#just think about coronabeth the third
Explore tagged Tumblr posts
lalonderose · 2 years ago
Text
Tumblr media
society if coronabeth was cavalier primary of the third
33 notes · View notes
katakaluptastrophy · 1 year ago
Text
Periodically, I remember how absolutely fucked up the necromancers in TLT are meant to look. Like, necromancy does an absolute number on people physically.
Harrow is "rather small and feeble".
Necromantic Ianthe is "the starved shadow" of her non-necromantic twin.
Our first description of Palamedes is "a rangy, underfed young man" who is "gaunt".
Silas is "knife-faced...He had a necromancer build."
Ianthe parodies make-over scenes in House novels with "if the hero’s a necromancer it’ll be described like, ‘His frailty made his unearthly handsomeness all the more ephemeral'"
Jod acknowledges to Wake that even small children with aptitude would look odd to non-House eyes: "“I have access to any number of cute pictures of necromantic toddlers with their first bone. They don’t make for fat-cheeked roly-poly babies, but they’ve got a certain something."
In As Yet Unsent, Judith brags about her previous physical fitness: "I could run a kilometre in ten minutes, which was among the fastest for my adept group in the junior reserves." Which is about double the time you might expect for a physically fit woman her age.
In non-necromancer-friendly New Rho, Harrow's body is mistaken for a child's and has to be explained as a result of starvation and trauma to seem plausible: "Pyrrha explained without missing a beat that what with everything Nona had gone through she had been ill and still didn’t eat very much, which was why she was so knobbly and undergrown. The nice lady said that yes, many of the children had problems like that, but it was still hard to imagine Nona was anywhere over fourteen, wasn’t it?"
Tamsyn Muir's descriptions of the Canaan House gang on Tumblr back this up: "Judith is somewhat less completely scrawny than other necromancers on the cast, though she should be less built than Marta is", Palamedes is "seriously underfed" and "bony", Harrow is "scrawny".
And that's just what I can think of off the top of my head - I'm sure there's more.
Anyway, necromancers aren't slender in a conventionally attractive way, they're gaunt in a concerning way...and probably the only reason no one instantly clocked that Coronabeth wasn't a necromancer was because they all just thought it was par for the course that a Third House princess would have had a lot of plastic surgery flesh magic.
5K notes · View notes
liesmyth · 1 year ago
Text
My Coronabeth Dominant Twin manifesto is simple and it's as follows: there's no way the twins could have planned for Canaan House.
John requesting new Lyctors wasn't something anyone in the Houses would've expected to happen in their lifetimes with any meaningful probability. This means that when the Tridentarii started the double necromancer ruse, they expected to carry on for life. It was an arrangement that benefited Corona vastly more than Ianthe.
What Ianthe got out of it, as far as we know: Corona would rule Ida, which she isn't keen on (as per NtN). But it also meant that Ianthe signed up for a life in her sister's shadow, with everyone regarding Corona as the perfect heir and Ianthe as the lame spare. Worse, for Ianthe, everyone believed Corona was the better flesh magician (as per As Yet Unsent). There's a lot more in for Corona in this arrangement and a lifetime of mild humiliation for Ianthe. As we see during the reveal in GtN, she was just dying to tell anyone that SHE is the necromantic genius of the pair, actually.
On their relationship with Babs: in GtN, Gideon notices that Babs obeys Ianthe's orders over Corona's. She also notices that Corona looks shocked about this — to me, this means that it's NOT something Coronabeth is used to. Pre-Canaan House, they are equals in their ruse. At Canaan House, it becomes obvious that if Ianthe ascends she'll leave Corona in the dust, and their relationship has to change. I don't think the way they act around each other from Canaan House onwards is at all representative of their relationship back on the Third, and I don't think Babs deferring to Ianthe over Corona is something that has happened often before, if at all.
There's the bit where Corona routinely threatened suicide to get her way since they were teenagers. In NtN she's doing it to save Camilla's life, but she reminisces fondly about it like it was something she did often to get her way, like it was a fun mind game they played with each other.
You've also got Ianthe calling Corona a bimbo and insulting her and whatever, and me arguing that Corona pulled the few strings doesn't make Ianthe good but as things stand I'm much more inclined to believe that, before Ianthe attained Lyctorhood, Corona was the one in charge — and I’m also firmly convinced that she’s using BoE for her own ends, and we’ll see her Fuck Shit Up in AtN.
734 notes · View notes
harrowharkwife · 1 year ago
Text
thinking thoughts about how nona was so obsessed with crown, and crown specifically- not coronabeth. crown, with her boots and her cargo pants and her guns and her hair tied back, with all her charm and strength, all her rage and determination.
was that really just nona? or, walk with me here- is there a chance that that was actually alecto, too, bleeding through and rising to the surface?
alecto, seeing a kind of kinship in crown- in this big, tall, strong blonde with a sword strapped to her back, hot and lovely and kind and awful and powerful and perfect. this woman who refuses to give up- on her sister, on saving jody, on BOE's resistance. who's unafraid to throw one hell of a tantrum, if it means being listened to, for once. crown, who everyone thinks of as dumb, who everyone underestimates, who no one ever takes as seriously as they should, even though she's clearly capable of plenty of atrocities in her own right. this woman who's been described over and over again as someone who positively radiates life, and energy, and vitality, and strength. this woman who wanted nothing more than the chance to be herself, to be free, to serve as cavalier and guardian and protector, but was instead sentenced at birth to a life of being a princess and wearing dresses and looking pretty and loving less and staying out of the way and keeping her mouth shut and playing second fiddle to a necromancer obsessed with power and glory. familiar, no? this woman who was betrayed, left behind, left alone, and left utterly in the dark by the one person who's supposed to love her the most- only to then be told that being abandoned was in her best interest, really, for her own safety.
thinking about all the times we've seen ianthe insult crown's intelligence and praise her beauty in the same breath. you big dumb bimbo, what can you do? of all the times we've seen ianthe fussing over crown's appearance. thinking of the sister-lyctor makeover-montage ahead of dios apate minor, and how harrow hated every second of it, and how ianthe treated it like nostalgic second nature. thinking about the third house: fucked-up planet gossip-girl with all its betrayal and espionage and flesh magic and debauchery, three for the gleam of a jewel or a smile. thinking about the pressure that must have come with keeping up the double-necromancer ruse, about ianthe having successfully played the part of two necromancers from the age of six. exactly how much practice must that have taken? thinking about the casual, automatic, possessive, offhanded, violating nature of ianthe playing god and giving harrow a full head of fast-growing hair without asking, without even telling her, just to make harrow prettier, just to piss her off, just because she could. how she did it so easily, and without hesitation, almost as though she's maybe done that sort of thing before.
thinking about preservation. about a perfect body frozen in ice for a myriad, about ianthe spending all her downtime on the mithraeum figuring out how long she can keep an apple core in perfect stasis before the rot sets in.
thinking about corpse puppeting: a deceased world leader here, a trusted cavalier and friend you've known from the cradle there. about i picked you to change, and this is how you repay me? about she took babs. and who even cares about babs? babs! she could have taken me!
thinking about alecto, and hollywood hair barbie, and you have made me a hideousness.
thinking about crown, who's by her own admission boobs and hair and talk and a hell of a swordhand.
thinking about something as simple as stud earrings, and about how much grief ianthe gave her for daring to wear them.
nona loved crown.
something tells me that alecto might, too.
479 notes · View notes
ishipgenfics · 1 year ago
Text
Camilla and Palamedes are just... everything to me. God. I don't read them as romantic or platonic or QPR, though I can totally see all of those readings. To me, they are the perfect embodiment of the necromancer/cavalier ideal. They did it. They got it right.
Think about it. Think about all the duos we see throughout the series. The Second House feels more like coworkers than anything. They work together very well, but there's not enough devotion. The Third House is a mess. Coronabeth and Ianthe have got one flesh down, but not one end. They care about each other like hell, but they don't agree with each other. And let's be real here, neither of them care about Babs. The Fourth House are just siblings, the Fifth House are married, the Seventh House... well, we all know what happened to the Seventh House, and the Eight House necromancer is eating his cavalier alive. Gideon and Harrow get the closest at the end of Gideon the Ninth, but their also very traumatized teenagers, and more codependent than anything else.
But Camilla and Palamedes? They did it! They got it right! They understood that the cavalier can't be the only one to sacrifice, that the necromancer must be willing to do anything for their cavalier too. They'd kill and die for each other, they'd do whatever necessary to keep the other one safe and happy. They're so in sync and so in love. They ate each other like binary stars to keep their love intact even if they as individuals couldn't be.
I just. I love them so much. I would actually die for them.
417 notes · View notes
fortjester · 2 years ago
Note
okay i was thinking about that post you made about what random house citizens are thinking and you know what would seem so suspicious? the state of the corpses (or lack thereof) that the houses receive back. the missing bodies, the cremated remains, the gruesome ones seemingly attacked by a monster, or perhaps even most suspicious, one body killed by a rapier to the thought. like im sure at least some of this info leaks to the general public and im sure to theories are intense.
Fourth House Tisis Reps getting Jeannemary "crucified on a bed" Chatur and Baron Isaac "colander boy" Tettares's bodies back like:
Tumblr media
like they'd be used to getting fucked up and weird remains back, sure, but from the First House?? from the Lyctor trials?????
Imagine being the poor Third House guy who has to break the news that Ianthe's ascended but Coronabeth, the Crown Princess and heir is in fact dead but no you're not actually going to get any remains oh why? there was nothing to salvage :) so sorry for the inconvenience. you just KNOW they had a week of mourning. you just KNOW it was the topic of choice at every party for MONTHS. crazy theories. most people do believe she got eaten and are enthusiastic abt telling you.
Hi Trentham officials :) here's Lieutenant Dyas's remains. mhmm. yes, she did get turned inside out, what a bummer. We Could Not Recover Captain Deuteros's Remains. Everyone running the mile for the next fortnight is like "i mean yeah, judith was a chickenshit, stuck up nepo baby *spits* but uh, how can there have been NOTHING TO RECOVER??"
Would not wanna be the person who has to write down "mysterious post-mortem incision to large intestine" on Abigail's autopsy report. Yeah, no clue what happened at the First House but i do think it was a kind of Jigsaw Trap and unfortunately us Fivers are fucking weaksauce competitors who die first and get used as CHESTS
We already vaguely know abt the Sixth's response to getting pieces of a shattered skeleton and Cam's empty coffin (as fuckin if she wouldn't leave an equally dope corpse) (also shout out to whatever psychometrist studied Pal's bone fragments for a few hours before looking up and having to say that the explosion came from inside the Palamedes, must've been a tough gig, dude), but now i am thinking abt Rhodes recieving two urns and also this severed head :). that sucks. pressing F to pay respects to Mia and the kids, they deserved better than that.
truly believe the Eighth house had a distinct crisis of faith after recieving Colum and Silas's bodies. what the fuck else could you do. Silas was very clearly stabbed with Colum's sword and Colum has no eyes now. That does not bode well at all.
735 notes · View notes
the-boring-distopia · 27 days ago
Text
The thing I rarely see adressed about the Third house is how abusive it is. People agree that Harrow's parents ruined her life with what they did, we also agree that the eight house is fucked up.
The Tridentarii twins were probably abused as children. They were forced to perform as the princesses of Ida from a young age, they were a status symbol to their parents. Forcing two kids to dress in a way that was probably uncomfortable and do things that they probably did not want to since they could walk likely made them feel that their emotions don't matter and no matter what happens to them they will be forced to perform their roles. We live in an age where we are starting to see the damage child stardom and children performing (family chanels and alike) can do. We now also see that it's a sliplery slope to other types of abuse.
I am not trying to compare the trauma of different tlt characters. But Coronabeth reads as someone who grew into this dynamic of "I am the thing mom and dad put in front of people to oogle at" and when it stopped working with Blood of Eden she almost feels... Relieved? She is no longer an object to these people, she is a person with flaws now. The idea that her parents have been putting her on a pedestal like this, maybe from a very young age also leaves a bad taste in my mouth becuase how predatory it is. Yes, they thought her a necromancer but she was the "pretty thing" first, necro after.
Ianthe's actions could be interpreted as a rebellion, killing Babs, becoming a Lyctor and later the Tower Prince have a common thread among them: she killed her connections to the Third. First she got rid of Babs. Then she became a lyctor and I have this suspicion that their parents wanted Corona as a lyctor instead for the afformentioned reasons. Ianthe was not the crown princess od Ida, so she found something better and became the Tower Prince. As soon as she was free of their parents influence she flew off the handle, murdered someone, tried to fight a lyctor and did a lobotomy. These actions are totally not normal and her entire arc in Harrow the ninth reads as a power trip gone wrong.
What I'm trying to say is maybe the Ianthe and Corona we saw so for is not their true self, just the mask they were forced to wear. Corona's mask started to slip in Nona the ninth, but Ianthe's is yet to be cracked. I think she will have some kind of breakdown in the next book and I am not ready for it.
47 notes · View notes
evilweasel · 5 months ago
Text
Locked Tomb Necro-Cav Dynamics
I'm probably either reaching or stating something really obvious, but - if the necro/cavalier partnership is supposed to be a metaphor for marriage under patriarchy (in being that it was created by a guy who seemed to have taken bullet points from the previous society and its power dynamics, in which one party holds all the power and the other is supposed to submit and serve blindly), then a lot of the necro/cav pairings we see in Canaan House reflect a lot of marriage tropes from Earth.
Judith and Marta
They seem to reflect a "stereotypical" necro-cavaliership, akin to a stereotypical marriage. Judith and Marta appear to have known each other in school ("I have studied energy transferral aptitude with Lt. Dyas since our school days." [GtN: P.456]) and were sworn to each other not long after school , not dissimilar to how a lot of very "traditional" marriages begin in high school and are quickly consummated after. They are also very professional and close with each other, and through Cohort military training are the pinnacle of everything a necro and cav should be, even down to Judith having to watch her cavalier die for her lol.
Ianthe, Coronabeth, and Naberius
Necro-cavalier bonds are typically partnerships, HOWEVER in this case Ianthe makes a third, and so she and her twin have to share a cavalier, which is very much frowned upon. My initial thought is this is a metaphor for polyamory, despite Ianthe and Corona being twins. But also them being twins hasn't stopped them from being very... attached to each other, to the point where several characters in the novels make references to their incestous-bordering relationship. (Palamedes comments about it to Nona I can't find the exact quote rn it's very late). So maybe it's not that far fetched.
Isaac and Jeannemary
The "arranged child marriage" trope, as they are the youngest necro/cav pair, having been sworn to each other at age 9/10, and Jeannemary being modelled into Isaac's cavalier from birth ("Intended to be Isaac's cavalier from birth, swore the oath with him and gained the title at age nine." [GtN: P. 460]). This is not unlike a lot of marriages between throughout the ages as families betrothe their young/unborn to strengthen ties and forge alliances.
Magnus and Abigail
Magnus and Abigail are a weird one again, because I'm saying the necro/cav relationship are a metaphor for marriage, and yet Abigail and Magnus, who ARE married, are reviled for it. The metaphor isn't perfect, and I'm willing to be wrong about this. Honestly just read this post by @katakaluptastrophy because honestly it was this that got me thinking in the first place.
Silas and Colum
Silas and Colum are a play on many marriages being incestuous; it's not unheard of for medieval marriages to be between uncles and nieces or aunts and nephews, especially to keep blood purity in noble families, which is very much a mindset of the Eighth and their need to "breed batteries". (Source)
Harrowhark and Gideon
Honestly, for these two I'm... not sure which part would be the metaphor. The sham nature of their necro/cav partnership? The power dynamics of an indentured servant being boosted up to the partner of a figurehead? All of it?
And from here I can't think of other marriage tropes that fit the others. The two left are the Sixth and Seventh but as we don't know anything about the relationship between Dulcinea and Protesilaus (since both are a bit... out the picture during GtN), it's hard to comment on. Unless, that's the commentry? Cam and Pal also don't fit anything that immediately comes to mind, apart from maybe mild incest again? But then, we have the Eighth to fit that trope already,,,
Let me know if you think this idea has any merit!! It's 4am, I'm tired, and I'll go back and fix sourcing issues at another point lol.
75 notes · View notes
nona-gay-simus · 11 months ago
Text
I keep thinking about Harrow coming up with the banger line: "Death first to vultures and scavengers." On the spot and challenging the Third to a duel as soon as Gideon draws her sword, and doing more or less the same thing in HtN when she thought Silas killed Coronabeth and like... Did she pick that up from Gideon? Or are they just both Like That?
84 notes · View notes
n1ghtwr1ter · 1 year ago
Text
A Knight’s Tale Griddlehark AU where Gideon is a commoner squire whose knight, Aiglamene, has been rendered unable to compete (leg incident) and decides in a moment of desperation to take her place in the lists. After meeting with unexpected success, she and her compatriots (Isaac and Jeannemarie as her fellow squires; Palamedes as their herald) begin to make their way through the tournament circuit, hoping to escape desperate poverty, find glory and riches, and change their fates.
Along the way they meet Harrowhark, Lady of the Ninth, unwillingly attending the jousts at the behest of her parents in hopes of finding someone who will rescue her dying House (by marriage if her parents have their way; by funding Harrow’s experiments if she has hers). She gets into an argument with an idiot of a red-haired knight who follows her into a church, of all places, just so they can keep fighting. Despite sending her packing with her sharp-edged tongue, Harrow can’t seem to forget Sir Griddle (which is all she managed to choke out for a name before she got unceremoniously thrown out of the building).
While being courted at the lists by Princess Ianthe of the Third (whom she finds personally repellant, but her fortune is exactly what is needed to restore the Ninth), Harrow is brought face to face with Sir Griddle yet again. This time, it’s a three-way verbal sparring match, and Harrow is left unable to decide which one she hates most. But as the tournament progresses, she is forced grudgingly to admit that Sir Griddle is “something else with that lance.” (Let alone the sword, which our Gideon wins handily, but chooses (like a true idiot) to focus on the joust, which decides the winner of the tournament.)
She is narrowly defeated by Count Ianthe, whose technique is far better than her own (having had years of training to Gideon’s, what, three months?). Griddle is about to slink off in fury but then Harrow’s ancient seneschal shows up, demanding to know the color of Griddle’s tunic for the dance that evening (Harrow having decided that the one person she despises more than Griddle is Ianthe, and the best way to annoy her will be to show up dressed in matching courtly wear).
Gideon, annoyed that Harrow is putting her on the spot, decides to attend despite not knowing how to dance. As luck would have it, Palamedes has met up with his cousin, who’s been working as a blacksmith; Cam shows them the basics, then goes off with Pal in a huddle to design next-gen armor that will fit Gideon much better than Aiglamene’s cast-offs. Harrow and Gideon share a surprisingly sexy dance, pissing Ianthe off to no end and leaving each other in a furious state of “oh no, she’s hot.”
Due to Gideon’s determination, Cam’s genius at smithing (and as Gideon’s new training partner, who regularly kicks her ass), and Palamedes’s over-the-top heraldic intros, Gideon begins to make a name for herself, winning tournaments all over the country. She even decides to joust against a mystery knight, even after discovering that she’s the Crown Princess of the Third in disguise, winning herself Coronabeth’s respect.
Just as she’s about to face Ianthe in the finals, the Princess of Ida is called back to her homeland to fight in their war. Discontented with her default victory, Gideon has a nasty fight with Harrow, who tells her to fuck off. Gideon decides to return to her own home country in search of a championship there, and also to find the annoyingly hot noblewoman who won’t stop needling her (and haunting her increasingly sweaty dreams).
Etc. etc.
Additional details include:
Gideon can’t stop laughing at her own lance-related dick jokes.
When Ianthe thinks she’s got Gideon disqualified from the championships by exposing her for being a commoner, Harrow’s been cooking up some genealogical research and it turns out that Gideon is…actually the child of King John of Gaius, and heir to the throne! So suck my royal dick, Tridentarius.
Harrow’s research concerns, among many other things, the use of bone meal as crop fertilizer/pest repellent to lift the famine that has decimated the Ninth House. Because the Ninth House has more corpses than any other sort of natural resource, she’s got a lot of material to work with.
Ianthe’s herald is Babs.
Aiglamene is back home nursing her lack of leg, but she is fully aware of the nonsense her squires are getting up to (despite their utterly ham-fisted attempts to keep it from her). She figures that holding her tongue won’t hurt, but Harrow will send a very resentful Crux to fetch her to the capitol so she can watch Gideon win the championship.
In the original Knight’s Tale, Jocelyn (female love interest) has a very lovely and smart handmaiden to advise her and act as a go-between.
Harrow’s handmaiden is Crux.
242 notes · View notes
theriverbeyond · 10 months ago
Note
this is such a random question, but on the subject of theories i was wondering what would have happened if john and the erebos had arrived at the aftermath of canaan house before boe and found the non-lyctor survivors. like would he have just let corona, judith, and camilla go home or get rid of them because they knew too much? is “knowing too much” even a concern for john? for some reason neither option feels totally right to me, but i would love to hear your thoughts!
I honestly think he would let them go home! I think one of John's major flaws is he fundementally both misunderstands and underestimates the people he sees as "his", and I think this does extend into the houses.
I don't think he would see non-Lyctors as any kind of threat, even if he knew that said non-Lyctors had figured out the secret to Lyctorhood. At most I think he would sew their tongues but honestly I think he would take one look at Judith "on life support from catastrophic gut wound" Deuteros, Camilla "catatonic with grief" Hect, Coronabeth "inconsolable because Ianthe age Babs and not her" Tridentarius and be like wow! these kids are having a bad time I should send them home to their parents.
Remember -- if John had arrived at Canaan House before BOE, this is *before* BOE took out 18,000 soldiers with orbital radiation missiles. this is *before* Augustine's betrayal, and Mercymorn's, and *before* the Sixth House defected. The only betrayal John would have felt was Cytherea's, and she failed, and as we see in HtN he mostly pities her.
I do think this could lead to a very interesting AU wherein Camilla is sent home (with the bones in her pocket), Judith is fixed up with proper medical care from the start (and then packed back off to the cohort), and Coronabeth is probably (on request) taken to the Erebos with Ianthe.
I can see this leading to Camilla spending a lot of time trying to free Palamedes' soul while on the Sixth, potentially needing to join the cohort (Alexandrite Cam, anyone?) so she can reconnect with Judith, who despite having several sticks up her ass is the only person Cam feels she can really go to about this (due to them both being the only people left in the Dominicus system who actually know what happened at Canaan House). Maybe Camilla convinces Judith to poke around in the skull bones -- Judith isn't as good as Harrow, but maybe they do bring back some shadow of Palamedes into the bones.
THEN maybe eventually they run into Coronabeth, who perhaps was not allowed all the way to the Mithraeum, but WAS given some sort of very strategic and fancy seat in the cohort so Ianthe can keep tabs on her. A very nepotism hire situation, and despite Ianthe's desire to keep her safe Coronabeth HATES it all because she was once again left behind. When the opportunity to track down Ianthe arises, she takes it.
I see this unfolding over several years post GtN timeline. Perhaps the three of them end up collaborating with other characters along the way that they feel they can trust, some more likely than others -- Mia (Pro's wife) and her children, now grown enough to want more information about their father's death. Ram and Capris Asht, who don't believe that their brother would kill the eighth house heir he had sworn to protect. Kiana can get in here too. maybe the Third house Boy Who Loved Shuttles helps them with a getaway once. Abigail's younger brother, who she named as her heir -- maybe he helps with Palamedes' soul. Jeannemary and Issac's younger siblings. A neo-niner or two -- John renewed the house, and involving a character or three that was ressurected from our modern times would be super interesting and also fill out our merry band. Maybe the neo-niners Remember Things that make Cam connect some dots.
Harrow is still out there, obviously, and in this AU I am imagining Number 7 as NOT speeding up and really taking 5 years to get there, just to even out the time line and allow all that to happen before Number 7 comes and Augustine drowns the Mithraeum.
anyway. events occur, things happen, and intrigue abounds. Alecto awakens, Harrow Remembers, Ianthe doesn't get the girl. Cam is on a warpath. Judith is dragged alongside. Coronabeth isn't going to be left behind again.
what was your question again? this answer has gotten deeply out of hand
57 notes · View notes
katakaluptastrophy · 1 year ago
Text
So we all know how Ianthe became a Lyctor for “ultimate power—and posters of [her] face.”
And I'm sure someone made a nice icon.
But you know who would have definitely gotten a poster of their face? Coronabeth.
Think about it: every House but the Ninth has lost a scion. In a culture that thrives on melodrama and the conspicuous consumption of death, there is a wave of hysterical funerary fervour to mourn their lost leaders. And the Third - the House of glitz, trendsetting, and political intrigue - has lost its beloved Crown Princess.
We don't know a huge amount about funerals in the Nine Houses, but we do know a bit about Third House funerals:
The front coffin is distinguished from its fellows by its gorgeous arrangement of flowers and wreaths. The flowers are all in hues of gold or violet, and are fake. The coffin is hinged open at the front, with its contents hidden from view by the flowers. A tray of meat is rested on the closed bottom half of the coffin. A queue of gaudily masked mourners process past the coffin, slowly, each one taking a strip of meat, then stopping by the head to lean within—kissing or feeding; we can’t be sure. - TUG
Apparently, a Third House funeral - unsurprisingly for flesh magicians - focuses on the physical. The reverence of/fear of/(lust for?) the body. A wake on steroids. But they received no body for Coronabeth. So I can only imagine larger than life posters of Corona decked with flowers, the weeping crowds surging through the streets of Ida, etc etc... Poor Ianthe, second place once again to a 'corpse'.
Tumblr media
Moving past Ianthe to House funerary customs in general, and to the awful aftermath of the Lyctor trials in particular, it seems especially unfair that neither of the flesh magic Houses got a body back to mourn. Obviously Corona wasn't actually dead, but for those who believed her to be, the lack of a body for such visceral funerary rights must have been traumatic.
We don't have as many details of Seventh funerals, but the House famous for it's "beguiling corpses" likely also focuses much of its post-mortem ritual around the body. Dulcie suggests that the deceased might even leave specific instructions in their will about the appearance of their corpse:
That drawing looked nothing like me. I loved it. You don’t know this so it doesn’t help, but I included it in my will and put down that I wanted to look like that after I died. I thought maybe it would give you a laugh at the funeral, you know? - TUG
Tumblr media
Meanwhile, the Fourth, Fifth, and Eighth receive their perfect pairs of "statuesque and incorruptible" bodies, preserved beyond the wildest dreams of the Seventh. These Houses are all spirit magicians. The Fourth, for whom thanergetically detonating oneself on a battlefield far from the rays of Dominicus isn't unheard of, almost certainly have funerary rites that don't presuppose a body. And the Fifth, whose necromantic practice is far more concerned with the spirit than the body, likely centre their most significant funerary rites around the ghost.
Y'know, the bit they don't have? Just as the flesh magicians of the Third and Seventh would have been unable to mourn their lost scions with rites around the body, the Fifth would have been unable to call their ghosts, trapped in Harrow's River bubble.
So amidst all the grief and awfulness, and the Emperor refusing to answer any questions about what happened (why are they all dead? Why are so many bodies missing? Where are the ghosts? Why are the bodies so creepily perfect?), half the Houses can't even mourn their dead in the way they normally would.
239 notes · View notes
Text
Thinking about Naberius Tern hours.
The literal crown prince of Ida, spends his entire childhood going to extremely prestige academies, becomes an excellent Duelist, and then all we see of him in GtN is him getting his ass kicked physically and emotionally.
First Gideon literally kicks his ass to which he goes "BUT I TECHNICALLY WON THE DUEL IM THE BETTER DUELIST", gets told sure but he'd be dead in a real fight, gets constantly put down by Ianthe, tries to defend coronabeth from Ianthe and then gets berated by both Ianthe AND Coronabeth, has one of the twins repeatedly eat his hair and skin in front of others, is being kept unaware of all of Ianthe's schemes up until the final lyctoral study in which, the second Ianthe figures out lyctorhood, she just immediately eats his soul and turns his body into a puppet so he can do her dirty work in death?
I can't even begin to imagine the dynamic the three must have had back on the third, how is this man's ego still alive??? For all we know starting age 12 this has been going on, like imagine being assigned to the twins thinking "at least one of them is nice" only to find out your REAL necromancer is Ianthe and she is currently trying to eat your fingernails?? I'd cry
375 notes · View notes
clockedtomb · 3 months ago
Text
GtN Allusions: Page 8
Cavalier Absolutely should have done cavalier on page 7, but just didn't think of it. Middle French for horseman or knight, from the Latin for horse. Also means not caring enough about something important, like burning alive for ten thousand years.
Centurions Ancient roman infantry commander of units consisting of 100 (duh) or 80 (times is hard) legionaries. The centurion was responsible for disciplining other soldiers and also civilians, which I think Judith and Marta were clearly All About. Centurions carried a sword at their left side and a dagger at the right side. Centurions sometimes became lictors (which we'll get back to). Roman centurions had to be at least 30, literate, and experienced, and were expected to be strong, dexterous, skilled, and lorge.
There is a biblical story in the gospels of Matthew and Luke about a centurion who asks Jesus to heal his sick boyfriend-slave. It is usually not translated as boyfriend or slave but I've heard pretty compelling tell that the original very clearly refers to a slave that is also boyfriend. Jesus heals the boyfriend, and later the centurion is present at the crucifixion and attests to Jesus's divinity and/or innocence. This is painful for Corona reasons and also Teacher reasons, imo.
There is also a centurion called Julius who helps Paul go to Rome in the book of Acts.
Judith Deuteros Judith means "praised" and/or "Jewish woman." Judith was a brave and beautiful woman who was pissed at people for not trusting G-d enough. She, trusting G-d a frankly legendary amount, prays a lot and then goes into the enemy camp with her maid and casually beheads the Assyrian leader Holofernes. She takes the head back to her people and the Assyrians are like WOW I'm gonna go, so she's saved the day.
There are many excellent paintings of Judith slaying Holofernes but I am partial to this one by Artemisia Gentileschi because these women are gonna do what needs to be done.
Tumblr media
An English play about this by Howard Barker has a scene called "The Unforeseen Consequences of a Patriotic Act" and if that isn't putting it mildly.
Deuteros is greek for the second or the other of two. This is a really interesting name to give the heir of the second rather than the cavalier, who should be the second of two. I think this could speak to Judith's inappropriate feelings for Marta, or of her devotion to Jod.
Marta Dyas Marta is a name derived from Aramaic, meaning "lady." There was also a 547 AD Battle of Marta in Tunisia involving a guy called John but it's a stretch. I feel strongly that I'm missing something here.
Dyas has so many interesting false positives that cannot possibly be related and I'm going to share some of them for fun. Dyas is an oil and gas company. Dyas was an 11th century Indian King. Dyas is a surname used in England and Ireland (there have been a couple athletes with this name). Dyas is also just related to the Greek for two of the same, a pair.
The Procession A procession is when a bunch of people walk together in a ceremonial or formal way and what a weird nickname for your house.
Processions were part of major religious festivals in classical Greece and Rome, especially in the cult of Dionysus and in the ritual of Triumph. This got adopted into early Christian practice and processions became associated with ritual performances of the crucifixion and resurrection and with everyday mass and things like weddings and funerals. I mean frankly what doesn't have a procession these days!! Processions were part of what Luther was mad about, and Luther would probably hate the Third so that's valid.
Coronabeth Tridentarius Corona means crown or garland, from Latin. It can refer to the sun's outer atmosphere, the part that's brilliant and shiny. COVID is called a coronavirus because its spike proteins form a corona or halo around the body of the virus, resembling the sun.
Beth is a Kiss song from 1976 from the album Destroyer. Oh Beth, what can I do? It's also a common shortform of Elizabeth, famously the name of two English queens who did some pretty memorable queening. Beth El is a Hebrew phrase meaning "house of G-d" in which beth is a transformation of beit, home.
Tridents are three-pronged fishing spears; the name comes from latin "three teeth." They are associated with Poseidon/Neptune in classical mythology. Poseidon was associated with the sea, storms, springs (water), earthquakes, and horses; Neptune was also associated with heaven.
-ari is a Latin suffix that makes nouns into names.
-ius is a Latin suffix that makes something an adjective indicating that the thing being described is "made of" or "belongs to" the noun.
Together tridentarius seems to be a construction that does The Trident People Name. Which basically does what it says on the tin.
Ianthe Tridentarius Ianthe means "purple flower" in Greek.
Once upon a time in Greek and Roman mythology there was a boy named Iphis who was secretly assigned female at birth but raised as a boy. When Iphis his dad arranges a marriage between Iphis (who he doesn't know is secretly, classically trans) and a girl named Ianthe. Iphis is SO in love with Ianthe. Iphis's mom tries to delay the wedding, but eventually the wedding was going to happen, so Iphis and the mom go to a temple to Isis to pray for help. Iphis is miraculously transformed and marries Ianthe and they live happily ever after.
Tridentarius is still The Trident People Name.
Naberius Tern Naberius is a demon. He is a Marquess of Hell, commanding many legions of demons. Naberius has the body of a three-headed dog or bird. He's a bit of a fop and is super talented at rhetoric and the arts and sciences. He speaks quietly. This is my favorite picture of him.
Tumblr media
Stuff I found about Naberius the demon said he's the same as Cerberus the three-headed hell dog but I don't think this association goes both ways.
I was real confused at first about how tern functions as a house name for Babs. A tern is a sea bird. There's a lot of them. But the name doesn't mean three. Here's a black tern. I think it's pretty.
Tumblr media
Etymonline says the name of a tern comes from Old Norse for "maid-servant" but etymonline also saved me, because the entry for ternary (threefold) mentions that a tern or terne is a dice throw with three dice or a prize in a lottery with three winning numbers. Why isn't this in the entry for tern!? Babs as the prize seems to be happening for a lot of GtN, and Babs as a throw of three dice works for me on a poetic level. I'm into this.
Isaac Tettares Isaac is the biblical son of Abraham and Sarah. Abraham was supposed to be the father of a great nation, but his wife Sarah was infertile for many years. When Abraham is A HUNDRED YEARS OLD, after decades of not being able to have a child together, Sarah has Isaac. He is personally promised to them by G-d. I absolutely cannot overstate how wanted and loved this child was. Then G-d instructs Abraham to sacrifice Isaac in place of a lamb, as a test of faith. Abraham takes Isaac up to the place where the sacrifice is to take place. He puts his son on the alter, trussed up like a sacrificial lamb. He raises a knife over his head. And G-d is like wow. WOW. Do not. Can you imagine. Good job, absolutely but wow do not, yikes. Thank you <3 and then they just go on with the rest of their lives as father and son?? But Sarah immediately dies. Sometimes it's said that someone told her what happened carelessly and she was scared to death. If you would like to listen to a short and heart-wrenching song about the binding of Isaac and its emotional aftermath, I recommend this one.
Tettares is an Anglicization of the Attic Greek word for four.
Jeannemary Chatur A Google search for "Jeannemary" returns exclusively TLT related results and I think TM may have made this name herself.
Jeanne is a French given name equivalent to Joan/Jane/Jean in English, and rooted in the Hebrew name Yochanan (also the source of John!) meaning "G-d is Gracious." I suspect that the reference here is to Jeanne d'Arc, who believed in G-d the absolute most.
Mary refers to roughly 1/5 of women in the bible and half of all queens.
Chatur is a name derived from Sanskrit. I wasn't able to find reliable information on its etymology.
Abigail Pent Abigail is a Hebrew name referring to a father's joy. The biblical Abigail was a prophetess and the wife of King David. She was wise and is described as one of the most beautiful women ever (Isaac's mother Sarah is one of the others).
Pent is a prefix referring to the Greek for five.
Magnus Quinn Magnus is "great" in Latin. A bunch of kings of Norway and Sweden have been called Magnus. There are also SEVEN saints called Magnus. The Magnus effect in physics describes lift that affects a spinning object moving through fluid. I don't know which if any of these is a reference.
Quinn gives me a liiiiittle trouble as a house name. Quinn is an Irish surname that's usually Catholic with two Ns and Protestant if only one N. Quint refers to a fifth, and quin refers to quintuplets. I find Quinn a stretch.
21 notes · View notes
lockedtombbrainworms · 1 year ago
Text
TLT characters and smoking: Judith: got peer-pressured into it as a teenager because someone told her Coronabeth and/or Marta would think it was cool. Nearly passed out coughing and has never been willingly within six feet of a cigarette since Marta: Only smokes after she fucks. Which is a lot, by the way. Coronabeth: No particular interest in smoking, but would 1000% take it up if she thought it would make her more interesting to someone. May in fact do that now that Ianthe smokes. Ianthe: Canonically does smoke as of the end of NTN. Probably wasn't especially interested beforehand, especially given her dodgy necromancer lungs, but once she was a lyctor the psychosexual drama of the mithraeum was always gonna give her some sort of vice Naberius: no interest whatsoever, he's an athlete and he's too concerned about his looks and the potential for premature ageing. Not that it would matter, as Ianthe would just fix him, but he doesn't strike me as the type. Would definitely vape though, and let's be real, if any house has vapes, it's the third. Isaac: Teenage rebellion phase might include smoking, might even include weed. The Fifth would be horrified by this. Jeannemary: Probably more likely to smoke than Isaac as part of the aforementioned teenage rebellion phase, if I'm honest. Abigail: nope, she'd be too aware that it's bad for you to enjoy it. I can see her enjoying edibles though, it feels like they might help with certain kinds of spirit magic. Magnus: Cigars. Look at the guy. Palamedes: absolutely the fuck not, although he did at least pick up the muscle memory for it during The Unwanted Guest shenanigans. Cam: Equally absolutely the fuck not. Paul: Until I read TUG, I'd have said just as much of a no as with Cam and Pal, but now I know Palamedes went into that whole thing with Ianthe's smoking habit rubbed off on him, there's an outside chance they'll share one with Pyrrha Dulcinea: Would never be allowed to smoke, which I suspect would mean she'd very much want to given the "sick of roses and horny for revenge" thing. She should've been chuffing fat darts every minute we saw her in the river bubble. Maybe she was, just not around Harrow. Protesilaus: Doesn't strike me as the sort, although we don't see much of him. Silas: no, he's a weird sixteen-year-old temperance freak and also a frail necromancer Colum: Definitely smokes. Rolls his own. May not even bother with filters given how he knows the siphoning is fucking him up faster than the cigs ever could. Gideon Nav: Might try it to impress girls, but is probably too aware of the possibility of it messing up her fitness, which she also uses to try to impress girls. Harrow: Nah. Just being around cigarette smoke would overstimulate her.
112 notes · View notes
butchcavprimary · 7 months ago
Text
Tumblr media
More TLT band AU sketching third house edition! More thoughts below 💀 also I think they’re currently singing Pink Rover by Scene Queen
Okay so Coronabeth has a terrible singing voice (but can absolutely shred, just isn’t allowed to bc the label won’t let her), so she just lip syncs vocals recorded by ianthe. She does have hella stage presence and has her own set of stans and has been kinds of dubbed the front woman of the group. I want to design her in a bunch of cute outfits like the ones Scene Queen wears because she deserves it
Ianthe records vocals for the both of them, having the range to sing things in a deeper register for corona and a higher octave for herself. She sings “her” parts live. Ianthe has a blackout/negative space sleeve representing her bone arm. The other two thinks it’s garish
Babs is a bassists and he’s so pretentious about it but unfortunately he kinda eats (haha get it because uh)
Overall I think they have vibe that’s a mix of Scene Queen, Ashnikko, a little bit of The Pretty Reckless. If you have any suggestions for artists with that vibe pleaseeee lmk
18 notes · View notes