#just need to write for one more character and I already have the outline for that

[blkkizzat]

ꨄ︎『Toji x TumblrSmutWriter!Reader』ꨄ︎

Toji x TumblrSmutWriter!Reader

18+ Minors - DNI

Summary: You shouldn't have left your phone out in the open bestie because now Toji just discovered his cute lil gf has a big slutty imagination and that means you're really in for it ❤︎ . CW: daddy/dilf kinks, humiliation, backshots, outdoor sex, toys, voyerism, breeding, overstimulation, lots of mentions of various kinks, light spanking, light spit play, meta concepts WK: 4.2k Black fem reader coded but no descriptors.

A/N: Y’all can blame my forgetting to take my adhd meds and my hangover yesterday for this one. I was laying on my bathroom floor regretting life choices, waiting on McDs Doordash and thinking up outlines for kinktober when this popped into my head. I thought it would be a quick drabble like 1k words to help my writers block with the "Bumpy Ride" Geto fic but lord knows I can't write shit under 3k, who am I foolin? I don’t even have a song inspo for how spontaneous and random this shit was lmfao but I still had to do a graphic for this one regardless (editing those notifications were hell). Edit- I lied the song inspo is: Girls Need Love Remix - Summer Walker ft. Drake.

Enjoy!

Imagine you are dating Toji and he finds out you secretly write Tumblr smut fics on the low. 

He comes over to your apartment one night after one of his ‘jobs’ ran late. He has a key, but is wondering where the hell you are as you usually greet him at the door. Going into your bedroom, he finally hears you in adjoining bathroom shower. 

Toji begins to strip down in order to join you but he barely has his shirt off before he notices your phone blowing up. 

Picking your phone up off the bed he sees 206 notifications from an app called “Tumblr”. 

Toji has no fucking clue what the hell a Tumblr is but his jealously starts to soar. He already made your ass go private on Instagram and deleted your Tiktok dances. He got tired of threatening every loser who tried to slide in your DMs or even leave a comment for that matter. 

Imagine his surprise when he unlocks your phone (of course he had made you give him the password) and instead he finds out his new vanilla-as-fuck girlfriend is actually a kinky cockwhore who loves writing character x reader stories about fictional men plugging any n' every one of her holes. Sometimes it was multiple men simultaneously, with their massive cocks bullying your readers until you had them crying. Not to mention them fucking you absolutely stupid in every scenario imaginable, with a huge daddy kink/love of dilfs to top it all off. 

Y/N clearly has type, Toji thought smugly as he saw some art on your page of these animated dilfs that looked similar to him.

But goddamn, some of this shit even he hasn’t considered doing with you yet. Honestly, he’s been holding himself back for your sake as you had been pretty shy at first. His sweet naive little college girl, yet here you were a filthy closeted slut this entire time. 

Tsk, Y/N been holding out on me, eh?

At this point you were probably a bigger freak than he was, he mused with an arched brow as he scrolled through what you called your ‘masterlist’.

It was nothing but a collection of pure unadulterated filth. 

More than anything though while going through your Tumblr, Toji is rather impressed at how popular you are. He reads your intro post where you deem yourself the ‘Self-proclaimed DILF Smut Queen’ and an evil grin appears on his face.

Toji abandons his plans to join you in the shower and he waits for you on your bed while he links-surfs through more of your so-called fics, drabbles and thirsts.

You made your own little pictures to go along with your dirty stories too? Aw, what a sneaky yet talented little whore he had. 

ꨄ

When you finally exit the shower, wrapped only in a big fluffy white towel and your hair pulled back into a ponytail, you are surprised to see Toji sitting shirtless on your bed. 

Toji had promised to be here hours ago. He never even sent a text saying he would be late and you’ve been bored waiting for him all evening so he could give you some of the attention you've been craving. 

Your body is already warm from the shower and your legs rub together as you are already feeling a bit horny just seeing him bare chested.

Walking toward the bed you are eager to go pounce on his lap. That is, until you see it’s your phone he’s scrolling through again without your permission.

You loudly sigh which made his head snap up to look at you.

You’re so ready to tell him off again and remind him your Insta is still private and you only use TikTok to mindlessly scroll, not post dance videos anymore when gives you a dangerous look.

You stop dead in your tracks.

Your eyes grow wide as saucers as you recognize what he’s actually looking at when waves your phone around tauntingly in his hands. 

No.No.No. Not this. Please god, not this!

But your worst fears are confirmed when he starts reading aloud with a huge shit eating grin. 

“You moaned loudly as you threw your head back and bucked against him hungrily. You knew you had to finish quickly unless you wanted his wife to come home to discover the babysitter on top of her husband, making a mess all over his face. His thick tongue lapped into your drenched folds and he spread your puffy pussy lips wider to suck and nip at your swollen clit….” 

Your mouth was agape in shock. You were a deer in headlights.

A million and one thoughts raced through your mind as Toji continued on. He swiped over to the next one, this time a daddy and breeding kink drabble.

“Or how ‘bout… ‘Take it all like the good little slut you are for daddy, Y/N’. ‘N-No daddy, please I can’t cum anymore!’ You babbled as you succumbed to the overstimulation of him ruthlessly breeding your stretched cunt and filling you as you squirted on his dick for the fifth time that night…” 

You could only continue to stand there and gawk at him. This couldn’t actually be happening to you right now.

“Ya really wrote all this nasty shit, Y/N?” Toji teased while still looking at your phone as he found more of your filthy smut to read aloud to you despite the horrified expression on your face.

You of course had written all that ‘nasty shit’ but most of it was before you started dating him, breaking a long dry spell.

You really weren’t one to run the streets and sleep around but you had some kinky ass fantasies and you not getting any action had you needing to express them somehow.

It’s not like you didn’t eventually plan to open up and share a few of your kinks with Toji down the line. But this was a relatively new relationship and Toji was still a bit intimidating to you. Even though Toji treated you with way more care and concern than he did anyone else you’ve seen him interact with, you still had an insecure fear that he would reject you for a few of your kinks. 

Your last boyfriend had called you a weirdo for wanting to call him daddy in bed, so you resolved then to no longer share that part of you.

Hell, not even your IRL friends knew what you got up to. Only the Tumblr followers and moots, who you all shared peaceful anonymity with, were familiar with you and your writing.

Fuck. You had finally found the perfect DILF daddy too, you didn't want to scare him away. 

You cursed yourself for even opening Tumblr earlier. You did so out of restlessness waiting on his ass to come over. You just were going to read a few fics before you realized you had a story in your drafts you never posted that just needed to be proofread.

Wanting to kill time you decided to edit and post it on a whim, not knowing the mess it would be getting you into now. 

“Earth to, Y/N.” Toji snapped his fingers, interrupting your thoughts.

"Where did my perverted baby’s little mind go off to now, huh? So obsessed with being ruined by imaginary cocks you can’t even respond to your own daddy.”

You could have combusted on the spot as you were sure there was more steam coming off you from embarrassment than from the hot shower you had just taken. 

But wait– wtf, your frazzled mind just connected the fact Toji had referred to himself as your daddy. 

Those words sinking in made your entire body tingle. Your pulse quickened as you chewed your bottom lip and fidgeted with the edge of your towel.

Was he also into this?

The fact was Toji was very into this and you were about to find out just how much he was.

Enjoying your reactions fully, Toji stood up and made his way toward you with a crazed look on his face.

“You’ve written 96 pieces of filth Y/N…”

He inched closer and you instinctively moved back. Every fiber of your body sensing the danger in front of you. You wondered if this is how the targets of his ‘jobs’ felt when he approached them. Toji never lied to you about what he did for work but you never felt like you were his prey, until now.

“You’ve been a very naughty girl, have you nothing to say for y’erself, princess?” 

“I-I-I-”, you stumble over your own words. This was all way too much, way too fast, for you to process in order to say anything coherent back to him.

“I-I-I-” Toji mocked your pathetic tone, an evil grin back on his face. 

“Lost your words, Y/N?”

Your body instinctively keeps moving back to keep distance between the two of you as he continues to advance on you.

“But you have so many words to say here, isn’t that right slut?”

Toji toyed with your phone in his hand, spinning it around.

“Slut. That’s what you liked to be called in these stories, eh? The dirty slutty whore with a sloppy cunt just ready to slime all over her daddy’s cock, yeah?”

You gulped as your back hit the glass of your bedroom balcony door with a ‘thud’. You had no more room to run while Toji closes in on you.

He pressed both of his massive hands against the glass as they framed your head, his body hovering over you. You couldn’t help but notice how much bigger than you he was as his frame enveloped you and blocked out the rest of the room. You were trapped.

Too nervous to look him in the eyes, you settled for his chest and Toji’s muscles flexed tantalizingly under your gaze. You lost yourself for a moment as the familiar scent of his heady masculine musk invaded your senses.

Your eyes roamed lower and lower before resting on the bulge beneath his sweats and you softly pant. 

“You’re staring at my dick like you want me to stuff that pretty little throat cunny of yours full. You aren’t making good use of your mouth right now anyway Y/N, might as well see how much of me it can fit.”

You looked away from him completely but that only ignites Toji's flames more.

“Look me in the eyes little girl...” Toji’s hand roughly grabbed your jaw and squished your cheeks together as he brought his face closer to yours.

“This shy act won’t cut it anymore, slut.”

His intensity was overwhelming you. Various emotions threaten to bubble to the surface as you squirm in his grasp and your eyes become glossy with tears.

“You didn’t think you finally had a man who would be into this wild ass shit, now did you?”

You wanted to question him further but you felt your gravity shift as the balcony door whipped open behind you. Toji ripped off the towel covering you as you practically tumbled backwards onto the small landing buttass naked.

The crisp fall night air hits your dampened skin giving you goosebumps. You shiver and immediately drop down in a crouch to cover yourself. 

“T-Toji!! Are you insane?!” You gasped at him in a hushed tone, your silence finally broken. 

Promptly, you scan the seemingly deserted neighborhood streets through the railing for any sign of movement or signal that someone else was outside.

To your relief there was no one in sight.

Thankfully this was a relatively quiet neighborhood and no one was ever really out at this time of night. Nevertheless the shock of it all was sending your nerves into overdrive.

“Toji my ass bitch. It’s daddy to you moving forward–,” he roared jerking you up off the ground, “–and we are going to do every single fucking thing your slutty mind has ever fucking written starting NOW.” 

Your eyes darted as around him if you wanted to run back inside but there was no getting past his brutish build as he quickly slammed the door shut, shaking the frame.

Frankly, you didn’t know whether to be thrilled or terrified as you had written some depraved ass shit over the past year in the midst of your cockdrought. Some of it you had never even seriously thought of actually doing IRL. 

“Let’s start right ‘ere, eh? Did you think I wouldn’t notice the description of the place in your little balcony story matched your own?” 

Your eyes almost popped out of your skull as you recalled what you wrote in that particular smut fic.

ꨄ 

“A-AH! N-NOOO TOJI, W-WAIIIIIIIT!” You whined through gritted teeth. 

You tried (and failed) not to release any noises from the unrelenting backshots Toji was currently giving you as he folded you over the balcony railing. The tips of your toes barely rested on the cold floor as your ass bounced back into him and had your clit throbbing when his heavy balls smacked against the sensitive nub.

You had previously only fantasized about Toji being this rough with you, but now that it was actually happening for real you couldn’t think straight. Your lungs burned from sucking in the frosty night air and your cunt pulsed from his thick girth stretching you open. 

Shockwaves ran along your body with every cruel thrust of his hips. The force of it reduced your legs to jelly and you were sure you would have collapsed had he not had you suspended like you were, between him and the railing. 

Toji seemed both unfazed by the cold and your cries for mercy as he shushed you with a harsh spank. He enjoyed the way your fat ass rippled under his heavy hand in the moonlight so much he gave you a few more for good measure.

Your tits violently swayed over the edge as one of your hands grasped the railing for stability and the other held your phone in front of you. Toji was making you dictate your story for him as he reenacted the play by play assault on your cunt.  

The bright screen you held was near blinding to your teary eyes. You mentally cringed as you knew it would act as a shiny beacon to view your activities if anyone walked by the small apartment complex or hell, even stepped out on their balcony. 

“T-Toj- Daddy, w-what ‘bout– neigh-h-b-bor-s?”

You managed to croak out over the sloshing of your cunt and slapping sounds of flesh that echoed into the atmosphere everytime he rammed into you. You couldn’t bear to look around to see if any of your neighbors had started to investigate.

“Pshhh, Fuck your neighbors Y/N! They clearly don’t have a cockcrazed baby to please that writes dirty little stories about imaginary men like I do.”

If you didn’t know better you would think he was actually jealous of the DILFs in your stories too from the way he was sadistically fucking into you. 

His thrusts caused your icy tears to run down your face and sent your tits bouncing into the wind. Your cold and neglected nipples hardened in the chill to the point of delicious pain.

“B-but- it's too c-cold out D-Daddy!”

“Mmn, yet your pussy feels warm enough, Y/N. Too hot even. This is for your benefit, you know–,” Toji stated matter-of-factly while he increases the speed his pounding into you, “–So you remember you have your own Daddy who will fuck you anyway you want, anytime you want…just, fuck, tell Daddy what his slutty baby needs.”

The way his hips are driving into your core knocks the wind out of you. Toji tightens the already brutal grip on your hips which assists him in pressing deeper into your cunt. The movement has you almost slipping. You nearly drop your phone off the balcony when your toes stepped in the growing pool of shared juices flowing down your legs and collecting at your feet.

“Hold that shit tight for daddy baby, got it? You drop it and we gotta start over, yeah? I’ll make you walk downstairs ass naked just like this to get it too,” Toji breathed out huskily. 

You realize you’ve never heard him sound this needy before now.

“What’s next, in y’er lil’ story huh?… Speak up so I can hear it over this messy cunt.” 

There was an edge of desperation for you clear in his tone. Although to your dismay it causes your body to gush around him harder meaning you would have to speak up even louder as your pussy squelches grew more vulgar in volume. 

You nearly shouted out the next part groaning and mixing in incoherent babbles throughout the smut filled paragraph as Toji doesn't slow to help you. If anything Toji picks up speed and grows even harder inside of you as he's encouraged by his baby's filthy words.

“...H-he- lifts your leg, r-resting your knee on the edge of the bal-c-cony. T-T-The angle allows h-him, fuck, deeper access to your c-cunt. Ah-h-h-a clear view of his c-cock badgering your core f’er a-anyone who happens to p-pass belowwww-ohmygod. Y-you seeeeee s-stars as he callously s-slams into your c-cervix, shitshitshit, n-nearly fa-fa-fucking you off the balcony if not for his s-strong hold on youuuu–ah. Y-you violently t-tremble as you c-cum s-screamiiiiing, not fuckdaddyfuckkkk, caring if your n-neighbors could s-see or h-hear you any l-longer.”

“HA! Is that so–” Toji lifts your leg just like you wrote in your fic, “–guess I am gonna to have to keep fucking this tight cunt until you no longer give a fuck about anything else but this dick, eh?”

You hear what sounds like a door slide open near you and you begin to whine about your neighbors again before Toji jerks your head back by your ponytail to whisper in your ear. 

“I wouldn’t worry that nasty, pretty little head of yours about these neighbors babydoll…” 

The new angle allows Toji to bury himself deeper into you just like you told in your story and his tip hits your cervix so hard you think he might actually penetrate. 

“...if I were you Y/N... I would think about how daddy’s needy lil whore is gonna make it through an entire day of classes tomorrow with clamps on your nipples and a remote control vibrator up your cunt.”

He licked the side of your face and spit in your mouth before carelessly pushing your head back. You loudly moaned as his bruising grip returned to your meaty hips as his nonstop aggressive assault on your cunt proceeds.

You feel yourself getting close, your eyes rolled back into your head and drool seeped down the corners of your mouth. You cursed your weakness for this shit as you felt yourself give into the pleasure. You surprise even yourself as you never actually thought this kinda sex could be so fucking good you wouldn’t care about shit else for real. 

“Goddamn mamas, squeezing me so hard–” Toji’s hips snapped into you with every syllable, his voice becoming more animalistic, “–you want me to fill this pussy up? Mmm, I fucking know you do the way she’s milking me. Fuck, might even put a baby in you, give ‘gumi a sibling. We won’t be able to do some of that kinky shit you wrote unless I knock a baby up in this cunt, ya know.”

Of course, Toji being the sexy ass DILF straight out of your dreams would love breeding kinks too.

His ramblings cause you to tighten and clench around him even more. You’ve wanted to beg for him like this since you first started dating. Just thinking of the words spilling out of your mouth nearly pushed you over the edge.

You were so close to release.

“I-Inside me D-Daddy pleasepleaseplease!,” you slobbered out, struggling to make sentences from all the pleasure within you.

“F-fill me– fill me D-Daddy, knock this tight little cunt up, w-want it– want it– w-want it–!!!”

Your voice caught in your throat and you nearly choked once you felt your peak hit. Your pussy sent tremors around his dick as you creamed around him. You can't think of anything else but him inside of you.

You just came but Toji allowed you no rest. He still pummeled inside you as he chased his own high and slurred vulgar curses of praise for his pretty lil’ whore's dirty mind, while planning the next debaucherous smut for you both to reenact.

“Ya think it's too late now f’er prime next day delivery for those toys, baby? Fuck, look that up while y’er still holding that phone.”

You didn’t even realize you still had your phone in your hand but were just thankful you didn’t drop yet. You didn't think it would survive the fall.

Groaning you tried to rally the strength to even lift the phone to face unlock when you locked eyes with someone below. You instantly recognized the person as the elderly woman with the flower garden from down the street.

The old lady had always been very kind to you, making pleasant conversation, offering you fresh flowers for your kitchen and praising you for how reminded her of her own sweet young daughter at your age. 

Unfortunately for you both, she was casually walking her two mini poodles when her eyes were affronted with you practically hanging off the balcony. A blissed out expression plastered across your face while Toji held you, battering your slick pussy full of his thick cock.

The old woman’s eyes widened in terror as if she actually witnessed a crime scene as she panicked, yanking her two dogs away swiftly back in the direction of her home. You knew you would have to take the long way home from now on.

Nevertheless Toji, who was none the wiser and wouldn’t give a single fuck regardless, merely continued planning out your next smut fic enactment.

“Nah fuck it, we’re going to the library tomorrow. See how many pages you can read of that dull ass biology book while y’er warming my cock... Tch, or should we do the one where y’er fucking the coach in the men’s locker room, whacha think baby?”

"Hmmmnmmrgh", you could only moan in reply.

You were already near hyperventilating from your own climax, the shame of now having to avoid your neighbor for life and Toji’s fiery body creating a storm of friction clashing with the freezing temperatures.

But your senses were now wholly overloaded once you felt him reach down to pinch and rub at your clit. 

“Cum again with Daddy baby, shit, can ya do that f’er me?” Toji sounded like he was close and he slapped your clit even harder causing you to scream out.

Cockdrunk and overstimulated you could no longer communicate as your entire body felt like it was an extension of your pussy. The thick fluids flowing out of your body increased the sizable puddle already at your feet. You utterly surrendered to the feeling and your body wrecked with pleasure electrifying you. 

You almost blackout as you feel his cock bust hot seed into your tummy melting your insides and causing you to cum all over again.

"Fuck, that’s it, take it all. Can't wait to see this belly and these tits full mama."

The aftershock of your orgasm feels near endless as Toji continues to fuck thick ropes of his cum into you. 

Losing track of time you weren’t sure how long it was before Toji finally pulled out and took you off the railing. Holding on to you so you can balance and turning you to face him he places you down on your unsteady feet. You immediately bury your head into his chest as his heat envelops your cold skin. Your breathing finally starts to calm in his embrace. 

“So good f’er daddy babygirl,” he murmurs into your hair, savoring your scent.

“Warm bath, yeah?”

“Sure, but you gotta carry me daddy.”

You yawned while Toji’s already lifting you princess style in his strong arms. You were exposed still in the night but at the same time you have never felt safer. 

You curl further into his warmth as he kisses your forehead and finally brings you back inside.

Once inside the bathroom Toji sets you down on the edge of the tub while the water runs and he leaves to grab some fresh towels.

You can’t help but feel euphoric as you smiled to yourself. You are too giddy!

You finally have the DILF daddy you always wanted and could be open about your kinks without any judgment. 

However your mood shifts when Toji returns. You give him an incredulous look as you see your pink waterproof vibrator in his hands. 

Toji turns it on and saunters over to you, his scar twisted into a devilish smirk.

“95 more fuckfics to go ma’, we don’t have time to waste…”

Fucking hell, you had entirely forgotten about the overstimulation in the bath drabble. 

You quiver in both anticipation and distress as you aren’t sure how your completely spent and nearly frozen body is gonna be able to cum four more times tonight. 

Could there ever be too much of a good thing?

You weren't sure what those limits were exactly.

“Ya know, Y/N–," Toji started slyly, interrupting your thought.

”If I hit up Shiu and you asked him nicely with that pretty lil' mouth, I’m positive he would be down for some double daddy Eiffel Tower action.”

However from the feral grin on Toji’s face he appeared determined to test those limits with you.

You could thank your Tumblr smut fics for that. 

© ʙʟᴋᴋɪᴢᴢᴀᴛ 2023. ᴀʟʟ ʀɪɢʜᴛꜱ ʀᴇꜱᴇʀᴠᴇᴅ. ᴘʟᴇᴀꜱᴇ ᴅᴏ ɴᴏᴛ ꜱᴛᴇᴀʟ, ᴛʀᴀɴꜱʟᴀᴛᴇ, ᴄᴏᴘʏ ᴏʀ ᴄʜᴀɴɢᴇ ᴀɴʏ ᴏꜰ ᴍʏ ᴡᴏʀᴋꜱ. ᴛʜɪꜱ ɪɴᴄʟᴜᴅᴇꜱ ꜰɪᴄꜱ, ᴅʀᴀʙʙʟᴇꜱ, & ɢʀᴀᴘʜɪᴄꜱ. ᴛʜᴇʏ ᴀʀᴇ ᴀʟʟ ᴍᴀᴅᴇ ʙʏ ᴍᴇ ᴜɴʟᴇꜱꜱ ᴏᴛʜᴇʀᴡɪꜱᴇ ꜱᴛᴀᴛᴇᴅ. ᴛʜᴀɴᴋ ʏᴏᴜ.

A/N: I honestly have to say I am a bit impressed with myself as I’ve never finished a story in one day before ever (although it took most of today to proofread and I still think there might be errors soz). Hopefully this is a good sign for powering through those Kinktober fics once classes start up again this Weds. Also If there is any interest possibly a PT 2 after Kinktober featuring a threesome with Shiu at his office.

Edit: errors/grammar fixed as of 9/26.

This one goes out to all of us dilf smut queens who simp Toji ❤︎

Please reblog to have DILF Daddy Toji dick you down, but likes and comments are always appreciated just the same!

[mononijikayu]

pretending as always — ryomen sukuna.

"Sukuna." you whispered, your voice barely more than a breath. "Do you ever think about us? About how things used to be?" He didn’t answer right away, his gaze fixed on the ceiling as if the answer was written somewhere in the shadows. When he finally spoke, his voice was low, almost resigned. "Things change. People change." "I know, I know." you replied, your fingers tracing the outline of his hand resting on your waist. "But I miss it. I miss us. The way we were before… everything."

GENRE: alternate universe - modern au!;

WARNING/S: angst, toxic romance, hurt/no comfort, cheating, unhappy marriage, crying, hurt, sadness, pain, character death, grief, unhappy ending, depictions of broken marriage, depiction of grief, depiction of cheating, depiction of death, depiction of loneliness, mention of grief, mention of misery, mention of loneliness, cheating husband! sukuna, long suffering wife! reader;

WORD COUNT: 10k words

NOTE: the thought bubble says 'things change, people change.'; the playlist for this chapter alone was just so angsty. like from i'm not the only one to glimpse of us, i really went through it writing this. i decided to write only one sad fic because i feel like putting out casual, together and thirty nine almost at the same time was just really criminal of me to do. so i hope you enjoy this, though!!! i love you all <3

masterlist

kayu's playlist - side 900;

if you want to, tip! <3

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

ANOTHER HUFF RELEASES FROM YOUR MOUTH. You don’t remember how many you’ve smoked today. But you were sure that it was beyond one pack. This was the only time you could be alone, to think for yourself. To have control. The control you’ve been craving for years and years, one that you will never truly have again. You didn’t need someone to see you out here, to tell you no, to worry about your health. You didn’t need that. Not right now. You needed to be alone. You needed silence. 

You sat on the balcony of your lavish penthouse, gazing out at the shimmering lights of Tokyo. The city was alive, vibrant, a testament to the empire your husband, Ryomen Sukuna, had built. He was the man behind the biggest conglomerate in Japan—a titan in the world of business, feared and respected in equal measure. And you were his wife. 

Once upon a time, you had been someone too. A doctor with a promising career, surrounded by friends, fulfilled by the life you had created with your own hands. Your days were spent saving lives, making a difference, and your nights were filled with laughter and tenderness with colleagues who had become family. You were driven, passionate, and proud of the work you did. But now, as you sat in the lap of luxury, the woman you once were seemed like a distant memory.

Now, you were just his wife. 

It wasn’t that you didn’t love him—you did. You loved him more than words could express. Sukuna was everything to you, and being his wife brought a kind of happiness you hadn’t known was possible. Yet, there was a gnawing emptiness, a void that had grown over the years. As much as you loved him, as much as he adored you in his own way, you knew the truth.

Ryomen Sukuna was not a man who could be kept down, not even for you. He was a force of nature, unstoppable, always striving for more, always looking beyond what he already had. His ambition was a double-edged sword, driving him to unimaginable heights but also pushing him further away from the simple life you sometimes yearned for. 

There were nights when he didn’t come home, when he was out sealing deals or attending extravagant parties where you were merely an accessory. You’d watch him from a distance, surrounded by admirers, his presence commanding attention wherever he went. He thrived in that world of power and influence, and you knew that no matter how much he loved you, that world would always be his first love.

You tried to be content with the life you had with him. After all, you had everything most people could only dream of—wealth, status, and the affections of a man who could have had anyone but chose you. But deep down, you couldn’t shake the feeling that you had lost yourself in the process. You weren’t the doctor anymore, the woman with her own dreams and aspirations. You were simply Mrs. Ryomen Sukuna, a title that came with its own set of expectations and sacrifices.

As the night grew darker, you wondered what it would take to feel like yourself again. Could you ever reclaim the life you had before Sukuna, or had you given up too much to ever go back? And if you did, would you lose him in the process? It was a question that haunted you, even as you curled up in the luxurious sheets of your bed, waiting for him to return home. You loved him. But sometimes, love wasn’t enough.

Your husband was a man to love—eccentric and electric, a living embodiment of wonder wrapped in the form of a man. His presence was magnetic, a force that drew people in, leaving them captivated by his every word, his every move. Ryomen Sukuna was a personality larger than life, his energy palpable, his enigma undeniable. He filled every room he entered, his laughter loud and contagious, a stark contrast to his own brother, Jin, who was quiet, composed, and unassuming.

Where Jin blended into the background, Sukuna demanded attention. Everyone who met him felt the spark, the electricity that seemed to radiate from him. He was unpredictable, always a step ahead, always thinking of the next big thing. His mind worked in ways that left others in awe, trying to keep up with the whirlwind that was his thoughts and ideas. Loving him was like holding onto a storm—thrilling, dangerous, and consuming.

But for all his vibrance and charm, Sukuna was still a man of cold realities. His work came first, always. No matter how much you wanted to be his priority, the empire he built was what he poured most of his energy into. He was often distant, consumed by the responsibilities that came with being the man at the top. Days would pass where you barely saw him, where his presence in your life felt more like a memory than a reality.

Yet, when he did give you his time, it was genuine and honest. Those rare moments were when you saw the man beneath the mask, the one who cared for you in his own complicated way. His touch was real, his words sincere, and in those fleeting minutes, you felt the depth of his love, even if it was buried under layers of ambition and duty.

There were nights, though, when he would come to bed, slipping under the covers beside you, and in those moments, he was truly yours. Those were the times you held onto, the nights where the world outside his office door ceased to exist, where the only thing that mattered was the feel of his warmth next to you.

His arm around your waist, his breath on your neck—these were the small, intimate moments that made the loneliness bearable. In the quiet of the night, Sukuna would pull you close, and for those few hours, he was just a man who loved his wife, not the untouchable titan he had become during the day.

But as the dawn approached, you knew he would slip away again, back into the world that demanded so much of him. Those nights were a bittersweet reminder that while he was yours, you would never fully have him. Still, you cherished them, holding onto the hope that maybe one day, the man who captivated the world would find his way back to you, not just in the shadows of the night, but in the light of day as well.

If you tried slyly, you could sometimes extract details about his life—small, fragmented pieces of the puzzle that was Ryomen Sukuna. A hint here, a passing comment there. But even after so many years of marriage, he wouldn’t budge.

He was a vault, his thoughts locked away in a place you couldn’t reach, no matter how hard you tried. There were times you sat across from him, watching his expressions, hoping to catch a glimpse of what was going on behind those sharp eyes, but he was impenetrable. You didn’t know what he was thinking half the time. 

And as the years passed, you began to realize a painful truth: you didn’t know this man anymore. He wasn’t the man you fell in love with, the one who had promised you the world with that charming smile and infectious energy. That man was a memory, fading with every passing day. The man you were married to now was a stranger, someone who wore Sukuna’s face but carried a weight and distance that hadn’t been there before. He was no longer wholly yours, not anymore.

But when he was—on those rare occasions when he let you in, when the walls came down just enough for you to feel the warmth beneath his cold exterior—those moments were everything. His exterior remained hard, a shield against the world and perhaps even against you, but in the quiet darkness of your bedroom, he softened.

The bed you shared became a pure and sacred shrine, a place where the outside world couldn’t reach, where only you and he existed. In that space, the burdens he carried were set aside, and for a fleeting moment, he was just a man, your husband, the one who still held pieces of your heart.

The warmth of his body against yours, the way he would pull you close as if you were his anchor—these were the moments that reminded you of the love that still lingered between you. It was as if, in that bed, time stood still, and the distance that had grown between you disappeared, leaving only the two of you, as you once were.

And though those moments were few and far between, they were enough to keep you holding on, hoping that perhaps, one day, the man you fell in love with would return to you, not just in the night, but in every aspect of your life together.

You lay beside him in the dark, feeling the weight of the silence between you. His arm was draped over your waist, his grip firm but gentle. It was one of those rare nights when he was fully present, when the business world he ruled seemed to fade away, leaving just the two of you. You turned slightly, your face inches from his, searching his eyes for something—anything—that might bridge the gap that had grown between you.

"Sukuna." you whispered, your voice barely more than a breath. "Do you ever think about us? About how things used to be?"

He didn’t answer right away, his gaze fixed on the ceiling as if the answer was written somewhere in the shadows. When he finally spoke, his voice was low, almost resigned. "Things change. People change."

"I know, I know." you replied, your fingers tracing the outline of his hand resting on your waist. "But I miss it. I miss us. The way we were before… everything."

His eyes finally met yours, and for a moment, you saw something flicker there—regret, maybe, or a trace of the man you once knew. But it was gone as quickly as it appeared, replaced by that familiar unreadable expression.

"I’m still here. I always have been." he said, his tone matter-of-fact. "I never left. And you know that."

"Physically, yes, I know. But I just….It’s just." you murmured, a hint of bitterness creeping into your voice. "Sukuna, it’s like I don’t know you anymore. You’re not the man I married. You’re not the man who promised me the world. And I don’t know where he is. And I want him back.”

He didn’t flinch, but you felt the slight tension in his arm as he pulled you a little closer. "The world isn’t what it used to be. It won’t ever be what it was, you know that." he replied quietly. "And neither am I. And you know that too. But I’m still here. I’m still your husband.”

You sighed, feeling the tears prick at the corners of your eyes. "But when you’re here, like this… it’s different. For just a moment, it feels like nothing’s changed. Like it’s just you and me, the way it used to be. I wish we could stay here, like this, forever."

He didn’t respond right away, but you felt his grip on you tighten, his thumb brushing softly against your skin as if to reassure you. "This bed, our bed…." he said slowly, his voice rougher than usual, "it’s our sanctuary. It’s the one place I can forget about everything else. But you know I can’t stay here forever. Not when the world calls me, not when it needs me.”

"I know that." you whispered, your voice cracking slightly. You needed him too. You needed your husband. And he will never see it. Not even when he tries. "But I can’t help wishing you would. That maybe, just once, you’d choose me over everything else. Like you used to.”

He was silent for a long moment, his breath warm against your hair. When he finally spoke, there was a softness in his voice that you rarely heard. "If I could, I would. You’re the only thing that keeps me grounded, that reminds me I’m still human. But I can’t give you all of me. Not anymore. I have things to do too.”

You closed your eyes, letting the tears fall silently. "I just wish… I wish you’d let me in, Sukuna. I want to know what you’re thinking, what you’re feeling. I want to know the man I’m sharing this bed with."

He didn’t answer right away, and you knew he wouldn’t. Instead, he pulled you closer, his lips brushing against your forehead in a rare, tender gesture. "I’m here now, you know?" he whispered. "Let’s just… stay in this moment, just for tonight."

You nodded, unable to find the words to say anything more. You clung to him, holding onto the warmth of his body, the rare softness of his embrace, knowing that when morning came, he would be gone again—pulled back into the world that demanded so much of him. But for now, you had this, and it would have to be enough.

It sounds more romantic than it actually is in reality. What you shared with Sukuna was far from the idyllic love story others might imagine. It was a volatile existence, a solitary one. A lonely existence. There were no whispered secrets in the dark, no playful banter or stolen glances across the room. There were no soft gazes filled with unspoken affection, no tender moments that lingered long after they ended. With Sukuna, you got the raw, unfiltered version of him—a man stripped of any pretense or facade.

Sukuna was not a man of many words, and that held true even during the most intimate moments between you. He was silent, his focus intense, his mind seemingly elsewhere even as he was with you. There were no sweet nothings exchanged, no promises of forever whispered into your ear. He was a man of action, not words, and even less so when you were in bed together.

Yet, despite the lack of verbal communication, there was one thing he always maintained—eye contact. His gaze never wavered, never strayed from yours, and in those moments, you saw something in his eyes that you rarely saw anywhere else. His eyes were earnest, and that sincerity was the closest thing to vulnerability he ever allowed himself to show. It was as if, in those brief moments of connection, he was telling you without words what he couldn’t bring himself to say aloud.

But even that small comfort was fleeting, a temporary solace in a relationship that often felt more like a battle than a partnership. You loved him, but it was a love laced with pain and longing, a love that left you feeling more alone than ever. Because while his eyes might have been honest, they also held a distance that you couldn’t bridge, a reminder that even in his most vulnerable moments, Sukuna was still just out of reach.

So you took what you could get—the warmth of his body against yours, the rare tenderness in his gaze—and tried to ignore the aching loneliness that gnawed at you in the silence that followed. Because at the end of the day, you knew that this was the only version of Sukuna you would ever truly have. And for better or worse, you had to make peace with that.

You lay there in the quiet aftermath, your body still humming from the intensity of it all. But as the warmth began to fade, reality seeped back in. The silence between you was heavy, filled with all the things left unsaid. There was no gentle touch, no soft embrace to pull you closer. Sukuna remained beside you, but there was a distance, an unspoken barrier that kept you apart even when you were lying inches away from each other.

This was your life—a series of fleeting connections punctuated by long stretches of solitude. You had learned to navigate this existence, to find comfort in the small moments, even if they were far from the grand romance you had once imagined. But it was a lonely existence, one that often left you feeling hollow, as if a piece of you had been carved out and left behind somewhere along the way.

There was no pillow talk with Sukuna, no lingering in the soft afterglow. Not like it used to be, when you greeted the morning light talking and talking. The man beside you was not one for such things. He was not the type to reach out and hold you close, to whisper sweet reassurances that everything would be okay. He simply wasn’t built that way, and you had long since stopped expecting him to be.

Instead, there was just the raw version of him—the man who was silent in his love, who showed it in ways that were hard to decipher, in ways that often left you questioning if it was there at all. His love wasn’t gentle or easy; it was fierce, consuming, and at times, almost indifferent. But it was there, hidden beneath layers of responsibility, power, and the iron will that had made him who he was.

Sukuna’s eyes were the only place where you could see that truth, where you could catch a glimpse of the man beneath the exterior. Even during sex, when his body was moving against yours with a deliberate intensity, his eyes stayed locked on yours, never wavering.

There was something disarming in that gaze, something that spoke of an honesty he couldn’t express any other way. It was in those moments, brief as they were, that you felt a connection, a thread of intimacy that tied you to him, even if it was fragile and frayed.

But as much as you clung to those moments, they were never enough to fill the void. The bed, which had once felt like a sanctuary, now seemed more like a cold, empty place where two strangers shared space but not lives. You would turn to face him, hoping for something—a word, a touch, anything to bridge the gap���but he remained still, his mind already miles away, lost in thoughts you could never reach.

And so you would close your eyes, trying to hold onto the fleeting warmth of his body next to yours, trying to convince yourself that this was enough, that you could live with the silence, the loneliness, the distance. Because at the end of the day, he was still the man you loved, the man who had once promised you the world.

But that promise had faded, just like the warmth that now ebbed away in the cold, empty silence of the room. And as much as it hurt, you knew that this was all there would ever be—a man you could never fully have, a love that was always just out of reach, and a life lived in the spaces between what was and what could have been.

You cry a lot about how life has let you suffer this way. The tears come in waves, usually in the quiet hours of the night when the weight of it all feels too heavy to bear. You cry for the life you thought you would have, for the love that feels like it's slipping through your fingers, for the man who promised you everything but gave you only fragments. The pain of it all has become a constant companion, a dull ache that lingers even in your happiest moments, because you know, deep down, that things will never be what you once dreamed they could be.

You knew about the women. You’ve always known. The whispers that reached your ears, the subtle changes in his demeanor, the way he would smell of a perfume that wasn’t yours. You knew about the women he took to hotels, the ones he wined and dined in the finest restaurants, the ones he spoiled with gifts and attention that you used to believe were reserved for you alone. You knew about the strip clubs, the fleeting kisses at bars, the meaningless trysts that filled the void you couldn’t seem to reach.

But knowing and seeing were two different things.

The image before you feels like a knife to the gut, twisting with a cruel precision. She’s beautiful, laughing at something Sukuna has whispered into her ear. They’re sitting too close, his hand resting on her thigh as though it belongs there.

His expression is relaxed, the mask he wears with you completely gone. This is who he really is, you think to yourself. You could feel this bitter realization curling in your chest. You feel like you were going to be sick.

For a moment, your legs threaten to give way beneath you. The restaurant is dimly lit, the low hum of conversation and clinking silverware suddenly drowned out by the rush of blood in your ears. You’ve been here before. It’s one of his favorites—one you thought was yours too, where he used to look at you with that same easy smile.

Your heart hammers against your ribs, urging you to flee, to turn away before the pain can deepen. You take a step back, and then another, the darkness of the entrance swallowing you whole as you move further from the scene. It’s as if you’re in a dream, your body moving on autopilot, one step after another, until you’re out on the street, the cool night air hitting your skin like a jolt.

You keep walking, eyes unfocused, the city lights blurring into a haze of colors. The truth is, you don’t know where you’re going. All you know is that you can’t stop moving. Because if you stop, if you allow yourself to think, to feel, the walls you’ve built around your heart will collapse, and you’ll be left with nothing but the agony of what you’ve lost. Or perhaps, of what you never truly had.

You knew everything. And yet, you pretended as always, especially when he came home. Because he always did. No matter how many nights he spent in the arms of someone else, no matter how many times he broke your heart with his affairs, he always came home to you. And you clung to that, as painful as it was, because it was the one thing you had left—the knowledge that, for whatever reason, he chose to come back to you.

You knew everything. And yet, you pretended as always, especially when he came home. Because he always did. No matter how many nights he spent in the arms of someone else, no matter how many times he broke your heart with his affairs, he always came home to you.

And you pathetically clung to that, as painful as it was, because it was the one thing you had left—the knowledge that, for whatever reason, he chose to come back to you. That he'll always choose to come back to you. And only you.

The sound of his key turning in the lock was your cue to slip the mask into place, smoothing out the cracks in your facade. You could hear the soft rustle of his coat as he shrugged it off, the faint smell of that foreign perfume clinging to the air. It was like a slap in the face, but you swallowed the bitterness down, forcing yourself to stay calm.

“Hey.” he called out, his voice casual, as though nothing were amiss. As though he hadn’t just spent hours with someone else.

“Hey.” you replied, keeping your tone light, as if you hadn’t been waiting in silence, wondering who he was with, what she looked like, if she made him laugh the way you used to.

He stepped into the room, his gaze brushing over you, taking in the sight of you curled up on the couch with a book in your hands. It was a scene of domestic tranquility, one you’d perfected over the years. You’d become a master at hiding the turmoil beneath the surface, at pretending that everything was fine.

“How was your night?” you asked, the words slipping out easily, as if they weren’t laced with the weight of unspoken truths.

“Busy.” he replied, moving toward you. He leaned down, pressing a kiss to the top of your head, and for a moment, you allowed yourself to lean into him, to savor the warmth of his presence. This was the part you held onto—the part where he came home, where he chose you, if only for a few fleeting hours. “Did a lot of meetings. It was dull. Like always.”

But even as he pulled away and headed to the bedroom, you couldn’t help but feel the coldness seep back in, the emptiness that settled in the pit of your stomach. You knew he’d be gone again tomorrow, off to chase whatever thrill he found in the arms of someone else. 

Still, you clung to that tiny thread of hope, the one that told you he would return. Because as long as he came home, as long as he kept choosing you, there was a part of you that could pretend—pretend that it was enough, that you were enough. You knew that you were tearing yourself apart. Apart from this man. But you were stuck. You didn’t know how to get out. Not when you can’t bear separation.

It was a cruel cycle, one that left you feeling shattered and hollow, but one you couldn’t break free from. You pretended because it was easier than confronting the truth, easier than acknowledging that the man you loved was also the man who was tearing you apart. You pretended because you wanted to believe that, despite everything, there was still something left between you, something worth holding on to.

Because as much as he hurt you, as much as he used other women to fill whatever void he was running from, you knew one thing with absolute certainty: he loved you. He might have been distant, cold, and unfaithful, but that love was there, buried beneath the layers of deceit and betrayal. It was a twisted, painful love, one that hurt more than it healed, but it was real. And that’s what made it so hard to walk away.

He loved you, and it hurt you. It hurt because that love wasn’t enough to stop him from seeking out others, from indulging in pleasures that had nothing to do with you. It hurt because that love didn’t protect you from the heartache, didn’t shield you from the loneliness that came from sharing a bed with someone who was only half there.

But it was love nonetheless, a sick, unadulterated, gut-wrenching love you can never truly escape even if you wanted to. and you clung to it with everything you had, because without it, you weren’t sure who you would be anymore.

So you cried, and you pretended, and you waited for him to finish his shower, knowing that when he did, you would smile, you would act as if nothing was wrong, as if your heart wasn’t breaking a little more each day. Because you loved him, too, and that love was the only thing holding you together, even as it threatened to tear you apart.

The stairs creaked with every step, and you quickly wiped the tears from your cheeks, forcing yourself to take a deep breath. You knew the routine by now—how to mask the pain, how to put on a smile that didn’t quite reach your eyes. The sound of his footsteps echoed through the steps, and you braced yourself, slipping into the role you had perfected over the years. He’d gotten out of the shower and dressed.

Sukuna walked back into the living room, his presence filling the space like a storm cloud. He glanced at you briefly, his expression unreadable as he walked in front of you. You could still smell the faint scent of a perfume that wasn’t yours, the remnants of a night you knew all too well. It was as if he was mocking you. It was as if he wanted you to know.  But you didn’t say anything. You never did.

“Did you have dinner yet?” you ask him, your voice steady despite the tightness in your chest. “There’s still some soba I made for dinner.”

He hums in response, reaching for your hand, his touch warm but somehow distant. “Maybe later, I’ll heat it up myself. Let me stay here with you for a bit.”

You nod, pretending to be satisfied with his answer, even though you know it’s a lie. “Okay, that’s fine.”

You make some space for him to sit beside you, but instead, he lowers his head onto your lap, his body stretching out along the couch. The gesture is familiar, almost comforting, but tonight, it feels like a weight pressing down on your chest. You feel the bile rise in your throat as he closes his eyes, humming softly to himself, as if this moment is as peaceful for him as it is tormenting for you.

You force your fingers to move, to edge along the tips of his fuchsia-colored hair, the strands soft beneath your touch. The motion is automatic, a habit born from nights like these, where you pretended that everything was still okay. But as you purse your lips into a tight line, trying to keep your composure, you feel the tears threatening to spill over, the pain clawing at the walls you’ve built around your heart.

Not now, you tell yourself. Not now. You can’t break, not here, not while he’s with you.

You swallow hard, pushing down the surge of emotions that threaten to rise to the surface, and speak in a voice you barely recognize as your own. “You worked hard.”

He opens his eyes, his gaze meeting yours in the dim light of the room. “So did you.” he whispers, his tone soft, almost tender.

His words, if they were meant to comfort you, only deepen the ache inside you. You bite down on the inside of your cheek, forcing a small, hollow smile as you continue to stroke his hair. Because that’s all you can do—pretend that this moment is enough, that his presence here is enough to make up for all the nights he’s been away, all the lies you’ve told yourself just to keep going.

He closes his eyes again, sighing softly, and you watch him, your fingers never faltering in their gentle rhythm. And as you sit there, with his head in your lap and the soba cooling on the kitchen counter, you realize that this is what you’ve become—someone who is willing to live in the spaces he leaves behind, someone who clings to the small moments he offers, even when they’re built on a foundation of lies.

“I missed you, Sukuna.” you whispered, your voice trembling despite your best efforts to keep it steady.

“I know.” he replied to you, in a tone that knows. A tone that reveals it all. He knew that you know, you weren’t a fool. You were too smart for it. And yet, here you are. With him, his lying, selfish self, loved by you. “I’m here now.”

You nodded, knowing that was the most you would get from him. “I’m glad you’re home.”

He didn’t respond, but you could feel the tension in his body slowly easing, his breathing becoming more relaxed. You knew this was as close as he would come to letting you in, and you tried to take comfort in it, even though it wasn’t enough.

You lay there in silence, your hand still resting on his chest, listening to the rhythmic sound of his breathing. You wanted to say more, to tell him how much it hurt, how much you wished things could be different. But you knew it wouldn’t change anything. He would always come home, but he would never truly be yours.

So you stayed quiet, pretending for him, for yourself, for the fragile love that still tied you to him, even as it slowly unraveled. You pretended that this was enough, that the fleeting moments of closeness were worth the nights spent alone, the tears shed in silence, the knowledge that he would never be wholly yours.

And in the dark, as you lay beside him, you let yourself believe the lie, if only for a little while. Because sometimes, pretending was the only thing that kept you going.

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

EVERYTHING CHANGED WHEN YOU HEARD THOSE WORDS. The doctor's words echoed in your mind as you drove home, your knuckles white from gripping the steering wheel. "A few months, at most," he'd said, and you'd nodded, thanked him even, before walking out of the clinic in a daze. The sky outside seemed unchanged, the world continuing its indifferent spin, while inside you, something had irrevocably shifted.

When you finally made it home, you sat down, the weight of everything settling onto your shoulders like a heavy blanket. The familiar surroundings seemed distant, like you were seeing them through a fog. The elegant decor, the soft lighting—everything was perfect, just as it always was, but it felt like a set piece now, like something you were watching from afar.

You tried to think of what you should do next, what anyone would do with such news. Should you cry? Scream? But nothing came. Instead, a strange sense of calm washed over you, like the stillness after a storm. Maybe this was it—God's way of freeing you from this misery, this life you’d never truly lived.

A miserable existence, that’s what it was. A life spent in the shadow of Ryomen Sukuna, the man who was everything to everyone, and nothing to you. The man who had captured your heart and soul, only to lock them away somewhere deep inside, where they withered, starved of the love you so desperately needed. You’d given everything to be his wife, to play the part in the perfect narrative he’d constructed, and in the process, you’d lost yourself.

The relief that bubbled up inside you was unexpected, but undeniable. You wouldn’t have to suffer much longer. No more pretending, no more aching for a love that would never be yours. No more nights spent staring at the ceiling, wondering why you weren’t enough. Soon, it would all be over. You wouldn’t have to endure this life, this love, for much longer.

You decided then and there—you wouldn’t tell him. What would be the point? He was a man consumed by his empire, by his power, and you were just another piece of his world, another part of his success. Telling him would only disrupt the perfect narrative he had written for himself, and you couldn’t bear to see the indifference in his eyes when he realized that your story was ending.

No, you would continue to be his wife. You would play your part until the very end, letting yourself fade quietly from the narrative, just as you had faded from his heart. And maybe, when it was all over, when you were gone, he might feel something—a twinge of regret, perhaps. But that didn’t matter. Not anymore.

In the stillness of your home, a peculiar sense of peace enveloped you. The silence was heavy, but it was a silence of your own making, one that spoke of an end and a release. You had loved Sukuna with a depth that was both profound and consuming. Your love for him was a force that had shaped your days and your nights, driving you to care for him in ways that went unnoticed and unappreciated. 

But as you faced the reality of your impending departure, a bittersweet calm settled over you. The weight of your unrequited love, the fatigue of constantly giving without receiving, was finally lifting. You had poured your heart into a relationship where your love was met with indifference and infidelity. You had tried to make him see, tried to make him understand, but in the end, the love you gave was never truly reciprocated in the way you had hoped.

Now, as the days dwindle and the finality of your situation becomes undeniable, you found a strange comfort in knowing that the end was near. The thought of liberation from a love that had only ever been one-sided was both heart-wrenching and soothing. You were tired of the endless cycle of giving and waiting, of hoping for something that would never come. And in the quiet of your home, you felt a sense of relief at the prospect of being free from this endless cycle of emotional exhaustion.

That night, when Sukuna returned home, you greeted him with a facade of normalcy. Despite the heavy burden of your knowledge, you smiled at him with a warmth that belied your inner turmoil. You continued to dote on him, serving him his favorite dishes with the same loving care you always had. Every gesture, every touch, every look was a continuation of the role you had played for so long.

You carried on as if nothing had changed, maintaining the pretense of a happy, loving wife. Your actions were deliberate, a final testament to the depth of your love and the extent of your sacrifice. You wanted to give him one last glimpse of the love he had taken for granted, to remind him of what he would be losing, even if he would never fully grasp it until it was too late.

You went through the motions of daily life, engaging with him, listening to his stories, laughing at his jokes. The facade was not just for him, but for yourself as well—a way to preserve a semblance of normalcy amidst the chaos of your emotions. You wanted to leave him with the memory of a wife who had loved him deeply, who had cared for him until the very end, despite everything.

In the quiet moments alone, after he had gone to bed, you would sit in the darkness, feeling the weight of your impending departure. You would reflect on the years you had spent loving him, on the moments of joy and sorrow that had shaped your relationship. And as you faced the end, you found a strange sort of solace in knowing that you would finally be free from the constraints of a love that had never truly been mutual.

The peace you felt was not without pain, but it was a relief nonetheless. You had loved Sukuna with all that you were, and now, as you prepared to leave, you took comfort in the knowledge that you would soon be free from the sadness and longing that had defined your existence.

Sukuna looked up from his plate, his gaze lingering on you with a mixture of curiosity and concern. He could see a flicker of something in your eyes that he hadn’t seen in a long time.

“You seem... unusually happy tonight,” he said, his voice carrying a hint of both surprise and suspicion. “Is something going on?”

You met his gaze, a faint smile on your lips that didn’t quite reach your eyes. “It’s been a long time since we had a dinner like this, just the two of us.”

Sukuna’s brow furrowed as he studied you. “Yeah, it has. We’ve been so wrapped up in our own worlds that it’s easy to forget what it was like before everything got so complicated.”

You nodded, your fingers nervously twisting the edge of your napkin. “I’ve missed this—being with you like this, without all the distractions and complications. It feels like a rare moment of normalcy in the chaos.”

Sukuna’s expression softened, but there was an edge of concern in his eyes. “You seem more at peace than usual. Is everything okay? You’ve been acting... different lately.”

You hesitated, the weight of your secret pressing down on you. “I’ve just been reflecting on things. It’s strange how time changes everything, how we lose sight of what really matters until it’s almost too late.”

Sukuna’s gaze grew more intense, his unease palpable. “Reflecting on what? You’ve been acting like there’s something you’re not telling me.”

You took a deep breath, forcing yourself to keep your voice steady. “It’s just... I’ve been thinking about how we’ve lost touch with each other. How we’ve let life get in the way of what really matters.”

Sukuna’s eyes searched for yours, trying to grasp the depth of your words. “Are you saying there’s something wrong? Something you’re not telling me?”

You looked away, your smile faltering. “It’s not about something wrong. It’s about realizing that sometimes, we need to appreciate the moments we have, even if they’re fleeting.”

Sukuna’s confusion deepened, his concern growing. “You’re scaring me. Why are you talking like this? What’s going on?”

You forced yourself to meet his gaze, your heart aching with the weight of the truth you couldn’t reveal. “I’ve just been feeling... reflective. It’s hard to explain, but I’m grateful for these moments, even if they’re all we have left.”

Sukuna reached out, his hand gently grasping yours. “Are you trying to tell me something? You’re acting like this is a goodbye.”

You pulled your hand away, the pain in your chest almost unbearable. “It’s not a goodbye. It’s just... a realization. I want to make the most of the time we have, to cherish these moments together.”

Sukuna’s face fell, his worry evident. “You’re making it sound like something terrible is happening. If there’s something you’re hiding, you need to tell me.”

You shook your head, forcing yourself to smile through the tears that threatened to spill. “It’s not about hiding anything. It’s about acknowledging that even when things are difficult, we can still find moments of happiness. I wanted tonight to be one of those moments.”

Sukuna looked at you with a mixture of sadness and confusion, his frustration clear. “You’re not making any sense. Why can’t you just tell me what’s going on?”

You stood up from the table, unable to bear the intensity of his gaze any longer. You smiled at him. And even at that moment, he noticed. He noticed it didn’t go up to your eyes. “I can’t. Not yet. I just needed you to understand that despite everything, I’ve always cherished our time together.”

Sukuna watched you with a heart heavy with concern and regret, as you walked away from the table. "Do you still want some wine?"

"No." Sukuna whispers under his breath. "I'm fine."

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

YOU WERE GOOD AT PLAYING ROLES. Sukuna didn't suspect a thing. You continued playing your part, showing up at events, smiling when required, and being the perfect wife that the world expected you to be. He remained oblivious, too wrapped up in his own world to notice the subtle changes—the way your laughter had lost its warmth, the way your eyes seemed distant, even when you looked directly at him.

He carried on with his life, his empire growing ever larger, his influence spreading like wildfire. And on the side, there was her—the woman he met in secret, the one who made him feel alive in ways that you no longer could. He didn’t care to hide it anymore, not really. He knew you knew, but in his mind, it didn’t matter. You were his wife, his possession, and that was enough.

The restaurant was bathed in a warm, subdued light, its cozy ambiance a stark contrast to the storm brewing in Sukuna's heart. He sat across from his date, his smirk easy, a deliberate mask concealing the turbulent emotions beneath. His eyes roamed lazily over the flickering candlelight, his drink half-empty, the conversation flowing smoothly. It was supposed to be an escape, a fleeting distraction from the complexities of his life.

The phone buzzed on the table, its vibration slightly jarring against the relaxed hum of the evening. Sukuna glanced at it, a shadow of irritation crossing his features. He almost ignored it, but a nagging instinct—something primal and insistent—prompted him to check. The screen lit up with an urgent message, and as he read the words, his smirk faltered, replaced by a sudden, unsettling pallor.

His hand trembled slightly as he answered the call that followed.

“Mr. Sukuna, I’m terribly sorry to interrupt your evening. There’s been an emergency. Your wife—she’s collapsed and has been rushed to the hospital. The situation is very serious. You need to come immediately.”

Sukuna’s mind reeled, struggling to process the gravity of the message. His heart pounded furiously in his chest, a cacophony of fear and disbelief.  “What? No, that can’t be right. Are you sure? What happened?” His usual bravado turned into worrisome, strained whispers. “My wife was healthy when I left her at home.”

“Yes, I’m certain. She was rushed in a couple of minutes ago. The doctors are doing everything they can, but it’s critical. Please come to the hospital right away.”

The call ended abruptly, leaving Sukuna staring blankly at his phone. The realization of what he had just heard began to sink in, each beat of his heart echoing with a growing dread. Without a word, he stood up abruptly, his chair scraping loudly against the floor.

“Suku? What’s going on? Where are you going?” Her face is a mask of confusion and concern. “Suku–”

 “I—I have to go. It’s an emergency.” His voice barely more than a whisper, laden with panic.

He didn’t wait for any further questions or explanations. His mind was a chaotic whirl of thoughts as he left the restaurant, the cool night air doing little to calm the storm inside him. The drive to the hospital was a blur, the city lights streaking by in a disorienting haze. Every turn, every red light seemed to stretch time, amplifying his growing sense of dread.

Inside the emergency room, the atmosphere was clinical and cold, a stark contrast to the warmth of the evening he had just left behind. The cacophony of beeping monitors and hurried voices created a symphony of chaos that matched his inner turmoil. He pushed past the reception desk, barely acknowledging the questions they asked him. All he could think about was reaching you, seeing you, and holding onto whatever fragments of hope remained.

“Sir, you need to wait here. We’re in the middle of an emergency procedure.” The nurse said firmly, as Sukuna tried to approach.

Sukuna’s eyes fixed on the form lying still on the gurney, a sight that twisted his insides with a profound ache. The resuscitation efforts were intense, a desperate dance between life and death. He felt a profound sense of helplessness, the cold efficiency of the medical staff contrasting sharply with his own emotional chaos.

 “Please, I need to be with her. I have to—” His voice breaking, a raw plea. “Please let me through—”

“Sir, we need to focus on the procedure. You can’t be in the way.”

Sukuna was forced to retreat, his heart sinking as he slumped against the wall, his fists clenched in frustration and fear. The minutes dragged on, each second feeling like an eternity. He stared at the closed doors of the emergency room, the gnawing fear that he might lose you forever consuming him.

In the cold, stark hallway of the hospital, Sukuna felt his world unraveling. The veneer of control and dominance he had always relied on was gone, replaced by a gut-wrenching vulnerability he had never before experienced. He was left alone with his thoughts, confronting the painful truth that he had been given a chance to face his own failures and regrets.

Everything they could, they tried—but it wasn’t enough. He could see it in their eyes, in the frantic movements that were becoming more desperate by the second. He shouted at them, his voice rising to a roar, demanding they do something, anything. He wasn’t used to feeling powerless, wasn’t used to being afraid. But in that moment, as he watched you lying there, unmoving, unresponsive, fear gripped him in a way it never had before.

He couldn’t lose you. Not like this. Not now, not when he’d taken you for granted for so long. The realization hit him like a punch to the gut. You had always been there, always been his, and he’d never truly appreciated it. And now, as he watched the life drain from you, he felt something he hadn’t felt in a long time—genuine, bone-deep terror.

When the nurses finally stopped, when they turned to him with those solemn expressions, he knew. They didn’t have to say a word. He pushed past them anyway, falling to his knees beside your bed, his hand grasping yours, still warm but lifeless. You were slipping through his fingers. He didn’t want to free you — not yet. He needs you. He still wants you.

“Don’t do this, not yet.” he whispered, his voice breaking, something it never did. “You can’t leave me. You don’t get to leave me.”

But you were already gone. The silence in the room was deafening, and for the first time in his life, Ryomen Sukuna felt utterly and completely helpless. 

Sukuna stayed by your side long after the nurses and doctors left the room, long after the machines were turned off, and the sterile, mechanical sounds faded into an unbearable silence. He gripped your hand tightly, as if somehow, by sheer force of will, he could pull you back from the brink, undo what had just happened. But the truth was inescapable—you were gone.

The world outside continued to turn, indifferent to the agony that churned inside him. Sukuna, the man who had always been in control, who had never feared anything or anyone, was now paralyzed by a fear so intense it consumed him. He had never imagined a moment like this, a moment where he would lose something so irreplaceable.

Memories flashed through his mind—moments he had dismissed, overlooked, or taken for granted. The way you would smile at him when he came home, the quiet dinners you shared, the way you had always been there, even when he hadn’t deserved it. He had grown so used to your presence that he never considered what it would be like without you.

He had thought he could live his life as he pleased, that you would always be there, in the background, silently enduring whatever he put you through. But now, with you gone, the enormity of his loss hit him with full force. It wasn’t just that you were gone—it was that you were gone because of him. He had driven you to this, with his neglect, his infidelity, his arrogance.

His chest tightened, and for the first time in years, Sukuna felt the sting of tears. He couldn’t remember the last time he had cried—if he ever had. But now, the tears came unbidden, a raw and overwhelming response to the pain that was tearing him apart. He had lost you, and it was his fault. There was no one else to blame, no way to undo what he had done.

He thought about all the things he would never get to say to you, all the apologies that would never leave his lips. He had always believed he had time—time to make things right, time to explain, time to finally show you that you mattered to him. But now, that time was gone, and with it, any chance of redemption.

Sukuna stayed there, holding your hand, until the nurses gently told him that he had to let go, that it was time to say goodbye. He didn’t want to—he wasn’t ready to. But he knew there was no choice. Slowly, reluctantly, he released your hand, feeling a cold emptiness settle into the space where you had once been.

As he walked out of the hospital, the reality of his life without you began to sink in. The thought of returning to his grand, empty house—one that had always been a symbol of his success, his power—now felt like walking into a tomb. You were no longer there to greet him, no longer there to fill the space with your presence.

And for the first time, Sukuna understood what it meant to be truly alone. All the wealth, the power, the women—none of it mattered anymore. The one thing that had truly mattered was gone, and he was left with nothing but the echo of his own regrets.

As he stepped into his car, the weight of your absence pressed down on him, suffocating in its intensity. He had never been afraid of anything before. But now, as he faced a future without you, he was terrified.

Sukuna sat in the driver’s seat of his car, the door still open as if he might somehow find the strength to run back into the hospital and reverse what had happened. His hands gripped the steering wheel tightly, knuckles white, and the first sob broke through his defenses, ragged and harsh. He slammed his fists against the wheel, the sound echoing in the empty garage, the pain in his chest mirroring the bruising force of his punches.

Each hit was a release, a desperate attempt to rid himself of the unbearable grief and regret that had settled over him like a heavy fog. Tears streamed down his face, blurring his vision, and he felt a profound sense of helplessness that he had never known. He had always been in control, always been the one to dictate terms, to manipulate situations to his favor. But now, as he sat there, he was powerless, unable to change anything, unable to bring you back.

In the midst of his torment, memories began to flood back—painful, vivid recollections that he had buried under layers of indifference and self-absorption. He remembered the way you would spend hours in the kitchen, cooking meals with a dedication that went beyond mere obligation. You had always taken care of him, preparing dishes that you knew he loved, ensuring the fridge was stocked with his favorite foods.

He could picture you now, in the kitchen of your shared home, chopping vegetables, stirring pots, your face focused and serene. The way you’d hum softly to yourself, the warmth of the kitchen contrasting with the coldness that seemed to have crept into his heart over the years. Every meal you made was a labor of love, a testament to the care and consideration you had for him, even when he had taken it all for granted.

And then there were the times you’d prepare extra food, stock the fridge with ready-made meals, knowing that his schedule was unpredictable, that he might be too busy to eat properly. You’d filled the refrigerator with care, making sure he would have something to sustain him, even when you couldn’t be there. 

He should have noticed the subtle changes in your routine. The house had been unusually pristine lately, the surfaces spotless, the floors immaculate. It wasn’t like you to maintain such a high level of cleanliness without a reason. It was as if you had been preparing the space, ensuring that everything was in perfect order, as if you were orchestrating a smooth transition for him, even after you were gone.

The closets were tidier than usual, the clothes organized and neatly hung. He realized now that you had cleaned out your own belongings with quiet efficiency, not because you were preparing to leave in the conventional sense, but because you wanted to spare him the burden. You had sorted through your things, reducing the mess he would have to deal with, thinking ahead so that your death wouldn’t leave him grappling with the physical remnants of your life.

The laundry was always done, the baskets emptied and folded with a care that went beyond routine. You had taken care of it all, ensuring that he wouldn’t be confronted with chores and tasks that might remind him of the void you were leaving behind. The house had been more than just clean—it had been meticulously arranged to make his life easier, to ensure that the practicalities of your absence wouldn’t add to his grief.

In the midst of his grief, the realization struck him with the force of a revelation. You had been planning for this moment all along, your every action a carefully orchestrated preparation for the inevitable. You had thought of everything—how the house should be, how his daily life should continue without disruption, how he might cope with the void you would leave behind.

And yet, despite all your foresight, he had been so absorbed in his own world, so blind to your quiet efforts, that he hadn’t seen what you were doing. He had been wrapped up in his own needs, his own desires, oblivious to the depth of your sacrifice.

Now, as he sat there in the car, the weight of his regret felt almost unbearable. You had given him a gift of love so profound, so selfless, and he had only realized it in the harshest of moments. He had been given a chance to appreciate you, to see how deeply you cared, but it had come too late.

The house was prepared, the chores managed, the meals cooked—all to make sure that your departure wouldn’t add to his burden. And all he could do now was mourn the loss of someone who had loved him so completely, while he had remained unaware of the full extent of their care.

The realization hit him with a crushing weight. You had been preparing him—preparing him for a future without you. You had known, on some level, that your time was limited, and you had tried to make things easier for him, to ensure he wouldn’t be left entirely lost when you were gone. You had left behind a legacy of care and love, even in your absence.

The tears flowed more freely now, each one a testament to the depth of his regret. The sight of the empty kitchen at home, the pristine rows of shelves, the meticulously arranged pantry—all these things that once seemed so ordinary now felt like a poignant reminder of the love he had squandered. You had been his rock, his constant, and he had never truly valued it until it was too late.

Sukuna’s sobs grew louder, more desperate, his grief palpable in the confined space of the car. He felt as if he were drowning in a sea of his own making, surrounded by the memories of what he had lost and the realization of how profoundly he had failed you. The realization of your love, the sacrifices you had made, and the undeniable truth that he had only seen it all now, when it was too late, was a torment unlike anything he had ever known.

He sank forward, resting his head on the steering wheel, letting the tears fall harder than before, his body shaking with the intensity of his emotions. He wished he could turn back time, could undo the mistakes he had made, could tell you how much you meant to him. But all he was left with was the crushing weight of his actions, the echoes of your love, and the empty space where you once were.

[catskets]

From Desires to Demo: How to Write a Good Demo for your Visual Novel

I'm deciding I want to expand on some topics in longer, fuller-length posts based on points I made in this general VN development post.

There is a problem that players have expressed to me about visual novel demos, especially in horror/romance/yandere circles these days: they are not demos at all. Rather, they feel like introductions to the characters and the setting, and nothing happens at all. No one wants to have to go find out everything good about your game by going to your Tumblr and going through 10+ months of asks to get themselves hyped up for your game. Most people are not going to do that. They will instead play your demo and go "this isn't enough for me to come back to" and never think about it again.

How, then, do you get people playing your demo and being excited for the full game? This is my personal guide on how to make a compelling visual novel demo.

In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel, or, perhaps, improve on what you've already made.

What is the purpose of a demo?

A demo is short or a demonstration. Your job is to demonstrate a portion of your game to players. In more "traditional" games, a demo typically takes place in a very tightly-constricted space that is meant to show off how the game feels. Maybe this is the first few levels of a platformer that showcases the general atmosphere and gameplay of the game.

We aren't making action and adventure games in explorable spaces. We are making visual novels. Most visual novel demos just showcase a small portion of the game, maybe the first few scenes.

What your demo should have is this:

A general vibe for your game. You're writing a psychological horror game. Give me a taste of that! Show me a bit of the gore, a bit of the horror.

A sense of urgency. A lot of demos I've played and discarded have been discarded because the game itself does not give me a motivation

An established plot. What is going to happen in the future? Why am I in this world?

In general, think of your game as the back cover of a book. That's where the hook that draws you in to read it. Just give me a proper taste of your game!

There are cases in traditional games where things are hidden from the player in demos (let's all remember MGS2) and where things are changed in from the demo to the final product. That's perfectly okay! You are not obligated to update your demo unless you find gamebreaking bugs and other issues. If things change from the demo to the final product, let your players be surprised and intrigued by these changes!

I can make this a list of do's and don'ts:

Before writing your demo...

Do: Outline, plan, and everything else.

Unless you're blessed by Mnemosyne herself, you need to outline where your story is going to go.

When starting a project, I write a 1-2 page document that has this information:

Name of the game

The target audience

The genre and moods

A paragraph summary of the game

1-2 sentences describing main characters and their roles

Write a short scene that captures the essence of the game

Write a basic outline. You don't need to fit everything in and outline it all, but give yourself an idea. A beginning, a middle, a climax, and an end. Some people just write the start and the finish, and then the middle gets all muddled and convoluted.

While writing your demo....

Do: Make it clear how the choices will impact the game

Visual novels are a medium where player choices affect the game. Make sure those choices actually matter. They don't all have to, of course. They might matter later in the game, but you should at least try to write an example of how a choice may matter.

For example, in Art Without Blood's new demo, certain choices mean you meet the characters in a different order and experience different sides of them.

Having a certain amount of a sanity stat will cause characters to give you some flavor text.

Here's a very simple idea: if you're running your game on a "love points" or other points system, you can make it so if player gets 10 points with love interest, get a different scene. It shows that your choices are impactful. Just let players have a taste of the consequences of their actions.

Don't: Character dump.

Many demos I have played were just character dumps. This means using the demo just to introduce to us the characters but not giving them room to truly show their personalities or their attachments to the problem.

For example, I played a game recently that had the player complaining about their living situation, showing us the characters in the same living complex, showed off the yandere, and then had the player deal with an annoying, evil boss. That sounds like lots of games, right? And that doesn't sound very fun, does it?

Do: Ground the player in the world

Try to immerse your player character in your world. I want to read like I'm part of it. What is our purpose? If we are a stranger, how can you immerse us in a world so far removed from ours?

Do it slowly, and do it with necessity. You don't necessarily want an exposition dump either.

Establish the world, establish the conflict, establish why they got into this conflict, and leave us off with a reason to come back.

Don't: Make your players have to visit other sites to get important information

Your ask blogs or other social medias should contain supplemental material that keeps players engaged, but it should not be a place where you should go "well, actually, in the demo, x y and z should have happened but it didn't."

Try not to spoil your game on your socials. What's the point of playing if I can just read it all on your blog?

I should learn about the plot and the characters from the game itself. I should not have to get a sense from your blog about a character because they were so dry in the demo.

Obviously, this isn't to say you need to include everything about a character in your demo. But we need to get a sense of personality. I shouldn't have to go to Tumblr to find that personality.

Do: Ask for help

Making a game on your own, especially for the first time, is scary. It's okay to ask for help. It's okay to get people to help you out with parts you aren't so familiar with. It doesn't make you any less of a developer. A lot of people need some degree of help. There is nothing wrong with that.

Don't: Start your marketing until you know you can finish the demo

I've seen lots of demos that have been in the works for years. It can be disappointing for fans and demotivating for the developer to have an idea, tell the world, and then not see a demo for a long time. This is especially the case when money is involved, but it's still irresponsible to promise a product and never deliver it. Be honest about the status of projects and your life.

Do: Outline content warnings properly

It is up to the player to decide if they think they're capable and ready to play your game. Make sure to outline your content warnings. Cover the basics, and feel free to leave an extended warnings list in your game or on your game page for specifics.

Content warnings are usually things like blood/violence, profanity, sexual content, etc. Trigger warnings typically get into specific things, like suicide, dentists, or religious trauma. Think of content warnings like the ERSB.

Put a splash screen before the game starts that showcase the content warnings and a place to find trigger warnings.

Don't: Pull back punches with what your characters are capable of

It's fiction. It doesn't necessarily mean you support your characters being crazy stalkers. Know the audience you want to write for, and don't feel a need to cower. Let them be filthy. Let them get their hands deep into someone's chest cavity and rip a body apart.

What I'm trying to say is you really shouldn't tone down what you think your characters are capable of because you're afraid of making fans sad or upset because pookie isn't acting the way they thought pookie acted in their head. It's your character. You're commanding the story. You are choosing where it goes, not fans. Just because you have an audience doesn't mean you need to tone it down to be more palpable to others.

Once your demo is released...

Do: Keep a balance

Making games is very, very hard. And the world is very, very harsh. It is okay to let your fans know about delays or potential cancellations, such as through the devlogs on itch.io for your game, in your community spaces, or on your blog. Please be honest. If you do not think that, after a demo's release, you can continue on the project, make it clear that it has been cancelled or on hiatus.

People will be understanding. The world sucks, and it sucks the life out of us. People are more forgiving if you are honest with the status of your game, rather than leaving it in a perpetual limbo.

Don't: Think that the popularity of your demo constitutes how "good" your game is.

Your demo may not do well. That could be a number of factors. Maybe your marketing didn't hit where you think it should have. Maybe you posted it at the same time as another game. Not your fault. The full release may do better. Don't let the numbers be the reason you give up.

Do: Network!

Get to know fellow developers in the space so you can learn from one another and get more ideas for improving your own games.

Don't: Use developers.

Use a developer's resources. You should not be making friends with other devs if your desire is to try and become friends with big people. That's a parasocial relationship, buddy!

Do: Tell your fans the course of action

Do you have a development timeline set up? Writing multiple days? Give fans a general outline that you planned before writing your demo. It's okay to miss things as long as you're honest. But a timeline will help you hold accountability for yourself.

Don't: Charge for it.

I've seen at least 3 games take the "I'm going to charge for a demo" route in an effort to sway children from playing the game. This is going to sway everyone. Especially if players have not seen a complete + finished product from you, they will not be buying an unfinished game. There are other ways to hide your games from children, such as using itch.io's adult content filters and applying them to your projects.

Main takeaway: Be honest.

I say this a lot throughout this post, but it's because it pushes on a particular trend I see in beginner visual novel developers. There's this desire to create, but there is also the desire for fandom centered around what characters and world spawn from your creations. To maintain that fandom, you need to create. You need to be consistent. It may be harsh, but it's the reality.

Life is hard, and a large majority of us are NOT doing this for a living. Life will get in the way. It always has, it always will.

That's why it's good to practice integrity. Know yourself and your limits. Take steps back and be willing to be open + honest.

Fans won't be happy if you keep saying a game is delayed and show little to no work. Posting unrelated artwork and spending months answering Tumblr asks instead of making a game will eventually run you in the mud without anyone to enjoy what you have the potential to create.

Live up to your promises, and if you can't, be honest. Your community will support you as long as you're open.

[acid-ixx]

a/n: i keep lying about taking a break yall 😭 i'm already writing the dialogues for chapter 4 for a&a. the grind is real but i don't have a set date on publishing it yet.

here's some spoilers/outlines for the chapter:

not the full scene for the meeting in the batcave, slight dialogues only (unsure)

stinky the cat by @oh-nowo-i-got-uwu is canon and will appear probably in the last scene

your meeting with jason todd after a nasty run-in with crooks

a bit more lore about your past (specifically the incident during your elementary years where alfred is the one who had to save you)

^ scenario above is crucial for your dialogues with jason

diary entry or entries depending on its importance, they talk more about the family, or a perspective from the reader from the times they were ignored by barbara, steph, cass and even duke (as they were not mentioned in the prequel) (unsure)

a big fucking argument with jason that leads you to nearly telling him that you'd rather off yourself than ever see your family again after (unsure about whether or not i would implement tim or bruce hearing about it through the comms)

jason's perspective about your past with him, how it affected your childhood, and his spiral into yandere-ism

where you soon will run off to, possible perspective of a love interest (unsure bec some want a canon love interest, others don't)

the entire family ordering jason to at least take a picture of you in your apartment/to stalk you right after your argument (ft. dialogues from your siblings and a look into their obsession)

a look into the future with possibly meeting selina kyle (unsure, but stinky is a crucial character for here if it would be written out)

more breakdowns ft. stinky who provides you more comfort than your family ever would

IMPORTANT NOTES !

— these are what i have settled with so far, ik i said i want to rest but i realized we'll be flying off to the province soon and i don't want to neglect this series like how the reader was neglected LMAO. anyways for the unsure parts pls do send in asks or comment if u guys want them to happen or not, i need inputs for them 😭

— expect a new series called army dreamers where it takes in the approach of soft yandere! dc overall and it's a hurt/comfort (loop) fic just to balance out the angst but i'm not sure when i would be posting it but it's a remastered version of my supposedly other series w/ a chronically ill reader. if u guys are interested in a synopsis or a basic summary then pls do tell!

[stevetonydatingsim]

Steve/Tony dating sim announcement & writer casting call!

The best part about a multiverse is all the different Steves and Tonys we get—and imagining them meeting. And kissing. And flirting. And maybe doing something a little spicier.

But why stick with imagining that when we can make it a reality? When we can make a Steve/Tony multiverse dating game? 

That’s right, we’re making a game and it'll be free to play! What exactly does that entail? The Steve/Tony dating sim (name TBD. We’re all ears for any ideas you have) will be a visual novel-style game that’s mostly dialogue with some simple minigames thrown in. You get to play as a Steve or Tony from one of the many universes that exist who’s thrown into a rift in reality with a bunch of other Steves and Tonys. You’ll get to decide whom to work with to invent, fight, flirt, and date your way back home. 

We’ll be sharing updates on the game development and launch on this Tumblr so make sure to follow us!

Who we are

The Steve/Tony dating sim team is made up of passionate Steve/Tony fans who have come together to write and illustrate the dating game of our dreams, coded by the wonderfully talented @v-thinks-on. You can read more about us here.

How this works

In order to make the game, we need writers for the player and love interest characters, artists for the visuals, and more. At this point, we’re looking specifically for love interest writers, but make sure to follow us as we’ll be looking for volunteers for other roles in the coming months!

Love interest writers can either work on their own or with a partner(s) to plot out and write a simple narrative arc and series of dates for a potential love interest character (a character that the player can choose to interact with and date). They construct the foundational beats for the story and dialogue for the love interest character, and they provide choices for player responses (you can indicate that the player can respond angrily, morosely, or happily to a certain line, but you’re not writing the player dialogue yourself). Later, player writers will insert responses to the existing love interest’s dialogue you wrote. It’s kind of like roleplay! 

For example, your script may look something like this:

Tony616 “So, you’re a Steve, huh” If <angry response>: Tony616 “Sorry I asked” If <happy response>: Tony616 “You’re a cheerful one, eh?” [the player gets closer to Tony616]

To get a more detailed understanding of how this works, see this guide here. We’re also happy to answer any questions, and we have a Discord server where we brainstorm and talk as a group.

Existing love interest storylines (more to come later!)

The following characters have arcs that are outlined already, and their writers are looking for a partner to collaborate with. Here are short pitches to give you a sense of each character’s emotional journey through the game.

616 Tony 

Iron Man V.1 128 Tony is newly sober for the first time and still hiding that he’s Iron Man. The player can either help Tony open up or drive him to drinking again. 

1872 Tony

Pre-canon Tony has lost faith in humanity and himself. Will the player convince him to get back on his feet? Or will he think everyone's better off with him at the bottom of a bottle?

616 Steve 

Avengers V4 Steve has just returned from the dead after his fight with his Tony about the Superhero Registration Act. He wants to trust Player, but can he?

MCU Steve

Post-2012 Avengers Steve is lost and doesn't know his place in the new century. Through his interactions with the player, he finds his home and purpose.

Don’t see a character you want to write for on this list? 

You can volunteer to write any Steve or Tony you want! In fact, we actively want more Steves and Tonys. This is a multiverse dating sim, after all, so the more the merrier. Just contact us with the canon character you’re interested in writing for and whether you’d like to work solo or with a partner(s).

How to apply

Please email stevetonydatingsim@gmail.com with the following information:

Confirmation that you’re over 18 (just let us know you’re 18+; we’re not asking you to share personal info)

The best way(s) to contact you

What character you’d like to write for (universe and name). If you have multiple, please order by preference

Do you want to write alone or with a partner(s)?

A writing sample focusing on Steve and Tony (link or attachment), ideally with a good amount of dialogue. This doesn’t have to be a complete piece with a beginning, middle, and end; it's more to get a sense of your style and understanding of characterization, so all we ask is that it’s easy to follow. This can be something you’ve already written or you can write something new for this application. We don't have a minimum word requirement; if we need more from you, we'll let you know.

Contact us

Please don’t hesitate to contact us if you have any questions. You can reach us by email, Tumblr Messenger, askbox, Twitter DM, or Bluesky DM. Thank you!

[directdogman]

Dogman, how do you write SO WELL!?!? I love all your characters and I need to know what/where you find inspo from...

Ha. Every writer is just someone who apes the creative processes of their inspirations. For video game writing specifically, there's two answers for me.

Toby Fox is always gonna be a huge inspiration for me. I've written plots and characters before and had to abandon ideas after realizing I'd accidentally written part of UT again. Even some of the ideas I used were undeniably inspired by UT in a subconscious way and ofc, I included several explicit references to UT in my last series. Toby's a very clever guy who likely pays very close attention to the art he consumes and tries to figure out how to maximize how much his work connects with his audience. Whatever his process is, it works.

The other answer is a lil funnier: Scott Cawthon, but specifically the legend, not the man. For context: Back in the earlier days of the FNaF fandom, people had a hyper-inflated view of Scott Cawthon's writing skills that largely came from how little of a presence he had back in those days. In the vacuum of Scott actually explaining his own process in detail, people got caught up in his genuinely creative way of hiding exposition in his games using cryptid and (then) unexpected methods, and a narrative formed (one that he's since refuted.)

While he never implied it tmk, fans broadly believed that he constructed these sweeping and complex narratives with tons of cohesive moving parts, with the games essentially acting like the mere tip of his lore iceberg. People even thought he wrote so much that he had whole games worth of lore outlined from the beginning! In the first Dawko interview he gave, he clarified that this wasn't the case and explained roughly what his process was (basically just outlining rough theme ideas + aesthetics for future titles.)

However, that legend made younger-me's mind run wild and any time I wrote a story, it became very difficult for me to not keep writing down ideas while completing the grunt work that followed me finishing my scripts. When I finished DSaF 1, I already had DSaF 2's draft written and by the time 2 was done, I had enough lore for a 3rd game on paper (and a lot more stuff that I didn't use.) By the time three was out, I had pages upon pages of unused concepts/story ideas and more or less just had to decide to call it quits or else I'd be pumping out entries forever!

That's why if you go back to those older games, there's references that directly refer to future plot-points in pretty casual/easy to miss ways. (Like Henry's mention in DSaF 1, Dave being heartless in DSaF 2, Jack being soulless in 1, and even Blackjack being Jack's soul in 2. Most of 3's major plotpoints are implied somewhere in 2 and some of 2's in 1.)

DT is much the same. By the time I finished writing it, I had fairly detailed drafts for arcs for each of the characters, some early material ended up getting completely recontextualized (and even modified in small ways to not conflict with the wider ideas I came up with.)

I get really into writing my stories/characters and I always wonder exactly how things ended up where they are, what characters think about but don't say, etc etc. This is why I have an obscene amount of Crown lore that I have very little to do with rn (since he impacted the whole world so deeply.)

This extra stuff also includes plenty of sequel material ideas, though I didn't think I'd even get a chance to use them since DT performed pretty meagerly before the big release and I was expecting to have to move onto something new. Though it turned out that Scott didn't actually write his games this way (by his own admission), it's the correct answer for what my core writing inspiration for writing game narratives is.

Hope this helps!

[warabidakihime]

Rules and Roses Chapter 2

★ characters: kibutsuji muzan x reader x akaza

★ plot summary: Kibutsuji Muzan has finally decided to expand his empire, and the way he intends to do so is by running for the highest political position. With you, his darling wife, at his side, he believes he can achieve and have everything the world has to offer. He is, after all, the Phoenix of Phario.

★ fic playlist: sometimes, same day, as time stops, wolf’s song (this is also the vision board for the fic). 

★ content warnings : implied violence and abuse, profanities, toxic relationships, smut.

★ Previous Chapter

a/n:

hello!!!

first of all, i am so sorry for taking so long to update this story. ٩(ˊᗜˋ*)و ♡

life happened and i got sooo busy. the time i uploaded this fic was when i just started at my new workplace and shortly after a few weeks, i was already preoccupied with work. at first, i was laser-focused on getting used to my new work and the culture. then later on, i found myself playing a more important role in the office that required my undivided attention lol. besides that, so many things happened in my personal life as well that i didn't have the time and energy to write.

btw i'm now a writer by profession as well so oftentimes i would feel drained af after writing corporate write-ups. tbh, i also got hit by writer's block, especially for this fic because the plot i have in mind for it is lowkey intricate, and for the most part, i haven't decided on what route i should take story-wise. so during those 2 years, i was constantly trying to reconstruct the story in my head, and here we are!

i'm back but i'm not so sure about updating regularly as i'm still incredibly busy, but i will do my best! the latest kny seasons inspired me to write again (aka my crush for muzan lol).

hopefully, everyone is still here to read this. ٩(ˊᗜˋ*)و ♡

as always, comments and kudos are highly appreciated!

happy reading!

-

"Can you outline your key policy platforms should you be elected President of Phario? Given your extensive background in the human resource industry as well as your rich connections owing to your business ventures in Obelisk Kibutsuji, do you first plan to address the pressing issue of the national unemployment rate?"

"Indeed, that's correct. As President, one of my top priorities will be to strengthen our nation's workforce, which is crucial for advancing our economy. I have a comprehensive plan focused on job creation, vocational training, and support for small businesses. These initiatives will not only reduce unemployment but also stimulate innovation and competitiveness within our economy.

I also aim to implement policies that ensure equal access to education, equipping our citizens with the skills needed for the evolving job market. Healthcare reform is high on my agenda. I'll ensure healthcare assistance is accessible to everyone, public hospitals are well-maintained, and healthcare workers are fairly compensated and protected by the state in any dire situations. Additionally, I'll push for technological advancements and infrastructure development to attract both local and foreign investments.

Addressing social issues is equally important, and as a devoted ally of these communities, I'm committed to fighting all forms of discrimination, especially against women and the LGBTQ+ community. We must ensure everyone, regardless of gender, sexual orientation, or identity, has equal opportunities and protections under the law.

Moreover, I'll advocate for the rights and welfare of people with disabilities, ensuring they have access to the necessary resources and support to lead fulfilling lives. This includes improving accessibility in public spaces and promoting inclusive employment practices.

Animal welfare will also be a significant focus. We need to enact and enforce laws that protect animals from abuse and ensure humane treatment.

Lastly, I'll champion the rights of minorities and immigrants. Our nation is built on the strength of its diversity, and it's imperative we create an inclusive society where everyone feels valued and respected. This includes reforming immigration policies to be fair and humane and implementing programs that support the integration and empowerment of minority communities.

In essence, my administration will be dedicated to creating a sustainable and inclusive economic environment where every Pharian has the opportunity to thrive and contribute to our nation's progress."

Muzan stood confidently at the podium, a modest yet proud smile gracing his face after addressing a journalist's question amidst a room bustling with media personnel.

Today was the day where presidential candidates shared their platforms, which also served as an open forum for engaging with the press and fielding inquiries on a wide array of topics—from current events to personal matters.

With his seasoned composure before cameras and crowds, Muzan navigated the spotlight effortlessly. His articulate delivery drew admiration from all corners as he outlined his plans for the presidency, filling you with pride as you watched from the audience.

Among the attendees, your smile beamed with pride and unconditional support for him. Akaza, who is sitting right beside you, maintained a stoic demeanor outwardly, though inwardly, he couldn't deny a hint of impressed regard. Muzan's comprehensive platform and commanding presence left an undeniable impact on him.

Eloquence had always been Muzan's forte, a skill honed through years of being a businessman and somewhat of a public figure, as among his peers and in the business landscape in general, he is well-revered and widely celebrated.

Beyond his ability to articulate ideas, he possessed a magnetic charisma—an invaluable trait for navigating the intricate world of politics and public service.

Several hours later, the policy speech slash press conference finally ended, and now you were on your way to meet up with Muzan at the lobby of the hotel where the gathering was held when a few journalists spotted you among the sea of people who were also exiting the function room.

Akaza was right behind you and is also on full alert, an important instruction your husband told him when he appointed him as your personal bodyguard a few years back. Committed to his duty, he stood there in a stance where he is ready to take action should anything happen that is out of the ordinary.

Mics were stretched out and placed within just a few inches of your face, and one of them took the liberty to ask you a question: "What are your thoughts on Kibutsuji Muzan's campaign platforms?” 

Very much like your husband, you also wore a modest yet confident smile on your face as you held eye contact with the journalist who asked you that question before displaying your own version of eloquence as you answered,

"To say that I am proud while listening to him share and advocate for the causes he wholeheartedly believed in would be the biggest understatement of the decade," you said with a fond chuckle before continuing, "even before he filed for his candidacy and even way before he became the man we all know now, he has always been outspoken about these things. He would always share with me his desire of making significant changes in the world, hoping no more children would have to endure what he did. As many of you know, Muzan, my dear husband, came from very humble beginnings, and unlike me, he has faced challenges far beyond my own. His vision and intuition surpass that of most, and so, as cliché as it may sound, his words and strong convictions carry a weight and authenticity that are strong enough to enable him in doing the impossible and inspire others to believe that a better future is within our grasp."

Akaza listened intently to your answer, finding himself captivated by your words. The way you addressed the press made you sound like a candidate yourself who's also sharing her platform. In that moment, he couldn't help but feel an overwhelming surge of pride as he continued to absorb your statements.

The journalists surrounding you mirrored his sentiment, clearly impressed by your response—no surprise from the esteemed Ballerina Queen of Phario.

It had been quite some time since you last entertained interviews, having retired and chosen to stay away from public engagements.

"Among the plethora of initiatives he wishes to take action on once he's elected, what resonated with you the most?"

You paused, contemplating the list of campaigns your husband had presented earlier. Just as you were about to respond, an arm encircled your waist and gave it a tender squeeze.

It was Muzan.

"Knowing my wife's love for animals, I'm certain she's most excited about what I have planned for animal welfare," Muzan interjected warmly.

You playfully rolled your eyes, eliciting amusement from not only your husband and your respective bodyguards but also the press. "You say that as if it's a bad thing," you quipped.

Muzan chuckled fondly. "Not at all, my love. Your passion for animals is one of the many reasons I fell for you."

The same journalist who had asked you the second question now directed his attention to Muzan, eager for his response. "Based on the most recent public survey, you're likely the most favored candidate to win the elections. What can you say about that, Sir Kibutsuji?"

Muzan smiled bashfully at the reporter, his eyes reflecting a mix of humility and determination. "I'm incredibly honored and thankful that our fellow countrymen have placed such faith and confidence in me. It's a humbling reminder of the trust they have in our vision for a brighter future. This campaign has always been about bringing real change to Phario, addressing the pressing issues our nation faces with innovative solutions and inclusive policies. The support we're seeing reflects not just my efforts, but the collective desire of our people for progress and unity."

He paused briefly, his gaze sweeping across the room, before continuing with renewed conviction, "Though I would like to emphasize that I don't take this trust lightly, it actually fuels my commitment to serve with integrity and purpose, to listen to the voices of every Pharian, and to lead with compassion and foresight."

By now, the press was highly satisfied with the answers both of you had given, granting you the freedom to depart. Clearly spent after the eventful day, you exchanged farewells and well-wishes before going your separate ways.

With Muzan's arm still draped around your waist, he guided you towards the grand entrance of the hotel. Meanwhile, Akaza made his way to the basement parking lot to retrieve your car, preparing to drive you both home. Kokushibo remained close to Muzan, ensuring your security as you awaited the car's arrival.

Turning to Muzan, unfazed by the bustling activity around you, you placed a tender kiss on his lips, smiling warmly. "Great job out there, my love. You did so well today. I'm incredibly proud of you."

Clearly elated, Muzan mirrored your smile and returned your affection with a gentle kiss on your forehead. "Thank you, darling. Your support means everything to me."

"Truly, I was beaming throughout your speech. You were absolutely amazing. Phario is fortunate to have such an admirable leader like you," you praised sincerely.

Right there and then, Muzan couldn't help but raise his eyebrow and playfully smile at you, prompting a confused raise of your own eyebrow.

"What's that look for?" you asked.

Muzan shook his head with a playful smirk before replying, "You're not showing favoritism now, are you, my love? I know you adore me, but let's keep it fair, hmm?" he teased, his tone light-hearted and affectionate.

You rolled your eyes at his playful accusation. "Ha-ha. Very funny, Muzan. I'll take it back, then."

Muzan laughed wholeheartedly, drawing attention once again. "I was just joking!" He then smiled warmly at you, his eyes reflecting pride. "Thank you," he said sincerely. "Hearing that from you means more than any applause, you know?"

You reached out to pinch his cheeks. "You play too much sometimes, you know?" you said with a chuckle before continuing, "But like I said, hearing you speak today—and in all those times you shared your aspirations with me from when we were students up to now, as you finally have the opportunity to make all come true—it's evident how deeply committed you are. Beyond your skills and capabilities, your passion is what makes you so compelling, Muzan. It's what makes me believe in you, too."

Minutes later, while waiting by the entrance, Akaza finally pulled up with the car. You and Muzan bid farewell to those around you before stepping into the comfort of your vehicle.

As the city lights blurred past the windows, you reflected on the day's events.

"You know," you began, glancing at Muzan beside you, "I have a feeling your speech today touched more hearts than just mine."

Muzan smiled softly, intertwining his fingers with yours. 

"I hope so. Though the election is still months away, and who knows how things might shift, that's why I don't want to take any of this for granted. I'm in this for the long haul. You'll be there with me, won't you?"

He looked over to you, and in that moment, despite his big words, he looked absolutely adorable, with his ruby eyes shining at you and his lips slightly pouty as he waited for your response, which you gladly provided through the means of placing yet another sweet and passionate kiss on his lips and squeezing his hand reassuringly. 

"I'll always be here for you, Muzan, through every challenge and triumph."

"I love you," he whispered lovingly, his expression sincere and heartfelt.

"And I love you," you replied with equal affection.

With a comforting squeeze of your hand, you nestled against Muzan's shoulder, feeling a sense of contentment as the car navigated through familiar streets towards home.

Meanwhile, in the driver's seat, Akaza's face remained unreadable. He was outwardly indifferent to the tender exchange between you and Muzan, but inwardly, he was seething with rage.

You think you're so clever, spouting all those promises and pretty words, playing the saint for the public eye. But I see through you. You're nothing but a manipulative snake, a liar wrapped in a facade of righteousness.

His gaze hardened and his grip on the wheel tightened as he stared ahead, the streetlights casting shadows on his determined expression.

One day, your mask will slip. 

I will fucking rip it off your face, even if it's the last thing I do.

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star” or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[ikementally-deficient]

Advice On Writing

I have a couple of writing friends who keep asking me for advice (which is extremely flattering and I love to infodump, please don't stop), but I thought getting my thoughts down on the metaphorical paper and putting them out into the world might be helpful for others as well.

I mostly had fanfiction in mind when I wrote this, but honestly I think the vast majority of it will be applicable to any kind of creative writing.

I would love to get feedback or have conversations about this, so if you want to squawk at or with me, please don't hesitate!

The Bare Minimum

Write

Write as often and as much as you can. If you manage to do nothing else on this list, just writing consistently and continuously will eventually improve your skills, even if it takes a long time.

The Basics

2. Read

Find things you enjoy, and read them. Read as much as you have time for. Things that speak to you and make you feel things (words, turns of phrase, tropes) will all work their way into your subconscious and feed your own writing.

3. Read Critically

Re-read the things you enjoy, and consciously think about why you enjoy them. Why did this scene manage to express such a clear sense of desolation? What about this interaction between characters made me relate to them so much? How did this story give me such a sense of satisfaction and coming full circle? Highlight the phrases you really love. Look for and circle the small details that foreshadow later developments. Identify the things you don’t like as well (nothing is perfect). How would you have done this differently? Do you hate the purple prose, or is it killing you that these scenes aren’t more detailed? Look up the words you don’t understand - maybe the author chose their words poorly, or maybe you’re one of the lucky ten thousand who gets to learn a new vocabulary word today.

The Cringe Parts

4. Ask for constructive criticism

This part is really hard, but vital. While you will inevitably find some of the weaknesses of your own writing, you won’t find all of them. An outside perspective is invaluable. If you’re frightened of constructive criticism, start small. Ask one person to look at SPAG (spelling, punctuation, and grammar). Pick one paragraph or scene to show someone and ask them how it flows. Have someone review your outline for plotholes instead of giving them prose. Brace yourself for things you don’t want to hear. Sit with any and all criticism for a few days before reacting. It’s okay to decide that someone just didn’t get what you were going for, but make sure that’s actually true instead of just a knee-jerk reaction to hurt feelings or a bruised ego. Listen to what your reviewer or beta is actually saying - ‘this part confuses me’ doesn’t mean your writing is bad, it means that your head holds the entire picture and you just didn’t put enough of that down on paper so your reader can see it too.

5. Re-read your own work

Every once in a while, go back and see how what you wrote six months ago or last year holds up. You’ve been writing for a while, you’re a stronger writer, so give yourself the perspective of seeing how far you’ve come. And see if there are any weak areas that are still giving you trouble; you can focus more on those in your next piece of writing.

6. Edit for other people

Editing is a skill. No one falls out of the sky able to give useful and actionable feedback. The act of reading and criticising something you have a little cognitive distance from is far easier than criticising your own work, but it’s still a muscle you need to build. Start with basic proof reading (SPAG). Ask questions: “Why did you choose this word, it seems obscure?” Explain your feedback: “I can’t tell who’s speaking here, I think the dialogue went back and forth one too many times without a tag.” Instead of “I don’t like this,” explain why: “This description feels like something I’ve seen too many times already and feel cliché, but I bet you can change it up.” Learning to give that feedback in a kind and helpful way is something you can bring back to your own writing. Remember that if someone asks you to beta read or edit their work, they too are trying to get better. Don’t just blow sunshine up their ass, give them the respect of being honest about elements that aren’t working. Just don’t be an asshole about it. 

Some resources on being a good beta reader - these also are handy guides for writers on how to communicate their needs effectively to a beta reader:

How to Be a Great Beta Reader and Give Helpful Feedback (dianaurban.com)

What makes a good beta reader? (smallbluedog.com)

Tips on how to beta read, from a beta reader : FanFiction (reddit.com)

Advanced Class

7. Try new things

Try a different format. If you mostly write long, multi-chapter works, aim for a short story. Write some poetry. Change up your genre. Consciously try to imitate someone else’s style. Stretch out of your comfort zone. Feel like you write too much descriptive detail? Force yourself to write nothing but dialogue, like Isaac Asimov. Feel like your characters are always floating in empty space? Indulge in some Robert Jordan, down to every detail of what the characters are wearing. This is going to be difficult, and the results might not be something you want to share publicly, but it’s still worth the effort.

8. Read about writing

There are university courses on this stuff. Check your local library for a copy of the Little, Brown Handbook - it’s aimed at academic writing, but it’s a great resource on grammar and syntax and planning and revising your work. Look for fun ones like The Transitive Vampire and The Well-Tempered Sentence, or Eats, Shoots & Leaves. Centre for Fiction has a great list of books on creative writing by writers, and industry professionals (if publishing for profit is a goal of yours). 

Back to the Beginning

9. Keep writing

You might not be the next Stephen King, or Jude Devereaux, or Isaac Asimov. Cool, me neither. You don’t have to be. As long as writing is still giving you joy, keep doing it. 

[deliciousangelfestival]

Nothing Has Changed - 10

Summary: Returning home for peace, you're faced with your tormentor, Bucky Barnes, who is now involved in your family's business.

Character: Bucky Barnes

Warning: Angst, Tragedy.

Author Note: So... I wrote the story outline until the ending. I didn't expect the story to turn dark. Prepare yourself.

Nothing Has Changed - Series Masterlist

Main Masterlist || support: Ko-fi

Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more. 💖💖💖

Bucky awkwardly rubbed the back of his neck, searching for the right words. “Well, my mom is quite… eccentric.”

Even her own son admitted that Lydia was quite eccentric. She certainly acted like a woman from a wealthy family. She had also caused quite an uproar in town when people saw the wedding invitation that stated her husband would take her last name instead of the other way around.

In a small town, that decision was unique and controversial. Many husbands had their opinions, but no one dared to say it directly to Lydia. Everyone was somewhat afraid of her.

There was a rumor that the marriage wouldn't last long because it was one-sided love. But it's an old rumor.

“If her stares could kill, I’d be dead by now. I don't know what I did to make her hate me,” you muttered.

Bucky hesitated before speaking. “It's…”

“You know the reason?” You raised your eyebrows in surprise.

He walked closer to you, making you step back a bit. “If we become besties, I’ll tell you.”

'Best friends with you? Hell no!' You gave him a fake smile. “No, thank you.” Then you turned and left, determined to keep your distance from him.

“I knew you’d say that.” He pointed at you while chuckling. Then he whispered, “But why does it still hurt?”

🎨

While you were shopping at the grocery store, minding your own business in the sauce section, you heard a familiar voice, “I'm sorry.”

You pushed your shopping cart and saw a man kneeling down, picking up cans of beer from the ground. It looked like he had knocked over a beer display. From his hair and the pencil behind his ear, it was easy to figure out that it was Steve.

He looked as awkward as he had back in high school. Nobody helped him. You could have chosen to ignore him, but damn, your heart was getting soft.

Steve quickly picked up the beers, sensing someone was beside him. He assumed it was a store employee. “Sorry, I made more work for you.”

“You need to pay for all of this beer,” you said.

Steve realized it was you and looked up, surprised. “Could you pay it for me? I don’t have the money,” he said jokingly.

You rolled your eyes and picked up the last can of beer, fixing the display.

“Phew… I couldn’t have done it without you,” Steve said, relieved.

“Hmm,” you replied. Then you noticed the amount of beer in his shopping cart. “Having a house party?”

He looked back at his shopping cart. “Nah, just for me.”

“All of that…?” you murmured. Then you looked at his face. He tried to smile, but he looked sad, like you could see a dark cloud and rain pouring over him.

Steve sighed. “Hey, do you have some spare time?”

“Sure,” you replied.

Both of you finished shopping and then found a nearby café, settling into a quiet corner. Steve fidgeted with his phone, avoiding eye contact.

“The art school already replied,” he said, his voice tinged with disappointment. “They told me my portfolio doesn’t fit their criteria.” He looked dejected, his shoulders slumping as he spoke.

“Let me see the portfolio,” you said, reaching out your hand.

Steve hesitated for a moment before pulling out his phone and showing you the pictures of his artwork. You took the phone, studying each piece carefully. As you scrolled through his work, you noticed the intricate details and the passion evident in every stroke.

Steve watched your face anxiously, trying to read your expression. His hands fidgeted on the table, betraying his nervousness.

“This is impressive,” you said, looking up at him with genuine admiration. “Coming from someone who frequently visits modern art museums, I can tell you these pieces are outstanding.”

Steve’s eyes lit up slightly, a flicker of hope returning. “Really? You think so?”

“That art school must be insane to reject this kind of art,” you affirmed.

You picked up your phone and called an art gallery owner who was one of your clients. After a brief conversation, the owner expressed interest in Steve’s work and wanted to meet him.

Steve looked astonished. “That was quick.”

“When you have status and connections, you can achieve a lot,” you said, putting your phone back in your pocket.

“Noted. Thanks,” Steve replied, his gratitude evident.

“In just a brief meeting, you’ve changed my life. You’re more thoughtful than anyone else I’ve ever met,” Steve said, his voice sincere.

You gave a small nod, internally wondering why you had helped him. Was it an act of charity?

Not really. Perhaps deep down, you felt that Steve reminded you of your old self. If you had never met Ransom, who opened your mind, you wouldn’t have known the real world outside of this town.

You weren’t close with Steve, but you had some similarities with him. Both of you were raised by single fathers. However, the difference was Steve’s father loved him, while your father, Tom, was an absent father.

Steve’s father loved him too much, not wanting to be separated from him. Mr. Rogers became paranoid after his wife died.

To summarize, Steve lived pretty much in a cage.

“It’s not free, though. I’ll charge you later after you sell your artwork,” you said, half-smiling.

Steve smirked. “I agree.”

🏎️

A few days later, on the weekend, you decided to drive around and find an automobile repair shop. The air conditioning in your dad's car wasn't working, and although Tom didn't seem bothered by it, you were. So, you took it upon yourself to get it fixed.

After driving around town, you finally found a repair shop. You got out of the car and went to the front desk, where a woman appeared to be engrossed in her phone and clearly bothered by the presence of a customer.

You knocked on the table to get her attention.

“I need to change the air filter for my air con,” you said.

“Wait in line,” she replied without looking up.

You looked around and saw there was no one else there. Was this really how they treated their customers?

You sighed inwardly. “Just give me the air con filter.”

Her eyes remained locked on her phone as she reached out and grabbed a box, handing it to you.

You clicked your tongue and handed her the money. “Keep the change.”

“Thanks,” she mumbled.

Just as you were about to leave, the back door opened, and someone tall and imposing walked in. Instantly, your instincts kicked in, making you feel on guard.

Unexpectedly, you came face to face with one of Bucky's group, the biggest of them all. Thor. Like his namesake, he stood tall like a Greek god.

The cashier, who had previously ignored you, quickly brushed her hair and looked at Thor with puppy eyes.

Thor didn't even glance at her; his attention was on you. “No kidding. You’re back,” he said.

You gave a small nod. Back then, both of you were not friends. Thor was the loudest to laugh when you were made fun of. Standing tall like a tower, he was always the first to tell Bucky and their group when you were near.

He was known around town as a future NASCAR driver. Although you weren’t interested in car racing, a small part of you was curious whether Thor had made it to NASCAR or not. Maybe you’d ask Steve later.

“Something wrong with your old man’s car?” Thor asked with a smile.

You showed him the box you bought. “Just needed some spares.”

Thor stepped closer, his presence looming. “Need any help with that?”

You hesitated, feeling the awkward tension in the air. “I think I can manage.”

He chuckled, an awkward sound that didn’t quite reach his eyes. “You always were stubborn.”

You gave a tight-lipped smile. “And you were always…persistent.”

The cashier was still eyeing Thor, trying to catch his attention, but he seemed oblivious to her attempts. The silence grew uncomfortable, the memories of high school taunts and laughs hanging between you.

“Well, if you change your mind,” Thor said, gesturing to the repair bay, “I’m around.”

You nodded, wanting to end the conversation as quickly as possible. “Thanks. I’ll keep that in mind.”

As you walked back to the car, you couldn’t help but feel a mix of discomfort and nostalgia. Thor’s presence brought back memories you’d rather forget, but it also reminded you of how far you’d come.

You got into the car, placed the filter on the passenger seat, and drove off, the encounter replaying in your mind. Some things never change, but you have. And that was enough.

🚗

You drove home quickly, feeling a wave of relief wash over you as you pulled into the driveway. Finally safe at home, you were drenched in sweat from the broken air conditioning. “Shit. This damn air-con,” you muttered, frustrated. Why hadn’t your dad used the money you sent to buy a new car?

Determined to fix it yourself, you looked up a YouTube tutorial on how to change the air filter in a car. Despite the step-by-step guide, you were still confused, struggling to follow along.

You heard a familiar voice behind you as you fumbled with the instructions. “What 'cha doing?”

You didn’t have to look to know who it was. “Changing the air filter,” you replied, exasperated.

He heard the voice from the YouTube video. “Do you know how to do it?” Bucky asked.

“...No,” you admitted reluctantly.

“Let me help you. It’s really easy,” he said confidently.

“If you say so,” you sighed, stepping aside to let him work.

Bucky changed the air filter quickly and efficiently, his movements smooth and practiced.

"So, you went to Thor's shop?" Bucky asked while fixing it.

"How did you know?" you asked, raising an eyebrow. You also found out that shop belongs to Thor.

"From the filter box," Bucky said with a grin. "Nah… just kidding. He called me."

"Yeah, I went there," you admitted.

"Did he make you uncomfortable?" Bucky's tone grew more serious.

"The same as our first meeting," you said bluntly, not sugarcoating your words.

"Ouch," Bucky said, pretending to be hurt, clutching his chest dramatically.

"Well… it's done," he said, stepping back and wiping his hands.

You looked at the air filter, noting how easily Bucky had changed it. He was right—it was simple once you knew what to do. You turned on the car and felt the welcome rush of cold air. It was a relief after driving around in the heat.

"Thanks," you said, genuinely appreciative.

"That's what friends are for," Bucky replied with a teasing smile.

Giving him a fake smile, you shook your head, your expression firm. "We. Will. Never. Be. Friends."

Bucky shrugged his shoulders, a hint of a smile still playing on his lips. "We'll see about that," he said, walking away to help your father like usual.

You watched him go, shaking your head in disbelief. What made him think you would ever want to be friends after everything that had happened?

Author Note: I imagine this is the fake smile she gives Bucky whenever she talks to him. 😂

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Author Note: Hey friends,

If you've been enjoying the content, I've set up a Ko-fi account.

Your support through tips would mean the world and help me keep creating.

Only if you feel like it!

Here's the link: Ko-fi

Thanks a bunch for being fabulous followers!

[breathlesswinds]

(Devlog) What We Learned Making A Trans Dating Game

Hello, Amelia here, the writer for Breathless Winds. It's been 250,000+ words, countless revisions, and three years since this game entered development, and I wanted to talk about what I've learned leading up to release.

The concept for Breathless Winds was actually sort of a joke between friends. I was talking with Doris about how there should be a dating game where you play as a trans woman and your dating options revolve around certain ‘tropes’ we’d both seen in trans fiction-- the totally accepting cishet guy who falls in love with the trans heroine before she even knows she’s a woman, the cool trans woman who the heroine doesn’t know if she wants to date or wants to be, and so on.

Doris wound up suggesting we make this game ourselves. We both like visual novels and want to tell LGBT stories. Still half-jokingly and half-seriously, we started fleshing out what the romance options would be and coming up with a setting-- and soon, we were fully committed to making this game real.

I was a fan of visual novels but had only ever written prose. I knew which visual novels I liked and which scenes stood out, but I didn’t know why they did or how to make my own. 

I read some great advice from visual novel developers, but a good amount of my knowledge came from just working on Breathless Winds. As our first project, this game has grown a lot with us and we’ve learned a lot while making it.

Learning How to Write Visual Novels

A bad habit I had to break out of was only using the ‘novel’ part of the game and not the ‘visual’ part. I would sometimes write “He smiled” or lines like that, and Doris informed me that we can convey this much more simply with a sprite change.

It sounds obvious in retrospect, but lines like that are often pretty invisible when you’re reading a non-visual novel. These lines change the sprite of the character inside your head (if that makes sense, haha). I realized that I’m so used to them being ‘invisible’ that I didn’t notice their absence in visual novels I liked, so I would accidentally include them while writing. 

I was also writing these routes in a word processor, so I didn’t have the visual portion to reference, myself. I wound up making a lot of ‘tone’ notes like, “Lantana should be smug here” so that the meaning would carry when revising and implementing these into Ren’py. 

So, while visual novels share a lot with prose, they’re an entirely different medium. On the subject of representing things visually, I’ve struggled trying to figure out how much can be visually represented and how much should be written. 

Every asset in the game has to be drawn by Doris, so if I want the characters to go to a new location for a scene, I have to keep in mind that’s another background that Doris has to draw. If I want a new character to show up, that’s another sprite she has to draw. I don’t want to overload her, but if I’m trying to avoid this entirely, characters sometimes wind up standing in one room talking for ages without anything significant changing on-screen.

I’ve learned that it’s recommended for something to almost always be changing on-screen, though, so sometimes I just have to ask Doris to make a new asset for a certain scene. I still try to stick to locations/characters that already exist more often than not.

Every single thing in a visual novel is deliberate. Another thing I’ve had to learn that I never even considered before is how to write each line so it fits in the text box. It sounds obvious, but when I’m playing a visual novel, I don’t usually think about how each line has to be carefully constructed so it doesn’t need to be split up into two or more text boxes. In my mind, if a visual novel is well-created, there’s not much that breaks a reader’s immersion.

Planning & Outlining

The previous section might sound really weird to some people, so let me elaborate.  I’m a lifelong ‘write by the seat of your pants’-er, so the biggest trial-and-error of creating Breathless Winds for me was planning out the game.

Initially, I created outlines for each of the four routes, and we agreed ahead of time on which CGs each route would have. That way, Doris could draw the necessary backgrounds and CGs while I was in the long process of drafting this game.  My original outlines weren’t great. I know a lot of people have different experiences with writing, but for me personally, a story is always shaping itself in my mind. When I started making the outlines for Breathless Winds, I knew the concepts we wanted to convey, but I didn’t know what each route (and the game as a whole) was really about yet. This might sound weird and unprofessional, but sometimes, I don’t know what a story is about until I finish the first draft.

So while I was writing, I would look at my outlines and I would think, “this doesn’t actually make sense, he wouldn’t say that” or “this plot point would work better if moved to this other section” or “there’s a plot hole here I didn’t notice”. The story wound up changing a lot in this way as I learned what it’s really ‘about’. 

And even after I finished the first draft, I’d get feedback from Doris and/or my editor and they would suggest fixes to problems that even I hadn’t noticed, and then I would revise the route some more, and later on I’d come back and need to redo part of the route to comply with something I wrote in a later route-- I haven’t really felt ‘finished’ with Breathless Winds at any point, and I think I’ll still feel this way after the game is released.

This means that sometimes, a background was created but would go unused because there was no space for the scene that would use it, or we’d need a new CG last-minute, or so on. 

When I’m figuring things out as I go while writing a non-VN, the only person that I can adversely affect is my own self… so I’m eternally grateful for all of Doris’s patience with me on this matter. I think Breathless Winds has come out a much better game for all the re-plotting and revision. 

I redid the outlines several times as I went. I think I’ve understood how to create outlines that personally work for me-- ‘living’ outlines that hit all the main points, but leave wiggle room for moments when a character does something unexpected, work the best for me.

Scope Creep

So, originally, each route was meant to be 40,000 words. “With four routes, that’s only 160,000 words!” I thought. “And some of my favorite visual novels are about that long, so I can write that much, too!” ← clueless

This is the most infamous mistake that new creators make, and I walked right into it. I should have known better since I’ve bitten off more than I can chew with past non-VN writing projects before, but I was starry-eyed and didn’t realize how much work it is to make a VN. Some of those favorite visual novels I referenced were made by much larger teams, writers whose full-time job was writing (I wrote all of these routes on the side while working at a day job). 

If I could have done it again, I would have asked Doris to start out with a really short VN. But, I don’t regret making Breathless Winds at all. It’s brought Doris and I a lot closer, for one. Every time I thought I wanted to give up on this, Doris would motivate me to continue. Without the two of us both and our strong friendship, Breathless Winds wouldn’t exist, and I think that’s beautiful. 

No matter what, we’re going to see it through to the end. (I hope people like it, though…)

Anyway, here I am talking about how much 40,000 words is. Each route now is about 60k to 70k words. The problem with having evolving outlines is that they can often evolve into double their original size.

We came up with the idea of the poachers really early in development, and then not addressing the poachers felt like a failing, but by that point it was too late to remove the poachers entirely… and so the game wound up a lot longer dealing with the poachers. 

I think that if we had an editor sooner on in the game’s development, then we might have had someone to tell us, “do you really need all of this in the game? Does this plot point really need to be there? Will you be able to write all of this in a reasonable amount of time?”, haha. But Doris and I were really excited about the possibilities of this game when we started creating it, and without anyone to reel us back in, we wound up coming up with more and more things we wanted to put in the game.

Did you know there was going to be an island full of talking rats who say things like “the big cheese” and stuff all the time in Breathless Winds? Yeah. 

The Core Design Philosophy of Breathless Winds

So, for anyone who’s read this far but doesn’t know yet-- the premise of Breathless Winds is that you play as a trans woman who doesn’t know she’s trans yet, and she finds love with one of four love interests as she discovers her gender identity. 

In real life, it can be a lot messier for a person to date when discovering their gender identity. To put it briefly and mildly, a trans person’s life and sense of personal identity can rapidly change during a gender crisis and the early stages of transition. 

However, we wanted to make this game a ‘wish-fulfillment’ type story-- a trans fantasy about acceptance, community, and love. During a gender crisis, it can be easy to feel as if one has lost touch with themselves and become isolated from others. A sincere wish shared by many trans people is to be accepted, loved, and even celebrated as their true gender, not just tolerated. 

Since many trans people don’t get love and acceptance in real life, especially with the ongoing transphobic moral panic, we wanted to create a game that would bring this feeling of trans joy and celebration to trans audiences. 

We also hope that cis players will still enjoy the story and characters, and maybe come away from the game with a new understanding about being transgender and other aspects of LGBT identity (although we never intended this game to be ‘educational’).

Making Characters that Celebrate Trans Identity

Although we went through several revisions, the core identities of each character stayed the same since the game was first ‘jokingly’ pitched. In another post, I discussed how each character is themed around a change in seasons. (I also wound up theming them around the four humors when I was initially concepting them-- I really wanted to avoid too much ‘overlap’ in the LI’s personalities, haha). 

Ultimately, characters are created to serve a role. The LIs in Breathless Winds were designed to be love interests, of course-- characters who would appeal to the hypothetical trans femme audience. As mentioned earlier, we modeled them after other trans fiction tropes because these types of characters have a certain tried-and-true appeal, but this left plenty of flexibility to put our own spin on it. 

A trans woman being loved as a woman by a cishet guy can feel like a high form of ‘passing’, ‘fitting in’ to the female gender role, and being validated by his orientation. He only likes women, and he likes you, so you’re undoubtedly a woman. As a cishet guy, he represents a sort of acceptance into a societal norm that trans women can desire to live to. (Lantana, as a cis lesbian, represents the sapphic counterpoint to this-- although there is of course a big gap between the ‘normalcy’ of a cishet man and a cis lesbian woman, and I don’t mean to say those two are equivalent.) 

But not all trans women want to live to that (cis) societal norm. Rue and Valerian, as a trans woman and a trans man respectively, are the t4t options. 

Rue’s route represents that trans/sapphic ‘envy’ (“do I want her or do I want to be her?”) as well as finding power in community aside from what society considers ‘normal’. We’ve always been pretty clear about what we wanted to do with Rue’s route.

We went back and forth a lot more on Valerian’s route. Initially, we were unsure if he should be trans. He and Rue are the two less-friendly love interests (at least initially), so I was afraid it would come across that t4t is a more hostile option, which is not true at all. But it also felt like a mistake to not have a trans man in the game-- but making Gallardia trans would have required a big overhaul of what we had in mind for him and his route. (Although, childhood friends t4t is a really good idea...)

Beyond that, Valerian takes a villainous role in any route that isn't his own. We were worried that it would be wrong to have a trans antagonist who represents unjust power. However, Breathless Winds is a queer game with other positive trans characters, and we've always approached Valerian as a hot anti-villain man that you can't help but like.

In the end, Valerian’s route is about breaking generational cycles and what it is that makes you a man, and I also managed to sneak in a scene where they dance at a ball in the royal palace, so in the end I think it all worked out great.

Wish Fulfillment and Catharsis

Doris and I both agreed that we wouldn’t depict on-screen transphobia in Breathless Winds. Poppy worries about not being accepted, but fear of acceptance can come with any change in identity. Rue was rejected by her family for being trans, but this doesn’t take place ‘on screen’ in the game. There exist certain metaphorical parallels for transness and transphobia, but every route has a happy ending. 

Following up on this-- it can be difficult to write about discovery of gender identity without writing about transphobia, considering how many trans people suffer from internalized transphobia during their period of repression.

Sometimes, repressed/closeted transgender people ‘hyper-perform’ their assigned gender as a form of denial. A trans woman might grow out a beard and join a gym, while a trans man might become very interested in makeup and feminine clothing. 

In Breathless Winds, Poppy often struggles with ‘strength’ and what it means to be a man. In several routes, she tries to prove her strength under the assumption that being stronger would make her happy. Afraid the world would reject her if she became who she really is, she preemptively rejects herself.

Not every trans person suffers from prolonged denial, internalized transphobia, or even gender dysphoria. I don’t think it’s impossible to tell a purely-positive story about trans joy. 

While Poppy never gets rejected for being trans, faces transphobia, gets called a slur, etc, she faces both internal and external (metaphorical) obstacles to realizing and accepting her identity. 

Gallardia represents a societal norm that Poppy can’t live up to herself as a man.

Lantana suffers from certain aspects of her identity as a woman, which makes Poppy feel guilt for wanting to be a girl.

Rue is isolated from town at the start of her route, a ‘punishment’ for breaking this societal norm.

Valerian has to hyper-conform to his masculine gender role at first in toxic ways before finding acceptance from within and from his loved ones.

These struggles are real to a lot of people, but instead of pretending they don’t exist, I hoped to tell a story about catharsis. Poppy is able to live up to her truth as a woman and finds love with Gallardia, Poppy and Lantana redefine what being a woman should and does mean to them, Rue and Poppy find community in others who don’t fit the norm, Poppy and Valerian stop seeking gender validation from a society that was never made to serve them. 

Although these powerful forces of oppression exist, loving yourself as a trans person- and loving those around you, protecting the natural world, and standing up for what you believe in- can save the day. That’s the kind of story we wanted to tell.

Wrap-up

There’s a lot more I could write, but this has already gotten really long (sorry!) so I’ll wrap it up here. 

Learning how to write a visual novel in terms of technical skill (how to depict events on-screen, how long each line should be) as well as in terms of writing skill (how to outline the game, how to plan visual assets) has been a massive undertaking for me. 

Writing Breathless Winds has been a big challenge but also deeply rewarding, and all of your support has made the experience even more wonderful. Thank you for reading and thank you for supporting the game!

[forest-hashira]

Biblically Accurate

hi guys!!! i wrote this as an entry for my anniversary/200 follower milestone collab event! i have at least one more entry planned for myself, and a few other people are writing/drawing things as entries as well! you can find the event masterlist here. anyways, i hope you guys enjoy this silly goofy little thing 💜

read on ao3 | wc: ~3.1k | cw: gender neutral reader (no pronouns, reader is dressed as a female character for halloween), bickering/banter/teasing, slight hint of jealous gojo, can be interpreted as pre-relationship or fully platonic

“You’re really not putting any more effort into your costume?” you asked, looking Shoko over and eyeing the white sheet draped over her arm as you passed her your hand mirror to hold. You were in the common area of the dorms with her, Nanami, and Haibara, the three of you putting the finishing touches on your costumes.

“Nope,” Shoko confirmed, accepting the mirror and holding it in her lap as you sat down, pulling out your small set of face paints. “Gojo told me my only options were a ghost or a sexy nun.”

“Not even a regular nun?”

She shook her head. “He said if I showed up dressed like a “musty old lady” nun he would refuse to be seen with me.” The way she used air quotes and an exaggerated expression of disgust around the description made you roll your eyes, despite your smile; that sounded just like your senpai. 

“I don’t blame you for picking the ghost, then.”

“Thank you.” Shoko smiled at you, popping a piece of gum into her mouth with her free hand; she’d been trying to quit smoking – on campus, at least – since she’d gotten busted by Yaga so many times already this school year. 

Setting your face paints and brushes down on the table beside Shoko, you stood again, grabbing a few paper towels and filling a small glass with water to clean off your brushes when you were finished. You glanced over at your classmates as you walked back to your seat, smiling a bit to yourself as you saw Haibara gushing over Nanami’s costume.

Doing group costumes by year had been Gojo’s idea, though he insisted the themes needed to be kept secret for each group. Hearing Shoko say what her options apparently were gave you some idea what your upperclassmen had chosen as their theme, but you wouldn’t know until the other boys arrived; you just hoped they weren’t too late, since you knew Gojo was the only way any of you would be able to get into the party he had insisted you all needed to attend. You didn’t have a lot of particular feelings about going to the party, but the idea of getting to spend time with everyone was really nice, since it was rare that all six of you were in Tokyo at the same time and not occupied by other things. 

“What theme did you guys go with, anyway?” Shoko asked, as you sat back down and gestured for her to hold the mirror up for you. “You can’t possibly all be from the same movie or something.”

“We’re not,” you confirmed, wetting your brush and lightly tapping off the excess water before dipping into the red paint. “We’re all from different Ghibli movies.”

“That’s your theme?”

You carefully traced the outline of the first triangle under your eye. “All of our characters are royalty.” You paused, considering for a moment, then added, “Well, sort of.”

“Sort of?” Shoko arched a brow at your words. 

“Yeah, sort of,” you said, filling in the first triangle and outlining the second. “Haibara is actually royalty. He’s Prince Arren, from Tales from Earthsea. The movie came out this year, it’s what made him suggest the theme in the first place.” The brush was dipped back in the red paint, then the second triangle filled in. “I’m San from Princess Mononoke.” You went quiet for a moment, moving your hair apart a bit on your forehead to give yourself space to paint the final triangle. “And Nanami is Howl from Howl’s Moving Castle. He’s not technically royalty, but he has a castle.” 

Glancing over your shoulder at your classmates to make sure they weren’t listening, you leaned in closer to Shoko. “It was Haibara’s suggestion,” you said, much quieter than before. “I think he just wanted to see Nanami with earrings on and his hair down.”

She grinned at your words, both of you only managing to stifle a laugh because right then was when Gojo and Geto decided to make their grand entrance. Geto wore a pair of comfortable looking red pants, a simple black long sleeve shirt, and a red jacket on top. There was a headband with two small red horns atop his head, and a little plastic pitchfork in his hand, and when you glanced down, you saw a red, pointed tail hanging off the back of his pants; clearly he was going as a – the? – devil.

Even without the context of Geto’s costume, it would’ve been hard to mistake what Gojo was supposed to be. The flowy white shirt, white jeans, feathery white wings – which were larger than they really had the right to be – fixed to his back, and the silver halo headband atop his fluffy white hair making it obvious that he was an angel. He was without his dark sunglasses for once, presumably because they didn’t go with the rest of the ensemble he wore.

“No need to worry everyone, your favorite Tokyo Jujutsu High students have arrived!” Gojo announced with a wide, mischievous grin. Behind him, you saw Geto roll his eyes, even if there was a faint hint of a smile on his lips, too. 

“You are not my favorite student,” Shoko and Nanami said in unison, completely by accident. You bit your lip to keep from chuckling at the coincidence, but you lost that battle when you saw the indignant look on Gojo’s face.

The sound of your laughter pulled his attention from your friends, and he scowled as he looked at you, though really it looked more like a pout. “What are you laughing at?” he groused.

“You,” you answered simply, grinning at him. “It’s funny how bent out of shape you get when someone tells you you’re not their favorite.”

He jutted out his bottom lip, crossing his arms over his chest. You could tell he wanted to argue, but was apparently having a hard time coming up with any sort of witty retort. “Whatever,” he said eventually. “What are you supposed to be, anyway? You’ve got red all over your face.”

You just rolled your eyes at him. “I’m San,” you told him, turning back to face the mirror Shoko still held for you, putting the final touches on your face paint. 

“Who?”

“The wolf girl from the movie that came out a while back, right?” Geto asked. “Princess of something, I think…”

“Princess Mononoke, yeah!” Haibara chirped, grinning. “I’m surprised you knew, it feels like not a lot of people have seen it.”

“Because they haven’t,” Gojo said, rolling his eyes. “People only see the good Ghibli movies.”

Irritated, you dropped the paintbrush in the glass of water you’d gotten to clean it off. You turned back to face him, a scowl deep on your face. “All Studio Ghibli movies are good ones,” you snapped, barely refraining from calling him names. “If you can’t understand or appreciate the deeper themes in the movies, you can just say that.”

“What themes?” he asked, looking a bit more genuinely, less snippy. “I haven’t seen it, I wouldn’t know what they are.”

“Environmentalism, animism, disability, true love, cycles of violence—” Geto began, but Gojo waved him off.

“Ok, some heavy hitters, I get it. It doesn’t sound very entertaining, though.”

“There’s a curse that develops from the negative energy imbued in a weapon,” Nanami cut in, expression unchanged and seemingly unenthused by the conversation, but that wasn’t unusual; Haibara was really the only one who could ever seem to get him to smile even a little bit.

There was a brief moment of silence, punctuated by a curious “Really?” from Gojo; it would’ve been funnier if you weren’t irritated over him dissing your favorite Ghibli movie.

Seeming to register the other boys’ costumes then, Gojo grinned. “Haibara, you make an amazing Arren! And Nanamin, you do kind of look the part with the hair and all, but… you know Howl is supposed to be charming, right?”

Your classmate’s expression went from unaffected to irked in less time than it took you to blink, though when Haibara jumped in with a defensive, “I think he’s very charming, in his own way,” he went red almost to the tips of his ears. 

The mischievous flash in Gojo’s eyes was impossible to miss, but Geto smacked him in the back of the head before he could say anything. The white haired sorcerer glared at his best friend, then stalked off with a huff, crossing the room until he stood beside the couch you sat on. Without saying anything, he plucked the mirror from Shoko’s hand and began fussing with his hair. 

“What do you think of my costume, hm?” he asked you, straightening his halo before shooting you a grin. “Pretty great, huh?”

You just shrugged. “It looks like any other angel costume.”

His eyes widened, and he stared at you, open-mouthed, looking deeply offended. “What do you mean ‘just like any other angel costume’?” he demanded.

“White clothes, white wings, halo headband. It’s pretty basic, Gojo-senpai.”

“But nobody else has eyes like mine,” he pointed out.

“No,” you conceded, “but you’re also not showing them all off.”

“…All my what?”

“Your eyes. You’ve got six of them, don’t you?”

Though you fought hard to conceal your grin, the sound of Shoko’s snicker made it impossible, and you barely bit back a laugh.

Finally catching up to your joke, Gojo laughed too. “I think even if I could show all six eyes at the same time it would scare the normies too bad.”

“Yaga-sensei would probably have your ass for it, too,” Shoko added.

“Like how he has your ass for smoking on campus?” Geto asked her, dropping down to sit in the armchair adjacent to the couch, looking smug.

“You smoke on campus too,” she retorted.

He smirked. “Yes, but I don’t get caught like you do.”

“I’m gonna start ratting you out.”

“Sure you will.”

Rolling your eyes as the two upperclassmen bickered with each other, you turned your attention back to Gojo, and you were more than a little surprised to see how much closer to you he’d gotten, leaning down to look you in the eye, despite how he towered over your seated form.

“So,” he asked, “you gonna help me show off my Six Eyes or what?” 

You blinked dumbly at him for a moment. “…What?”

He rolled his eyes, but there was still a smile on his face. “You’ve got paints right here—” he gestured to the table in front of you “— how else are the normies supposed to see all six of my eyes?”

Once you finally processed what he was suggesting, you bit back a grin. The idea was more than a little funny, but you couldn’t let him know you thought that. If he knew, it would go straight to his head, which was big enough already; you’d joked with Nanami more than once that if Gojo’s head got any bigger, he’d have a hard time walking upright. 

“Well?” Gojo prodded, when you didn’t answer fast enough for his liking.

“Fine,” you sighed, “but only if you’ll sit down and shut up long enough for me to do it.”

He stood up straight, saluted you, then mimed zipping his lips shut and throwing away the key. Geto pretended to catch said key, and you shook your head at them, smiling slightly to yourself. As he settled himself on the floor in front of you, you thoroughly rinsed your brush, making sure none of the red paint still lingered in the bristles, then dipped it into the white paint on your palette. 

When you turned your attention back to your senpai, you were somewhat startled to see him staring at you with wide, earnest eyes, though he’d stopped smiling for the time being. It unsettled you a bit, having his full, unimpeded focus on you like that, but… it wasn’t entirely unpleasant, if you were being honest with yourself. “Ready?”

He nodded eagerly, fulfilling your request for him to sit down and shut up. You wondered briefly if your wording had been too harsh, but decided there was no use dwelling on it anymore. You nodded back, then carefully began to make an outline of two more sets of eyes on his face: two extra eyes on each cheek, side by side under his real, already very striking eyes. 

Your lines were far from perfect, but they were steady enough, so you were happy with them. You dipped your brush back in the paint whenever you started to run out, making sure the white covered everything inside each of the outlines. Giving all four spaces a chance to dry, you once again cleaned your brush as thoroughly as you could, then switched to the blue paint. It wasn’t an exact match for Gojo’s eyes, but you figured it was close enough that it wouldn’t matter in low lighting.

“You’re pretty good at this!” Haibara praised, dropping to sit beside you on the couch.

You felt your cheeks heat at his words. “Oh, uh. Thank you, but I’m not a professional, I’m just trying my best.”

“Well I think you’re doing a wonderful job,” your classmate insisted, practically beaming at you. You offered him a smile, then turned your attention to Gojo once again and— was he glaring at Haibara?

Gojo’s expression changed so quickly once he had your attention again that you couldn’t tell if you’d imagined him glaring or not, but you decided not to push it, since that would just wind up being awkward for everyone. 

Just as carefully as you’d painted the whites of each of the eyes, you added the blue irises, trying to make the circles as perfect as you could, though trying to work on such a small space made that rather difficult. You did your best, and the end result was not as terrible as it could have been, you supposed.

Another thorough cleaning of your brush between colors, this time with the sounds of your classmates and upperclassmen chatting to each other as you worked, which came as a relief; when it was silent before, it had felt like everyone was staring at you, and it made you nervous. 

It was still a bit unnerving to have Gojo staring at you the way he was, but there wasn’t really a way around that, so you chose to ignore the way it made your stomach flutter. 

You dipped your brush into the black paint this time, placing pupils in the center of each eye. After getting a bit more paint on the brush, you added the faintest hint of an outline to the underside of each eye, wanting them to stand out a bit more against his already pale skin. 

Once you finished, you sat back a bit, looking over your handiwork. The eyes looked fine, but it felt like something was missing, you just couldn’t figure out what.

“Eyelashes,” came Nanami’s voice from behind the couch.

“Huh?” you asked, turning your head to look at your classmate, your brows furrowed slightly with confusion.

“Eyelashes,” he repeated, voice just as disinterested as before. “That’s what they’re missing.” His eyes left Gojo’s face and met yours as he shrugged. “You were staring at them really hard, I figured you thought something was missing.”

“Thanks,” you said, a bit sheepishly. “I was trying to figure out what I was forgetting. I’ll add the lashes.”

Nanami just nodded, his expression unchanged, though you were pretty sure he was glad to have been of help. You nodded back, then turned back to Gojo once again. 

After cleaning your brush in the now-murky glass of water, you switched back to the white paint, adding delicate lashes to each of the four eyes with light flicks of the brush, and even adding a few little touches to the irises to give them a bit more dimension.

The last few additions didn’t take long at all, and when you leaned back to look at your work again, you smiled. Nanami was right, they did look a lot better now that you’d added lashes to them. “Okay,” you said, dropping the brush back into the water now that you were satisfied with your work. “All done. You ready to see?”

Gojo’s expression lit up, and he nodded enthusiastically. Then, remembering he held the mirror in his lap, he picked it up, turning his head back and forth to get a good look at all four eyes. He looked absolutely giddy as he put the mirror down in his lap again to look up at you, but he said nothing. You were confused for a moment, then remembered.

“You can speak now, Gojo-senpai. I’m finished.”

He turned towards Geto then, snapping to get the other boy’s attention, then making grabby hands and pointing at his mouth. Geto also looked confused for a moment, then remembered that he had “stolen” the fake key that kept his classmate’s mouth locked shut. The raven haired boy rolled his eyes, then mimed tossing the key back to his friend. “You’re so weird.”

After “catching” the key, the frosty haired boy was quick to unlock his mouth, then stick his tongue out at his friend. “You’re just jealous that you’re not getting all the attention for once,” he retorted, but Geto just rolled his eyes again.

Turning back to you, Gojo was practically beaming. “You made me look so cool!” he exclaimed, then added, “Well, cooler, because I already looked cool, like always.”

“Oh yeah,” Shoko drawled. “You’re soooo cool, Gojo.”

“I am cool!” he insisted, pushing himself up off the floor as he scowled at her. “Your costume is just a sheet, you don’t get to talk to me about what’s cool.”

“Where did you say this party was again?” Haibara cut in, quickly dispelling the budding argument between the two upperclassmen. 

Gojo beamed down at the younger boy. “It’s a surprise!” he said, a hint of mischief in his eyes. “But we need to get going if we wanna get there before it gets too crowded. C’mon!” He herded everyone up from their seats and towards the door of the common room, hyping up the party as much as he could. You brought up the rear of the group, but you paused when he turned back to face you.

“Thanks for painting these on for me,” he said, gesturing towards his face. “I appreciate it.”

He turned away again before you could say anything, but it took you a moment before you caught up with everyone again; Gojo had never thanked you for anything before, but you were glad that he did, even if it made your cheeks burn a little bit.

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[chronologicalerrors]

Why Crowley Was an Archangel, And Why it Matters: A Fan Theory

Neil Gaiman has said that Season 2 is a bridging season, setting up what is to come in Season 3, which will be based on a story he and Pratchett outlined many years ago. This season is therefore moving characters into place and establishing facts and mechanics of the Good Omens universe that we need as an audience in order to understand what comes next. It moved Aziraphale back to Heaven, and removed Gabriel and Beelzebub. This season has also been heavy on the references to Crowley’s past as an angel.

Season 2 of Good Omens has been practically inviting us to speculate on who Crowley used to be. If we’d just been given that one glimpse of him in the first scene I wouldn’t make so much of it, but we also saw him return to heaven in disguise and reject an offer of being returned to full angelic status. We have to conclude that there’s been so many sustained hints at this because it will be important next season!

Some of this has already been suggested by others, but GO2 has taken over my brain and I need to write this all out. So, let’s have a look at what we already know about Crowley’s angelic past in-universe, and what else we might be able to guess at from that. 

What’s special about Crowley’s powers?

Crowley is the only demon or angel who is shown being able to stop time. When asked about this Pre-S2, Neil Gaiman said the following:

We first see him do this in Paris in 1793, and the second time to speak to Adam to avert the apocalypse at the end of S1. The first time was something he did casually, while the second required a huge burst of power – it needed to hold off Satan, after all - and happened at Aziraphale’s urging.

A: Come up with something or… or I'll never talk to you again.

(GIF from fyeahgoodomens. There’s a collection of gifs of Crowley stopping time through S1 here.)

When we see him stop time this season, in Edinburgh in 1827, it’s also directly at Aziraphale’s request:

This bit is absolutely key to me, as this establishes that stopping time is something Crowley can do that Aziraphale cannot.

This also seems tied to the crank handle of his Bentley. When Crowley has stopped time to hold off Satan, he is gripping the handle in the same way Aziraphale carried his flaming sword, and spins in when he comes to restart time.

C: I'm going to start time. You won't have long to do whatever you're going to do.

By itself, this doesn’t mean anything. Until we see the same handle at the start of Season 2, in the hands of Angel Crowley. He uses this to start up his nebula, as a tool for setting time into motion.

Is this the same handle? It certainly appears this way. Like Aziraphale’s flaming sword, was this a gift from God that he’s managed to hang on to for thousands of years (And it just miraculously happens to fit his Bentley)? It certainly seems that the Bentley crankshaft handle is more than it seems, and that Crowley can use it as a conduit for power – as he needed to when stopping time to hold off the ruler of Hell himself.

The link between this object, a relic from his time in heaven, and his rather unique ability to stop time, suggests that Crowley was once an angel of great power.

What rank did he hold?

We saw Crowley return to Heaven, in disguise, in S2 E6, with events hinting that he was once a very high-ranking angel:

So, we know for a fact he was above the level of Thrones and Dominions. So where does this place him on Heaven’s organisational chart? My analysis here is metatextual – I don’t think looking at external hierarchies of angels is that helpful to understanding the Good Omens universe, so I will only focus on what Neil Gaiman has confirmed when asked, or has been demonstrated within the world of the show itself.

Good Omens has its own Hierarchy of Heaven, but Neil Gaiman has clarified that the Archangels we see are amongst the most senior personnel in Heaven. This runs counter to many hierarchies of angels (which are often contradictory in and of themselves) but is consistent with the depiction in John Milton’s Paradise Lost as well as Jewish tradition, where the highest ranking Archangels are given the title of “princes” of heaven. “Prince of Heaven” is also a term that Metatron applies to Gabriel in S2 E6.

Of the heavenly entities mentioned in the show, we can infer the following angelic hierarchy:

God

Metatron (NG confirms here)

Supreme Archangel (Gabriel, now Aziraphale)

Other Archangels (Michael, Uriel, Sandalphon, in that order – See NG here)

Cherubim (Aziraphale at the Garden of Eden, when he was the Angel of the Eastern Gate –NG Confirms here)

Thrones & Dominions

Principalities(?) (Aziraphale after the Garden of Eden – NG doesn’t state if this is a promotion or demotion, but it feels very demotion-y)

Other lower-ranking angels (As a Principality, Aziraphale was supposed to lead a platoon of angels into battle in S1 – so there must be many levels below him – see NG here)

Scrivners (Muriel and the level Gabriel would have been demoted to. Appears to be the lowest rank in Heaven, suggested by NG here)

There are likely many other levels in-between these that have not yet been mentioned onscreen. Saraqael, for example, seems lower down than an Archangel (addressing Michel and Uriel as “your beatitudes” before approaching them in Episode 1), but above Aziraphale. You’ll notice Seraphim aren’t in this list, because they’ve not been mentioned on screen – but I suspect they do exist in this universe and are a class below Archangels but above Cherubim.

This doesn’t necessarily mean that Crowley was an Archangel, but confirms pretty explicitly that he was once near the top.

So who was he?

Neil Gaiman has stated that his name when he was an angel was not Crowley/Crawley, and the first scene of Season 2 sees a bit of redirection when Aziraphale tries to get angel-Crowley’s name:

This is quite deliberate, and sets up his name as something important to be revealed later. However, I can’t see why his name would matter to the narrative, unless it’s something recognisable from biblical canon – or, that it’s not necessarily his name, but his rank as an angel that was important.

There are numerous pointed references throughout Season 2 to Archangels, in such a way that feels like the show is setting up for this to be revealed in the future. The misdirection about Angel-Crowley’s name may have been because Aziraphale was likely to have recognised the name of an Archangel.

More than this, I personally do think, that before his fall Crowley wasn’t just any old Archangel, but the Supreme Archangel. This is based on the following 7 points (you know God likes sevens):

The very deliberate way the camera pans to Crowley’s impassive face after Gabriel says “I’m the only first-order Archangel in the room or, you know, the universe.”

2. Metatron’s statement, “For one Prince of Heaven to be cast into the outer darkness makes a good story. For it to happen twice, makes it look like there is some kind of institutional problem.”

While it’s quite clear that we’re supposed to associate this line with Lucifer himself (and yes, I know NG confirms that's who this was alluding to!), it’s interesting that ‘Prince of Heaven’ is a title associated with Archangels in Jewish tradition and very specifically with Gabriel on screen in the universe of the series. That Jimbriel also repeats this line to Crowley in the bookshop specifically feels significant...

3. Crowley also recognises Metatron in the bookshop, where no other Archangel does. Metatron deliberately avoids using his name in this scene, calling him ‘demon’. Which is not inaccurate, but may suggest the Metatron remembers Crowley’s angelic name. It may also explain Metatron’s very dark look at Crowley as he exited the shop – the two of them have some history.

4. It’s never stated explicitly that Gabriel hasn’t always been the Supreme Archangel since the beginning, but there’s enough vagueness in the text to guess at this. When Michael and Uriel are discussing what to do in Gabriel’s absence, Michael and Uriel have this exchange:

M:There is, of course, no question of replacing the supreme archangel. I am the Archangel Michael, you are the Archangel Uriel. U: We aren't in charge. Right now, as of this moment, Heaven does not have a supreme archangel. M: There is always a supreme archangel.

“There is always a Supreme Archangel!” not “Gabriel has always been the Supreme Archangel!” According to some traditions, the Supreme Archangel was the first angel ever created, which would support Michael’s statement: There is always, and there always has been, a Supreme Archangel, since the time of creation. It’s possible that someone else held this role pre-Fall, and Gabriel was appointed as successor after the War in Heaven.

5. The way the other Archangels behave around him. There’s a wariness, but also a strange deference. On being discovered by Saraqael in heaven, they don’t immediately throw him out, but let him watch Gabriel’s trial – even ordering Muriel to show him it. Michael and Uriel then follow him back to Earth without much fuss, giving him quite a look, while Crowley seems to be enjoying himself:

(This also feeds into why I think Crowley looked so different during the Job segment. He knew he might encounter a few Archangels he’s not seen for a thousand years or so, and so appears in disguise.) 6. The lightening! I’ve seen someone point out that Crowley’s electric temper tantrum in S2E1 mirrors the lightening used by Gabriel to travel to Earth in S1E6. This could be a coincidence of VFX, or it could be a Clue.

7. That last conversation between Aziraphale and Crowley:

A: I don't think you understand what I'm offering you. C: I understand. I think I understand a whole lot better than you do.

That’s such a weighted statement, and could be interpreted in so many ways. But, viewed in this light, it sounds like a warning from a former angel who used to be very high up in Heaven indeed – and has absolutely no desire to return there.  

Why does any of this matter?

Obviously just theorising here…

The story is setting us up for a reveal here – Crowley’s status as an angel, and who he was before the Fall is clearly going to factor into Season 3 in some way. Why tease us with it so much and so often if it’s not important?

In terms of the narrative, a powerful revelation would be that Crowley used to have Aziraphale’s new job. That it led him to asking questions about the Almighty’s plan and then, ultimately, falling. And that the Supreme Archangel, for one reason for another, eventually turns against Heaven – it happened to Crowley, to Gabriel (after a few thousand years), and then will have to happen to Aziraphale too.

I could be way off here, but at some point the show needs to explain why Crowley is so different from other demons and has powers that no other demon or angel seems to possess. A reveal that he was once very, very senior in the organisation of Heaven, before asking too many questions and being cast out, would serve as a explanation and be a meaningful development to the narrative of Season 3.

I don’t think we’ll necessarily get a name (because we don’t need one) – but I do think we will get a rank or some idea about who he used to be, and that’s what’s going to be significant. TLDR: Supreme Archangel Crowley!?

[moonstruckme]

I've never requested before so I'm quite nervous but may I request something with a reader thats like usually very chatty when coming home from work but maybe someone at their job said something rude or they just feel to tired to talk? preferably with poly!marauders but i dont mind any characters, i love your writing and i hope you have a wonderful day :] no pressure to write this ofc

Thank you for requesting lovely and hope you have a wonderful day as well! <3

Eddie Munson x fem!reader ♡ 677 words

Eddie’s van is idling at the curb when your shift ends. He grins as you get in, swapping his cherry coke to the hand already holding his cigarette to wrap the one closest to you around your thigh. It’s a favored spot. You’re always thinking you ought to trace an outline of his fingers and get it tattooed with “Eddie’s place” inside as a lark, but he’d definitely enjoy it way too much. 

“Hey there,” he drawls, voice saccharine sweet and expectant as he leans across the console toward you. You peck him on the lips. 

“Hi,” you say back. “You taste like cherries.” 

His grin is crooked, goofy in that unabashedly lovesick way that makes your heart stutter. He holds up his cherry coke like he’s making a toast. “T’was the point. You want a sip?” 

“Yes, please.” You take it from him, letting the cool fizziness wash over your sandpaper tongue. You’ve been craving a drink since halfway through your shift, when you’re fairly sure you’d willed all the water out of your body so you wouldn’t cry in the break room. Poor forethought. 

The syrupy sweetness is comforting, familiar like Eddie and summer days and the lake. It makes you feel a bit more normal. You have to stop yourself from gulping it all down, dropping it in the cup coaster as Eddie stubs out his cigarette and puts the van into gear. 

It takes until the first stoplight for you to realize he’s not headed towards home. “Where’re we going?” you ask. 

“To the arcade. We’re meeting Dustin and them there, remember?” 

“Oh. Right.” You’d totally forgotten. At least Robin should be there. 

Eddie gives you a sidelong glance. “Work was good?” 

If you’re being honest with yourself, about 70% of it was totally fine. “Mhm.” 

He hums back at you, short and low. “Okay. What’s wrong?” 

“Hm?” you hum again, unable to help it. “Nothing, why?”

“Don’t play dumb.” He squeezes your thigh meanly, metal rings biting into your skin. “You always want to gossip after work. Something happened, yeah?” 

You toy with your bottom lip, looking out the window. You’re quiet long enough that Eddie gives your leg another warning squeeze. 

“Talk.” 

“It wasn’t really anything,” you say, honestly but forcing a bit more offhandedness into your tone than maybe you really feel. “A customer got all pissy with me because he thought something should be on sale and it wasn’t, but I’m not, like, still sad about it.” 

Eddie doesn’t take his eyes from the road, but his lips purse unhappily. “But you were, huh?” 

“I was,” you allow. “But I’m not anymore. I guess it just tired me out.” 

He glances your way, as if to be sure you’re telling the truth, and hums. “M’sorry, baby. Still down for the arcade, or do you just wanna go home?” 

“No, I’m good.” You wrap your hand around his forearm, running a path from his wrist to the crook of his elbow and back again. “I wanna see Robin. I can rally.” 

Eddie nods contemplatively. The steady rumbling of the van is the only sound for a few seconds, and then he says, “On a scale of one to ten, where are you right now?” 

You think about it for a few moments. “A four,” you decide. 

He nods again. “Okay. By the time we leave the arcade, we’re gonna have you at a six.” 

You grin at him. It’s already easier. Eddie sees out of the corner of his eye, quirking a brow like you’re being a dork but then slipping his hand from your thigh to intertwine your fingers from his. He brings the back of your hand to his mouth, kissing it wetly. You know he's content to sit in silence as long as you need, but you have one more thing to say.

“I feel like finishing off your coke would bring me up to a solid four-point-five,” you suggest hopefully. 

Eddie rolls his eyes, but the corner of his mouth kicks up. “It’s all yours, sweet thing.”

[not-too-many-eyes]

A Study on Mesmer Jr.

(Also Known As: Nott is obsessed with the bigot autistic girl from the time travel gacha game and its her birthday tommorow so lets talk about her.)

(CWs: Ableism, racism, child abuse) I Love Mesmer Jr. Which isn't a secret to any of my friends who have had to listen to me talk about her at length. I cannot get her out of my head. I think she's fantastically written, fun to read about, and just an all around interesting character.

As such, I want to take a moment to pull apart Mesmer Jr, and consider her place in this story. To contemplate why she acts the way she does, and to connect to the themes relating to her character. I hope you enjoy reading this.

A Curious Impression

Mesmer Jr makes an interesting impression when you first meet her. For one, she immediately causes alarm bells to rings when she talks to Sonneto, one of her earliest conversations, who she says she enjoys talking to because of their "shared values" she feels the need to say that she would have liked talking to her more if she were a "full-blooded human."

Which is something that you see a lot whenever she's complimenting an arcanist, or considering arcanists in any positive light. Even if it's inappropriate in the context, she feels the need to assert her beliefs, to say that:

Mesmer Jr, Praise: As an arcanist, your performance really amazes me. Wish you were a pure-blood human.

Of course, as we know, Mesmer Jr is an arcanist. She's a full-blooded arcanist. Being noted to be from a very Important family, and even being implied to be more talented than most of her family in their line of work: (The Fallacy of Idealism)

Nobody is more talented in this than Mesmer Jr. Her bloodline gives her outstanding ability and keen senses, which makes everything clear and intelligible to her.

She's also startlingly obedient. She has no noticeable outward negativity towards what Constantine has ordered her to do to Vertin, despite it seeming to cause pain or stress. Insisting that this is the normal treatment given to patients despite Madam Z's opinion, and we learn Much Later that her boss had an ulterior motive to all this.

She's even noted before we meet her to seem like a:

(Open Sandwich)

???: It is the other one- the one with indifferent outlines that makes her look like a refined machine.

Evoking images of perfectly programmed robots and droids that do what they are ordered to perfectly without question.

Of course, in the same part this line is from, the game is already nudging us to be open-minded when it comes to interacting with her. As the first thing we learn about her isn't her personality, isn't her appearance, isn't even her Voice.

It's her abuse.

Dirtied Hands

Open Sandwich is one of my favorite bits of writing in this game. It creates this incredible tension where you just waiting for the bad thing to happen, the line about how the child labor laws were turned into paper to wrap the sandwich is wonderful, and I love it.

But it's also the first time we ever actually hear about her. It depicts her having a Sensory Meltdown. Caused by her family's uh- blatant disregard for children's rights, and exposing her to a patient at age 12 because her skill was useful for the treatment. The trauma of the event marking the start of her "nightmare."

Of course this isn't the Only Thing she has gone through at the age of 12. The entire events of Nouvelles et Textes pour Rien happened during when she was 12. She might of had even more traumatic experience before that, considering she went to SPDM, a school that we know Very Well for their child abuse, and she Certainly had traumatic experiences afterwards.

She Is a 16 year old therapist taking care of The Foundation's most "unstable" patients, after all:

Mesmer Jr, Suitcase Climate: Those insane people screamed and rushed out of the guardroom. They kept meaninglessly and repeatedly roaring. Then, their blood shed on the snowy ground. I've seen that a lot.

The Rights of Children Don't Matter when there is Scarcity. Her needs are secondary to The Company's. Her welfare simply isn't important for the Foundation's Beautiful Future. Only the skills and infromation she can provide.

Constantine even manipulated Mesmer Jr into telling her the plan. Purposefully traumatizing her so that she would become scared and anxious. She Asked her to help them, trusting that Constantine, an adult she trusted, would be able to help. Constantine just lied, and made her continue to treat these people even when the experience mind numbingly traumatic for even fully-grown adults.

As a result, Mesmer Jr has developed multiple mental illnesses. Most notable OCD, but she seems to hallucinate in her Monologue.

She's not exactly a healthy person, which really compounds how much you Don't want her to be a therapist.

Of course, it's not like she would ever seek actual proper treatment for it.

For many reasons.

For one, Reverse 1999 is not exactly a kind world to the mentally ill, and she herself is a good example as to why.

Proper Treatment

Let's go back to the first thing I mentioned about Mesmer Jr. She's a bigot, she's a certified racist to every arcanist she ever talks to. She thinks humans are the superior race that will overtake arcanists.

She's also ableist. Just horrible ableist. These two bigotries are intertwined in Very important ways. Her hatred of arcanists is informed by her hatred of the mentally ill, and is further informed by what she has been taught about arcanists.

Reverse has established that the way arcanists and humans are generally viewed is that arcanists are the more emotional, unstable, immature ones and humans are the more logical, stable, and mature ones.

Now, this is a stereotype, one that has been proven wrong time and time again. There is nothing logical, stable, or mature about being so upset at a 12 year old you think killing her friends is a good idea.

And similarly, there is nothing actually inherently wrong about being a weirdo, or mentally ill. For one, uh, everyone is a bit of a freak sometimes, and two, Mesmer Jr treats it as if for the world to get better arcanists need to fully disappear and be replaced with human rationality, but Madam Hoffman says it best:

(Chapter 6 Part 15: With Hope Rekindled)

Hofmann: We have all heard it, humans are more rational and arcanists are more emotional. Hofmann: Their sensitive to the darkness of the world, so they can easily become absorbed in their own emotions and ignore reality Hofmann: But, if we put a human child in the position of an arcanist, who always takes on the world because of his uniqueness, who is never understood for his talents... Hoffmann: Maybe he too will become impulsive, sensitive immature and unstable Hoffmann: And that's why it sometimes dawns on me that if we put an arcanist child in the position of a human being who receives enough love, education, and positive feedback... Hoffmann: These 'instabilities' might be controllable. At least enough to keep them from hurting themselves or others.

But Mesmer Jr really does believe wholeheartedly that being a "freak" is bad, and that being an arcanist is to blame for why she is one.

Mesmer Jr, Hat and Hair: Thanks to it, we are all freaks now. Haven't you ever blamed your brain? Haven't you for once vomited due to the sound or whisper in your brain? How naive and ignorant.

That being an arcanist is something inherently wrong, and as a result of that inherent wrongness, that inherent "insanity," they need to be controlled by humanity.

Mesmer Jr, Chitchat II: I can only stand those arcanists from the Foundation and the Laplace. After all, their insanity is contained by humans.

She believes that humans are destined to overtake arcanists like it's natural selection. That it's only inevitable that arcanists will be overtaken by a species that in her eyes, is logical and understandable.

Mesmer Jr, To the Future: Just like Homo sapiens wiped out Neanderthals, arcanists will be eliminated as well. This is not a prediction, but a predestined fate.

This is, of course, due to the systemic part of Reverse's world constantly pushing this idea that arcanists are Inherently more immature and chaotic.

Constantine and her family deeply traumatized Mesmer Jr and then told her it wasn't actually their fault but this Other Group that She is also apart of but Don't Worry it can Be Controlled.

Mesmer Jr: It's not just about age. It was never going to be suitable for me. Mesmer Jr: Unless one day all the arcanists are gone. Pandora Wilson: Then you and I will be gone, too. Mesmer Jr: Exactly, along with the source of my pain

However, Mesmer Jr's own mental illnesses and susceptibility towards being overwhelmed by others emotions does really mean that she finds being around highly emotional people Taxing. She also finds that the unpredictable of life and other people Tiresome.

She was friends with Vertin in the rest when she was younger sure, but even then she did find arcanists overwhelming and "scary," even when she wasn't in the full thick of it, she saw them being treated and found it unpleasant and painful.

(Nouvelles et Textes pour Rien)

Mesmer Jr: But I'm not interested in arcanists. They are all mad people, and we had to treat them after all...They looked scary.

Now, usually, you grow out of this. She's not Born To Be Racist Forever.

In a better world she very much could have, I dunno-

Be able to actually internalize that arcanists aren't actually inherently a harmful thing, but that her needs sometimes conflict with the needs of others and grew up with the tools necessary to understand that this is a fixable problem that doesn't actually need a whole group of people including herself to die to be solved.

Or, something like that.

However, this isn't that world, this world thinks Mesmer Jr is a good therapist, and that her treatment is humane.

So she's seeks to create stability in the world as a result of that lack of support.

Mesmer Jr, Hobby: What you see is the alignment and tidiness. What I adore is this orderly state.

As much as she understands that it's a sign of her own "franticness" that she does this, it gives her comfort knowing that she has things that she Can Control. That her life isn't actually dictated fully by things out of her understanding. That she has the ability to direct her life in a small, maybe even insignificant way.

Cause, she really just doesn't have much control over her life.

Press the Button

Mesmer Jr, Clothing and Torso: ...Achieve the function.

A lot of Mesmer Jr's idolization of humanity comes from this idea of efficiency and simplicity. She talks so much about rationality and "tidiness," but as I've already established Reverse is full of so many instances of "human insanity" so it's plain ignorant to ascribe this trait to humans.

Which, well one she is ignorant, and also racism isn't rational and Mesmer Jr was taught human supremacy of course it's not going to be aligned with actual reality.

Which is true.

However, I do think it's interesting these traits that she idolizes are not from humans but from:

Mesmer Jr, Clothing and Torso: Humans are like machinery, simple and efficient. Arcanists are quite the opposite.

That's who she's actually idolizing here, isn't it? She's not really idolizing humans, that's just the framework she was given. She's idolizing machines and going "Wow humans are so cool."

Her Udimo is a machine.

Not just any machine, but a machine invented in part By Her Workplace, and even when she was 12 the narrator describes her as a "refined machine." Indifferent and rigid.

This is the beautiful controlled being that she is seeking! The beautiful tidy, orderly, calm being that just proceeds with whatever order is given to it. One that has...completely no control over it's life, and what to do with it.

Because, traditionally speaking, Machines do not have the ability to self-determine. They don't exist as people with conscious thought and emotion, but as Things and Tools that can Achieve Functions.

I noted way back in the start that Mesmer Jr is startlingly obedient. She does what she is told, and encourages others to do the same.

She's glad that Vertin:

Mesmer Jr, 100% Bond Conversation: ...Anyway, I'm glad you gave up on those insane plans.

Before saying that she doesn't want to be forced to Lobotomize Her, and that she doesn't actually want anyone to end up in Artificial Somnambulism.

But she doesn't say she won't do it. Just that she's happy Vertin did "give up" because it means that she probably won't have to. This seems to be her general approach. Even if she's not happy, she'll do it, her wants don't matter.

She assumes that she has no other option and that her only path forward is following orders from her boss. That the only path forward is the one set for her. There's no point in fighting it so she's just gonna continue on that path, and others should do the same or else they'll get Hurt. Learned Helplessness.

Sonetto is similar to her in this sense (Mesmer Jr says so herself,) and Sonetto is shown to hold quite a lot of repressed emotions, and to deviate from the rules or what is logical when she feels something is at stake.

After all: (Is ABA Really “Dog Training for Children”? A Professional Dog Trainer Weighs In.)

We all know that we can feel angry without expressing anger. That we can smile when inside we are crying. You can stop someone from expressing an emotion, but that doesn’t make the emotion go away. A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.” When you read about a dog attack that came “out of nowhere” and “without warning,” it is because this sort of method was used to handle “problem behaviours.” Studies show that dogs trained with these sorts of methods actually have an increased rate of aggression, because punishing aggressive behaviour doesn’t deal with the underlying fear and anxiety that caused the aggression in the first place.

But Mesmer Jr, in contrast to Sonetto, who has an interest in poetry and curiosity in the outside world and has the aforementioned repressed emotions. Has no real distinct personal identity. She does not own anything that shows her interests, unlike her other coworkers who usually have at least Something on them. All of her items are stuff made by Laplace and exist unaltered. Even her cute little headband is a EM amplifier is part of the uniform.

She holds no control, no identity, no agency. She exists as a machine that someone can press the buttons of and achieve whatever function she needs to achieve at the given moment.

This is her current state of existence, and it's not something that's exactly sustainable. The cracks in this machine-living have been showing since she was 12. How many more do you think have been created now that she's 16?

The Foundation

Now, this is really depressing, but that's because Mesmer Jr is just a bit of a depressing character. She can't really get away from her job. For one, her parents are horrible, two The Storm means that the world is always on the verge of ending. Where else will she go?

But, as said previously:

A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.”

Similarly, a girl trained to not develop any sort of identity will crack Someday.

I have no knowledge of what could happen next in her story, nor am I interested in theorizing about it. But I do find it interesting to think about.

[tossawary]

I'm back to frequently thinking about a Transformers AU for SVSSS, because I love trying to fuse the worldbuilding (working across several different continuities of TF, admittedly) into something recognizable to both worlds that's also new. I also love pulling on the elements these worlds have in common: immortal beings, endless conflicts, switching bodies, cores of power, building yourself up to become a higher being, oppressive systems controlling entire worlds, people (characters) who were constructed and are discarded for specific purposes (profit and sometimes just entertainment) and are not always viewed as real people, the creator god might be just some guy over there, and so on.

For this AU, my story outline currently sticks to Cybertron and its surrounding space. I don't have any characters whom I want to make human, I have very specific backgrounds in mind for everyone already, and I have a plotline that doesn't require Earth or humans in any way. Though, for fun, I was absentmindedly fiddling with the idea of taking the characters of a different MXTX story (MDZS or TGCF) and making them into the humans of this AU.

I feel like Wei Wuxian would be one of those human characters who is basically already climbing into the seat before a transformer can finish introducing themselves as a giant space robot; oh, he is DOWN for whatever the fuck this is. However, if I was writing Wei Wuxian as a human in a TF AU, I don't know which SVSSS character I would pair him with as his "partner", as I personally would be far more interested in writing a story in which Lan Wangji and/or Wen Ning (both?) are Cybertronians. (Yes, obviously, Wei Wuxian would be a robotfucker for LWJ.) I'm leaning more towards Wen Ning, because there's the "I rebuilt this guy and turned him into an abomination who acts kind of in service to me" aspect, and also it's funny to imagine human Lan Wangji having to put up with his boyfriend's alien car being a part of the relationship.

With TGCF, making the characters into the humans of a TF AU for SVSSS feels like a reversal. Xie Lian's narrative everything arguably makes him an even better Cybertronian than any other MXTX character. The fall from being, say, a Prime and the Bearer of the Matrix to apparently being some poorly-maintained bot that spends its time picking up trash on Earth in the aftermath of some Cybertronian war? Delicious. Hua Cheng was some half-broken, half-starving, outlier freak, MTO discard saved by the new Prime EIGHT MILLION YEARS AND SEVERAL WARS AGO, and has never gotten over it and never will. And a lot of the other TGCF characters also match very nicely to TF worldbuilding: mmm, my brain likes chewing on the image of beautiful and terrifying, near-immortal robots falling from the "heavens". It's even easy to source internal TGCF characters as the humans if you need human characters, so there's no real need to make it into a crossover with MDZS or SVSSS.

So, ultimately, this TF AU for SVSSS is not going to be a crossover. I don't want it to be. But I did enjoy thinking about TF AUs for MDZS and TGCF as well, where the worldbuilding or character arcs fit nicely together, so I wanted to share that here.