hey there, i was wondering if you know the original video of this gif giphy(.)com/gifs/bbcamerica-26BnapQwi3yxnyXbG
Yes, it's from the Orphan Black Dance Party video on BBC America's YouTube channel. In case you live in a country where their content is blocked, here is the full video:
This is a list of books considered "must-reads" from various lists and online posters. I'll be reviewing them as I go but mainly keeping track of what I have and haven't read here.
American Gods by Neil Gaiman
Lord of the Flies by William Golding
Fahrenheit 451 by Ray Bradbury
Sophie's World by Jostein Gaarder
Wide Sargasso Sea by Jean Rhys
The Great Gatsby by F. Scott Fitzgerald
To Kill a Mockingbird by Harper Lee
Matilda by Roald Dahl
The Secret History by Donna Tart
Do Androids Dream of Electric Sheep by Philip K. Dick
The Godfather by Mario Puzo
Murder on the Orient Express by Agatha Christie
The Man Who Mistook His Wife for a Hat by Oliver Sacks
Noughts and Crosses by Malorie Blackman
In Cold Blood by Truman Capote
Frankenstein by Mary Shelly
Alice's Adventures in Wonderland by Lewis Carroll
Heart of Darkness by Joseph Conrad
Wuthering Heights by Emily Bronte
Nineteen Eighty-Four by George Orwell
The Grapes of Wrath by John Steinbeck
Norwegian Wood bt Haruki Murakami
One Flew Over the Cuckoo's Nest by Ken Kesey
The Man in the Iron Mask by Alexandre Dumas
The Color Purple by Alice Walker
The Girl with the Dragon Tattoo by Stieg Larsson
Lolita Vladimir Nabokov
Great Expectations by Charles Dickens
The Harry Potter Series by J.K Rowling
His Dark Materials trilogy by Philip Pullman
The Old Man and the Sea by Ernest Hemingway
The Picture of Dorian Gray by Oscar Wilde
The Road by Cormac McCarthy
Ulysses by James Joyce
Bad Science by Ben Goldacre
I Capture the Castle by Dodie Smith
Fear and Loathing in Las Vegas by Hunter S. Thompson
Les Miserables by Victor Hugo
The Catcher in the Rye by J.D Salinger
The Wind in the Willows by Kenneth Grahame
Wild Swans by Jung Chang
The Hitchhikers Guide to the Galaxy by Douglas Adams
Tinker, Tailor, Soldier, Spy by John le Carre
Crime and Punishment by Fyodor Dostoevsky
The Poisonwood Bible by Barbara Kingsolver
Adventures of Huckleberry Finn by Mark Twain
Gulliver's Travels by Johnathan Swift
The War of the Worlds by H.G Wells
Anna Karenina by Leo Tolstoy
Freakonomics by Steven D. Levitt
Persuasion by Jane Austen
The Help by Kathryn Stockett
Beloved by Toni Morrison
A Clockwork Orange by Anthony Burgess
American Psycho by Bret Easton Ellis
Notes from a Small Island by Bill Bryson
Macbeth by Shakespeare
The Lord of the Rings (trilogy) by J.R.R Tolkien
The Outsiders by S.E Hinton
Mrs. Dalloway by Virginia Woolf
The Handmaid's Tale by Margaret Atwood
A Wild Sheep Chase by Haruki Murakami
Schindler's Ark by Thomas Keneally
London Fields by Martin Amis
Sherlock Holmes and the The Hound of the Baskerville's by Arthur Conan Doyle
My Man Jeeves by P.G Wodehouse
The English Patient by Michael Ondaatje
The Mill on the Floss by George Eliot
The Count of Monte Cristo by Alexander Dumas
Little Women by Louisa May Alcott
Gladys Aylward the Little Woman by Gladys Aylward
Mindnight's Children by Salman Rushdie
Tess of the D'Ubervilles by Thomas Hardy
The Boy in the Stripped Pajamas by John Boyne
Hamlet by William Shakespeare
Goodnight Mister Tom by Michelle Magorian
Dissolution by C.J Sansom
The Time Machine by H.G Wells
Winnie the Pooh (complete collection) by A.A Milne
Animal Farm by George Orwell
The Diary of a Young Girl by Anne Frank
The Castle by Franz Kafka
Dracula by Bram Stoker
All Quiet on the Western Front by Eric Maria Remarque
A critical process in early development, gastrulation defines the transition from a single layer of cells, known as the epiblast, to a more complex structure formed of three germ layers – the endoderm, mesoderm and ectoderm – which later give rise to different structures in the body. A key process in gastrulation is the epithelial-to-mesenchymal transition (EMT), in which epiblast cells undergo major changes in shape and gene expression to detach from their neighbours and move away. By labelling cell membranes with fluorescent proteins and using time-lapse microscopy, researchers were able to film cells undergoing the EMT (pictured in green) in developing mouse embryos, revealing how cells extract themselves by incrementally contracting their outer, or apical, surfaces (in red). EMTs are also a feature of cell movements later in life, from wound healing to cancer cell migration in metastasis, so studying these transitions could inspire new ways to prevent cancers from spreading.
Written by Emmanuelle Briolat
Image from work by Alexandre Francou, Kathryn V Anderson and Anna-Katerina Hadjantonakis
Developmental Biology Program, Sloan Kettering Institute, Memorial Sloan Kettering Cancer Center, New York, NY, USA
Image copyright held by the original authors
Research published in eLife, May 2023
You can also follow BPoD on Instagram, Twitter and Facebook
clicando aqui você vai ser redirecionado para a minha lista completa de todos os avatares desse blog ♥ recomendo dar um ctrl+f pra achar o nome da pessoa rs
click here to be redirected to the masterlist of every avatar i made ♥ feel free to use ctrl+f to find their name lol
A Chef's Deadly Revenge (2024 Lifetime)
#AChefsDeadlyRevenge #LifetimeMovie #Lifetime #LMN
A Chef’s Deadly Revenge (2024 Lifetime)
📺. Stream/Watch the Movie (Ad): Subscribe to the Lifetime Movie Club
Cast: Kathryn Kohut, Tomas Chovanec, Justin Nurse, Tim Myles
Director: Alexandre Carrière
Writer: Erica Lane
➡️ Check out our Youtube Channel: Lifetime Uncorked: Lifetime Movie Reviews
🎧 Listen to the Lifetime Uncorked Podcast: Listen Now
🍷 Support the show with a $5 tip:…
Adrian Bush_阿德里安·布什
Albert Gleizes_阿尔伯特·格莱兹
Albert Koetsier_阿尔伯特·科齐尔
Alberto Magnelli_阿尔贝托·马格内利
Alena Aenami_阿莱娜·埃纳米
Alex Brock_亚历克斯·布洛克
Alex Garant_亚历克斯·加兰特
Alex Hirsch_亚历克斯·赫希
Alexander Archipenko_亚历山大·阿奇彭科
Alexander Millar_亚历山大·米勒
Alexandre Chaudret_亚历山大·肖德雷
Alice Bailly_爱丽丝·贝利
Alice Rahon_艾丽丝·拉洪
Alphonse Osbert_阿尔方斯·奥斯伯特
Anato Finnstark_阿纳托·芬斯塔克
Andrei Sokolov_安德烈·索科洛夫
Andy Warhol_安迪·沃霍尔
Angelina Wrona_安吉丽娜·沃纳
Anish Kapoor_安尼什·卡普尔
Anka Zhuravleva_安卡·朱拉夫莱娃
Anna and Elena Balbusso_安娜和埃琳娜·巴尔布索
Annie Leibovitz_安妮莱博维茨
Antonio J. Manzanedo_安东尼奥·J·曼萨内多
Antonio Mancini_安东尼奥·曼奇尼
aritst.txt_阿里斯特.txt
Atelier Olschinsky_奥尔辛斯基工作室
Atey Ghailan_阿蒂·盖兰
Auguste Herbin_奥古斯特·赫宾
Auguste Rodin_奥古斯特·罗丹
Barbara Hepworth_芭芭拉·赫普沃斯
Bastien Lecouffe Deharme_巴斯蒂安·勒库夫·德阿姆
Bene Rohlmann_贝尼·罗尔曼
Benjamin West_本杰明·韦斯特
Berthe Morisot_贝尔特·莫里索
Bill Gekas_比尔·吉卡斯
Bill Jacklin_比尔·杰克林
Bill Sienkiewicz_比尔·显克维奇
Bob Dylan_鲍勃·迪伦
Botero_博特罗
Brent Cotton_布伦特棉花
Brent Heighton_布伦特·海顿
Carne Griffiths_卡恩·格里菲斯
Carolina Herrera_卡罗琳娜·海莱娜
Carson Grubaugh_卡森·格鲁博
Cedric Seaut_塞德里克·西奥特
Charles Addams_查尔斯·亚当斯
Charles Dwyer_查尔斯·德威尔
Charles White_查尔斯·怀特
Chesley Bonestell_切斯利·博内斯特尔
Chiho Aoshima_青岛千帆
Christian Lassen_克里斯蒂安·拉森
Clara Peeters_克拉拉·皮特斯
Coles Phillips_科尔斯菲利普斯
Conrad Roset_康拉德·罗塞特
Dale Chihuly_戴尔·奇胡利
Dana Schutz_达纳·舒茨
Daniela Uhlig_丹妮拉·乌利格
Dao Le Trong_道乐仲
Dave Heath_戴夫·希思
David Bomberg_大卫·邦伯格
David Carson_大卫·卡森
Del Kathryn Barton_德尔·凯瑟琳·巴顿
Delphin Enjolras_德尔芬·安灼拉
Desmond Morris_德斯蒙德·莫里斯
Donato Giancola_多纳托·詹科拉
Edgar Degas_埃德加·德加
Edmund Tarbell_埃德蒙·塔贝尔
Edouard Manet_爱德华·马奈
Edwin Lord Weeks_埃德温·洛德·威克斯
El Lissitzky_艾尔·利西茨基
Eric Wallis_埃里克·沃利斯
Ernst Barlach_恩斯特·巴拉克
Felicien Rops_菲利西安·罗普斯
Fernand Khnopff_费尔南德·克诺普夫
Franck Tacito_弗兰克·塔西托
Franz Vohwinkel_弗朗茨·沃温克尔
Frenchy_法国风情
Frida Kahlo_弗里达·卡罗
Giacomo Balla_贾科莫·巴拉
Greg Olsen_格雷格·奥尔森
Gustav Klimt_古斯塔夫·克里姆特
Hayv Kahraman_海夫·卡赫拉曼
Henry Asencio_亨利·阿森西奥
Herbert Bayer_赫伯特拜尔
Hieronymus Bosch_希罗尼穆斯·博斯
Hikari Shimoda_下田光
Hilary Purnamasari_希拉里·普尔纳玛萨里
Hou China_侯 中国
Hsiao-Ron Cheng_郑晓蓉
Ikenaga Yasunari_池永康成
Ilya Kuvshinov_伊利亚·库夫希诺夫
Inna Mosina_因娜·莫西纳
Irene Sheri_艾琳·谢里
Jack Hughes_杰克·休斯
James Gilleard_詹姆斯·吉拉德
James Jean_詹姆斯·吉恩
Jamie Hawkesworth_杰米霍克斯沃斯
Jane Newland_简·纽兰
Jason Rhoades_贾森·罗德斯
Jay DeFeo_杰·德菲奥
Jean Fautrier_让·福特里耶
Jean Metzinger_让·梅辛格
Jean Nouvel_让·努维尔
Jean Pierre Targete_让·皮埃尔·塔雷特
Jean-Gabriel Domergue_让-加布里埃尔·多默格
Jean-Louis Forain_让-路易斯·福兰
Jean-Louis Prevost_让·路易·普雷沃斯特
Jean-Michel Basquiat_让-米歇尔·巴斯奎特
Jean-Paul Riopelle_让-保罗·里奥佩尔
Jeanie Tomanek_珍妮·托马内克
JeeYoung Lee_李智英
Jeff Kinney_杰夫·金尼
Jeff Wall_杰夫·沃尔
Jessica Drossin_杰西卡·德罗森
Jessica Rossier_杰西卡·罗西尔
Jessie Arms Botke_杰西·阿姆斯·博特克
Jessie Willcox Smith_杰西·威尔科克斯·史密斯
Jimmy Lawlor_吉米·劳勒
Joan Miró胡安·米罗 Joao Ruas若奥·鲁阿斯
Joe Bowler_乔·鲍勒
Joel Meyerowitz_乔尔·迈耶罗维茨
Johann Wolfgang von Goethe_约翰·沃尔夫冈·冯·歌德
John Anster Fitzgerald_约翰·安斯特·菲茨杰拉德
John Berkey_约翰·伯基
John Currin_约翰·科林
John Holcroft_约翰·霍尔克罗夫特
John Hoyland_约翰·霍伊兰
John Larriva_约翰·拉里瓦
John Perceval_约翰·珀西瓦尔
John Piper_约翰·派博
John Polgreen_约翰·波尔格林
John Singer Sargent_约翰·辛格·萨金特
John Wayne Gacy_约翰·韦恩·盖西
John White Alexander_约翰·怀特·亚历山大
Jon Foster_乔恩·福斯特
Jon Klassen_乔恩·克拉森
Joseba Elorza_何塞巴·埃洛扎
Joseph Beuys_约瑟夫·博伊斯
Joseph Ducreux_约瑟夫·杜克鲁
Joseph Farquharson_约瑟夫·法夸森
Joseph Karl Stieler_约瑟夫·卡尔·斯蒂勒
Joseph Lorusso_约瑟夫·洛鲁索
Josephine Wall_约瑟芬·沃尔
José Garnelo_何塞·加内洛
Jovana Rikalo_乔瓦娜·里卡洛
Jules Olitski_儒勒·奥利茨基
Jules Tavernier_儒勒·塔维尼尔
Juliana Nan_朱莉安娜·南
Julie Blackmon_朱莉·布莱克蒙
Julio Larraz_胡里奥·拉拉斯
Junko Mizuno_水野纯子
Junya Watanabe_渡边纯也
Justus Sustermans_贾斯特斯·苏斯特曼斯
Little Women (Greta Gerwig, 2019)
Cast: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Chris Cooper, Louis Garrel, Jayne Houdyshell. Screenplay: Greta Gerwig, based on a novel by Louisa May Alcott. Cinematography: Yorick Le Saux. Production design: Jess Gonchor. Film editing: Nick Houy. Music: Alexandre Desplat.
I didn't read Little Women as a child: Boys didn't read "girls' books" back then. And when I finally read it -- out loud, to my daughter -- I found it a little stiff and starchy. But it has made for some very good movies, particularly the 1933 Katharine Hepburn version directed by George Cukor and the 1994 Winona Ryder version directed by Gillian Armstrong. Somehow, I don't think we'll be calling this 2019 film the Saoirse Ronan version, but rather the Greta Gerwig version. As writer and director, Gerwig has developed a complete and insightful view of the Louisa May Alcott novel, one that takes into account what was always present in the novel but brings it into the light of the 21st century: the changes in the roles and attitudes of women. By rearranging the chronology of the novel and structuring it around the development of Jo March (Ronan) as a writer, Gerwig has accomplished two things: She has allowed the other March sisters to share the spotlight that Jo hogged when she was played by Hepburn and Ryder. She has also revealed the rather sentimental endings of the other films as what they were: contrivances designed to please moviegoers, as they did readers, more than to reflect actual life. By establishing in the film that Jo is accommodating the desire of her publisher (Tracy Letts) that the heroine of her Little Women not remain a spinster, Gerwig is able to go a little bit over the top in the film, bringing back Prof. Bhaer (Louis Garrel), with whom Jo broke off over his criticisms of her writing, for a giddy reunion and wedding to Jo. This is all staged with the kind of unabashed sentimentality, including a glimpse of Jo's very improbable school, in which all the sisters and their husbands are the instructors and the curriculum includes fencing, that can't be taken with a straight face. We are meant to sense that the real Jo March might well have remained a spinster rather than capitulate to, as she puts it in the movie, "people saying that love is just all that women are fit for." It's also an ending that wouldn't have worked if Gerwig and her performers hadn't created characters that have a little more body than the source gives them: Timothée Chalamet's Laurie isn't just the slightly odd young man he is in the book (and in the performances of Douglass Montgomery and Christian Bale in the earlier versions), but rather spoiled, dilettantish, and probably alcoholic. Florence Pugh deserved the Oscar nomination she got for bringing more than just flightiness to the character of Amy. Even Beth (Eliza Scanlen) in this version is more than just the saintly innocent who dies young, and we have Gerwig's script and direction to thank for allowing them to blossom rather than being overwhelmed by Jo, good as Ronan's performance is. I can't quite subscribe to Anthony Lane's comment that her Little Women "may just be the best film yet made by an American woman," which hardly seems fair to the work of directors from Dorothy Arzner and Ida Lupino to Kathryn Bigelow and Kelly Reichardt, but it's certainly a provocative and sometimes audacious triumph.