#kannada movie video

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Dr Rajkumar came Village to Palace Comedy Scene - Kannada Movie Super Comedy Scenes

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‘Kabzaa’ movie review: Upendra’s action-drama is a dreary, tepid ‘KGF’ rehash

Upendra’s gangster drama is similar to ‘KGF’ in more than just the looks, flavour, and genre; it’s a rip-off loaded with empty shells of everything that made Prashanth Neel’s films enjoyable . .

[neuroticbookworm]

Engagement of QL Fandom in Indian Queer Media

I was tagged by @lurkingshan and invited to respond to an ask she received from @impala124 that noted the absence of India in the Asian queer media spaces and discussions, and questioned the reasons behind it. @starryalpacasstuff has also responded to it in a great post (check out the reblog additions for a treasure trove of Indian queer media recs), discussing, among many things, Korea’s culture export aiding their queer media ventures, access to Indian queer media, and the quality of Indian queer media. @twig-tea’s addition discussed the ease of access of Thai BLs via YouTube and how it prompted Korea and Japan to re-enter the genre.

My thoughts on Indian queer media are complicated and involve several detours to understand Indian media culture, its economic power, and how it navigates international viewership. For context, I am an Indian cinephile who grew up watching a wide variety of Indian media in terms of both language and genre. I naturally transitioned into watching Western content as globalization of the 2010s brought HBO and Comedy Central to Indian screens, and later sought out queer media, Asian media and Asian queer media on the internet.

Indian Media Industry - A Primer

I know there are a lot of countries right now that produce QL media, so I am gonna mainly consider Thailand, Japan, and Korea, the three countries most prolific with ql, for the purpose of this discussion. All of these countries, while regionally diverse, have managed to considerably homogenize in language and culture over the course of history and colonization. India, on the other hand, is still significantly and distinctly diverse in language, culture, religion, food, media styles, social norms, and on and on. India has 22 official languages and thousands of regional ones that are used in various capacities everyday. This diversity is then reflected in the media produced by India, with multiple powerhouse film industries dominating box offices simultaneously. Bollywood is the biggest one and obviously well known internationally, but Tamil, Telugu, Malayalam, Kannada, Punjabi, Bengali-language film industries are successful in their own right and consistently produce box office hits and self-sustain in the larger Indian media landscape. This makes domestic media highly regional in India. Even today, in the age of social media, it takes a box office success to the tune of hundreds of millions of rupees for a film to break out of its domestic audience and cross over into other Indian states.

This diversity has also led to the different industries developing media styles unique to them. I watched this video a while ago of a creator documenting his experience of dipping toes into Indian Cinema for the first time, and he ends up covering three movies from three different industries, because the pathos of each of them is so fundamentally different yet effective in their own ways. This diversity also applies to the television industry, both traditional cable TV soaps, and the modern shows made for streaming sites. And all of this, *waves hands*, presents a set of challenges like no other country faces for both Indian queer creators and Indian queer media audiences.

The Challenges for Creators

Since the Indian media industry is not a big monolith and is made up of multiple film industries, queer creators who are trying to get their foot in the door will face a unique uphill battle in whichever regional industry they’re trying to break into. And trying to research, learn, and understand each and every single one of them will take me and my non-existent research team years, so the simpler thing to do would be listing the factors that have worked for other countries to foster their media industries to produce QL content, and discuss if India could replicate them. The list goes like this:

Japan’s rich history in yaoi

Thailand’s use of BL as a soft power to promote tourism

Korea’s culture export via kpop and other media

While India does have religious mythology that discusses sex, gender and queerness, it is often subtext with a lot of intersectionality. Does Ardhanarishvara represent fluid gender, or a symbol of harmony, or both? The debates are endless. Japan’s yaoi roots are as deep as they are explicit. And this rich history could be why the Japanese domestic audience is open to queer media even when the country is still conservative.

Thailand’s rise as a major player in the QL industry is remarkable, but there is a case to be made that the country’s media industry was directly and indirectly boosted by the government’s interest in establishing revenue from tourism, and exporting culture to international audiences via food and media. While the revenue from tourism in India is substantial, the Indian economy is not built on it. And the Indian media industry is thriving and regularly makes bank with their already established content models, so the producers have a pretty low incentive to deviate and fund queer media.

I bet every coin I own that not a single one of us on this hellsite have successfully eluded the allure of Korean media in our lives. The Korean media industry is a well-calibrated machine that shall and will target every single human into funneling their time, attention and money into the Korean culture and economy. And I think queer creators looking to make queer content in Korea would’ve had good incubation in an industry that was looking to make as much content as possible. And once again, while Indian movies have significant international box office collections, that is not where the Indian media industry, and just India in general, makes its money. The priorities are just not the same. And to be perfectly honest, India is nowhere near the level of Korea at producing and exporting television shows to international audiences.

All of this is a long winded way of saying that the conditions required to foster a QL industry in India are not the same as what we have seen work so far from the other major players. And sadly no one has really figured out the winning formula yet.

These are just a few reasons, and I haven’t even discussed nepotism and how painful class mobility is in India, making it even harder for new queer creators to break into the industry. There’s a reason why movies with queer representation like Badhaai Do, Shubh Mangal Zyada Saavdhan, Ek Ladki Ko Dekha Toh Aisa Laga, and Kapoor & Sons all feature characters in the upper middle class or above. Hell, they’re even played by actors whose portfolio is already filled with daring and experimental roles, or by first- or second-gen nepo babies who would literally have nothing to lose from the potential backlash for playing a queer character. Poor, queer characters in Indian media have never been a part of a fluffy romance as far as I know. They are reserved for the gritty dramas where intersectionality of queerness, poverty, class and caste could be examined.

The Challenges for the Audience

And once again, all of this, *aggressively waves hands*, makes things harder for even the domestic audience to engage with Indian queer media, let alone international audiences. Kathaal - The Core, a 2023 Malayalam movie about a queer man in his fifties coming out of the closet and contesting in his village body elections, was a box office success in Kerala, and I can tell y’all with complete certainty that not many people outside of Kerala would’ve even heard of it. And this was not some small indie venture – in fact, the lead characters were played by Mammootty and Jyothika, who are both absolute legends in their own right in the South Indian film industry.

Super Deluxe was a 2019 Tamil-language black comedy film that tells four interwoven stories that run in parallel, and one of the stories is about a trans woman who, pre-transition, was married and had a son. She returns to her family as her post-transition self after years of disappearance, and the film engages in conversation around sex and gender, through the innocent questions of her young son. The movie is gorgeously made, and outrageously sharp and witty in its commentary on society’s views on sex, morality, religion and family. And once again, I don’t think it is well-known outside of the domestic and international award-circuit audiences it was promoted to (last I checked, it was available to domestic audiences on Netflix).

Sometimes, even the domestic audience might miss the queer representation in their regional media when it is indie enough to not get aggressively promoted. The Hindi-language anthology movie from Netflix, Ajeeb Daastaans (2021), featured a story where two women from different caste and social class meet at the workplace (the sapphic story, Geeli Pucchi, starts at 1:17:05, if anyone wants to check it out). It served biting commentary on the intersectionality of queerness, misogyny, caste and class. And once again, I’ve never found a person with whom I could discuss it with (other than my mom, with whom I watched it).

And sometimes, even when a massive show with queer representation is well promoted and well received by critics, it still manages to fly under the radar in Indian queer fandom spaces. Amazon Prime India spent a lot of coin on the show Made in Heaven (2019) – and it was worth it. The show follows the lives of two wedding planners, Tara and Karan. Karan is closeted (except to his close friends) for most of the show, but after he makes some powerful enemies in his line of work, he gets publicly outed, which puts him on the path of dealing with his family’s shades of acceptance, queer rights activism, and reconciling with an old friend. The car scene in episode 9 made me cry, and yet I’ve never read a word about this show from Indian QL fan blogs here on Tumblr.

Following every film and TV show that releases in one language, across all modes and platforms, and keeping an eye out for queer representation is hard enough. Doing it in multiple languages is downright impossible. And then personal preferences come into play. Personally, I enjoy nearly all genres of media, but I am primarily an angst monster, so I seek out and watch sad shit on the regular. All four examples I’ve listed in this section are good queer representations, but they are deeply sad, rage-inducing, heartbreaking and realistic. If one wanted to watch an Indian queer romance that’s inside the bubble, I’m not sure if they can even find one – I have certainly not come across any. Even the queer Bollywood movies designed for a box office run, paying homage to iconic Bollywood romance sequences, were still outside the bubble. When a niche audience like the QL fandom collides with a complex media-churning machine like the Indian media industry that is fundamentally not designed to cater to them, all we get is a lot of puzzled looks and question marks.

A Thought Experiment On The Future Of Indian QLs

Now that I have established the challenges, I want to engage in a little thought experiment – if we were to receive a steady stream of Indian QL content, what would it look like, and how can the fandom engage with it?

If we are looking for content from a stable production entity for Indian queer media, like Thailand’s GMMTV, Japan’s MBS Drama Shower, and Korea’s Strongberry, we would be waiting for a long time, at the very least a decade or two. What we could get are small indie queer shows like Romil and Jugal, squirreled away in a streaming platform exclusive to India and only accessible internationally via VPN. Another example is the list of sapphic shows @twig-tea shared with us a while ago, here. These are gonna be low budget, probably-not-great-quality shows reminiscent of early GMMTV.

Another variety of QL content we could get are the Bollywood queer romance films and TV shows. They will be cheesy and tropey and romantic, and might interact with the bubble, but probably mostly from the safety of an upper middle class setting. This means they would eventually run out of fresh perspectives they could tune into in their limited scope and the stories might turn stale and repetitive (I’m deriving this from the general state of things in the Indian media landscape over the last couple years). International access might be a little easier than the previous case, but not as easy as going to YouTube and hitting play.

The third and final variety are the gritty dramas with heavy social, cultural, religious, gender and class commentary that Indian cinema industry has always made, and has upgraded in the recent years to include queerness. Once again, the access will be hard, but if we are looking for queer stories that also show the audience what it is like being queer in India, beyond the glitz, the glam and the colors of pre-packaged Indian experience often sold to the West, this is where we will find it. Most of it will be sad, but we are a sad bunch who constantly make sad shit, so it will be on brand for us.

And all of these different varieties of content are gonna need to be picked up and promoted by the Indian folks in the QL fandom who are tuned into these regional industries. India not being a cultural monolith that is easy to package and ship is precisely why we have all these beautiful and crazy and sometimes even contradictory styles of media that are offered for us to explore. And therefore, the fandom engagement on Indian QL content would also vastly differ from the fandom engagement for Japan, Thailand and Korea. A dedicated fandom captain might not emerge, but rather, a collective group of folks tuning into and promoting finds from their regional industries would be the way to go. In addition, if this content is not available in English, we would need fan subbers to provide translation expertise to even make it accessible, something we see often for Japanese media on Tumblr.

I know from observation that watching media in a different regional language could sometimes be as foreign to Indian audiences as watching media from other countries. The language, traditions, mannerisms, social mores and food would all be different from region to region, but I guess it would be a good litmus test to observe how well the fandom acclimates to a culture that is so eye-wateringly diverse and not as constantly promoted to them.

When I was texting @waitmyturtles discussing how we can approach answering this question (remember when this all started with a question, some two thousand-ish words ago? Yes, that question), at a point in our conversation I exclaimed "Ugh, everything in India is too complicated!" This long-ass post of mine is in no way the complete account of why things are the way they are in the Indian queer media landscape. But all I know for sure is that it’s not simple. And I really do not want anything related to India to be simple, because being unbearably frustrating and complicated is not a bug, but a feature of India. The road to Indian QLs is unique, but I will do my best to check the paths and share and recommend them to my friends whenever possible. And I invite my fellow Indian QL fans to do the same.

[hungama123]

Hungama: Music Movies Podcasts

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The New All in One Hungama app has different varieties. Here are some things you can opt Hungama app for:

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Deepika Padukone

Born: January 5, 1986

Deepika Padukone is one of the most well-known and well-liked Indian actresses, having appeared in a number of films. As a child, Deepika Padukone aspired to follow in her father Prakash Padukone's footsteps and become a world-class badminton player. Modeling supplanted her aspirations of pursuing an athletic career. After starring in a Kingfisher calendar and a few advertisements, Deepika Padukone, India's reigning supermodel, decided to branch out into acting. 'Aishwariya' was her first Kannada film, but her first Hindi film, 'Om Shanti Om,' launched her to fame. Movies like "Yeh Jawaani Hai Deewani," "Goliyon Ki Raasleela," "Piku," and "Bajirao Mastani" have helped her rise to the top of the Hindi film industry throughout the years. With 'xXx: The Return of Xander Cage,' she has made her first foray into the world of Hollywood action films. Actresses earning more than $1 million a year are few and far between.

Early Life

An international badminton player named Prakash Padukone and his wife Ujjala were the proud parents of the actress Deepika Padukone. Her father used to be a well-known badminton player back in his younger days. The youngest of the two sisters, Anisha, is a professional golfer who participates in tournaments around the United States. As a year-old child, Deepika's family migrated to the city of Bangalore in India. Mount Carmel College and Sophia High School were Deepika's two preparatory institutions of choice. For the sake of her modeling profession, she dropped out of IGNOU's Bachelor of Sociology program.

Education

She completed her secondary school at Bangalore's Sophia High School before transferring to Mount Carmel College for her pre-university studies. In order to avoid schedule issues with her modeling profession, she eventually enrolled at the Indira Gandhi National Open University to pursue a Bachelor of Arts degree in sociology, but she left out before finishing the program.

Career

Deepika Padukone's career has been very straightforward, in contrast to many models who struggle to get into the industry. In 2005, she made her runway debut at Lakme Fashion Week in Mumbai, marking the beginning of her fashion career. Next to that, she was included in the Kingfisher Calendar for the following year. Her meteoric ascent to fame started with her appearance in the music video for Himesh Reshammiya's song "Naam Hai Tera," which was released in 2008. Since then, she has been in a number of other music videos. The video was released in 2008 and featured her singing. Soon after, she started to get offers for film roles in other productions. Instead of jumping into anything headfirst, she enrolled in an acting school at the Anupam Kher Film Academy in order to better prepare herself for the role of the director.Read more on..

[chitram]

Access 500 live Indian TV Channels in Germany with ChitramTV

Many of the Indians are living in Germany. They migrated from India due to jobs, education, and a bright future. Many Indians rely on Germany’s entertainment services to spend their time. However, it is not easy to access Hindi and Tamil channels in Germany. You can easily access live TV channels and other entertainment services located and broadcast in Germany itself.

But you cannot access Kannada TV live the same way you would in India because the broadcast services of such TV channels are available only in India and not internationally. Watching their favorite TV shows in the regional language helps many Indians feel connected to the country and their culture.

Though there are several entertainment services available that can allow you access to Indian entertainment with just an internet connection, accessing the Kannada TV live channels is still difficult. But Chitram TV is here to solve this issue of accessing live Indian TV channels in Germany and Europe.

Chitram TV

Chitram TV is an entertainment company that provides access to Indian TV channels in Europe and Germany. Chitram TV is the best solution for Indian TV channels and regional entertainment live TV channels.

They have connected more than 150 thousand households to Indian entertainment across Europe. Hence, there is no question about their reliability as a live entertainment channel provider. This is made possible because of their Chitram TV Set Top Box.

There are several reasons for Chitram TV’s popularity across Europe and Germany. You can access more than 500 live TV channels, that includes all the regional language channels, kids channels, and sports channels. You can also access more than 1000 Indian movies anytime.

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HD streaming is the new normal for video streaming nowadays. The days of low-quality streaming are long gone now. None of the individuals want to compromise the quality when watching their TV shows. Chitram TV understands this and provides streaming of Hindi, Tamil, and Malayalam TV HD channels. You can enjoy your favorite Hindi channels and Tamil channels in Germany and Europe in HD quality.

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Chitram TV also offers multi-room access. This allows you to access Chitram TV’s streaming service on up to four devices with the price of just one subscription. With such a reliable service and great features, Chitram TV is the best service for streaming Indian TV channels in Germany and Europe. You can buy the product that suits your needs at their official website, Chitram.de.

[dailyreportonline]

Laughing Buddha Now Streaming on Amazon Prime Video | Daily Reports Online

The popular Kannada movie, Laughing Buddha is now available on the popular OTT platform, the Prime Videos. The streaming giant revealed this information on its official social media handle. Even though Laughing Buddha received positive feedback from critics, it didn’t quite make a mark at the box office. The movie finally got a streaming platform after seven weeks of its official threatrical…

[sparcusfun]

10 Kannada Romantic Movies That Define True Love

In this video, we dive into the world of Kannada cinema and explore the "Top 10 Kannada Romantic Movies That Define True Love." Kannada film industry has produced timeless love stories that have touched the hearts of many. Whether you're a die-hard fan of romantic dramas or just looking for a film to watch on a cozy weekend, this list features the finest romantic Kannada movies that portray love in its purest form. From heartwarming tales of young love to stories of enduring relationships, these movies showcase the best of what Kannada romance has to offer. This list includes classics as well as modern hits, featuring celebrated actors and directors who have left a mark on the Kannada film industry. You’ll find movies that beautifully depict various shades of love—first love, sacrifices made in relationships, and the journey of two souls uniting against all odds. These films have struck a chord with the audience through their emotional depth, memorable dialogues, and unforgettable love stories. Whether you're a Kannada movie enthusiast or just starting your journey into this regional cinema, this list will give you the perfect mix of old-school romance and modern love stories. Sit back, relax, and enjoy as we count down the top 10 Kannada romantic movies that have redefined love in cinema. Don’t forget to like, share, and subscribe for more amazing content on movies, TV shows, and everything entertainment! Kannada romantic movies, best Kannada love stories, top Kannada romance films, Kannada cinema, Mungaru Male, Milana, Amrutha Varshini, Gaalipata, Charminar, Sanju Weds Geetha, Love Mocktail, Krishna Leela, Romeo Kannada movie, Mugulu Nage, best Kannada romantic movies, true love in Kannada movies, top 10 Kannada movies, Kannada love films, romantic Kannada hits, must-watch Kannada movies, Kannada romance classics, Kannada movie recommendations, Kannada films romantic genre #kannadamovies #movies #movie https://www.youtube.com/watch?v=AbbSOZwY0rM

[norainahmadme-blog]

Strong Sudhakar Arrested: The Controversial Review

The Kannada film industry is buzzing with controversy following the arrest of YouTuber Strong Sudhakar (Sudhakar Gowda) for his scathing review of actor Dhruva Sarja’s latest film, Martin. In his video, Sudhakar labeled Martin “the worst movie I’ve ever seen,” drawing parallels to the blockbuster KGF and expressing disappointment at what he perceived as a failed attempt to replicate its…

[darshanghanaathe]

TOXIC Movie Vibe | Yash Edition | A Visual Treat for Yash Fans

Dive into the world of Toxic with this fan-made video featuring Yash's electrifying performance. Witness the intensity, the action, and the charisma that make Yash a true cinematic icon. Enjoy a visual treat as we synchronize Yash's photos to the rhythm of the film's music, creating a captivating experience for fans.

Don't miss out on this exclusive look behind the scenes of Toxic. Subscribe for more updates on the film and Yash's upcoming projects.

Starring: Yash in the lead role.Release Date: April 10, 2025.Genre: Action, Drama.Production: KVN Productions and Monster Mind Creations.Language: #Kannada, with plans for releases in #Telugu, #Tamil, #Malayalam, and #Hindi.

#Trailer As of now, there's no officially released trailer for "Toxic." Stay tuned for updates as the release date approaches.

[anynews]

latest telugu news -Anynews app"

Anynews is the fastest growing short news app that brings you the biggest news and fastest news from across the world. It is available for free and brings you the latestnews - be it instant local news local updates, regional news, national news, international news, breaking news, trending news, viral news, state news, sports news, cinema news, political news, business news, crime news, jobs news and much more.

Anynews app is a much sought after short news app and a trusted news source. It is a go-to digital instant news app for daily newspaper readers, especially for telugu newspaper and kannada newspaper readers. Download Anynews on your smartphone and flip the 60 worded news articles.

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9) Daily news and current affairs : Stay updated with latest news today, current affairs and latest telugu news. Our app provides in-depth analysis and insights into the latest new happenings.

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Telugunews (తెలుగు వార్తలు) - రాజకీయాలు, జాతీయ, అంతర్జాతీయ, సాంకేతికం, ఆరోగ్యం, వ్యవసాయం, వినోదం, ఉద్యోగాలు, సినిమా, నేరాలు, భక్తి, స్థానిక, క్రీడలు, వ్యాపారం, విద్య, క్రైమ్, వైరల్, బ్రేకింగ్, ట్రెండింగ్, ప్రభుత్వ పథకాలు.

Kannada news (ಕನ್ನಡ ಸುದ್ದಿಗಳು) - ರಾಜಕೀಯ, ರಾಷ್ಟ್ರೀಯ, ಅಂತರರಾಷ್ಟ್ರೀಯ, ತಂತ್ರಜ್ಞಾನ, ಆರೋಗ್ಯ, ಕೃಷಿ, ಮನರಂಜನೆ, ಉದ್ಯೋಗ, ಸಿನಿಮಾ, ಅಪರಾಧಗಳು, ಭಕ್ತಿ, ಸ್ಥಳೀಯ, ಕ್ರೀಡೆ, ವ್ಯಾಪಾರ, ಶಿಕ್ಷಣ, ಕ್ರೈಮ್, ವೈರಲ್, ಬ್ರೇಕಿಂಗ್, ಟ್ರೆಂಡಿಂಗ್, ಸರ್ಕಾರಿ ಯೋಜನೆಗಳು.

Hindi news (हिंदी समाचार) - राजनीति, राष्ट्रीय, अंतर्राष्ट्रीय, प्रौद्योगिकी, स्वास्थ्य, कृषि, मनोरंजन, जॉब, सिनेमा, क्राइम, भक्ति, स्थानीय, खेल, बिजनेस, शिक्षा, क्राइम, वायरल, ब्रेकिंग, ट्रेंडिंग, सरकारी योजन���एं।

Tamil news (தமிழ் செய்திகள்) - அரசியல், மாநிலம், தேசியம், சர்வதேசம், தொழில்நுட்பம், சுகாதாரம், விவசாயம், பொழுதுபோக்கு, வேலைவாய்ப்புகள், சினிமா, குற்றம்(க்ரைம்), ஆன்மீகம், உள்ளூர், விளையாட்டு, வணிகம், கல்வி, வைரல், பிரேக்கிங், டிரெண்டிங், அரசு நலத்திட்டங்கள்.

Malayalam news (മലയാളം വാർത്തകൾ) - രാഷ്ട്രീയം, ദേശീയ, അന്തർദേശീയ, സാങ്കേതികവിദ്യ, ആരോഗ്യം, കൃഷി, വിനോദം, ജോലി, സിനിമ, കുറ്റകൃത്യം, ഭക്തി, പ്രാദേശികം, കായികം, ബിസിനസ്സ്, വിദ്യാഭ്യാസം, കുറ്റകൃത്യം, വൈറൽ, ബ്രേക്കിംഗ്, ട്രെൻഡിംഗ്, സർക്കാർ പദ്ധതികൾ.

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