#just want to also point out how big anyas ass is i cannot believe it its bigger than her gOT DAMN HEAD

[agentoctosims]

Things just get worse for Ivy. Now she's gotta share a room with her stinky baby sister!

The family rearranges the twin's bedroom to be the "girls room" and the empty storage room becomes Erik's big boy room.

It's not easy being a big kid though- waking up all alone in a room was new and scary. Erik was used to seeing Ivy just a few feet from him. From his earliest memories they would reach across the space between their bassinets, cribs, then beds.

Erik got extra support from Anya who was up feeding the baby anyways and she was more than happy to comfort him. A little snack from the kitchen and a big hug set everything right again

[missluthorwillseeyounow]

The Nightblood Project

Clexa / Supercorp AU where Lexa is the genetically engineered product of one of Lex Luthor’s experiments

"Miss Griffin, I’m afraid you---”

Maybe I’m just a kid to you. I mean, I’m just some dumb teenager, and Jesus, you’re Lena freaking Luthor, but.... do you know what it’s like when you’ve spent your life seeing only in black and white? Not bad, not unhappy, just black and white, not knowing any different -- and then suddenly... suddenly someone extraordinary comes along and opens your eyes. And it’s like an explosion of color -- colors you never even knew existed -- and it’s intense and overwhelming. There’s so much of it and it hurts, but it’s -- it’s beautiful. God, it’s so fucking beautiful, every color takes your breath away, and you wouldn’t go back to black and white, even if you could..... That’s her. That’s Lexa. So yeah, I’ll keep coming back until you let me see her. Because that’s who she is for me.”

Yeah, I wrote and made this moodboard at 3am and I haven’t had any sleep. Also disclaimer, I know nothing about cloning, genetic manipulation or the American foster care system. And here we go:

In this AU, Lex Luthor made some experiments to make meta humans when he was in his early 20s (maybe around 24 or so, and his baby sister Lena was 10)

He was experimenting with cloning and genetic manipulation, and he was eventually successful, producing the first cloned human, a baby girl he named Lexa.

One of the things that he was also working on was encoding his newly developed anti-alien AI (A.L.I.E) into the human genome.

After Lexa was created, Lex wanted to perform further invasive experiments on her. 

However, one of his chief scientists, Becca Pramheda, whose misgivings about the study had been previously rejected, felt it was unethical to do that to an infant, and refused

Becca took Lexa and ran away to hide the baby from Lex. In my hc, he somehow caught up to her and killed her.

But before she died, she managed to leave Lexa in a hospital. She enters the foster care system and Lex doesn't find her.

When Lex is finally sent to prison for his crimes,  Lena inherits all of his work (this would be around 2 years before the show)

Lena finds classified redacted documents detailing the experiment, called the Nightblood Project (so named because Lexa’s blood came out black as a side effect of the genetic manipulation). The documents are incomplete because Becca took some of the info with her during their escape, but Lena discovers a picture of baby Lexa and becomes determined to find her.

Lena finds her across the country in National City after an exhaustive year long search. Lexa is 15 at this time, and currently living in a group home.

Lexa has spent most of her life moving from one foster home to another, but the home she’s in now is one of the most stable she’s had. It’s run by a giant of a man named Gustus Paunovic, who is as soft-hearted as he is tough.

There are seven other kids in the group home, and Lexa is the eldest. Anya, the big sister who was the eldest, aged out of the system a few years ago and left. Lexa looks after each and every single one of the younger kids. Protects them, makes sure that none of them get into trouble, holds the little ones after a nightmare.

Lena makes contact with her, and it’s hard at first, because Lexa is distrustful and not inclined to believe anything a Luthor says, especially since Lex Luthor’s arrest made national news.

Eventually, Lena manages to convince her, using a story that they’re related (which isn’t really a lie, considering Lexa shares Lex’s DNA, if genetically manipulated). 

But Lexa refuses to go with Lena to Metropolis and leave her family (”They’re my people. They need me.”).

The social worker, a sharp, no-nonsense woman who’d introduced herself as Indra Porter, looks at Lena with something close to sympathy in her eyes. “I am truly sorry, Miss Luthor. I know you mean well, I can see that, but I cannot, in good conscience, place one of my charges in the custody of --”

“Of a Luthor.” Lena finishes, with a well-concealed note of bitterness in her tone. The look Ms. Porter gives her says that she heard it anyway.

“Yes.” The other woman’s voice is firm, but not unkind. “You know -- better than I do, I’m sure -- the notoriety that has attached itself to your last name, especially with your brother’s recent trials, and I don’t believe that it would be in Lexa’s best interest to be attached to it at this point in her life. Wouldn’t you agree?”

“You’re right.” Lena nods, thinking of the past year living under the shadow of Lex’s trials, and her own childhood blighted by the Luthor name. “Lexa’s well-being should come first.”

(I might throw in Costia there too somewhere)

Anyway, Lena concedes, and goes back to Metropolis, but Lexa agrees to visit her there.

I kinda just really want to give both of them someone they can slowly open up to so they can begin to trust family again, cause they’ve both been screwed over by “family”

At some point, Lena tells Lexa the truth. Imagine angsty little baby Lexa when she finds out she's "not human " but a "science project" of Lex's. (TW: implied self-harm)

There’s never really been anything unusual about Lexa, and it’s easy to slip between the cracks when you’re a foster kid. She’s ordinary. Normal.

But she remembers that one time -- that one foster kid she’d been living with when she was 9 -- Quint, who loved to bully the younger kids. He’d been taunting Costia because of her wild curly hair -- curlier even than Lexa’s, and flying all over the place in a corkscrew cloud that Lexa loved -- and Lexa had shouted at him to leave her alone! Quint had pushed her to the ground and she’d skinned her knee. 

It had bled, and Costia had screamed because her blood looked black and she had sounded so scared, that Lexa had forgotten about her black blood and instead reared up and tackled Quint to the ground, walloping him across the nose with her hardbound copy of Les Misérables from the library, and it had been Quint who bled then, not her.

Now, Lexa wonders if she’ll bleed black just like she did then. The only thought that permeates the numb haze in her mind as the sharp edge of the knife blade glides across her skin is that there’s only one way to find out.

Lena helps her through the crisis that follows when she discovers the truth (cos it’s not like she can just put her in therapy, considering the nature of her secret, and it’s not like Lena’s favorite repressive coping mechanism of “little boxes” is gonna help). I just want Lena to give Lexa the acceptance and the reassurance that she would need to face who and what she is

It’s not okay, not really, because how could it be, when everything she knew about herself has been turned on its head? But life goes on. It has to. And Lexa has always been a survivor.

Lexa only shares the truth with Anya (maybe Gustus and Indra). Lena makes herself available to answer all of Lexa’s questions, but the one thing she refuses to do is to perform further tests and experiments on Lexa (”Becca died trying to stop Lex from experimenting on you. The least I can do is honor that. I won’t be like my brother.”)

Just to be clear, in my AU, Lena isn’t averse to human trials and experiments (see Adam), but Lexa is different. A) she’s only 16, she’s underage and B) In a short amount of time, Lexa has become family. More family than Lillian, or even Lex.

Eventually, Lexa becomes a staple at Luthor Corp whenever she’s in Metropolis. And it's not a big deal for her to come striding into Lena's office, still in her school clothes. Sometimes she'll just lounge around in Lena's office, earbuds in, doing her homework, while Lena works at her desk.

Sometimes, Lena will be walking around Luthor Corp and Lexa will be walking beside her, quietly observing and learning

Lexa has an aptitude for science, but it's the day to day management of the conglomerate she's more interested in (”You’re a leader, Lexa. One look at you, and anyone can tell. People want to follow you.”) 

Eventually, it’s Lexa who convinces Lena to move to National City. Not only because that’s where she lives, but also because she’s seen the bad blood between the people of Metropolis and the Luthor name 

(’’There’s nothing for you here, Lena. Take it from someone who knows. I always used to hate moving homes. I hated change, I just wanted to find a place where I could stay forever and never have to leave. But I learned that sometimes, when 'home’ has become a bad place, that change is a necessity, if you want to survive. You can’t survive here in Metropolis, Lena. Lex is like a knife at your back, and being in this place just twists it in even further.”)

So a year later, Lena moves to National City and rebrands the company to L-Corp.

Lexa’s around 17 at this time, and Lena puts her (and all her foster siblings) in a good school and tries to give her as many opportunities as she herself got as a Luthor (without the emotional abuse she got from Lillian).

It’s at Arkadia Prep that she meets Clarke.

In the beginning, she sees Clarke as this spoiled little rich girl, the popular “Princess”, and Clarke sees her as competition, because from the start, Lexa proves herself to be exceptional. She may not have had the background that the Arkadia kids have, but she’s a voracious reader and a quick study, and she has street smarts they don’t.

A few months into term, and Lexa is already climbing to the top of the academic ladder -- narrowly unseating Clarke’s position at the top of the class, much to the other girl’s annoyance. It marks the beginning of a fierce competition -- Lexa beats Clarke at debate, Clarke beats her marks in Biology, Lexa kicks her ass at PE, Clarke beats her out as the lead of the school play. 

It’s something almost... enjoyable, Lexa thinks. She’s used to working twice as hard as everyone else -- it makes her better, smarter, stronger, quicker -- and Clarke likes a challenge, she can tell.

And it turns out they work even better together. They find this out when they’re forced to work together in a debate against another school in a televised event. They have fun absolutely decimating their rivals, and wiping the smirks off of Cage Wallace and Diana Syndney’s smug faces.

They begin to talk more. Clarke tells Lexa about her dad, who died in a car crash two years before. Lexa tells Clarke things about herself in increments: first she talks about the kids in the group home, then about Gustus and Anya, then about Costia, then about Lena.

Of course, Lexa doesn’t tell Clarke everything. Some things can’t be spoken of, not even to this girl who is fast becoming her friend. She never mentions Lex. Or her black blood.

Clarke introduces Lexa to her friends: Wells, Raven, Octavia, Bellamy, Monty and Jasper. They like her immediately, especially since Lexa is one of the few people who can shut Clarke up.

Pretty soon, Clarke and Lexa are best friends. Raven and Octavia would be jealous about this if it weren’t completely obvious how much Clarke and Lexa are beginning to enjoy each other’s company. 

Around Lexa, Clarke is calmer, less loud and harsh, more centered. And around Clarke, Lexa is warmer, the edges of her mouth softer and more prone to smiling.

Lexa’s first move to officially welcome Lena to National City is to introduce her to Clarke. She’s heard that Lena was practically accosted by those reporters after the Venture incident, and invites her to coffee with them (as if it were a random outing and not something Lexa’s been nervous about for months). 

Lena explains that it’s fine, the reporters were polite and mild-mannered, and one of them was quite cute. Lena doesn’t say that it was Kara Danvers who caught her eye, and not the famous Clark Kent.

Lena just sits back and sips her coffee -- watching the Clarke and Lexa talk quietly together, shoulders brushing, exchanging soft smiles over their coffee cups -- and she thinks she’s never seen Lexa this loose, this happy.

At some point, during one of Kara’s increasingly regular visits to Lena, she finds Lexa sitting on Lena’s couch (on Kara’s spot, the blonde thinks before quickly shaking her head), reading a hefty chemistry book while listening to music, occasionally asking Lena for help with a particularly complicated problem.

She first introduces Lexa to Kara as the daughter of a friend, just as she introduces her to everyone else, but Kara notices that there are too many similarities between them for them not to be related.

Not so much in appearance, though they both have the trademark Luthor green eyes, but in personality (both introverted but highly capable leaders, the keen intellect, the kill you with an eyebrow raise vibe)

Lexa likes Kara, and though she doesn’t know her that well, she knows Lena well enough by now to know that Lena is smitten.

“She called you Lee.”

“What?” Lena asks absentmindedly, her eyes still on Kara as she walks out of her office. Lexa smirks.

“You hate being called Lee. You threatened to disown me if I ever called you Lee. But you let Kara call you Lee.” Lexa repeats the name several times just because she knows it will irk Lena. “You’re such a useless lesbian.”

Lena throws her a glare through narrowed eyes. “And you hate being called Lex. As a matter of fact, Anya told me the last person who called you Lex ended up with a black eye.”

“Your point being?”

“Last week I heard Clarke say ‘Bye, Lex’ over the phone before you hung up. I’m just saying, I’m not the only useless lesbian in this family.”

“Fair enough.” Lexa retreats behind her calculus textbook, but not before Lena sees the happy little smile that can’t help but stretch over the younger girl’s face -- whether it’s at the mention of Clarke, or the word “family”, Lena will never know.

But it doesn’t matter. She’s just glad it’s there.

Eventually Lena has to tell Supergirl the truth about Lexa (I’m still undecided whether or not Lena knows that Kara is Supergirl at this point), and it causes a rift between the two of them.

Yeah, instead of a Kryptonite rift, I made Lexa the cause of the rift between Kara and Lena. Because the moment she finds out about Lexa’s true nature, the dynamic between Kara and Lexa (which had previously been friendly enough, now becomes visibly strained).

Kara becomes suspicious of Lexa. In the back of her mind, she’s like yeah she seems like a great kid, and it seems preposterous that she could hurt anyone, at this point there doesn't seem to be anything unusual about Lexa aside from her black blood

But the little voice in the back of Kara’s head pipes up ‘who's to say Lex didn't implant something in her?’ He’d already genetically engineered her, it wasn’t too much of a stretch to suspect that it was for nefarious purposes.

Kara, as Supergirl, becomes frustrated because Lena won’t even consider the possibility of running tests on Lexa.

After one particular argument between the two of them, where Kara had suggested testing for Lexa, just to make sure that she doesn't have any genetic mutations (and she's not gonna Lex out all over the place), Lena is fuming and ranting about Supergirl. 

Lexa manages to persuade her to watch movies with her while eating ice cream in bed

Lexa broaches this topic carefully over spoonfuls of Lena’s favorite coffee ice cream. "You're a scientist, Lena. Aren't you curious?"

Lena scoffs, attacking the pint with a spoon, imagining that the ice cream is Supergirl’s eyes she’s trying to gouge out. Gone is the deadly calmness she’d displayed in front of the super during their argument. Now she’s all petty spite.

"Of course i'm curious, Lexa. But I won't  let my scientific curiosity overtake my love for you.” She huffs, still seething. “This is the exact reason why Becca took you away, why she died trying to keep you from Lex. You are a person, Lexa. Not some science project. You don't deserve to be studied like a lab rat."

Lexa goes quiet for a long time. When Lena looks at her again, she finds the younger girl staring at her with wide, unblinking eyes.

"You love me?"

And just like that, the spite is gone, and all Lena feels is a lump in her throat.

This might be the first time Lexa ever heard someone say that to her, and the first time Lena ever said that to anyone and truly meant it.

Her face softens and she reaches out to tug softly, affectionately, on a lock of Lexa’s hair. "Of course I love you, Lexa. You're family -- probably the only real family I've had.... I love you, okay?"

Lexa seems too overcome with emotion to meet her eye, and Lena can understand that. She feels quite overwhelmed as well, but it’s a warm, lovely feeling she keeps close to her heart, not one she wants to store in a box.

So she lets Lexa look away and fiddle with her ice cream spoon. But she can hear the happiness in Lexa’s whispered "Okay."

Lexa does eventually volunteer to get tested at the DEO herself, as a sort of compromise to keep the peace between Lena and Supergirl. Also so Lexa can find out more about herself. She’s still trying to process the truth, but she’s gotten to a point where she’s developed a curiosity about her nature.

It still causes a bit of a rift between Lena and Kara, and Lena only concedes to Lexa's decision if she and an L-Corp lawyer are present during the testing to protect Lexa. 

Anya also accompanies them. At this point, I’m considering bringing Anya into the DEO, I think she’d be a perfect fit as a (somewhat rogue) field agent there.

The rift between Kara and Lena grows. Part of Kara knows she was in the wrong for insisting on experimentation for Lexa, but there’s still a need to know if there’s a threat.

The DEO doesn’t find anything, except for a minor anomaly in one of Lexa’s chromosomes. But it doesn’t seem to have an effect on her, except that it resulted in Lexa’s black blood.

At some point afterward, however, Lex is released from prison, and he discovers that Lena has found Lexa. He sets up a “nice family reunion”, renders Lena unconscious and abducts Lexa.

There’s no fear in Lexa when she first meets Lex, and that seems to please him. He’s sitting in front of a large computer machine the purpose of which eludes Lexa. He tells her about the AI he and Becca Pramheda created, A.L.I.E., and how he implanted it into Lexa’s DNA upon creating her. Becca didn’t know that his purpose for the AI was to use it to rid the world of aliens, and when she found out about it, she had immediately protested it. By that stage, however, it was too late to stop the process, the embryo had been created and Lexa was formed.

By this time, Lena has regained consciousness, and Lexa sees her signaling to keep quiet as she attempts to sneak up behind Lex. Lexa stalls him and gets him to tell her the machine’s purpose -- which is to activate A.L.I.E. remotely. 

As Lex cuts Lexa’s palm and feeds her black blood into the scanner on the machine, Lena hits him over the head and renders him unconscious before he can complete the sequence.

Lena and Lexa escape, just as Supergirl and the DEO arrive to capture Lex again. The DEO take him into custody, but instead of being hysterical, Lex just smiles at his sister and his clone.

Life almost goes back to normal again, but then one day, Lex is observed muttering a phrase in his cell. Once, twice, three times, just to make sure.

“Blood must have blood.”

At the same time, miles away across the city, Lexa drops to the floor in the middle of chemistry class, her nose bleeding.

Clarke is right beside her in seconds, but Lexa regains consciousness almost immediately, and for a half a second, Clarke sees her eyes flash, enveloped almost entirely by black. Then she’s standing up, and leaving the classroom without a word.

Clarke tries to follow her, but the teacher keeps her from leaving. The teacher does try to follow her, and doesn’t return. After a few minutes the class goes to check and finds the teacher passed out on the floor. No one knows where Lexa has gone.

The DEO gets a call about an attack that’s happening on an alien support group happening downtown. It’s a panicked 911 call from a K’Hund, screaming for help and yelling “She’s killing everyone!”

When they get there, almost everyone is dead. No less than ten aliens are lifeless on the floor. The only one left alive is the K’Hund, who lives only long enough to describe their attacker

(I had half a mind to have put Lexa in ALIE’s red dress, but overkill)

Supergirl and Alex get enough of the description to realize who it was. They quickly call Lena and devise a plan to stop and contain Lexa.

They’re too late.

Alex disconnects the call with a heavy feeling in her gut, and turns back to Lena’s office where she sees Kara, in full Supergirl regalia, reach out to touch Lena’s folded arms tentatively, as if unsure how Lena would take it. The other woman is so tense, Alex worries she’ll snap once she gives her the news.

Her gut twists for Lena, who must be sick with worry and anguish and fear and guilt. For her sister, who would never say ‘I told you so’ but ached at being proven right. 

Hell, for Lexa. Because Alex knows Lexa and she knows with wholehearted certainty that Lexa would never do this of her own free will -- not the girl who smiled shyly in response to Eliza’s motherly attention as she drew her blood for testing, not the girl who sat across from Alex at Thanksgiving and teased Kara for being such a dork around Lena, not the girl who spoke about her little brothers and sisters at the group home with such affection and pride.

By now, Kara and Lena notice her appearance. Lena squares her shoulders, and Alex knows she’s preparing for the worst. “Tell me.”

“Thirty-two people this time. She attacked a gathering of Starhavenites downtown...”  Alex informs her, straightforward but with as much gentleness as she can muster. God, forty-two aliens slaughtered by a 17 year old girl. She wishes the same fate could be visited on Lex Luthor, smiling serenely in his cell. “There is some good news: no one recognized her.”  

It is good news in a way, because this needs to be contained as much as possible, not just because of the threat, but because Lexa needs to have something to come back to when this is all over, and she won’t have that if the world knows what she’s done. 

“But... that’s only because she didn’t leave any survivors this time.”

Eventually, they manage to stop Lexa at the source. Lena figures out how to disable to computer that feeds ALIE, but the only problem is, it deactivates the ALIE chromosome inside Lexa, and Lexa’s body shuts down (just go with it, I don’t know what I’m doing).

Lexa falls into a coma, and she’s brought to the DEO. They try to revive her, but to no avail. Lena initially wants to bring her to the L-Corp labs, so she can work on a cure, but Alex tries to gently explain to her that Lexa still needs to be contained. Forty-two people are dead, whether or not Lexa was controlled by ALIE while she was doing it.

Lena complies only very reluctantly, and all but moves into the DEO to try and find a cure for Lexa. Kara helps her as much as she can, using her investigative skills to find out more about Becca Pramheda, while Lena tries to find out how to permanently inactivate the ALIE chromosome.

She leaves Sam and Jess in charge of L-Corp, and only returns there when Jess calls to tell her that a group of young students from Arkadia Prep are outside her office, insisting on seeing Lexa. 

She listens to Jess rattle off names until a voice that Lena recognizes as Clarke’s interjects impatiently “We just want to know if Lexa’s okay. Please!”

Lena returns to her office to confront Lexa’s friends. She tells them that Lexa is safe, but is being treated for a rare medical condition but is unable to receive visitors.

Everyone is convinced and reassured, except for Clarke. She hangs back after everyone has left.

“I saw her blood when she passed out with a nose bleed. It was black. My Mom is a doctor, and she says that's impossible. She says it might be an infection, or a side effect of drugs. Is it.... Oh, God...”

Clarke’s lower lip trembles as a look of utter devastation crosses her face. Her voice is small and barely above a whisper as she asks Lena “Is she dying?”

Lena nearly chokes, and she has no words of comfort that she can offer the young girl. “No.... No, but she’s not doing well.”

Clarke sniffs, tears starting to stream down her face. “I knew it. I knew when I saw her blood was black, that it wasn’t good. Oh, God, she... she can’t die. You can’t let her die.”

“She’s stable for now. As for her blood, I can’t tell you about that. It’s... it’s not my secret to tell.”

Clarke looks up at her, relief plain in her eyes at the knowledge that Lexa wasn’t in immediate danger, and gives a shaky laugh. “I thought -- I thought maybe her blood was black because she’s an alien. My best friend’s an alien. And that didn’t even bother me, that she might not be human. I don’t give a fuck. I just -- I just want her back.”

Lena manages to convince Clarke to go home, but she goes back to L Corp every day after school to ask to see Lexa. Lena knows the DEO is no place for a teenager, so she keeps refusing, until one particular day, Clarke breaks down and asks Lena to give Lexa her debate team jacket (”I just want her to have a piece of me, so she knows that she’s not alone, that I’m thinking about her.”)

Lena acquiesces, and brings the jacket to Lexa. She lays it on the bed beside the unconscious girl. Lena leaves her side for half an hour to have lunch with Kara, one of the few things that give Lena any consolation at this point. When she returns, she finds that Lexa has turned on her side and pulled Clarke’s jacket over shoulders, curling herself inside it. She takes a picture and shows it to Clarke when the girl shows up again at her office the next day.

Eventually, Kara’s journalistic skills pay off and she gets a lead. Becca's father had been a doomsday prepper in his time, and kept an old secret bunker under their family home for years. Kara and Lena find the unredacted files that Becca stole from the experiment inside it.

They discover that Becca had created a second AI, the Flame, and had encoded it into Lexa’s ALIE chromosome to act as a kill switch to safely inactivate it permanently, but she had been killed before she could begin the process.

Lena sets about rebuilding the machine Lex used to activate ALIE. On the day they’re about to use it, she brings Clarke along with her to the DEO, silently daring anyone to stop them (no one does). 

Just before they go into Lexa’s room, Lena stops Clarke.

“You should tell her.”

“Tell her what?” Clarke asks, confused and impatient to go in and see Lexa.

“Tell her you’re in love with her.”

Clarke’s eyes are wide, but she doesn’t say anything. She just goes into the room and takes Lexa’s still hand. Lena takes the other arm and draws some of her black blood, feeding it into the machine. It starts whirring and Lena takes a deep breath before reciting the phrase she found in Becca’s notes

“Ascende Superius.”

On the bed, Lexa begins to stir. When Lexa’s eyes open, Clarke begins to cry, tangling their fingers together and pressing them to her lips.

Lena smiles and motions for Kara to follow her out of the room. Kara looks at her curiously. “You don’t wanna talk to her?”

Lena shakes her head as she looks at the two girls in the room, their foreheads touching, Clarke whispering something unintelligible in Lexa’s ear. “I think what Clarke has to say is more important.”

Kara nods, and she’s about to walk away, to tell Alex the good news, but Lena stops her with a hand on her wrist. “I have something to say as well.”

Kara waits patiently as Lena takes a deep breath, and watches curiously with cheeks tinted lightly pink when she steps closer. “I wanted to thank you, Supergirl.”

“For what?”

Lena exhales shakily. “For... For everything. For not saying ‘I told you so’ when it turned out that you were right. For staying all this time. For caring about Lexa. For not blaming her for all those deaths. For working so tirelessly with me to make sure we found a cure for her. For making sure I didn’t drown in guilt over what happened. For those daily lunches that were my saving grace. Just.... for everything.Thank you.”

Kara sees Lena lean closer, and before she can stop herself, she turns her head ever so slightly, so that Lena’s soft kiss to her cheek presses to her lips instead.

She closes her eyes and forgets to breathe.

And for one breathless second, Lena pulls away the barest inch, so that her own name whispers against her lips. “Kara...”

Kara’s eyes flutter open in shock. “You know?”

Lena nods, still not moving farther away from Kara when she would have thought that the truth would send Lena running away in anger. “I do.”

“Lena --” Kara’s voice breaks, and her hands come up to grasp Lena’s arms almost desperately, and miraculously, Lena clings back, just as tightly, with one hand, while the other comes up to touch Kara’s cheek. “I’m so sorry I didn’t tell you. I didn’t know how to--”

Lena shushes her with a finger to her lips. “Your actions always speak better than your words, Kara. After everything you’ve done for me, for Lexa....”

“For you.” Kara cradles Lena’s face in her hands, blue eyes earnestly seeking green. “Yes, it was for Lexa, but you have to know, it was all for you, Lena. All of it. Everything. For you.”

Lena silences her desperate words with a kiss, and Kara exhales into her mouth with relief. Their lips slide together sweetly, and Kara wants to cry, because it feels so much like coming home.

“Oh, for fuck’s sake!” Alex’s exasperated voice rings out somewhere behind Kara. “I just left a scene like this in Lexa’s room. Jesus! Just so you know, Lexa is fine. So please, for the love of God, Lena, get your tongue out of my sister’s mouth, and take Lexa and her girlfriend home so you Luthors can stop gaying up the DEO.”

Lena laughs into Kara’s mouth, just as she pulls away, and Kara wants to chase after her lips to chase the delicious vibrations of that laugh again. “You do an excellent job of that all by yourself, even without our help, Agent Danvers.”

“Fuck you, Luthor.”

_________________

By SorrowsFlower

Oh, thank God. I finally managed to get this out of my head! It’s been stuck in there for so long. Hopefully, this is enough to exorcise it.

[sulietsexual]

Its been a while since I asked you meta related things so I just had a random idea - top 5 characters which you just dont understand, top 5 ch which are well writen but you cant connect or like, top 5 ch storylines you would like to alter, top 5 traits of your disliked chracters that you like, top 5 traits of your loved characters you dislike, top 5 ways your disliked characters contributed to the main storyline that youre fine with. For males and females separately so theres room for thought :)

Top 5 Characters I Don’t Understand

Male

Wesley Wyndam Pryce - okay, so this is only from mid-Season 3 onward, but I cannot fathom Wesley’s actions in stealing Connor, consulting with Holtz and doubting/not believing in Angel to the point where he didn’t realise that Angel would do everything in his power to protect Connor. Then his self-righteous attitude post-kidnap is appalling, the fact that he acts like the wronged party and refuses to acknowledge his own wrongdoings and never apologises for his actions all drive me crazy. Just can’t.

Luke Danes, I mean, buddy, pull it together. You say you want Lorelai, yet never make a move and then bitch about her boyfriends and act like a jerk. You say you’re “all in” and then you run at the first sign of trouble and make Lorelai feel like she did something wrong. You tell Lorelai you want her to be honest with you and then you hide your daughter from her for two freakin’ months. You say you want to spend your life with her, yet you shut her out of it. Like, wtf??

Fitzgerald Thomas Grant III, omg, why is he such an abusive asshole? Why does he treat every woman he’s with like crap? Why does he treat Mellie as if she’s insignificant and stupid? Why does he act entitled to everyone’s time and affections? Why does he continually try to give up the most powerful position in America? Why doesn’t he have any ambition? Why does he resent anyone who does??? I don’t understand.

John Winchester. Dude’s always going on about how he “did the best that he could”. Nope. The best he could would have been to raise his boys in a stable freakin’ environment, not push adult responsibility onto his eldest, not treat his youngest like an outcast/freak for wanting a better life and actually being an adult and being there for his boys. How does he justify the way he treated his sons? Don’t get it.

Finn Collins. Dude, you cheat on your girlfriend, neglect to tell the girl you’re cheating with that you even have a girlfriend, don’t tell your girlfriend you cheated on her and expect both girls to still want you? Plus the whole massacring eighteen unarmed people and then ignoring their bodies as the girl you want walks in horrified and look at her as if she’ll love you for your actions? Yikes.

Female

Lorelai Gilmore, she constantly puts her mother down for her privilege and sense of entitlement, yet displays the exact same behaviour. She rejected Chris, then bitches about how he “wasn’t ready”. She thinks all her behaviour is cute but it’s actually really annoying. And she honestly seems to believe that her parents were the absolute worst parents in the world, when it reality they were really good to her and always try to be a part of her life. Pull it together, woman!

Octavia Blake, why does she blame her brother for everything? Why is her solution always violence? Why does she proudly cannibalize people? Why does she think she knows more about a culture she’s been a part of for two seconds than the people actually raised in said culture? 

Nancy Wheeler. Why does she want Jonathan so badly? Why does she screw over Steve? What makes her neglect her brother and run off with the guy she just banged? Why doesn’t she think through the consequences of her actions? Why did she offer her brother zero comfort when his friend “died”? What made her think it was okay to chase down Jonathan while he was picking out a coffin for his brother’s funeral to talk about Barb? Girl drives me bonkers.

Joey Potter, so many of her actions make no sense. She pines after Dawson for years and then breaks up with him for literally no reason. She blames him for telling her the truth about her father, after repeatedly saying they need to be honest with one another. She can’t decide between two guys for years. She constantly rejects Pacey yet picks him in the end. She believes she’s entitled to be a bitch to people just because she’s had a tough life.

Aria Montgomery, if your creepy-ass relationship really so important to you that you would lie to your friends and family, threaten your parents, risk your partner going to jail, threaten to walk out on your family and basically cease to exist outside of your boyfriend? Yikes.

Going to put the rest under the cut, otherwise we’re going to end up with a post a mile long.

Top 5 Characters Who Are Well-writen But I Can’t Connect To or Like

Male

John Locke, a great-written character who drives me up the wall with his over-zealousness and delusions of grandeur.

Spike, he really does have a great character arc and characterisation but his over-exposure and the fandom’s adulation of him drive me crazy, plus I hate how his narrative overtakes Buffy’s.

Jack Shepherd, such a great arc, such an amazing journey but his douchey behaviour and the way he treats certain characters means I just can’t like him.

Perry Cox, I find him amusing and do occasionally like him but his lack of self-awareness and overall mean attitude and sexism bugs me.

Dean Winchester, so well-written with a great arc but also abusive, violent, self-righteous, sexist and overall annoying as hell.

Female

Regina Mills, her redemption arc is sloppy but her characterisation was always strong and she’s a fantastic villain, which is why I love to hate her.

Robin Scherbatsky, very well-written with a great arc (until the finale) but I just cannot like her, probably due to her arrogance and meanness.

Rachel Green, now, I don’t hate Rachel or anything but she’s one of my least-favourite Friends characters and I’ve never been able to connect with her.

Katniss Everdeen, a great-written character whose personality I find very hard to reconcile and who I just cannot connect with.

Kate Austin, great arc, great characterisation, full of traits I can’t stand and makes choices that make me want to throttle her.

Top 5 Characters Storylines I Would Like To Alter

Male

Neal Cassidy, he was done so dirty by that damn show!

August Booth, another one screwed over by OUAT and there was so much left to explore with his character!

Dean Forrester, I really hate how much Gilmore Girls dumbled down and assassinated his character.

Boyd Langton, Dollhouse’s weird out-of-nowhere reveal that he was the bad guy completely changed his character and he didn’t deserve that.

Jake Ballard, he deserves better than being second-choice for Olivia Pope.

Female

Laurel Lance, who deserved the fucking world and got nothing, I would change so much about her storyline and eventual fate.

Mellie Grant who, like Laurel, deserved so much and got shit.

Emma Swan, who was character assassinated in order to box her into a toxic ship which decimated everything about her.

Juliet Burke, who should have lived and had a happy life and finally made it off that damn Island!

Effy Stonem, who deserved better than to be sandwiched between two guys who treated her like a prize and blamed her for their rivalry, not to mention the shitty “friends” who used her as their scapegoat.

Top 5 Traits Of My Disliked Characters That I Like (I’m not going to pick my absolute most disliked characters for this, but just 5 characters I dislike in general. Also, probably can’t come up with five for each, so I’ll go with as many as I can list).

Male

Going with Wesley again - love his intelligence, his surprising confidence when he allows himself to show it, his thirst for knowledge and his goofiness.

Spike - I like his bravado, his confidence and his loyalty.

Dean Winchester - similarly to Spike, his bravado, his loyalty and his confidence, as well as his humour and love of fun.

Luke Danes - I like that he’s good at the big gestures, I like his snark and his homebody nature.

Jess Mariano - I like intelligence, his snark and the fact that he sorts himself out later on in life.

Female

Anya Jenkins - love her work ethic and the fact that she handles money well and knows how to budget, save and invest.

Betty Cooper - she’s got gumption, I’ll give her that and she is intelligent and hardworking.

Felicity Smoak - like Betty, she’s intelligent and has gumption.

Cassie from the Animorphs series - she’s compassionate and does try to understand people, which I like.She also has a lot of empathy.

Alison DiLaurentis - she is ruthless and strategic and highly intelligent, all of which I admire, even if her actions are truly sociopathic.

Top 5 Traits Of My Loved Characters I Dislike (again, this may not reach five but I’ll do my best)

Male

Angel - his tendency to make decisions for others, his jealousy, the way he can completely cut off those he cares about.

James Ford - the way he lets his self-hatred affect others, his self-centredness, the way he can be deliberately cruel at times.

August Booth - he lies way too much, his self-hatred, his selfishness.

Neal Cassidy ………….. nope, I love Neal too much, can’t think of any traits I dislike.

Charles Gunn - the way he diminishes himself for others.

Female

Prue Halliwell - that damn pride, her self-righteousness, her judgmental streak.

Juliet Burke ……………. nope, as with Neal, love her way too much to dislike anything about her.

Lana Lang - her Mary Sue traits (this lies more on the writing of her character than her), her tendency to project her own feelings onto others.

Lilah Morgan - well, she’s an evil bitch, but you’re supposed to hate her for that, so I more hate her actions than her herself, such as when she gives Cordy the visions which almost kill her or when she sends people to drill into Lorn’s head.

Jo March - her lack of propriety at times, her judgemental streak, her refusal to adhere to convention (at times)

Top 5 Ways My Disliked Characters Contributed To The Main Storyline That I’m Fine With (I am running out of steam and not sure if I can come up with 5 males and 5 females, so gonna combine them for this last one and again might not make it to Top 5)

Alison DiLaurentis - I like her as a villain, her murder kicks off the whole series which worked well, and I liked that she works as a foil for all the girls, in particular Hanna and Mona.

Spike - love him as a villain in Season 2, love that he works as a foil for Angel in AtS Season 5, liked him stirring things up in Lovers Walk in Season 3.

Regina Mills - love her as a villain, love her as the Curse Caster, liked her dynamic with Emma, liked her as a foil for Snow and Emma.

……. I actually might be out, as usually when I hate a character it’s because of the way in which they negatively impact the storyline.

Whew, I’m knackered. Hope you enjoy my answers, even if they’re not 100% what you asked for!