#just talking into the void honestly

[flootzavut]

if Henry was that keen on book accuracy for Geralt then I have to wonder why he chose to make Geralt monosyllabic in s1 which absolutely was his choice as confirmed by Joey in a post S1 video interview and by Henry himself in a print interview; the most likely scenario is that he thought he was gonna earn a shit ton of money doing Superman (and honestly I don't even blame him for that, you can't do big pretty boy action roles forever, at some point Hollywood is gonna stop calling or you're gonna injure yourself), but making out that he sacrificed himself on the altar of book accuracy is just silly.

[blueggrass]

i know theres not much of a fandom here for the will of the many but ,,,.., i just finished it and.,,,,, im in shambles. life is moving around me and I'm still in shock. I have things to do but i cant even think. what,, am i supposed to do. just go on? pretend im okay with this till the next one comes out??? I FEEL LIKE A ZOMBE. I FEEL LIKE NOTHING MATERS. ALL I FEEL IS-

i dont think ive ever been hit by a book hangover as much as this like wtf even was that /pos HELLO??? CAN ANYONE HEAR ME??? LKSJFLSKJBFLKSJBFLKSBFK:BSF:KBSF:KJBHSF:KJ

[the-crimson]

It kinda always makes me sad when people talk about arospec characters on the qsmp and only talk about q!Jaiden and q!mike without mentioning q!bbh :( like honestly q!bbh’s relationship with q!forever and how ambiguous it is is 100% an aromantic experience I’ve had.

People assuming my relationship with my partner is romantic when it’s not - at least not in the way they imagine - or assuming it will eventually turn romantic as if what we have isn’t good enough and I hate seeing the same thing happen to q!bbh

Idk I’m just sad and tired of q!bbh’s arospec identity being erased or forgotten or valued less than q!jaiden and q!mike because he has such a popular ship and complicated relationship with another character even tho cannon 4halo is incredibly aromantic/queer platonic in of itself :/

(Also q!forever is arospec/lithoromantic as well so in general their ship is incredibly aromantic/queer platonic from like every angle

[uniquezombiedestiny]

come on

please tell me

[aeantizlkamenwati]

Veilguard Thoughts

I just need to get my thoughts out of my head and the Void seems like a perfect place since I can’t write a review on console. I’m all for civil discussion, but at the end of the day this is my opinion/feelings after 20 hours. Perhaps it'll change once I finished the game, but I doubt it. Beware minor spoilers.

Warning: Incredibly long. TL;DR at the very end.

I’ll start this off by saying it’s not a bad GAME, just a bad DRAGON AGE. It runs nice (only had one crash, and minimal amount of stuttering on fidelity mode, one time the screen went completely black but the dialogue and music continued which was vaguely terrifying. Some movements are janky in cutscenes, but overall, not bad). It's pretty, I like some of the new designs. The music is nice.

I’m not a fan of this style of combat (never could jive with God of War or Bloodbourne; my preference for real time action is like Hades and DMC) mostly because I can’t cancel an action with dodge/block and the AI focuses solely on Rook so you end up getting swarmed and unable to properly see the flasher plus the timing is weird af. I tried playing on what I assume was supposed to be Casual mode (Keeper) because it said “emphasizes party composition over reflexes” and well…it lied. To the point that I was not having fun because the game is 70% combat, 20% exploring and 10% story. So I turned it to Story mode because I could not be bothered and enjoyed it slightly more. It feels very MMO, team-based, looter imo. The UI, how it handles, the depth of the story and how it goes about it (the Mission Accomplished Journal screens specifically), the emphasis on combat over anything else…

And here we get to my problem: I only enjoy it when I pretend it’s just a generic fantasy game and not Dragon Age. Because it doesn’t FEEL like a Dragon Age. It feels as soft as everyone’s skin texture. I don’t care about the story or the characters and it boils down to the writing.

It feels juvenile.

Like I loved DA because it was willing to confront the worst in humanity. The disgusting parts of war like Loghain selling elves to slavers, or the nunances of blood magic. Presenting choices that are morally grey like sacrificing the Circle or the Templars in DA2 (yes that choice was heavily forced and stupid but still). It didn’t shy away from it. There was levity, but the characters had multiple sides. They could get angry, they could get snappy or sappy. There was GROWTH to them. Zevran’s romance arc if you choose to reject the earring without more commitment was beautiful. DA2’ romances were…a little stilted, but I still enjoyed them. Inquisition also had lovely little arcs, depending on the romance. But even friendships felt natural as you got to know these people.

And Veilguard falls flat. They were okay with pissing off the culture war babies with trans/nonbinary options, but not with showing us the bad things. The game TELLS us “this is bad”, but doesn’t show why. They have their soap box moment of “slavery bad” like it’s not 2024 and anyone worth the air they breathe knows that, how about you still show that since we are IN THE HEART OF THE SLAVE TRADE?! Where��s the option to maybe be an escaped slave? An escaped Saarebas? They refuse to give us blood magic because “it’s messy” Yeah. It is. That’s the point. Maybe let me decide if that's a line I'd like to cross? No? Necromancy is fine? It’s like we traded the dark adult themes for better sex scenes.

The major choice I’ve gotten to means NOTHING outside of metagaming. It’s like they were trying to show they could be edgy or that “now now you can’t save everyone because we say so and we are going to force one of your companions to hate you”. And it boils down to who you want to romance, who is vital as a support character, and which faction do you prefer? Has nothing to do with anything else and there’s no way to fix this forced hardening, so have fun with that I guess? It’s not like I chose the dialogue options or anything, it feels as shoe horned in as DA2’s ending tbh. Like here have a shitty decision for no other reason than we want you to.

Then BioWare seems to have tried to both cater to the newbies and the ones who read/watch/listen to the extra media and fail to find a middle ground. It relies too heavily on codexes and journals and other media (which was my gripe with Inquisition) to do the heavy lore lifting (for example as someone who did not read Tevinter Nights yet nor listened to the third-party podcast, I have no connection to Rook's backstory).

But at the same time, it treats us like we are stupid? Going back to how juvenile the writing feels: it repeats itself a horrific amount. Every time Solas says “the Evanuris” it’s apparently a contractual obligation for him to say “or the elven gods as you would call them” immediately after. The amount of freaking out about them CONSTANTLY is like they are afraid we forgot after an hour. And again I kept thinking: how about you stop telling me they are terrible and why I should be scared and SHOW me?  D’Meta did nothing because I didn’t see it happen like watching Loghain call the retreat after watching darkspawn slaughter the army. Another example in the beginning is after you get the dagger, you speak with Harding and you can discuss magic. Rook notes they know dwarves are called Children of the Stone. Five seconds later Harding goes in the most “I’m speaking to a toddler” tone: “Dwarves call ourselves Children of the Stone. Some of us have what we call Stone sense.” Like…Rook would know that??? If newbies are confused they can go look in the glossary (isn’t that what that’s for?) or give an option to ask a question. It just feels so fucking patronizing.

Then it spoils so much of the story with the Varric interludes, or repeats itself AGAIN when I think they are there for style and suspense. Like Varric I already know they need to craft a red lyrium dagger, they straight up TOLD ME. That scene didn’t need to be in there at all. Solas’ little monologue rehashing everything in the beginning was unnecessary, and honestly him just telling us who we were against without us first seeing how bad it was…just…It took the suspense out of it. Like imagine if Inquisition straight up told you that Corypheus was the baddie just immediately in the Temple of Sacred Ashes prologue scene. That’s what it felt like.

Which brings me to the dialogue and characters I suppose. The companions have the depth of a shallow pool and Rook has less. They have moments where I like them, but tbh I don’t really care for any of them because how could I? I can’t talk to them. It feels empty. I like that they have lights telling me when I have new dialogue, but I miss having conversations with Dorian or Zevran, getting to know them before I started flirting with them. But nope. None of that. And good god the flirting is cringey because of it. Just comes out of nowhere and feels like teenagers. Again, there are moments where I’m like: THAT DO THAT, but it goes right back to the blah stuff. Like whoever wrote the Crows, good job. I loved Teia almost immediately. Viago great. Illario, I’m intrigued. Lucanis by default also interests me, but unfortunately, I don’t get to explore his character much. Irelin is also good. I liked the Veil Jumper fight you could get into with Strife (felt like witnessing a father/child yelling match). Where’s that sort of dialogue with everyone else?

And ROOK. Oh god Rook. They make a big deal about us not being able to be a people pleaser, and yet that’s the only personality Rook has. My favorite moment of Inquisition was in Trespasser where the Inquisitor could FINALLY have a human moment and BREAK. It felt like they had been bottling it up for so long and they just couldn’t anymore. I don't foresee Rook getting that sort of moment.

Rook is just three flavors of customer service. There’s no option for them to be anything but the dashing hero who has boundless optimism like a puppy. Where’s the option be the reluctant hero? The ruthless “hero”? They are just a bumbling idiot with witty one liners.

They feel like a teenager’s first protag as they try to give them “flaws” but never show those flaws. Nothing you do matters, just how you say “yes I’ll help”. There’s no nuance. No places where I think Rook can grow without ME. Rook is just a blank doll without me projecting onto them and even in BIG supposedly heartwrenching moments, Rook is just an idiot. And put them with the juvenile and forced dialogue of the companions? It feels like they are a pre-teen who’s been put in charge of a bunch of toddlers while the nice uncle tries to soothe them and the abusive dad yells.

The abusive dad is Solas btw. Varric says he views us all as children, to which I want to reply: yeah and he’s a piece of shit dad who rubs their toddler’s face into their diaper going “LOOK AT THE MESS YOU MADE BAD BAD BAD!” Like honestly, you can tell it’s not the same people writing these characters. Solas feels like they decided the low approval Solas was the canon no matter what. In Inquisition I truly felt like he was redeemable. This Solas? Nah, I want to stab that bitch first chance. Like he’s giving me no reason to like him and he’s being a dick for no fucking reason. Maybe later on we learn a reason, but in 20 hours there’s ZERO. That’s a problem if you are trying to get me to see his side of things. And the tonal shifts from when he shows that he regrets stabbing Varric? Feel forced, like my dude I think you are lying just because you seem to be unable to comprehend half of this is YOUR fault.

Which ties into my last gripe: this is not MY Thedas. The decision to make only the last fifteen minutes of a paid DLC mean ANYTHING (and tbh I have yet to find where the hell it actually matters in 20 hours. I have two saves about the same amount of progress: one Solavellan and the other Dorian, they are basically the exact opposite choices. I can't say I've found where anything has changed, so what was that about them not wanting to do one bit of dialogue???? At least in Inquisition within the first two hours I could find those bits of dialogue) that decision made it where none of these characters matter to me. They feel more like carrots dangling in front of long-time players trying to entice us closer, but when you grab the carrot…it just vanishes.

That’s not MY Morrigan. That’s not MY Varric, MY Solas, MY Dorian. They are NewBioWare’s versions of them. The Inquisitor? The character I played over 100 hours as isn’t MINE. They are a stranger because they tore away any agency I had. They just picked whatever personality they wanted and said LOOK SEE CONNECTION. But there’s no history, no connection, NOTHING. There’s so many places where I can see where they could’ve done something. And if I can see them, why couldn’t anyone at BioWare?

They forgot that DA’s uniqueness wasn’t just the companions (and these ones are just below DA2’s since we didn’t get to interact with them either, so…), it was the world and how it reacted to choices in previous games. How new heroes might have to deal with the consequences (and to be fair, no DA game has ever actually managed to deliver on that, but they at least TRIED).

This though…

TL;DR: this should’ve felt like a homecoming and instead it feels like BioWare demolished my home, spray painted the ruins with soft pastels and is trying to tell me it’s the same, if not better. And it’s not, and probably never will be again.

[seiya-starsniper]

.

[thresholdbb]

Kate's reaction to Time and Again was, "I wore this?" 🤣

[downtherabbitholewithlucy]

ↂ | WES BↂRLANↁ | ↂ

[silverpen-and-paper]

something i’ve been thinking about for a long time is how characters that are widely headcanoned as transmasc are almost always non-masculine in some way. they’re almost always nerdy, or physically weak, or feminine in style/behavior, or more emotional than men are typically portrayed in media, or all of the above. every time i’ve seen someone say “this character has transmasc vibes” they slot snugly into one or more of those categories.

which, ofc, headcanon whoever you want as trans. the more trans characters the better. but i also think that the general widespread phenomenon of having lots of transmasc characters be the ones “””failing””” masculinity in some way is… not the best?

and like. i get it. i am also that flavor of transmasc, and i like seeing myself reflected in characters, even if they are just headcanons. i know there are a lot of trans folks who see themselves in those characters because they are “””failing””” masculinity in some way. (and, as i’ve indicated by putting “failing” in tons of quotation marks previously, i don’t think having those traits actually makes someone lose masculinity points or something.)

but not every transmasc is like that, and i hardly ever see more traditionally masculine characters headcanoned as trans. it’s gotten to the point where i feel uncomfortable seeing transmasc headcanons with characters who fit the stereotype, and i also fit and love being the stereotype, so i can’t imagine what it’s like for the transmascs who don’t.

i don’t have a particular call-to-action or anything for this post. i can’t and don’t want to order people to stop headcanoning something, that’s not the point. like i said, headcanon whoever you want as trans.

i suppose if i have a takeway, it’s.. think about why [x character] gives you more trans vibes than [y character]. consider expanding beyond the gut-feeling vibes and play with the idea of a different kind of character being trans, one who you absolutely would not have considered before.

[zzzora]

I can't help but wonder if other aces/acespec ppl have this experience sometimes where people tell you they're fine with you being ace but you still end up wondering if they like, secretly wish you weren't ace??

[the-whispers-of-death]

This is a rant, just fair warning to that.

I was scrolling through the "simon ghost riley" tag and like one post was labeled f!reader but it didn't get filtered via the filtered post-content thing because there was a space between f! and reader. Like I just...

How hard is it to tag your posts "simon ghost riley x female reader"? Or "simon ghost riley x f!reader" or whatever tag for the female reader stuff. But no, most of the time the posts are just tagged "simon ghost riley x you" and/or "simon ghost riley x reader" and most of the posts that get filtered are filtered via words that are in the post. And even then I still get female reader stuff because you don't even specify which reader it is until I read "my girl", "my woman", "she", or, and this is the most common thing, it's afab genitalia.

Please tag your posts correctly. Or at least label them in post. Because reader isn't just female!reader.

[a-bucket-in-the-void]

i really need a nap. and for some of you to be my irl friends not just online but mostly i just need a nap

[chibishortdeath]

Simon doodles I drew at like 1 AM or so recently. In an absolutely genius move, my dumbass started getting sleepy and decided to draw him being sleepy too about it instead of just going to bed 💀💀💀💀💀. Literally thought about The Guy before I realized I could (and should) go sleep

[kind-of-a-shitty-wizard]

hiii i got a little insane over haskills characterization in the other elder scrolls games / material. teehee rambling abt these ^ quotes under the cut (long). also im not that serious abt any of this tbh im just glad haskill appeared in any other elder scrolls material at all LOL

OKAY. okay. about these quotes. idk why other TES media does this, but in these quotes from elder scrolls legends + the interview with haskill it seems like the writers are pushing to give the impression that haskill slightly resents or is even indifferent to his position / the isles / sheogorath ?? (unless haskill is being a little bit more flippant or hyperbolic than usual...?) which is characterization that is NOT what i got from playing oblivion at all skdskdjfn

like... when i played oblivion i thought it was very clear that haskill prefers to be in the isles, serving sheogorath, more than anywhere else. (<- i think this is actually the reason he's technically "mad" even tho he seems sane outwardly. if you enjoy being among madmen it probably means you're mad yourself ykwim). i think haskill does like the isles, his ass is just reserved abt it, like he is about everything... yknow just like jeeves, whose character he's been compared to lmao:)

i think unfortunately some writers take his annoyance with the player and his slight second thoughts about sheogorath's plan in oblivion, and mistakenly assume that he's just annoyed at his whole position. haskill does have his moments of exasperation, but the thing is it's usually only exasperation and it never verges into anger or bitterness or resentment like the top quotes seem to indicate. for example, haskill says this abt his idea of you mantling sheo / the clowns debacle:

^ This quote is a good reference point for haskill's view on sheo bc its pretty much the most critical-of-sheogorath quote from oblivion i can recall, and it tells us a lot of things. in this quote he expresses some exasperation about the clown idea (because he's a prissy bitch who doesn't want to get his outfit dirty /affectionate) and shows some apprehension about one of his lord's ideas (because it involves you, and haskill doesnt like you). but these 2 points he has beef with aren't really reflective of sheo himself but of other issues - ie he doesn't directly question sheogorath. and IN THE END Haskill defers to sheo's judgement because haskill trusts him and values sheo's ideas. in all of his oblivion dialogue, this is the most critical toward sheogorath he gets, and he never outright insults or shows resentment toward him or the isles like in the above quotes bc his loyalty to sheogorath eclipses it

on the contrary (and i dont know why the writers for non-oblivion elder scrolls content dont seem to see this??), theres so much evidence that haskill actually does, you know,,, enjoy being in the isles. here are just some snippets i can think of:

"the isles are hardly a place for anyone, really" <- i BEG to differ, Haskill likes it here, he likes listening to prisoners being tortured in xedillian, he likes wearing his ridiculous frilly high collar outfit emblematic of the fashions of the isles, he doesn't care about morality and it suits him just fine that it doesn't matter here!! (the end quote might be him being a little facetious about relmyna but to be honest i wouldn't be surprised if he thought decency and morality WERE provincial notions because he certainly has no problem killing people lmao). and again, to enjoy doing these things / being around madmen probably says something abt haskill being mad himself. lol

not to mention he likes a bit of joking around. which i imagine sheo does a whole lot. when YOU rib him a little he says this:

his derision in the first bit i think indicates, "i cant believe you would joke around at a time like this," and the upturning of the "very good" i think indicates, "it was a good joke / maybe they could mantle sheo after all". he's not all dour - he appreciates a good joke, especially from (someone who's about to become) his Lord!!

and going a little deeper into haskill actually liking the isles... haskill clearly holds what sheogorath and the isles represent (chaos, free will, individuality) very highly. a good example of this is when you ask him about dyus, and he gives this snarky reply:

^ he says this with such VITRIOL its so funny :p and the amount of disdain in this line indicates (to me) a real conviction in his belief in the free will, chaos etc that sheogorath represents.

this is why i dont think this quote makes sense. "i cant remember why i put up with [sheogorath]" <- haskill wouldnt say this bc he understands fully why he puts up w sheogorath, and his own convictions in sheo that lead him to keep doing it, and even if this quote is him being hyperbolic, i dont think he'd joke about his faith in sheogorath like that because, yk, one of his characteristics is that he's extremely loyal, and moreover he never said anything to this effect in oblivion sdkjskdjs

him having a strong belief in what sheogorath / the isles represent is also evidenced by the language haskill uses when talking about sheo. whenever haskill mentions him, there is an element of poetry and respect to his words that shows that haskill thinks about him highly at the very least:

^ haskill constantly stresses sheogorath's intrinsic unknowableness and power and unique wisdom in a way that feels very respectful. saying "to attempt to fathom [sheogorath's will] is a foolish endeavor" shows that he knows there are unexplainable aspects to sheogorath that he takes note of, respects, and knowingly keeps his distance from... he gets sheogorath and reveres him (at least more than most others or the HoK). in these quotes especially, it feels a bit like hes trying to illustrate how impressive sheogorath is to the HoK, hyping up his boyfriend if you would. who said that. and combined with this respect is (i believe!!!!) a deep care. he is invested in the isles and sheo and wants to help them out of more than just duty. he gets fearful and even loses his composure at some points in the story when sheo/the isles are threatened which i think indicates that he deeply cares for them both!!:

i think this is a care that, combined with the respect he has for sheo, makes it really unlikely for him to get more than exasperated with his behavior and verge into resentfulness. i dont think anyone truly understands sheogorath, not even haskill, but haskill respects sheo as a god, and also gets him in a more familiar/personal way i think - like the way that a cat owner loves their cat but gets exasperated with it when it gets its head stuck in a tissue box. he doesn't angry or anything because he understands that it's the cat's nature to get stuck in the tissue box / sheo's nature to be wild and unpredictable and messy. (the difference being that sheogorath is an all-powerful god cat..... do u see my vision???)

anyway this got crazy long JHDSHFSD... to finish i wanted to look at this extra bit of characterization i found that was wild to me:

^ like. i truly dont get where they got THIS characterization LMAO sheo constantly calls haskill faithful and smart and knowledgeable in oblivion, he practically begs you to summon haskill for help, hyping up his boyfriend so to speak, they care for each other your honor so of COURSE sheo trusts haskill to do his job. what are the legends writers doing in there!!

ANYWAY dear god this got long im going to bed <3

[aeantizlkamenwati]

Final Veilguard Thoughts

I just completed Veilguard 100% platinum (though honestly it is one of the easiest platinums so not much accomplishment there). I have to say again it is not a bad GAME just bad Dragon Age. It reeks of multiplayer and loses everything that made DA unique because of it. And the epilogue is a slap in the face with their “we honor past stories and stories are about change” fourth wall bs and lack of closure. But below the cut is a massive amount of spoilers.

The TL;DR is it’s just a massive missed opportunity and a reboot.

The game up until Weisshaupt is sub par. Boring. It is like they knew the middle and end and then realized they’d have to do a beginning. And then just catered to the newbies and halfassed everything or didn’t do more than one draft. Again the repeating, the handholding the lore while also spoiling everything unnecessarily.

Ghil’s introduction is clownish. Treviso and Minrathous was just fucking blah especially compared to the later missions. It’s just a single fight. And the dialogue Ghil gets? It just makes her a joke. It’s not until Weisshaupt that you see oh she’s crazy and a goddess. It actually felt big while the stupid binary choice was just “eh pick who to fuck I guess”. Maybe if there were other choices like that, it wouldn’t feel so…thrown in there for the sake of supposed stakes.

But the first forty hours (if you are like me and refuse to do main story stuff until everything else is done) is just bad build up. I did not want to push forward until after Weisshaupt. It should NOT take half the game to actually get good. Blood of Arlathan was amazing. It actually felt like I was against a god. It was DIFFERENT than all the other running around quests the game had been up to that point.

I think it would’ve benefitted from more diversity overall. Like gameplay diversity. I think the combat especially needed more. It fucking sucks. It’s just a button masher with no thought. And every boss and big enemy is the same: shield, find the things to pop to break shield, rinse and repeat two-four more times. On storyteller difficulty it’s a joke. And every mission is just fight forward. No puzzle or interesting quests except Blood of Arlathan. Maybe Weisshaupt from the “everything is fucked” thing (it really felt like there should’ve been another REAL everything is fucked, dodging shit that fucked up Treviso/Minrathous to really introduce Ghil) The ending is a bit of a slog too but I enjoyed the cutscenes and war council stuff (again because it was different and interesting and felt like Rook actually had a reason to do it). The end boss battle was cool though not a big fan of the kaiju battles. I called the plot twists at the beginning of the game. Not sure if that's a mark for or against the writing. And the more interesting bits about regret weren’t given enough time to really sink in.

So I think it’s a pacing issue as well as a dialogue issue. I feel like they missed an opportunity to really do something with Rook’s regrets. They are just optimistic and driven all the fucking time that by the time we get trapped in the prison, that’s the first time we see Rook has self doubts and whatnot. There’s this one dialogue line that hit with the masc 1 voice, talking with Solas afterwards that’s “I liked working with you” and it just hits. Where was that emotion before? That level of feeling in the dialogue? If the game is about regrets why didn’t they lean into it??? Instead they leave it blank and deprive Rook of anything interesting, of the thing that made them UNIQUE among the DA protags.

I mean the Inquisitor could be "idk what's going on and why I'm here", but they didn't really have the option to doubt themselves. Hawke was our "everything falls apart around me and I'm just pure chaos" protag. And the Warden was the "Guess I'm in charge now, everyone deal with it" protag. Rook could've been really interesting, to show the different kinds of doubts and regrets. Maybe they are just a scared kid trying to hold it together because they've fucked up everything else in their life. Or maybe they are just pissed that they are the one stepping up. (I also think they could've added depth to the whole elf god thing. Could've also been a nice reason to "fix" the DA racism instead of pastel paint it over). They could’ve utilized the companions to show they cared about Rook that they see what they are going through.

But nope! Bland nothing you have to headcanon your way out of. And Rook is still blander than Origins because everyone knows who they are but the player. They should’ve done something about the backgrounds to set the scene for each Rook. Like resolve them in the game too, not just introductory scenes. Like Aldwir could've had a special mission where them and Strife hash it out (with probably more yelling) cause I kinda felt Strife was Rook's father figure and it would hurt to be constantly told they fucked up by him. Mercar could've had scenes with their family, talking about what it is to lead. SOMETHING to tie Rook to the story and flesh them out beyond headcanons (any developer who relies on headcanons to make their stories interesting, unless the protag is meant to be a Dovahkiin blank space, is fucking lazy, rushed or bad at their job. I don't want to be told "this is the correct Rook", I want enough personality and story to sink my teeth into and Rook is a paper thin vanilla wafer) And they are fucking contradictory? You choose the elf option for tattoos in the beginning and Rook states they were not raised Dalish. They tell Taash they were raised in a city. Then you can say you are Dalish??? And have all the knowledge of a Dalish about the culture. When canonically that’s doubtful. But nope rainbows and sunshine no problems here.

Then the companions are the biggest missed opportunity. I can forgive shitty gameplay (Andromeda) if the companions are good. And this is where the multiplayer starts really showing up. The fact that 90% of their bonding is completely missable and requires you to go into their rooms, stand there, and then just leave without a word from Rook is bullshit (and weird as fuck). Even Andromeda let you have conversations outside cutscenes.

And there’s a lack of balance between the characters. Fucking Taash has like 20 cutscene things and everyone else gets a quarter of that. Why isn’t Lucanis’ healing as important as Taash’s gender journey??? Or Bellara’s grief?? I like Taash don’t get me wrong (at least when they aren’t acting like a moody edgy teenager. That’s just bad writing) but they feel like the favorite child and everyone else is just there. Even NB Rook gets shafted for Taash’s story. I feel I know Taash and have missed everything with the other characters.

This lack of development hits mostly in the romance. Lucanis’ is nonexistent it seems with the majority of flirts doing nothing. One almost kiss and then the companion quest doesn’t change and boom can be in a relationship with nothing new added. It feels like they got the okay to do single player and went “oh shit now we have to do romance…uh just throw the same formula and they’ll be fine”. Like the companions have better chemistry with each other. Rook is just...nothing (no one can convince me they are supposed to be like Shephard because there's having a predefined character and having a blank doll that talks like it has personality) This is a step down from even fucking Origins and DA2. At least those were unique with their own plot lines and themes. At this point I’d take the cringey sex montage of Origins over this nothing burger. Those had more depth than a classic Disney film.

And who’s bright idea was it to put the kiss/make out scene right after you just found out your mentor is dead and you’ve been played with by a god (and why wasn’t that given more room to breathe??? I would feel fucking violated as fuck! But given that one of the writers once wanted you to have sex with a demon masquerading as Leliana I'm also not fucking surprised the idea of consent got thrown out the window) and watched your friend die???? How is that okay???? And didn’t one of the directors say “this is the most romantic da game to date” or something??? Seriously? You call this more romantic than having a literal Princess Bride moment with Josie? Or Dorian learning to want more that he can have more? Be for fucking real.

The lack of all of this gives me serious doubt about Mass Effect 5. I expect a full reboot like this where they just nuke everything off screen so they don’t have to deal with it and call it something like “necessary to avoid pointless one liners” again. I can think of several decisions I made that could’ve aided the South. You know like the schism between the Grey Wardens. But nope. Apparently the only things that matter are: did you want to fuck Solas (as Dorian gets one line and everyone else gets nothing), did you want fucking kill Solas, and how would you like to fucking do that. They made it where there’s only one answer that’s given the care to feel correct/complete. And even then Solas’ sudden "k I’ll bind myself" feels rushed or just cobbled together cause that ending needed more. I don’t care if it’s supposed to be vague that’s an excuse for shitty writing. I should feel like I got closure and I don’t. I just feel insulted given how little care they gave for the previous stories and how little they cared about this one apparently. I shouldn’t have to rely on fanfics to fix your damn story BioWare. Fanfics should build upon what’s there not do your job for you. They could’ve done something interesting but instead we get an indistinguishable multiplayer clone trying to masquerade as a Dragon Age with piss poor pacing, dialogue and direction.

I’m out. It felt like them killing Varric was a metaphor for them killing the older games. A nice fuck you to the player base

[cloudcountry]

if i wasnt for my mutuals i think all of my events would have flopped