#justice for marilyn manson

[jenjen90]

[shadamyfan1923]

I stand with Marilyn Manson

I have stood by him since the false allegations came out about him, and I will continue to stand by him no matter what.

[icemftmm]

For those of you who may not have fully realized yet how much this bunch of delusional women have derailed his carreer:

“As Sick As The Secrets Within” marks Manson’s second career No. 1 on the Hard Rock Digital Song Sales chart. He first hit the top spot in 2020, in the middle of the Covid-19 pandemic. His single “We Are Chaos” only needed two frames to hit the highest rung on the purchase-focused roster, where it ruled for just one stint."

[artisticdemon]

Just woke up and saw a notification from Marilyn Manson's channel!

Holy Hell he is back!!!!!

The music video looks like a renaissance painting gone way too dark and I fucking love it and Manson looks amazing!!!!

HE IS FUCKING BACK!!!

LET'S FUCKING GO!!!!!

"I'm sewn into your soul..." I want that on a t-shirt or tattoo!!!!

[squirm-in-our-bellies]

So, about Manson dropping and settling his lawsuit with ERW. I know it may seem disappointing that he isn't going to get the chance to prove his innocence in court anymore like Johnny Depp got to, but honestly he wasn't going to get a fair trial in California, and perhaps it's better this way. As his attorney said, he's ready to move on with this chapter of his life, and I think that's what's most important. Besides, ERW's plan to destroy him and his career basically failed, as he has a new album out and sold out shows while her career is still as small and stagnant as it was before she falsely accused him. Hopefully karma catches up to her eventually, but right now the most important thing is to support Manson in any way you can, and ignore her bs.

[artisticdemon]

Words to live by

When Marilyn Manson said “Rebel rebel bitch bitch rebel rebel party party sex sex sex and don’t forget the violence.” I felt that.

[skye707]

This is my first Tumblr ask ever so I'm a little nervous. Anyways I'm here to give my top 3 Riddlers a cookie, one to YJ, one to Gotham, and one to...... Marilyn Manson Riddler. Hope he's doing well 💚💚💚 plz I need to know if he's ok.

He is doing very well, just been kicking it in the basement

(also, I feel so blessed to be your first ask. sorry it took me a minute to get to it 💙)

[manmilkers]

There is no separating the art from the artist, when your consumption of the art is directly giving these people money and power to further pressure to their victims into silence

[rowinablx]

I'm truly floored by the people saying MM is innocent and Evan Rachel Wood 'made up' the antisemitic abuse he committed against her when this is a guy who literally owns Nazi items and went on a road trip to buy Hitler's gun. WHY would a Jewish woman make that up? And talk about his abuse over a period of YEARS. People are out here acting like there's an influx of false accusations coming in just because of the JD vs AH case. I'm shocked.

Manson fans are a other level of fucking toxic, they don't realize Johnny has had nothing to do with him for years and that Evan has actual evidence against him AND his exes all have come forward to confirm Evan's story while Amber is literally the only one

[eretzyisrael]

by Heidi Basch-Harod

Less than a week before Thanksgiving, Nada flew all the way from Oklahoma to show up next to me for a screening and panel discussion of Screams Before Silence and our film, Daughters of Abraham, at Southern California’s private, liberal arts Occidental College. Hosted by the Department of Gender, Sexuality, and Women’s Studies, our program was the final installment of the Friday Feminist Film Series focusing on the theme of sexual violence. Moderated by actress Esme Bianco, survivor of sexual assault at the hands of Marilyn Manson, and supported and attended by Victoria Valentino, who blew the whistle on Bill Cosby one decade ago, the series intended to elevate the ongoing, global issue of sexual violence against women and our need to support survivors who dare to speak up. Throughout the semester however, the screenings were sparsely attended despite the celebrity speakers and relevant topics to students of women, gender, and sexuality studies.

In the month leading up to the screening, Department Chair, Dr. Caroline Heldman, shared that the series had been boycotted because of the inclusion of Screams Before Silence, the film produced by Sheryl Sandberg, documenting the sexual violence that occurred on October 7 in Israel by Hamas terrorists, and the subsequent denial that it occurred. Wherever posters of the series appeared on campus, the part mentioning the November 22 event, were ripped off. In our pre-panel prep meeting, Nada noted it reminded her of the ripping down of hostage posters since they first appeared in the weeks following October 7.

Understanding the volatile climate on campus, Dr. Heldman agreed to add Daughters of Abraham, a short film following the journey of Palestinian-American, Nada Higuera, and myself, an Israeli-American. We thought our commitment to connecting and humanizing each other in the midst of violence and war, conveyed in the film, may positively influence others who showed up at the screening, even if they attended in protest.

Remaining hopeful for an opportunity to dialogue around the accusation of Sheryl Sandberg’s film being a propaganda piece, Nada and I prepared to share with a full room of passionate, enraged students about making space for the other side’s pain and suffering. Nada’s own journey of moving through the denial of the October 7 sexual violence, resulted in her realizing that denial did not help Palestinians in their just cause and pursuit of human dignity and self-determination. For the past year, she and I have been saying yes to interviews and sharing our film, with the earnest belief that showing up, together, can set an example for those who feel they must choose a side in this catastrophic time.

Dr. Heldman prepared us for disruption, for a handout requested by students to be disseminated with a list of “lies” presented in Screams Before Silence, but she assured us that the room would be full because the RSVPs were, in fact, coming in. What happened instead was unexpected.

Led by the chapters of Students for Justice in Palestine and Jewish Voice for Peace, they employed an alternative tactic to prevent and censor dialogue from taking place. Rather than protesting outside the building, or disrupting the event itself, supporting faculty organized a counter event at the same time, 6pm on a Friday night, on the theme of “Transnational Feminist Solidarities”. The subtext, that coming together in solidarity to witness the experience of Jewish women and sexual violence in the midst of war was not considered a discussion of transnational feminism, did not escape me. But that wasn’t enough. They managed to have one door of the building locked where our event took place. They assembled students throughout parts of the campus to redirect people to their event, under the guise that they were heading to the Friday Feminist Film Series. By the time the misguided realized they were in the wrong place, they felt it would be rude to come late to the screening and discussion. One event attendee, who managed to see through the ruse, shared that the woman she spoke to even had an earpiece through which she was coordinating with others to prevent people from getting to our event.

There were five students who did make it to the Friday Feminist Film Series. Four of them were Jewish. As though two films addressing sexual violence and war weren’t disturbing enough for one Friday evening, what the students had to share was equally unsettling. Through torrential tears, sobs and shudders, the freshmen shared their experience of being silenced and punished on campus for refusing to join Students for Justice in Palestine, for not putting “Free Palestine” stickers on their water bottles and laptop computers, for not donning keffiyehs in solidarity. For refusing to simplify a complex global conflict and rejecting their Jewish and Zionist identities, their college experience is fraught with tension and a sense of insecurity. According to them, this event was the first that took place acknowledging what actually happened on October 7.

In the midst of the 16 Days of Activism Against Gender-Based Violence, I ask us to bear witness to the continued silencing of those women and men who were brutally violated and murdered on October 7. To acknowledge that, as an international community, we continue to fall appallingly short on our commitment to human rights and dignity. Regardless, we must continue to speak out against the hypocrisy and the censorship, through the tears and the intimidation. We owe it to ourselves and to those whose lives were violently ended.

[eleventeeny]

An Analysis on the New Manson Era

Marilyn Manson is holding his first headlining show since 2019 tonight. The past few days have been pure bliss for Manson fans everywhere. We've gotten a new single, new music video, first stage appearance in 5 years, and soon the first headlining performance in 5 years.

In this post, I want to analyze what we've seen so far. I spoke on the new single a bit in my previous post. I spoke on the new single in my previous post, please check that out if you're interested.

Starting with the MM x NB teaser from May 2024, the costume designer has apparently confirmed that this video is part of a full music video that will be released at a later date.

Within this video, we see a ton of symbolism. In the opening alone, he holds or presents a few items that could have a specific meaning.

He first holds a book, however I'm not sure what this could represent, and I don't know what the book he's holding is either.

After, he holds a key which represents knowledge, strength and contempt, as well as having control.

The throne shown represents authority and the sword in front of the throne represents justice, but in Greek mythology it can also be a sign of vengeance.

The apple he holds represents wisdom or the forbidden fruit.

I noticed a lot of symbolism relating to the human body as well, for example the glass oxygen mask he holds to his face, or the costume he wears that represents the veins in the body.

Throughout this whole era, we've seen a lot of imagery with flowers. When we see this full image of Manson, we can see calla lilies. These flowers are poisonous if eaten and represent resurrection and rebirth. Behind him, we see a structure covered with white flowers which could be these same flowers, roses, and yellow birds.

At the end of the teaser, we hear the outro to As Sick as the Secrets Within: "Keep sleeping, I'll make you dream of me"

In the lyrics for As Sick as the Secrets Within, we get a bit of a reflection of the past few years for Manson, which is why the cover is an image of his reflection in a piece of a broken mirror.

"I built this cage we've been trapped in together, can't remember where I hid the keys" -- This could be about Manson starting problems and dragging others into it and then struggling to get them out of the mess he created. He is realizing that his actions have negatively affected himself and those around him.

"A reason for me, for me to get by became a need, a need to get high" -- Manson first started using drugs, like he says, to get by, but it became a need, an addiction.

"Then into a life that was no life at all" -- In his addiction, he was alive he wasn't truly living.

The chorus, to me, is about how your trauma and hurt can only control you as much as you let it. You can become your full self when you stop letting your problems take over you. The beast he mentions can be a representation of misery or the struggle to break pattern, and it tries to pull us back in and control us.

"Keep sleeping, I'll make you dream of me" -- Manson saying that even if you ignore him or turn a blind eye, he'll make you notice and hear him. He's always said that he doesn't care what you think of him as long as you think of him.

In the music video for As Sick as the Secrets Within, we see a lot of imagery with tentacles. This could just be a reference to Evan Rachel Wood's documentary, Phoenix Rising, which depicts Manson as a creature that uses his tentacles to bring her down. But these images could also serve as a very literal metaphor, symbolizing a strong, threatening force. He is a force to be reckoned with.

I noticed in the first image we see with the tentacles, it appears as the white part is the body of a woman and the black tentacles are reaching around the legs to get inside.

We see a lot of black and white imagery in this video, similar to the Say10 music video. Black represents evil and dark, white represents the good and purity. This picture could be an image of evil infiltrating good.

We also see a lot of red poppies in the opening. These signify hope for the future, but also remembrance. We also see a car in a field of these same poppies. It looks similar to the car JFK was assassinated in.

We see a skin-like sack entrapping Manson through the music video. It's covered in purple and red lines that look like veins. This could be a nod to his "wormboy" image he's used throughout his career. His arms are folded over his chest and he breathes through his mouth in an apparent struggle. He lays on a metal-like table, like an experiment.

Maybe this is the "skin" he refers to when saying there's a trick to get out of your skin. He's telling you that you can only be reborn by letting go of your trauma and secrets.

There's an image of a cross in front of a cross in front of a symbol on the wall made up by different papers with writings of suspected lyrics for the new album and a sort of spiral drawing. The papers appear to make up the shape of the image we see in the stage of his recent performance as well as other promotions.

An image of a triangle with a horizontal line through it flashes on the screen with a foggy background. This sign is the symbol for air in alchemy.

Manson waves around a key while saying "you're only as sick as the secrets within", he'sa saying he is no longer controlled by his secrets, he now has the key to break free.

The cup he drinks from causes a shift in the video. As he drinks, blood pours into the background. This may represent the wrath he will bring onto those who have hurt him.

He then breaks out of the yolk sac containing him, the birth of a new version of himself.

These last few years have been hard on him, but he came out on top, and he wants to show us that with this video and with this song.

[jenjen90]

Marilyn Manson new pics from his new video

[bijouxcarys]

Here’s a daily reminder of the key points that prove Manson is fucking innocent:

All the accusers are connected through one person: Ashley Walters. She was Manson’s personal assistant throughout 2010-2012, which is also coincidentally the time period all the allegations supposedly happened.

Not only that, but they all were adamant on not knowing each other of each other’s existence until late 2020, when Evan “brought them together.”

Ashley Morgan Smithline recanted her allegations early last year in 2023, and exposed Evan Rachel Wood and Illma Gore for pressuring her into making false allegations. Part of what made Ashley’s story so bizarre was that she claimed to have been in a relationship with Manson for 3 years between 2010-2013. In reality, she had visited Manson’s home for no more than a week in November 2011 for a photo series.

Evan Rachel Wood has been using Manson to gain custody of her son, whom she had with ex husband Jamie Bell. Which didn’t work either way because Jamie knows Evan is a liar and actively called her claims against Manson “unreliable”, and now has full custody of their son.

More on that: Evan and Illma literally FORGED AN FBI LETTER saying that there was an ongoing investigation against Marilyn Manson and that’s why she couldn’t take her son back to his dad, then proceeded to take her son out of the state without notifying Jamie and stopped communications between the two in late 2020… two months before Evan posted her statement against Manson in February 2021.

There’s evidence of the forged FBI letter, as well as Illma and Evan hacking Manson’s social security, personal email, etc, and distributing what is believed to be child pornography to try and make Manson look like a certain type of person.

The girl from the infamous Groupie short film isn’t dead, she’s alive and well. In fact, she was in a relationship with Manson the year after and appeared in his music video The Long Hard Road Out Of Hell. I’m also quite good friends with her, and I assure you she most definitely wasn’t assaulted or coerced into filming Groupie, nor was she ever abused by him.

The investigation into Marilyn Manson done by the LAPD (NOT the FBI) ended ages ago and they won’t release that information because they’re systematically trying to stop Manson from exposing the corruption within the justice system. Manson has been treated poorly by the system, and it’s fucked up.

If anyone else has any questions, feel free to ask. But if you’re gonna be a dick about it, don’t bother and go back to bed or touch some grass.

[icemftmm]

When the news about this new lawsuit broke, at first it sounded horrible and it seemed that Manson finally got himself in a hopeless situation. Then, upon reading the whole complaint, it became clear that most of the claims made were unfounded, not to mention their weaknesses towards the anti-SLAPP legislation. Now that the best lawtubers out there have spoken, it becomes more and more clear that the launching of this new campaign is actually a well calculated move in the whole Evan Rachel Wood & Ilma Gore charade. The timing is just perfect and this new scandal has very good chances to sway the opinion of the judge who is going to decide on the Wood's and Gore's anti-SLAPP motions next week and to scare her away from dismissing those motions, so that she doesn't come up as the bad guy who lets the monster ("hiding in plain sight") continue suing the "courageous survivor" Evan Rachel Wood.

So this might have sealed the destiny of the Manson's case against Wood&Gore (or at least big parts of it), but I sure hope that King would point this out and make the connection for the judge who is going to take on this Jane Doe case.

[artisticdemon]

Manson ain't holding back my darlings and I fucking love that!

Let's fucking goooooooo!!!!!!

[rammingthestein]

🔥 ON THIS DAY 🔥

4/5/1998

Rammstein Play At The Metro in Chicago with no pyrotechnics.

No Fire This Time Rammstein Forced To Rely Strictly On The Music | May 07, 1998 | By Joshua Klein for the Tribune.

"The rebellious subtext of heavy metal changes depending on what country is doing the headbanging. In America, metalhead teens rail against the restraints imposed by relatively minor authority figures, like parents or the high school principal. In Eastern Europe, before the fall of Communism, heavy metal was an outlet for frustrations generated by repressive governments. Thus when Western acts finally began to filter through the red tape and play in Communist countries, what seemed to American fans like novel musical diplomacy seemed to audiences in the Soviet bloc the stuff of revolution.

The six members of European superstars Rammstein grew up in East Germany before the fall of the Berlin Wall. Now the neo-industrial band avidly espouses the tenets of free expression, although in general it eschews politics in favor of lurid lyrics. Rammstein (whose name, appropriately enough, translates roughly to “battering ram”) has gleaned more than a few shock tactic tricks, like bondage gear wardrobes and staged scenes of S&M submission, from fellow faux freaks Marilyn Manson. But Rammstein's hulking singer (and former Olympic swimmer) Till Linderman is unique in his propensity to light himself and everything around him on fire, and it's his pyromania that has played a big part in the band's rapidly spreading reputation.

The Chicago Fire Department curtailed Linderman's right to blow things up Monday night at Metro, so Rammstein had to stick with less flammable forms of entertainment. Keyboardist Flake rode an inflatable raft out into the sold-out crowd, and Linderman lashed himself with a whip. But most impressive was Linderman's insistence on singing in German. Translations don't do justice to songs like “Du Hast” and “Tier,” whose English equivalents miss the meaning in the double-edged words. The guttural growls and rolling “r”s of Linderman offered the thrill of something different, something forbidden. The crowd even shouted along with the title track from Rammstein's domestic debut “Sehnsucht,” and cheered wildly in response to “Engel,” the band's most potent pairing of pop hooks and metallic bite.

Though watching Rammstein play without fire could have been akin to watching a horror movie with the lights on, the band revealed that at the heart of its art lies some truly potent songs. Rammstein overcame the conspicuous lack of explosions with its danceable dirges.

The ridiculously Teutonic opening band, Hanzel Und Gretyl, wore matching red and black lederhosen, but its music — typically fast, one-chord metal drones — wasn't nearly as memorable as its fashion choices."