#just starting to sail

[crispinkiss]

act 5 my beloved

still images belowww

[ladyhawke]

Tom Hopper as Billy Bones in BLACK SAILS Season 1

[frau-kali]

You cannot decide to follow a man like that and then pick and choose when to deny him. (insp)

[cleocatrablossy]

She would be a haunted house kid in high school.

After this it was agreed that Mabel has to give some warning before she pops up after more practice so as to not give anyone a heart attack.

[kaizsche]

tyler & kate finishing each other's sentences... TWISTERS (2024)

[jaynovz]

In discussions about the finale of Black Sails, one of the things I often see is folks hard-focusing on Flint's fate, in an either-or binary fashion, usually presented as "Which do you believe-- that Silver killed him? or sent him to the plantation?"

Now, for posterity's sake, gonna mention a few things-- first off, that's simply not thinking broadly enough. There are farrrr more than two options here and I've come up with my share of the reallyyyyy bad ones for sure. Whatever your mind chooses, none of those are happy endings anyway, there are bittersweet, bad, and worse endings all the way down. (They are paused, they are in a time loop, and also all endings and no endings are happening simultaneously)

But also, the more cogent point is that, it doesn't actually matter what happened *to Flint* The story is... not actually about him at that point. We have transitioned from Flint as protag to Silver as protag, setting up for (the fanfiction that Black Sails has ended up making of, ugh, king shit) Treasure Island.

And so, I just, don't find it to be of particular interest exploring what we think Flint is actually doing or if he's alive for real. What is EXTREMELY interesting to explore though is how Silver's speech at the end to Madi is sort of giving Thomas back to Flint as a pacifier/comfort object, but how... Silver is giving Flint that thing in his own mind as his own type of pacifier/comfort object.

That's the REALLY chewy bit. What actually happens to Flint is not the purpose of that scene for me, of Silver's recounting of events to Madi. It's more about... projection. It's about how Silver is dealing with whatever happened to Flint/whatever he did.

And I just feel like it's missing the point to focus so hard on if Flint is alive or not.

He is the ghost of the story regardless, that's what's important. He's going to haunt the narrative for the rest of everyone's lives. No one has been untouched or unscarred by coming into contact with Captain Flint; he has a forever legacy. I'm not the first to call him this, but he's Schrödinger's Flint and he's staying that way.

But this?

"No. I did not kill Captain Flint. I unmade him. The man you know could never let go of his war. For if he were to exclude it from himself, he would not be able to understand himself. So I had to return him to an earlier state of being. One in which he could function without the war. Without the violence. Without us. Captain Flint was born out of great tragedy. I found a way to reach into the past... and undo it. There is a place near Savannah... where men unjustly imprisoned in England are sent in secret. An internment far more humane, but no less secure. Men who enter these gates never leave them. To the rest of the world, they simply cease to be. He resisted... at first. But then I told him what else I had heard about this place. I was told prominent families amongst London society made use of it. I was told the governor in Carolina made use of it. So I sent a man to find out if they'd used it to hide away one particular prisoner. He returned with news. Thomas Hamilton was there. He disbelieved me. He continued to resist. And corralling him took great effort. But the closer we got to Savannah, his resistance began to diminish. I couldn't say why. I wasn't expecting it. Perhaps he'd finally reached the limits of his physical ability to fight. Or perhaps as the promise of seeing Thomas got closer... he grew more comfortable letting go of this man he created in response to his loss. The man whose mind I had come to know so well... whose mind I'd in some ways incorporated into my own. It was a strange experience to see something from it... so unexpected. I choose to believe it... because it wasn't the man I had come to know at all... but one who existed beforehand... waking from a long... and terrible nightmare. Reorienting to the daylight... and the world as it existed before he first closed his eyes... letting the memory of the nightmare fade away. You may think what you want of me. I will draw comfort in the knowledge that you're alive to think it. But I'm not the villain you fear I am. I'm not him."

This is the speech of a man who is self-soothing, who is spinning himself a tale, who is projecting, who is coping.

and THAT is just, way chewier, innit?

[myymi]

“Look. Yer new here, I get it.” Sails grumbled, his mechanical arm resting on the hedgehog’s chest to force him to keep his distance, “But you need to learn our rules and fast.” He growled, eyes narrowing into a glare.

Sonic tried to keep his body from visibly wilting at the rejection. He wasn't used to being pushed away by his little brother, and it seemed to hurt worse the second time around.

Except they aren't his little brother, are they? Nine and Sails don't know him. They shouldn't trust him. But he needs them to. Sonic needs his brother(s?) to trust him to keep them safe, why won't they let him protect them?

That's his job, isn't it? He has to keep them safe from those who are hunting them or whatever awful thoughts are plaguing them. What good is protecting the world when he can't protect his world?

“Whaddya mean?” He decided to ask, firmly ignoring the way his voice wavered even after the fox in front of him raised a brow at it.

“I mean quit stickin’ yer nose where it don't belong.” Sonic tried to ignore the fact that only one of the pirate's ears folded down as he crossed his arms, shrinking into himself. “My tale ain't your business, so quit poking.”

“I didn't mean to offend you or anything,” Sonic said, raising his paws in surrender. He'd never want to push his brother to talk about something he didn't want to. Why didn't he just drop it? “I was just worried, y’know?”

“Don't worry over strangers, landlubber.” Sails warned, his metal arm retreating from the teens chest as he averted his gaze, “it'll only make things harder for ya.” He mumbled, almost too quiet for the other to hear.

“But you're not a stranger, Sails.” The older argued, watching the fox’s movements, “I know everything about you!”

“No, you don't.” The kit frowned, his fur bristling, “If ye did, ye wouldn't be here askin’ questions about a life that doesn't concern you.” Was the last thing he said before turning away from the hedgehog, quickly making his way to somewhere on the boat that wasn't near him.

Sonic's ears flattened against his head as he watched Sails walk away, his left paw holding his right arm in an absolute death grip. He groaned and ran his paws down his face.

This was his own fault.

He's always been one to preach about boundaries. He remembers he used to have to remind a 4 year old Tails quite often that sometimes people just didn't want to talk about or do certain things and that was okay.

So why didn't he keep his big, stupid mouth shut when he saw Sails start to pull away?

Sure, Sails wasn't technically Tails, but they had the same mannerisms. His tails twirling around themselves to appear as a single appendage, his eyes looking down to stare at his crossed arms, his fur proofing up, and his foot tapping against the ground were all signs that someone was pushing him too far. Sonic knew that, yet he wouldn't stop pushing.

Maybe it was the desperation to understand this two tailed fox. Because he wasn't his fox, but he was so close he might as well be his doppelganger. Yet the teenager didn't actually know him.

But he wanted to. He wanted to show the kit that he was the one the kid should trust. He wanted to prove to Sails that he was a free shoulder to lean on if he needed it.

A big brother who would always have his arms open, waiting to comfort the fox should he need it.

It was a need for the hedgehog. He so desperately needed his little brother to understand he was always here that he forgot that Sails wasn't his brother. Not in those blue eyes, anyway.

To Sails, Sonic was a stranger. He was just some guy they found on an island who begged to be let aboard their ship. They had only met a few hours ago.

He was, understandably, overwhelmed by the hedgehog. It seemed like the stranger knew almost everything about his life, except for one key detail; Sonic didn't exist in it.

And that's exactly what made Sonic keep pushing. He wasn't a part of Sails’ life, but he wanted to be. Because he knows what Tails’ life was like before meeting the hedgehog, and he needed to make sure Sails was safe.

Nine wasn't.

Mangey wasn't.

There had to be at least one variant of his little brother that was okay. The kid's safety couldn't only rely on Sonic, surely there had to be one of them that got off easy.

But he guesses that was just another assumption he was wrong about.

“Landlubber!” Sonic's ears twitched at that, swiveling around until they located the direction the shout came from. He turned around to see Batten flying above him.

“What’d ye say to Sails?” She asked, one hand resting on her hip as the other held the hilt of her sword. The bat nodded her head up towards the crow’s nest.

Squinting, Sonic could see Sails was leaning against the banister, his head hung low.

The hedgehog winced and rubbed the back of his neck, “I kinda pushed him about something I shouldn't have.” He admitted, ears folding down against his head. “Do you know how I can make that up to him?”

Batten’s frown deepened as she glanced up to the fox for a brief moment, “Don't do anything. He'll sort it out on his own.” She advised, lowering herself down to land beside the hedgehog. “And don't bring the topic back up again. Ever.”

“Noted.” Sonic tried to smile, but it was very obviously strained. He sighed and looked away from the fox, not wanting to be caught staring.

He wasn't used to leaving Tails alone. When the fox was upset he would always bring him a gift to make up for whatever it was he did.

But maybe it's time to stop treating these two tailed foxes like they're his little brother. It never seemed to work out in his favor.

[cuddlytogas]

maybe it's just the Radical Rediker talking, but there's something pointed in the way that, say, popular pirate media like Pirates of the Caribbean dilutes the pirate's freedom to "bring me that horizon" as opposed to, say, "plenty and satiety, pleasure and ease, liberty and power" (Bartholomew Roberts).

broadly speaking, most pirates chose the life in order to escape and revenge the hard labour, corporal punishment, overworking, and unequal pay of merchant/navy/privateer ships; or the privations of their sudden unemployment once a war was over, ignored as soon as their ability to die for the state was unneeded. yes, many were thugs, but, consciously political or not, they were responding to a particular, material reality.

the pirate's desired freedom was from the effects of exploitative modes of statehood and capital production. but popular media usually shifts this into a general desire for freedom: freedom to roam, freedom to love (usually merely a cross-class white, heterosexual union), or freedom from the personal pressures of social norms. it's a vague, ahistorical, post-Enlightenment, libertarian ideal rather than a response to a real social and economic situation.

to be clear, this only really applies to specifically the late golden age of piracy, in the first quarter of the 18th century. earlier generations of pirates/buccaneers often displayed nationalist/religious motives, and were lauded, tolerated, or even encouraged by the French and English states for aiding their fights against the Spanish and Portuguese. only the last gasp of age of sail pirates had a truly anti-national energy, and both figured themselves, and were figured by the imperial powers, as the enemies of all nations.

but if we are to valourise the late golden age pirate, at his best, his ideals were for true democracy, and the abolition of nation, hierarchy, and labour exploitation; not "the horizon". he was striking out in response to specific political, social, and economic oppressions, rather than a general individual restlessness, and that reality - and its similarities to our own - are important.

I dunno, I just... have a lot of thoughts about the defanging of piracy in modern media. obviously there were a lot of things bad about them, too, and the level of egalitarianism varied between individual people and ships. but again, if we're going to be valourising them anyway... there were idealists. and they weren't subtle about they wanted.

"I shan't own myself guilty of any murder", said William Fly in 1726. "Our captain and his mate used us barbarously. We poor men can't have justice done us. There is nothing said to our commanders, let them never so much abuse us, and use us like dogs. But the poor sailors --"

[zigster-ao3]

I posted this to Twitter but forgot to add it here... I was sketching the other night because this man was not my favorite outta the gate but he is now precious to me and must be protected at all costs.

[eightdoctor]

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i think i hauve covid

[titanofthedepths]

I was talking about this on a call the other day but one of my favorite things about Sea of Thieves is that the characters are allowed to be ugly and so wildly diverse. Even the skeletons are diverse and have compelling and fun designs.

Note that when I say ugly I don’t mean that as a bad thing - I’m a firm believer that ugly doesn’t have to be a bad word, just the same as fat doesn’t have to be. Nobody’s perfect and that’s beautiful etc etc, when I say ugly I mean “not conventionally attractive” and it’s something I wholeheartedly appreciate

Like. Player pirates are randomly generated, which can be frustrating but at the end of the day it’s refreshing to not be able to sit and put together the perfect pirate. There will always be little scars or nicks or features you didn’t choose to place there, but they’re your pirates’ features. Just a couple days ago I realized my pirate has a snake bite on her cheek, and I LOVE that it’s there, though I never would have considered it for her had I been given the option to build her from scratch.

The NPCs, too, are diverse, and allowed to be flawed, and ugly. With their crooked or missing teeth and imperfect proportions and scars and asymmetrical faces - Rare could have very easily chosen to make every last NPC a perfectly pretty face fit for a magazine, and they chose not to. It makes the characters feel a little more real, more like they’re people - I can’t tell you how often I sit and examine the models of NPCs to look at every little detail and just appreciate how imperfect they are.

And like previously stated - and perhaps the thing I appreciate the most - even the skeleton characters are widely varied. Rathbone moves with a hunched posture that hides the fact his frame is fairly small, Grimm is tall and wide in that way that Sea of Thieves builds their fat characters, one of Chi’s horns is growing from her eye socket and she’s lankier than Ruth’s sturdy frame, Horatio has arms that are just a little too long, so on and so forth.

Just… Sure, I don’t by any means love Rare as a company, but the character design we see in Sea of Thieves is some of the best I’ve ever seen. I have a lot of love for this pirate game and the amount of love the design team put into every single character they offer us

[frau-kali]

[carnivalcarriondiscarded]

Hi, I hope you don't mind this message, and idk if anyone else has told you, but there's this troll going around on Tumblr named @/freethepuppet. They claim to be “fighting for justice in the puppet industry”, but really they're just sending hateful and threatening messages to Welcome Home and My Friendly Neighborhood artists/fans.

I myself have receive multiple death threats from this person, and they have sent threats to many of my friends over the matter, some of which are minors.

Because of this issue, I have decided to keep myself and my friends anonymous, especially considering the fact that @/freethepuppet intends to send threats to PartyCoffin himself, along with the creator behind My Friendly Neighborhood.

I just wanted to warn you about this person, so that you can block and report them, as well has tell others in the community about the troll. If you decide to ignore this, then that's fair and I respect your decision.

In any case, I hope you and your friends stay safe. Best of luck!!

blocked! thanks for letting me know! to add on to this, a little advice for everyone:

Don't Engage With This Person At All!

Don't Look At Their Stuff, Don't Respond To Messages, Don't @ Them Or Give Them The Time Of Day. Just Go Block Them And Let Them Exhaust Their Own Hate

[to-hope-against-hope]

Hyuna... A curly haired blonde boy ruined you why are you (presumably) dating another curly haired blonde boy

[donnapalude]

flint and the theology of st. augustine: darkness, good, evil, and the nature of humanity

black sails (xxxvi / 4.08) || augustine: confessions (7.18 - 7.19), edited and translated by a. c. outler || black sails (xxxvi / 4.08) || augustine: city of god (12.9 - 12.8), translated by m. dods || black sails (xxvii / 3.09) || augustine: confessions (12.3), edited and translated by a. c. outler || black sails (xxxviii / 4.10) || augustine: confessions (12.6), edited and translated by a. c. outler || black sails (xxxviii / 4.10) || augustine: confessions (12.8 - 12.6), edited and translated by a. c. outler

[firelise]

black sails is revolutionary because it begs to ask the question what if weird internalized homophobia externalized as brutal heightened violence but make it lesbian? what if we add a lil attack dog beside stoic goddess trope to that lesbian? And wrap it up in some of the best most poetic writing you've ever heard