people asking for medicine, businesses asking for raw materials, groups requiring transit from point a to point b, people needing you to transfer shit on their behalf, so on. Most of them it's pretty uneventful, though the need to try and get good profit margins means sometimes tensions can flare. it can be a big mess.

The "show", such that it is structured in my mind, would begin with 2.5 ish episodes of the 'regular shit' for these guys. obviously some of their more exciting or complicated jobs, drama with someone unwilling to pay, so on. at one point they do end up picking up a package from a shady 'merchant' where the implication is that their goods are all stolen. And it's like, well... ? not much we can do. Cline has been a good client of theirs for years, yknow how it is.

then during the third episode, they follow up on a job that needs them to go to a vineyard in high country of one of the planets to pick up a delivery bound for a bar on a different planet. they land a little ways off, and the captain core traipse off to go sort everything out with the owners while the younger gen man the ship.

at which point a group a ruffians descend upon the ship to try and take it.

karmozijn manages to barricade himself and romilly into the bridge and radio for help, and ogawa bounds off. before the others can respond, they get cut off by some members of the group, and shit just fully ensues. cline and seward get into a short firefight in the woods, ending in cline being fatally shot and seward scaring off the hijackers by convincing them that the vineyard owners are coming with firepower (they are, but they were still a few minutes out). on the ship, meanwhile, ogawa ends up fighting the hijackers in the engine room, managing to defeat or scare them off but receiving serious injuries.

with the aid of the vineyard owners, they get cline's body back to the ship and karmozijn is able to very patch-repair the mechanisms in the engine room so the ship will go. because, well... they're in the inner system, aren't they? high country, no less, middle of fucking nowhere. ships damaged, going slow as shit but theyre in a rush. nearest hospital? nearest hospital with SPACE? fucking hell. romilly is eventually able to make contact with an ambulance ship thats willing to make a detour to meet them on its way to somewhere else, and thus they get on a fuking move.

they don't make it to the rendezvous before ogawa dies.

whereas there was nothing they could do for cline, ogawa shouldn't've have died. his injuries were bad, yes, but evidently manageable. with prompt medical treatment, he would've pulled through. and they couldn't get him there.

the ship, two crew down, hobbles back to the OnRamp. each begins a rapid suite of various tasks - Seward is handling job cancellations, paperwork, the police investigation, and also volunteers/demands to be the one to tell Cline's daughter what happened. Romilly is handling talking to Ogawa's family, as well as hiring a new gunner on the double so that they can try to resume work quickly. Karmozijn is handling ship repairs, trying to make it fit into their suddenly stretched budget. and everyones grieving, and everyones handling it pretty poorly.

into this hectic period, covered by a few episodes in my mind, the crew expands not by the expected one, but by three - the new crew:

Petra Cline, Foster's daughter, in her early 20s. she's an adventurous sort who loves to try new things, and in this specific instance shes pissed. She all but demands to be allowed aboard by reasoning with Seward that since the ownership deeds were in Foster's name, as his next of kin she legally owns the ship. Seward decides not to press the issue (it may come up later anyway)

Zayvia Eskarra, nb in their mid 30s. An awkward and poorly social but lovely individual, they're brought on as the ships new gunner largely by dint of being the first person to apply for the position.

Ko Xue, woman in her last 20s. She's confident and brash, working on a vibes-based level on a lot of things. after the first 4/5 crew job goes Okay Ish but not ideal, it's agreed that they need a new pilot to replace Romilly so that he can shift into a managerial position (Sewards idea), and Ko takes that primary pilot role.

A new crew of 5/6 established, they continue on, doing a whole bunch of shit. its largely the same work, very episodic job-of-the-week business. the main underlying thing is the way the crew adapts and grows close, or apart, as the case may be.

there are a few key plots that would occur throughout in the show:

Ko is an extremely qualified ship pilot. like, highway certified. The fact she's working as the primary pilot for a dinky gig ship is bizarre, and it eventually comes to light that this is effectively a side gig for her main job, which is working for a prestigious, slightly dubious inter-system organisation who have their fingers in a lot of pies. she joined because she thought they'd help her make a difference in her dead-end system, but has found that to not be the case, and is locked into an exceptionally long contract. this interferes with her work on the ship on a number of occasions, and some members of the crew are PISSED when her status is revealed because it means shes loaded. its a whole thing.

Romilly has a family (siblings and parents) he supports with his delivery money, who occur throughout depending on how he's doing. there's a lot of drama there about whether he can afford to send the majority of his paycheck their way, especially closer to the vineyard thing, and later too. complicated stuff for him.

Eskarra is, notably, the only member of the crew who is not from the system. They're actually from a place some 4 systems down the highway, having been stranded here when the ship they were working on got 'pulled over' for illegal smuggling, being briefly locked up, and then being unable to pay for passage back home. This causes a sense of disconnect, since they arent anywhere near as familiar with the system as the others, which Eskarra attempts to rectify by like. doing chores. i love them.

Ko and Karmozijn hit it off really well because they both like pushing the ship to the limit, something that upsets both Seward and Romilly, with Romilly taking particular issue with the way Ko handles the ship - he is forced to concede she is the far better pilot, however. As close as the two become, though, Ko expresses little interest in him outside of their shared interests.

Eskarra and Romilly start lowkey dating. its a whole thing

Seward basically alienates everyone aboard the ship as she tries to live up to being the kind of captain that Cline was, which she demonstrably cannot be. she takes a special dislike to Eskarra because they are 'inferior to Ogawa in several ways', many of which have nothing to do with Eskarra's job.

Petra Cline, on the other hand, gets to be on pretty good terms with the majority of the ship, though shes on better terms with the new crew than she is with the others owing to, yknow, The Situation With Her Dad. She's the main person who is still close to Seward, because shes the one person Seward isn't rude to (or the one person who gets an unforced apology from her when she is).

She also bounces between different sectors of the ship as she learns various parts of the trade - piloting from Ko, mechanics from Karmozijn, and very limited combat stuff from Eskarra (predominantly knife-based and gun safety, with very limited opportunity to actually fire the gun bc Eskarra refuses to discharge the gun on the actual ship on principle). She does not interact with Romilly much at all, lmao.

and then we hit Da Big Thing, da big plot that i have in my noggin - a few episodes long arc in the acute sense, and certainly a longer thing overall. The Party Split.

now i have no fucking idea how we get here. my vague vibe is that there's possibly a ship that crashes off the highway into something, and theres a general sense of oh. we should uh. we should do something about that. after maybe arriving to help ferry some of the passengers to the OnRamp, maybe one of them goes 'hey. my mcguffin. can you go back and get it. ill pay you to get it' and the crew goes... yeah. sure. sure we can fetch your mcguffin. just sign this thing right here to show that we're not scavengers in case anyone asks and we'll go for it. its good pay.

and basically they're hunting for this thing, and since the ships fucked its basically picking through debris, and they aren't the only ones. guess who shows up? the shady merchants from earlier! where better to steal from than a downed ship? and they heard about a valuable mcguffin 👀

conflict ensues t'fuck. seward, romilly, and eskarra basically head out on the hunt, leaving ko, karmozijn and cline (lol) on their ship. everyones under fire. this is a mess. at some point, karmozijn tells cline that the communications are being jammed and she needs to go tell the captain (seward) that, and also that the shields are busted. she agrees, books it out. she doesnt find seward, instead finding eskarra, who is maybe Understandably Unhappy that she entered what is at this point an active fire fight, gives her a knife JUST IN CASE and tells her to fuck off back to the ship, they'll deliver the message. off they go.

on the ship, karmozijn has abandoned his station and headed to the bridge, has a conversation with Ko that quickly devolves into 'we should just get out of here, this isnt worth it' which Ko seems very lukewarm on.

on the ground, Karmozijn finds Seward to relay the message, which confuses her because Ko has been communicating with her consistently throughout the whole thing, including during her conversation with Karmozijn. And the shields seem fine? Somethings up.

Karmozijn abandons his attempt to be coy and flat out asks Ko to elope with him, which she rejects. He knocks her out, seizes the controls, and ITS. GO. TIME.

Karmozijn, Ko in tow, leaves the crash site.

Seward and Eskarra, stuck out far from the ship, end up being cut off from connecting with the rest of the crew by members of the shady group, being captured.

Cline and Romilly end up meeting up at the site where their ship used to be, and witness the departure of Seward and Eskarra with the other group.

the next bit is basically an episode for each team:

Karmozijn keeps Ko under lock and key, telling her that she could just travel with him (the under appreciated mechanic), but that if she won't he plans to just drop her off on the outskirts of some town somewhere with all her things. She manages to finagle him into letting her start packing said things in preparation, then slips away from him and leaves in the emergency shuttle. he does not pursue. she puts up a report about the ship theft, particularly paging her wealthy primary employer about the matter, and heads back to the crash site.

Cline and Romilly are forced to survive together, which is somewhat difficult because they aren't close, the ship is in so many pieces that its not a super viable shelter, and they aren't in a very hospitable area. Romilly focuses on finding things for their survival (food, shelter, so on) and Cline tries to apply the things she's learned from Karmozijn to create a distress beacon. The two end up genuinely coming to some understandings about the other, as their respective skillsets compliment fairly well. its a good camping time. it is pretty dicey though.

Seward and Eskarra are taken back to the shady merchant's base of operations and interrogated about whether they found the mcguffin or know anything about it. Despite her general demeanour, Seward holds up really well under the pressure, whereas Eskarra cracks pretty early - (un?)luckily for them, they don't know anything anyway. Seward makes a few escape attempts, without Eskarra, and for which Eskarra is punished - this does nothing to change Seward's actions. It doesn't help Eskarra that it is revealed (to Seward, anyway) that Eskarra was a former contractor of the shady merchants.

Finally, Ko returns to the crash with the shuttle and picks up Romilly and Cline, gets them fed and warmed up, and then they all mutually agree that they need to at least make an attempt to rescue Seward and Eskarra. They are actually successful, despite Seward trying to convince them to not go back in for Eskarra (Romilly, their pseudo-boyfriend, insists. thank god for homosexuality). its drama

the mcguffin almost certainly ends up being in Cline's possession, or possibly Romilly's, as the two people who remain at the crash site. so they can get back to the station (possibly with a detour for a refuel) and they can get that good good money.

obviously there are still like. consequences from this. which take some time to resolve. for instance, Karmozijn still has the fucking ship. Seward has made her dislike of Eskarra pretty fucking explicit. theres shit going on. they gotta fucking figure that out. they're also down a mechanic, a role cline probably fills at least in the interim.

its a whole thing. this is all meaningless.

#story blogging #*slaps ship* these bitches gay and the shows structure follows an anime rule for some reason #karmozijns an ass but the vibe is 100% that - despite being in the crew the whole time - hes kinda. shafted?#and it was okay-ish under Cline because Foster is a generally pretty chill guy. he smooths it over #but the status quo continues under Seward and she lacks the tact to keep him chill about it #and then he gets a fucking idea in his head and tries to elope with a woman who is nooooooot into him #and thats ignoring the fact that Ko's entire vibe. her whole motive. is trying to actually help people #so peacing out in the middle of a fire fight is a bit fucked up. she'll get his ass later #ko pays for eskarra to buy a new gun (over sewards protest) and probably even tells them to. yknow #just like. save a bullet for karmozijns knee. just in case :)#she almost certainly punches his lights out when she gets to confront him over the whole thing. itll be great #the names thing is consistently surnames in this post but theres definitely some Name Stuff happening in the actual thing #because showing how people relate to each other by what names they use is so fucking cool to me #like eg everyone on the ship calls her 'Petra' with the possible exception of Zayvia Eskarra #because for the surviving crew she's always been the captains daughter. and then Xue calls everyone by first name #whereas Eskarra is not great with social cues and defaults to surnames with everybody in an effort to be respectful #things like that. its fun. i love it #also zayvia has actually met yuuji ogawa before and when they figure out thats the former gunner its like. Ohhhhh #oh you know what i think i get where sewards coming from now. yeesh

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dzthenerd490 · 9 months ago

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These people are clearly anarchists... we need more people like them.

Well done, I’m proud of them and quite impressed 👏🏽👏🏽👏🏽

(I will be removing useless comments, I do not need that in my comment section ty very much)

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teaboot · 7 months ago

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I seriously hope you can job hop to something else cause you're not chaotic neutral man.

You're still a white Canadian whose actions and job help more the megacorps keep the status quo.

I really looked up to you but that's on me.

And yeah, I know security, cop shit and military pay good money but at the cost of my people? Fuck no.

Listen. I feel you. But there's a lot of cold, power-tripping bastards in this line of work and if I stick where I am then they don't get to have that.

I'm not a cop. I am not beholden to the justice system. Sometimes I get contracted out to people who say shit like "addicts should be put down, if you see any crackheads drag them out" and I nod and say "yes sir", and then I take their money and use it to buy those people coffee and a sandwich and tell 'em when free lunch days are at the church.

Boss sees me walking with someone and thinks I'm kicking them out, gives my boss great reviews. I'm having a great conversation with Connie, who used to by a stylist and wound up on the street after an accident that left her with chronic pain and a heroin addiction. Connie learns that there's a gap between two property lines nearby where technically nobody can call to have her removed.

There's a really sweet guy in town who's normally very nice, but sometimes flies into paranoid rage and yells slurs at people. Sometimes he forgets he's been banned from places and wanders in looking for a wife he hasn't had for nine years. Owner sends me to kick him out, and I ask "hey Mike, how are you?" And see where we are today.

One time there was a guy whose abusive ex kept following him to work, and I got to walk him to his car at the end of every day to make sure she couldn't get him alone.

Another person had a stalker who kept asking receptionists when she was gonna be there, when she was supposed to leave, if she was in today. I'd keep record of every time he came in, every time someone saw him, every time he violated his restraining order or damaged her things.

And when I wonder if I'm actually helping or not, or if I'm part of the greater problem, I remember that other people who work with me call homeless people wildlife and talk about how bad they wanna get an excuse to fight someone and I remember that I'm the one who knows where the blind spots on the cameras are, and thank God it's not him.

My position is fundamentally different from that of the military or law enforcement. I don't *need* to be buddy-buddy with most of these dickheads- I don't *need* to send people into the justice system.

I do single-person foot patrol. Nobody cares how I get the job done. They say, "Hey, faceless goon number three- make that bastard disappear" and I say "on it, boss" and give him tickets to disney world.

I once asked another guard if he knew that one of our regulars used to be an airplane technician. He said, "No, I don't talk to them". Blanket "Them". "Them" as in street people. "Them" as in addicts, or shoplifters, or ex-cons, or sex workers.

I asked why, and he told me, "it's easier if you don't think of them as people."

Anyhow, now I get calls to "watch that sketchy lady who just came in" and I say, "yes, sir" and leave her the fuck alone, 'cause that's Jolene, and people always think she's on drugs and aggressive but she's just deaf in one ear and slurs cause she has brain damage, you dickhead

so yeah, don't worry, I've spent a lot of time weighing the pros and cons of my vocation, and I still think I'd rather be in charge of my locations than someone like Darryl, who dreams of "cuffing a perp" and drives a car with Punisher decals on the hood

Also it's minimum wage but that's kinda tangential

#Teablart

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daisyachain · 2 years ago

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Amidst the love polyhedra of Haruhi Suzumiya I think it would be funniest if Kyon loses his virginity to Taniguchi in college by accident because he thinks that what they’re doing falls under the bro code

#guys will be dudes. I’m not doing myself the dishonour of tagging this #tentative mental timeline is high school -> love entanglement status quo. nobody is dating but everyone knows haruhi and kyon are gonna #third year graduation through first year uni -> haruhi and kyon dating #late first or early second year -> atomic breakup driven by the stress of Kyon trying to keep his grades up to stay at the same uni #second through third year -> Kyon moves to a different uni and reconnects with his other friends #third year -> after getting Haruhi’s blessing Kyon and Koizumi start dating. it’s a bit rough and a bit casual #but by now they know each other well enough and they keep each other at arm’s length so any fight blows over in a few days #so that timeline would put this incident squarely in second year

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elexuscal · 1 month ago

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thinking about the Good Place, specifically season 1 and the start of season 2. And like how they serves as a meta commentary on what sit coms and tv is in general these days. You come up with an initial premise and the premise is GOOD. But inevitably that premise cannot keep forever. the characters need to grow and change. But that premise is the show's identity. So the writers fight to keep the status quo! or maybe not the writers, but the producers. And you can feel the story and characters themselves bucking the restraints, trying to change, as any single change-- a dramatic reveal, a pair of characters hooking up, a new life choice-- threatens to ruin that status quo forever.

So what do you do? You make the characters forget. Forget the lessons, forget their character growth, break-up with their partner, return to the will-they-won't-they, forget, forget, forget. Reset; start again. Do it again, a little bit differently. Now they're neighbors. Now they're cowboys. Now there's a dog.

Or zoom out beyond individual series; look at the endless re-releases and reboots and adaptations. Do it again, but this time...

How long does it go on before the characters themselves rebel?

#the good place #tgp #it makes me GO INSANE #also specifically thinking of 'This is the Bad Place' montage #and how it's one of the greatest sequences of television #and how it also makes me think (very lovingly) of fandom #our endless AUs #now TAHANI is the soulmate #and i don't know #you'd think i wouldn't square it with the rest of the critique #but it does feel like it it comes from a different place

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inazuma-fulgur · 2 years ago

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The more effective a movement is, the more ground it gains the more violence it is met with

Makes you think, maybe the government is just a violence factory after all :thinking emoji:

The movement to stop the construction of a $90 million police training center atop vast acres of Atlanta forest has been extraordinarily successful over the last year. With little national fanfare, Defend the Atlanta Forest/Stop Cop City activists nimbly deployed a range of tactics: encampments, tree-sits, peaceful protest marches, carefully targeted property damage, local community events, investigative research, and, at times, direct confrontation with police forces attempting to evict protesters from the forest. The proposed militarized training compound known as Cop City has thus far been held at bay. The Atlanta-based movement should be seen as an example of rare staying power, thoughtful strategizing, and the crucial articulation of environmentalist politics situated in anti-racist, Indigenous, and abolitionist struggle. Unsurprisingly, however, significant national attention has only been drawn to the forest defenders in the last week thanks to the extreme law enforcement repression they are now facing. A forest defender was killed by police last Wednesday, and a total of 19 protesters now face capricious and ungrounded domestic terror charges for their involvement in the movement — a rare deployment of a state domestic terror statute, threatening to exhaust and crush a resilient and developing movement. On Thursday, Georgia’s Republican Gov. Brian Kemp announced a “state of emergency” in response to the protests in downtown Atlanta in the week following the killing of the protester. The executive order grants the governor’s office extensive and preemptive repressive powers, including the ability to call on as many as 1,000 National Guard troops to quell protests at any moment. “This is an unprecedented level of repression,” said Marlon Kautz, 38, an Atlanta-based organizer with the Atlanta Solidarity Fund, which provides bail funds and legal support to protesters who are targeted for involvement in social movements, including against Cop City. “At this point the police seem to be charging every protester they arrest with ‘domestic terrorism’ regardless of the circumstances,” he said. “The other pattern we’ve noticed is they are charging everyone arrested on a given day with all crimes which happened that day.”

#doesn't actually make me think. i knew that already #but it's pretty obvious looking at various protests. the less the status quo gets accepted the more police show up and break #peoples skulls. a protest held by leftists loyal to some state party? might still get some backlash if they get involved #in non party politics but usually no matter what they fight for they're left alone because they are ineffective #sometimes (if we take the green party as an example) activists affiliated with them even do the imperialism for the politicians #and keep it alive as a reasonable opinion for progressive and common folk alike

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centrally-unplanned · 7 days ago

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Guess I should throw out some Gaza Ceasefire Thoughts - from a political history perspective it certainly is interesting:

-- As for the deal itself, it is pretty much "the best one could realistically hope for", though funnily enough the details aren't that surprising. Israel for some time has had very little strategy in Gaza (beyond "release the hostages or we keep blowing up random blocks"), and so them agreeing to these terms is the expected outcome. Hamas also lacked any real strategic options, but in the summer you could at least argue "the status quo of radicalizing the population and shredding Israeli reputation is beneficial", so you can see why both sides really weren't committing to anything before in the summer. Things have changed since then, though.

-- The straight-up-humiliating defeat of Hezbollah in the fall was a complete game-changer for the strategic situation. As much as Hamas had a strategy it was "wait for Hezbollah/Iran to carry the weight of the fight", and that was going not-awfully through the summer. Then Israel absolutely shattered Hezbollah to the point where their ability to control Lebanese politics is up-for-grabs, and any real threat to Israel is temporarily gone. Meanwhile Iran stacked that defeat with the revolution in Syria and their own military capacity losses, and while there is real tension in Iran between realist & radicalist factions, the current winds are blowing towards retreat. Combine that with the death of Sinwar, and the new Hamas leadership had no cards left to play. By the same token, Israel has few fights left to win.

-- This is why negotiations resumed in earnest in October/November, and right now you are seeing some pretty heavy exaggeration of the role of the Trump administration in this deal. It has been being hashed out for months, you can easily point to articles about progress throughout both of those months (example) and the Biden administration was heavily involved in the Doha talks. These things just take time, and both sides had a dramatic incentive shift recently. That is carrying the most weight here - talks were "90% complete" before any Trump reps arrived on the scene.

-- But the election certainly did play a role here, primarily because it was inducing uncertainty and changing incentives in the US. While it was going on you can see how both sides could "hope" that new administrations might let them gain an advantage, and understood that commitments from the Biden administration in August just weren't very meaningful. Additionally, while not very important the war was "an issue" in the election, and so the "action space" of politicians was shaped by that. Why not just...wait, and see how things go, right? Now there is no more reason to wait, you know what you got.

--I don't want to take all credit away from Trump on this, though. A theme I will continue to harp on, the "Imperial Presidency" has advantages. Biden was a perpetual faction appeaser, and you could credibly call his bluff on any decision around the war by going "you won't take the heat from your own party on this" from the left or the right. Trump can much more credibly claim "I don't give a fuck what I 'said on the campaign trail', I say what goes, make a deal or I will absolutely spite you". This is not a great strategy in a lot of contexts, but in foreign policy you need this sometimes. Dems really do need to take notes here, more unity in either direction and more strong brinksmanship from Biden would have been better.

--Now let's walk that back a bit - it is way easier for the Trump administration to play hardball. Elections make hard decisions much more difficult to pull off, as political factions can punish you more easily. The Dems have an asymmetric disadvantage here - they are inherently the "dove" party facing a topic where the median American voter is generally hawkish, and they are the party that contains a notable split within itself on the issue. Meanwhile Republicans all agree. No longer facing electoral pressure, it is much easier for Republicans to play a "Nixon goes to China" card and credibly browbeat Israel. No one will really think the Republicans are anti-Israel even if they do that, and Dems can't accuse them effectively of foul play because the party itself is split on the topic. This is "unfair" in a certain sense, for sure, but such is politics.

--I would be assigning way less credulity to the complaints amoung the Israeli far-right about Trump or Netanyahu "betraying" them. The far-right in Israeli is a powerful force, for sure, but by no means do they command the majority. They want to annex the West Bank and all that, but most Israelis disagree, the military isn't on board, it would jeopardize US/Arab ties, etc. Never say never but that was not really in the cards - if it was they would have done it already. Slow-roll settlement expansion is the plan, that will continue, but meanwhile there is nothing left to do in Gaza. Netanyahu is of course going to say publicly "oh boo hoo my hands were tied by the Americans I'm so sorry" while he gets almost all of his realistic goals. This is politics 101 stuff - though if the approval vote on Thursday goes sour then I am wrong on this, part of why I am posting it today. (Also another reason to not assign too much credit to the Trump admin - easy to "bully" someone who wants to be bullied)

Okay done - hopefully the ceasefire sticks, obviously this has been a disastrous war for almost all involved, never look the imperfect status quo horse in the mouth. It isn't the world one would want but it is better than the one we have right now.

#israel gaza war

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weatheringandweary · 14 days ago

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The “Jason died to teach Apollo empathy” take reallllly bothers me, because… no..? That’s not what happened..??

Ignoring the fact that Apollo was willing to take his own life minutes before in an attempt to save Meg, Piper, and Jason - he’s been putting his life on the line for others since THO.

You can make the argument that the only reason he went after Kayla and Austin was because they were his kids if you want, but even throughout The Dark Prophecy he was willing to die if it meant saving someone else. He went out of his way to save Lityerses despite the fact he was his enemy, he straight up admitted to Trophonius that he was willing to die for Meg even though she betrayed him for Nero in the prior book, and then he went back to fight for the Waystation with a broken arm because they went through so much effort in supporting him through his trials. It’s actually baffling just how easy it is for him to fall in love with humanity, it’s not something he had to learn!

Jason had stuck his neck out for Apollo in BOO because he saw injustice. He knew Zeus was looking for a scapegoat and he used what little power he had against the king of the gods to try to spare his half-brother. Jason knew that even though he had been nothing but loyal to the gods and had saved the world twice over (cough cough fighting a titan bare handed and defeating Gaea alongside the seven cough cough), he was still just a cog in the system. He was only mortal. The most change he could make to the status-quo was ensuring that the other minor gods were represented in Camp Jupiter, but then he was issued a death sentence months later, so what power did he have really?

But you know who could make a difference?

Apollo. Apollo could.

The thing is, as much as Apollo complained about being a mortal, I honestly believe he would have rejected godhood had Jason not died. He had almost died several times over and the only one who offered him any Olympian assistance was his sister. He resented the Olympians for having all the power in the world and choosing to use none of it to help him or his friends. Apollo's biggest fear - one that overruled dying in my opinion - was becoming a god again, once again a puppet of his father, and falling back into his old ways out of fear and self-preservation.

I can't even count the amount of times where he was on the brink of death and felt relief and satisfaction at the thought of everything being over. He didn't want to die, but it was an escape from having to one day stand up against his father, his abuser. It was the easier alternative even if it was ultimately the worse one.

But Jason made him promise to keep going. To remember.

He had to get back to Olympus, remember all that has been sacrificed in order to return him to godhood so that he could make a better future. He has to live forever to ensure that generation after generation of demigods have someone supporting them indefinitely. So that they would not be as fearful and powerless as he was. He has to be immortal again so that he can use his power for good, as much as that scares him.

He had to become a god so he can look Zeus in the eyes and say "No, this is never happening again."

That's what Apollo learned.

#trials of apollo #toa #lester papadopoulos #toa apollo #jason grace #the burning maze #the burning maze spoilers #toa spoilers #just in case #this one was obnoxiously long but i felt like getting on my soapbox today lmfaooo #also i just wanted to say thank you for all the interaction :)#i've been stewing for an entire year after reading toa for the first time and decided to just vent all my thoughts now that time has passed #im incapable of interacting with this series normally

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apricot-blossomss · 1 month ago

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Is it okay if I ask what type of s/o would the Gods be into? I find that really interesting and would like to hear your opinion since I really love your writing <3<3

This request came just right, bc I really want to write but I'm mad busy rn, and this was a lot of fun! so I kinda wrote for ... everyone.

If you're conventionally attractive, you are in Zeus' dating pool. You're exceptionally beautiful? I'm so sorry. Once he has set his eyes on you, you are not safe anywhere. There is no other factor that matters, except maybe if you're exceptionally hospitable and kind to guests, which might attract his attention. Which is not a good thing.

Poseidon would love someone unpredictable, someone who never gets boring and never fails to surprise him or catch him off guard. He'd love the excitement of it all and is generally pulled to exciting and outgoing people, but also people who are more introverted but break out of their shell at unexpected times.

If Hades had a type, it would for sure be someone a little more ... alive than him. He's clearly going for that opposites attract thing, just look at Persephone. Also, I reckon he'd like someone who can stand up for themselves, as standing up to his brothers was always very hard for him and he would admire you greatly for it.

Demeter would like someone who is humble, orderly and respectful and appreciative of the beauties of nature. Someone who finds joy in the little things and never fails to call their grandma for her birthday.

To be honest- you don't have a romantic chance with neither Hera nor Athena, Artemis or Hestia. Though I thought it would be fun to make some platonic headcanons for what kind of mortal they would take interest in in a platonic way.

Hera admires loyalty, it doesn't even have to be to a spouse, it can also be your family or friends. Also, she appreciates people who remain strong even in the face of long term hardships or anguish, and it might earn you her favor. It's not that she pities you, but that she admires your strength to keep fighting. Also, she'd love to talk shit about men with you as much as the next goddess...

Artemis isn't about the whole opposites attract thing. As with Orion, she is likely to make friends with someone who shares her interests, as she also surrounds herself with her huntresses. She loves to talk about hunting and the wild and would like someone who isn't afraid to get themselves dirty. If you're a guy, it's pretty hard to get in her good grades though.

Athena is all in for academic weapons. Critical thinkers, challenging the status quo and earning great archivements. Someone she could have an intellectual conversation with, who offers new points of argument and is able to hold their own in an argument, she is the goddess of warfare after all...

I don't think there is anyone Hestia doesn't like, though she would favor people who spend a lot of time with their family and are kind and hospitable to others. Kindness to strangers is something she very much appreciates.

Apollo doesn't really have a type. His mortal lovers are symbolic for his creative inspirations, so he would not settle for a type but be all over the board. The variety of his lovers concludes that Apollo isn't looking for a specific kind of person. He simply watches or spends time with someone and BAM he's completely and utterly in love. He does love himself an artsy spouse though.

Ares needs someone calm and peaceful- it might seem a little contradictory, but Ares needs someone to ground him, to listen to him and provide the calm for his storm. Actually, he's all for domesticity, though a hot love affair doesn't turn him away either. If his spouse had a strong personality and could stand up for themselves, he would really respect that, but he would also be your guard dog if that wasn't the case. Ares just needs someone to love him unconditionally, quite like the next god on the list.

Not to be disrespectful but Hephaestus does not care who you are, he's just happy with someone who treats him with dignity. Be kind to him and he is putty in your hands. After all his family put him through, he'd also appreciate someone to rant about them to, who can also sit in silent understanding with him at other times. But honestly, he isn't setting the bar very high.

Not to call her vain, but you would have to be insanely beautiful to be on Aphrodites radar. She simply considers herself too good to spend her time on anyone who isn't pleasing to her eye- and that really cuts down the pool of potential lovers. Also, she would only stay around for someone who is ready to give their full attention to her at all times, she is a very demanding lover.

I think Hermes would want someone who is able to keep up with him, but also root him when he overdoes it a little. It would take quite a lot for him to actually stick around, because for him to make time in his busy schedule, he'd have to be head over heels in love.

Dionysus would probably not have a specific type either, simply because he wouldn't want to cut short his dating pool. Though he would like someone who is able to let loose at least sometimes and surrender to his pull of madness and ecstasy.

Extra: Eros would mostly go for someone attractive, but he wouldn't let that be the only factor. Just as the unpredictable and surprising nature of his arrows, Eros could fall for anybody, picking out a trait he loves about them and obsessing over it for the day (I'm thinking 'Someone New' by Hozier if you know what I mean).

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