#just. what a bad take

[wanologic]

sorry danny, sam will never think you’re cool

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[lesenbyan]

.......pronouncing miette like mighty actually follows english phonetic rules.

[catmask]

SNAPDEX: DAY 13 | DEX 104

cubert.... warmup for today, 30 minutes

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[chloesimaginationthings]

FNAF Michael refuses to be gaslit on “THE BITE OF 83”

[qoldenskies]

i think its so funny when people take the way donnie acts at face value even though its a horrible lie because he's a horrible liar, while understanding leo is bullshitting very well despite him actually being GOOD at bullshitting. many such cases

[somnoir]

Gotham's newest Crime Lord - Part 1

Prompt: Dan kills the joker and unintentionally becomes a crime lord

Dan didn't mean to become a Crime Lord. It wasn't his fault that the Joker was fragile and easily killable with one punch to the head. He didn't know that the seemingly immortal clown was easily killed once the impact practically snapped his neck. So yes, Dan didn't mean for this shit to happen. Not when all he wanted to do was go to college, make sure Danny and Elle weren't attracting trouble back in Gotham academy.

It wasn't his fault that the crazy bastard thought it was a good idea to nab his siblings and try to use them for ransom. It's not his fault that his first instinct was to introduce his first to that pennywise knock-off. It'd not his fault that this city was haunted by vengeful ghosts that wanted to tear that motherfucker to shreds.

They were supposed to lay low after the mess with their parents and their name changes.

But nooooo!

They had to have an absolute hatred for clowns and now he's somehow made himself a crime lord. Why the fuck were the Joker's goons so fucking stupid?! They either tried to kill Dan for killing their boss or they tried to fall under him and make him their new leader. It was like a fucking cult in his eyes. Seriously, what the absolute fuck was going on with this shitty city?

It's not like he could call Jazz and say "Hi sis! I killed a crazy clown and I'm now the boss of his weird goons. I also might end up on the local vigilante's hitlist."

Yeah, no. He's not doing that.

But this might not be so bad... Not really. Being their boss could be treated as a source of income if he utilized the Joker's shit properly. I mean, he couldn't always rely on the fruitloops money, not when Vlad could turn traitor and use the money against them. He needed to find a way to support his siblings, one way or another.

And Clockwork did say to get a hobby. If not mass genocide then he could resort to carefully planned crime. Yes. This could work. He'll make it fucking work for the sake of his siblings.

Besides, if he was a crime lord—in motherfucking Gotham—he doubts that the GIW will even try to fuck around in a city where a ghost controlled some part of the criminal underworld.

Oh... Oh, he was gonna fucking do this.

(Clockwork watched as his most troublesome child shifts from world ender to crime lord. At least it was an upgrade from mass genocide.)

Nightwing didn't particularly know what to make of this mess. There were rumors of a new crime lord, of a new rogue.

One day, Joker's body was dropped into the harbor and found by the workers, all confused and scared as to why the Clown Prince of crime was dead in the water. It was humiliating in the Joker's standards, to be discarded like trash into the sea rather than have his body displayed for everyone to gawk at. The clown would have adored being glorified but whoever the hell killed him knew this and fucked the guy up bad.

His head snapped and his corpse tossed out like leftovers.

Jason had laughed, outright celebrated and Crime Alley was as festive as it ever was with the Red Hood blasting music through the streets and partying like there was no tomorrow. All of Gotham was celebrating, parading through the streets with pinatas that looked like the Joker. Harley would drop down from whatever roof she was on and swing her bat at the pinata, spilling red candy as everyone cheered and laughed. It was morbidly glorious.

But the festivities didn't erase the fact that someone had killed the Joker and knew what to do to disrespect him in the worst ways possible. It wasn't long until Joker's old lackeys were rallying to someone—a new boss. It wasn't odd for goons without bosses to move on to find different jobs, but for all of Joker's old minions to work for the same person? This was definitely the guy who killed the Joker.

No name, no appearance, nothing. Just quiet activity with organising his new goons to do strange errands. Stuff that didn't point them in the direction of criminal activity.

"You got anything?" Dick murmurs as Tim slouches over the batcomputer, watching as his younger brother sneered at the screen.

"Nothing. Absolutely nothing." He snaps, "All footage of this new rogue is immediately corrupted."

Babs hums, "And it's not like it's altered after it's been taken. The distortion happens live. They either have some tech on them or they're a meta who can avoid cameras." She adds, taking a leisure sip of the tea Alfred kindly offered them. "Whoever this is doesn't leave a trace aside from this shitty footage."

Tim groans, "I officially hate this guy!" He almost tosses his mug out of anger, shaking his head.

"Does Jason have any info on this one?"

And like the fucking menace he was, Jason pops up without another word. "He goes by Wraith." No one was startled, just sparing him a glance before nodding.

"That's it?"

"The goonions adore him." Jason shrugs, "Guy's been quick. Dealing with shit like Black Mask and other trafficking operations. Some of the kids he's saved wear clothes that have this specific symbol on them. It's a good tactic mind you. Tells people to fuck off and don't come anywhere near the kid or else he'll sic whatever bullshit he has in someone."

Dick narrowed his eyes, "Is it effective?"

"Hell yeah! One of the kids got kidnapped just last week. I went to save the poor thing but he walked out of that warehouse while the kidnappers were bleeding and sobbing." Jason once again grins, "Little Tommy threatened me if I try to arrest Wraith."

"So more anti-heri than villain. Good enough, at least." Dick sighed, shaking his head as he narrowed his eyes on the screen. More distorted footage.

"Thanks for the info, little wing."

"Just updatin' you guys. Heard some rumors that Harley's on the hunt for Wraith to thank him."

Great...

It's been a solid two months since the death of the Joker. Batman and the rest of his birds were increasingly wary of the Wraith and his two new associates that went by Phantom and Specter. No footage on the three could ever be recovered, making them all assume this was the work of a meta.

Most of them weren't sure if this guy was a threat or not. Red Hood, on the other hand, had a fairly positive opinion on the guy who's been hanging traffickers by their legs and immediately staking their claim on the kid to keep them safe.

The new crime lord was slowly dismantling the criminal underworld and building it back up to their design.

"FUCKING HELL!" Dick glared at the screen again, "That's Wraith's doing, isn't it? No way did the Riddler blow up that building."

"Wraith's only been dealing with traffickers so far. Why would he do this?" Steph murmurs, staring at the recording of a building that had suddenly went off. Numerous were dead, some barely survived.

"That's the motherfucker's symbol." Dick pointed to the glowing green symbol that looked liked a fire with some obscure letter they couldn't really make out. (Was it a D or a P?)

"Okay... Why would Wraith blow up a building and kill everyone?" Jason immediately asked, seeming to be defensive of the man. "He doesn't just kill people, Dick."

"Even so..." Bruce grunts, clearly displeased with the bloodshed. All that death...

"We're going after him." Bruce announced, "I'm not putting of the Wraith investigation anymore."

Dan stared at the pictures of the bodies, pudding out smoke without a cigarette in sight. His new minions—they preferred the term goons—were clearly apprehensive and continued to observe their new boss's expressions. This explosion had been his first act of pure and utter violence, a massacre of sorts.

He glances at Danny who melted out of the shadows, startling his goons.

"Can't say I'm not upset but I get why you did that shit." He begrudgingly admits, sitting across Dan. Phantom was a reluctant associate to his new organization of crime—ish.

"They weren't just trafficking kids, squirt. Pimping them, killing them and selling their organs, hosting matches and making meta kids fight to the fucking death." Dan clicked his tongue, "No redemption in that, Phantom."

"I get it, alright!" Danny snapped, "But the you've gotten the direct attention of the Bats now. They're gonna come for us, Wraith."

"Boss?" One of the goons—Dan remembers him as Jeremy Nelson. One guy just trying to support himself and his kid, trying to keep his sweet little daughter in school with as much money as he could get. Dan remembers giving the man a raise and a jacket with their family's symbol stitched into it—one for little Marigold.

"I'll deal with it. For now, you guys spread the word on that shit. I don't want anyone thinking I killed a bunch of kids." Dan growled, "My reputation can burn for all care, but like hell am I letting people think I hurt kids."

With Jeremy leading the other goons, he nodded and hurried out of the office to spread a word. The former Joker goons had taken a liking to their new boss, preferring his ways rather than their dead one.

"Jazz won't like this, y'know." Danny sighs, "I'm not gonna tell her. Never. But she'll find out, one way or another."

Dan frowns, "You think I don't know? It's Jazz, Danny."

"Yeah, yeah. I just didn't expect you to be like this. Crime Lord and everything."

Dan snorts, "I was the world ender, brat. This is mild compared to what I've done."

"Yeah, sure."

He shook his head, "You've got your own problems, brat. The Observants are still fussin' about you being king, your majesty."

An identical scowl looks back at Dan, and he's reminded that this kid is him. An alternate version of himself and yet they were brothers now. "I know. You killing the Joker fucked some stuff up. Apparently, the motherfucker was cursed to hell."

"Meaning?"

"He's got a lifetime of people in his shadow. Vengefu souls that want him dead." Danny huffs, "Had to deal with the paperwork cause everyone's wantin' a taste of him. I'm workin' on letting Walker release him so his victims can execute his soul."

"Cruel, little king."

"I'll give you his file. Bastard deserves to have his soul destroyed." Danny viciously grins. And once again, best reminded that this twerp is him. They were one and the same, different as well.

"Alright, alright. Fuck off now. We've still got some bats and birds to deal with." Dan immediately showed him away, noting Danny's eye roll.

"Better prepare a birdcage then."

Part 2 | Masterlist

[laikabu]

transhet t4t AU sorry im just playing w my touys in my dollhouse pls don’t get mad at me look away if you dont like

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[thepenguisalive7]

Digging his own grave because he’s too embarrassed to admit that it was a pathetic accident and not a cool assassination 🙄

Link 1 link 2 link 3

[kizzer55555]

The Vampire Aesthetic

Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.

Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.

Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.

“So where’s the vampire aesthetic?

Everyone freezes.

Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.

“Come on, I know you guys are hiding it.”

Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.

He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.

People are weird! He doesn’t judge!

[gojuo]

Remember what they're taking from you

Fire and Blood, p. 398:

Fire and Blood, p. 387:

Fire and Blood, p. 390:

Fire and Blood, p. 401:

Fire and Blood, p. 402:

Fire and Blood, p. 409:

Fire and Blood, p. 424:

Fire and Blood, p. 425:

Fire and Blood, p. 437:

Fire and Blood, p. 473:

Fire and Blood, p. 561:

Dangerous Women, The Princess and the Queen, p. 783:

Fire and Blood, p. 506:

Fire and Blood, p. 381:

Fire and Blood, p. 380:

Fire and Blood, p. 533:

Fire and Blood, p. 541:

Fire and Blood, p. 542:

Fire and Blood, p. 550:

[obsob]

bedtime story with my love !!

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"