#karl j schmid

[hunksover40]

Karl J. Schmid is a tireless advocate spreading the powerful message of U=U. His dedication to ensuring that all people living with HIV have access to treatment and care is inspiring. Let's continue the fight to end stigma and make U=U a reality for everyone. #EndHIVStigma #UequalsU

[adoniserosapollo]

Morning pick-me-up! Karl J Schmid

[nctinfo]

KarlJSchmid: Tonight I met @nct127 & I have a feeling we’re going to be hearing and seeing a lot more of them! #otrc #amas #uequalsu

[elarafritzenwalden]

'Schulhaus Gutschick', school Winterthur, Zürich, Swizerland; 1964-67

Ulrich J. Baumgartner (architects); Widmer & Wädensweiler (engineers); Willi Neukom (landscape architect); Heinrich Eichmann, Paul Speck, Karl Schmid, Walter Hürlimann (sculptures and reliefs)

see map | more information 1, 2

via “(Das) Werk” 55 (1968)

[lacrimis]

Helmut Fischer was the son of a businessman and a tailor and grew up in the Munich district of Neuhausen in Donnersbergerstraße 50a, where he also went to school. When the secondary school rejected him, he joined Otto Falckenberg's drama school, which he quit after a short time. In the subsequent period Fischer worked as a theater actor. In 1952 was his stage debut at the Würzburg city theatre as Albrecht III in Friedrich Hebbel's Agnes Bernauer. The reviews were devastating.

For almost 20 years Fischer remained largely unknown and had to deal with minor supporting roles. Among other things, he worked at the Munich "Oktoberfest" at the Zuban show as part of a zebra's behind. In 1953 he married the dancer Utta Martin, with whom he lived up to his death (44 years). In 1961 saw the actor's debut in Bavarian Television: as a hairdresser in Ludwig Thoma's comedy Die Lokalbahn. Fischer described himself as "terrible" and said in retrospect: "Richtig g'schämt hab' ich mich, wie überzogen ich damals g'spielt hab (I was terribly ashamed about my totally excessive acting)". As he was under-worked with acting alone, Fischer also worked as a film critic for the Munich Abendzeitung.

In 1972 he played in the Bavarian Television's first episode of the Tatort series, as assistant to then-time Inspector Veigl (played by Gustl Bayrhammer). When Veigl was "retired" in 1981, Fischer was "promoted" to Commissioner Ludwig Lenz and as such he solved a total of seven cases until 1987. In 1974 Helmut Fischer, in his favourite café Münchner Freiheit met director Helmut Dietl. The latter recognised his friend's true talent and in 1980 gave him a major role in the TV series Der ganz normale Wahnsinn in which Fischer for the first time got to play a manquéed playboy.

Memorial for "Monaco Franze" (Helmut Fischer) at Münchner Freiheit The final breakthrough came in 1983 with Helmut Fischer's series Monaco Franze – Der ewige Stenz. Again Helmut Dietl was the director, Patrick Süskind cooperated on the scripts to almost all episodes. In the series, which has now reached cult status among fans, Fischer alongside Ruth Maria Kubitschek, Christine Kaufmann, Karl Obermayr [de] and Erni Singerl [de] in inimitable way embodied an easygoing dandy, charmer and ladies' men, who always manages to master awkward situations with a sheepy smile. Famous sayings by the character role like "A bisserl was geht immer (Anything goes)" were adapted into daily language use. Matching this, Fischer also recorded a successful single titled "Spatzl (Schau wia i schau)) (Sweetheart (Look like I'm looking))".

From now on, the actor was busy with roles whose character were always based on Stenz though. Until the end of his life Fischer kept assuring that the figure of Monaco Franze had nothing to do with his real life. In the mid-1980s, Fischer played with Thomas Gottschalk and Michael Winslow in the two Zärtliche Chaoten films, from 1987 to 1992 he could be seen as "Josefbärli" along Veronika Fitz and Ilse Neubauer in the series Die Hausmeisterin (The House Keeper). Fischer enjoyed his last success in the series Ein Schloß am Wörthersee (A castle on the Wörthersee), where he played the absentminded estate manager Leo Laxeneder, and as the fictitious mayor of Hohenwaldau, Peter Elfinger in Peter and Paul alongside Hans Clarin.

In 1993 Helmut Fischer was diagnosed with cancer. He kept this diagnosis largely secret, only his wife Utta knew about it. In 1996, the actor underwent treatment by the well-known and controversial cancer specialist Julius Hackethal. In November he celebrated his 70th anniversary with a great number of friends and colleagues. At the occasion the told the press: "Das Leben macht sich ja mehr und mehr aus dem Staub (Life is more and more buzzing off)". Eight months later Fischer, to the surprise of the common public, died in Chiemgau. More than 1,000 people participated in the funeral service at the mortuary of Munich's northern cemetery and the subsequent funeral at the Bogenhausen cemetery (gravesite no. 2-4-2) on 19 June 1997. In his funeral speech Munich's Lord Mayor Christian Ude, a friend and neighbour of Fischer, said: "... Populär war er in ganz Deutschland - in München wurde er geliebt. (He was popular throughout Germany - in Munich, he was loved.)"

Filmography :

1958 – Cherchez la femme (Curse the Women); with Helen Vita

1959 – Hunting Party; with Angelika Meissner and Wolf Albach-Retty

1960 – Oh! This Bavaria!; with Liesl Karlstadt and Ludwig Schmid-Wildy

1960 – Die vor die Hunde gehen (Those Who go to the Dogs)

1962 – Florence und der Zahnarzt (Florence and the Dentist)

1970 – Der Röhm-Putsch (Night of the Long Knives); with Hans Korte and Gustl Bayrhammer

1978 – Sachrang (Order of the Case); with Gustl Bayrhammer

1978 – The Unicorn

1978 - Derrick - Season 05, Episode 04: "Ein Hinterhalt"

1979 – Blauer Himmel, den ich nur ahne (Blue Heavens which I can but sense); with Jörg Hube and Hans Stadtmüller

1979 – Der Durchdreher; Director: Helmut Dietl

1980 – Die Undankbare (The Ungrateful)

1984 – Mama Mia – Nur keine Panik [de] (Mamma mia - don't panic); with Uschi Glas and Thomas Gottschalk

1987 – Hexenschuß (Lumbago); with Birte Berg and Beppo Brem

1987 – Zärtliche Chaoten (Tender Chaotics); with Thomas Gottschalk and Michael Winslow

1988 – Starke Zeiten (Hard Times); with Karl Dall, Hans-Joachim Kulenkampff and David Hasselhoff

1988 – Zärtliche Chaoten 2; with Thomas Gottschalk und Michael Winslow

1989 – Jede Menge Schmidt (Lots of Schmidt); with Anja Schüte

1992 – Der Unschuldsengel (Innoncent as an Angel); with Hans Clarin and Iris Berben

1993 – Probefahrt ins Paradies (Test Run to Paradise)

1995 – Drei in fremden Kissen (Three in Foreign Sheets); with Hans Brenner and Fritz Wepper

1996 – Drei in fremden Betten (Three in foreign Beds); with Fritz Wepper and Heidelinde Weis

1997 – Fröhlich geschieden (Happily divorced); with Rainhard Fendrich

TV series :

Funkstreife Isar 12 (Patrol Car Isar 12); with Wilmut Borell and Karl Tischlinger

Graf Yoster gibt sich die Ehre (Count Yoster); with Lukas Ammann and Wolfgang Völz

1972–1981 – Tatort; as Kommissar Veigl's (Gustl Bayrhammer) assistant Ludwig Lenz, with Willy Harlander

1981–1987 – Tatort; as Hauptkommissar Ludwig Lenz

Tatort series as visiting commissioner in:

1968 – Die seltsamen Methoden des Franz Josef Wanninger (The Strange Methods of F. J. Wanninger) - Die Beschützer(The Protectors); TV police series

1972 – Gestern gelesen (Read Yesterday)

1978 – Derrick - Ein Hinterhalt (An Ambush); TV police series with Horst Tappert and Fritz Wepper

1979 and 1986/1987 – Der Millionenbauer (The Million Mark Farmer); with Walter Sedlmayr and Veronika Fitz

1979 – Fast wia im richtigen Leben (Almost like Real Life); with Gerhard Polt

1979 – Der ganz normale Wahnsinn (The Ordinary Madness)

1982 – Meister Eder und sein Pumuckl - Die abergläubische Putzfrau (The Superstitious Cleaner); Children's series

1983 – Krimistunde (Thriller Time)

1983 – Monaco Franze – Der ewige Stenz; with Ruth Maria Kubitschek

1983 – Unsere schönsten Jahre (Our best Years); with Uschi Glas and Elmar Wepper

1986 – Das Traumschiff (The Dreamliner); guest role

1986 – Rette mich, wer kann (Save Me who Can!); with Gundi Ellert

1987–1992 – Die Hausmeisterin (The House Keeper); with Veronika Fitz

1992 – Lilli Lottofee [de] (roughly: Lilli the Lottery Game Fairy); with Senta Berger

1992–1993 – Ein Schloß am Wörthersee (A Castle on Wörthersee); with Uschi Glas

1993–1994 – Peter und Paul (Peter and Paul); series with Hans Clarin

1996 – Wir Königskinder; with Fritz Wepper

1972 Münchner Kindl

1973 Weißblaue Turnschuhe (White and blue Sneakers)

1973 Tote brauchen keine Wohnung (Dead Persons need no Flat)

1974 3:0 für Veigl (3-0 for Veigl)

1975 Als gestohlen gemeldet (Reported stolen)

1975 Das zweite Geständnis (The second Confession)

1976 Wohnheim Westendstraße (Westendstraße Boarding House)

1977 Das Mädchen am Klavier (The Girl at the Piano)

1977 Schüsse in der Schonzeit (Shots during Closed Season)

1978 Schlußverkauf (Sale-out)

1978 Schwarze Einser (Black Ones)

1979 Ende der Vorstellung (End of the Show)

1979 Maria im Elend (Miserable Maria)

1980 Spiel mit Karten (A Card Game)

1981 Usambaraveilchen (Saintpaulias)

1981 Im Fadenkreuz (In the Crosshairs)

1982 Tod auf dem Rastplatz (Death on the resting place)

1983 Roulette mit sechs Kugeln (Roulette with six Bullets)

1984 Heißer Schnee (Hot Snow)

1985 Schicki Micki (Fancy)

1987 Die Macht des Schicksals (The Power of Fate)

1987 Gegenspieler (Opponent)

1976 Transit ins Jenseits (Transit to the Afterlife)

1977 Wer andern eine Grube gräbt (Harm set, Harm get)

1979 Der King (The King)

1987 Wunschlos tot (Perfectly Dead)

Stage plays :

1952 – Agnes Bernauer - at the Würzburg city theatre

1953 – Diener zweier Herren (Servant of Two Masters) - am Stadttheater Würzburg

1964 – Die großen Sebastians (The Great Sebastians) - at the Kleine Komödie in Munich

1966 – Italienische Nacht (Italian Night) - at Residenz Theatre

1969-1970 – Jagdszenen aus Niederbayern (Hunting Scenes from Lower Bavaria) - Münchner Kammerspiele

1975 – Fast wie ein Poet (Almost like A Poet) - at Residenz Theatre - Director: Rudolf Noelte

1984-1985 – Waldfrieden (Peace in the Woods) - Münchner Volkstheater

1984-1985 – Die Brautschau (Looking for a Wife) - am Münchner Volkstheater mit Hans Brenner

On Fischer's favourite spot in the garden of café Münchner Freiheit in Schwabing, a bronze monument by Nicolai Tregor Jr. was revealed which depicts Fischer in his famous role as Monaco Franze.

[valleywestmortgage]

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[charvests]

Body Worlds: Pulse now open at the California Science Center

http://www.facebook.com/pages/p/1090777264305447 SoCal Spotlight host Karl Schmid met up with Dr. Diane Perlov, Senior Vice-President for Exhibits at California Science Center for a VIP tour of the ... May 21, 2017 at 01:25AM https://www.google.com/url?rct=j&sa=t&url=http%3A%2F%2Fabc7.com%2Fscience%2Fbody-worlds-pulse-now-open-at-the-california-science-center%2F2014296%2F&ct=ga&cd=CAIyHGM2ZTk2NjRmMGJmMDg1NjI6Y29tOmVuOlVTOlI&usg=AFQjCNGG--nTqGodrLSvUa_ENZN4hEBQRw from Consumer Credit Counseling California call 800 254-4100

[hnd2ckelvincooke]

Historical Events in the 1880s

1880: 2nd of August - British Parliament officially adopts Greenwich Mean Time (GMT)

1881: 19th September – James A. Garfield, the 20th President of USA is shot by Charles J. Guiteau

1882: 29th April – The first trolleybus, called the “Elektromote” begins operation in Berlin

1883: 24th May – The Brooklyn bridge, after 13 years of being constructed is opened to traffic.

1884: 22nd April – The UK’s most destructive earthquake hits Colchester, Essex damaging over 1250 buildings.

1885: 17th June – The statue of Liberty arrives in New York on a French Frigate “Isere”. It was assembled on New York in four months.

1885: 3rd July – Karls Benz officially presents his “Benz Patent Motorwagen” to the public, regarded to be the world’s first automobile.

1887: The French Riviera was hit by a magnitude 6.0 earthquake killing more 2000 people.

1888: 13th January – The National Geographic Society is founded in Washington D.C

1889: 15th March 1889 – The construction of the Eiffel Tower is completed.

Photographical Events in the 1880s

 1880: Hans Jacob Schmid invented the Photochrome process allowed B&W negative photographs to be converted to colour.

1884: George Eastman invents flexible, paper based photographic film

1885: French criminologist and anthropologist Alphonse Bertillon invents the modern mug shot.

1886: George Eastman became the first American industrialists to employ a full time research scientist to aid in the commercialisation of flexible film.

1887: Adolf Miethe and Johannes Gaedicke invents the first camera “flash” by mixing magnesium powder and potassium chlorate and igniting it, creating what was called flashlight powder.

1888: George Eastman produced the forst simplified camera for the general publick called “The Kodak number 1” and the first mass developing and processing service.

1889: Kodak made Celluoid film commercially available to the public.