#just to be safe. can be interpreted either way

[1296-very-good-year]

Thank you! I've been waiting for dissent on this. And I won't even call you stupid :)

My opinion here was not kneejerk. This season has gotten more rotten the more I think about it (which has been A LOT)

No I think Season 2 did a lot of needless backflipping to avoid discussing class conflict - that was the heart of Season 1 - in exchange for magic is bad, and forgiveness... or whatever.

That Piltover's request for help was lopsided is not the problem. The problem was the onus to do the right thing was put on Zaun. NOT Piltover. There were zero apologies or repercussions for the martial law and oppression.

Viktor used the Hexcore to cure his terminal disease that was killing him. Not some nebulous "weakness" in himself or humanity.

Jayce's actions were either all part of a master plan he concocted offscreen with future Viktor, or a series of dumbass decisions that led directly to everything he was trying to prevent, and only Ekko coming in last second saved the day. There is no inbetween here. Whatever you want to think is right, is right, because the show works overtime to hide his thoughts from the audience for that nonsense mageViktor twist at the end.

I think you need to reread my point about Viktor saving baby Jayce. It is an UN ambiguous RETCON.

You can read a million other posts about Vi's lack of character arc. Who does she choose, between Cait and Jinx, by the way? Because the show takes that choice away from her by removing Jinx.

Vander's first death had infinitely more meaning than him coming back to life over and over.

Isha was not a character foil to Jinx. She had no character at all, aside from wanting Jinx to be a rebel. Why did she want Jinx to rebel? Who was she? Did she have a deep hatred for Piltover's oppression? Who knows.

Love you assuming that because I wanted Jinx to have an interesting, morally dubious character arc, that I hate mentally ill people recovering.

Caitlyn literally became leader under martial law. She was a dictator. That is not an interpretation. She lost an eye in a fight with Ambessa, not as a consequence for oppressing Zaun.

Viktor didn't need to tell Ambessa his plan. It was OBVIOUS. He was speaking through the voice boxes of all of his collapsed robot followers, saying they were "all one". Would YOU give someone like that everything they wanted? Hypocrisy is fine in a character, but did anyone call her out on it? Make her defend herself? Nah. If we don't bring it up, maybe the audience won't think about it.

Turning Silco and Vander's decisions to adopt Vi and Powder from previously clear, ideological CHARACTER DEFINING choices into them just fulfilling a promise to their dead mom, is lame as hell and not needed. Full stop disagree with you that Silco knew Vi in Season 1. He literally says he regrets that they "never had a chance to speak".

Explaining Mel's motivation does not address the criticism that it was rushed as hell, or that her magic is - for some reason - the only example of good, safe magic. Meanwhile Viktor and Jayce have to kill themselves to make up for inventing and using Hextech. Because they weren't BORN with it, so it's naturally bad.

Ekko didn't actually make up with Jinx in episode 7. He met Powder from an alternate universe. If the showrunners thought that would be a redundant, then maybe they shouldn't have wasted so much of Ekko's time in an alternate universe with a brand new character.

For ppl who liked Arcane season 2, is the honeymoon over yet?

Can we agree that S1 and S2 are completely different shows?

That none of the themes carried over between them?

That Piltover did nothing to earn Zaun coming to their rescue in the final battle?

That Viktor's "cure all weakness" shit came out of nowhere?

That understanding any of Jayce's actions post-talking to mageViktor requires a PhD in eyebrow twitches and nonsense?

That Viktor saving baby Jayce was an unambiguous retcon?

That Vi was just a cardboard cutout that Jinx and Caitlyn wrestled over?

That Vander lived and died at least 2 times too many?

That Isha was just a cute pet for Jinx to monologue at?

That Jinx turned from unhinged terrorist to a defanged, quirky jokester?

That Caitlyn's blink and you'll miss it dictator arc changed nothing and there were zero repercussions for it?

That Ambessa became a hypocritical moron whose anti-mage sentiment ate shit and died when she teamed up with robot mage Viktor, who didn't even PRETEND he wasnt going to hivemind her along with everyone else?

That Silco being close to Powder and Vi's mom, knowing them since they were born, only serves to weaken his relationship with Jinx?

That Mel went from a morally complex, savvy politician into a heroic battle mage, (in like 5 mins of screentime) while all other kinds of magic + Hextech were evil and corrupting and had to be destroyed?

That Ekko convinces Jinx that he went to an alternate reality and fell in love with her and she shouldnt kill herself and to become a revolutionary hero(?) OFF SCREEN?

IS THE HONEYMOON OVER YET?

[mochimochimona]

Analyizing Viktor and Jayce from Arcane, S1 E5 Part Two - Am I ruining this ship for me or what

So Viktor being a genuis because he had "a vision" and just explains how runes and mages work and is that..foreshadowing again? Like how did he got these informations? It would have been nice to have a bit more context, because with that scene from the previous post I might get my tinfoil hat back. Anyway, Viktor is mansplaining Jayce and here is the first thing I noticed, the fond and admiring expression on Jayce's face:

Again, that can be completly platonic still. Am I ruining this ship for me now or what?

Viktors absolutly unfazed reaction makes me laugh so much, god I love this man.

But I think there was a first impulse of reaching out to Viktor, just a short tilt of his hand - to make sure Viktor is alright. And his Question "Are You Sure This is safe" was met by a rather cold "of course not" by Viktor and Jayce is reacting like that and I had to make a GIF out of this scene or else I can't explain what I mean.

So Jayce is staring at Viktor, and he feels guilt and I think he wants to say something but he is also unsure of what exactly to say, because he knows Viktor is right and also has the right to be cold towards Jayce, since he is leaving him alone. I think it dawns on him, unconsiously, that what he is doing is wrong and it's nagging at him. So far no interpretation from my side that Jayce is into Viktor the same way Viktor might be into him, though. I am on the way to ruin my delusion.

Mel is such a strong politican, I love her for her cunning way to get Jayce on her side and manipulating him. Again, Mel is one of my fav Chars in Arcane but I do think they don't have either an equal relationship, nor a deep one at that. It feels rather cold to me.

"You pushed this on me". I think it's nice to see he is struggling and not wanting this, but Mel is REALLY good. Girl you slay queen!

Here he looses his inner battle against playing the politican, the struggle was made so clear and was well portrayed, you could feel it!

Foreshadowing at it's best: "There's been quite the investements" - and Mel said "Indeed, better than expected" - Do you remember Jayce accusing Mel of treating him and Viktor as investements? ohhh what a nice foreshadowing! And here it is made clear that Mel is using Jayce for her own goals. Love myself a good, calculated politican!

Well he does look at Mel adoringly. This scene is also important. Because she makes a move on him, and he says "I couldn't have done it without you"

Wait, that actually makes me mad. He couldn't have done SHIT without Viktor. You asshole, Jayce!

And now comes the most heartwrenching scene I have ever seen in my live. Given the feeling of me that Viktor has feelings for Jayce (we can argue which, can't we?) making the deliberate choice to show us Jayce and Mel doing bed gymnastics (sorry I am german, it's a way of saying here lol) and parrallel Viktor collapsing? This is INTENTIONAL. They wanted us to show what Jayce chose and did not choose. What would have been important and what shouldn't have been important. It is quite the foreshadowing, too, because Jayce will regret his actions - which is a topic on it's own.

The fact, that they put Sky in this scene makes it even more obvious or sus, as you may say, because if you wanted to show us that Jayce did choose poorly it would have been enough to show Viktor alone in his study the whole time, and not with Sky approaching and making moves onto Viktor.

Foreshadowing again with Sky saying "There is always tomorrow, right". rip haha.

Viktor is comepletly uninterested in her, romantically speaking. I think it's not because he doesn't get her advances. I think saying her name "goodnight luisanne(?)" makes it clear they do have some kind of relationship. Her implying "again" makes me think she asked many times and this wording from Viktor is his attempt of being polite and respectful, but drawing boundaries for himself.

Him getting angry, throwing the papers around is a stark contrast to his usual composed nature, I think it's a nice way to show how deperate he is because he KNOWS he doesn't have much time anymore. He gets fainty again and hears voices and sounds, which is again really interesting because there is no shimmer corruption in this situation. So what is that sound? Who is it? IS IT HIMSELF?

Again he coughes blood and I think there are two different kinds of runes in this: the one without the corruption of the void/shimmer and the one with, which is making him go bonkers I guess. Because I have the feeling the old Viktor is actually a mage and using only the runes, not the void. Which doesn't make it any less dangerous but you get what I am saying. I hope.

Him going down and fast cut to Mel and Jayce, who are making out WITH A GALAXY BACKGROUND?????? Wait what AM I SEEING. This is deliberate, intentional again, I don't think the smashing is that good she sees stars lolkek.

Maybe I am interpreting way too much into it, but is that a parrallell to the scene in which Viktor and Jayce are connected in the astral plane (or whatever)? I am weezing.

Also what I do find interesting and I don't have an idea why they choose to frame it like this: The Hexcore absorbed Viktors blood and we can see it travel through it, kinda melting together with the hexcore-DNA while you see a sillouette of Mel (why not Jayce, am I asking?). I am not sure what to make out of that. It could be a metaphor for connection. Like Viktor connected to the hexcore and Mel with Jayce, but it was weird to not see more of Jayce, you know? like why were we so focused on Mel here? Is that a foreshadowing that Mel is a mage, but that won't make any sense to me. And I am asking, because I am here for discussion: Why using this cutting, this parallel scenes? Why do you show us this, anyway? You could have implied them having smash-time, but you intentionally put those two things next to each other. Did you wanted to make us angry because Jayce was hooking up but he should have been with Viktor the whole time! That's absolutly implying you think we think bros before hoes! But that's just a saying, I do think everyone goes for the hoe at some point (respectfully, of course). I am getting a headache, this scene made me mad honestly. I was so hurting for Viktor, he was so alone. And when Mel wakes up, she looks a bit pissed that Jayce is gone, honestly lmao. But not in a way like she is disappointing because she wanted to cuddle, but because I guess she thought she had Jayce by his balls or something (well she did).

The cut to Viktor laying on the hospital bed and Jayce shaking and whipping his leg IS A MASTERPIECE. And honestly, the feeling creeps in...like why do that cut? Why stay on Mel and transition to Viktor in the same camera angle. Do you want to tell us something? You could have done a camera angle from the side, showing us Jayce being panicky if you wanted to show us that, but we get this parallel. This is sus, not gonna lie.

So, @stardust-musings provided me a link with a deleted scene where Jayce was wiping away his crying, if you want to see that, here: https://www.tumblr.com/stardust-musings/767415218102059008?source=share

We discussed that Jayce definetly has a lot of affection for Viktor, which one can be argued with but I do think his reaction in general is really important here, though the crying wouldn't only have IMPLIED Viktor is really important to him but made it clear, because he had an open and really vulnerable reaction here. So with that in mind, his actions coming might him be struggling to find out what Viktor really is to him, because as stated above, this gives off mixed signals. I get you can cry about you "brother/hombie" being in a hospital and dying, given the deep relationship as friends. I think this shot is important to make it clear that the love is there, but what love can be interpreted still and Jayce is figuring it out himself.

And there it is, we have regret showing! Honestly, I do get why you chase to your best friend if he is in a hospital and you get the message. But guilt? Regret? Doubt? Panic? Devastation? Realtalk here because I think this is important: As someone who has had a lot of people in the hospital on the deathbed and so on, I don't think anyone will rush to their bro and leaving their spouse behind (and she didn't even know what was up), without like waking them up and telling them what's up, ya know. You may be panicing, but you are connected to your partner and I think you will share this information and trying to get comfort FIRST (not after you visited). So I would explain to my partner what's up and my partner would come visit with me, too, because I care for my friend but I also care for my spouse, ya know. Him leaving Mel who he slept with the night before because his friend was brought into hospital is really rushed and I think he has a deep connection with Viktor and cares about him a lot, so much so, that he doesn't care who he slept with, because he is more important. But I do think Jayce still is not in love with Viktor. Yet? But it makes no sense to leave Mel there, I mean she knows Viktor too and if you have a connection, you would at least wake her up. Even if it's in the middle of the night. So this is confusing, I have to think about it more. Your thoughts are appreciated. Also sorry for any misspellings, I am tired.

It makes sense he left Mel, because she would have seen him breaking down over his friend and maybe he didn't want to be vulnerable in fron of Mel and Viktor, because he tried to kept his panic together. But again, I find it interesting how they telled us this with these scenes. They wanted to imply, I am sure of it, the first time that Jayce always chooses Viktor. Which is, honestly, a love letter on it's own tbh.

That was Part Two, I will continue tomorrow! I am obsessed with this now lol

[zerosforks]

I have learned that ace trigun week exists like 6 hours before it started which is like. Criminal.

But I'm here now with cute ace sweaters and ace and aro rings for day 2 "wearing the colors".

[hexhomos]

Hello fellow Jayce defender.

First off, virtual kisses on both your cheeks for your Arcane analysis. They're refreshing to read, and insightful as well.

Something that's always bothered me about the way fans interact with Jayce is assuming that he's always the one making the mistakes in any of his relationships. It's almost funny in a way how they strip other characters of their autonomy and arcs just so they can point out how Jayce is failing his partners.

With Mel and Viktor especially, there's this narrative that Jayce simultaneously ignores both of their needs while also prioritising one over the other. Either he neglects Viktor to go and swoon over Mel, or he abandons his relationship with Mel to go play science with Viktor, or he neglects both to go do his own things while they suffer through their own plots.

And it's fascinating how incredibly mistaken these people are, and also how they reduce his character to only being important when he's in a relationship.

I'm here like, "hey, do you wanna discuss the reason for how Jayce seemingly knows how to navigate the ways of high class society very easily is probably because he's had to rely on sponsorships and donations for most of his youth to find his research because his house is too poor to be able afford it?"

Or "It's canonical that Jayce only ever had one friend in his youth before Viktor, and that was the daughter of his main sponsor, do you think it's interesting that this indicates he probably had difficulty making or maintaining friendships and that this is possibly a symptom of the Academy mainly housing elite and rich students so they couldn't relate to his struggles and he couldn't relate to theirs?"

But no, people just want to hate on him for not being the picture perfect boytoy in a relationship.

And I mean, it's not like it's just reduced to Jayce either. So many other characters have had similar treatments where they're reduced to either their most basic qualities or mischaracterised entirely. And I'm really not trying to be the fandom police or whatever - everyone interprets differently - I just find it frustrating is all.

Anyways, you're cool.

YES I never have time to talk about this bc people don't give a fuck but in Jayce's journals we even see him stewing with envy and petty rage at this star-rising student on the academy that he sees as the example of a perfect prodigy (in opposition to how much Jayce fucks things up...)

It also strongly suggests he's on a scholarship, which ties into his suicide attempt.

Jayce is keeping his experiments a secret from everyone to avoid the blowback and isolating himself further and further when they don't work. Jayce is flawed! He's proud of his dream pitch to the point of hilarity. Jayce doesn't like socializing, he does it out of obligation! Even when he's being raised to a councilor position in s1 he's PANICKING. He doesn't want the fucking job, he doesn't like the parties nor the people, his truest honest self is that moment in season 2 where he declares the lab was always his home, and so was Viktor.

But even then he subsumes his own wants spends most of s1 trying to attend to the needs of other people. He routinely asks Viktor if he's alright, if he wants to come up to do the presentation, if he's sure those experiments are safe, etc. He tries to make Heimerdinger proud despite his constant rejections of their projects, and only turns on him when he threatens viktor's wellbeing. The reason why he doesn't announce anything on progress day is that he Was listening to Heimers so-called wisdom and it only bit him in the ass. Jayce gets himself in trouble with the council by being too naive and assuming his new post will allow him to crackdown on Piltovan corruption aided by the Hexgates. Majority of the complaints wrt relationships I see people making of him are just wildly exaggerated. "He was neglecting viktor" bro he talks about viktor in nearly every scene he has with mel 😭 viktor is the one who isolates himself and randomly disappears at times bc he's a grown man with his own boundaries.

Jayce's entire life is defined by the transactional nature of his existence, his work, the patronage receives - all depending on how much he can play the showpony role without fucking it up. It's not a comfortable position. Jayce is stressing out the whole damn show because if one person isn't pissed at him, someone else will be, and it always comes down to revokable money, investments, social standing. if he really was as uncaring and well-off as some claim he wouldn't give a shit. He could just coast along life, but that's not what he's doing ever. He only 'frees' himself in season 2 by abandoning his life's dream and the rotten reality that existed around it. Which is kind of bleak, but at least its over.

[mod2amaryllis]

im just gonna be petty ignore me

are you ever training someone and eventually it gets to a point where you just like

give up on them lol

[reiderwriter]

🗝 Don't Back Down 🗝

Pairing: Unit Chief! Sub Spencer Reid x dom! BAU Reader

For the CM Kink Bingo Challenge 24

Requested: Hello!! You are an excellent writer, and I hope you don’t mind a random request. :)!Basically, Spencer breaks protocol and endangers himself - runs after an unsub without backup, takes off his vest, etc. whatever it is - the reader is either there or finds out and is PISSED. She’s obviously not above him in the BAU, so she can’t punish him at work, but she can punish him in bed through toys/edging.

Warnings: 18+ MINORS DNI, brief mentions of details, minor gunshot wound, sex toys, punishment, BDSM themes, male sub Spencer, cock ring, dildo, masturbation (f), squirting, overstimulation (male), multiple orgasms, begging, messy sex, slight cum play, implied oral sex (f), boss/ subordinate relationship, partial established relationship, FWB dynamic. Implied switch x switch.

A/N: Hello! I really loved writing Unit Chief Spencer for my first Kink Bingo fic, so I've decided to bring him back a second time, and I'll be rounding out the challenge with a third part in the Unit Chief saga in July! You don't have to have read the first part, but if you want to, you can find it here~♡ I'm still enjoying the challenge of interpreting all the bingo challenges and this marks my very first bingo line! Let's see if I can get a full board!!

Masterlist || Bingo Board

His tenure as Unit Chief may have been temporary and wholly unwanted, but you admired Spencer's commitment to actually taking care of every member of the team he was left in charge of. 

He'd supported JJ in interviews, actually taking care of the press very effectively, and made sure Garcia was calm and stable. Hell, he'd even made Rossi feel better about his work on cases. And for you - well, he'd taught you to shoot straight. That and more. 

He'd held you in the middle of the night on the tougher cases, letting you sob into his bare chest the day you'd first killed an unsub. He'd distracted you from cases with his tongue, and his fingers and his dick, he'd given you pleasure where the job gave only pain and stress, and you loved him. 

You loved him, even if he was going to get himself killed. 

At first, it had been pulling Luke out of the way of a moving vehicle, being almost mowed down himself when on a case. Then he'd walked into a scene without his gun and had actually taken off his vest in exchange for JJ and Tara being able to back away to safety. He'd closed a door between him and Rossi and an active bomb that had only just been deactivated in time, and more recently, he'd taken two bullets for you. 

It was like he wanted to die. 

Th bullets, of course, had hit his vest, but a third had scraped his shoulder, and the cry out of pain had you nearly hysterical. Luke had taken down the unsub immediately, but you were a flood of tears already, panicking and having and dropping to your knees as you shook, the anxiety of almost losing him flooding your body with adrenaline. 

After all that, he was still the one comforting you. 

“Y/N. Y/N, shhh, it's okay, I'm here. I'm okay. Don't cry were both safe, I saved you. We're safe.” 

You pounded at his chest, but with the others surrounding you, there was nothing to do but stand and pull yourself together, even if you wanted to rage at him and tell and scream. 

He gave out orders and was escorted away to an ambulance, and you wiped your tears and got to work. You'd fucked Spencer, sure, you had been fucking him for months now, but it wasn't a relationship. It certainly wasn't anything your coworkers knew about, and you knew they'd have words if they did know. 

So you wiped your tears, and you put your head down and finished up your work. Then you made your way back to the jet, back to your home, back to your bed, and waited for him to make an appearance. 

You weren't in a relationship, but you knew he'd come. You heard his keys in your door, rolling your eyes at how naive you'd been handing it over - in case of emergencies, really, he had Luke and Penelope’s spare keys as well because they lived alone, it'd be safer. 

You sat up in your bed and waited for him to come in, scoffing when he knocked on your bedroom door.

“Was there a point to that, Spencer?” You asked, calling him in. 

He looked dishevelled, slightly worse for ware, but god did he look good. He wore a new shirt, a bullet hole ripped in the last one, sleeves pushed up to his elbows. The top buttons were undone, and he discarded his jacket on your chair before stepping closer. 

“Y/N…” his voice was so tired you almost forgot how angry you were. Almost. 

“No. Don't come to me like that after you pulled that stupid shit today, Spencer.” 

“He was going to shoot you-” 

“He was going to miss. You're taller than me. And if I'd stayed where I was, I would have fired off a round before he could even get one shot in. But you pushed me out of the way and almost got yourself killed instead.”

He stood with his hands on his hips in front of the bed, a scowl on his face as he struggled with words to find next. 

“I won't apologize for saving your life.”

“No, you won't because you didn't save my life. You almost ended yours.”

“Y/N-” 

You knelt on the bed now and grabbed his shoulders, pushing him to his knees. 

“No. I'm done listening, and you're done talking. If you're not going to stop walking into near death experiences, you don't get to walk in here and fuck me.”

He sank to his knees easily, his eyes wide as you sat up on the bed in front of him. You thought of leaving him there the entire night, of kicking him out into the living room to sleep on the couch. If you hadn't been through so much that day, you'd just send him home. 

But sat there on his knees, you saw a flash of desire in his eyes, big and round and needy. 

His gaze flicked to your core, and you suddenly entertained different ways to punish him, to train him out of destructive behaviour. 

“Handcuffs,” you said, holding out your hands for them. He passed them up, and you left the bed, restraining his hands behind his back quickly and grabbing two items from your draws. 

You moved to the bed and knelt again as he looked at you with dark eyes, suddenly aware of what was happening to him. 

“Y/N-” 

“I didn't say you could speak,” you said as you quickly peeled off your nightdress, leaving yourself bare on the bed. 

Usually, you'd feel embarrassed being naked. Even when he undressed you, you felt the urge to cover your tits, to squeeze your legs shut so he couldn't see all of you, to let him pry your hands away, to coax your legs apart. 

Now, you sat confidently, spine straightening as you looked down at him. 

His eyes took in your body, and he winced as if pained when you touched yourself, knowing that usually he alone had that honour. 

“Y/N…”

“One more time, and you won't return to this bed for days. Do you understand?”

Learning, he nodded and sat up again to watch your fingers play with your nipples, twisting them either way as you moaned and sighed above him.

His breathing hitched as you let your hands trail lower and lower until they reached your cunt. You didn't touch yourself yet though. 

“Open,” You said, leaning forward and tapping his chin. He complied, opening his mouth and you shoved two fingers inside.

“Get them nice and wet for me.” 

He licked and sucked your fingers for two minutes, never breaking eye contact as his spit rolled down your hand. 

“Good boy,” you said, pulling them away as you began to touch yourself. Sitting back on your ass, you rubbed your clit, rubbing his spit into your sensitive button, letting him know how good it felt, how close you were to cumming with his spit on your cunt. You plunged one finger in and then another as you watched him bite his tongue, careful not to let even a small sound slip out. 

You didn't even have to glance down to know he was hard. It was in the set of his shoulders, the rapid breaths he took. It was the way he sat back on his heels, rocking back and forth to feel some goddamn friction. 

You couldn't have that. 

You placed your foot on his uninjured shoulder and tried to hold him in place. 

“Don't fucking move,” you said, slipping a second finger inside yourself ad you picked up the pace. Your hips bucked ad you watched him watch your cunt, paying attention to every twitch you made, every moan, breath, gasp, and shudder. 

“I'm gonna cum, fuck, I'm gonna- shit! Shit-” 

You came with a spurt, squirting your cum across his face as he leaned closer, desperate to taste you. You grabbed his hair and forced him backwards though, grabbing the two toys beside you as you dropped down to the floor. 

“You're not touching my cunt today, Spencer, not even for a taste. You're not touching anything today.”

You pulled his cock free from his pants and spat on it, not bothering to touch it properly before pushing the cock ring onto him and pressing the on button. 

In a minute he was a moaning mess and you smiled at the painful pleasure disrupting his features. 

“Eyes open, Spencer, you have to keep watching.” 

You kept your eyes locked with his, his mouth open wide in a silent moan as he tried not to cum, desperate to hold out for you as long as he could. 

You climbed back onto your bed and spread your legs again, this time accompanied by a translucent plastic cock. You teased your hole for a few seconds, grabbing Spencer's attention before pushing it in. 

His eyes were stormy as he watched you fuck yourself with your old companion. You hadn't used it in a while, basically since you'd started fucking Spencer. He had rules, and one of them was that you couldn't use the dildo without his permission. He'd never given permission.

The look on his face now was worth whatever punishment he'd had out in the future, a mixture of anger and pathetic arousal, his eyes never leaving your cunt even as his own dick started spurting.

He came quickly, splashing up his shirt, ruining his pants. 

You left him there like that, though, even as he winced from the overstimulation. 

He didn't make a sound still, even as his dick got hard again almost immediately after deflating the first time.

“Look at what a mess you made. You're such a little pervert that you just came all over your shirt and pants. I hope you bought a spare, Spencer.” 

His fight was gone as he looked at you again, only lust left as he panted and writhed beneath you. 

You kept riding the dildo, burying It between pillows so you could ride it easier without needing to hold it. 

He watched transfixed as his cock twitched again, vibrating still right on his balls. 

“Tell me how good it feels, Spencer.’

“Hurts… Y/N, so good…. it hurts.”

You smiled down at him and kept asking him questions, knowing he'd never be able to stay quiet now. 

“Do you want to cum again?” 

“Fuck…yes, please, Y/N, please.”

“Do you want to cum all over yourself one more time?”

“N-No… messy, want to cum…in you.”

“What a shame, Spencer, but that isn't allowed. I won't let you cum in me if you're going to try to take a bullet in the field.”

“Y/N… p-please,” he whined, and you heard his voice break, hips thrusting up into the air now as he watched you. 

“No. You're going to cum on yourself until you promise not to do it again.”

He shook his head, closing his eyes as he tried to resist cumming for a second time, so out of control. “Please-” 

“You can do it. Promise me.” 

“Y/N, p-please let me cum” he moaned again, his hands pulling at the restraints so he could get this infernal cock ring off of him and bury himself inside of you. 

But it was too late, and his second orgssm stretched out longer than the one before. 

You'd leaned in so close you'd caught a drop of cum on your face, but most of it pooled on him instead. He collapses backwards, his cum coating his stomach and chest, his shirt going translucent in places as the ring kept buzzing. 

His moans were loud now, and immediately, he knew it was too much to wish for round three. 

“I promise! Y/N, I promise, please fuck, I promise.”

You quickly fell to the floor, turning off the cock ring and slipping it off as you kissed him tenderly, thanking him and praising him for doing such a good job for you. 

You rolled him onto his side and removed the handcuffs, immediately pulling them into your lap and massaging them, feeling a bit guilty about the red marks. 

“Spencer?” You asked after a few moments when he seemed to have regained his breath and his senses. 

“Mmm?” 

“We should get you in bed. You need to rest.” 

He nodded and weakly sat himself up, falling into bed beside you. He threw the dildo across the room and nuzzled himself into you, head buried between your breasts. 

You pulled away and came back with a wash cloth, stripping his shirt and pants and cleaning the cum off him as best you could so he could sleep comfortably. 

“I prefer when you do that with your mouth, you know?” He joked, and you playfully hit his leg. He couldn't still be thinking about sex after that. 

But he was. As careful as you were to not overstimulate him again, his cock still rose again, and he pushed your hands away, pulling you up to him. 

“I came twice, but you only did it once,” he whispered between kisses. 

“It seems like we need to get even.”

With that, you knew that your turn being in charge was over, and he was the leader now.

"But only if you beg for it," you smirked, looking up at him, but he easily flipped you over, pushing you up so you were kneeling on the sheets above him again, him undernesth you. 

You happily followed him as he pulled your dripping core over his mouth, and he pulled you in for one last taste, begging you for forgiveness with his tongue again and again.

[bastardlybonkers]

thinking about how marcille thinks that her feelings for falin are parental while the audience can see the attraction that she either cant see or doesnt want to see

parental doting, nagging her to use the stuff she bought her

this fucking cover. every single relationship pictured here being parent/caretaker and the one being taken care of.

how when marcille starts this matching scene its like a mother bathing her child, right up until falin rises over her and grasps her hand, to which marcille is very suddenly confronted with a cocktail of complicated feelings, attraction, fear, shock, confusion. this isnt just a horny scene guys Look at marcilles face, her eyes, the black background on their clasped hands. how marcille doesnt blush until the interaction is over, then slips right back into the comfortable dynamic of calling falin cute and small and inviting her into her bed

this is how marcille sees their dynamic. parental, caretaking. safe.

is it that kui genuinely meant it like this and we as an audience found a different interpretation? is it that marcille is dense to her own feelings, misinterpreting protectiveness for parenting? is it that marcille doesnt Want to understand her own feelings? is it that shes an elf, and elves generally infantilize shorter lived races? is it a conscious or subconscious method of self protection, denying herself the fact that shes in love with someone who wont even make it past her own young adulthood?

(also im gonna need you guys to be so fucking serious here if you even Think about making the claim or god forbid saying that Im making the claim that farcille is ""problematic"" because marcille has complicated and nuanced feelings for falin im going to combust)

edit for clarification: i meant if the attraction was intentional not the parental feelings lol just making sure cause i think some ppl mightve thought i meant it the other way around

[why-animals-do-the-thing]

Sorry if you've already covered this, but I was scrolling socials and saw that the San Antonio zoo got a large donation to expand their savanna habitat. The only thing that jarred me as I read through their expansion plans was apparently they're going to be outfitting some 'safari' vehicles so guests can be taken into the habitat to feed and interact with the animals (from within the vehicle). I was always under the impression that this kind of interaction wasn't necessarily good for either the humans or the animals-- is there a way it can be done ethically?? Anyway, I just thought it was interesting!

Ooo, okay, your question aligned with a thing I've been chewing on for a while, so let's talk ~ethics~ and ~philosophy~ aka this is gonna be a bit long. I do promise I'll answer your question, though!

The first thing I want to note is that you're really asking about two different things, which are almost always conflated these days when it comes to talking about animals: welfare (is the animal happy / healthy / safe) and ethics (is what's happening good / moral / acceptable). It's really important that we distinguish between the two, because welfare is an objective measure of physical and mental wellbeing, and ethics are a human construct that involves subjective interpretation.

A useful but highly oversimplified example of this is the bothering of cats for online videos. Pestering a cat to get a funny reaction once in a while may not impact their overall welfare. Welfare is the cumulative impact of an animal's experiences, which means that single acute moments may not weight heavily on the entire balance. If the cat is healthy, fed well, enriched, and has a good and positive bond with their humans, those momentary irritations for videos might not matter much. That doesn't mean that you or I, as viewers, might not still find bothering an animal for internet clout ethical. We can believe that humans shouldn't ever unnecessarily put their pet through negative experiences, and we can think that doing so just because it brings the human money or fame is distasteful. But! We have to recognize that as used in this example, those ethical stances aren't inherently tied to the animal's welfare state. Many people I know who dislike cat-bothering don't care if the animal has good welfare outside of that situation - they don't like that the situation occurs at all, ever.

So, back to your question. You're wanting to know if it's okay for a zoo to have a drive-through aspect of an exhibit where people get to feed the animals. You're asking if it's safe for the humans and for the animals (which is a welfare question) and if that type of interaction is ethical. I could just tell you that of course it's fine, San Antonio is an AZA zoo and their accreditation only allows them to do "good things" but that's now how it works here (nor is it the reality of accreditation).

The safety aspect is one I'm not worried about. It's actually a pretty common thing for reputable facilities to do some sort of vehicle tour in savanna habitats, whether in the guest's vehicle (safari parks) or on a hay-ride type vehicle (zoos). Many of those allow guests to feed out specific parts of their animals' diets. Offhand, I know Tampa and Fossil Rim both have feeding tours like this in a staff-driven vehicle. It's not specified from the zoo's press release, but I can guarantee you that guests will not be driving those vehicles - which means the interactions will be proctored by staff and what people are feeding out will be carefully regulated. The habitat is going to have rhino, giraffe, zebra, ostrich, and antelope/gazelle, and I'd guess that the drive-through is going to stick to those latter two and maybe additional species. Those are animals where a car is an appropriate safety barrier.

As to if it's ethical to do? It's spiny question, because it depends very directly on the ethical perspectives of the person you're asking. I think it's fine - you may not. Let's break down the different things that come into consideration on the ethical side, and my responses:

"The zoo is commercially exploiting animals by letting people pay to get closer." If the issue is that people paying to get closer to animals is using them for money, well, that's the business model of a zoo (non-profit or not, they still need revenue to operate). So IMHO it's not like it's "less ethical" than anything else the zoo is doing, using that framing.

"Zoo animals should be allowed to be wild and undisturbed by guests driving in their habitats." Zoo animals aren't wild, and their entire lives revolve around humans and the human work schedule. As long as a vehicle entering the habitat doesn't have a negative welfare impact (e.g. they're not scared of it), it's not very different from the rest of the routine of managed care.

"Feeding zoo animals will encourage people to try to feed wild animals." Thanks to obnoxiously viral content creators, people are going to try to feed wild animals no matter what. Doing it in a proctored situation where a staff member can try to do some education at the same time is probably the best possible scenario.

"People just do those tours to get close to cool animals." People are always going to want to touch the animals. If being able to pay for a tour keeps them from jumping the fence to try to pet a rhino, great.

There's one more that I want to talk about separately, because I think it's where a lot of confusion gets generated. It's this idea that "Humans shouldn't be interacting with animals at all, any interaction is unethical and bad for the animals." This is a welfare crossover, but not one actually informed by welfare science in a captive situation. And I think it's because the internet lacks nuance. Yes, it is absolutely correct to say that with wild animals, you should never ever try to feed a deer out of your car (or similar). It is incredibly harmful to those animals on both an acute and chronic timeline. But thanks to the rage-bait algorithms on social media and people endlessly justifying doing stupid, dangerous, bad things (and getting pushback for it), there's been a lot of bleed between the public's understanding of what wild animal welfare is and what captive animal welfare is. Combine that with the reality that captive animal welfare cannot be assessed or diagnosed from a single context-less clip, and that people with strong beliefs and no practical experience with the field/species/individual will pass judgement loudly to their audiences...

The result is almost a reflexive believe in many sectors of the internet that any human-animal interaction that isn't couched as a "rescue" is inherently unethical, for reasons people often can't articulate. Which is why, I think, so often people want to support certain aspects of captive animal management but feel guilty for doing so. I see this a lot in the questions the blogs gets, and I'm glad people feel comfortable asking, because it's important to think through not just the individual instances but the patterns leading us to question them.

So yes, I'd say that a staff-led experience in a vehicle chosen for safety is an ethical way to proctor an interaction between guests and certain savanna species. It will vary by facility - I'm always more wary about guests driving, although many drive-through safaris are fine - and by setup. I think what San Antonio is doing will be fine, though, and will be interested to see / hear about the setup when they start up.

If you've got a question about ethical captive management, I'm always happy to talk about it - but I'd invite you to poke around in your head a little and send me not just your question in the ask, but your thinking about why or why not something might be concerning. It's great practice for understanding why you relate to animal ethics the way you do, and where those beliefs come from.

[withleeknow]

lost cause.

pairing: minho x reader genre/warnings: established relationship, fluff, kinda angsty idk?; unedited bc we live just to suffer, erhm i don't think there's a lot of warnings here, open to interpretation if oc is depressed 🤔; basically “it's rotten work,” “not to me. not if it’s you,” + that one scene in nobody wants this (if you’ve watched the show you’ll know what i’m talking about) word count: 0.6k listen to 🎧: risk - gracie abrams

as always, i’d appreciate any thoughts or comments you may have, and please drop a like and/or reblog if you enjoy reading ♡

navigation / masterlist / ko-fi

“i think i’m starting to hate myself again.”

your voice is casual when you say it, indifferent, nonchalant, as if you’re merely bringing up the weather or reading from a shopping list. you’re used to it by now — the fact that it comes and goes, that if there are highs then there must be lows too. that sometimes, there are no good days, just better ones.

you know minho hasn’t fallen asleep because you still feel him playing with your hair while you lay on his chest, his index finger twisting a lock around before letting it fall over your back. he doesn’t falter, not even once. no change in his calming breathing, no sign that he’s all too surprised by your sudden announcement. you suppose he’s used to it as much as you are.

he’s quiet for a while, like the night outside the comfort of your bedroom. the weather forecast warned you of thunderstorms, but everything remained still and safe. there wasn’t even a spark of lightning to be found.

when minho finally speaks, only a simple “okay,” comes out, followed by a question. “then i’ll love you more to make up for it. how much time do you need? couple weeks?”

you shake your head. “longer,” you say.

“couple months?”

a beat of silence. another shake. “longer.”

“couple years?” he asks. no hesitation. “couple decades?”

minho can’t see you from this position, but you can hear the sound of his heart. he’s steady and secure and you’re nothing more than a fickle flame that’s always on the verge of going out.

“you can’t handle it,” you tell him. “better to quit while you’re ahead.”

it would be so easy, wouldn’t it? for him to pack up before he realizes somewhere down the line that he’s wasted his time and effort on a lost cause?

“i know what you’re doing, by the way. stop that.”

you pretend to ask, “what am i doing?”

before you know it, he’s already managed to flip the both of you over. he’s hovering over you with his forearms on either side of your head, effectively caging you in, chest to chest, and his hips pressed flush against yours.

“i told you i’m not going anywhere,” minho says, brushing some hair away from your face. “stop trying to get me to leave.”

you blink. he’s so close and oh so warm, so beautiful as he stares down at you, so patient and kind when you’re telling him that you need him to love the parts that even you can’t bring yourself to love.

your hands settle on his shoulders. “don’t blame me when you regret it.”

“i won’t regret it. not if it’s you.”

then he’s kissing you, soft and slow, and that’s when you finally hear the first roar of thunder that should’ve arrived hours ago. he kisses you like he was made for you — or you for him, you’re not really sure, but it can’t possibly matter that much.

“so?” minho prompts after he’s pulled away, “how long?”

his eyes are sparkling and you’re still a little dazed. lightheaded but you know that you’ll always love him the most, know that you’re pushing it, know that you’re asking for what many would never be willing to give. “what if i say i’ll need you for the rest of my life?”

his lips curl into a tender smile, one that he presses to your mouth once again. you taste devotion in the kiss, in the way one of his hands crosses the short distance to hold your face so delicately it makes your heart hurt.

“i’ll love you more for the rest of our lives then.”

all rights reserved © withleeknow. reposting, translating and/or modifying is not permitted by any means. [posted 30.10.2024]

[northopalshore]

Juno Persona Chart 🤵🏻💍

───────────────────୨ৎ───────────────────

╔══ஓ๑♡๑ஓ══╗

Juno ( 3 ) is an asteroid used to interpret your future spouse, your first impressions & your marriage life.

╚══ஓ๑♡๑ஓ══╝

In this post I will be listing some observations I made in regards to the Juno Persona Chart. Feel free to use them as guides to your own JPC.

Libra (18° virgo) 1st house

Looks put together, clean, attractive & smells nice. It's very obvious to you they take good care of their appearance.

Aries 1st house

Attraction at first sight. This person will look very muscular, or athletic. Could seem a bit rough, or unmanaged. They are likely to pursue you first.

Jupiter (18° virgo) in 1st house

They could appear larger than you either in height or weight ( or both! ) FS is VERY attractive. A fun person to be around. They are noticeable wherever they go. Very sharp, will notice the smallest details about you on first glance. Could be popular too. You could think they're a bit of a show off at first lol.

Moon in 1st house

They could look quite feminine, or soft, something about them makes you feel very safe. They could be crying the first time you meet, they are not the type to hold back emotions. Big eyes, round features they'll look very gentle. Could be younger than you, perhaps much younger or they could just look younger for someone their age.

Eros (21° Sagittarius) 1st house

You could think they're very attractive to people around them. Might be quite popular with people from all kinds of backgrounds. Hot as hell. They could have great s*x appeal

Fama (26° taurus) in 1st house

They might be well known, or very popular for their looks or fashion.

Venus (21° Sagittarius) in Capricorn/4th H

Very witty, calm reassuring, safe. They are very charming and loyal. You might like to stay at home together, travel together & collect knick-knacks to display in your home.

Capricorn stellium

Most likely older than you. Could be a significant age gap. You might think they're maturer than you, could be a bit stern or closed off. Very responsible. They could be a career oriented person.

4th house stellium

Meeting through social media (home), family/friends introduced . You'll feel very safe in your relationship. They'll treat you with so much care and compassion. Your home will be very harmonious.

Mars ( 22° Capricorn ) Sagittarius 3rd house

You will talk about other cultures a lot, or if you are foreigners to each other then you'll talk about your own cultures with each other often. Very passionate conversations. You will never get bored talking to this person. You might work with this person, or talk about work together.

Mars trine moon

You will feel like this person is the embodiment of your passions and desires in a relationship. Your emotional and sexual needs are met in this relationship. There is a lot of attraction between you.

Moon sextile Jupiter

You will instantly feel comfortable with each other. There is this sense of familiarity even when you first meet. Feeling like best best friends.

Jupiter square saturn

You could feel like you can never get enough of this person. You could feel like this person is too good to be true. You'll wonder if they'll even be with you in the long-term. This person could be afraid of change in a way.

North node in 7th house

You are meant to be in a romantic/contractual relationship with this person in this life! (i.e getting married)

North node in Taurus/Taurus°

You are meant to indulge in love, food, romance and luxury with this person.

North node in 8th house

You are meant to transfrom each other in this relationship. Could be a karmic soulmate. They will change your life entirely. You could meet them after a huge change in your life.

North node in 5th house

You are meant to have fun in this life together. Children could be very important to both of you. They could be very artistic, or you could meet at parties, art galleries, theaters & concerts.

Boda in aries/aries°

You might marry this person very quickly after getting in a relationship. They will not hesitate/wait to put a ring on it lol!

Briede in 8th house/Scorpio degree

If you are a woman, being their wife will drastically change your life vise versa if you are a man.

Briede in taurus/taurus°

As a wife, they/you'll be very beautiful, loyal, a great caregiver. Could be a sign of being a stay at home wife.

Lilith in 10th house

Something about their career could be an issue when you get together. They might have a lot of trauma surrounding their career.

Lilith in 8th house/5th house

They could have had some trauma in a previous relationship. Perhaps they were cheated on, or manipulated. Whatever it is it has scared this person deeply by the time you meet. They could have suffered from s*xual trauma or has insecurities surrounding feminintiy, s*x or intimacy.

Saturn in 5th/8th house

They could still be a virgin when you meet. They might have refrained from indulging in s*xual affairs or romance in general. Could be very strict or picky with choosing partners.

Saturn in 10th house/Capricorn°

They could have been working for a long time before you met them. They could be at a point in their lives where they could look back at all their achievements with satisfaction. Could be career oriented. Might have worked in their industry for a long time/didn't switch careers/have a stable job.

Sun in 10th house

You could be a very popular couple. You could have even met at work. Even in your relationship, work will play some sort of prominent role. People will notice you more when you are together.

Neptune (16° taurus) in aquarius 5th house

You could romanticise your relationship a lot, feeling like your love life is one out of a fairytale. Fun dates where the focus is only the both of you.

Uranus (5° leo) in pisces 5th house

Spontaneous dates, they could love surprising you with their presence lol. Suddenly showing up at night, suddenly inviting you over to their place, sudden dates.

Moon leo/leo° in 11th house

They could be someone popular. Maybe someone famous too, an influencer, a youtuber, blogger, artist, performer, model and whatnot. They definitely have an online presence. Popular on IG? Whatever it is, it involves their face, their talents & creativity. If it's in a scorpio degree, or hard aspects pluto/mars/venus they might be a p*rn star lol.

Moon in 8th house/Scorpio degree

They are a very emotional person who has been through a lot of upheavals throughout their lives. They are deeply connected with death, taboos, obsession & s*x. However, these are not the type to sleep around. They NEED & crave intimacy and emotional depth in romantic relationships. They will not tolerate shallow or manipulative partners.

Moon scorpio/scorpio° in 7th house

Relationships are very important to them. They are very picky with people that they let in their social circles. Your relationship will be very intimate, passionate and private.

Vesta (5°,17°,29°) in 6th house

You could work together, or collaborate on some sort of artisic pursuit. You'll be very comfortable working with this person.

───────────────────୨ৎ───────────────────

*** entertainment & educational purposes only, reader discretion is advised***

Thank you for reading! ♡

@northopalshore

[spif-lol]

People can hate on Chibnall's era all they want and while it's not without it's problems I will always defend it if ONLY for it's interpretation of gender in the change from 12 to 13.

I remember being so excited for Jodie, but also so scared as to how they were going to handle her characterization as the Doctor. While Moffat did okay with Missy in the end, her original introduction was dripping with stereotypes and changes in personality which in universe boiled down to she's a girl now lol. Because of this I feared the introduction of a hyperfeminine Doctor, reinforcing sexist stereotypes that men and women are fundamentally different in some ineffable way. I feared jokes about boobs and hair, I feared a weak Doctor who had to be saved by male companions, I worried there would be a lack of personality entirely, with Chibnall trying to play it safe and make her just a blank slate. Or that she would be a rehash of an old Doctor but GIRLY with nothing really distinct to her personality beyond that.

I did not at all expect what we got. Even if the writing is in general lower standards than us fans had come to expect, Chibnall's handling of the Doctor's sudden gender change is phenomenal and I will explain why.

Top 13th Doctor gender moments:

It is so obvious that from the Doctor's point of view, she hasn't really changed. She still perceives herself the same way and finds it hard to adjust to a view of herself as a woman and often uses masculine words to describe herself out of habit. She doesn't dislike being a woman! She's just forgetful! Her regeneration is not special because of the gender change, that's just a quirk alongside the other changes every Doctor goes through when they regenerate

The way she still dresses in a distinctly Doctorish way, and leans towards flamboyant but practical masculine outfits like her suit in Spyfall in contrast to Yaz's more feminine presentation in the same situations. (Yaz isn't even that feminine either. But her dresses and blouses compared to the Doctor really stand out.)

I love how the Doctor's gender doesn't change anything about her, only how other's view her. And mostly people still treat her with respect and as an authority figure. I feel like chibnall struck a good balance between not acknowledging the gender change at all vs hitting us over the head with it. There are episodes where her being a woman is detrimental and she expresses annoyance, there are others where it causes confusion, and there's some where it opens her up to new experiences like the wedding party with Yaz's nan! But ultimately it doesn't make a difference in the Doctor's day to day

The introduction of the Fugitive Doctor as a previous regeneration but also as a female doctor with a distinct personality from thirteen! We got a multi doctor story with two badass female doctors years before it should have been possible! I hate the timeless child thing but the fugitive doctor is my beloved. Props to Chibnall for seeing the hate and people going oooh but the doctor has always been a man and responding by going nope she's been a woman before and a black woman too fuck you. actually iconic. #Season6B btw. if you even care

Idk i just think Jodie really captured the Doctor really well, while still having a unique twist on it and her portrayal really reads as a genderfluid alien in a feminine body. Like oh cool this is new but ultimately it dont matter she still the doctor

[puranami]

✿ It's The Little Things ✿

A/N: My first time writing! Admittedly I'm very nervous, but also so excited!! Kept it simple with a small headcanon list to start, but I tried to write a decent amount for each point, and I hope that everyone is in character :0 Posting at 4am because I have no control over my life...

Summary: Little relationship things with the Strawhats. Can be interpreted as the anime/manga or the live action version of the character.

Characters: Luffy, Zoro, Nami, Usopp, Sanji

Content: SFW, G/N reader, slightest hint of angst in Sanji's part, but otherwise, pure unadulterated fluff! ✿

(Part 2 - Buggy, Shanks, Mihawk) (Part 3 - Franky, Robin, Law, Kid, Killer) (Part 4 - Crocodile, Rosinante/Corazon, Doflamingo)

Luffy

✿ He absentmindedly draws shapes on your leg, back, or whatever part of you is there as you sit together, whether you are watching the waves, or listening to one of Usopp's stories. He is almost magnetic in the way he ends up attached to you. If you're not feeling it, he will do his best to keep his hands to himself, but as soon as his focus shifts onto anything else, they're back on you, drawing little clouds and hearts. He tried, he really did!

✿ This bottomless pit inhales food like it's going out of fashion, but, much to the bewilderment of the rest of the crew, he will actually feed you from his plate as he eats, even though you are eating your own food. It may be a case of "1 for you, 5 for me," but it's almost instinctive for him; he's sharing something he's passionate about with you, and making sure that, in his eyes, you are happy, healthy and strong. He values your wellbeing more than food; you are one of the most important things in his life.

✿ Despite how chaotic he is in every aspect of his life, his presence brings you to a state of complete peace, even when he's yelling about whatever currently has his attention. Just knowing he is there comforts you in a way that nothing, and no one else can. As long as Luffy is there, being the same old Luffy he always is, you know everything will be alright in the end, and if it isn't alright, well, it isn't the end yet.

Zoro

✿ He always places a comforting hand on your head when he passes by, or ends up in the same general space as you. It's his version of a hug, a reassuring touch that he is there, and that he's happy to see you. Zoro is very subtle with his affection, at least in public, but even when it's just the two of you, he automatically defaults to the head pat. It comforts him as much as it does you, and the simple action alone conveys his feelings far better than he ever could with words.

✿ You both love silently observing everything going on around you, and it's such a comfortable silence. You just enjoy each others company while watching the world go by, with Zoro also keeping an eye out for any threats, as he does. Sometimes you end up passing silent judgement on what you see, and you have both developed this uncanny ability to gossip without saying a single word. It's honestly unnerving at times, but you are just so familiar with each others micro-expressions that it's second nature.

✿ Insults are terms of endearment. If anyone else called either of you such things, all hell would break loose - swords drawn, blood spilt, bodies hit the floor, the whole song and dance. It actually started out as a form of deflection, with both of you being far too stubborn to admit any feelings were there, even to yourselves; "No, I don't like you, shitstain, I tolerate you." - "Whatever helps you sleep at night, arseface." As you connected though, it just became your thing, and you love seeing who can come up with the funniest insults. Zoro is surprisingly creative in this regard.

Nami

✿ Nami has a habit of fixing your clothes and hair if something is out of place. It can seem overbearing to others, but she knows you appreciate the gesture. She spent years putting up walls to defend herself, and this is a safe way for her to have a little moment alone with you, giving you gentle little touches without revealing to the world just how important you are to her. It is a very grounding experience for both of you, and you end up doing the same for her on the rare occasion that she isn't completely flawless. She may purposely put things out of place so you have the opportunity to fix something too.

✿ She has an eye for the finer things, and loves getting you little trinkets, and especially pieces of jewellery, which often match or pair with hers, like pendants that fit together to make a whole shape, and such. Just don't ask her where she got them; "Shhh, you don't need to worry about that." All that matters is that you now have a tangible connection to each other, no matter how close, or far apart you are.

✿ Another person who relishes in comfortable silence. Of course you love chatting with each other, and often do so later into the night than you intended. Nami is very quick-witted and your shared snark is always so enjoyable! But it's the moments when you are doing your own thing together, basking in the warmth of that closeness that brings the most joy. Every so often, you will share something interesting or amusing, depending on what you're doing, but you always return to that silence. It's very domestic.

Usopp

✿ You both end up in regular fits of giggles, that grow into raucous laughter, before devolving into the sounds of various suffocating wildlife, which only fuels the hilarious fire. He doesn't even have to say anything at times; he just has a look, and as soon as he catches your eye with it, you absolutely lose it. The amount of nonsensical inside jokes you have is absurd in itself.

✿ Ever the storyteller, Usopp will wind down the day with you relaxing under the stars, telling you fantastical stories about the impossible feats of the great 'Captain Usopp.' His creativity and imagination are something you greatly admire, and as much as you try to stay awake to appreciate those qualities, the comfort he brings has you dropping off every time. He'll carry you to bed most nights, but sometimes he can only manage to drag you around like a corpse he's trying to hide, and he'll end up waking you up laughing about it.

✿ You automatically link your little fingers whenever you are close enough to. It doesn't even register half of the time, only realising when you need that hand or try to go your separate ways. When this happens, providing there isn't anything that needs your urgent attention, you like to dramatize your parting, playing up that this is the most painful moment of your lives! "Don't you dare let go, Usopp! We can both make it out of this alive!" - "I'm so sorry, I can't hold on any longer, and I refuse to drag you down with me." - "No! Don't say that!" - "I love you so much, but you need to let me go..." Leading to you unlinking your fingers, and exaggerated fake cries of anguish. It annoys everyone around you immensely.

Sanji

✿ You shamelessly flirt with each other, making everyone around you uncomfortable, groaning at how painful it is. You weren't together when you started playing this romantic game of chicken, giving back everything Sanji threw at you, and then some, but once you figured your feelings out, you actually developed it into a legitimate game where you attempt to be as sickening and obnoxious as possible. If there is no one grimacing, angrily telling you both to pack it in, or simply leaving the room; you aren't flirting enough. There is a points system, and you're currently in the lead. Sanji ends up caving over the things you say, and his brain loses the ability to form words, let alone string them together in a coherent sentence.

✿ Sanji always leaves a drink and a bite to eat for you to wake up to, since he isn't there in person, having to wake up much earlier to prepare the food for the day. Growing up in a restaurant, early starts are just part of his natural rhythm, so it doesn't bother him, but sometimes you try to wake up with him to at least watch the sunrise together, before going back to bed for a couple more hours. He cherishes those mornings, and there is always an extra spring in his step on those days.

✿ He takes every opportunity he can to share a glance and a warm smile, a gentle touch of your hands, or a chaste kiss with you. They are agonisingly brief moments, but Sanji needs them to get him through the day, otherwise he would just cling to you, and neither of you would get anything done! Unknown to you, these moments are also his way of reminding himself that you chose him over everyone else, that he is loved unconditionally, and that he is enough, without having to, in his opinion, burden you with his insecurities. He'll open up to you one day, and you will be able to give him verbal affirmations along with everything else~

[melbatron5000]

It's a 2-man Con

Listen, I think I know a thing.

When Aziraphale comes back from talking to the Metatron and is telling Crowley about being an angel, we've all heard the theory that he's speaking code, trying to ask for help. The more I look at that scene, the more that theory tracks.

Maybe less well-known is the theory that Crowley didn't miss a damn thing, he's answering in his own code. And again, the more I look at that scene, the more this also tracks.

(When my husband, annoyingly observant beloved partner that he is, saw the second season for the first time, he said, "That whole thing was a show for the Metatron. They have a plan. Crowley slipped something to Aziraphale when he kissed him." And I said, "Nah." But now I think he's right, and damn if he isn't smug.)

I'm gonna try to break down what I think they're saying here, because it takes just a hot minute to piece it together. I've been thinking this over for a couple of months now. I think I have most of it. I just don't know when Crowley puts whatever he's handing to Aziraphale in his own mouth. I need more eagle-y eyes, it seems.

First, Aziraphale comes back from his talk. He's pensive as he crosses the road, and anxious when he starts talking, and mouths "I need help!" as he's talking. He's acting like he does when he lies to the other angels, and once it's seen "I need help!" is pretty clear.

He does the whole thing about telling Crowley he could appoint him as an angel, like old times, but even nicer. It's all very uptight and not positive at all. My interpretation? "The Metatron is here, I think he knows we're up to something, we have to go to Heaven right now and put things right before he really does something awful to one or both of us. The time to spring the plan is NOW."

Crowley stares at him. At first it seems like he's staring in disbelief, but if you really look at his face, he's listening, hard, and interpreting as fast as he can:

He asks Aziraphale if he told the Metatron where he could stick it, then. My interpretation? "The plan has changed. I can't go with you to Heaven. You'll have to go alone."

Then Crowley starts his confession -- "We've spent our existence pretending we aren't."

Aziraphale looks at him -- not with shock, or surprise, or love, or hope, but with a "Why are you doing this now?" face. Not "Why did you wait til now to tell me, you love me, oh, I love you too!" But "Why are you telling me SOMETHING I ALREADY KNOW while our ENEMY IS LISTENING??" :

He's confused, but also listening and interpreting. What I'm hearing/seeing: I don't think this is a love confession from our demon. I think they are both well aware they love one another. They can't say it in so many words, and it's a secret from Heaven and Hell, but it's not a secret between them. I'm hearing Crowley set the scene. "The Metatron either wants us together in Heaven under control, or separated. I have things I have to do here or the plan won't work, so we'll have to separate. We need to make it look good. I do love you."

I don't think Aziraphale likes this change of plan. And Crowley can't detail why the plan has changed, not with the Metatron listening. So Aziraphale insists, come with me. The plan we had will work. Do it my way. Crowley says, "You can't leave this book shop." It's easy to interpret that as "You can't leave me," but I don't think it's that. He's saying something about the book shop being safe, or even that he can't leave without whatever they've hidden in the book shop. (I THINK THEY HID SOMETHING IN THE BOOK SHOP!) Aziraphale says, "Nothing lasts forever." I hear him saying the book shop is no longer safe, and they have to move/take whatever they've hidden and they can't speak freely there anymore.

Crowley replies, "No I suppose it doesn't. Good luck." He's gotten that much, but he is still set on his "We need to fake a break up because I can't go with you."

Aziraphale still doesn't like that. "Come back! I need you!" He's scared. Whatever he has to do in Heaven is big, and scary, and he needs and wants Crowley with him. He does not want to go into the mouth of danger alone.

This is when we get, "No nightingales." What I'm hearing? ESPECIALLY since if you listen, you can hear a LARK sing as Crowley goes out the door? It's the line from Romeo and Juliet, by Shakespeare, whose plays they both enjoy, though Crowley prefers the funny ones. "It's too late, that's a lark singing the dawn, not a nightingale singing to the night, we have to part. Our happy ending isn't yet."

Then the kiss. I do not believe this is their first kiss. I don't believe they've allowed themselves many, maybe not even more than one, but I do think they've kissed before. I'm not sure when, but I suspect 1941. (Season 3, come ON!!)

And when they part, Aziraphale stops himself from saying "I love you," and instead says, "I forgive you." I'm hearing so many things in that "I forgive you." I forgive you for leaving me on my own, I forgive you for hurting my feelings like this, I forgive you for changing the plan without telling me, I forgive you because you are forgivable whatever anyone else says, I forgive you because that's what I said when we split up at the bandstand and everything was okay in the end and I hope hope hope that everything will be okay in the end this time too.

Crowley says, "Don't bother." I'm hearing, "yeah, I hope it's all okay, too. Wish me fuckin luck. My part will be hard, too."

And as Crowley leaves, Aziraphale mouths, "No." And we hear a lark sing. A lark, singing to the dawn, and so fair Romeo must away.

Just because the break up is a ruse, doesn't mean it doesn't hurt and isn't hard. It has to look real, and so it's going to feel real, too. Ouch. :'(

And then Aziraphale touches his lips. Not once, but twice. My bad, he only touches his lips once. The first long second is pure emotion. "Why now, I hate this, I want that so badly and I can't have it."

After that, though --

After he pulls himself together a bit, he has a bulge in his cheek. He shifts his jaw to move whatever he has in his mouth to his lips, and then his first two fingers go stiff for a moment as he palms something right before he takes his hand away.

And then, this.

Edit to add: someone on Facebook asked me why a kiss to pass whatever Crowley gave to Aziraphale, why not palm it or drop it in his pocket?

My answers: 1. The kiss is a message. "We're still good, I still love you, I still want this." 2. The item is too important to be dropped in a pocket and hopefully found later. 3. The Metatron is paying WAY too close attention, and will definitely see them touch hands. Seeing a kiss and the angel rejecting the demon, though? Well, the demon forced that kiss on him, the angel didn't want it. Clearly the demon thinks this relationship is different than it is. It's a bigger gesture that sells the ruse. 4. Houdini's wife used to pass him the keys to his cuffs with a kiss before the show. This is a message that magic-loving Aziraphale WILL understand: here are the keys to your cuffs, sneaked to you by your beloved in plain sight.

That's it. That's what I got so far. I still have questions.

What did Crowley pass to Aziraphale? What's the plan? Why did it change? What does Crowley need to do that he can't go to Heaven again?

[ambrosiagoldfish]

Lucifer, Charlie, and alastor with a Kitsune reader ? :0

Hazbin Hotel x Kitsune! Reader

(Lucifer, Charlie, and Alastor)

Safe for all Audiences!

Warnings: None! Gn! Reader! Reader being a mischievous Little Kitsune, chaos ensues.

Request Box: Open

Word count: 1101

A/n: Hi! thank you for the request! This isn’t terribly long so I hopes that’s ok!

Now, I wasn’t entirely sure if you want this to be Romantic or Platonic so I kept it pretty vague so it could be interpreted as either! I hope that’s ok, if not just send another request and I’ll fix it!!

But either way I hope you enjoy it because i enjoyed writing it!! <3

Proofread once soooo… if there are any errors please ignore them/inform me 😭

Lucifer

When you first arrived in hell, he wasnt the most impressed by you. Not in a mean way or anything, just that he’s lived for a long time and has met a plethora of different types of beings so he’s pretty used to meeting interesting looking people.

But even he has to admit that he was intrigued with you. Your 9 well-groomed and lush tails that quietly followed you with every step and the fur of your fox ears looked soft to the touch. The thing that he seemed to notice most though was the whole eloquent aura you had with every movement you did. Smooth, almost tranquil.

You being a Kitsune did cause you to stir up a bit of… let's say trouble. Your fox nature of course caused you to have a personality that leaned a bit mischievously. You weren’t malicious by any means, you judt had a very… unique taste in humor and how you wish to spend your time. Pranks, stealing random objects that interest you, and going places that you probably should be. This gets you in trouble with many a folk but it’s really not something you can’t handle.

On one of these occasions. you took interest in his custom made duckys. First off, it was something new to you, 2nd, you had never seen someone be this interested in ducks as him, so when you randomly stumbled into the big man of hell’s workspace that’s filled to the brim of them, each with unique features and colorful designs, needless to say you were quite interested.

He was a bit embarrassed at first when you found it but seeing that you genuinely were into them he literally couldnt stop showing them off. Going into almost ecrusiating detail of each one's design choices. (This man is so autistic-coded. I love him so much)

He even made a custom one for you which he gave you when both met again. It was a basic duck design, except it had 9 tail feathers and wore fox ears that clearly mimicked your own, including your fur pattern. He then spent an hour going through each of its features with you. To say you were grateful would be an understatement.

“And if you pull this feather back… Bubbles! Oh-ho, and that's not all! If you take this and-”

Charlie

Definitely more impressed than her father would be. Of course she has been in hell literally all her life and has seen some weird, wacky, hot and cool people but it still doesnt not surprise her when she finds interesting people. When you first met her she was really interested in you, asking a bunch of questions and It was almost scary how enthusuatsic about it she got.

She then started talking about her brand new “Hazbin Hotel.” It was something to reform sinners so that they had a chance at redemption. Charlie seemed so excited to tell you about it that you honestly did have the heart to tell her that you didn’t exactly believe a soul could be redeemed.

Now depending on if you’re hellborn or a sinner, things can go a bit differently. If youre hellborn she’ll offer you a job at the hotel, well to say a job would be a lie, you didn’t really have 1 given task to do, you just helped out when needed. if you’re a sinner, you of course get to stay in a room at the hotel. Whether you actually go along and try to get better is up to you. It was a free place to sleep, so hey? Might as well. Either way though, Charlie always sees the good in people, hellborn or not. So she would obviously want to help you grow as a person even if you are hellborn.

The michevues aspects of your personality tends to cause some problems for the hotel at times. Fights happen, lessons have ended prematurely, and you may have accidentally caused a bar fight between Angel and Sir Pentious. It really was an accident, how was you supposed to know “borrowing” one of Pentious’ shiny tools would cause such a ruckus?

Charlie lectored you about taking others' stuff and made you apologize.

As much as Charlie doesn’t want to admit it (at least before episode 5) she’s a lot like her dad. That also expands to their likeness for your fur. She really can’t take her eyes away from it, it just looks so soft and neat… and soft… eventually you catch her staring at your tails and you just laugh and ask her if she wants to touch them.

“What!? Pfft, noooo, no no no. hehe…he…unless you’re offering…”

Alastor

Considering Alastor died in the 20’s I don’t think he knows what a Kitsune is exactly. Which is probably why he’s the most interesting in you at first glance (you could have also met when he first manifested in hell, which would only further his intrigue)

Either way, your personalities seemed to mesh well for the most part. You both stir up trouble wherever you go (Alastor a bit more… maliciously than you but still)

Whether you’re hellborn or a sinner is irrelevant to how he treats you, though he has tried making a deal with you every once and a while. You always decline but he thinks it’s always worth a shot to ask.

Alastor is aware of your devious behavior and knows the best way to handle it if it ever happens to come his way. He knows that you’re harmless and not a threat which is exactly why he has taken a liking to you. You’re someone who can only really help his cause and nothing bad can really come out of you being around.

Pranks though, are the one thing that Alastor can’t seem to sway you out of doing. He can’t even begin to count the amount of times he’s been at the front end of them. Of course he always sees through them and they’ve never once worked, but boy are you sure determined to one day get him.

This was one such case where you attempted to steal and hide his radio cane while he was asleep, only for him to sneak up shadow form and scare you half to double death

“You’re going to have to try harder than that to pull one past me, my, oh-so dear, exquisitely fluffy friend”

[z0mibite]

>1000 words, detailed descriptions of violence and a (sort of?) mention of s/a (⚠️use of the r word ⚠️), reader is gn! and up to interpretation throughout other than being considerably smaller than thomas and one mention of possibly bearing children. open-ended, so if you prefer angst endings for reader or stockholm, you can choose, it's texas chainsaw massacre, anything that's in either movie is part of the warnings just to be safe. dead dove do not ear, read at your own risk. also this is not proofread in any way, I literally wrote this straight shot right before bed listening to dove (doll ver) on loop and hit post.

READ THE WARNINGS BEFORE CONTINUING

imagine tommy keeping you, not to rape and defile like his uncle assumed, nor for you to bare children like his mama had hoped—but because you're just so nice to look at.

In the first film, tommy can be seen wearing rings, jewelry he's collected from past victims. also with the whole wearing people's faces to mask his own, he obviously has an eye for pretty things. and you're one of them.

It isn't just that of course, plenty of pretty people had come onto the farm, all meeting the same fate. he hadn't spared a dozen or so others, so why would he spare you?

you hadn't flinched at the sight of him, you hadn't run away crying like a child at their first horror maze, you simply smiled at him with those sparkling eyes, an elegant hand giving him a friendly, unbiased wave. you looked at him without prejudice, or preconceived assumptions about his character.

your friends hadn't given him the same courtesy. which is why you were here, chained to the workbench near the chopping block. the block he was using to dismember your traveling companions. a few of them hung from meat hooks, catatonic, their minds were weak and feeble, they broke at the sights in front of them, and despite the agonizing pain of lost limbs and shredded muscle, they were silent and still, waiting for their turn.

death was their only escape, they needed only to wait for it. you could see it in their eyes, each time he'd finish one off and turn to grab the next off a hook, they'd all follow him with pleading eyes. not for mercy, they were far beyond the point of return—but to be next.

your entire body was shaking like a kicked chihuahua. your muscles were all tense, adrenaline begged you to run, flee, to escape death. your silly primal instinct hadn't caught up with your concious. It was an odd feeling, having every possible part of your body screaming at you to run, and choosing to stay still, to betray your instinct with your intelligence. you knew you wouldn't get far.

despite the horrid conditions in the basement, a place where your senses should be overloaded; your ears with the echoes of their screams and the engine of the saw, your eyes with the gory mess, your nose with the pungent smell of iron and rotting flesh, your tongue with the dryness of your mouth from panting, and your body's fatigue from running around for hours—there was nothing but the racing of your heartbeat.

It was all you could hear or feel, and in your mind you could taste and see it as well, you felt the pulse rise all the way into your skull and down to your toes. you felt every rush of blood heat your skin like a furnace, moving past your veins and tissue.

your eyes aimlessly followed his body, unblinking and dry. he was deeply focused on his ‘work’, but he would still glance at you every now and again. you were just so pretty, a decoration in his safe haven, like a deer mounted above the fireplace.

hours had passed in what felt like seconds before he was finished. you hadn't moved.

he nonchalantly came up to you, his much larger hand going to cup your face before he froze. he withdrew his hands, wiping the bloody mess on his apron and washing his hands before he continued his previous action.

you didn't dare move, not even to flinch, as his held your head in your hands.

his thumbs caressed the flesh just under your eyes, rubbing around and about, seemingly fascinated by the way your skin folded and stretched at his will. he made a gesture with his hands, swiping a palm in front of your eyes, an attempt at communicating. when you didn't respond, he huffed frustratedly before letting his thumbs touch your eyelids, forcing them down to close your eyes.

he took your chin in-between two fingers, maneuvering your head in every direction, studying every feature. his thumb pulled your lips apart, showing him your teeth, clenched so hard they might be pushed back underneath your eye sockets.

after a he took some time to study you, you felt his thumbs come back to rest on your eyelids, pulling them open again. this time he studied your iris. he was clearly upset at the lack of light that prevented him from seeing the color clearly, but he looked closely nonetheless.

the sensation of breath enveloping your face, forcing you to breathe in the air he had just released, was one you could not describe.

his hands fell to your shoulders and moved downward till he got to your forearms, where he would trace the veins in your arms. when his hand met your wrist, he applied gentle pressure to it, his breath hitching as he felt your blood pulsate. he moved onto your hands now.

his were easily twice the size of yours, if not more. his nails were dull and blunt, the skin much rougher against yours. dried blood cracked underneath his nails and stained his skin a pinkish tone despite his tan. he traced the lines of your palm the same way a palm reader would, take away the tales of life lines and replace them with pure admiration.

he unexpectedly leaned in closer to you, his face now inches, if that, from your own. you kept your gaze ahead as he stared you down.

he brought his masked nose up to the top of your head and sniffed you like a dog, leaning down to your neck to see what else he could smell on you besides your faded fragrance and sweat.

It was only after this action of his that your body responded in any way in nearly 12 hours.

[theunsinkableship1]

DENIAL IS NOT A RIVER IN LUKOLALAND

⚠️DISCLAIMER: This is Lukolaland only. Skip if you don't believe.

Denial is a river in LUKOLALAND?

This has to be a joke, right? Some responses that I have received on my latest posts on TT and Tumblr leave me perplexed. Let me make something clear: I’m not here to convince anyone of anything. You have the right to believe whatever you want, that’s your prerogative. However, this is a Lukola space. It’s a space that exists to celebrate their connection, to nurture it from afar, because it shines brightly and is uniquely beautiful.

I don’t know them personally. I can only judge from what I’ve seen and heard, and I fully acknowledge that my perception is biased. My interpretations come from the way I read into their actions, their words, and their patterns. What I share here isn’t fact, it’s speculation based on observation. The only thing I know for sure is that I don’t know what’s really going on.

First and foremost, they are colleagues and FRIENDS. They’ve said that multiple times, and I believe them. For those who doubt their friendship, I don’t know what to tell you. That’s the foundation here. If you don’t even believe in their bond as friends, this probably isn’t the space for you.

But here’s where it gets complicated: they’re not just platonic friends. You may have missed it, but the signs are there, publicly available. You just need to pay attention. I’m not talking about outlandish theories; I’m talking about what’s right there if you’re willing to see it.

I believe they’re in love with each other. As for their current situation? I’m not certain. But the level of plausible deniability in their story doesn’t make sense to me. Maybe it does to you, but for someone who thinks in layers, patterns, double entendres, and undertones, someone who loves words and has studied communication and PR, this whole narrative is anything but straightforward.

Leaving this much space for misinterpretation is a choice. If they wanted to shut this down entirely, they could’ve done so with clarity and finality. It’s not that they can’t make themselves understood without being misconstrued, they absolutely can. But they haven’t.

It’s wise to keep a level of doubt, it maintains objectivity and prevents overreach. However, when coincidences stack up and patterns emerge, it becomes increasingly unlikely that they’re all mere misunderstandings or products of plausible deniability.

The more coincidences there are, the less likely they are to be unrelated.

On their own, one or two could easily be explained away, “just friends,” “PR,” or “fans reading too much into it.”

When similar themes arise repeatedly over months or years (e.g., their timing, shared themes, subtle nods to one another), the likelihood of them being mere coincidence diminishes.

The concept of plausible deniability hinges on actions that could be explained in multiple ways. However, the more layers of ambiguity and deniability built into their interactions, the more intentional it feels.

The subtleties of their public dynamic suggest a shared awareness of fan interpretations. They know how their actions are perceived. To repeatedly engage in behaviors that could be "misunderstood" suggests either: a) Intentional messaging within safe boundaries. b) A significant lack of care, which doesn’t align with how thoughtful and calculated they seem to be.

Take Nicola’s recent Times interview as an example. She could have ended all speculation right there,

“A lot of people really want me to marry Luke,” she says with a laugh. “We have this gorgeous friendship. We have such a love for one another and this experience that I’ll never have with someone else again. Isn’t it gorgeous that a man and woman can have that sort of relationship with one another?”

but she didn’t. Why? There must be a reason. And no, it’s not just PR. PR campaigns don’t operate on layers of plausible deniability that stretch across years, interweave with personal moments, and rely on such specific timing.

Isn’t it strange that for two people who have been so close, their social interactions have significantly decreased compared to before? Over the past two years, especially after the world tour, they appeared to have solidified a deep friendship. If the intent is to disengage fans from the idea that they might be secretly in love, wouldn’t it be wiser to interact more naturally and perhaps even acknowledge each other’s perceived partners?

From a strategic perspective, a like, a follow, or a simple interaction on social media could have gone a long way in dismantling the Lukola narrative. Such actions would feel natural for close friends, especially ones under public scrutiny. Their reluctance to adopt this approach only adds to the curiosity. Why not lean into a strategy that would be less detrimental and more effective at quelling speculation?

Perhaps they are more active on private social media accounts, but publicly, the absence of these gestures stands out. If the goal truly is to clarify their relationship and put fan theories to rest, this perceived distance feels counterproductive. The choice to refrain from such actions, at least for now, is, at the very least, curious. Could it be that there’s a reason they haven’t done so yet?

Both Luke and Nicola have had ample opportunities to firmly address and deny the Lukola narrative. While they’ve made passing comments about being friends, these have lacked the clarity and directness that would fully quash the speculation. Why leave the door ajar if they truly wanted to shut it?

Their reduced interactions seem to have coincided with the conclusion of the promotional period for Bridgerton. During promotions, they were actively engaging with each other and the fandom, fostering the image of a close bond. The sudden change afterward could indicate a deliberate decision to recalibrate public perceptions of their relationship.

The decrease in public interactions after the “papgate” could be their way of managing fallout from the incident, yet it raises questions: Why would two close friends need to distance themselves so noticeably? It suggests a calculated retreat to reduce speculation. However, this strategy seems counterproductive, as the abruptness of the change has drawn more attention. A gradual shift, paired with natural acknowledgments of their respective supposed personal lives, might have been more effective.

It’s possible they’re still VERY close privately but have chosen to limit their public interactions to avoid misinterpretation, or for privacy reasons. If so, this deliberate choice to create distance publicly could point to a deeper connection they’re trying to shield.

This brings us back to patterns. If you observe their public interactions, their timing, their word choices, the double meanings, they’re not random. These coincidences pile up to the point where it’s hard to believe they’re all meaningless. Their bond transcends the boundaries of PR, platonic friendship, or even ordinary relationships.

If you reason in layers, you’ll see it too. The amount of room they leave for interpretation is extraordinary. It’s not just about what they say, it’s about what they don’t say. It’s about the undertones, the pauses, the way they navigate questions, and even the things they choose to share (or not share) on social media. All of this seems to be deliberate. The picture is larger and more intricate than it seems on the surface.

For example: Am I truly supposed to believe that Nicola, who has a higher degree in English and a major grasp of language, would post a Scrabble board with so many elements that could be interpreted through a Lukola lens purely by coincidence? Yes, she’s an avid player of word games, but let’s examine the board itself. It reflects competent but not advanced gameplay, logical and adhering to Scrabble rules, yes, but lacking the level of complexity, strategy, and nuanced word choice you’d expect from someone of her linguistic caliber or from a player displaying their skill.

For me, this was never just about showing off her love of Scrabble. It felt intentional, like an intended message rather than a casual post. If the goal was simply to share her hobbies or an aesthetic moment, she could’ve easily posted a picture of herself playing Scrabble, perhaps with a pint of Guinness in hand. Or she could’ve showcased a more advanced board to reflect her skills or creativity. Instead, she chose this specific board with these specific words, words that align so conveniently with a narrative many of us have come to associate with Lukola.

And let’s not forget her self-awareness. Why would someone who knows how deeply her posts are analyzed by fans continue to share things that are repeatedly misconstrued? If she didn’t want the association, why add layers of ambiguity, such as the now infamous “the very demure, very mindful” quote? What was the reason?

Just two days ago, she posted a photo in her best of 2024 the phrase "if you know, you know." Let’s be honest, how many Lukola edits have we seen that riff of "when you know, you know"? If this wasn’t related to that, what exactly was the point of the “random” quote?  Is it public knowledge or is it something only some know? Nicola is anything but random on social media. She’s chronically online, she’s clever, and she’s incredibly aware of the narratives circulating around her.

These patterns, Scrabble boards, cryptic quotes, wordplay, and selective ambiguity, don’t feel accidental. They feel curated. For someone so skilled with words and communication, there’s intention behind these choices. If it were just for fun, she could have chosen countless other ways to express herself that wouldn’t leave so much room for interpretation. But she didn’t. And for me, that’s speaks volumes.

I’m mainly talking about Nicola here because there’s simply more material to analyze, her posts, interviews, and public interactions offer more clues and layers to unpack. However, Luke’s activity, or rather, his noticeable lack of activity, is equally intriguing and worth examining.

Luke has always been more reserved on social media compared to Nicola, but his recent silence or carefully curated posts stand out. He’s not just absent; he’s selectively absent. There’s a difference between being inactive and deliberately staying under the radar. For someone who previously shared glimpses of his personal life and participated more openly in fandom engagement, his current approach feels intentional.

When he does post, the content often seems neutral, leaning into professional promotion or generic life updates. Yet, the timing or lack of acknowledgment of certain things, whether related to Nicola or even his supposed personal relationships, leaves room for speculation. It’s almost as if he’s consciously avoiding feeding into narratives while simultaneously not shutting them down.

For instance, why hasn’t he addressed certain rumors head-on, as he has done in the past with other relationships? Luke has historically been upfront about his. It’s a choice.

Considering that Luke has been involved in other projects and worked with other co-stars since the end of the Bridgerton world tour, the ratio of content related to Nicola remains strikingly high. Among the limited glimpses he does share, Nicola accounts for the largest percentage of reposts and interactions. What’s even more telling is that the majority of this content is Lukola-focused, centered on his dynamic with Nicola as individuals, rather than strictly Polin-related, which would be tied to their characters and professional pairing. Yes, she is his MAIN co-star within the Bridgerton universe, but this level of engagement is noteworthy.

This isn’t to say he doesn’t appreciate or acknowledge his other co-stars; it’s just that the weight of attention, however subtle, consistently gravitates toward Nicola. Whether it’s the choice of what he reposts or the absence of comparable attention toward other colleagues, the pattern emerges loud and clear.

If we analyze this through a lens of probability and statistics, the numbers paint an even more intriguing picture. Let’s say Luke has worked with five to seven notable co-stars in other projects and in Bridgerton, if he has been tagged in or had the opportunity to engage with 100 pieces of social media content since the world tour. If Nicola accounts for, say, 60% of the interactions and reposts, despite being one of many co-stars, it defies the expectation of a more even distribution.

For context, if he were equally invested in all professional relationships, the engagement with Nicola might hover closer to 15-20%, proportional to the size of his broader network. The fact that this number is so much higher, let’s conservatively estimate at least three to four times greater raises questions. Is this simply because of their shared Bridgerton fame? Perhaps. But then why focus on individual Lukola moments, bypassing more neutral or inclusive Polin or broader cast content?

From a mathematical standpoint, the odds of this being purely coincidental diminish significantly when you layer in the context:

Nicola has the highest percentage of reposts across Luke's social media activity.

The type of content intimate, personal, or Lukola-specific reflects a curated choice, not random selection.

Even in a professional context, where Polin content would be the obvious promotional focus, the Lukola-centric moments shine through.

Given the numbers and probabilities, it seems less likely that this pattern is accidental or merely reflective of professional obligations. Instead, it suggests an intentionality that aligns with the depth and uniqueness of their connection.

Promotion for Bridgerton Season 3 has come to a halt, creating a quiet period where we can observe and compare how Luke approaches the promotion of his other projects.it could highlight how unique his dynamic with Nicola truly is.

The nature of the content he shares for other projects will be equally telling

By comparing these promotional efforts both in terms of frequency and tone to the patterns established during the Bridgerton promotional cycle, we could gain insight into whether his approach to Nicola was truly unique or simply part of his broader professional routine.

When coincidences pile up, their probability of being just coincidences shrinks dramatically. A single instance might be random, but repeated instances with similar themes, timing, and emotional undertones suggest a deeper meaning. While maintaining doubt is reasonable, the sheer volume of these moments suggests that there’s more at play than mere misunderstanding. It’s not about overreaching, it’s about acknowledging that where there’s consistent smoke, there’s likely some fire. What type of fire is there currently? I’m not sure. Are you? Probably an Eternal flame.