#katie cappiello

[davidhudson]

It’s on.

[paulmescalsnose]

holy shit now this is a story. wow. nice to see the interview requests coming in, but just a reminder that a diverse cast doesn’t mean much if this is how the people behind the scenes are treated.

[vintagewarhol]

[edharrisdaily]

Lily Rabe, Ed Harris, Vanessa Hudgens and Finn Wittrock To Star In Sony’s Adaptation Of Chuck Klosterman’s ‘Downtown Owl’

EXCLUSIVE: Sony Pictures’ Stage 6 Films has set an all-star cast for its adaptation of Chuck Klosterman’s Downtown Owl with Lily Rabe, Academy Award nominee Ed Harris , Vanessa Hudgens, Finn Wittrock, Jack Dylan Grazer and August Blanco Rosenstein. Rabe will also be directing the pic with long-time collaborator Hamish Linklater, joining her as co-director. Linklater, who most recently starred in Midnight Mass, also adapted the screenplay. T Bone Burnett is doing the music.

The film was part of the Sundance Institute Creative Producing Summit and Talent Forum and will be produced by Bettina Barrow and Rabe of Kill Claudio Productions, Rebecca Green and Linklater.  Laura Rister is exec producing as well as Lee Broda and Joel Michaely. Tom McLeod is co-executive producer. The pic is currently in production in Minnesota.

Three Point Capital is financing the pic. Initial artist support funding provided by Esme Grace Media.

The story is set somewhere in rural North Dakota in 1983 and is the fictional town called Owl where you won’t find cable or pop culture, but you will find a downtown with a first-rate Chevrolet dealership, three bars and a new high school English teacher whose presence upends the lives of locals just in time for a white-out blizzard for the ages. Sony Pictures’ Stage 6 Films acquired worldwide rights to the film.  Barrow and Rister negotiated the deal with Stage 6 Films.

Eric Charles and Elizabeth Grave are overseeing the project for Stage 6 Films.

“We are so thrilled to have the opportunity, with this phenomenal cast, exquisite crew, and brilliant producing partners, to bring Chuck Klosterman’s human, haunting, and hilarious novel to the screen. We both grew up in small towns, towns that we love. The town of Owl, sweet and sour, has felt like home to us from the first read and we are elated to be making this love story about home into a movie,” said Rabe and Linklater.

Rabe can currently be seen in Showtime’s anthology series, The First Lady, and recently finished production on HBO’s limited series, Love and Death. She was most recently seen in Amazon Studio’s Tender Bar opposite Ben Affleck and directed by George Clooney; as well as Barry Jenkins’ Underground Railroad and Ryan Murphy’s American Horror Story: Double Feature.

Wittrock’s film credits include Long Weekend, starring Zoë Chao, A Mouthful of Air, starring Amanda Seyfried, Judy, starring Renée Zellweger, The Last Black Man and If Beale Street Could Talk. He also starred in American Horror Story: 1984 and Ratched. Up next, he will appear alongside Mila Kunis in Netflix’s Luckiest Girl Alive and HBO Max’s Green Lantern, based on the DC comics.

Harris is a four-time Academy Award nominee and a two-time Golden Globe winner for his performances in The Hours, The Truman Show, Apollo 13, Game Change (HBO), Empire Fall (HBO) and Pollock – his feature film directing debut. His second film, as director, screenwriter and actor, was Appaloosa, co-starring Viggo Mortensen. He is returning for Season 4 of the HBO series sensation, Westworld.  He will next be seen in Top Gun:Maverick, and can be seen in Netflix’s The Lost Daughter, Maggie Gyllenhaal’s award-winning film adaptation of the Elena Ferrante novel.

Grazer starred in Luca Guadagnino’s We Are Who We Are for HBO. He also starred in Warner Bros. horror films It and It: Chapter Two, based on Stephen King’s classic 1986 novel of the same name, Shazam! and Shazam! Fury of the Gods and most recently voiced the lead role of Alberto Scorfano in Pixar’s Oscar-contending animated feature Luca and 20th Century Studios’ Ron Gone Wrong.

Rosenstein is a graduate of LaGuardia High School for the Performing Arts, and currently a student at Northwestern University. He can be seen as ‘Victor’ on the Netflix series Grand Army, created by Katie Cappiello and produced by Beau Willimon and Chris Hatcher. His other film and TV credits include The Last Full Measure, starring Sebastian Stan, Christopher Plummer, Ed Harris and Samuel L Jackson and Blumhouse’s series The Purge. Hamish most recently starred in Mike Flanagan’s Netflix limited series, Midnight Mass, where he received critical acclaim for his starring role of “Father Paul.” Additional credits include Adam McKay’s The Big Short, the Amazon series Tell Me Your Secrets, and Aaron Sorkin’s HBO series The Newsroom.

Rabe is repped by WME, Sugar23 and attorney Tara Kole at Johnson, Shapiro, Slewett & Kole. Harris is repped by CAA and Julian Zajfen of Ziffren Brittenham. Wittrock is represented by CAA, Weissenbach Management, and Schreck Rose Dapello Adams Berlin & Dunham.  Grazer is repped by WME and manager Todd Tanquay. Hudgens is represented by CAA, Untitled and Ziffren Brittenham LLP. Linklater is repped by ICM, Untitled Entertainment, and attorney Tara Kole at Johnson, Shapiro, Slewett & Kole. Rosenstein is repped by Jill Kaplan at Authentic Talent and Literary Management.

[make-me-another-bloodymary]

About Grand Army and Joey

One reason why Joey from GA is such an empowering character is that while she understands that she has the freedom to enjoy her life the way she wants, she also has the power to consent. And she goes through a tumultuous phase of decision making where it is hard for her to pin her friends down as rapists. The show (rather the writer Katie Cappiello) has done an incredible job of capturing the point of consent, the yes or no moment really well and kudos to her for that. Sometimes i feel most shows do not want to do this because of the revelation that it might bring upon people, that it might be hurtful. But, because GA does this so well, the internal struggle that Joey goes through to decide upon the fact that she was raped becomes too real. And it is not just about the act. It’s about breach of trust too sometimes. Anyway, something happened right now, and i will finish this post later.

[deahsohun]

Last but Not Least- Bibliography

Change and Eng and Me (and Me) Tobi Poster-Su

Corden, A. and Sainsbury, R., 2006. Using verbatim quotations in reporting qualitative social research: researchers' views (pp. 11-14). York: University of York. (Roberts, Bergstrom, Rooy, 2007)

Friday Night Love Poem, Crossline Theatre

https://www.crosslinetheatre.com/friday-night-love-poem

Gibson, J., 2011. Saying it right: Creating ethical verbatim theatre. NEO: journal for higher degree research students in the social sciences and humanities, 4, pp.1-18.

Lovesong, Abi Morgan in collaboration with Frantic Assembly

Negative Space, Reckless Sleepers

Prostitution in the UK, politics.co.uk

https://www.politics.co.uk/reference/prostitution/

Roberts, Ron, Sandra Bergström, and David La Rooy. "UK students and sex work: Current knowledge and research issues." Journal of community & applied social psychology 17, no. 2 (2007): 141-146.

Selling Sex, Louis Theroux, BBC iPlayer

Sex In Strange Places, Stacey Dooley, BBC Three iPlayer

SLUT: The Play, The Arts Effect All-Girl Theatre Company

https://www.theartseffecthistory.com/about

[americbuzz]

Latest Grand Army Season 2 (2022) | All Major Updates About Cancellation

Grand Army is an American Teen drama streaming television series created by Katie Cappiello. The show premiered on Netflix on 16 October 2020. The show is based on the play by Katie Cappiello, Slut: The Play. The teaser was released as well as first look images in September 2020, followed by a full trailer in October. The series premiered on October 16, 2020, with 9 episodes instead of the original order of 10 episodes continue reading

[briefnewschannel]

'Grand Army' Season 2: Canceled After One Season at Netflix

‘Grand Army’ Season 2: Canceled After One Season at Netflix

Grand Army – Copyright. Netflix After waiting several months, Netflix has made the decision to end Grand Army after only one season. This doesn’t come as a huge surprise given the distinct lack of hype or attention the series garnered upon its release, not to mention the controversy surrounding series showrunner Katie Cappiello. Grand Army is a Netflix Original coming-of-age drama series written…

[mundo-misterio]

Grand Army: cancelada, no hay temporada dos para la serie dramática adolescente de Netflix - Programas de TV cancelados + renovados

Grand Army: cancelada, no hay temporada dos para la serie dramática adolescente de Netflix – Programas de TV cancelados + renovados

por Trevor Kimball, 17 de junio de 2021 (Netflix) Otra serie de Netflix recibió una descarga anticipada. El servicio de transmisión canceló la serie de televisión Grand Army después de una temporada de nueve episodios. Basada en la obra de Katie Cappiello Slut: The Play de 2013, la serie de televisión Grand Army está protagonizada por Odessa A’zion, Maliq Johnson, Amalia Yoo, Amir Bageria, Odley…

[alicejohnn9087]

Best TV Series to Watch on Netflix This October

October is one of the exciting months in 2020 for binge lovers. With a brand new series of Spitting Image and the highly anticipated second season of the Mandalorian on the way, there is a lot to look forward to.

In this article, we will mention some of the best upcoming series you can watch this October:

Good Morning, Veronica

Good Morning, Veronica is an upcoming web series on Netflix which is based on the novel of the same name. The premier of Good Morning, Veronica is set to premiere on October 1, 2020. The star cast of the series includes Tainá Müller, Eduardo Moscovis, Camila Morgado, Elisa Volpatto, Silvio Guindane, César Melo, Adriano Garib, and Antônio Grassi. The plot of the series revolves around Veronica Torres, who works at a homicide police station. After witnessing a shocking suicide of a young woman, she decided to investigate two cases on her own.

Emily in Paris

Emily in Paris is an upcoming comedy-drama web series directed by Darren Star. The series is set to premiere on October 2, 2020. The star cast of the series includes Lily Collins, Ashley Park, Philippine Leroy-Beaulieu, Lucas Bravo, Samuel Arnold, Camille Razat, and Bruno Gouery. The web series revolves around its main character, Emily, an American woman who moves to Paris to grab a job opportunity but ends up in a cultural clash.

Deaf U

Deaf U is an upcoming Netflix documentary produced by Nyle DiMarco, a deaf activist. The Deaf U series is set to premiere on October 9, 2020. The series revolves around a group of students who attended Gallaudet University. The main goal of DiMarco behind producing the series is to show deaf people as humans.

The Haunting of Bly Manor

The Haunting of Bly Manor is a supernatural horror web series directed by Mike Flanagan. The series is loosely based on the horror novel “The Turn of the Screw” by Henry James. The star cast of the series includes Victoria Pedretti, Henry Thomas, Oliver Jackson-Cohen, Kate Siegel, T’Nia Miller, Catherine Parker, Rahul Kohli, Benjamin Evan Ainsworth, Amelie Smith, Amelia Eve, and Tahirah Sharif. The web series revolves around a young governess hired by a man to take care of his niece and nephew at the family country house. After reaching the Bly estate, she begins to see the shadows which are haunting the Bly Manor. The Haunting of Bly Manor will be a satiating series for horror lovers.

Grand Army

Grand Army is an upcoming American drama series based on the “Slut: The Play by Katie Cappiello.” The series is set to premiere on October 16, 2020. The star cast of the Grand Army includes Odessa A’zion, Amalia Yoo, Jayson Jackson, Amir Bageria, and Odley Jean. The plot of the series revolves around five students at Grand Army High School in Brooklyn.

Conclusion

Netflix has lined up some fantastic releases this October. You can expect some great drama, comedy, and horror web series to binge-watch.

Source : https://tapren.com/best-tv-series-to-watch-on-netflix-this-october/

[apocalypticmovierp]

‘Grand Army’ Teaser: Odessa A’zion Stars In Netflix’s Upcoming Teen Drama Series

The teen drama somehow reinvents itself with each passing decade. Netflix’s “Grand Army” seeks to tell the stories of a generation facing challenges that go well beyond usual tropes. In the series, set over nine episodes, Brooklyn high school students face a world filled with increasingly difficult challenges.

READ MORE: 2020 Fall TV Preview: 45 Shows To Watch

Katie Cappiello’s “Slut: The Play” acts as the basis for the project.

Continue reading ‘Grand Army’ Teaser: Odessa A’zion Stars In Netflix’s Upcoming Teen Drama Series at The Playlist.

want watch movies online from The Playlist https://ift.tt/32UJPdW by via watch movies online via IFTTT

[spoilertv]

Grand Army - Based on Katie Cappiello’s Play ‘Slut’ Ordered to Series by Netflix http://dlvr.it/RGxbSK http://dlvr.it/RGxbSK

[thefreedomspray]

Rape Culture Readings

Abdullah-Khan, Noreen. Male Rape: The Emergence of a Social and Legal Issue (Palgrave Macmillan, 2008). Angelou, Maya. I Know Why the Caged Bird Sings (Ballantine, 1969). Armstrong, Elizabeth A., Laura Hamilton, and Brian Sweeney, “Sexual Assault on Campus: A Multilevel, Integrative Approach to Party Rape,” Social Problems, vol. 53, no. 4 (2006), pp. 483–99. Azoulay, Ariella. “Has Anyone Ever Seen a Photograph of a Rape?” in The Civil Contract of Photography (MIT Press, 2008) Bederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880–1917 (University of Chicago Press, 1995). Bevacqua, Maria. Rape on the Public Agenda: Feminism and the Politics of Sexual Assault (Northeastern University Press, 2000). Block, Sharon. Rape and Sexual Power in Early America (University of North Carolina Press, 2006). Boswell, A. Ayres and Joan Z. Spade, “Fraternities and Collegiate Rape Culture: Why Are Some Fraternities More Dangerous Places for Women?” Gender & Society, vol. 10, no.2 (1996), pp. 133–47. Brison, Susan. Aftermath: Violence and the Remaking of a Self (Princeton University Press, 2003). Brownmiller, Susan. Against Our Will: Men, Women, and Rape (Simon & Schuster, 1975). Buchwald, Emilie, Pamela Fletcher, and Martha Roth, eds., Transforming a Rape Culture (Milkweed, 2005). Bumiller, Kristin. In an Abusive State: How Neoliberalism Appropriated the Feminist Movement against Sexual Violence (Duke University Press, 2008). Burstyn, Varda. The Rites of Men: Manhood, Politics, and the Culture of Sport (University of Toronto Press, 1999). Butler, Judith. Frames of War: When Is Life Grievable? (Verso, 2016). Campbell, Kirsten. “Legal Memories: Sexual Assault, Memory, and International Humanitarian Law,” in Signs, vol. 28, no. 1 (2002), pp. 149–78. Cappiello, Katie and Meg McInerney, eds., SLUT: A Play and Guidebook for Combating Sexism and Sexual Violence (Feminist Press, 2015). Celis, William. “Date Rape And a List At Brown,” The New York Times, November 18, 1990. Clark, Annie and Andrea Pino, We Believe You: Survivors of Campus Sexual Assault Speak Out (Holt Macmillan, 2016). Coates, Ta-Nehisi. Between the World and Me (Spiegel & Grau, 2015). Connell, R. W. Masculinities, 2nd ed. (University of California Press, 2005). Crenshaw, Kimberle. “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review, vol. 43, no. 6 (July 1991). Critical Resistance and Incite!, “Statement on Gender Violence and the Prison Industrial Complex,” in The Color of Violence: INCITE! Anthology (Duke University Press, 2016). Davis, Angela. “We Do Not Consent: Violence Against Women in a Racist Society,” in Women, Culture, and Politics (Vintage, 1990); “Rape, Racism, and the Myth of the Black Rapist,” in Women, Race, and Class (Vintage, 1983). Deer, Sarah. “What She Say, It Be Law” in The Beginning and End of Rape (University of Minnesota Press, 2015). Dick, Kirby and Amy Ziering, The Hunting Ground: The Inside Story of Sexual Assault on American College Campuses (Skyhorse, 2016). Dworkin, Andrea. Intercourse: Occupation/Collaboration (Free Press, 1987). Enloe, Cynthia. “Wielding Masculinity inside Abu Ghraib and Guantanamo,” in Globalization and Militarism: Feminists Make the Link (Rowman and Littlefield, 2016). Estes, Steve. I Am a Man! Race, Manhood, and the Civil Rights Movement (University of North Carolina Press, 2005). Estrich, Susan. Real Rape (Harvard University Press, 1987). Factora-Borchers, Lisa ed., Dear Sister: Letters from Survivors of Sexual Violence (AK Press, 2014). Falcon, Sylvanna. “Rape as a Weapon of War: Militarized Border Rape at the U.S.-Mexico Border,” in Women and Migration in the U.S.-Mexico Borderlands: A Reader, edited by Denise A. Segura and Patricia Zavella (Duke University Press, 2007). Feimster, Crystal. Southern Horrors: Women and the Politics of Rape and Lynching (Harvard University Press, 2011). Filipovic, Jill “The Conservative Gender Norms That Perpetuate Rape Culture, And How We Can Fight Back” in Yes Means Yes (2008) Flanagan, Caitlin “The Dark Power of Fraternities,” The Atlantic, March 2014. Freedman, Estelle. Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation (Harvard University Press, 2013). Friedman, Jaclyn and Jessica Valenti, Yes Means Yes!: Visions of Female Sexual Power and a World Without Rape (Seal Press, 2008). Funk, Rus Ervin. “Queer Men and Sexual Assault: What Being Raped Says about Being a Man,” in Gendered Outcasts and Sexual Outlaws: Sexual Oppression and Gender Hierarchies in Queer Men’s Lives, edited by Chris Kendall and Wayne Martino (Harrington Park Press, 2006). Gay, Roxane. “Peculiar Benefits,” The Rumpus, May 16, 2012. Gilmore, David. Manhood in the Making: Cultural Concepts of Masculinity (Yale University Press, 1991). Goldin, Nan. The Ballad of Sexual Dependency (Farrar, Straus & Giroux, 1989); Nan One Month After Being Battered (color photograph, 1984) Gottschalk, Marie. “Not the Usual Suspects: Feminists, Women’s Groups, and the Anti-Rape Movement,” in The Prison and the Gallows: The Politics of Mass Incarceration in America (Cambridge University Press, 2006). Griffin, Susan. “Rape: The All-American Crime,” Ramparts Magazine, September 1971. Halley, Janet. “The Move to Affirmative Consent,” Signs: Journal of Women and Culture (2015). Harding, Kate. Asking for It: The Alarming Rise of Rape Culture—and What We Can Do about It (Da Capo, 2015). Harding, Kate. Asking For It (De Capo Press, 2015). Hartman, Saidiya. “Seduction and the Ruses of Power” in Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Oxford University Press, 1997). Hasday, Jill Elaine. “Contest and Consent: A Legal History of Marital Rape,” California Law Review, vol. 88, no. 5 (2000). Hesford, Wendy. “Witnessing Rape Warfare: Suspending the Spectacle,” in Spectacular Rhetorics: Human Rights Visions, Recognitions, Feminisms (Duke University Press, 2011). hooks, bell. “Understanding Patriarchy.” Jarvis, Christina. The Male Body at War: American Masculinity during World War II (Northern Illinois University Press, 2003). Jones, Gayl. Corregidora (Beacon, 1987). Kahlo, Frida. A Few Small Nips (painting, 1935) Kimmel, Michael. Angry White Men: American Masculinity at the End of an Era (Nation Books, 2015). Kimmel, Michael and Abby Ferber, eds., Privilege: A Reader (Westview Press, 2016). Kimmel, Michael Guyland: The Perilous World Where Boys Become Men (Harper Perennial, 2009). Kollwitz, Käthe. Raped (etching, 1907) Krakauer, Jon. Missoula: Rape and the Justice System in a College Town (Anchor, 2015). Law, Victoria. “Sick of the Abuse: Feminist Responses to Sexual Assault, Battering, and Self-Defense,” in The Hidden 1970s: Histories of Radicalism, edited by Dan Berger (Rutgers University Press, 2010). Leo, Jana. Rape New York (Feminist Press, 2011). Levy, DeAndry. “Man Up,” The Players’ Tribune, April 27, 2016. Luibheid, Eithne. “Rape, Asylum, and the U.S. Border Patrol,” Entry Denied: Controlling Sexuality at the Border (University of Minnesota Press, 2002). Luther, Jessica. Unsportsmanlike Conduct: College Football and the Politics of Rape (Akashic, 2016). MacKinnon, Catherine. “A Rally Against Rape,” in Feminism Unmodified: Discourses on Life and Law (Harvard University Press, 1988); “Rape: On Coercion and Consent,” in Toward a Feminist Theory of the State (Harvard University Press, 1991). Marcus, Sharon. “Fighting Bodies, Fighting Words: A Theory and Politics of Rape Prevention,” in Feminists Theorize the Political, edited by Judith Butler and Joan W. Scott (Routledge, 1992). Mardorossian, Carine M. Framing the Rape Victim: Gender and Agency Reconsidered (Rutgers University Press, 2014). McGuire, Danielle. At the Dark End of the Street: Black Women, Rape, and Resistance—A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage Books, 2011). McIntosh, Peggy. “White Privilege: Unpacking the Invisible Knapsack.” Meyer, Doug. “Gendered Views of Sexual Assault, Physical Violence, and Verbal Abuse,” in Violence against Queer People: Race, Class, Gender, and the Persistence of Anti-LGBT Discrimination (Rutgers University Press, 2015). Morrison, Toni. The Bluest Eye (Vintage, 1970). Morrison, Toni ed., Race-ing Justice, En-Gendering Power: Essays on Anita Hill, Clarence Thomas, and the Construction of Social Reality (Pantheon, 1992). November, Juliet. “It Takes Ass to Whip Ass: Understanding and Confronting Violence Against Sex Workers: A Roundtable Discussion with Miss Major, Mariko Passion, and Jessica Yee,” in The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities, edited by Ching-In Chen, Jai Dulani, and Leah Lakshmi Piepzna-Samarasinha (AK Press, 2016). Pascoe, C.J. and Jocelyn A. Hollander, “Good Guys Don’t Rape: Gender, Domination, and Mobilizing Rape,” Gender & Society, vol. 30, no. 1 (2016), pp. 67–79. Pascoe, C.J. and Tristan Bridges, eds., Exploring Masculinities: Identity, Inequality, Continuity and Change (Oxford University Press, 2015). Patterson, Jennifer ed., Queering Sexual Violence: Radical Voices from Within the Anti-Violence Movement (Riverdale Ave Books, 2016). Peek, Christine. “Breaking out of the Prison Hierarchy: Transgender Prisoners, Rape, and the Eighth Amendment,” Santa Clara Law Review, vol. 44, no. 4 (2004). Prickett, Sarah Nicole. “Your Friends And Rapists,” December 16, 2013. Puar, Jasbir. “Abu Ghraib and U.S. Sexual Exceptionalism,” in Terrorist Assemblages: Homonationalism in Queer Times (Duke University Press, 2007). Reeves Sanday, Peggy. Fraternity Gang Rape: Sex, Brotherhood, and Privilege on Campus (NYU Press, 2007). Richie,Beth E. Arrested Justice: Black Women, Violence, and America’s Prison Nation (Duke University Press, 2012). Ristock, Janice L. Intimate Partner Violence in LGBTQ Lives (Routledge, 2011). Ritchie, Andrea. “Law Enforcement Violence against Women of Color,” in The Color of Violence: INCITE! Anthology (Duke University Press, 2016). Roberts, Mary Louise. What Soldiers Do: Sex and the American GI in World War II France (University of Chicago Press, 2013). Rumney, Philip “Gay Male Rape Victims: Law Enforcement, Social Attitudes and Barriers to Recognition,” International Journal of Human Rights, vol. 13, nos. 2–3 (2009). Russell, Diane. Rape in Marriage (Macmillan, 1982). Sapphire, Push (Knopf, 1996). Scully, Diana and Joseph Marolla, “‘Riding the Bull at Gilley’s’: Convicted Rapists Describe the Rewards of Rape,” Social Problems, vol. 32, no. 3 (1985), pp. 251–63. Sebold, Alice. Lucky: A Memoir (Back Bay, 2002). Simmons, Aishah Shahidah. “NO! The Rape Documentary” (film, 2006). Simmons, Aishah Shahidah and Farah Tanis, “Better off Dead: Black Women Speak to the United Nations CERD Committee,” The Feminist Wire, September 5, 2014. Stone, Lucy. “Crimes Against Women,” Women’s Journal, June 16, 1877; “Pardoning the Crime of Rape,” Woman’s Journal, May 25, 1878. Sulkowicz, Emma. Self-Portrait (performance, 2016); see also Conversation: Emma Sulkowicz and Karen Finley (YouTube video, 2016) Sussman, Eve. The Rape of the Sabine Women (video-musical, 2007); Giambologna, The Rape of the Sabine Women (marble sculpture, 1583) Syrett, Nicholas L. The Company He Keeps: A History of White College Fraternities (University of North Carolina Press, 2009). Taylor, Keeanga-Yamahtta. From #BlackLivesMatter to Black Liberation (Haymarket, 2016). The Chrysalis Collective, “Beautiful, Difficult, Powerful: Ending Sexual Assault Through Transformative Justice,” in The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities, edited by Ching-In Chen, Jai Dulani, and Leah Lakshmi Piepzna-Samarasinha (AK Press, 2016). The Hunting Ground (film, 2015). Thuma, Emily. “Lessons in Self-Defense: Gender Violence, Racial Criminalization, and Anticarceral Feminism,” WSQ: Women’s Studies Quarterly, vol. 43, nos. 3–4 (fall/winter 2015). Tracy, Carol E. et al., “Rape and Sexual Assault in the Legal System,” Women’s Law Project (2012). Traister, Rebecca. “The Game Is Rigged,” New York Magazine, November 2, 2015. Van Syckle, Katie. “Hooking Up Is Easy To Do,” New York Magazine, October 18, 2015. Walker, Kara. My Complement, My Enemy, My Oppressor, My Love (exhibition, 2007) Wells, Ida B. “ Southern Horrors: Lynch Law in All Its Phases” (1892), “A Red Record” (1895), “Mob Rule in New Orleans” (1900). White, Janelle. “Our Silence Will Not Protect Us: Black Women’s Experiences Mobilizing to Confront Sexual Domestic Violence,” in The Color of Violence: INCITE! Anthology (Duke University Press, 2016). Williams, Sue. Irresistible (sculpture, 1992) Zirin, Dave. “How Jock Culture Supports Rape Culture, From Maryville to Steubenville,” The Nation, October 25, 2013. Zirin, Dave. “Jameis Winston’s Peculiar Kind of Privilege,” The Nation, December 5, 2014. Zirin, Dave. “Steubenville and Challenging Rape Culture in Sports,” The Nation, March 13, 2013. “In the Shadows: Sexual Violence in U.S. Detention Facilities; A Shadow Report to the U.N. Committee Against Torture” (2006).