#kapil music

[prankvids]

The Kapil Sharma Show | Nakli Dharam Ji Ko Sukhane Hain 'Terence' Par Apne Kapde | Best Moments

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[abs0luteb4stard]

W A T C H I N G

I started watching it when it aired originally, but with the pandemic in opening months

And then Zoey's Dad has a neurological condition that had some similarities to my dad's stroke/vascular dementia. So it got heavy.

But I'm curious to see how it turns out. And the final episode/tv movie is Christmas themed it would coincide with the season.

[playermagic23]

Archana Puran Singh discloses she took a sabbatical from films because to The Kapil Sharma Show; says, "I had to turn down a lot of film offers"

Archana Puran Singh is preparing for a hectic October. She has not only resumed her position on The Great Indian Kapil Show, but she is also making a comeback in cinema after a four-year absence. The actress will appear in the Vicky Vidya Ka Woh Wala Video with Rajkummar Rao and Triptii Dimri. In an exclusive interview with News18 Showsha, Archana said that her extended hiatus from filming was primarily owing to the hectic schedule of The Kapil Sharma Show throughout its television run.

She stated that she has received consistent film offers, including one from producer Vashu Bhagnani. However, the fast-paced nature of the comedy program left her little time to explore a film project. With the show's shift to Netflix and its new seasonal format, Archana now has the liberty to pursue film opportunities again, encouraging her to sign up for Vicky Vidya Ka Woh Wala. Video

Archana stated, "We didn't have any breaks while on television. We enjoyed repeating events and gained a lot of riyaaz (practice). The entire team was always energized, but I had to turn down numerous film opportunities. Now, I'm overjoyed that I have time to accept films."

She said, "Vashu ji and many other producers and filmmakers have given me assignments. Nowadays, more films are shot abroad than in India, so there was always a balance to find. I'd frequently get calls inviting me to come to Scotland for a 20-day program. But I would say, "I can only commit if you shoot in Mumbai." Some shoots took place in Mauritius, while others were held in Australia. We used to shoot Kapil's show twice or three times every week. Even if a film was being shot in Mumbai, I occasionally had to decline. Now I'm glad there's a better balance."

She recalled being in England when Vashu Bhagnani approached her about a film role. He assured her that the schedule would be brief, but it conflicted with her commitments to Kapil's show. She said, "I was in England when I received a call from Vashu ji. He responded, 'You won't even need a visa; just come for 20 days. But I told him I had a ticket back the next day and needed to film for Kapil's program immediately now."

Despite turning down several film offers, the Kuch Kuch Hota Hai actress has no regrets. "I have absolutely no regrets. "I thoroughly enjoyed that journey, and I'm equally enjoying this new chapter," she explained.

The Great Indian Kapil Show airs new episodes on Netflix every Saturday, and Vicky Vidya Ka Woh Wala Video is set to begin on October 11.

[thots4hee]

thoughts about atenista conyo party boy hee and thomasian conservative reader na everytime nakikita ang e/o sa pop up or xylo. tas nagmomol na sa gedli (sana mapansin deprive na aq sa tagalog smut eh /hj)

GAGO TANGINA DJEKDJWKDJDJXBD

pairing: hee x reader 🔞🔞🔞🔞

warning:Dom Hee! Sub reader! bj, public sex if you squint, KABASTUSAN

Heeseung is everyone's dream. Isang sikat na Atenean. Pogi, matalino, mayaman, at reserved na tao. Kasali siya sa pitong sikat na magkakaibigan sa university. Kung saan gagawin lahat ng fan girls nila ang lahat mapansin lang nila, lalong lalo na ni Heeseung na walang pakialam sa kasikatan at sa mga lalake at babaeng nagkukumahog magpapansin sakanya.

Pagpatak ng Biyernes ay dito na nagsisimula ang kasiyahan ng pito. Maliban sa pagtambay sa court, tambay rin si Heeseung sa parties at clubs.

Heeseung chuckled and shut his phone. Aminin man niya o hindi totoo ang sinabi ni Jay.

He's been eyeing a girl from the club. Halos buong gabi siya hindi mapakali kakalinga at hanap and finally he found her. For Seung, she's sexy, alluring, napakaganda, nakakaulol. The way she laugh with her friends wearing a tight black dress that hugs her curves. The way she dances and enjoys the music that night hits different with him. Napakahinhin... sure marami na siyang nakitang mga babae sa clubs at parties. Pero lahat sila parepareho lang. Hindi maintindihan ni Heeseung ang nararamdaman basta at mahalaga makuha ka niya. And he did.

Sa condo niya, nakatuwad at inuungol ang pangalan niya.

"Napakahinhin mo sa labas, hindi nila alam puta lang kita." Hindi na kayo nakaabot ng kama at napunit na ni Heeseung ang suot mong dress na pinilit pasuot sayo ng kaibigan mo. Palagi kang tumatanggi sa mga parties na aya niya pero palagi ka rin nitong napapapayag.

Hindi mo rin alam kung anong pinainom sayo ng lalaking katalik mo at napapayag ka niya sa mga gusto niyang pagawa saiyo. Halikan sa madilim na parte ng clubs, blowjob sa comfort room ng parties, at kantutan sa parking lot. Wala ng pakialam kung yumuyugyog nang matindi ang sasakyan o may makakita man sainyo dahil hindi gaanong tinted ang sasakyan ng binata.

Hindi ka nagrereklamo dahil ginusto mo rin ito. Natatakot ka lang sa iisipin ng ibang tao dahil kilala ka bilang conservative na babae.

"Hee, t-tangina naman! please po" ungol mo nang sinagad niya ang pag ulos sa loob ng mainit mong puke. Wala na ring saplot si Heeseung maliban sa itim nitong t-shirt na sobrang bango.

"Napaka landi mong umungol, alam ba to ng mga kaibigan mo?" natawa si Heeseung ng maramdaman ang panginginig ng binti mo kaya lalo niyang binilisan ang pagkadyot sa puke mong naglalawa at namumula mula na.

Mahigpit ang pagkakahawak ni Heeseung sa magkabila mong bewang na tiyak na magkakaroon ng pasa kinabukasan.

Ramdam na ramdam mo si Heeseung sa loob ng puke mo at lalong nakadagdag sa sarap ng sensayon ang paglamas niya sa naglalakihan mong suso na paborito niyang kagatin at iwanan ng marka. Lalo nga itong lumaki dahil panay lamas niya nito.

"y/n malapit na ko, luhod na bilis" sabay hugot ni Heeseung ng kanyang titi sa loob mo at pwersahan kang tinapat sa namamasa niya titi at pinasok ito sa bibig mong nakaabang na. Heeseung released his load into your mouth.

Napakababoy ngunit napakasarap maging puta niya, inumin ang tamod niya at maging alipin niya sa kama. Nasisiraan ka man ng bait dahil sa libog pero yoon ang totoo. Iba ang mundo mo kapag kasama mo si Heeseung, at gusto mo kapiling mo nalang siya palagi.

"Tanginang bibig yan sarap kantutin, gusto mo yon y/n? kantutin ko bibig mo?" hingal ng lalaki at napatango ka nalang.

===============================

This is really short tangina. Tanginang writer's block to taon ata bago ako makaahon. Will probably write a part two.

or send me ideas and prompts sa ask! hehe

[21stcenturyschizoidfag]

23 / any + vi/vir/virself / white and TME bi transgendoid

"sometimes i lie on the earth face down / to connect / with its copper plate / you won't have to love me / for very long" - bhanu kapil, how to wash a heart ૮ • ﻌ • ა

spotify, last.fm, art, pronouny.xyz

“It’s your privilege to find me incomprehensible. I gave you my minutes; let them remain ours. I hope I haunt you.” theodore roethke, straw for the fire ૮⍝• ᴥ •⍝ა

"narcissus does not fall in love with his reflection because it is beautiful, but because it is his. if it were his beauty that enthralled him, he would be set free in a few years by its fading" - w. h. auden ૮ • ﻌ - ა

"the altar runs black with blood. the stars shift in the sky. something unspeakable enters the world" - sebastian crow, gothique du grotesque ૮ >ﻌ< ა

i'm a dog my name is Avery woof woof bark bark etc.. please don't follow me for original posts if you're coming from a post of mine with lots of notes, i really don't like having a high follower count and will just end up softblocking you sooner or later :(

and before you send asks; yes the URL is a king crimson reference, i can use the term schizoid, and yes i am actually a funny dog IRL all my friends can verify just ask ok...? i wouldnt lie. not to you..

#averyposting #peace and love #gallery #words #sillies #lovelies #sweeties #food violence #fave #about #music #my kids

[dreamsofnightmares2035]

kapil sharma RRR game

(listen, i'm not fully fluent in hindi, and kapil breaks out the punjabi unexpectedly, so i might be wrong with some parts of the translation)

-

[0.:05]

kapil: sir, i'm going to play a game with you. alia, everyone will have headphones over their ears. from that, music will play. i will say a line, and you have to lip read that, then you have to tell ram sir, ram has to tell ntr sir, ntr has to tell rajamouli sir.

so are you guys ready?

please bring the headphones.

[0:35]

kapil: alia, first you come here please. (whispers) together we can beat the south-indians.

this whole game is on you, alia, based on how you explain to the others and how you guess. music will play, and don't play it too loud (to the crew), the girl is like a flower, her ears (are delicate).

please come up here, sirs.

alia: everyone come here.

[1:05]

kapil: "zindagi jhandhwa, phir bhi ghamandwa" (first phrase, which means that your life is shit but you're still arrogant/you think you're something special)

(repeats the phrase)

alia: how can i speak? (because the music is so loud)

kapil: just speak, just speak

[1:24]

alia to charan: "zindagi"

charan: "zindagi"

alia: "jhandwa" (starts laughing)

charan: "jalwa?" (jalwa means like fire/charismatic/splendid/awesome from what i understand)

alia: "zindagi jhandhwa, phir bhi ghamandwa"

[1:36]

charan to tarak: "zindagi"

tarak: yeah, "zindagi jalwa", i got that, (tell me) what's after that

charan: "phir bhi bewda" (bewda means clumsy/drunkard i believe)

tarak: "zindagi jalwa phir bhi bewda"?? (i guess means like 'life is great but i'm still an alcoholic? i don't think it makes any sense either)

charan: yeah

(laughter)

[1:50]

tarak to ssr: "zindagi"

ssr: *confused*

tarak: (something in telugu, probably along the lines of 'say it back to me')

ssr: "zindagi"

tarak: "jalwa". jalwa! like halwa! (halwa is a sweet food)

ssr: "jalwa! zindagi jalwa"

tarak: "phir bhi"

ssr: "mein bhi" (different preposition, alters meaning slightly)

tarak: "phir bhi"! ph! ph! (uses telugu word i think)

(finally communicates it)

ssr: "zindagi jalwa phir bhi bewda"?

(first round over, general laughter and outrage at the nonsense)

[2:34]

alia: i don't think i said anything wrong?

kapil: you (alia) were right, what did you say?

alia: "zindagi jhandwa phir bhi ghamandwa"

kapil: and what did ram sir say?

charan: "zindagi jalwa phir bhi bewda"

(laughter)

tarak: but what was the original thing, sir?

alia: "zindagi jhandwa phir bhi ghamandwa"

[3:03]

kapil: okay, the second line--

alia: please play the music now!

tarak: (says something in telugu, 'baaga' means good, so he might have been referring to the game or the music, not sure)

kapil: okay. "machhli jal ki rani hai, meri nani shaani hai" (second phrase, which means that 'the fish is the queen of the ocean/water, and my maternal grandmother is shaani'; that is either a name or an adjective i haven't heard before; the first half is part of a nursery rhyme, i think)

alia: "badi?" (badi means big)

[3:18]

alia to charan: "machhli jal ki rani hai"

charan: easy, take it easy.

alia: "machhli jal ki rani hai, badi nachari hai" (i believe badi nachari hai means 'is very poor', i could be wrong)

[3:36]

charan to tarak: "machhli jal ki rani hai"

tarak: "bijli"? (means electricity)

charan: "jal" (makes wave motions witb his hand to show it's water) "ki rani hai"

alia: "no, you can't do that (make gestures)

charan: okay, "jal ki rani hai"

tarak: "bijli jal ki rani hai"? (electricity is the queen of the ocean/water)

charan: "macchli!"

tarak: "machhli jal ki rani hai"

charan: "phir bhi"...? (turns to ask alia what the rest was) ...second part?

alia: "badi nachari hai"

charan: "phir bhi badi nachari hai!"

tarak: (confused) "machhli jal ki rani hai, phir bhi"

charan: "phir bhi"... (also confused)

tarak: "phir bhi"?

charan: ey, just say whatever, bro!

(laughter)

charan: "phir bhi maharani hai" (means, and yet she is a great queen/empress)

[4:13]

tarak to ssr: "machhli" (fish)

ssr: "bajrangi!" (lord hanuman)

tarak: "machhli!"

ssr: "bachti"?

tarak: fish, fish! "machhli!"

ssr: ah, "machhli!"

tarak: "machhli jal ki rani hai"

ssr: "machhli jal ki rani hai!"

tarak: yeah. (turns to charan) "phir bhi maharani hai?"

charan: just say whatever

tarak to ssr: okay, "phir bhi maharani hai"

ssr: (understanding) "phir bhi maharani hai". okay, "machhli jal ki rani hai, phir bhi maharani hai" (meaning, the fish is the queen of the ocean, and yet she is the empress)

[4:49]

alia: what was the original?

kapil: okay, so the actual line was this, "machhli jal ki rani hai, meri nani shaani hai", but still everyone got 50% correct

[5:00]

alia: one more? one more, i like this game

kapil: "bhains poonch uthayegi, toh sober hi rahegi" (this is a modification of the original phrase, and i guess it means 'if the buffalo lifts its tail, it'll remain sober? i'm not aware of any other meaning of sober, so this sounds like nonsense)

alia: what? (kapil repeats the phrase and she's still confused, he acts it out) "bhains, poonch, hila rahi hai" (means the buffalo is shaking the tail, i think, but i also have heard 'hilana' as slang for masturbating)

(kapil explains once again, and she doesn't get the second half, so he changes it to the original film phrase: "bhains poonch uthayegi, toh gober hi karegi" which means when the buffalo lifts its tail, it's going to shit cow dung, i suppose that means there's no point being surprised about something, what did you expect)

kapil: (say) whatever you want.

alia: (still confused, thinks he's saying the line) "jo kamaaye"? (something about earning)

(goes through it one more time)

alia: "bhains poonch uthaye, toh bade kamaaye?" (means if the buffalo lifts his tail, you'll earn a lot of money)

kapil: sure

charan: kapil sir, the song ended just now

[5:53]

alia to charan: "bhains poonch uthaye"

charan: "main poonch"...? (about to say 'when i lift my tail')

alia: "bhains!" (buffalo, not you)

charan: oh, "bhains!"

alia: "bhains poonch uthaye, toh bade kamaaye"

charan: "bhains ka poonch bade kamaal ki hai" (means the buffalo's tail is really awesome)

[6:14]

charan to tarak: "bhains ka poonch bade kamaal ki hai"

tarak: (confused)

(alia stops him, asks kapil to tell her the phrase again)

kapil: the buffalo has put its tail back down

alia: ???

kapil: (repeats the line) "bhains poonch uthayegi, toh gober hi karegi"

alia: OH! (turns to charan) "bhains poonch uthaye, toh rupay laaye" (means when the buffalo lifts its tail, it will bring rupees)

[6:35]

charan to tarak: "bhains ka poonch uthayega, toh paisa aaya" (essentially the same meaning, when the buffalo lifts its tail, then money came)

tarak: (tries to understand, so confused; the others tell him to pass it on) what am i supposed to say?

kapil: explain, explain to him (ssr) now

charan: say it

[6:58]

tarak to ssr: "bhains"

ssr: "bhains"

tarak: "poonch uthaye"

ssr: "poonch utha!"

both tarak and charan: "toh paise aaye"

ssr: "toh paisa aaya"??

[7:14]

kapil: okay, now remove your headphones!

ssr: what is that?

tarak and charan: was that correct?

kapil: so what i said to alia was, "bhains poonch uthayegi, toh sober hi rahegi", at first. she didn't understand. so then i said the exact line "bhains poonch uthayegi, toh gober hi karegi". she (alia) said, when the buffalo lifts its tail, then money (rupees) comes. when the buffalo lifts the tail, does an ATM open there or something?

(alia is embarrassed)

kapil: but it was a wonderful game! you all played very well! please come sit.

-

[wendellcapili]

During The Varsitarian’s 39th Ustetika Awards for Literature, The UST Singers interpreted National Artist for Music Ryan Cayabyab’s “Tuwing Umuulan at Kapiling Ka, initially recorded by Basil Valdez for his BASIL album (Blackgold Records, 1978). The Eraserheads (“Ryan Cayabyab: The Silver Album,” BMG Pilipinas, 1996), Regine Velasquez (“Kailangan ko’y ikaw,” Viva Records, 2000), Noel Cabangon (”Tuloy ang Byahe,” Universal Records, 2012) and Ice Seguerra (”Araw Gabi: Mga Awit ni Maestro Ryan,” Universal Records, 2015) also recorded notable renditions of the song. The UST Singers, UST’s official mixed choral ensemble, was founded by Professor Fidel Calalang, Jr. in 1992. The group has garnered top choral prizes in Bulgaria, the Czech Republic, France, Germany, Ireland, Italy, Korea, Mexico, the Netherlands, Northern Ireland, Poland, Spain, and Switzerland 🥂

[brandonshimoda]

THE BOOKS I READ IN 2022, in the order in which I read them (*books I read before, that I was reading again):

Alexandra Chang, Days of Distraction 

Elizabeth Miki Brina, Speak, Okinawa 

Cynthia Dewi Oka, Fire Is Not a Country 

Hanif Abdurraqib, Go Ahead in the Rain: Notes to A Tribe Called Quest 

*Cathy Park Hong, Minor Feelings 

Victoria Chang, Dear Memory 

*Etel Adnan, Of Cities & Women (Letters to Fawwaz)

Sun Yung Shin, The Wet Hex 

traci kato-kiriyama, Navigating With(out) Instruments 

Raquel Gutiérrez, Brown Neon

Solmaz Sharif, Customs 

*Etel Adnan, Journey to Mount Tamalpais 

Lucille Clifton, Generations: A Memoir 

Emerson Whitney, Heaven 

Kim Thúy, em, tr. Sheila Fischman 

Angel Dominguez, Desgraciado (the collected letters) 

Janice Lee, Separation Anxiety 

*Theresa Hak Kyung Cha, Dictee

*Cathy Park Hong, Translating Mo’um 

Kyoko Hayashi, From Trinity to Trinity, tr. Eiko Otake 

Lao Yang, Pee Poems, tr. Joshua Edwards & Lynn Xu 

Yuri Herrera, A Silent Fury: The El Bordo Mine Fire, tr. Lisa Dillman (

Mai Der Vang, Yellow Rain

Chuang Hua, Crossings 

José Watanabe, Natural History, tr. Michelle Har Kim

Walter Lew, Excerpts from: ∆IKTH 딕테/딕티 DIKTE, for DICTEE (1982) 

*Bhanu Kapil, The Vertical Interrogation of Strangers 

Vasily Grossman, An Armenian Sketchbook, tr. Robert & Elizabeth Chandler

Hiromi Kawakami, Parade, tr. Allison Markin Powell 

Lynn Xu, And Those Ashen Heaps That Cantilevered Vase of Moonlight 

*Etel Adnan, Sitt Marie Rose, tr. Georgina Kleege 

Jennifer Soong, Suede Mantis/Soft Rage 

*James Baldwin, No Name in the Street 

*Hilton Als, The Women

Dot Devota, >She 

V.S. Naipaul, The Return of Eva Perón 

Yasushi Inoue, The Hunting Gun, tr. Sadamichi Yokoo and Sanford Goldstein

Molly Murakami, Tide goes out 

Adrian Tomine, Shortcomings 

Hisham Matar, A Month in Siena 

Leia Penina Wilson, Call the Necromancer 

Gabriel García Márquez, News of a Kidnapping, tr. Edith Grossman 

Amitava Kumar, Bombay-London-New York 

Elizabeth Alexander, The Trayvon Generation 

Ryan Nakano, I Am Minor 

Constance Debré, Love Me Tender, tr. Holly James 

Hilton Als, My Pin-up 

Victoria Chang, The Trees Witness Everything 

Leslie Kitashima-Gray, The Pink Dress: A Story from the Japanese American Internment 

Emmanuel Carrère, Yoga, tr. John Lambert 

Ronald Tanaka, The Shino Suite: Sansei Poetry 

Patricia Y. Ikeda, House of Wood, House of Salt

Soichi Furuta, to breathe 

Kiki Petrosino, Bright 

Sueyeun Juliette Lee, Aerial Concave Without Cloud 

Nanao Sakaki, Real Play

Esmé Weijun Wang, The Collected Schizophrenias 

Francis Naohiko Oka, Poems 

Geraldine Kudaka, Numerous Avalanches at the Point of Intersection 

Steve Fujimura, Sad Asian Music 

Augusto Higa Oshiro, The Enlightenment of Katzuo Nakamatsu, tr. Jennifer Shyue 

Julie Otsuka, The Swimmers 

Salman Rushdie, The Jaguar Smile: A Nicaraguan Journey 

Margo Jefferson, Constructing a Nervous System 

Hua Hsu, Stay True 

Barbara Browning, The Miniaturists 

Kate Zambreno, Drifts 

*Julie Otsuka, When The Emperor Was Divine 

Louise Akers, Elizabeth/The Story of Drone

Wong May, In the Same Light: 200 Poems for Our Century from the Migrants & Exiles of the Tang Dynasty 

Gabrielle Octavia Rucker, Dereliction 

Trung Le Nguyen, The Magic Fish 

Jessica Au, Cold Enough for Snow 

Tongo Eisen-Martin, Blood on the Fog 

Lucas de Lima, Tropical Sacrifice 

*Like a New Sun: New Indigenous Mexican Poetry, ed. Víctor Terán & David Shook 

Billy-Ray Belcourt, A Minor Chorus 

Kazim Ali, Silver Road 

*Sadako Kurihara, When We Say Hiroshima, tr. Richard Minear 

Simone White, or, on being the other woman

*James Baldwin, The Devil Finds Work 

Christina Sharpe, Ordinary Notes 

*Raquel Gutiérrez, Brown Neon 

Marguerite Duras, The Man Sitting in the Corridor 

Gayl Jones, Corregidora 

*Bhanu Kapil, The Vertical Interrogation of Strangers 

*Etel Adnan, Seasons 

Gwendolyn Brooks, to disembark 

Cristina Rivera Garza, The Taiga Syndrome, tr. Suzanne Jill Levine and Aviva Kana

Gwendolyn Brooks, In the Mecca 

Nona Fernández, The Twilight Zone, tr. Natasha Wimmer

Selva Almada, Dead Girls, tr. Annie McDermott

*Theresa Hak Kyung Cha, Dictee

Valerie Hsiung, To Love an Artist

*Theresa Hak  Cha, Exilée and Temps Morts

Dao Strom, We Were Meant To Be a Gentle People

Randa Jarrar, Love Is An Ex-Country

*Dao Strom, Instrument

Osamu Dazai, Early Light, tr. Ralph McCarthy and Donald Keene

Osamu Dazai, The Setting Sun, tr. Donald Keene

Rachel Aviv, Strangers To Ourselves: Unsettled Minds and the Stories That Make Us

Mahmoud Darwish, Journal of an Ordinary Grief, tr. Ibrahim Muhawi

[maximumwobblerbanditdonut]

Kapil Seshasayee is a protest musician and visual artist from Glasgow Scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿🎶

@shinycomputerqueen ‘Whisky Talk: Malts & Music, is a podcast of musically influenced whisky chat, music talks and interviews at The Scotch Malt Whisky Society (SMWS) at The Vaults in Leith -Edinburgh with Vic Galloway, a DJ at BBC Radio Scotland.

It looks like SH and Kapil Seshasayee are on Vic Galloway's podcast which seems already recorded and will air in 2023 with SH's whisky and Seshasayee's eclectic music, a selection of his favourite songs. Watch the chat on YouTube.

[thebobby1432world]

Sugandha Mishra Wiki, Biography, Age, Height, Weight, Family, Net Worth

Sugandha Mishra Wiki: Sugandha Mishra is an Indian actress, playback singer, and TV host who is known for her funny roles on The Kapil Sharma Show and for the way she has hosted many TV shows and award ceremonies. Sugandha Mishra was born in Jalandhar, Punjab, on May 23, 1988, to parents Santosh and Savita Mishra. Sugandha's family has been a part of the Indore Gharana for four generations. Sugandha Mishra WikiBoyfriends, Affairs, Husband Favorite Things Her grandfather, Pandit Shankar Lal Mishra, taught her how to sing, and she has a doctorate in music from Guru Nanak Dev University in Amritsar. Sugandha's co-star on the show, Kapil Sharma, was a year ahead of her when she was getting her master's degree. Sugandha finished her schooling and moved to Mumbai, Maharashtra, where she lives and works now.

Sugandha Mishra Wiki, Biography

Sugandha Mishra Wiki

NameSugandha MishraBirth PlaceJalandhar, Punjab, IndiaDate Of Birth23 May 1984Age38 years (as of 2023)HeightIn centimeters – 165 cm In feet inches – 5’5”WeightIn Kilograms – 57 kg In Pounds – 127 lbsEye ColorBlackHair ColorBlackProfessionComedian, Playback Singer, AnchorSexual OrientationStraightSchoolRabindra Day Boarding Senior Secondary Public School, JalandharCollegeGuru Nanak Dev University, Amritsar Apeejay College of Fine Arts, JalandharReligionHinduismNationalityIndianHome TownJalandhar, Punjab, IndiaDebutTV: The Great Indian Laughter Challenge: Season 4 Film: Heropanti (2014) Song: “Zor Naache” and “Ishq Ki Dafli Baje”Fathers NameSantosh MishraMothers NameSavita MishraBrothersShivam MishraSisterAnkita (Elder) Boyfriends, Affairs, Husband BoyfriendsSanket Bhosale (Comedian & Doctor)Marital StatusMarriedHusbandSanket Bhosale (Comedian & Doctor) Favorite Things Favorite ActorsHrithik Roshan, Salman KhanFavorite ActressPriyanka Chopra, Sharmila TagoreFavorite FoodRajma-ChawalFavorite Singer(s)A.R. Rahman, Shankar Mahadevan, Shreya Ghoshal, Lata Mangeshkar, Asha BhosleFavorite SongMain Tenu Samjhawan KiFavorite Restaurant ChainBarbeque NationFavorite Color(s)Black Disclaimer: The above information is for general informational purposes only. All information on the Site is provided in good faith, however, we make no representation or warranty of any kind, express or implied, regarding the accuracy, adequacy, validity, reliability, availability, or completeness of any information on the Site. Read the full article

[news365timesindia]

[ad_1] Dennis Lillee and Jasprit Bumrah (PC: ICC and BCCI) The host broadcaster’s stump mic in Perth has unhindered clarity unlike the occasionally sparse visuals during replays that nipped a promising KL Rahul’s innings in the bud. As Steve Smith arrived at the crease, Rishabh Pant was in his element. “The legend is pressured,” chirped the Indian wicketkeeper. A ball later, Smith was gone. Jasprit Bumrah made one jag back a mile to trap the former Australia captain leg-before. The stand-in India captain was making the ball talk. In the commentary box, Wasim Akram was ecstatic. “He (Bumrah) is the world’s best bowler,” the legendary former Pakistan quick screamed. That was validation. Bumrah is placed third in the ICC Test bowling rankings, behind Kagiso Rabada and Josh Hazlewood. Who cares! To paraphrase Mark Knopfler, he was giving the Australian batsmen a shiver in the fading light at the Optus Stadium. It felt like he had Smith at his beck and Marnus Labuschagne at his call. The fabled WACA is just a short walk from the Optus Stadium. It is the spiritual home of Dennis Lillee. It’s not known if the great man paid a visit to the new stadium to watch the first day’s play of the first Test between India and Australia. Even watching the action on telly, he must have nodded in approval, notwithstanding his nationality and a redoubtable Aussie swagger. It’s a fast bowlers’ club where Bumrah sits cheek by jowl with the likes of Lillee, Akram, Malcolm Marshall and other all-time greats of the game. For the Latest Sports News: Click Here Jasprit Bumrah during the Perth Test (PC: Debasis Sen) Back in 2018, during Bumrah’s first Test series Down Under, Lillee had compared the Indian speedster with Jeff Thomson. “He (Bumrah) is very different from other pacers, which reminds me of another fast bowler of my era, who was very different from everyone else – Jeff Thomson,” Lillee had said. In Perth, as he was making bowling feel like music, Bumrah’s action was dissected by the experts. As awkward as it might be, there’s no faux shtick in the whole process – from his run-up to loading, delivery and follow-through. Bumrah’s wrist does the magic. “What Bumrah does is 101 per cent correct,” former Pakistan fast bowler Aaqib Javed, who is currently a selector and Pakistan’s white-ball coach, told this correspondent a few years ago. “Don’t look into how he is approaching the crease. Look at the end product and that’s perfect. Very few fast bowlers use the height so well. Very few of them transfer weight so smoothly. Also, from his run-up to delivery release, Bumrah’s entire approach is completely linear, using his energy in a straight direction. It gives him more power. To me, he has the best action in the business.” Coming back to Lillee, watching Bumrah, maybe his mind raced back to a time when India had Kapil Dev and a few other medium pacers around him, bowling dibbly-dobblies. The Australian was given the responsibility to groom fast bowlers at the MRF Pace Foundation. It took time, a couple of generations to be precise. But Lillee and the MRF Pace Foundation’s influence wasn’t limited to Chennai only. Bumrah is the fulcrum of a process that started with Javagal Srinath followed by Zaheer Khan and other fast bowlers. But no one is like the smiling assassin, for he is one of a kind. Bumrah is someone whom Andy Roberts told: “You could have taken the new ball in our XI.” Also Read: How a Durga Puja gave India’s Test team its Bumrah X-factor The post Close to Lillee’s spiritual home, Bumrah sings merry song of fast bowling appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[news365times]

[ad_1] Dennis Lillee and Jasprit Bumrah (PC: ICC and BCCI) The host broadcaster’s stump mic in Perth has unhindered clarity unlike the occasionally sparse visuals during replays that nipped a promising KL Rahul’s innings in the bud. As Steve Smith arrived at the crease, Rishabh Pant was in his element. “The legend is pressured,” chirped the Indian wicketkeeper. A ball later, Smith was gone. Jasprit Bumrah made one jag back a mile to trap the former Australia captain leg-before. The stand-in India captain was making the ball talk. In the commentary box, Wasim Akram was ecstatic. “He (Bumrah) is the world’s best bowler,” the legendary former Pakistan quick screamed. That was validation. Bumrah is placed third in the ICC Test bowling rankings, behind Kagiso Rabada and Josh Hazlewood. Who cares! To paraphrase Mark Knopfler, he was giving the Australian batsmen a shiver in the fading light at the Optus Stadium. It felt like he had Smith at his beck and Marnus Labuschagne at his call. The fabled WACA is just a short walk from the Optus Stadium. It is the spiritual home of Dennis Lillee. It’s not known if the great man paid a visit to the new stadium to watch the first day’s play of the first Test between India and Australia. Even watching the action on telly, he must have nodded in approval, notwithstanding his nationality and a redoubtable Aussie swagger. It’s a fast bowlers’ club where Bumrah sits cheek by jowl with the likes of Lillee, Akram, Malcolm Marshall and other all-time greats of the game. For the Latest Sports News: Click Here Jasprit Bumrah during the Perth Test (PC: Debasis Sen) Back in 2018, during Bumrah’s first Test series Down Under, Lillee had compared the Indian speedster with Jeff Thomson. “He (Bumrah) is very different from other pacers, which reminds me of another fast bowler of my era, who was very different from everyone else – Jeff Thomson,” Lillee had said. In Perth, as he was making bowling feel like music, Bumrah’s action was dissected by the experts. As awkward as it might be, there’s no faux shtick in the whole process – from his run-up to loading, delivery and follow-through. Bumrah’s wrist does the magic. “What Bumrah does is 101 per cent correct,” former Pakistan fast bowler Aaqib Javed, who is currently a selector and Pakistan’s white-ball coach, told this correspondent a few years ago. “Don’t look into how he is approaching the crease. Look at the end product and that’s perfect. Very few fast bowlers use the height so well. Very few of them transfer weight so smoothly. Also, from his run-up to delivery release, Bumrah’s entire approach is completely linear, using his energy in a straight direction. It gives him more power. To me, he has the best action in the business.” Coming back to Lillee, watching Bumrah, maybe his mind raced back to a time when India had Kapil Dev and a few other medium pacers around him, bowling dibbly-dobblies. The Australian was given the responsibility to groom fast bowlers at the MRF Pace Foundation. It took time, a couple of generations to be precise. But Lillee and the MRF Pace Foundation’s influence wasn’t limited to Chennai only. Bumrah is the fulcrum of a process that started with Javagal Srinath followed by Zaheer Khan and other fast bowlers. But no one is like the smiling assassin, for he is one of a kind. Bumrah is someone whom Andy Roberts told: “You could have taken the new ball in our XI.” Also Read: How a Durga Puja gave India’s Test team its Bumrah X-factor The post Close to Lillee’s spiritual home, Bumrah sings merry song of fast bowling appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[venkateshwara-group1998]

Shri Venkateshwara University organized an All India Kavi Sammelan & Bollywood Musical Night on the last day of the historic Ganga Fair.

Shri Venkateshwara University organized an All India Kavi Sammelan & Bollywood Musical Night on the evening of historic Kartik Purnima in the Ganga Fair.

A grand spectacle was held on the banks of the river Ganges.

Over a dozen police, administrative, and judicial officers, along with thousands of spectators, enjoyed it.

The All India Kavi Sammelan & Musical Night became so popular with the audience that the event continued until 3:00 AM the following morning, after starting at 6:00 PM the previous evening.

The District & Session Judge Mr. Zafar Ahmed, DM Mrs. Nidhi Gupta Vats, SP Mr. Kunwar Anupam Singh, Venkateshwara Group Founder President Dr Sudhir Giri, & the Pro Chancellor Dr Rajeev Tyagi inaugurated the event by lighting a lamp on the portrait of Mother Ganges.

The CDO Mr. Ashwini Mishra, & Chief Fair Officer ADM Mr. Mayashankar Yadav joined them to unveil the All India Kavi Sammelan & Bollywood Musical Night.

The DM, District Judge, SP, CDO, and senior police administrative officials, along with the management of Shri Venkateshwara University, felicitated Bollywood singers and poets. They were gifted a shawl and memento.

After that, popular female playback singer Ms. Nivedita Nanda from Saregama and Mr. Manoj Verma from T-Series entertained the audience with mesmerizing Bollywood and Punjabi songs.

The All India Kavi Sammelan was hosted by Dr. Dinesh Raghuvanshi, a renowned poet. It started at 10.00 PM.

Poet Dr Rahul Awasthi from Bareilly recited a poem that filled the listeners with positive energy. He said, “दाल ना गल पाएगी दुश्मन हाथ मारेंगे भारत के- चाले ना चल पाएंगे राफेल चलेंगे भारत के। प्राणों से प्यार है- यह देश हमारा है.....”  

Then renowned poet from Dausa with expertise in Shrangar Ras Ms Sapna Soni sang जमीन पर चांद मेरे सामने उतर आया, जिसे निहार मेरे दिल में प्यार भर आया। खुदा से तेरे सिवा और कुछ नहीं मांगा, जिधर भी देखो मुझे तू ही तू नजर आया which was well admired by the audience.  

Hemant Pandey, winner of Laughter Champion Season 2 & part of Kapil Sharma Show, entertained the audience with his jovial talk about politics & love.

Great poet Dr Dinesh Raghuvanshi expressed the distressing state of farmer & soldier through his poetry   - हमेशा तन गए आगे जो तोपों की दहानों के, कोई कीमत नहीं होती क्या प्राणों की जवानों के। बड़े लोगों की औलादे तो कैंडल मार्च करती है, जो अपने प्राण देते हैं वह बेटे हैं किसानों के that brought tears into the eyes of the listeners.

Apart from this young poet Mohit Shaurya, Laughter Poet Pavan Aagri from Agra, Rahul Sharma of ooj, local Poet Dr Yatindra Katariya & Laughter poet Mamta Sharma presented excellent poetry that made the audience clap incessantly.

Those present included the ASP Mr. Rajiv Kumar Singh, SDM Mr. Pushkar Nath Chaudhary, SDM Vibha Shrivastava, SS Baghel, BJYM President Mr. Shubham Chaudhary, Arun Goswami & Sanjeev Rai.

The Meerut Campus Director, Dr Pratap Singh, was present along with the Media Incharge, Mr. Vishwas Rana, among others.

[lgcderabassi]

Fresher’s Party on 8th Oct 2024 at Longowal Group of Colleges!

🎉 Fresher’s Party on 8th Oct 2024 at Longowal Group of Colleges! 🎉

What an amazing day full of music, dance, and excitement as our new Diploma Engineering students were welcomed in style at the Polytechnic wing! 🎶✨ The stage was on fire with incredible performances, and the ramp walk stole the show! 👗🔥 Congratulations to Ms. Harpreet Kaur (Dip. CSE), crowned Miss Fresher, and Mr. Junaid (Dip. Mechanical), our Mr. Fresher! 👑🎉 A big shout-out to Dr. Kapil Katyal, Dr. Rosy Katyal, and Dr. Vinod Katyal for motivating our students with their words of wisdom and encouragement! 💡📚 Let’s create more memories together! 🎊

[themovieblogonline]

Love, Sitara: Scenes The Show Family, Forgiveness, and True Love

"Love, Sitara" is the latest family drama from ZEE5 Global that leaves you with all the feels—part joy, part heartbreak, but ultimately a journey of love and forgiveness. Directed by Kapil Sharma and starring Sobhita Dhulipala and Rajeev Siddhartha, the film delves deep into the complexities of family, relationships, and the resilience required to navigate life’s emotional rollercoaster. https://www.youtube.com/watch?v=n5SSTffw9K8 From the get-go, Love, Sitara brings you face-to-face with genuine and spontaneous moments of love. The chemistry between Sobhita Dhulipala’s Tara and Rajeev Siddhartha’s Arjun sets the tone early in the film with a surprise proposal that feels authentic. No Instagram-worthy, orchestrated proposal here—just pure, unfiltered emotion that anyone who's ever been in love can relate to. The Family Drama That Hits Close to Home But it’s not all sunshine and roses. Just when you think Tara and Arjun are set for smooth sailing into marital bliss, family drama, age-old secrets, and some seriously unresolved emotions crash the party. One of the most striking aspects of the film is how it manages to handle intergenerational conflict with a sensitivity that feels authentic. The family’s rallying around Tara during the hectic wedding preparations is a high point. Yes, we’ve all been through (or witnessed) those wedding stress moments that make you want to pull your hair out. But this scene reminds us of the beauty of family sticking together through the chaos. Sometimes, it's those crazy times that bring us closer. It also serves as a powerful visual of how support in times of stress can make all the difference. When Forgiveness Triumphs One of the standout moments comes when Arjun is forced to make a choice—hold onto past anger or let it go for the sake of moving forward. In a world that’s all about keeping receipts, Arjun’s act of forgiveness feels refreshing. It’s a moment that reminds us all that love, at its core, requires grace, understanding, and the ability to let go. In today’s era of grudges and quick cancellations, this message is one that hits differently. The Father-Daughter Bond Sobhita Dhulipala absolutely shines in the scenes with her father, played by Sanjay Bhutiani. One particular scene where Tara and her dad discuss marriage and life brings the father-daughter relationship front and center in a way that will leave you reaching for tissues. The generational wisdom shared in that conversation underscores how much parental guidance, even in our adult years, can shape and influence our decisions. A Reunion Worth Waiting For The fallout between Tara and Arjun nearly breaks them—both emotionally and physically—but the heartfelt reunion scene brings them back together in a way that feels organic. It’s not overly dramatic, and there’s no cheesy rom-com music swelling in the background. Instead, you get a raw moment where two people who genuinely love each other decide that their relationship is worth fighting for. Family Dinner Laughter Lightens the Load Of course, what’s a family drama without some comic relief? The laughter-filled family dinner is the breath of fresh air we all need amidst the emotional turmoil. Between the heavy confrontations and deep personal revelations, these light-hearted moments remind us of the joy in family gatherings—even if they come with their fair share of awkward conversations and minor squabbles. The warmth and camaraderie shared in this scene balance out the intensity of the more emotional parts of the film. Final Thoughts If you’re into emotionally charged family dramas that still manage to bring light moments of laughter, Love, Sitara is the perfect pick for your next binge-watch. With powerful performances from Sobhita Dhulipala and Rajeev Siddhartha, the film manages to explore the complexities of love, forgiveness, and family dynamics in a way that feels personal, yet universal. This movie isn’t just about romantic love. It’s about all kinds of love—between siblings, parents and children, friends, and yes, partners. Love, Sitara does a brilliant job of showing that love isn’t always about the big, dramatic gestures. Sometimes, it’s in the quiet moments—the acts of forgiveness, the comforting conversations, the laughter around the dinner table—that we find the truest expressions of love. Read the full article

[dreamsofnightmares2035]

kapil sharma PS-1 game

(again, not fully fluent in hindi here, but i did my best)

the game doesn't seem to be completely shown in any one video, so i've used two.

this video from [2:24] to [8:11]

[2:24]

kapil: i will start with trisha. trisha, you come first. 

trisha: oh, it's on me, now.

kapil: okay, ready? guys, no cheating…music! 

(first phrase) "public mein thukhega nahin, pushpa jhukhega nahin"

(i'm not exactly sure what 'thukhega' means, but i believe this means something like, 'in public, [he] will not be knocked down; pushpa will not bow down'. pushpa is an allu arjun character who said the iconic line, 'pushpa will not bow down'.)

trisha to sobhita: "public mein thukhega nahin"

sobhita: "baby ko bass pasand hai" (a popular song, means that 'baby likes bass')

trisha: fail! 

sobhita: 'jingad jingad' is happening in these [headphones]; (i assume this just means the song is playing very energetically and loudly that it's distracting her)

trisha: i'll forget! "public"

sobhita: "baby"

trisha: "public ko thukhega nahin"

sobhita: kuch nahi aati? (means 'you don't know anything'?)

[trisha repeats]

sobhita: "public ko tootne ka nahin" (means something like 'there's nothing to break for the public'? it sounds incomplete)

[when sobhita is still confused, trisha repeats, imitates a bike/autorikshaw that makes a tuk-tuk sound]

sobhita: "daudne ka?" (something like 'to run')

trisha: i give up on her!

kapil: whatever you are getting, you please [pass it on].

sobhita: okay, one last time!

[trisha says the line again]

vikram: it's just one line, right?

archana: it's two, it's two.

sobhita: "public ko rukega nahin" (something about 'will not stop the public") 

[something clicks] "jhukhega nahin!"

[makes the iconic 'pushpa' gesture]

but "public ko jhukhega nahin?" (confused, because that's not the pushpa movie line)

[turns to vikram]

trisha: but it's not over!

sobhita to vikram: (i am not even attempting to translate that mess; i think it's clear enough)

kapil: don't know what the line will become going forward!

vikram to karthi: "public ko jhuk"

karthi: "juice" aa?

vikram: "public ko jhuk nahin nahin" (something like 'for public bow no no')

[vikram turns back to sobhita, another mess, vikram is frustrated by now]

[karthi tries to listen when vikram speaks]

vikram: you're not supposed to listen! [repeats the phrase he understood]

karthi: is this hindi? avvalavu thaan? (means 'is that all?' in tamil)

[vikram repeats]

[karthi mouths something to jayam]

jayam: "puppet"?

karthi: not "puppet", da; "public"

jayam: "puppet"

karthi: "ko"

jayam: "no"

karthi: "jhuk"

jayam: "truth"

karthi: "nahin, nahin"

jayam: "nahin, nahin"

[very confused]

jayam: "puppet truth nahin"?

[laughter]

trisha: rubbish! all of you guys spoke rubbish!

vikram and karthi: you spoke correctly?

trisha: yeah, i said the right thing

vikram: say, say, what is it?

[trisha says the line]

sobhita: oh, so i combined them!

[kapil reveals the line]

[they're getting ready to do the next round, trisha and sobhita switch places, then the crew alerts kapil about a battery missing in trisha's headphones; so kapil's like "oh, so that's how you understood the line so quickly! there wasn't a battery in your headphones! i was thinking trisha's ears are so sharp that she could catch the line even over this loud music!"]

ends at [8:11] in this video.

-

2. this video (this seems to be a kind of edit video, so please be warned that the volume goes up when someone says something funny. i apologize, i couldn't find a better one anywhere)

kapil: very small line

all: okay!

kapil: okay, ready guys? ready? [to trisha] you're not supposed to look! you have to look straight. 

(second phrase) "bandar ne pehna diaper, baahubali ho gaya hyper"

(this means that "the monkey wore a diaper, baahubali became hyper"; i honestly don't know where he's getting these)

[audience laughs, and the others see the reaction to the line]

karthi: already we are laughing now

vikram: ayyayyo! (means 'oh no!')

[kapil repeats the line]

sobhita to trisha: "bandar ke baraat mein" (means 'in the marriage procession of the monkey')

trisha: what?!

sobhita: "bhaloo aaya hai"? (means 'the bear has come')

trisha: "bandar ke baraat mein bhaloo aaya hai" ('the bear has come to the monkey's wedding procession')

[trisha repeats the line to vikram]

vikram to karthi: "bandar ki balaat mein baaru ki aaya hai" ('balaat' means like 'forcibly', 'baaru' doesn't mean anything as far as i can tell; this essentially makes no sense)

[vikram repeats]

karthi to jayam: "band ki baat mein"? "bandar ki baat mein" (means 'in the matter of the monkey')

jayam: "mandir ki balaat"? ('mandir' means 'temple') one more time, slow, slow

[karthi repeats, what jayam gets is "mandir ke baat mein, ballu aaya hai"]

kapil to sobhita: so what did you say, that the bear will come for the monkey's wedding?

sobhita: was that it?

kapil: no, it wasn't [reveals the original line]

[2:28]

kapil: okay, we'll play one more

(third phrase) "kutta kidhar gaya, find it; yenna rascala, mind it!"

(this means, 'where did the dog go? find it; hey rascal, mind it!" the phrase 'yenna rascala, mind it!' is from the movie 'om shanti om' where shahrukh khan does a parody of a south indian actor)

sobhita: "kutta ki nahin hai wife" (something like 'the dog doesn't have a wife')

[kapil repeats]

sobhita: "kutta ki nahin hai wife, lekin sabse achhe hai salman bhai" (means 'the dog doesn't have a wife, but salman bhai is the best'; which could potentially be read as a little mocking, because salman is famously unmarried)

[kapil repeats again, finally gets her to understand]

[sobhita says the phrase to trisha]

trisha: "kutta kidhar gaya, find it; inka raasta mein mind it" (the first part is correct, the second half means something like 'in their path, mind it')

trisha to vikram: "kutta" ('dog')

[vikram is alarmed]

[explains the first part to him correctly; i know there's a song playing over their voices for this part]

trisha: "in raasta mein gaya" (means '[he] went in this path/road')

vikram to karthi: "kutta kahan gaya? find it; in raasta mein gaya" (which makes sense tbh)

karthi: (in tamil) this is not hindi!

karthi to jayam: "kahan gaya…find it…yeh raja" ('yeh raja' means 'this king')

[says something in tamil i couldn't catch]

jayam, fed up: "kaal kare so aaj kar, aaj kare so ab; pal mein parlay hoyegi, bahuri karega kab?" 

(i love that he said this so much, because i learned this in school and this is the only one i know by heart to this day; so there was a medieval poet called kabir das, and he famously wrote these couplets or 'dohe' that had some type of moral lesson to be learned; this one in particular means 'don't leave any work for tomorrow; do tomorrow's work today, and do today's work now. we don't know if in the next moment the world will end, or if we will die, so when else will we do the things we have to do?)

[kapil reveals the original line; applauds them for playing]

-