#ke essay

[frontlinebicepsoftheninth]

I saw you tagged killing eve in the 'worst series finale' poll - how *does* it end? I watched the first two seasons and then lost interest. (also I hope you're having a good day!)

first of all thank you i am and i hope you are too!!

but alright here we go ⚠️⚠️ MAJOR SPOILER WARNING MAJOR SPOILER WARNING ⚠️⚠️ for anyone who does want to watch for themselves bc tbh the first few seasons are excellent but i honestly don't know if i can recommend them anymore in good faith after knowing where it all ends up

so okay. you know how the whole crux of the show is this intense psychosexual relationship between eve and villanelle. and how there's an obvious romantic tension between them. well from what i remember (cause it's been a while) they started actually working together in season 3, but then because they realized they make each other worse they had this whole dramatic moment where they walked away from each other on a bridge and weren't supposed to look back but of course they both did turn around at the last second and then the season ends.

flash forward to season 4 and you can tell time has passed and they aren't working together and it's implied there was some big falling out and we have no idea what it is. eve is just annoyed and done with villanelle and villanelle is like trying to prove she's not a bad person and goes to church and stuff and actually that plot was extremely hilarious and she imagined up a drag jesus version of herself for advice and they were acting like exes and it was playing into the whole comedic surrealism aspect of the show really well. but after the first few episodes it just kinda fell apart like i just remember feeling lost all season and not understanding where we were going and this is definitely due to the changing showrunners (they should have just kept pwb for the whole thing!!!!) but they kept adding new characters out of nowhere, some of which were really well done but then we were following plots that were thrown in randomly and it was just a bit of a mess.

but eventually by the LITERAL SERIES FINALE eve and villanelle have both given in to the fact that they enjoy being in each other's company as the worst versions of themselves (which is honestly such a fun direction to go that i really enjoyed especially for a sapphic pairing). and after they've been apart for a vast majority of the season finally they have this good banter going and it's all domestic and then there's a scene where they're walking down an empty road together and this romantic music comes in. and they finally literally actually have The Moment. like they had kissed before in the previous season but not in an explicitly romantic way, they were physically fighting each other on a public bus and eve kissed villanelle to throw her off before headbutting her (SO GRIDDLEHARK OF THEM THAT SCENE IS ACTUALLY SO GOOD) anyways. villanelle kisses eve on the cheek and then eve stares at her and grabs her and they make out for a solid FORTY-FIVE SECONDS. it was so intense and they're kissing as they're stumbling down the road and they run back to the camper van they were travelling in and it's for sure implied that they have sex in there. so everyone was like oh my fucking god they actually did it. like this is where the show was always going, it's a whole I Can Make You Worse thing where both people were like "fuck it i'll be worse then" and gave in to the tension that had been building for years not just within the plot but FOR VIEWERS SINCE 2018.

so i don't exactly remember what happens next but the whole season they've been trying to kill The Twelve which was the assassin group in charge of villanelle, and we find out carolyn was a founding member actually, and i will be honest that plot was always confusing to me but iirc she wasn't with them anymore. so eve and villanelle infiltrate this wedding party boat that's a cover for a meeting of The Twelve (this is like the last 10 minutes of the show now) and they kiss again and there's a scene where it's like they're indirectly talking to each other through the wedding speech that eve somehow ends up giving and that's so romantic too and then villanelle slinks off, finds the meeting, and murders everyone. so yay the protagonists are together finally and villanelle killed her abusers and they are finally in happy gay love. then out of fucking nowhere as they're standing outside on the boat villanelle starts to get shot at. (this is literally the last five minutes of the entire show now) and she falls into the river or maybe jumps in to get away i don't remember and she's still getting shot and eve is swimming to try to catch her. and it's all this dramatic slow-mo beautifully shot stuff that's like horrible in context cause the blood is blooming in the water and eve can't reach villanelle and they do a whole creation of adam hand reach before villanelle slips into the depths.

so literally eve had just thrown away any chance at a normal life to embrace the side of her that loves violence and loves villanelle so they could spend the rest of their life together and that was such a slay. and then she loses villanelle which like, if they wanted a tragic ending it would have been kinder to kill them both, it's so much fucking worse to leave eve spending the rest of her life mourning the one person who understood her and let her give in to her carnal desires. and it is directly after letting the two queer characters finally achieve happiness that one of them is killed off which is the DEFINITION of the bury your gays/dead lesbian syndrome tropes, there have been literal academic papers written on how the phenomenon is like a punishment for queer joy etc etc. this shit has been in the discourse for decades and they fell dead center into the trope which is just so disappointing because at the start ke was such a unique story and one of the first mainstream shows that embraced morally gray queer characters in a way that wasn't homophobic.

oh! and guess who shot villanelle? carolyn!!!! and it was still NEVER CLEAR WHY! she worked for MI6 now so it being in revenge of The Twelve didn't really add up, some people thought she wanted to kill villanelle as like a prize for MI6, it was kind of implied that konstantin told her in this note he spent his last breaths writing (yeah he also died which was the saddest tbh) that villanelle had killed carolyn's son kenny (this was a major plot point of season 3 and carolyn was trying to get revenge, he fell off a building under mysterious circumstances) but that made no sense because it was implied to be konstantin since he was on the roof with kenny and also villanelle was literally in fucking spain or something the episode when it happened.

like i get it. this is a tragic show. people die every episode. but from a writing standpoint it makes absolutely zero fucking sense to kill off one of the two main characters of your show, in the last five minutes of the show, after finally cashing in on your flagship queer romance between them, and leaving the motivation for killing her completely ambiguous.

anyways i'm so sorry that ended up this long jesus christ but tldr: killing eve ends in the worst bury your gays i have ever seen after a season that didn't even have good plot or pacing

[spiribia]

stop saying insect shame metaphor has to go. i see the wasp on the length of my arm.

[jemsbitch]

Tennyson and Hallum is so heronstairs coded and In Memoriam by Tennyson is the proof

[faceglitchsworld]

Guess I should update my DNI in my Carrd

[sirenofthegreenbanks]

n, o, t, z for the fandom ask game 😁

n: Name three things you wish you saw more of in your main fandom (or a fandom of choice).

this question had me think for a bit, im mostly content with whats going on in the fandoms i participate in, buuuuuuuuuuut then i recalled:

1) i once watched a video essay on ning yi that really impressed me. (i just searched the internet up and down to link it but i cant!!! find it!!!! whatt iisss thissss) anyway, i want more of that!!! for rise of pheonixes fandom, but also for WOH and for TYK!!! i neeeeeeeeEEEed it

2) generally more academic-approached textanalysis for tian ya ke. im dYING to read something like that!

3) for the fics i would like to request MESSINESS in regards to zhou zishu and wen kexing respectfully, thank u (BONUS IF THEY HAVE AFFAIRS ON THE SIDE OR SLEEP AROUND)

o: Choose a song at random. Which ship or character does it remind you of?

i threw a dart and it landed on this which reminds me of wen kexing in that moment in the novel when hes gearing up to slaughter mo huaiyang and hes all exhausted and bleeding but he needs to avenge his a-xiang‘s silly little husband. (i lied i dont have darts. i clicked next in my epic orchestral music playlist and this is what showed up.)

(while im typing this this started playing and now im thinking about elizabeth swan ,, ,,,, im so gay)

t: Do you have any hard and fast headcanons that you will die defending? 

the headcanon i told u last night, about zzs and ljx! i dare u to reread qiye!!! come fight meeeeeeee!!!!!

z: Just ramble about something fan-related, go go go! (Prompts optional but encouraged.)

UM. ive always been very passionate about fictional characters and fictional worlds. when we were kids i would share comics with my brother and we would read them together, when i grew out of my childhood books my sister inherited them and grew to love them just as much as i do. my mom is not a tokio hotel fan per se, and she doesnt watch the same shows or read the same books as me, but we tell each other what we are currently invested in and she loves seeing what i create. fandom can looks like anything, it can be small and offline and familiar and private like what i just described, or it can be subscribing to magazines and read the fan theories and fan letters that are published in it. it can be organizing big events like conventions and forge a bridge between fans and the source material. it can be a community on social media like here on tumblr. but its in its essence all the same, people—sometimes literal strangers— forming connections to eachother simply because they are all in some way moved by the same thing, generating new thought and creativity everyday and cultivating a culture of communication and cultural exchange, entirely seperate from our capitalist society, and i think thats really beautiful

fandom ask game

[the-official-account]

TRUE TTRPG FACT: stars and wishes is a crucial step to finding out if you won the game :3

[jade-curtiss]

Voir le band local sur les app, voir les memes dans le top 5. Good job 👀

[thenerdsofcolor]

When Something is Nearly 'Everything'

In light of its #Oscars wins, poet and O.G. #NOC Bao Phi addresses some of the #EEAAO backlash and what some of those critiques miss about the film more broadly

There’s no fucking way they’re gonna be able to land this, I thought to myself. I’m in a movie theater seeing Everything Everywhere All at Once for the first time. I had heard about it long ago, and was cautiously optimistic. (more…) “”

[legandairy-horror]

Does anyone else feel a strange sort of dread waiting for new deltarune chapters?

It sounds crazy right? I admit it's a weird feeling for sure, and I'm not even 100% sure if dread is the right way to describe it. But as more info is revealed and the next chapter inevitably gets closer and closer to releasing I can't help but feel a strange sort of, melancholy? Longing? The only way I can describe it is "when you know the goodbye is coming". The strange somber feeling when you know you’re going to have to leave stuff behind, but aren't quite ready for it yet.

warning: words. Homestuck

In 3 months Chapter 1 will be 6 years old, and in 2 months Chapter 2 will be 3 years old. Deltarune is ostensibly in Early Access but this release schedule puts new chapters closer in time scale to whole sequals if anything, which they most assuredly are not trying to be. This has created a strange situation in the fanbase that I don't think I've ever truly seen anywhere else. One where, In the time between chapters It feels like everyone has had their own chance to decide what Deltarune is to them. To create their own version of this story, to write their own themes that they want to see explored, to imagine their own events and plot twists they want to see play out.

@lynxgriffin Paper Trail Comic Being an Alternate Story following off of chapter 1

@lilybug-02 The Chara Timeline Being one of many interpretations on the popular Asriel & Chara roommates headcannon.

@huecycles Andromeda Chapters being their interpretation on the full game

The innumerable Deltarune Theorists and analysts like HalfBreadChaos, Andrew Cunningham, Stuffed Alpaca, etc. etc.

@vyletbunni Deltatraveler being a whole ass fangame based around a chapter 2 meme that it has long since outlived

And that's kinda the thing isn't it? Once more deltarune comes out, a ton of these projects will just become outdated, it's an inevitability. So what will happen to them? will they become forgotten? maybe, maybe not, it's impossible to tell. but either way it feels kinda sad to think about yknow? that one day all the time and effort spent and all the memories made might one day just cease to exist.

There's a lot more I could say on this topic if given the chance but to keep this tumblr post from morphing into a 2 hour long video essay in text form let me leave off with this.

In the age of the internet and social media there will always be a fan of something. Nothing truly dies quite like it used to anymore, regardless of whatever influencers want you to believe. But that doesn't mean things stop changing, that there wasn't a past that has since been left behind. I'm a Homestuck fan. more specifically I'm a Late Homestuck fan, one who came in after the comic had already ended and it's peak in popularity was long behind it. The fandom's still around all these years later. But it'd be foolish to admit that, 8 years after the comics controversial end, the inescapable trend of new fans replacing old fans has left the fandom wholly disconnected from the monolith that it once was. the only remnants of which lie in decades old discourse and fanfiction. Like old relics of a long forgotten city, waiting to be excavated under a fine layer of dirt.

Before I close out here I just want to make it clear: I'm not saying that we should be trying to return to some nebulous "glorious past" that never really existed. I'm not trying to deride Toby Fox for not working in the sweatshop hard enough to produce more content™, or whatever you wanna try and spin-doctor this post into. It's just a thought that creeps into my head every now that I wanted to share, see if anyone feels the same, yknow?

Besides it's not all doom and gloom. For those of you OG Homestucks who read till the end. You remember Heinoustuck? Guidestuck? Nightfall? Fucking Ke$haStuck? yeah those are still going by the way! after years of inactivity they've now started back up again. some under new authors and some by the same author but still!

You could say a lot about that but to me at least, it makes me feels hopeful in a way. That, even if not everything will survive. we'll at least have some mementos to remember what came before.

[heartbreakprincewille]

Masculinity In Young Royals

So, in honour of Ke Huy Quan and the team of Everything Everywhere All At Once sweeping the Oscars(been crying about it since morning), I was watching this BRILLIANT video essay(check it out it's so well thought out!) about Waymond(Ke's character) and this gave me thoughts about Young Royals as well, because hyperfixations go hand-in-hand, right? :)

Masculinity, and especially different portrayals and aspects of its prevalent notions is a theme brilliantly explored in the two seasons of Young Royals. I wanted to talk about some characters, and this list will progress from worse to better(not using the word perfect because nuance > perfection).

Note: The traits I will discuss further are not restricted to just a cis or male perspective, anyone can exhibit these traits, but since assertion of masculinity is a constant spectacle in Young Royals, I will associate some traits with it.

1. Vincent

Vincent, especially in S2, embodies the worst traits on the masculinity spectrum, and since his character is understandably not offered the privilege of nuance, he comes off as this typical, toxic, sort of "alpha-male" character, especially after he's elected as the prefect and Rowing Captain. He constantly bullies others, especially Simon, tries to enforce the hierarchy of privilege and class firstly through August and then by himself. As soon as he sees an opportunity shown by Wilhelm to take control in his hands, he doesn't take much time to betray his "friend", August(although August of all people getting betrayed is certainly irony at its best). He kinda reminds me of the Royal Court in some ways- their presence furthering the divide of tradition and social systems in their respective environments.

2. August

The only reason August is not placed higher than Vincent in this list is the privilege of nuance August is provided with throughout the story. This nuance is what sets him apart in the narrative, but is also the thing which dooms him as a character.

August is misogynistic, sexist, classist, obsessed with power and privilege and feels entitled to both of them, set to further the class divide just like Vincent. He stokes his ego like fire, and if someone tries to cross him, he does not hesitate to burn them with the flames, like Wilhelm exposing his money issues and August violating Wilhelm and Simon's privacy in return. He's manipulative, he's calculative, he knows how to scheme things in his favour(failed attempts, though) and he's just a walking red flag of a person. He also falls around the worse side of the spectrum of masculinity.

But, he is offered nuance by the narrative. In S1, it's in the form of familial and personal issues: his dad killing himself, financial problems, addiction issues and possible issues of body dysmorphia. In S2, through his relationship with Sara, we are shown a different side of him- a side that is capable of being vulnerable, capable of being soft, and this almost sparks this hope within the audience that maybe August can change a little, for the better.

But then he's offered a chance of power and his hamartia is revealed to the audience: his inability to change. The greatest tragedy (which is also its brilliance) with August's character is he cannot change for the better. Even if he tries to. He can have opprtunities to grow, but it will be a Herculean labour for him to take advantage of those opportunities and actually change. He is so deeply entrenched in his perceptions of toxic masculinity and power and lost in his conceited, privileged worldview that it's quite hard for him to see the light at the end of the tunnel. And it's what sets him apart in the narrative- despite all his nuance, he is still a terrible person at his core. The nuance is just what separates him from all his shallow and one-dimensional preceding antagonists of the past.

3. Nils

Nils brings a neutral perspective to the extreme hyper-masculine and cishet dynamics upheld by August and Vincent. He's revealed to be queer in S2, but chooses to be discreet about it- which gives him a chance to build solidarity with both his cishet peers(Vincent and August) as well as a fellow queer person (Wille). He's not dismissive of Wilhelm's queerness, but he believes it to be something "better behind close doors". He's one of the few people who actually acknowledges Wilhelm and Simon's relationship, but is also dismissive of it, mainly because of the difference in their social standings. He's devoid of the typical "heteronormative" traits associated with masculinity, especially in S2, but he still uphelds the toxic class hierarchy and privilege.

4. Simon

Simon is a quite interesting character to me on this list because he subverts these traits in a very unique way.

Usually canonically gay characters in media are often stereotyped to possess "feminine" traits, which is NOT a bad thing at all, BUT mostly the portrayal of such characters usually leans more towards the mockery of the "feminine" traits, rather than something which strengthens the queerness of that character.

Simon is actually very different from this famous rendition of gay characters- he's actually very masculine in his behaviour. He exhibits two typical masculine behaviours in general:

1. "Man Of The House", or taking the mantle of emotional(and sometimes financial) stability in a house in one's own hands. He often takes matters in his own hand, especially when Sara says or does something that disrupts the peace of their little family. It's interesting because despite being the youngest person in the family, Linda subconsciously lets him take the mantle on his shoulders, without realizing how heavy it can be. And consequenty, it brings us down to the second trait:

2. "Suppressing emotions", or avoiding being vulnerable in public spaces or with people one loves and trusts. Simon constantly shoves what he's feeling deep in his heart, he refuses to break open in front of people, in front of Wille(S2 E6 gun scene) and would go to lengths to maintain a facade of "everything's fine!" even if he's breaking inside. It makes sense because his backstory alludes to hesitation to open up to people and it can be possibly related to his familial trauma, but it's still interesting nevertheless because he shows incredible emotional maturity throughout the story, much more than his predecessors on this list. He's devoid of both the toxic traits of heteronormativity and elitist behaviour associated with "masculinity" in Young Royals, but he still possesses a different set of problems associated with orthodox masculinity.

5. Wilhelm

Wilhelm is, in my opinion, the closest example to what is emerging as the new definition of "masculinity" in the current media. Wilhelm, through his immense emotional journey and growth in the two seasons, subverts all the traits of masculinity displayed by his predecessors in the list with grace and humility.

He's not obsessed with upholding traditions and asserting heteronormativity like Vincent and August, he is quite indifferent to it in S1, the only "compulsion" he feels to do so is immediately after Erik's death in S1, which he quickly overcomes as well. His "revenge" attempts on August by pulling rank and exercising his privilege stems from a feeling of injustice and anger rather than something he enjoys or feels the need to practice at all.

August's hamartia is Wilhelm's strength. Wilhelm, unlike August, displays great capacity to change for the better, which he constantly does throughout the story. Love knocks on both of their doors as an opportunity to grow, to change for the better, and while Wilhelm embraces it, August slaps the door shut on its face.

Unlike Nils, neither Wilhelm's queerness was never given a chance to be discreet in the first place, nor he ever felt the need to do so. The idea of keeping his and Simon's relationship a secret was more of an idea subconsciously conceived by Kristina in Wilhelm's head rather than his own desire to be secretive.

Wilhelm even subverts the traits displayed by Simon in this regard- the position of the "Man Of The House" falls on him in the form of "Crown Prince of Sweden", and although he understandably struggles with the role initially, by the end of S2, he consciously embraces the role with grace and humility. Compared to Simon, Wilhelm wears his heart on his sleeve, he is not afraid to express his true emotions to the people he love and trusts, and even to strangers.

[irena-dubrovnaa]

t*m dr*ke stans need to write a 10 page essay on orientalism and anti-arab racism/islamophobia in post 9/11 north american creative spaces and publishing houses before they're allowed to mention ra's al ghul or damian wayne ever again god bless

[yehsahihai]

Things I’ve said while editing my friend’s essay:

I TOLD YOU TO GET MORE SLEEP. NOW LOOK AT THIS BRAINFUCK

Sometimes, just sometimes, a semi colon goes a long way

WHY ARE YOU SHOVING HOWEVER EVERYWHERE?????

Reyyy ni….

Some brain also you have or you donated it?

Hein???

Why is there such a disconnect between your thoughts and what’s on the doc?????

WHAT HAVE YOU BEEN DOING IN ENGLISH HL FOR TWO YEARS?

*incomprehensible noises of wanting to strangle someone and still trying to be nice*

Have you even read your essay again???

“the opposition towards the approach to enforce the veil upon those who don’t abide by it has clear opposition” Girl……are you high? 

What even is mediatory bey?

You have bullshitted so much, my god

“Holistic approach” what is this? A school?

Shhhh. Let me think because clearly………..you didn’t

What even is grammar, amirite?

I think, I need a new brain. 

How many times will you repeat the same idea in updated words?

WHAT IS YOUR OBSESSION WITH HOWEVER?

Confide to the law? The law is your friend that you confide to it? 

*indeterminable levels of confusion* Hein????????

People of god? PeOpLe Of GoD?? Did you just directly translate Allah ke bande or what?

You're footing my therapy bill

[meraki-yao]

Some people say Nick posts about mary & george when there is something about Taylor because he wants to show that he has real jobs and shift the focus to real projects god, they're so evil

Jesus Christ, fuck them. They're stirring drama for drama's sake. That's their FUCKING JOB. M&G is literally 2 weeks, 14 days away, why wouldn't Nick post about M&G? Like they didn't choose for these dates to collide, it just did.

So yeah you're right, those people are fucking evil who can't leave a good thing alone.

But honestly, I'm amused by this "argument"/"criticism", and I'll tell you why (warning: discussion of real-person shipping under the cut, please don't read if you're uncomfortable with the subject)

Also warning, I ended up with a short-essay, because I'm me lmao

As I mentioned before, for rwrb I'm mostly active here; but I also look at the posts and opinions of the Chinese rwrb fandom (i don't post there though, I don't have nor want to have Chinese social media accounts)

and the thing about shipping culture in China is that RP shipping is almost DEFAULT (and I can write a whole dissertation on this phenomenon if anyone wants to read it) like, if you ship a pair in a show/movie unless the actor/actress is publicly in a long term MARRIAGE, not just relationship, MARRIAGE FOR LIKE AT LEAST FIVE YEARS, the audience will automatically ship the actors too. So much so that this is part of THE MARKETING STRATEGY of all locally-produced streaming shows

Also, when I say ship, I don't mean "aww that's cute they're cute together", I mean tin hatters. I mean they genuinely try to find snips and bits in photos that might serve as proof that they're together. We call it 嗑（磕）糖 ke tang (Eating/Drugged by Candy), because in Chinese weddings candy (called 喜糖 Xi Tang "happiness"-"candy") is given to guests, and because it's sweet. The "evidence" is called "candy", and the act of looking and finding "candies" is called "eating candies".

all this to say, nearly all rwrb fans in China ship Taylor and Nick together, and they're genuinely convinced that they're together. I've seen my fair share of "candy"/"evidence" and they keep coming. (some of those i genuinely think they're trying too hard but there are really some that I see and go "...damn.")

now finally back to this ask. Nick posting when Taylor has an event, what the people mentioned in the ask is bitching about, IS CONSIDERED A CANDY. EVERYBODY IS GIGGLING AND GRINNING OVER THE FACT THAT NICK AND TAYLOR POPPED OUT TOGETHER IN THE PAST COUPLE OF EVENTS LIKE THE GQ, THE ACADEMY GALA, MILAN AND TODAY. IT'S LITERALLY THE OPPOSITE END OF THE SPECTRUM.

a last little tidbit from me and my opinion on the whole shipping thing for now: personally I don't entirely agree with the default real-person shipping, it has proven to be problematic in the past and honestly I hate how monetized it is, but 1, it's such an "everybody in the country does it" thing that I... would be lying if I said I'm not influenced by that mindset at all, 2, I know where this mindset came from and it has stuff to do with the societal pressure of young adults in the country and rebellion against traditional concepts of marriage and stuff. It's a sociology phenomenon, and when I look at it as an outsider, I find it kind of fascinating.

As for my opinion on the boy's relationship, I don't...care? I know they have a good relationship and that's all I want for them. As for what type of relationship they have, I don't really mind/care, and I don't think we should look too much into that. That's their relationship for them to define and them to publicize if they want to. I know for a fact, that they are great friends. Are they more than friends? That's unfalsifiable, and that's no one's business but their own. So that's my stance.

But I had to choose one extreme fan's reaction, rps is a much less harmful thing than the sheer amount of hate and deliberate drama-stirring I've seen. So there.

[klug]

So Puyo Puyo Puzzle Pop is out and I see a lot of theories going around… This is half a self-indulgent post for me and half a poorly thrown together essay reviewing Sig and Aya's and the blue soul and the crimson soul's, relationship to each other. because boy is it a bit of a complex web. @_@

Some people were talking about their relationship today in EPPC, and I'm bad at talking to people, so I decided to put my thoughts in a post + touch on some misconceptions (I guess?) around since the game just came out and it relies on knowing information presented in extra material like the audio dramas and the (sega) novels.

And of course, spoilers for the first 4 main routes of Puzzle Pop.

some quick bullet points before I start… you can skip this if youre fairly familiar with fever 2, tetris 2, and the novels

is Aya possessing Sig?!

how did Sig's power get unleashed by Meena? are they super ultra powerful??

no, Aya is clearly still imprisoned safely contained in the tome of sealing, so it probably isn't behind this. We also know in Lidelle's route that it and Klug were having some kind of argument after he ran into Sig.

Well, in the game, Lemres establishes that Meena normally is not that powerful… Rather, it's been a bit implied over the course of the games that his powers have been growing stronger, so I think that it's more that Meena broke down a dam that was already barely holding itself together… a brief timeline…

Puyo Puyo Fever 2 - Sig transfers to Primp Magic School and his hand suddenly turns red. This can presumably be linked to his proximity to the tome of sealing. Akuma attempts to prevent further resonation by using the Ito Hairito enchantment. Attempts at "curing" his hand are touched on in Puyo Puyo! 15th Anniversary

Sig's Secret happens a bit before Puyo Puyo!! 20th Anniversary, and he has the incident of his powers being awakened by Witch's potion. This is the first time we actually see the "Demon part" of him take over, and it turned both of his eyes red when this happened. (src)

Puyo Puyo Tetris 2 - Sig and Klug are protected by a certain power from being influenced by Marle when she's causing mayhem in Primp Town. The crimson spirit was potentially protecting Klug in this situation, but what about Sig? I theorize that his own demon powers, which have been growing stronger, actually protected him as well. (Lemres' substory, PPT2)

Puyo Puyo Puzzle Pop - Sig befriends Meena and offers to share some of his power. This seems to open the floodgates and allow the demon parts of him to take over.

fun fact: The words for "arm" and "hand" are the same in Japanese, so a lot of fans were actually surprised when they saw that his entire arm is red and not just his hand when his art in 20th came out.

Now, with those bullet points out of the way… the meat of this post is focusing more on Sig and Aya/Strange Klug/Possessed Klug/Crimson Spirit/Whatever name you want to call its relationship.

I think most people take the text in the games at face value, though the editing choices in translation don't really help I guess...the first instance of "red power" being translated as "evil power" will never be forgiven, but it's okay since Lemres and Schezo get it right--. I see a lot of people think that Aya is somehow influencing Sig in this story, but it has been established that Sig has the potential to tap into the full power that Aya probably wants access back to in Sig's Secret when Witch's power potion spills on him.

Back then, Sig and Amitie's friendship, and really any of his friendships, weren't very well-defined. However, she was able to bring him back by reminding him of their friendship...

Hey, Sig! …Let’s go back to café prep, alright!? I mean, Raffina’s gonna be super mad if you don’t show up! And then Klug’s gonna go all sarcastic on you again! Do you want that!? And, and, we haven’t even figured out what to put on the menu for our Special yet! If you really want me to, I’ll let you put whipped cream, for real!” I just kept screaming one thing after another as it came to me. Please, please, please… Please, let Sig hear my voice! “Please, come back to us! I promise, we all love you, so, so much! And I know, I know that deep inside, you really, really want to stay with us, too…!”

(src)

He manages to regain control of himself though clearly Amitie reminding him of everything isn't working in Puzzle Pop.

I kind of resummarized the climax of Sig's Secret because it felt important to contextualize his behavior, how its different in Puzzle Pop, and how people tend to conclude that "he must be possessed by Aya" as the first thought in Puzzle Pop. I also did this, though it was because I watched the routes out of order (lol). The behavior of this not!Sig is reckless, power-hungry, very very very gloating (just read the novel), and doesn't see any importance in friendships when it comes to Amitie and Meena (Lemres' route in Puzzle Pop). Meanwhile Aya, who has a very clear outlined goal of getting Sig back is…generally levelheaded, calm, and although angry about its situation, doesn't always charge straight for Sig whenever it's unsealed ("Amitie and Lidelle's Primp Tour", Puyo Puyo!! Quest story mode, etc.) So I think the binary the game presents of Aya being "evil" and Sig being "not evil" is not necessarily true considering how unreliable the narration of the "tome of sealing" is. I find it more accurate to say that they're power/impulse and control/logic, or you could argue they're a conscious and an unconscious.

I theorize that a piece of their original power lies dormant in Sig, and it is this power that Aya specifically wants back because it's…pretty powerless in its current form. This power, possibly the "crimson power", drives the "blue soul" in Sig a bit power hungry when its unleashed, and it has no conscious to control it because the "crimson soul" isn't in the vessel. I also think Sig and the "blue soul" are separate entities to an extent.

“Stop talking… Be quiet, just shut up! Gh… With every word you say, the voice in my head, it…GAAAAHHHH…!” “A voice, in your head? T-That’s gotta be Sig! Hey!! Sig!! If you can hear me, say something!”

(src)

The best comparison I have to this situation is Cinderpelt's reincarnation into Cinderheart in the book series Warriors. Cinderheart inherited Cinderpelt's soul after the latter's death, but because Cinderheart's grown to have her own experiences and is a separate entity while Cinderpelt lay dormant in their mind, they will separate in death. I think this "copilot"-ish situation is the case with Sig and it's why they're vying for control a second time in Puyo Puyo Puzzle Pop.

I think that's why not!Sig is so "evil" and also gives people the impression that it might be Aya -- considering I also thought this -- though it's probably not the case since this story follows a similar formula to Sig's Secret with some tweaks to reflect a lot of subtle character growth, which is the subject of the next section.

Now, people might ask…why aren't Sig's eyes red and his hair dark like they were in Sig's Secret? Well, I think this is due to texture limitations for one, but I also think this is a sign of Sig's personal identity growing stronger over the course of the games. He has relationships he wants to hold onto, his own experiences, his own life, so he wouldn't just easily give up control of his physical vessel, even if he hasn't been speaking as himself in Puzzle Pop so far… This story's already done a lot with establishing Sig as a character and the importance of his relationship with Amitie, and he hasn't even actually spoken, which I find impressive. I also just like that all this stuff is only clear if you pay attention to the steady build up of the stories from the past few years… well, they were just breadcrumbs, I guess...Listen I've been following this plotline for 7-8 years and its been in the works for like 13? So you have to forgive me for feeling happy about having all the pieces of the puzzle.

As for what this means for the role Aya/the crimson spirit will play in the story… I'm not sure. I honestly don't expect it to appear at all since all the models/animations are recycled from Puyo Puyo Chronicle with some touch ups save for Meena. It has been referenced though, and the profiles in-game go in-depth on who it was and is, but I can't say if it'll actually make a fully story appearance…Especially since Klug was relegated to a side story role. Which is fine, I don't really care despite my URL. it was a good story. I do however expect this story to shed a lot of light on the relationship between the Sig, blue soul, and the crimson soul once its complete. I haven't even touched on my personal interpretation of Amitie and her hat, so maybe I'll make another post about that in the future? I think her situation is meant to parallel Sig's, but I'll save that for another time if people are interested...

As usual some of this is my interpretation, but everything I sourced is real and true and I'd never lie to you, etc.

Misc. Fun Stuff

These were things I liked about Aya and Sig's imagery/motifs but I wasn't able to fit into the post concisely.

not!Sig uses the same pronouns as Aya, 我 (wa) and お前 (omae), though they're written in hiragana as opposed to Aya's kanji. This is actually why I thought he was possessed because I walked into a stream in the middle of Ringo's route, haha.

My theory of Aya and Sig being a conscious and an unconscious are actually inspired by one of Aya's spells anima. Now in Latin this really just means "soul" which is fine, but in Jungian psychology the anima and animus are a dualistic archetype…which is cool, though this would potentially mean the crimson spirit is the unconscious part, haha! Technically they'd align more with Freud's concept of an id and a superego as I explained them, but I always like pointing out the possible Jungian reading of Aya's spell Yes, I realize I'm grasping for straws

[ordinary-anime-lover]

NOW FOR DEATH FAN BOYS , I am about end your carrier !!! You all think death neg diff Kai 🤣🤣.. the truth and reality is that tigress from kfp 3 will mid diff death at the most, I say again AT THE MOST !!!. NOW FOR TAI LUNG mortal,Tai lung kfp 1 low diffs at all costs ! And this tai lung will show mercy also !! If No Mercy !! Then No-Low Diff. Now for spirit warrior form Tai lung, now i am already giving you a very big trigger warning because if you love death too much then you will never accept this FAX !!!!... SPIRIT WARRIORS, WHAT DO WE KNOW ABOUT THEM IN CANON ??.

NOT MUCH, BUT BY USING SOMETHING CALLED BRAIN ☠️, I CONCLUDED SOME CONCEPTS REGARDING THEM ALL !! PAY ATTENTION FROM HERE !!.

1- ENERGY IS WHAT EVERYTHING IS MADE UP OF !

2-CHI CAN BE REALLY & TRULY DEFINED AS THE PUREST FORM OF ENERGY !!

3- NOW CHI ALSO HAVE TYPES OR WE CAN... 2 MAINLY 3 TYPES I HAVE THOUGHT AND IN THOSE 3,ONE IS ACTUALLY MADE BY ME !!..

(i) DRAGON CHI ( THE POWER WHICH A DRAGON WARRIOR USES !!! )

(ii) SPIRIT CHI ( WHAT EVERY SPIRIT WARRIOR IS MADE UP OF !! ( REMEMBER EVERYTHING IS MADE UP OF ENERGY !! AND IT HAS TYPES ).

(iii) CURSED CHI [ THIS IS WHAT I HAVE MADE ] A VERY INSANE TYPE OF CHI &ABLE TO DESTROY OTHER CHI & ENERGY ALL TYPES !! ALL !! LIKE DRAGON & SPIRIT ! [ A CURSED ARTIFACT NAMED URIKEN HAS THIS ABLITY.. if you have seen my ke-pa & jindiao post on my page. Then you know what exactly I am talking about !!...

( sorry for going off topic; but that was mandatory to stop these death fan boys !! )

NOW WITH ALL MENTIONED DATA ABOVE...

SPIRIT WARRIOR TAI LUNG & KAI BOTH ARE TRULY IMMUNE TO ALL NON-CHI BASED ATTACKS !!! ALL TYPES OF PHYSICAL DAMAGE ! AND TAI LUNG WAS ALREADY HAVING INSANE SPEED IN HIS MORTAL FORM BUT IN HIS SPIRIT WARRIOR FORM HE HAS INFINITE STAMINA AS WELL + INFINITE ENDURANCE AS HE IS ONLY VULNERABLE TO CHI-BASED ATTACKS !!!...

So Conclusion-

SHIFU>DEATH MID DIFF BOTH 100% ( PRIME ).

TAI LUNG>>DEATH NO-LOW DIFF. BOTH 100% NO HOLD BACK ( BOTH PRIME )

PO KFP 1>DEATH MID- HIGH DIFF ( PO HOLDING BACK AND NO HOLD BACK THEN NO DIFF DURABILITY CARRIES 👀)..

PO KFP2 >>> DEATH NO DIFF ( HOLD BACK, NO HOLD BACK PO NO DIFF ).

PO KFP3 BASE>> DEATH NO DIFF..AND DRAGON WARRIOR PO>>> DEATH NEG DIFF

KAI KFP3 MORTAL WORLD & SPIRIT WARRIOR FORM BOTH NEG DIFF.

TAI LUNG FROM MY KFP 4 SPIRIT WARRIOR FORM>>>>>> DEATH NEG DIFF.

TAI LUNG THUNDER TRIGGER 1 >>> DEATH MID DIFF ( STABILITY DISADVANTAGE + TAI LUNG WILL LOSE HIS STAMINA, BUT STILL 2 SHOTS DEATH ). TRIGGER 2 >>> DEATH AND HIS VERSE NO DIFF... AND TRIGGER 3>>>PUSS IN BOOTS VERSE BEYOND NEG DIFF.... 🗿🗿🗿🗿🗿🗿🗿🗿🗿🗿.

REBLOG IF YOU AGREE 👍!!! THANKS FOR READING THIS ESSAY 👀☠️.

[binomech]

hello tumblr-using reader, i'm making this post primarily so that my followers don't think i'm being possessed by a moomin when i post in toki pona, and also to compile useful resources for people who want to learn.

so what is toki pona?

toki pona is a minimalist constructed language created by Sonja Lang and published back in 2001; it started out proposing 120 core words (in the original book known as pu) and adding 61 afterwards (in the follow-up dictionary known as ku). however, the language is alive and constantly changing both through the addition of nimi-sin (nimi sin = new word) by the speakers and new nasin (nasin = way, in this case refers to a personal manner of using toki pona).

recommended resources

nimi.li

my favorite toki pona dictionary, by ilo Tani; it uses data from the Linku survey to determine usage and provides a compact and accessible interface

lipu sona

soweli Tesa’s beautiful and friendly site with lessons for toki pona beginners, includes some link to other people’s courses as well

nasin toki

a core grammar guide with short, clear explanations by kili pan Juli

lipu lili pona

jan Ne’s toki pona cheatsheet featuring phonetics, a simple dictionary and core grammar tennets

naming yourself in toki pona

a very helpful guide from poki Pakapa for people, especially those new to toki pona, who are trying to understand naming conventions in the language and trying to pick a name for themselves. it includes a phonetic tokiponization guide and an overview of common semantic spaces for head words

why all manmade “ma pona” suck

an essay by ilo Mimuki about colonial mindsets in toki pona spaces

lipamanka’s website

a site hosted by lipamanka that has very interesting meta essays, stories, and is the home of the linjamanka font. it also hosts a semantic space dictionary.

ante toki pona’s font tool

a comparative spreadsheet of different toki pona font glyphs and features by jan Ke Tami

telo misikeke

a grammar checker by jan Nikola; it’s not entirely automated, it just looks for common mistakes and stacks them in a way that forces you to correct one before you see if there’s anything else wrong with the proposed solution. it’s a lovely learniang tool and a good first run for proofreading.

categorized word list

jan Tenpi made a resource that I would’ve loved to have when I was learning vocabulary, the categorisation is intuitive and really helps with remembering definitions and sitelen pona