#just listened to mag125

[tmisaccidentreportbook]

MAG024, Strange Music

Case #0051701, Leanne Denikin Release date: June 22, 2016 First listen: 20th October, can’t remember where I was and I’ve been trying to cleanse the palette a little with some of The Adventure Zone: Graduation. That makes for an interesting combo.

The possessed killer doll has been done a lot. Child's Play, Annabelle, and a new release M3GAN to name a few. And, it may be that I am not as in tune with media tropes as I’d thought, but it honestly hadn’t occurred to me that this was a possessed killer doll situation until sitting down to make notes on this one. I’m going to chalk it up to Jonny’s writing giving this a new lick of grease paint.

- ‘Let me be clear: I’m not scared of clowns.’ Well I am. Or well, I thought I was. But not long after this, I’d go on a Scare Night with a group of my friends from work; masked, boostered and outside. But it was a series of horror mazes we’d work our way through, you know the sort, and they were themed. One of them was definitely circus themed. I wasn’t scared or spooked in that one, or indeed any of them if memory serves. Mainly in the circus one I was just distracted by the sheer noise and strobing lights. But I think there was also a little bit of ‘I might be a bit nervous but I have several dear friends who are actively terrified and are huddling around me like I’m the mama goose in this situation. Time to link arms, hold hands and turn on the flamingo shaped fairy lights I’m wearing in my infinity scarf. Off you go girls!’ I had a great night but I wasn’t spooked. Possibly because of the noise, probably by the fact that I had finished consuming Season 1 by that point at least.

- I agree with ‘baffling’ nature of clowns and to a degree dolls to. Leanne makes a good point about statues.

- Leanne takes quiet a stand on insisting that the events she’s reporting actually happened. I wonder if she’s run up against indifference or hostility before in connection to this. She later states that there has been police investigation, more than likely she’s not been believed or she may not have dared to tell them. She’s got little to no relationship with her parents and she no longer has her partner, she’s more than likely desperate to be believed but someone, anyone. And given how the Institute operates a… supply chain shall we say for The Lonely, she would have been ripe for the taking, given that, her grief and loss and how her story ends. I wonder, did she emigrate, or was she just lost.

- I had never heard of Bootle, needed to look it up. Appears to be a seaside town, just north of Liverpool.

- Music wasn’t something I’d quite considered as a tool for horror before this podcast. Yes, I knew of sirens singing to lure the unwary in and how the film soundtrack can change to let you know shits about to go down, but short of ritualistic chanting, I can’t think of any times where I’ve seen music actively drawing out the threat and being so linked to it. We’ve seen music play a part before with The Piper, MAG007, and we’ll see it with Grifter’s Bone, MAG042, and I think in MAG125, Civilian Casualties, bagpipes cry. The Slaughter and The Stranger seem to be the two Entities that employ music the most, Nikola Orsinov referring to the efforts of The Stranger preparing for ‘the dance’. It’s interesting how these Entities both draw on music as a tool, because at first thought they don’t seem that aligned, but they have many themes in common. The confusion of battle, not knowing friend from foe, common man becoming the enemy other, the idea of officers dancing at balls the night before battle through the 1800s, circuses and shows being run like military operations, the military flair of a ringmaster’s regalia. The two seem very tangled up together and it seems fitting that The Slaughter put pay to The Stranger’s ritual attempt in 1787, MAG116.

- ‘I don’t have a great relationship with my parents, and have always had some problems making friends.’ Leanne seems perfectly ready for The Lonely to take her by the end of her statement. Her hesitancy in calling Joshua her ‘partner’ is telling. Although the nature of the end of the relationships were very different, the only statement of The Lonely we’ve had so fair has been MAG013, from a woman mourning the sudden loss of her fiance.

- ‘It was a hot, muggy day, and I remember wondering whether the stinging in my eyes was from the tears or the sweat.’ I’ve attended funerals in the summer, I’ve worked funerals in the summer. It’s never easy.

- ‘…I’d always felt it was mine in some ways.’ I can understand this sentiment, and I think that makes the break in and burglary all the more brutal. It’s the violation of the safe space and sanctuary. Although I’ve been living away from the family home for a good long while and I’ve never really been one for roots, there will always be a part of me that belongs to a home, garden and field in the Vale of Belvoir.

- So Grandpa Nick was Nikolai. We’ve establishing the Russian connection.

- ‘…had to cut the lock off.’ I’m gonna say, it there’s a padlock on an attic door that you’ve never seen opened or used and you can’t find a key for it anywhere on the property, that’s a red flag.

- ‘The only things there were an old steamer trunk, a small stool and a bright red calliope organ.’ I’m gonna say, it there’s a padlock on an attic door that you’ve never seen opened or used and you can’t find a key for it anywhere on the property, and then you get it open and there’s only a few, rather singular items in there, that’s a bloody big red flag.

- Oh now I’m imaging a statement covering an episode of a ‘storage hunters’ type show and the premise is terrifying and hilarious in equal measure to me.

- ‘The Calliaphone’. Right, I looked this up because it didn’t quite sound right and it might be a case of brand name becoming the common term. From the wiki ‘the air-driven calliope is sometimes called a calliaphone, the name given to it by Norman Baker, but the "Calliaphone" name is registered by the Miner Company for instruments produced under the Tangley name’.

- The carving of ‘Be still, for there is strange music’ on the lid is interesting and the statement doesn’t specify if machined on, done by hand professionally or roughly scratched on. Was it done buy an artisan proud of their work and sending it off with a blessing or was it added as a warning?

- Also, the instruction of ‘be still’ is one that makes me nervous. Usually the wish would be for merriment and movement when music plays, which is why being made to sit tight during concerts always made me antsy, so why do you need to be still for them music? Is it so something doesn’t see you? Will you be caught in the dance and unable to stop? Will you become still, whether you will it or not?

- The jaws are gone. Dolls that have been silenced… Why that manner of death though?

- 23 dolls. Grandpa was up to some shit.

- ‘…oldest doll still has jaw.’ So, I’ve learnt that there are recognised different types of clowns. Great, that live in my head. But I think this lil guy could possibly to be a white faced clown, a Pierrot, the loyal, hardworking, dependable servant character of the Commedia dell'Arte. Well, he’s hard working, gotten 23 meals already.

- ‘Or maybe selling. They were definitely antiques, so they might have been worth something.’ I already mentioned working auctions in MAG005 and yeah, while the dolls themselves may have been eerie, they weren’t as eerie as the folks most interested in them.

- In the style of Grizzop drik acht Amsterdam around the 41minute mark of RQG 92 – Bringing Down The House SASHA!

- ‘Tried and succeeded. They were actually quite helpful.’ All of the archival assistances are wonderful, they are the best beans, but Sasha is probably the most effectively by conventional and, y’know, well tested and legal methods. I reckon by illegal methods, she’d be down right dangerous. But Harold Silvana isn’t a name we’ve heard yet, but we will in MAG035, which is a type of statement I’ve taken to referring to in my head as ‘fear goulash’. Like, freaking shit is happening, but they’re all in on it, MAG020 was a bit like that, everyone had a bit of flavour in there.

- There is a whole section on the calliope wiki about how it can be pronounced. There a great little rhyme featured there;

Proud folk stare after me, Call me Calliope; Tooting joy, tooting hope, I am the calliope.

I mean, it’s wrong, but it’s cute.

- I am with Jon hard on this one. The instrument is named after the Greek muse eloquence and epic poetry. Mother of Orpheus. Hesiod and Ovid called her ‘Chief of All Muses’. Put some respect on her name.

- I love that when the recording resumes, there’s some emphasis on ‘ka lie oh pee’. Just a little bit of pepper to make the point.

- ‘By rights, when I sat in front of it and pressed the first key down, nothing should have happened.’ Oh and that ‘should’ is key there isn’t it. If the laws of the world are being fucked with, get out. If reason and physics peace out, you do too.

- ‘…came a loud, howling tone.’ I’m reminded again of the Carnyx as I mentioned them in MAG007, a howling instrument for the battlefield rather than the music hall.

- I can’t find any indication of what piece of music ‘Faster Faster’ might have been but it is a very evocative name for The Stranger’s purposes. Moving and dancing faster and faster until the world around you is unrecognisable. It could also be that Leanne is chasing her grief, as when she first played it, it was to her Grandpa’s memory.

- Josh’s reaction to the music is something that could be expected, especially after his reaction to the contents of the trunk, but it can not be as easily explained. While Leanne is caught up in the playing of the music, we get no indication of what Josh is seeing, if she or their surroundings are changing in anyway or if his reaction is solely to the music and its’ effects on him. As he doesn’t give any justification or explanation when the music stops, we can’t be sure.

- Was there a chance that the clown doll glimpsed him, in the short moment the trunk was open?

- ‘…in those last weeks he became moody, short-tempered, constantly on edge.’ The change in Josh’s behaviour can certainly be attributed to The Stranger’s influence, but I’m interested to know exactly how. Is it simply the constant presence of the music or is it something more? Is this new behaviour that’s being propagated within him, or are his masking behaviours being stripped away to reveal what he was really like?

- But Leanne is fully alone now; somewhat estranged from her parents, grandfather dead, partner out of the picture.

- ‘So, for the third time, I got out that ladder and climbed into the loft.’ We get the magical rule of three and we see the cloth poppet of Josh. With the Clown, the ringleader, reaching for him.

- I’m glad there is no use of the phrase ‘voodoo doll’ in the piece. Although the use of a doll effigy to hurt Josh is clearly implied, with the likeness and the 22 other jawless dolls, the words are not said and I appreciate it as the practise is so often misattributed with terrible connotations.

- I’d like to know more of why Josh was chosen. Was it simply a case of the calliope and its’ retinue needed to feed? Was Leanne off limits as she was the one who provided the music? Was it because Josh had hurt her and the calliope and the attendant now considered her under their protection?

- The break in, another instance of the violation of the safety of the home, especially considering that Leanne had such a connection to the place. But Breekon and Hope, and yes it’s got to be those two; two people, ‘looked legitimate’ as a moving service, in the employ of The Stranger, Breekon and Hope not being stopped because they ‘looked legitimate’. The shit you can accomplish with a hard hat, a high vis jacket and a clip board, I tell you.

- Leanne immediately knew that the calliope and what happened to Josh was connected. I mean, the signs are all there, but although she may not know how it works, she understood the connection enough to swear up and down that she didn’t play the calliope a third time.

- Before Josh and Leanne broke up, he said that ‘he still heard that calliope music’. And once again my mind circled back around to MAG007, and Wilfred Owen and other doomed soldiers cocking their heads to catch the music of The Piper.

- So Josh was found dead, jaw gone, no foreign DNA found on him, and his windpipe crushed by ‘some sort of rope, apparently woven out of thick wool’. Well, the white clown had ‘no woollen hair left’. None left. What if it was kept to hand though, within the trunk?

- ‘Tim said it reminded him of some articles he’d read on travelling circuses.’ We’ve still to meet Tim in the flesh, but this is the first indication we get of Tim’s history with The Stranger and with the Circus of Gregor Osinov.

- ‘Gregor Osinov and Nikolai Denikin.’ Yup, Grandpa was up in some shit. We don’t get confirmation that Nikolai is the calliope player, but given his talent at the piano, it’s not a massive leap of logic. If that is the case though, who are the other 22 dolls.

- The picture was taken 1948, so in the wake of WWII. A time when The Slaughter and The Stranger probably stalked the world rank and file.

- We get our first mention of The Circus of the Other and the legacy of Gregor Osinov.

- So the calliope was unaccounted for between 2004 and 2007. What was Nikola Osinov doing with it in that time, and why did it make its’ way to the Magnus Institute?

[aro-ortega]

i love melanie so much and her voice actor is so good..

[suncrayon]

hello this just in I'm in love w Melanie King that is all

[throwaninkpot]

Okay, so I overheard my sister listening to MAG007 (The Piper) for the first time, and it had me thinking about MAG163 (In the Trenches) again and wondering if that might have been the first time we ever actually hear the bagpipes. And yes, they're present in the statements but never in the soundscaping, except for MAG125 (Civilian Casualties). It's faint, almost inaudible; I never noticed until now when I put my headphones in and listened specifically for them, but just under Jon's voice as he describes the carnage in a small village, you can hear the bagpipes playing. And part of me is looking at that on a meta level, that the pipes are pure War and it isn't until it fully manifests and a tape recorder is in the trenches that we're able to hear them clearly.

And the rest of me is awed at the good sound design in this podcast, all the subtle work that's done under throughout the show, and that none of us had consciously heard the pipes until 163, but we all knew exactly what they meant the moment we heard them, and I still remember the way the sound of bagpipes made my muscles tense up and the bile rise in my throat. I just want to throw dollar bills at these people so they keep doing Good Stuff.

[soveryanon]

Four months late and with a coffee, ~*MAG160’s review*~ (and the last season 4 proof that I can’t do anything without a deadline.)

- This time, the tiny detail making me love the show even more was: the location (“If nothing else, I’m hoping there’d be some… jurisdiction complications in Scotland, or something?”). We know from MAG050 that Jonah Magnus used to be based in Edinburgh, or was at least operating from there in the 1840s (“Certain uncharitable quarters would have it that your life consists of little but rattling around an Edinburgh townhouse, surrounded by piles of ghostly accounts and lunatic documentation.”); Gertrude had created and hidden the ritual tying her to Agnes in “the middle of a forest, in the Scottish highlands. Furthest place I could find, from anything, and anyone.” (MAG145); the first episode of the series had happened in Old Fishmarket Close in Edinburgh (MAG001). How fitting, then, that the end of the world would be unleashed in Scotland, close to Jonah’s roots, close to the ritual that had been one of Gertrude’s first actions against the Fears, close to the place where the Anglerfish had been taking victims in the first statement Jon ever recorded?

(+ Obligatory “Hm! An Englishman returning from Scotland with a fear of bagpipes and sheep. I’m sure we can all relate…!” (MAG125) snickering reminder. Cross your fingers that the sheep do not get Flesh’d around you, Jon.)

- Obligatory “Oh, Martin, No” because Jon is rubbing off on him (ha) when it comes to saying things that end up biting him in the butt way later:

(MAG079) TIM: Alright, fine. Fine. What do you want? What’s your light at the end of these spooky damn tunnels – and don’t say “everyone happy forever”, because that’s not happening. … Well? MARTIN: I don’t know. I don’t know!! I want to find out what’s going on; I want to save Jon; I want everyone to be fine, and you know what? If we were all happy that wouldn’t actually be the end of the world!

It was a succession of “Everything Is Fine(-ish)”, Martin was happy for at least one week…

(MAG160) MARTIN: Everything alright? ARCHIVIST: Just… making sure it works…! […] MARTIN: Are we… … Are we safe here? ARCHIVIST: [SIGH] Safe as anywhere else. […] But I think we’re okay. […] MARTIN: You’ll be okay here? ARCHIVIST: I’ll be fine. […] MARTIN: I assume it’s her attempt at a… a–a “varied diet”? Eating your greens, you know? ARCHIVIST: [CHUCKLE] Probably! I’m sure it will work fine.

… so, of course, the world just had to end.

- Fluff first: it took me a long, embarrassing while to understand what was happening in the first scene! I can’t guarantee it but it actually sounds to me like Martin was unloading a load of wood, and had been taking care of it (finding it, moving it, maybe even chopping it outside?!), hence why he perfunctorily asked what Jon had been doing inside (and made clear that he hadn’t gone to the village yet, since he was heading to it at the end of the sequence)?

(MAG160) [CLICK–] [LOAD OF WOOD BEING SET DOWN] MARTIN: Everything alright? […] [BITS OF WOOD BEING PILED UP, ONE BY ONE] MARTIN: You’re unpacked, then? ARCHIVIST: Mm? Oh, yes. [INHALE] Much as I can without any wardrobes to speak of, at least. MARTIN: Yeah, it’s… it’s not exactly the Ritz! […] ARCHIVIST: [INHALE] … Not much in the way of food, is there? MARTIN: Hm? ARCHIVIST: [EXHALE] MARTIN: Oh! N–no, not yet. I was actually gonna head down into the village to go pick something up. ARCHIVIST: Mm. MARTIN: Maybe give Basira a call to check in, ‘cause: Daisy apparently couldn’t pick a safehouse with a signal, so…! […] [ZIPPER PULLED] You’ll be okay here?

I’m not saying that, given how Jon was a bit distracted at the beginning of the episode and minimising how much time he had needed to unpack, and how there was glass shattering towards of the episode so most likely a window breaking, there is every likelihood that Jon had just been spending a lot of time eyeing Martin chopping wood through that window at the beginning of the episode, but. You know.

- Overall, I love how the cosiness and domesticity was so quickly installed amongst Other Serious Stuff, mysteries and the bigger plot: we’re being told/shown that Jon is taking precautions, wants to not use his powers, that Martin is the one heading out to go to the village (and the one leaving again in the second scene – Jon might be avoiding coming into contact with outsiders at all, in case they have “stories” or to avoid Knowing about them?), that Jon was planning to go back to only reading(/listening to) statements, after having taken Peter’s the episode before. So, still trying to not hurt more people, and also planning to rely on the tape recorder like he had done in MAG141-143 (if it clicks on on its own, then something is close), which is why and how we heard the first exchange:

(MAG160) [CLICK–] [LOAD OF WOOD BEING SET DOWN] MARTIN: Everything alright? ARCHIVIST: Just… making sure it works…! [SHUFFLING SOUNDS] MARTIN: I still don’t think we should have brought it. ARCHIVIST: Oh, it’s better than no warning at all. MARTIN: Mm. ARCHIVIST: Especially if I’m trying not to, uh… “see” things, you know? MARTIN: I guess. […] I was actually gonna head down into the village to go pick something up. ARCHIVIST: Mm. MARTIN: Maybe give Basira a call to check in, ‘cause: Daisy apparently couldn’t pick a safehouse with a signal, so…! […] You’ll be okay here? ARCHIVIST: I’ll be fine. […] ARCHIVIST: How was she? MARTIN: Oh, same as last week. ARCHIVIST: Institute still crawling with police? […] MARTIN: Still, she did manage to talk them out of burning the whole place to the ground? Oh, ah! Actually, that reminds me. Hum… [RUSTLING OF PAPERS] ARCHIVIST: Ah! These, these are the… statements. MARTIN: Uh, yes. Basira said last week she’d send some up as soon as the Archives weren’t a crime scene. ARCHIVIST: Yes… MARTIN: And she wasn’t sure which ones you’d read already, so she–she just said she’d send a bunch. [CLATTERING SOUNDS] ARCHIVIST: There’s… tapes in here, as well. D… did she say anything about tapes? MARTIN: She… didn’t mention it? But… I–I didn’t check it until after the call. ARCHIVIST: Mm. MARTIN: I assume it’s her attempt at a… a–a “varied diet”? Eating your greens, you know?

… Implicitly, that first exchange probably wouldn’t have been recorded if Jon hadn’t been checking that the tape recorder was working, which makes us go back to the usual questions of “what are they?”, “why are they only recording some scenes and not others?”, particularly in regards to the tapes that Martin brought back in the second scene.

I also appreciate how their exchanges were still grounded in… material concerns. How everything was installed for the listener to not think for a second that the apocalypse was coming close, given Martin and Jon’s preoccupations? They were still focusing on preventing Jon from harming other people, on food, on the identified people&monsters threatening them (Julia&Trevor, the Not!Them, potentially Daisy, Elias being on the loose again) and on legal matters regarding their involvement in MAG158’s attack (“If nothing else, I’m hoping there’d be some… jurisdiction complications in Scotland, or something?” / “… Does she know who they’re looking to blame?” “They’re not really talking to her about it? Sectioned or not, I guess ex-police only gets you so far.”). I think that this last point was the most impacting for me: food and other characters/threats will still be a concern during the apocalypse… but “legal jurisdictions”, Section 31 and the investigation in the Institute’s attack probably won’t be, and that would be the sign that “society as they know it” is crumbling? That the rules have profoundly changed?

- On that note, YEAH, “TERROR ATTACK” was indeed the way to put it:

(MAG160) ARCHIVIST: Besides, I’m more worried about the other Hunters. Or the… “Sasha”-thing. Last I heard, they still hadn’t found any bodies. [INHALE] A lot of destruction, a lot of blood… [EXHALE] But that’s it. [MORE WOOD SOUNDS] MARTIN: … You think they’re still out there. [SILENCE] ARCHIVIST: Hopefully a long way out there. […] Institute still crawling with police? MARTIN: I mean, they’ve finished all the interviews? Apparently, they’re calling it a “terror attack”. ARCHIVIST: Doesn’t surprise me. [CHUCKLE] Appropriate, in a way…! MARTIN: Mm. [FOOTSTEPS] ARCHIVIST: … Does she know who they’re looking to blame? MARTIN: They’re not really talking to her about it? Sectioned or not, I guess ex-police only gets you so far. ARCHIVIST: Mm. [SIGH] Does she know if they’ve found the old prison yet? The… Panopticon, Elia– … Magnus’s body. MARTIN: I don’t know how hard they’re looking, to be honest? Basira says a few of them got lost in the tunnels for over a day, and… ARCHIVIST: [CHUCKLE] MARTIN: … it’s not like the promise of an old man’s corpse is much of a motivator. ARCHIVIST: Mm. MARTIN: Still, she did manage to talk them out of burning the whole place to the ground?

* Was this implying that there weren’t any deaths amongst the regular staff? I know that it’s a bit of a moot point given the whole apocalypse-thingy, now, but still, glad for it because… I… really… don’t like… bystanders getting hurt as peripheral casualty when protagonists were the target… in fiction… (Though the staff have been hurt even if they survived, and now everyone is hurting given the circumstances, but, still. I really, really don’t like random deaths when their main point is to give angst to main characters.)

* Trevor&Julia and the Not!Them still on the loose. Given how the Not!Them operates, it’s possible that one of the Hunters hasn’t actually made it, and that we will meet Not!Trevor or Not!Julia in season 5? I’m guessing that they will come back in some shape or form (or Not) next season.

* I love how Section 31 was SO DONE with the Institute – Basira had established that the whole building meant an automatic Section 41 (MAG043) and we saw how Elias was handling police matters with blackmail and the likes (MAG082, MAG092, MAG120, MAG158). I’m surprised that Basira apparently explained Magnus’s deal, since they were searching for the body and the Panopticon? I thought they would avoid explaining it, since Section 31 would be the most likely to go for the kill if they ever found his body? And although Elias wasn’t sure about the consequences, he had still highlighted that killing him would still cause a risk for regular staff and Basira.

* I also love how the default way of destroying the Institute is always “set it on fire”:

(MAG060) ARCHIVIST: [Rosa Meyer] unloaded the van’s normal cargo of filing paper and envelopes, before filling it with several barrels of petrol. She was apprehended just south of Vauxhall Bridge, after she jumped a red light and collided with another car. Luckily the petrol did not ignite, and she was picked up by police as she tried to flee the scene. […] The one detail that still nags at me is that the company the Danilo Kostitch worked for, Paper Unlimited, is the same company that, at the time, supplied most of the stationery to the Magnus Institute. I have a nasty feeling about exactly where she was taking that petrol.

(MAG079) ELIAS: What did you want from him? LEITNER: The files. The ones you took from Gertrude. ELIAS: Planning a little light arson, are we Jurgen? LEITNER: It’s not just the Institute and you know it.

(MAG118) MARTIN: Case… 0071304. Statement of… Ivo Lensik. [BREATHES] [LIGHTER FLICKED ON] All right. [BURNING SOUNDS] [EXHALES DEEPLY] Statement ends, I guess. [PAPER RUSTLING] Hm… Harold Silvana! Number 0020406. Will probably do. [PAPER RUSTLING] [LIGHTER FLICKED ON] Alright then. 0140207, Dylan Anderson. [PAPER RUSTLING] Yeah? Okay~ [LIGHTER FLICKED ON] [EXHALES] There’s plenty more on the pile~ [AGGRESSIVE KNOCKING AND DOORKNOB JOSTLING] ELIAS: [MUFFLED AND DISTANT] Martin! Martin, open the door. MARTIN: Sorry Elias…! I can’t hear you. There’s a door in the way. […] ELIAS: Tell me what you’re doing, and why. MARTIN: I just thought I’d, y’know, drop a couple of ideas in the old suggestion box! Turns out my suggestion is… fire! [LIGHTER ON] ELIAS: And yet you haven’t set the whole Archives alight. So I assume this is… what’s it called… A cry for attention.

(MAG158) ELIAS: What exactly were you hoping to achieve here? Why not come at me directly instead of burning everything first? GERTRUDE: I was rather hoping the fire would occupy you while I did just that. ELIAS: I see…! […] So you burn the place down, use it as cover to reach my body, and then we die together. [CHUCKLE] How… poetic. Doesn’t seem like your style at all. GERTRUDE: I wasn’t actually planning on dying.

(Re: MAG060, I’d already been wondering, before the Jonah Magnus reveal, whether James Wright had somehow been involved in Rosa Meyer’s accident (thus preventing her from reaching the Institute) and/or had sent evidence to the police to incriminate her for the murder, ensuring she wouldn’t get another chance. I… guess that’s what really happened, uh ;;)

… A bit yIPS for the fact that Elias used to get harsh very fast as soon as the Archives were threatened with fire… and in MAG160, it’s now Basira who dissuaded police to burn the place down.

- On my first listen, I got a Big Worry over Basira because:

* “James Wright” had been Head of the Institute from 1973 to 1996, so during 23 years; “Elias Bouchard” had been the new one since 1996, so it’s been… 22 years, almost the same length. If Jonah is body-hopping regularly, we would be close to his next one.

* The weird Elias-Basira bits all through season 4.

* The fact that we haven’t heard Basira since MAG158, when Daisy told her to “go”: we… don’t really know what happened to her afterwards, we didn’t hear how she had interacted with Jon&Martin.

* The fact that Basira hadn’t mentioned the tapes and that Jonah’s statement was amongst the ones she sent to Jon:

(MAG160) ARCHIVIST: Ah! These, these are the… statements. MARTIN: Uh, yes. Basira said last week she’d send some up as soon as the Archives weren’t a crime scene. ARCHIVIST: Yes… MARTIN: And she wasn’t sure which ones you’d read already, so she–she just said she’d send a bunch. [CLATTERING SOUNDS] ARCHIVIST: There’s… tapes in here, as well. D… did she say anything about tapes? MARTIN: She… didn’t mention it? But… I–I didn’t check it until after the call.

… So: I panicked a bit about the idea that Jonah could have hopped into Basira before Jon and Martin left The Lonely, or when they had left for Scotland already?

BUT, on the other hand, it wouldn’t really fit thematically: she is still a character, I feel, we don’t “know” a lot; she spent the entirety of season 4 getting manipulated by Elias and ultimately losing Daisy again; she has a new arc opened (her promise to Daisy that she would find and kill her, in MAG158). It would be a bit too harsh to do Basira dirty like this right now, so I doubt that it’s something that happened (losing both Daisy&Basira like this, while Jon&Martin&Elias are still relevant, would be a bit too obviously imbalanced genders-wise too). But. Still. I got a Big Worry.

- Though: given Daisy’s last words in MAG158, I was assuming we were saying goodbye to her as “Daisy”, but now I’m not even sure? Because, yes, TMA characters often sarcastically joke about things that are upsetting and sad, but it didn’t feel like they were talking about someone they had lost forever as a person here?

(MAG160) MARTIN: Yeah, it’s… it’s not exactly the Ritz! ARCHIVIST: Well, it technically still belongs to Daisy, so… I’m just glad it’s not… some sort of… kill room. MARTIN: Or… [CHUCKLE] Or it is, and she just cleaned it up really well! [CHUCKLE] ARCHIVIST: Uh…! Yes… [CLEARS THROAT] [SILENCE] […] MARTIN: Some-somehow, I don’t think Daisy will be worried about “jurisdictions”…! ARCHIVIST: I– [SIGH] I don’t think she’d come here. [RATTLING SOUND] Doesn’t look like this place has been used for years. MARTIN: [POINTEDLY] And if she does? ARCHIVIST: [SIGH] … Well. At least, we’ll know where she is.

… I mean, yeah, there was Jon’s blatant discomfort, but: this is not how you would talk about someone who had resisted for months against a Fear that had influenced almost all her life, who tried to get Jon out of his misery pit after he had rescued her from the Coffin, who tried to repair a bridge with Martin, who was firm in front of Jon about the fact that obeying to a Fear’s influence wasn’t worth it, to ultimately succumb to The Hunt again after she had stayed in order to give Jon time to run after Martin who was in danger and possibly to protect Basira?

I really really felt that we were absolutely saying goodbye to her in MAG158, but with Jon&Martin’s exchange in this episode, I’m not quite sure anymore – it would be a bit too heartless and disrespectful if it was the case, to summarise Daisy once again as a violent monster, while she had fought it for months? But: Daisy had already lost herself to The Hunt during The Unknowing, and had been rescued from that state once, plus Basira promised to find and kill her (which sounds like a Last Promise, something you can’t go back on); I doubt they could “get her back” another time, even if the whole paradigm has changed?

I really don’t know ;; If we are indeed saying goodbye to Daisy-as-Daisy, I kind of hope that there will be more sensitive words about her in season 5, because it really didn’t feel like she was absolutely gone, given the way Jon and Martin were talking about her – this was a conversation that could have been had about Daisy in season 3, not after season 4 and all the work she did…? I don’t really feel like it was a “meaningful death” on its own either: it didn’t feel to me like it was a sacrifice she was ultimately choosing to make, but The Hunt taking over her anyway because of the violence and the stress around. It works extremely well as a very sad death – Daisy caught back by her patron after some time, because she couldn’t escape it forever (as she had said), and what mattered was that she allowed us to discover the Real Her during season 4 – but I’m still hoping a bit that she could go out a bit more on her terms, if this isn’t her final disappearance as a sentient being able to choose whether or not to cause harm…?)

- So: unsure about Daisy’s current status; worried over Basira (but overall narrative tends to indicate that she hasn’t been taken over); while Martin…

(MAG158) PETER: But you do serve The Lonely. MARTIN: Oh, I’m getting there, but if this is the final test or something? Then bad luck. The answer’s still “no”.

(MAG159) MARTIN: [DISTANT, VOICE ECHOING] This is where I should be. It feels right. ARCHIVIST: Martin, don’t say that. MARTIN: [DISTANT, VOICE ECHOING] Nothing hurts here. It’s just quiet. Even the fear is gentle here.

(MAG160) MARTIN: … Well, as fun as listening to you monologue is… ARCHIVIST: Hm. MARTIN: … I will give you some privacy. Go for a walk. ARCHIVIST: Let me know if you see any good cows…! MARTIN: Now, obviously I’m going to tell you if I see any good cows…! ARCHIVIST: [AMUSED HUFF] [FOOTSTEPS DEPARTING]

1°) … Somehow, I find it hard to believe that Martin, of all people, wouldn’t want to listen to Jon monologue. But aouch, the fact that he went for self-isolation so spontaneously gives me the impression that The Lonely might have impacted him quite deeply, and that it might come back to relevance in season 5…

2°) Daisy was barely mentioned in this episode and yet, once again, I’M SO SAD ABOUT DAISY, because it feels like everything was a reminder of her ;_; Who used to stay around when Jon was reading statements?

(MAG133) DAISY: You sure? ARCHIVIST: No, uh, it’s, hum. It’s fine. DAISY: It’s just… Basira’s busy. ARCHIVIST: I–I understand. Ho–honestly, er, I’d actually appreciate your insights, er, for this one, just… You know, keep quiet during the statement and that. DAISY: Sure. I, I can do quiet.

(MAG136) MELANIE: Well… uhm. Daisy’s been, erm… I’ve been keeping her company. Er, while… while Basira’s busy. She’s, er… ARCHIVIST: Oh, no, I, uh… I–I know. MELANIE: W–well, I’ve kind of got to… uhm. I’ve got somewhere to be. Do you mind if, if… she hangs around, with… ARCHIVIST: Er… I suppose… Not at all. She’s very welcome. […] DAISY: I didn’t ask her. To do that. ARCHIVIST: I–it–it’s fine. DAISY: [QUICKLY] You’re not babysitting me, alright?! I know that’s what the others think, sometimes, but… that’s not it. I just… don’t like… being on my own if I can help it. You know. Flashbacks, panic attacks, the usual. Just trying to avoid it if I can. ARCHIVIST: I know, Daisy, I–I do. It’s hard. DAISY: Yeah, well. Don’t let me get in your way.

(… And if she had been there, she would have found a way to stop Jon from reading, even if that meant harming him, uh…?)

- Obligatory “GOOD COWS” point:

(MAG160) MARTIN: Cool. … Well, as fun as listening to you monologue is… ARCHIVIST: Hm. MARTIN: … I will give you some privacy. Go for a walk. ARCHIVIST: Let me know if you see any good cows…! MARTIN: Now, obviously I’m going to tell you if I see any good cows…! ARCHIVIST: [AMUSED HUFF]

We know that Martin hadn’t travelled much in his life:

(MAG113) MARTIN: So… how was it? ARCHIVIST: Uh? MARTIN: A–America? And–and China? I’ve, I’ve never really actually… done any, y’know, travelling. MELANIE: It’s not all that. Sometimes you get shot by a ghost. ARCHIVIST: And refuse to give a statement about it. MELANIE: Yup! ARCHIVIST: [SIGH] It was… nice, Martin.

So… Eloping to Scotland with Jon might have been his first time seeing actual cows? I love how it already sounded like an inside-joke between Jon&Martin – you feel like there are small stories behind it, that either Martin, Jon or both of them have already cooed about “good cows” in the time they have spent there. Same cute point with:

(MAG160) ARCHIVIST: Anyway, don’t tell me the phone box down there doesn’t appeal to your retro aesthetic…! MARTIN: … It… might. ARCHIVIST: [AMUSED HUFF] MARTIN: Maybe.

It’s adorable that it’s both a nod to Martin’s taste indeed (… and technically Alex’s!):

(MAG039) TIM: Why do you have a second tape recorder, Martin? MARTIN: Oh, um… well, I’ve been using it to record myself. I write poetry and I think the tapes have a sort of… low-fi charm. ARCHIVIST: … I see.

(S1Q&A, 17’20) ALEX: So, when Jonny originally pitched The Magnus Archives to me, there was a period of testing, where we actually ran a few episodes that will never see the light of day…! And what we were doing is seeing what sounded right. And, part of that was to do with the sound of it – so we did versions of The Archives, uh, without the tape deck, just to test? I didn’t like it. I think that it’s got a sort of low-fi charm. JONNY: [CHUCKLE]

And Jon had remembered!

… So, confirmation that Martin likes and is into old things. … There is a definitive pattern there, because Jon absolutely does fit into the “retro” and “low-fi charm” aesthetic himself, and I’m not sure if Jon was aware that it was a self-burn (or if, like in MAG039 and his “only an idiot would stay in this job”, that was the joke).

- And on the other hand: Jon is Living The Archers Life in the countryside. I still want to Believe that the show became a guilty pleasure for him.

… ;_; I’m randomly sad for Daisy, because it feels right that one of her safehouses would be located in a remote area, without signal, a bit distant from the village nearby…? Was she even able to listen to the radio there? Did she listen to Archers episodes alone there?

(Well. “Alone”. Martin&Jon learned about the safehouse somehow, and I can’t tell which idea I preferred more: that Basira tipped them about it (and it was something she had shared with Daisy, and she told them despite that little secret of theirs), or that Daisy had tipped Jon before MAG158, in case something bad were to happen, because the two of them had this weird little friendship-thing going on…)

- I’m still going to use “Elias” for Jonah out of habit, and I like how different characters now in the known also have their own ways of referring to him? Peter used “Elias” out of habit too:

(MAG158) PETER: What are you doing here, Elias? […] Don’t let him distract you. ELIAS: Peter. PETER: Elias.

(MAG159) PETER: But it’s moored now, and I came on land, at Elias’s request. My crew is out there waiting for a call I think I am now unlikely ever to give them. … I will call him “Elias”, for that’s how I’ve known him for most of our… acquaintance, though I originally met him when he was still “James Wright, Head of the Magnus Institute”.

Martin quickly learned to reconfigure his knowledge and use “Jonah”:

(MAG158) MARTIN: Elias– … Jonah had nothing to do with it.

… Meanwhile: Jon is still stuck on “Elias”, though he’s been shown correcting himself:

(MAG158) ARCHIVIST: Uh– yes. And I’d wager that Elias’s body, uh… BASIRA: Gotta be Jonah Magnus, right? ARCHIVIST: I’d say so.

(MAG160) ARCHIVIST: [SIGH] Safe as anywhere else. If Elias wanted to find us, I imagine he could, but… I doubt the police will be able to. […] Does she know if they’ve found the old prison yet? The… Panopticon, Elia– … Magnus’s body.

It was a very strange season in the fact that Jon and Elias only interacted directly once, and very quickly (MAG158): in past seasons, we were hearing them regularly (even in season 1, when they directly interacted only twice), and it was implied that they were discussing more often than what the tapes were recording. But in season 4, no additional interaction than MAG158’s is possible given that Elias was in jail and Jon was forbidden from visiting him… though there was a form of communication through different means – Jon read Jonathan Fanshawe’s letter to Jonah because it had “called” to him (and Elias “called” Jon towards the Panopticon; was he the one responsible for that one?), and Jonah’s letter in MAG160.

How long will it take before Jon and Elias come face to face again in season 5? And will Jon still call him “Elias” then, or “Jonah”?

- I had been wondering for so long how Jon was supposed to fit in Beholding’s ritual, as one of its agents! Would Jon keep embracing his powers to the point that pulling in The Eye into the world would seem acceptable for him? (That was my main worry when Oliver gave his statement and told him he had to make a choice: were we supposed to trust Jon when he was telling Basira and the others that his “priorities haven’t changed”, or was she right to be cautious around him? In the end, it was a mix of both given that Jon wasn’t trustworthy (he hid to everyone that he had been taking statements behind their backs) but he still wasn’t keen on bringing the apocalypse, which was cemented later in season 4 when the others made sure that he wouldn’t hurt other people.) Would Elias manage to convince Jon that Beholding was a lesser evil, possibly to “protect” the world against Extinction? (Absolutely not.) Was Elias simply waiting for the right time to blackmail Jon into it doing it, by threatening to hurt Georgie, the assistants or specifically Martin? (No, but my blood ran cold when Jonah mentioned Martin in this statement, since… Martin was outside… alone… and out of reach…, and for a few seconds, I really thought he had been kidnapped and/or hurt and that this would be it.) Given how Elias had a “complicated” relationship to the apocalypse and didn’t seem to be doing much, did he really want Beholding’s ritual, or was he passively sabotaging it…? “The Watcher’s Crown” had been a concern and a frustration from the moment it was first mentioned:

(MAG111) GERRY: She worked out they’d all be happening quite close together. She’d already been doing it a while, and The Unknowing was the next on her list. That and The Watcher’s Crown. ARCHIVIST: The, the what? GERRY: Uh, The Rite of the Watcher’s Crown. It’s what she called the ritual for the Eye. She didn’t tell me much about that one, just that she knew how to take care of it. ARCHIVIST: [SIGH]

(MAG123) BASIRA: Best I can understand it, Beholding, or… The Eye, or whatever you wanna call it, we’re one of the only powers that hasn’t actually taken a shot at our ritual. Yet. And everything out there knows it. ARCHIVIST: … No, I mean, we… we can’t be the only ones, surely? BASIRA: I don’t know. Probably not. But we made a big noise with The Unknowing and… other stuff, and… now they’ve taken notice.

(MAG126) PETER: [LAUGH] Because, behind all his bluster, Elias’s just like all the rest. He’s so preoccupied playing the game, he doesn’t pay attention to the big picture. He managed to convince himself that he could get his ritual off first, which would have made all of this a… bit moot, but that’s not really an option anymore. So it’s down to us. You and me. The dynamic duo.

(MAG135) BASIRA: [DRY SIGH] What was the point? You won’t be getting your ritual off from in here so, what do you need him for?

(MAG137) ARCHIVIST: Ever since I crawled out of that damn coffin, I feel like I’ve been… adrift. Filling in blanks and diving into History, but only…! [EXASPERATED SIGH] The breadcrumbs I’m finding are… stale. Old. … What the hell is The Watcher’s Crown? So far the only mention of it I’ve had is from Gerry, and he didn’t seem to know much about what it actually meant. [PAUSE] And he’s gone now. But if it is the grand ritual of Beholding, then I– … I mean… I need to know about it. Right…? I feel like I’m on a deadline, like I’m running out of time somehow – and I don’t even know where to go! What to look for, o–or… [EXHALE] Just casting around blindly for more clues to just… drop into my lap. Everyone else is… running towards something, or running away, and I… [SIGH] I don’t know what I’m doing.

(MAG138) ELIAS: For all his… many faults, Peter is legitimately trying to stop the end of the world as we know it. MARTIN: So why haven’t you helped him?! ELIAS: My relationship to the apocalypse is more… complicated. MARTIN: [UTTER DISBELIEF] Oh, seriously? ELIAS: Seriously.

And in the end, I’m so satisfied by what was revealed, since it entirely checked out.

* Indeed: before season 4, it had seemed logical to assume that the Institute had been founded in 1818 and that the Beholding faction had been accumulating power ever since, preparing for The Watcher’s Crown, given how The Dark had apparently waited for 300 years before trying again, and The Stranger 230 years. However, in Smirke’s letter to Jonah (MAG138), we learned that Jonah was finalising a Beholding project, which resulted in Smirke’s death. So that was the time of The Watcher’s Crown attempt!

* Elias “My relationship to the apocalypse is more… complicated.” Magnus had already tried his ritual once, and knew now that the others’ were all doomed to fail – unless going for his ritual of them all. That was why. F u c k e r.

* Annabelle had already taunted and/or warned Jon about the fact that reading a statement was a weak point, since he had reached a point where it was impossible for him to stop once he had begun:

(MAG160, Jonah Magnus) “… I wouldn’t try too hard to stop reading, there’s every likelihood you’ll… just hurt yourself. So just listen. Now – shall we turn the page and try again?” [PAINED SOUND] [PAGE GETTING TURNED] ARCHIVIST: [STRAINED] … Statement of… Jonah Magnus… regarding… Jonathan Sims… the Archivist. … Statement begins. […] “Now. [CHUCKLE] Repeat after me.”

(MAG147, Annabelle Cane) “Of course, that’s not the real crux of the free will question that’s… bothering you at the moment, is it? I think that one probably comes down to whether or not you’re choosing to continue reading this statement out loud. You didn’t mean to, did you? No, I’m sure you told Basira and Melanie that you were going to glance over it and report back. Perhaps they asked you if you were going to record, and you shook your head – “Maybe later”. That sounds like the sort of thing you’d say.

But think about it, Jon: when’s the last time you were able to read a statement quietly to yourself without instinctively hitting record and speaking it aloud? It is just instinct? Habit? Or is it a compulsion – a string pulled by the Ceaseless Watcher or the Mother of Puppets? Or both? I know the summaries have started to confuse you. Where did they come from, when you read a statement fresh? How do you just… sort of know what it’s about, before you even start to read it…? But by then, you’re away: the rollercoaster is dropping and you’ve no real choice but to hold on and hope that… I don’t crash you.”

(What had struck me with Annabelle’s is that, although it was true that Jon had not been interrupted during a statement past season 2, the concept of Jon not being able to glance at a statement without making an official record was fairly recent: he had provided some follow-ups during season 4, having previously done some work using details mentioned in the statements.)

… It might be that Annabelle showed off the trick of Jon being forced to keep reading a statement even though the content was unpleasant precisely to give Elias the idea? Elias knew how to get his completed “Archive”, but I doubt that hijacking Jon through a statement in order to get him to summon the Fears was something he had planned for long, and not something he had devised recently, copying Annabelle.

* + Bonus from Martin, who had absolutely jinxed it / been too On The Nose about it, since he had put out there the idea of an incantation to bring about the end of the world, though crackily:

(MAG144) MARTIN: [LONG INHALE, EXHALE] I believe you. PETER: You don’t still think I’m trying to trick you into a grand ritual? MARTIN: I mean, I’m not about to start chanting stuff for you, but… but the details you’ve given me all seem to check out. So far.

The end of the world happened thanks to someone chanting stuff for someone else, in the end!

- Same feeling with how the episode was framed: we did have clues that ~something was coming~, we knew since MAG121 that we were now in 2018 and that it was conveniently the Institute’s anniversary, Jon himself acknowledged this early in the season…

(MAG127) ARCHIVIST: Hm. “Jonah Magnus”… I’ve never really given much thought to him. Not nearly as much as I should have. I suppose I had always hoped there was a chance he was… innocent, in all this. I know, I know; but I had… [SIGH] I had just… hoped that maybe the founding of the Institute was in earnest…! And not simply the foundation stone for all the… terrible things that have happened here. … But no. Whatever is happening now… has its origins two hundred years ago. In the work of an evil man. … [INHALE] Exactly two hundred years, in fact. Don’t think that little detail has evaded me. I don’t know the precise date the Institute was founded, but I do know that it was in 1818. [INHALE] Something’s coming. I know it is. But I just… don’t know what I need to do.

But WOW did Everything highlight Elias’s sense of drama.

* 2018 was indeed relevant, but worse, Asshole Boss Man picked October 18th as the Apocalypse Day, making the statement case a palindrome (#0181810). Knowing this posturing fucker, there is every likelihood that this was the anniversary of the exact date the Institute was founded or something.

* He probably bribed Simon or used Ex Altiora’s Spiral thing just to be able to get the storm rumbling ominously in the background on that day.

* Once again, HE USED TO BE BASED IN EDINBURGH (and confirmed in this letter that the building of the Magnus Institute was constructed or moved into only after his failed Watcher’s Crown attempt, so around the time of Smirke’s death in 1867). He struck when Jon&Martin had precisely taken refuge in Scotland, so the country of his roots.

* I’ll go all-out about the content of his letter, but the sense of self-posturing and dramatisation was through the roof, he probably spent most of the prison vacation thinking about it and about how Jon would probably react to craft the most obnoxious letter ever. Fucker.

* The PUNS. He punned SO MUCH. It’s nothing new (“Don’t forget to keep in touch, Martin. There are so many people in here, but without one’s friends… it does get rather lonely.”, just for one), but he was absolutely insufferable in this one:

(MAG160, Jonah Magnus) “Admittedly, given the advent of The Unknowing, I needn’t have bothered – but what’s the old saying about hindsight? […] Poor Peter. He really should have left well enough alone. […] How is Martin, by the way? He looks well. You will keep an eye on him when all this is over, won’t you?”

(+ “It does tickle me, that in this world of… would-be occult dynasties and ageless monsters, the “Chosen One” is… simply that: someone I chose!” Someone remembered The Tingly, uh.)

* About the Posturing: Elias definitely confirmed to be a Bones Connoisseur, dude, please, you were two centuries late for the Baroque movement.

(MAG092) ELIAS: And it was not out of malice, or because [Jonah Magnus] lacked affection for Barnabas Bennett: he retrieved those bones sadly enough when the time came. Bones that you can still find in my office, if you know where to look.

(MAG127, Jonathan Fanshawe) “… Do I need to tell you what I found, Jonah? Do I need to detail what covered his organs? His bones? The inside of his skin? What clustered together in their dozens, and all turned as one to focus on me as I opened his chest? Their pupils constricting in the light, with irises of every hue and colour. Because whatever it was that did this to him, I know in my heart… that it is your fault.”

(MAG131) JARED: The letters started comin’ in about two years ago. Good white paper, large print. Nice and simple. Dunno who sent them; they were never signed, and I dunno how they kept finding me. […] I don’t blame people for thinking that all bones are the same, most people don’t have much experience – but it’s not true. There are good bones, and there are bad bones, and Regan Hasnain had some very good bones in her. They were solid, healthy, and they jumped at my touch. I didn’t doubt the letters again.

(MAG138, Robert Smirke) “Do you know of Alexander Cunningham? He’s been working with the Viceroy of India on the Indus Valley digs, and he’s discovered some quite remarkable things. Burial pits full of burned bones and ash, skulls with markings as though the eyes were removed, and others that seem… buried alive.”

(MAG160, Jonah Magnus) “[…] though I waited until the worms were in you to pull the lever. I needed to make sure you felt that fear all the way to your bones.”

… Assuming that Jon didn’t leave with it, I’m unfortunately picturing Jonah getting his hands on Jon’s rib just to add it to the secret stash in his office.

- I really loved Jonah’s “little trip down memory lane”, because… it was answering interrogations or suspicions (regarding his past actions), still managed to surprise me in small little things that I hadn’t suspected and hadn’t been hinted but worked perfectly (shoving Helen into a car?!), and was still extremely functional (terrorising Jon and readying him for the final incantation, by reactivating all his old fears and pains). The first part of it was almost a “gift”, in a way, since it… answered and “hooked” us/Jon, but wasn’t really necessary when it came to messing Jon up; but it was, after all, a statement, so it’s only logical that it would begin with some gloating and posturing. Gods, the posturing. Anyway, a… lot of things suddenly rearranged themselves, so I’m just going to follow his words for that one without trying to organise it thematically:

(MAG160) ARCHIVIST: [CLEARS THROAT] Statement of Hazel Rutter, regarding a fire in her childhood home. Original statement given August 9th, 1992…! Audio recording by Jonathan Sims, the Archivist. Statement begins. [PAUSE, PUNCTUATED BY THE CRACKLING OF THE FIRE] “Hello, Jon. [STATIC RISES] Apologies for the deception, but I rather wanted to make sure you started reading, so I thought it best not to announce myself. I’m assuming you’re alone – you always did prefer to read your statements in… private. … I wouldn’t try too hard to stop reading, there’s every likelihood you’ll… just hurt yourself. So just listen. Now – shall we turn the page and try again?” [PAINED SOUND] [PAGE GETTING TURNED] ARCHIVIST: [STRAINED] … Statement of… Jonah Magnus… regarding… Jonathan Sims… the Archivist. … Statement begins.

* The sneakiness was extraordinary because, given the first words, you were meant to be already trying to guess what this statement would be about – we tend to associate “fire” with Desolation, and the very present and physical crackling of the fire in the background… was adding a very ominous touch to this.

* I must admit that before Jon confirmed that it was Jonah’s statement, I didn’t know whether it was him or Annabelle? There was something very carnivorous and cruel in the tone Jon used, which reminded me of her rather than Elias. (And, overall: I felt “Jonah” a bit more than in Ben-as-Elias’s words! It’s probably because of the huge amount of posturing, and the… slowness? of Jon’s reading, rather than Elias’s usual chirpy bitey comments.)

I have to appreciate, also, how this season began, continued and ended… with people saying hello to Jon and/or calling him “Jon” when he was physically unable to answer.

(Season 4 trailer) MARTIN: Hi Jon. [PAUSE] H–how are you? [LIGHT CHUCKLE] … Yeah. Yeah, same here. It’s… it’s bad all over, you know?

(MAG121) OLIVER: Hum… Hello, Jon. Do you… m–mind if I call you Jon? I… I mean. You don’t actually know me, it’s just… well. “Archivist”, it’s so… formal, isn’t it? And I do kind of know you…? Haven’t had much choice, really.

(MAG147, Annabelle Cane) “‘Free will’ is a funny old thing – isn’t it, Jon? Can I call you Jon? I’m going to call you Jon.”

Elias had been spending a loooot of time watching Jon, indeed.

* The struggle in Jon’s throat noises was heart-breaking, we could hear that he was clearly trying to resist… to no avail, and Elia’s little taunt was just the nail on the coffin…

(MAG160, Jonah Magnus) “Why does a man seek to destroy the world? It’s a simple enough answer: for immortality, and power […]; to place yourself beyond pain, and death, and fear. It is an awful thing to know about yourself, but the freedom, Jon, the freedom of it all…! I have dedicated my life to handing the world to these Dread Powers, all for my own gain, and I feel… nothing but satisfaction, in that choice. I am to be a king of a ruined world, and I shall never die. I believe there are far more people in this world who’d take that bargain than you would ever guess. And I have beaten all of them.”

* We had learned through Robert Smirke’s letter that Jonah was afraid of dying (MAG138: “I beg you, do not pursue this goal; if only a single lesson may be gleaned from my life of long study, and longer hardship, it is that the fear of Death is natural, and to flee from it will only bring greater misery. Repent of your sins, Jonah. Seek forgiveness. I am certain the Dread Powers cannot take a soul that keeps faith in the Resurrection.”), that absolutely confirms it. Things have changed indeed, and the separations we used to rely on will probably be less relevant, but… still, it’s interesting that this season began with an agent of The End visiting Jon (sent by The Web). Oliver had precisely highlighted that you can’t really escape death (MAG121: “That was it with the old woman too. That was different, though. Way I figure it? She stuck her nose in just about everywhere it wasn’t wanted and stirred up hornets. ‘Till all the precautions in the world couldn’t stop Death from finally catching her.”), I’m curious about whether or not it will be relevant for Jonah too.

* Adding to this: Jon had explained that he had woken up because he was afraid of dying (MAG136: “My memories of the coma are not clear. But I know I made a choice; I made a choice to become… something else. Because I was afraid to die.”), and it was a lingering theme in this season: is it worth it to not die if it relies on harming others? We’ve had various examples of people accepting this deal in their own ways (Helen who chose to “stop feeling guilty” about it, Tova McHugh who justified to herself that she deserved to live more than others…), and others who actively refused it (Daisy who pointed out that it wasn’t worth it, Melanie who had decided to stop any complacency with Beholding even if it would cause her own death, before she found a way out). The beginning of the episode established that Jon was still trying to not use his powers, and the prologue confirmed it once more: after the harm he caused and kept hidden during the first half of season 4, he’s still following the conscious choice to not hurt others at the present. I had felt that MAG138 was implicitly contrasting Jonah and Jon (agreeing to let his friends get consumed for his own gain / wanting to protect the assistants and refusing to lose anyone else); given how Elias was absolutely deadpan about the fact he had embraced the Fears for his own gain, the contrast is definitely cemented.

(MAG160, Jonah Magnus) “Of course, this desire did not manifest overnight. When Smirke first gathered our little band – Lukas, Scott and the rest – to discuss and hypothesise on the nature of the things he had learned from Rayner… I felt what I believe we all felt: curiosity, and fear. But as he compiled his taxonomy and codified his theories on the grand rituals, I began to develop a very specific concern. Smirke was still so obsessed with his ideas on balance, even as our fellows began to experiment and fall to the service of their patrons: I began to worry that if one of them successfully attempted their ritual, then I would be as much a victim as any, trapped in the nightmare landscape of a twisted world. At first, I attempted prevention, but the cause seemed hopeless. The only way to ensure I did not suffer the tribulations of what I believed to be… an inevitable transformation, was to bring it about myself. So what began as an experiment… soon became a race. Beyond that, I was getting older, and mortality began to weigh more heavily on my mind. How much in this world is done because we fear death, the last and greatest terror? I convinced Smirke to work on Millbank, leading him to design it as a temple to all the Fears in equilibrium, such that my own modifications to the design of the Panopticon went… unremarked. It – took – years for the dread of the prisoners that passed through to fully suffuse the place, and I was an old man by the time I made my first attempt at The Watcher’s Crown, sat in the centre of that colossal eye, the great ring of cells encircling me like a coronet. It was… flawed, of course, as all Smirke’s rituals were; and none of the inmates survived, as the power I attempted to harness shook the building almost to pieces, and the murky swamp upon which the prison was build consumed it. But it left me a gift: for sat in that watchtower, I could see… everything I turned my mind to. It was a dizzying power; and one I discovered I maintained even as I found vessels to extend my life. [DISTANT RUMBLE OF THUNDER] Of course, I had to make sure the location was kept under my control while I worked on revising my plans, and so I moved the organisation I had founded to assist in my research down to London. And the Institute, as you know it, was born. I’ll not bore you with details of my bodies and failures through those intervening years. Suffice to say I kept busy, both planning my own next attempt, and doing my best to stymie those others who tried versions of their own. Surely, my interpretation of The Watcher’s Crown had been incomplete; there had been some element of the ritual I had overlooked.”

* ! I had felt like season 4 was… really giving the idea that an “old” generation of avatars or people involved with the Powers had been wiped out? The Lightless Flame was almost entirely eradicated by Gertrude, a few recent failed rituals damaged some factions (The Stranger, The Dark, The Flesh), a lot of recurring figures were revealed dead (such as Adelard) or are “officially” dead (Mikaele Salesa…?), Peter was recently eradicated, etc. Simon Fairchild, Jonah and Trevor Herbert (if he has survived) seem to be the oldest; the only ones left seem to be Jared Hopworth (since 1996), Jude Perry (since 1991), Daisy (in whichever state she currently is…), Oliver Banks (“died” and came back after 2015), Annabelle Cane (turned in 2010), Helen-the-Distortion (took over in 2017), Julia Montauk (embraced The Hunt in summer 2010), Jon (Beholding, gradually groomed into avatarhood from late 2015 to early 2018), potentially Martin (Beholding-touched Lonely, late 2017 and 2018). That’s not many, compared to the old guard. But it did fit with both the idea that the apocalypse would be brought around now, and that Jonah had lived it as a “race” against others?

* We don’t know what happened to George Gilbert Scott as an avatar of The Buried in the Magnusverse? He was described in MAG050, but I wonder if he’s still around, given how Elias took great care of finishing off Rayner by sending the police after him. (Technically, we don’t know how Mordechai Lukas ended either… but the Lukases are still prosperous and financing the Institute, so the family and Elias are still in good terms.)

* It’s an implicit correction to Jon’s conclusions that the Institute had never been founded “in earnest” and that Jonah Magnus had always been “an evil man” after reading Jonathan Fanshawe’s letter from 1831 (MAG127): Jonah really taking it to heart to point out that his opinions had changed a bit over the matter of the Fears, uh? Although it was a quick decision: if we’re following our History, Robert Smirke began working on Millbank around 1816. If Jonah was the one who pushed him in that direction for his own plans, it means that he was already planning to bring in Beholding when Albrech had sent him his letter (MAG023) about The Eye’s tomb in the Black Forest. Was it the case, or is the Magnus timeline diverging a bit from our own history (maybe Smirke began working on Millbank later in the Magnusverse), or did Jonah rewrite history a bit there, retrospectively telling himself that he had convinced Smirke to work on Millbank for his own gains? Jonah, at least, let Barnabas Bennett die in 1824, and the way Elias presented it, it had still been a sad choice albeit one made without any hesitation (MAG092: “And it was not out of malice, or because he lacked affection for Barnabas Bennett: he retrieved those bones sadly enough when the time came. […] No, it was because he was curious. Because he had to know, to watch and see it all.”); according to Jonathan Fanshawe’s letter from 1831, he had grown a bit more ruthless towards Albrecht von Closen by then.

* … How old was Jonah when he pushed Smirke to work on Millbank? “I was getting older, and mortality began to weigh more heavily on my mind” would mean old age… but he was still alive in 1867 (Robert Smirke’s letter). He couldn’t have been more than 40 in 1816, and that’s already stretching a lot! So either Real Life’s and Magnus’s Histories diverge as mentioned above, either he was really a Victorian asshole getting worried over his first wrinkles and white hair, gooooods, Jonah, please…

* It… does explain the “Opperior” in the Institute’s logo, if he wanted for more than half his life that Millbank would be contaminated by the fears…………

* I love how he casually explained that The Watcher’s Crown had already happened, when we were panicking about it, and yet! We should have suspected! Since Smirke’s letter mentioned that Jonah was likely working on a Beholding project:

(MAG138, Robert Smirke) “It is telling that of those I have brought into my confidence, it is only you and I who have continued this far without falling to one Power or another, despite all my instruction and work. This is, of course, assuming you have not taken the path of The Eye that I know has called you – called us both – for so long, even since before we began our work on Millbank. […] I am not a fool; I know well enough what this dream is likely to mean, and I warn you again that if you have any remaining ambitions to use our work, to try and wear The Watcher’s Crown, you must abandon them! Not simply for the sake of your own soul, but for that of the world! I have always had the utmost respect for you as a man of dignity, and learning. Do not allow yourself to fall to this madness. […] I am choosing to assume that these manifestations are unintentional, Jonah, and you have not… simply decided to implore a Dark Patron to end the life of an old man. I further find myself supposing that they may emanate from your own intrigues and preparations to culminate those plans which we agreed to abandon so many decades ago! […] The Eye has marked me for something, of this I have no doubt. My… humble hope is that it may be a swift death, an accidental effect of your own researches, which I once again implore you to abandon. It is likely too late for me, but I will not…”

Letter interrupted because He Dead. I’m a bit surprised that Jonah didn’t take credit for his death, so it might have been Beholding just growing more powerful at the time and touching Smirke without even Jonah doing anything purposefully?

* And again!!! It made sense re: the current building of the Institute. We knew that the Institute had been founded in 1818, but Sampson Kempthorne’s letter (MAG050) had mentioned that Jonah was “rattling around an Edinburgh townhouse, surrounded by piles of ghostly accounts and lunatic documentation” in 1841. Breekon, while describing an event that had happened around 1853 (his time serving on the Robert Small), had mentioned that it had been “the first time we saw what would become this place, The Eye’s Pedestal” (MAG128), implying that it wasn’t yet The Eye’s pedestal at the time. That’s because Jonah only moved the Institute to London after his failed Watcher’s Crown attempt, past 1867! And all to protect the Panopticon and his actual body inside of it!

* Just the mention in passing that a huge amount of people died during his attempt, but it’s not really surprising from Elias-Jonah. Though, he was a bit more handson than Peter had credited him for, in the end?

* It’s interesting how the failed rituals impacted avatars differently. Peter almost lost himself; Tom Haan certainly did (as pointed out by Gertrude); Rayner was severely diminished; Simon just kept going after each one (only one attempt amongst many, in the big universe?). Jonah… got a power boost out of it. If the Fears work on a Whatever Feels Right basis, is it because he was so self-centred that he couldn’t even imagine not getting personal gain out of it or something?

* It still makes so much sense that his own way to “not die” was to take hosts: he knew Rayner, and that’s what Rayner was doing, so it worked because he had an example of it working for someone else; it had to work this way for himself, too!

* Really interesting too, that… The Eye was not mentioned in the first part of his statement. We know that The Watcher’s Crown was The Eye’s ritual, but it’s really telling that Jonah didn’t explicitly introduce it as his god: in his mind, he was clearly doing it for himself, for his own interests, for his own survival and gain, and not at all out of devotion or fascination or unwilling service to a patron (though there are clear indications that… he was actually much more Beholding than he was aware).

(MAG160, Jonah Magnus) “It was not until I met Gertrude Robinson that things began to really come into focus. You see, the role of Archivist has been part of The Beholding for as far back as my research can go. This isn’t uncommon for the Powers: most of the beliefs around them are guesswork and fallible human interpretation, but there are certain… throughlines and consistencies that can be spotted, regardless of the trappings. But Gertrude was unlike any other Archivist. She simply did not care about collecting experiences or compiling the fears of others – she was driven to stop those who served the Powers. More than once, I thought she must secretly be of The Hunt, [RUMBLE OF THUNDER] but there was never that sick joy in her, that thrill of predator and prey. She had simply decided that this was her position in life, and went about it with a practicality that even I found disconcerting at times. I once asked her… what drove her, what had started her down that path. She told me The Desolation had killed her cat…! I don’t know if she was joking and, to be honest, I could never bring myself to look into her mind and find out for sure.”

* So ;; Kinda leaning into the idea that Johann von Württemberg and the creature under Alexandria were indeed Archivists of their times? (And I’m D: all over again about Jonah confirming that he had researched on Beholding, because of what happened to Albrecht von Closen between 1816 and 1831 because of him and the books…)

* Gotta love how he didn’t mention any other Archivist before SHE happened. Gertrude Robinson was That Special, uh. (Well, he had acknowledged that “I suppose we both got a little complacent. Fifty years is a long time!” in MAG158)

* I love how I can absolutely not tell either whether she was messing with him or if it was the truth. She could very well have dedicated a huge amount of her life to fucking over The Lightless Flame in particular because they had murdered her cat, it would have been entirely understandable.

* I love that JONAH was TOO SCARED of Gertrude Robinson to peer into her mind ever. Also:

(MAG159) PETER: Gertrude was the one that scared me. She seemed to have no interest in meeting me whatsoever, something… I appreciated, but there was something in her eyes when she looked at me, as though she was making a calculation and I was an unwanted integer she was deciding whether to remove.

Lonely Eyes, united in their shared fear of the scary old woman.

* That was one of the first moments I remembered that Jon was listening to this with us – and how upsetting it must have been to be reminded of “the Archivist” being a function, when he had been so afraid to have inherited a “mantle” like Michael and others in season 3…

(MAG160, Jonah Magnus) “In any case, Gertrude’s ruthless efficiency in derailing and collapsing rituals threw into stark relief a question that had been bothering me for almost a hundred and fifty years. In the whole span of humanity, why had nobody ever succeeded? Perhaps there were a long line of Gertrude Robinson throughout history, but I found that hard to credit. Could it be then, that there was something in the very concept of the rituals that meant they couldn’t succeed? She was clearly having similar thoughts in that last year, all of which culminated with… the People’s Church. When I saw that she was making no preparations whatsoever to stop it, I realised she was putting into practice a theory – and one she couldn’t afford to be wrong. She was going to wait, and see if the unopposed ritual succeeded, or if it collapsed under its own strain, as mine had all those years ago. Knowing Gertrude, I’m sure she had a backup plan if she had miscalculated; but she had not. The ritual failed. And all at once, I realised what needed to be done. You see… the thing about the Fears is that they can never be truly separated from each other. When does the fear of sudden violence transition into the panic of hunted prey? When does the mask of The Stranger become the deception of The Spiral? Even those that seem to exist in direct opposition rely on each other for their definition as much as “up” relies on “down”. To try and create a world with only The Buried… makes as much sense as trying to conceive a world with only “down”. Every ritual tied itself so closely to a single power as to render itself… impossible. They could bring their patron close, but could not sever it from the others, and eventually it would be violently pulled back to the place next to reality where they dwell.”

* I Did Not Share That Opinion because… honestly, the rituals seemed quite easy to derail? The only thing that surprised me is that Gertrude took care of them on her own, only thanks to a few (sometimes unwilling) allies: Adelard, Gerry, Michael and Jan Kilbride. Even with past taxonomies, there might have been dozens of different cults worshipping different things (Jonah did acknowledge that Beholding&Archivist was an old constant); we got a glimpse of old conflicts in MAG053 (Those Who Sing The Night fighting against the site of an Archive) and MAG117 (The Stranger’s last ritual attempt getting interrupted by what Gertrude interpreted as Slaughter avatars). It sounded logical to me that a lot of these rituals had failed in the past because others had opposed it: they weren’t planning their ritual in a vacuum, but with a dozen of cults opposing yours.

* BUT THE EXPLANATION WAS A “OH SHIT” MOMENT BECAUSE!!! It… made sense, and we had glimpses and hints and we should have guessed that it was the case!!

(MAG080) ARCHIVIST: So the creatures are, what, priests? These books their holy texts? LEITNER: I told you it was an unhelpful analogy. Let’s try another one. Um… Imagine, you are an ant, and you have never before seen a human. Then one day, into your colony, a huge fingernail is thrust, scraping and digging. You flee to another entrance, only to be confronted by a staring eye gazing at you. You climb to the top, trying to find escape and, above you, can see the vast dark shadow of a boot falling upon you. Would that ant be able to construct these things into the form of a single human being? Or would it believe itself to be under attack by three different, equally terrible, but very distinct assailants? ARCHIVIST: So the books, the monsters, they’re part of these beings? Just extensions of them? Fingers being pushed into our world?

(MAG111) GERRY: And when our fears change, so do these things. But it’s not quick. Gertrude reckons they’ve basically been the same since the Industrial Revolution. She and my mum both liked to follow Smirke’s list of fourteen. ARCHIVIST: [DISBELIEVINGLY] Th– I mean, there are a lot more than fourteen things to be afraid of in the world. Where do you draw the line? GERRY: Hmmm. I always think it helps to imagine them like colours. The edges bleed together, and you can talk about little differences: “oh, that’s indigo, that’s more lilac”, but they’re both purple. I mean, I guess there are technically infinite colours, but you group them together into a few big ones. A lot of it’s kind of arbitrary. […] And like colours, some of these powers, they feed into or balance each other. Some really clash, and you just can’t put them together. I mean, you could see them all as just one thing, I guess, but it would be pretty much meaningless, y’know, like… like trying to describe a… shirt by talking about the concept of colour. O–Of course, with these things it’s not a simple spectrum, y’know, it’s more like– ARCHIVIST: An infinite amorphous blob of terror bleeding out in every direction at once. GERRY: Now you’re getting it. ARCHIVIST: Like colours, but if colours hated me.

(MAG137, Wallis Turner) “The crew, hungry for death in their stolen uniforms, at first cried out in joy with each new murder; then, they cried out with expectation; and at last, with what sounded like concern, casting their eyes up into the empty sky as though waiting for something. As fewer and fewer of us remained, I could feel something like panic begin to spread through them. […] The crew… did not… stop me. They simply watched me with expressions of despair, and the deepest disappointment I’ve ever seen.” […] GERTRUDE: Still the anti-climax is fascinating: I can only assume they were supposed to be… bombed at the height of the ritual. Maybe by Japanese aircraft, maybe Allied, maybe… both. I wondered what stopped it: a Japanese radar filled with… spiderwebs; a US destroyer, finding itself suddenly alone in the open ocean? [HUFF] We’ll probably never know.

(MAG143) MANUELA: I… don’t know exactly when it all started to come undone. I think Maxwell first felt the ripples four days before the eclipse was due. [SIGH] It was strange… Like a pause in the hysterical whimpering and fruitless prayers of the sacrifices. And a ripple that was felt through the waters, and the stagnant blood that bound us. A disruption. We would later learn that this was the collapse of the ritual at Hither Green – but it was only the first. […] And as we unveiled our new and absent sun, the sacrifices who remained screamed, and fell in holy agonies, and the world of endless night we had been promised began to pour in, shining out and all around us. It touched and caressed our souls with the soothing fears of night, and I heard Maxwell weeping with joy at what we had done. And then… it stopped. It just… stopped. All at once, that loving embrace was stripped from us, and it began to retreat, to recede back into the place that it had come from. We were so close…! … We were so close…

(MAG151) SIMON: Do you know when the last ritual I attempted was? MARTIN: I… I don’t know, that space station? SIMON: Oh goodness no, that’s the future my boy! But no; it was 1853! The height of the aquarium mania! All over the Empire, people were starting to understand the depths of the terrible unknown below the ocean. And I thought that was a rich vein to be tapped. Even bothered old Halley into helping me design a special diving bell for the ritual. I called it “The Awful Deep” – and between you and me, I was rather proud of myself. MARTIN: … So why didn’t it work? SIMON: Because it… wasn’t a very good idea…? The Fear wasn’t out there, not like I hoped it was. It all sort of… fizzled. Also, a Hunter broke in and destroyed the mechanism, sent me and all my sacrifices plummeting to the bottom of the ocean.

Gertrude had recorded MAG137’s statement in October 2014: a few months before The Dark’s attempt… so it’s probably thanks to this one that she suspected that The Dark would fail on its own…

* And we did, thematically, have many clues during season 4! MAG122 was a very polarising episode when it came to which Fear(s) it was about; MAG126-MAG136 made us wonder if it was the same Spiral avatar “Gabriel” who had been collaborating with Web(?) Neil Lagorio; we (and Gertrude and Martin) felt like Extinction-statements were reminiscent of other Fears; Robert Smirke’s letter in MAG138 had him refuse to admit that his taxonomy wasn’t perfect and didn’t really work; MAG145 had Arthur Nolan complaining about Diego Molina calling their god “Asag” when that aspect encompassed Corruption traits; Jon admitted after reading MAG153’s statement that it was “The Corruption at work, if I had to guess, though with unsettling echoes of a… ‘Fleshliness’”… We had so many moments in which the divisions weren’t really clear, and implicit reminders that Robert Smirke’s taxonomy was one amongst others and certainly far from perfect…

* I wonder if Gertrude felt something, upon learning that… she had sacrificed Jan and Michael (and probably many others) for nothing, and that she could have “just” derailed punctual actions without making many victims… (Though: the bombing in Alexandria was implied to be her doing, and the old Archive wasn’t a current threat. It’s possible that she did that in case Elias-Jonah was planning to use it for Beholding, or to just to try to diminish Beholding… but still, she caused collateral victims quite casually.)

* How ironic, that Gertrude and Elias both understood what was happening thanks to The Dark failing, when Beholding was presented as an opposite power… (And even more ironic for Jonah&Rayner, since it’s through Rayner that Smirke (and therefore Jonah) learned so much about the Powers, and that Rayner was probably Jonah’s direct inspiration when it came to snatching bodies to extend his life…)

* Gertrude took A BIG RISK with the idea that The Dark’s ritual would fail on its own, and I’m really curious about Jonah’s comment that “Knowing Gertrude, I’m sure she had a backup plan if she had miscalculated; but she had not.” => did she really have a backup plan? A way to undo The Dark peering through? I… don’t think that the whole apocalypse at the end of MAG160 can be undone, but that small comment could leave a bit of hope in that regard…? (Unless Gertrude thought she could undo such things, and it’s revealed to not work in season 5.)

* I’m “glad” (ha) that Tim… really didn’t care about stopping The Unknowing in itself, and that his goal was clear:

(MAG117) TIM: … I’m gonna hurt them, though. I’m gonna hurt the things that stole my brother and wrecked my life. I’m the distraction! If it looks like any of the… “circus folk mannequins”, whatever, are gonna see the others, I’m to make the biggest mess I can, draw them away, keep them busy. [SCOFF] I know what it means! They gave it to me because they think I’ll get angry and do something stupid anyway. And they’re probably right. So maybe it’s for the best.

… He did achieve what he wanted in that regard. ;; (I mean, it was heartbreaking, and I’m Constantly Sad About Tim. But at least… he got what he wanted, which was to hurt the Circus and avenge his brother. The ritual would have failed anyway, but there would have still have been mannequins running wild, maybe even Nikola. So. He took them down with him.)

(MAG160, Jonah Magnus) “The solution, then, is simple: a new ritual must be devised, that will bring through… all the Powers, at once. All Fourteen, as I had hoped I could complete it before any new Powers such as Extinction were able to fully emerge. All under The Eye’s auspices, of course – we mustn’t forget our roots.”

* AHAH for Jonah still going for a “fourteen” categorisation + isolating The Extinction. He was still fairly influenced by Smirke’s taxonomy, and this reflected in his incantation (on the one hand, the neat categorisations don’t work… but he’s using them anyway) (… which is what I’m doing too, but pssh.)

* OH SHIT for the announcement that he was planning THAT. We could have had a bit of hope given that The Watcher’s Crown had failed already, and was doomed to fail anyway… but nop.

* AHAH about the “we mustn’t forget our roots” because Elias-Jonah reaaaally doesn’t sound super-devoted to his patron.

* I wonder if The Extinction will get relevant in season 5 as an “outside of the box” Power, since Elias was adamant about not including it and trying to do his thing before it would become a concern:

(MAG126) PETER: [LAUGH] Because, behind all his bluster, Elias’s just like all the rest. He’s so preoccupied playing the game, he doesn’t pay attention to the big picture. He managed to convince himself that he could get his ritual off first, which would have made all of this a… bit moot, but that’s not really an option anymore.

(MAG138) MARTIN: Yeah, but… if he’s right about… The Extinction, what it is… then why didn’t you say anything before? Why am I only hearing about this now, and why doesn’t Jon know?! ELIAS: In my case, while Peter has talked of it before, it is only very recently that I’ve been forced to admit The Extinction is real.

Was he fearing that it would complicate things too much? Is that an aspect of Fear he didn’t understand? (One bit in the Q&A pointed out that There Could Be More Fears unaccounted for, so I wonder if they’ll get purposefully developed in season 5 as a counter, or if not at all…)

(MAG160, Jonah Magnus) “And there was only one being that could possibly serve as a lynchpin for this new ritual: the Archivist. A position that had so recently become vacant, thanks to Gertrude’s… ill-timed retirement plans. Because the thing about the Archivist is that… well: it’s a bit of a misnomer. It might, perhaps, be better named “the Archive”. Because you do not administer and preserve the records of fear, Jon – you are a record of fear. Both in mind, as you walk the shuddering dread of each statement; and in body, as the Powers each leave their mark upon you. You are a living chronicle of terror. [CREAKING] Perhaps, then, if I could find an Archivist and have each Power mark them, have them confront each one, and each in turn instil in them a powerful and acute fear for their life, they could be turned into a conduit for the coming of this… nightmare kingdom. … Do you see where I’m going, Jon? It does tickle me, that in this world of… would-be occult dynasties and ageless monsters, the “Chosen One” is… simply that: someone I chose! It’s not in your blood, or your soul, or your… destiny. It’s just in your own, rotten luck.” [THUNDER CLAPPING]

* “Gertrude’s ill-timed retirement plans” is that the name of your own gun, Elias.

* If we’re going with “audio recording by The Archive” at the start of season 5, I’m going to scream.

* Elias’s sense of drama with the background sounds…

* The dehumanisation was THROUGH THE ROOF, and made for a very AOUCH parallel to Peter’s snarky comment to Martin (MAG126: “I’m just saying, that we’d all be better off if your Archivist actually knew how to archive.”). It was just… horrifying already, that he casually admitted that he had been setting up Jon getting hurt and marked? It was the most common hypothesis, we had been screaming with the last ones getting ticked off during season 4, we knew what was to happen when MAG159’s title had been revealed to be “The Last” (the last assistant, the last Fear to mark Jon), we had no doubt that Elias had been pulling strings in that direction… but still, there was something so unsettling about Jonah casually objectifying Jon and mentioning that he needed Jon to be hurt and afraid for his own goals…

* Oh GODS, the fact that Elias casually answered Jon’s questions about being “chosen”…

(MAG139) ARCHIVIST: Why were we chosen? Agnes was created – crafted with a specific purpose so finely tuned that even a grain of uncertainty threatened the entirety of her being. [CHORTLING] But I’m so full of doubt it feels like there’s no room for anything else, and… I’m sure Martin is the same…! Is there “destiny” here? B–bloodlines and… prophecies, or did we just… stumble into this? Maybe we’re the opposite of Agnes; maybe our doubts are exactly what we need. I–if that’s the case, I’m a… an amazing chosen one. … [LONG EXHALE] Don’t know how that would work, though.

Tim had mentioned that the Fears attacking you was just “bad luck” (MAG117)… and it’s one side of the coin. The flip side, in Jonah’s case, is that no, someone picked you and chose to hurt you. That’s coherent with Elias’s ~paternalistic~ comments about “choices” in MAG092, but really, I do hate (it’s well-done!) how far he goes when it comes to casual victim-blaming, gods.

* How is your hubris today, Jonah. Reminder that characters characterised by their hubris (Leitner, Smirke, Mary…) fell and crashed pretty harshly in TMA, Jonah.

(MAG160, Jonah Magnus) “I’ll admit my options were somewhat limited, but – my God! When you came to me already marked by The Web, I knew it had to be you. I even held out some small hope you had been sent by the Spider as a sort of… implicit blessing on my whole project, and… do you know what? I think it was…!”

* Still refisdhnjerfdujbrefduhejkzfsd over the fact that Jonah went basically “oh, The Web probably approved?” when… from what we can guess of The Web, NO, IT PRECISELY SENT JON TO USE YOU, YOU DUMB VICTORIAN!!

* “What does the Spider want?” is still the eternal question – why did it want/allow this apocalypse to happen? If it wanted to prevent it, it would have had many occasions to prevent Jon from coming into contacts with other Fears, so… What does the Mother want out of it?

* Jon had mentioned that The Web had “touched” him first:

(MAG081) ARCHIVIST: I do not know how many of them there are, or precisely how they separate, but I do know that the Eye – Beholding – was not the first that I encountered in my life. The first was the Spider. The Web. And I have no idea what that might mean. […] The first of the dark powers to touch me, perhaps, but it did not claim me.

… And it just added up to Jonah’s terribleness: just reminding Jon that he had been picked because of the Web-story that had terrorised his youth…

(MAG160, Jonah Magnus) “Of course, I had to bide my time, get a measure of you before I began to push; learn how you worked. So I decided I would wait until something came for you, and see how you reacted. Attacks upon the Archives were not uncommon during Gertrude’s tenure, and while she was always prepared… I made sure you would not be. I reasoned if you couldn’t survive a single encounter, you were unlikely to make it through all Fourteen. So when Jane Prentiss attacked, I watched eagerly, one hand on the gas release from the start. You acquitted yourself well enough, so I decided to see how much further you would get – though I waited until the worms were in you to pull the lever. I needed to make sure you felt that fear all the way to your bones.”

* … It explained why he Elias was occasionally almost praising Jon’s survival skills:

(MAG080) LEITNER: And what’s he going to think when he gets back? ELIAS: Well, he was always going to need to fly the nest at some point. Go out and see the world for himself. LEITNER: He might die. ELIAS: It’s always a danger. Almost always.

(MAG092) ARCHIVIST: What do you want? ELIAS: Honestly? To offer some congratulations. You’re doing a lot better than I expected. ARCHIVIST: Feels like all I’ve managed to do is… not die. ELIAS: And believe me, that is a remarkably rare skill.

* Re: the dehumanisation, it was incredible how it sounded like Jonah was talking about a small animal that he had to tame (and… even that, taming it in a bad way). It put such a bittersweet light on their exchanges in season 1? Because back then, it was still obvious that Jon had some respect for him…

* When I had listened to MAG040 for the first time, I had pictured Elias having a coffee, a smoke, another coffee, waiting for it to cool down, before pulling the lever; I mean, how much time would it take for him to reach it in a small Institute? I was already spoiled that he was Bad, back then, but… the fact that Jonah casually admitted that HE had been the one who got to decide whether or not Jon had the “right” to live at the end of MAG039 is another kind of terribleness………

* He was casually insensitive towards Jon’s wounds in MAG040 (comparing them to Swiss Cheese), and I’m not sure if that was a conscious effort to mess with Jon, or just his very natural lack of empathy showing through.

* The only “help” they had gotten against the worms had been provided by Michael, through Sasha, with the tip regarding the fire extinguishers… How much did Jon have to insist for Elias to provide them with some…?

* Not even a mention of Tim, who had gone through hell at the same time as Jon – and it was very telling… that for Jonah, Tim had only been collateral damage, not really mattering.

* There was something incredibly cruel in that “all the way to your bones”, and Jonah was absolutely just reopening old wounds and reactivating Jon’s trauma and terrors, uh…

(MAG160, Jonah Magnus) “The discovery that one of The Stranger’s minions had infiltrated the Institute in the aftermath was certainly a pleasant bonus. Even if that sliver of paranoia, that “vague wrongness” you couldn’t quite place wouldn’t count as a mark… it was only a matter of time before it confronted you in a far more direct, and affecting, manner. Admittedly, given the advent of The Unknowing, I needn’t have bothered – but what’s the old saying about hindsight? More important to me was Sasha’s encounter with The Distortion. If “it” had taken an interest, then I very much wanted it to cross your path. So I found one of its current victims and convinced her to make a statement. … Poor Helen. I actually had to put her in a taxi myself, she was getting so lost on those… narrow London side streets. It worked, though. Between the stabbing, and at least two desperate flights into its door… you’re marked very deep by The Spiral.”

* Again: Fork U, re: “hindsight” joke.

* Not!Sasha had mentioned as soon as MAG040 that Elias had stared at her “funnily”, which was a good indicator that he knew… but I’m surprised that Elias admitted that he had not noticed the moment The Stranger had infiltrated the Institute, before it was too late? He should have known the risk associated with the table, right? The Not!Them had been bound to it for fifteen years at this point!

* Get a double slice of Stranger in your face, Jon.

* ;; Tim wasn’t mentioned at all in Jonah’s statement, and that’s the only mention of Sasha… just as someone who had allowed The Distortion to come closer…

* I DIDN’T EXPECT AT ALL THE BIT ABOUT HELEN!!! FUCK!!! YOU HAVE NO RIGHT TO GO “Poor Helen” AT HER, YOU HORRIBLE NASTY MAN!! That was one of the cruellest new things in his statement, the fact that he had sent her to give a statement and shoved her into a taxi, only to nudge Michael towards Jon??? I wonder whether Helen-the-Distortion remembers it: it might get relevant in season 5…? We never saw Elias interact with The Distortion, after all, and he had a very poor opinion of Michael in MAG092.

* Yeah, “marked very deep by The Spiral”, uh. Uh. (Stabbing from MAG047 when Jon tried to save Helen, first flight into the corridors at the end of MAG078, second journey through the corridors at the end of MAG101, small adventure in the corridors in MAG131, another journey through the corridors at the end of MAG143. No wonder Jonah has a hard time keeping track of the amount of times.)

* ;; No mention at all that both Tim and Martin had experienced the Not!Them’s deceptions and that they also went through Michael’s corridors… once again, collaterals who didn’t matter much to him, uh…

(MAG160, Jonah Magnus) “Jurgen Leitner was a surprise, of course, and I was forced to… improvise. I had no idea how much Gertrude would have told him, and he could very easily have derailed everything if you learned too much too fast. I… justified it to myself, saying I was going to have to send you out into the world anyway if you were to encounter more of the Powers, but I can’t honestly pretend it wasn’t a… rather rash move.”

* So: it wasn’t necessarily that Elias didn’t want Leitner to tell Jon about the Institute being a temple to Beholding and Elias being bad (which Leitner did tell Jon), but about Gertrude’s own conclusions regarding Elias being in fact “Jonah Magnus”, and the rituals not working. So once again… Gertrude withholding information and not sharing it all actually worked in the world’s disfavour – Leitner was still concerned about The Unknowing, when the priority should have lain elsewhere…

* Confirmation, once again, that Elias had indeed no idea about Leitner living in the tunnels back then. We still don’t know if he truly has trouble seeing down there, or if it was solely A Disappearance protecting Leitner from his sight…

* Funny thing is that Elias has been pretty consistent about the fact that Leitner was a bit of a mistake:

(MAG092) ELIAS: So. For the avoidance of any doubt. I killed Gertrude Robinson because she intended to destroy the Archives. And I killed Jurgen Leitner because he was… an unnecessary complication. Likely to tell Jon too much, too early.

(MAG102) ELIAS: I have been trying to give you the information you need. ARCHIVIST: Sure, when you’re not bashing its head in with a pipe. ELIAS: Leitner was… I will admit I possibly… overreacted to his sudden re-emergence.

(MAG108) PETER: Oh. That doesn’t sound like the Elias I know. He killed people himself? MARTIN: I mean, I wasn’t, I wasn’t there, but that’s what he said…? And I did see the body. Er, bodies. PETER: Elias Bouchard, getting his hands dirty. Well-well. Must be the End Times.

* Obligatory “oh my GODS, ELIAS…” re: “I justified [Leitner’s murder] to myself” because… talk about something that feels like a Web-thing. It was repeated many times that the violent impulsive bit was surprising from Elias, and Jon had precisely left the room to smoke a cigarette (recurrent theme of the Web, Jon in possession of a Web lighter etc.), leaving Leitner alone. That. Sounds awfully like Elias being a tool of The Web, rather than making that decision by himself………

(MAG160, Jonah Magnus) “Still. I’d requested Detective Tonner be assigned to the case when they found Gertrude’s body, in the hope that having a Hunter in the mix would eventually lead to a confrontation, and setting you up as a killer certainly hastened that.”

* Elias revealed that he had used his ways to get her assigned on the case… while their first interaction in MAG082 consisted in Elias blackmailing her right away. Typical.

* So, in a way, people that Elias feels he “chose” so far: Jon… and Daisy.

* … So that was why he just threw out that random bit about Jon Being Very Dangerous:

(MAG082) ELIAS: I leave the matter of Jonathan Sims up to you, though I will not tell you where he is. I suggest you close the case and move on, but if you find yourself unable to do so, my advice is to kill him quickly. There’s no telling what he might be capable of.

He didn’t really need to, though, given how Daisy had her own grudge against Jon (the fact that he had unwittingly forced her to give him her statement against her will). But I do appreciate how Elias tried to frame him, and Basira just waltzed in, told Daisy “For god’s sake look at him!” (MAG091) when she was threatening him… and yup, indeed. Does not look like a murderer. (Although nowadays, Peter would like to differ.)

* Obligatory I’M SAD ABOUT DAISY, because, back then, she wouldn’t have minded much… but if she were to regain her sense in season 5 somehow (ha), how upset would she be to learn that the time she had hurt Jon (strangled or sliced his throat a bit) had worked as his Hunt mark, crossing another one off…? (Though, later, Julia&Trevor also did the work: Jon was hunted by Julia, and hurt by them both when they threatened him in season 4.)

(MAG160, Jonah Magnus) “Then it was just a matter of feeding you statements to lead you to a… few avatars I thought were likely to harm you, but probably would stop short of actually killing you. Jude served her purpose exactly as I had hoped, as did our dearly departed Mr Crew – marking you for The Desolation, and The Vast.”

* I call bullshit on Jude, since trying to track her down… wasn’t the only conclusion you could make of Gertrude’s recording in MAG087: Gertrude mentioned she was back in London, sure, but it was a Stranger-related statement about the imminence of The Unknowing, and there were many leads to take from that one (investigating the forest? The skin aspect? The mannequins?), especially since Jon knew he had to try to stop the ritual. So, on that one, pretty sure it was Jonah making sense “retroactively”, but that he really had no idea where Jon would go with it.

* Though I can believe that he had made sure that “rumours” saying that he had been the one to kill Gertrude would reach the Lightless Flame, as Jude as heard (not fundamentally to make sure she wouldn’t harm Jon… but to make sure that they wouldn’t attack the Institute after Gertrude’s death).

* Same, Jude directing Jon towards Mike really was a fluke, thanks to Jon&Jude’s conversation!

* Jonny trying to hammer that Mike Crew Is Absolutely Dead And Done, once again.

(MAG160, Jonah Magnus) “Honestly, I had… nothing to do with Melanie and her Slaughter adventure, but when I saw the situation, I made sure to trap her here; so whenever her rage bubbled over, you were right there, a ready target. I didn’t foresee the mark coming from… surgery gone wrong, but it was a very pleasant surprise.”

* Alllriiight, so that’s what he was checking in MAG084, when we heard static when he was talking with Melanie! He discovered the bullet in that moment.

* ;; Slaughtered!Melanie was blaming Jon for being responsible of the fact she was trapped here… and she was wrong, but a bit of truth was in there – Elias had trapped her because she would be useful for his plans regarding Jon.

* List of people Jonah “chose”: Jon, Daisy, Melanie.

* OH GODS, AND THAT WAS WHY HE WAS SO CHIRPY IN MAG102…………

(MAG102) ARCHIVIST: I get, I get that you hate being here, Melanie, but do you really want to trade it for prison? MELANIE: No! But the way I see it, the police seem really keen not to investigate crimes committed here. ELIAS: That’s actually fair. ARCHIVIST: Shut up…! Melanie, please. […] We, We will… We will find a way to deal with… with him. Not today. A–and not like this. ELIAS: I am still here, you know. ARCHIVIST: And if you weren’t, I assume you would be watching this conversation, so... Melanie, we can’t do this. Not yet.

I had assumed, back then, that he was just very dumb, but… no. He was probably throwing oil on the fire on purpose, to try to get Jon stabbed by her right then, right there.

* ;; Same, I wonder if Melanie will learn that her stabbing him was actually a Slaughter mark, engineered/hoped by Jonah…

(MAG160, Jonah Magnus) “The Unknowing was a distraction, but not an unwelcome one. For this to work, you needed more than just the marks; you needed power. And that was something The Unknowing served to test, though it posed no… actual danger in the grand scheme of things.”

* And that explained Elias’s comments about what he considered Jon’s necessary progresses, successes and failures!

(MAG116) ELIAS: I have been doing my best to prepare you, Jon, to See. You should hopefully have it a bit easier than the others. ARCHIVIST: Another of my… powers? ELIAS: More… an aspect of your becoming.

(MAG120) ELIAS: You’re doing well, Jon. I only hope you can continue your growth without my guidance.

(MAG135) ELIAS: Fine. Consider it a test – things are… coming, things that will need Jon to be far stronger and more willing to use his connection to our patron. His performance during The Unknowing was… disappointing. I needed a way to force him to harness his ability more acutely than he had before. The coffin was a useful tool; Daisy an adequate bait. BASIRA: Then you messed up. Way he tells it, he doesn’t know how he got out of there. ELIAS: But he did. And his powers were no small part of it. Even if he required some assistance, they were what saved him. And he’s still achieved what no one – mortal, monster, or anything in-between – has ever been able to. He climbed out of The Buried.

Elias praised him for his dreams, because they were proof of his records of fears; he lamented what he did during The Unknowing, since Jon was barely able to survive in it (ultimately resorting to compulsion, giving Tim the tools to press on the detonator)…

* And that was also why he was pushing for Jon to go in person despite the plan not relying on him:

(MAG117) ARCHIVIST: Tim isn’t going to sit home and wait, and Elias seems pretty insistent I go along. Part of me thinks it’s just so that we can see if whatever this… preparation he’s been trying to do on me works. And you know what? That same… petty little part of me… rather hopes it doesn’t; that all this time, all his… cryptic nudges and “learn to fly by falling” attitude ends up being a complete waste of time. Just to show him. Even so, I–I– it wouldn’t… feel right to not go.

… because ultimately, he was testing Jon in a controlled environment.

* (Still no mention of Tim who died there, and it was just adding to Jonah’s overall cruelty? The fact that Sasha and Tim died… and that it didn’t matter at all in his plans…)

(MAG160, Jonah Magnus) “And it did serve another purpose, of course. It inadvertently pushed you to confront Death – a mark I had been very worried about trying to orchestrate. If I tried too early, you’d just die; too late, and you might be powerful enough to see the attempt coming, and maybe even understand why. As it was, it was just right; and once again you came through with flying colours.”

* No wonder that Jonah was the most worried about The End’s mark, given his own personal relationship to the fear of dying, uh.

* And :) The Web :) Sent :) An avatar of The End to wake up Jon and make him “choose”. Which Jonah didn’t mention at all, and it seems like a huge oversight – Jon didn’t “come through with flying colours” on his own, he was given the keys to decide what would happen of him, and it’s not Jonah who provided them, but Oliver, sent by The Mother.

(MAG160, Jonah Magnus) “By this point, your abilities were coming on in leaps and bounds, and I was concerned that meeting face-to-face might end up with you… knowing something you shouldn’t. I had initially planned to go into hiding, but when your colleagues surprised me with the police, well. It was simple enough to cut a deal. All that remained, then, were The Dark, The Flesh, The Buried and The Lonely.”

* Confirmation (once again after MAG120) that Martin HAD surprised him with his plan, and that Elias wasn’t really preparing Peter as an Interim Director because he thought the assistants would get him arrested, but because he had something else in mind.

* Was he planning to go hide in Scotland, or in a Lukas estate.

* So confirmation that indeed, he was trying to hide his main reason for preventing Jon from seeing him:

(MAG127) ELIAS: He can listen all he wants, but he’s at a very delicate stage right now, and I… fear my presence would be a, hum… [LIGHT JANGLING OF HANDCUFFS] a distraction.

(MAG148) ARCHIVIST: You should have let me come with. BASIRA: No. Besides, he wouldn’t have seen me if I had.

He had explained this right after Jon had described to Basira his inner “door” of knowledge, and how he tended to Know things when close to people or concepts… So it was indeed Elias trying to avoid Jon from compelling him or forcing a statement out of him or knowing about his plans.

* And yeah, this is how we had begun season 4. Only four remaining. orz

(MAG160, Jonah Magnus) “I was a little put out when that idiot Jared Hopworth misinterpreted my letters and attacked the Institute too soon, before you were even out of the hospital, but then… Oh! You should have seen my face, when you voluntarily went to him. I couldn’t see what happened in there, of course, but given how you came out, I’m very sure it counts as a mark.”

* Alright so: Elias confirmed that he was behind Jared’s letters:

(MAG131) JARED: The letters started comin’ in about two years ago. Good white paper, large print. Nice and simple. Dunno who sent them; they were never signed, and I dunno how they kept finding me. There was never much in them; normally just a name, and a place, or a time. I ignored the first couple, but they kept coming, and eventually I got curious. So, I followed the instructions in one of ‘em. […] I didn’t doubt the letters again. They came pretty regular after that. And they always led to summat good. Quality bones, a new mate, or some unlucky fool who wouldn’t look at me for the fear. It got so I trusted them. The letters, I mean. So I didn’t question them. There’s a lotta stuff in this world I’ve never understood, and these were no different. Then I got one about your lot, your Archives. Told me to go there and kill you. They even sent a picture. So I did. Well, I tried. Didn’t know about those tunnels, or wherever this place is, but the pipes… they were wide enough for me and a few mates to squeeze through, bit by bit, one bone at a time.

… Back when the episode had aired, I had multiple suspects: Annabelle, obviously (since there was the matter of the big font in MAG123), potentially Adelard (because what was he doing?? … we didn’t know at the time that he was already dead.), potentially Peter (to push Martin towards him), and also Elias… because of the “bones” + the irony of the “pipes”. I can’t believe it was Elias, I hate everything.

* We had speculated a lot about the intentions of the person who had sent Jared after the Archives: was it to “punish” the assistants? To make sure they would fragment and avoid for them to plan together again like they had at the end of season 3? Was it to push Martin towards Peter? To enhance Melanie’s Slaughter effects? Was it someone targeting Jon himself, and just not knowing that he was currently in a not!coma? … And nop: it was indeed targeting Jon, and the letters had been sent by someone who knew that Jon was currently away from the Archives.

* I mean. Elias. Elias, my dude, my Victorian bro. What did you expect, by making Jared used to attack people on sight as soon as he would receive letters with his next target, when you sent him a letter with his next target? WHO was really the idiot there.

* “I couldn’t see what happened in there” is an unfortunate confession: so Jonah… can’t see in Helen’s corridors. That could come in handy during season 5…

* This is an implicit confirmation: Elias is not the one listening through the tapes, since Jon’s encounter with Jared was recorded, but Elias only drew his conclusions when he came out.

* HEY ELIAS. HOW FUNNY THAT THE WEB HAD SENT A FLESH-RELATED STATEMENT TO JON, DRAWING HIM TO THE CONCLUSION THAT HIS OWN BODY COULD BE USED AS AN ANCHOR, AND THUS CONTRIBUTING TO HIM GOING DOWN TO SEE JARED AND ASKED HIM TO REMOVE A RIB, THUS MARKING HIM FOR THE FLESH. HOW FUNNY HOW THE WEB BASICALLY SAVED YOUR PLANS’ BUTTS WHEN YOU HAD DRAMATICALLY FAILED.

(MAG160, Jonah Magnus) “I suspected the coffin might turn up again, and once it did, it was simply a matter of getting any, uh… restraining factors you might have had flying off on a wild goose chase, and waiting. Honestly, Detective Tonner has proven invaluable through this whole process. [CHUCKLE] I was racking my brains for month about what I could use to lure you in.”

* Breekon wasn’t sure why he was going to the Institute, and that’s another “potentially the Web” thing.

* ;; Sad because “wild goose chase” has been the recurring way of referring to Basira getting misled and manipulated… (MAG134: “Then, your detective friend went on one of Elias’s wild goose chases, then Jon wilfully hurled himself into the coffin.” / MAG148: “So, what now? Another wild goose chase?”) There was something gratuitously mean about calling her “restraining factors” instead of her name…

* I’m SAD about DAISY, okay orz The fact that he presented her as a tool for his goals…

(MAG160, Jonah Magnus) “And of course, I knew the Dark Sun was just sitting there waiting; so when it came time, I whipped up another apocalypse, and sent you on your merry way.”

* It was a very strange thing that he would just begin to talk about the Dark Sun right after Jon had learned about it through a statement, indeed, so… I guess that he got inspired by Jon, rather than having that one under his sleeve all along?

* Also: he made sure that the police would get rid of Rayner and a few cultists during season 2. If he hadn’t done that, there would have still been a few powerful but diminished Dark avatars roaming around, who could have been used to mark Jon. So really: lots of posturing but actually lots of improvising, though Jonah isn’t really admitting that – but it’s interesting to focus on what he doesn’t talk about to clear that up a bit…

* Still laughing in retrospect that he… didn’t really try to Sell the Dark ritual much. It was mostly a “you can’t afford to be wrong about it being nothing” to Basira, and she had ample preexisting reasons to think that The Dark could be a threat (since she had lost a colleague against them, and that it had put into motion the chain of events leading her to quit the police).

(MAG160, Jonah Magnus) “Then all that remained… was The Lonely. Poor Peter. He really should have left well enough alone. [CHUCKLE] Or just done what I’d asked in the first place. Ah, well. He knew what I was attempting, and was very unwilling to cooperate until I made him… a little wager about Martin. Of course, he had no way of knowing that, in addition to setting you up for the final mark, he was giving you all the tools you needed to escape from it.”

* Fork you and your puns, Jonah.

* ;; Peter did explain to Jon that he was weak to a wager, in MAG159…

* I’m a bit sad that we never saw Elias&Peter interact a bit more… cordially, since they had been acquaintances for at least 20 years – we didn’t really see why they were putting up with the other, and Jonah didn’t sound heartbroken (at all) over Peter’s annihilation? On the other hand, the bitter exes dynamic was hilarious but… you know. I’ll miss Peter, he was so awful and fun.

* Confirmation that Martin was Jon’s anchor… and Elias knew it full well.

(MAG160, Jonah Magnus) “How is Martin, by the way? He looks well. You will keep an eye on him when all this is over, won’t you? [RUMBLE OF THUNDER] He’s earned that.”

* Big “OH NO” moment on first listen, because I got seized up by the dread that something was currently happening to Martin (who was outside, alone), and that would be how Jonah would be striking… I really didn’t expect the final incantation.

* Fork you and your puns 2.0, Jonah.

* I HATE that “he’s earned that”, implying that Martin made efforts and sacrifices just to be taken care of and/or that he ~served Jonah’s plans so well~ that he’s earned to get his love story during the apocalypse.

* …………….. But also….. Listen………………. Elias->Martin is one of my favourite ships, okay……. And it was just candy……. that Elias would randomly remember him……

* Or: not so randomly, since the point of his whole statement seemed to have been to make Jon’s old fears and pain bubble over the surface all over again. What could be more efficient than suddenly bringing up Martin, when Jon knew that Martin was alone outside?

* I have a Lot Of Feelings over the fact that the last person to (unwillingly) serve Elias’s plans… was Martin. For his plan to work, Jonah needed to be sure that Jon would go after Martin (we heard a lot of pining through season 4, and so did Elias, uh.), and that Martin would be the key for Jon to come back (which is something he likely deduced from The Buried?). It’s still the thing that scares me much about Jonah: you would want him to underestimate and overlook affection, friendship and love between people… but no. He’s fully able to take those things into account — and to turn them against you.

(Though: I’m really not sure that he knew that Jon had feelings for Martin, or was likely to develop some, back when he sent Peter to Martin in MAG108, nor that Martin would fork Peter over (since he hadn’t taken Elias down yet)… He could have been relying on the fact that Martin had a crush, back then, to make sure that Martin would stick to Jon’s side and not lose himself to The Lonely? And Jon was already adamant about protecting his remaining assistants: he would have gone to save Basira, Daisy or Melanie in The Lonely, too, just like he rescued Daisy. I’m not sure the idea of an anchor to find his way back had crossed Jonah’s mind before The Buried… Jonah presents a lot of things organically and logically through his statements, but he’s probably rearranging details in his advantage: he got very lucky, quite often. … Or, well. The appropriateness of the term “Lucky” depends on how much The Web will be revealed to have contributed.)

(MAG160, Jonah Magnus) “And there, I think we are brought just about up to date. I have enjoyed our little trip down memory lane, but… past here lies only impatience. You are prepared. You are ready. You are marked. The power of The Ceaseless Watcher flows through you, and the time of our victory is here. Don’t worry, Jon. You’ll get used to it here – in the world that we have made.”

* At this point, I still didn’t know how he would strike, and still not expecting an incantation.

* I hatehatehate Jonah’s use of first-person plural. It’s nothing new:

(MAG092) ELIAS: [SIGH] What are you? ARCHIVIST: I… The Archivist. ELIAS: Precisely. It is your job to chronicle these things, to experience them, whether first-hand or through the eyes of others. To simply be told, well… ARCHIVIST: It doesn’t please your master? ELIAS: Our master, Jon. […] We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown. If you are to stop them, you need to get better at seeing.

(MAG135) ELIAS: Fine. Consider it a test – things are… coming, things that will need Jon to be far stronger and more willing to use his connection to our patron.

… but here? Absolutely making complicit, almost like an associate, when he was forcing Jon to read, when he had pointed out as soon as his first lines that Jon would try to resist reading? Awful.

On the incantation in itself:

(MAG160, Jonah Magnus) “You who watch and know and understand none; You who listen and hear and will not comprehend; You who wait and wait and drink in all that is not yours by right; Come to us in your wholeness! Come to us in your perfection! Bring all that is fear, and all that is terror, and all that is the awful dread that crawls and chokes and blinds and falls and twists and leaves and hides and weaves and burns and hunts and rips and bleeds and dies! Come to us! I – OPEN – THE DOOR!”

* It’s still interesting that, when it comes to aspects of the Amorphous Blob Of Terrors, Jonah still went for the good old fourteen regarding Jon’s marks and the incantation (Beholding + Corruption, Buried, Dark, Vast, Spiral, Lonely, Stranger, Web, Desolation, Hunt, Slaughter, Flesh, End). Indeed, he was planning on doing things before the Extinction would fully emerge, but I wonder if other potential aspects, that have been left out, will get relevant in season 5…

* Aaaaaaaaaaaand… there was a general expectation/fear in the fandom, since Jon had mentioned his inner door of knowledge, that it would be opened at some point:

(MAG127) ARCHIVIST: [SIGH] It’s… hard. It’s like there’s a–a–a door, in my mind. And behind it, is… i–is the entire ocean. Before, I didn’t notice it, but now, I–I know it’s there, and I can’t forget it, and I can feel the pressure of the water on it. I–I–I, I can keep it closed… but sometimes, when I’m around p–people, or–or places, or… ideas… a drop or two will push through the cracks, at the edges of the door. And I’ll… know something. BASIRA: … What happens, if you open the door? [PAUSE] ARCHIVIST: I drown.

On that one, I think that Jonah might have used the imagery of the “door” specifically because it was a really strong symbolic element for Jon: Mr Spider’s door, that he hadn’t knocked on; Helen’s door in his dreams, that he refuses to open (MAG120: “There is a door in front of him. A yellow door. He knows the dream it used to lead to; he knows it well. But that’s not where it leads anymore. He does not know what is behind it anymore, and he is deathly afraid of finding out. The Archivist turns away.”) as well as his refusal to knock on her door through season 4 until MAG146; there is also the fact that people who knew Jon rarely tended to knock on his door in season 1 and 2 (they just barged in), as if they knew knocking was something he didn’t appreciate.

Independently, Martin got kind of a warning (?) with The Extinction (MAG134: “It talked of Garland Hillier’s “new revelation”, about the absolute change of the world in terms that seemed at first elegiac, but later seemed… almost panicked, with the final entry simply repeating the words [STATIC:] “La porte est la porte.” “The door is the door.””), although it was another sort of movement: leaving your comfortable world to go into another, and coming back to yours safely. Not sure it will be that simple in season 5.

* New all-Fears ritual doesn’t have a name but would be tentatively called “The Magnus Archive” according to Jonny-on-discord, which. Sob.

- What I find interesting in what Jonah didn’t mention at all:

* It was revealing that he didn’t mention the assistants (or barely): didn’t mention Tim or Sasha’s deaths, Melanie’s escape, Daisy turning into a beast again, Basira being still trapped there. He had presented the assistants as disposable in MAG092, he really wanted to hammer in that it was the case here, uh… (Although he might have appreciated Basira a tiny bit this season?)

* I’m still curious about why he didn’t want Tim to go to The Unknowing. Was it because he was fearing that Tim would go rogue and definitely kill Jon there? … Or was it because he was fearing that Tim would die there while he had other projects for him? (… Next host…?)

* Nothing about Jon’s relationship to the tape recorders, which, mmmmmmmmmmmm.

* Nothing about Jon’s Web lighter sticking to him.

* A surprisingly short mention of The Web and that was it, despite how obviously it appeared that The Web had been a bit more involved than this in Jon’s adventures.

* … It’s still extremely suspicious to me that a Web-touched “Jonathan” began working at the Institute, while Jonah used to be friends with a “Jonathan Fanshawe” (“my namesake” according to Jon) who ultimately told him to fork off. That doesn’t really feel like narrative irony, but something pushed on purpose to get Jonah’s attention?

* It was Elias’s big moment of claiming his actions, and a few mysteries remain since he didn’t claim credit for Martin’s “intuition” of putting tape recorders around the Coffin to get Jon back, nor for putting Adelard’s last statement (originally an email!) on Jon’s desk, nor for the tape of Gertrude’s murder in Jon’s drawer. So… Web actions?

- I can’t believe that:

(MAG160) [CLICK–] [CONSTANT FUZZY STATIC] MARTIN: Wake up, wake up…! Wake, Jon–Jon–JON, wake up! [SLAP] ARCHIVIST: [YELP] Uh, wha– … Martin…?

Alex&Jonny are promising there will be no onscreen kiss… but we did get a slap.

- That was ONE HELL OF AN ENDING:

(MAG160) MARTIN: I, I don’t know if it’s just here, or if it– ARCHIVIST: No. … No, it’s everywhere… They’re all here, now. I can feel… all of it. MARTIN: J– … Jon, I’m scared. ARCHIVIST: [HINT OF A COLD SMILE] The whole world is afraid, Martin. Because of me. And The Watcher… drinks it all in. MARTIN: … Jon? ARCHIVIST: Look at the sky, Martin! Look at the sky. It’s looking back! [BROKEN LAUGHTER] [CLICK.]

I love how it was impossible to tell if Jon was genuinely laughing or breaking down sobbing, and it was probably a mix of both.

- The situation, as it ends, leaves potential for everyone to feel guilty:

* Jon already highlighted it (“The whole world is afraid, Martin. Because of me.”) – although he was manipulated, pushed in that direction, and ultimately controlled into doing it without being able to fight back. In Jon’s case, one source of heartbreak is that he had tried to cling, although bittersweetly, to the idea that sacrifices had to be made to save the world:

(MAG093) GEORGIE: Jonathan Sims, are you trying to save the world? ARCHIVIST: I… Yeah. I… I guess I am.

(MAG126) ARCHIVIST: … I remembered Gertrude’s notebook; we found it alongside the plastic explosives, but it rather got lost amongst the business of… [SIGH] saving the world at the cost of two lives…

(MAG150) ARCHIVIST: What about The Unknowing? We, we saved the world! MELANIE: Did we? I… I mean, I–I think it was the right thing to do, but how many people were killed to do it? We, we weren’t even a neutral party; we did it as agents of The Eye, because Elias told us to. […] You ever think that maybe this whole… ritual business is just an excuse, an–and that we’re all part of some… huge miserable Fear-machine? ARCHIVIST: [SIGH] I’ve… considered the possibility.

(MAG155) ARCHIVIST: I’ve… [DRY CHUCKLE] I’ve saved the world…! The whole world! Does that… give me the right to… [SIGH] take what I need to survive…? I’ve been reading nothing but these old, [FLAPPING PAPER] dry statements for so long, I… [PAPER RUSTLING] I feel weak. Like I’m… fading away. Do I restrain myself, keep my appetite in check, even at the cost of my life? Or do I try to rationalise what I am, like… Ms. McHugh?

And the end of the season was a double-slap: he hadn’t even saved the world in the first place… and he was instrumentalised to cause the apocalypse in the end.

* Martin hadn’t checked the statements, had decided to go for a walk, and had previously been used for Jon’s last mark with The Lonely (and their situation is kind of echoing what Jon had told Peter, when he wasn’t managing to get Martin back at first: “… It was for me, though. I’m the reason he…! … I did this to him as much as you.”) – although, of course, none of it was his fault.

* Basira had been the one to send the statements, and it’s unclear yet if Jonah’s was already snuck inside the pile she sent, whether he added it during the transit (… or if he had made her put it in with the others? I doubt it, but how would Basira react, if he were to promise her that he could lead her to Daisy…?) – although she had done it in good faith, to make sure that Jon would keep himself in check.

* Daisy marked Jon for The Hunt, and then was used as bait for The Buried…

* Melanie gave Jon his Slaughter scar, Melanie&Georgie refused to help Jon at the end of MAG157 because they didn’t want to be associated with the fears (and it was their full right).

I like how bittersweet it is, to see how “easily” things could have been avoided? While, of course, they didn’t want the apocalypse to happen, and they were fighting against someone who had a few centuries of planning behind him, without knowing where he would strike. They’re not responsible for any of it, objectively, but I’m curious about their perceptions of the matter…

- Still so impressed at the build-up for this season, because we had so many hints that are easy to see in retrospect, or things that were easily discernible thematically, though it was harder to see where it was supposed to go…

* The scar/marks theory had been a popular one for a long while, even acknowledged by Jon:

(MAG093) ARCHIVIST: Elias has been sending me statements, apparently to prepare me, whatever that means, but some of the people I’ve been talking to have been… very dangerous. I’m starting to feel like a bit of a punching bag, to be honest. Would be nice to meet a monster, and not have a scar to show for it.

(MAG127) ARCHIVIST: Oh. It–it’s fine; scalpel wounds… [CHUCKLE] they heal quickly. BASIRA: Hm. ARCHIVIST: … Too quickly, really. [CHUCKLE] BASIRA: Already? [CHAIR SCRAPES] ARCHIVIST: Just another scar for the collection!

And we were right about it ;; The question was mostly why it was necessary, the assumption was that it was to prepare him for The Watcher’s Crown… and it was even worse than that.

* A big chunk of season 4 was about investigating rituals: in season 3, we knew that The Spiral, The Buried and The Unknowing were not current threats anymore. This season, we were told that The Flesh, The Vast and The Slaughter were past concerns, that The Dark had already had its turn recently, why exactly The Buried had failed, what had neutralised The Desolation, that The Hunt’s whole concept dictates that it couldn’t really have a culmination point, that Gertrude had savagely taken care of The Lonely’s, that The Corruption might have had its try with the attack on the Institute, that The End and The Web aren’t really in the game (or are they.)… and ultimately that The Watcher’s Crown had already been attempted 150 years ago. The surprise laid with the fact that Jonah was planning bigger.

* We already had a few hints that something was off in season 1 and 2 (Elias being a filing clerk in the 70s, but joining the Institute in 1991 and… changing… a lot… to the point he had become the new Head in 1996), but it only increased afterwards: starting season 3, Jonah’s letters were systematically episodes in which Elias was appearing (MAG092, MAG098, MAG127, MAG138); Elias’s detailed knowledge of Jonah’s actions and emotions in MAG092; Manuela presenting the Head of the Institute as an old friend of Maxwell Rayner (MAG135) and not naming him; Eric Delano’s surprise about Elias changing so much (MAG154)… + Elias tending to appear in episodes with “remains” in the title (MAG040, MAG092, MAG127), which. ha.

* A whole thematic arc was, also, about Jon’s identity (as a person or a monster), leading to Martin’s “I see you” and ending with acceptance.

* So. Many. Doors. This seasons. And it led to Elias opening That One.

  Overall thoughts looking back over season 4, re: big questions I had towards the end of season 3 / beginning of season 4:

- I’m still laughing really hard that “Wow, Jon, sounds like pining” at the beginning of the season turned out to have been actual pining. I was cautious about it from experience (it could be something else, feelings don’t have to be romantic in nature to be important, you can long for someone without being romantically interested, qpp is a thing, etc.) and then! Surprise, children! The Archivist had it bad.

- Adelard Dekker wasn’t showing up… because he was dead already (died even before Gertrude). I was growing suspicious of it but ;; Ouft, the way he gave his farewells…

- No Lukas!Martin (well, one could still run with that without contradicting canon, but it would also clash with the recurring theme that bloodlines do not actually matter in the end); in the end, Peter’s interest in Martin specifically was because of 1°) abandonment/longing issues, 2°) one-sided crush (which ended up reciprocated), 3°) Elias needing Peter to choose Martin and sending Peter after him specifically because he thought that Martin would ultimately reject Peter’s plan, thus ensuring Elias’s win. At the time of their encounter (MAG108), Martin hadn’t even proved to Elias that he was more cunning that Elias accounted for! Picked Martin for gayness (at the time, Elias probably thought that Martin would cling to Jon’s side and/or that Jon would try to get him back since he was overall concerned for his assistants, thus getting scarred by The Lonely in the process?), ended up winning because of Martin being more cleverer than assumed and Elias had faith that Martin would be allowed to play Peter like the cheap whistle he is. (Look, I’m not saying that Elias->Martin is the superior ship, but–)

(Something funny: Elias sent Peter to Martin in MAG108, and that was shortly after MAG106, in which Melanie and Basira’s office gossip made it clear that Martin’s concern over Jon was not Martin’s usual behaviour, and that other characters were suspecting that there were romantic feelings behind it. Given Elias’s tendency to improvise, I still think it’s absolutely possible that… Elias hadn’t even noticed the crush before Melanie&Basira talked about it.)

- I was so cautious about the assumption that Rayner was body-hopping, I was expecting that to be a red herring or something more complicated, but nop! Occam’s Razor, he absolutely was.

Same for Jonah Magnus and also dead wrong in that regard (but it does make sense that the two operated similarly, since Jonah knew him and in this world the supernatural tends to work… the way you think it should work) =D

- … So, confirmed in the Q&A that Gertrude was meant to have been shot multiple times on tape, and that there was no foul play in the fact that we only heard one gunshot in MAG158 vs. the three holes in her body Martin had reported in MAG040. So I was off the mark about that too, and she truly was meant to have died in March 2015 during The Dark’s ritual attempt!

(Though there is still the problem of MAG087 not making any sense when it comes to the dates… so there could still be Something, but no gunshot involved?)

- I loved how one of the focuses this season was the ritual, and the conclusion it reached! Basira had introduced the concern over the rituals (and specifically Beholding’s) in MAG123, we spent the whole season cataloguing which ones had failed recently, sometimes being told how they had been interrupted, sometimes not but with some wild-mass guessing; it was a major concern all through the season, and the pay-off was grandiose and making so much sense given what we already knew!

- I’m still laughing very hard about the anticipation of the Ny-Ålesund trip, in which I was expecting butchery and Bad Things Happening To Basira (we knew, back then, that a blind character was likely coming), and maybe Rayner wasn’t truly dead?? What about The Dark’s creature?? What about the cultists and Manuela’s branch??? What about the incoming eclipse in August 2018???

… and nop, it was a bust, Elias had been a misleading arsehole, Rayner and Dark creature and most cultists dead, ritual utterly failed in 2015, Manuela alone and unable to do anything. Big “eLIAS” moment.

- Fav period was the speculation regarding Jon’s anchor, because it was wild and delightful, and I still sometimes randomly snicker remembering Lottie&Jonny’s exchange about it.

- I desperately wanted to “hear Daisy’s voice”, metaphorically (… and also, like. concretely. Fay Roberts’s voice, okay.): it was funny in MAG117 to have her skip her testament and just load a gun but, also, it wasn’t really shaping her as a 3D character? And gods, was I pleased with this season and what she had to say about what she had experienced, committed, and the feelings she had about it. I think she was my fav character this season ;_;

- We still don’t know what The Web’s deal is, but given how Jon&co were kicked out of Hill Top Road (Not Levelled Up Enough / Not The Right Time, Inspect This Area For Plot Later), it’s definitely coming in season 5.

Things I overall liked less:

(Obligatory disclaimer: personal taste and opinions, things that resonated less or more uncomfortably with me. This is not a statement that these fictional things shouldn’t exist + the show is not over, there is One Last Season, so a few reveals or development could happen that would make me like these things better overall~)

- A bit sad about the “Elias was actually Jonah Magnus all along” reveal! I do admit it’s been well-done and well-played, I did pick up on the hints here and there (Elias mentioning something that had happened in the 1970s, Jon noticing that Elias Bouchard’s reported behaviour in the past was very different from the man he knows, Elias knowing way too much about Barnabas Bennett’s disappearance, Sarah/the Anglerfish’s “It’s Elias now, then?” and Nikola’s “Elias, can I call you Elias?” (The Stranger had reasons to have a kick with his identity-stealing methods!), Manuela conveying Rayner’s hello, the fact that Robert Smirke had pointed out that Jonah feared death most of all); the reveal was incredible and breath-taking… but! I do agree that it would have been a completely different story (this one is the story of someone refusing to die, and who has been sacrificing anything and anyone over two centuries to gain “power and immortality”), but I would have loved it if the local and consistent big bad had been a lazy privileged but opportunistic student who had found his calling in scheduling and paperwork twenty years ago ^^

- A bit sad, too, that it means we’ve never met an avatar of Beholding (or someone affiliated with Beholding) who wholly worships it? Clearly, Jonah is a lot more Beholding than he admitted (and there was reverence in how he described it in MAG120), but he also wants to think that he mostly used it for his own gain. No (twisted) love like Jane and the Hive, or Jude&Eugene towards The Desolation, or Manuela towards The Dark, or Hezekiah towards The Buried, or Simon towards The Vast, etc.

I wonder if we’ll meet a true and unabashed servant of Beholding in season 5?

- I loved Peter&Elias’s “divorced multiple times” energy, but I’m a bit sad that it felt so unbalanced in Peter’s disfavour in the end: it clearly felt like Elias-Jonah had toyed with him a lot, while Peter was too young and lacking experience and knowledge to be able to see when he was being manipulated?

- A bit surprised about the lack of Tim! His death was heart-breaking, and as much as circumstances weren’t great for some mourning and pondering about him (Jon woke up six months after his death, when other characters had lived through it), it… didn’t really feel like Tim had existed and died in the series, compared to Sasha (at the end of season 2 and during season 3, while they precisely didn’t remember her as a person)…? At times, it felt like maybe a Tim had once worked here, but he had quit on his own, not that… he had died. Maybe I’m a bit blinded by the fact that I experienced season 4 on a weekly basis, whereas I had just listened to season 2 and 3 in one go, but even now, even after compiling, I still feel like something was missing… (For example: Martin refusing to talk about him twice, Jon listing him amongst the dead with Sasha… versus Tim asking Melanie to describe the real Sasha to him and going to lie down, audibly upset and collapsing on himself. I feel like I was missing a bit of emotion in season 4 regarding Tim…? ;_;)

- I’m more neutral than anything about it because it���s conflicting one thing I love and something I don’t like much: Georgie & Melanie! I’m super glad that Georgie was revealed to be bi, and that she got a girlfriend! I’m super glad for a F/F couple! I’m super glad that “Georgie and Melanie as a Thing” is now canon! But I’m personally not too fond of storylines where a romantic involvement happens during or at the beginning of a process of recovery (in such circumstances I’m more invested when it’s a caring but careful friendship), so that one did miss the mark a bit for me. At the same time, I would have been a bit sad if Georgie&Melanie had become a duo without anything romantic ever, so.

- Nnnot too fond of the “terror attack” at the beginning of MAG158, mostly the fact that we heard the guns&the screams and knew it was happening. Overall, I’m not too fond of “random people get terrorised and butchered just because they’re in the way of people targeting the protags”, plus there, the whole concept that it was a cleansing felt… a bit too rough for me. So, really glad that Alex said they toned it down to avoid getting too close to real-life, as opposed to for instance having someone injured stepping in into the Archives to reveal what was happening, because yips, would have been way too far for me indeed ^^”

- Instead of “Oh! That was interesting and very sad and an amazing exploration”, I’m still mostly uncomfortable and disgusted towards the whole storyline of Jon having attacked people.

Disclaimer: I’m not very fond of stories where a twist is that your male protagonist was, in fact, an unreliable narrator doing some very cruel and horrible things while the information we had until then was designed to stir empathy for him. I also felt like MAG141-142 were very disjointed from the first half of season 4 – there had been no hint of Jon having attacked people before, while it was a festival of Jon making references to his “victims” right after it was revealed to us? And, more specifically, I find MAG142 extremely well-executed, the voice acting was fantastic on its own, but it also cemented that the most accurate comparison to what Jon was doing, to me, wasn’t “addiction” or “hunger”: it was sexual assault. It wasn’t that, I’m aware, but it did provoke in me the same visceral discomfort of… following a sexual assaulter’s woes about his own actions, and sobbing that he’s becoming a monster and did something bad when, yeah, dude, you did something bad? Especially with Jess: a woman in the middle of a romantic encounter is preyed upon, is cornered when alone; our male protagonist subjects her to something she didn’t want, hurts her deeply, thanks her for the experience, leaves, leaving her a mess… and her Narrative Purpose was to come ring the alarm about it to his male love interest. We learn that there were three victims, plus Jess and Floyd (whom we witnessed first-hand). The conclusion is that, although influenced, it was all Jon’s actions. It’s made clear that Jon knew that it was happening (although he wanted to cling to the hope that he was manipulated into doing it), that he hid it from the others while claiming that they needed to trust him, and that it only stopped “because he was caught”. And we end the season with cheering for Jon&Martin, with Jon going to save Martin in the Lonely and taking him back, and then spending a few weeks together in Scotland and being romantically involved, after having suffered from manipulation, isolation and circumstances for so long. Jess, Floyd, the three other victims? Don’t matter narratively past the fact that they’ve been hurt and messed up by the protagonist. Are they okay…? Well, it’s not their stories so we don’t know and, as much as we know, the characters don’t care much: Jon spent his time lamenting about what it meant about his (lack of) Humanity, and whether or not it would be rational or earned to do more harm, whether it was fair that he was suffering in trying to stop, whether his own suffering would stop… rather than expressing concern over his victims’ well-being, apologise, I don’t know, doing anything at all to prove that he wasn’t a plain villain. And we didn’t hear their voices anymore. Their purpose was to get hurt by the protag, and… so far, that’s it. And the circumstances have changed, so their suffering probably won’t matter, since everything is now awful for everyone.

There were a few narrative biases (the tape are not “neutral” and chose to not record Jon’s first four victims; Elias-Jonah didn’t even bother mentioning that it had happened in his big monologue, because… it was irrelevant for them – they are not people/entities we’re rooting for), but I feel that story-wise, it was a bit… showed that these victims weren’t supposed to matter much. Overall, they were basically treated as dead meat when it was discovered what Jon had done, as long as he stopped, and it felt extremely violent to me, especially in Jess Tyrell’s case given the circumstances in which Jon had encountered her and how she recalled the story; and it just felt (and keeps feeling) upsetting without any aesthetical pleasure…? I’m really not saying that Protags Should Always Be Pure (Jon… already wasn’t, anyway), and I do get that it was necessary to show what Jon’s choice truly meant, that Beholding was terrifying as a Fear-concept and not a lesser evil compared to the others. It’s something I’m finding interesting in fics, too! But canon-wise, I feel like it could have plainly worked if Floyd had been the only one, and if the exploration had been around what Jon had done to him…? Instead, Jon is a recidivist who knew from the start that he was one, and hid it from everyone until he was caught and stopped. That’s one of the points where I find it a bit hard to ignore that Jon is a male protag, and it’s a bit too reminiscent of IRL injustices (“it’s alright as long as he stops, right)”) – especially given that there’s no judiciary system to handle his actions. Of course, characters do what they can with what they have, amongst many bad options; they don’t have any way to do things perfectly or painlessly, it’s not that kind of story. But still, the “recidivist and hiding it from others” bit made everything discomforting and upsetting to me, rather than something that I was able to find compelling and interesting. That’s… a very human kind of monstrosity, and I just stopped caring much about him or his suffering for the rest of the season…? So a lot of the emotional beat of Jon getting Martin back and them being together just went over my head, because no, Jon is not only “a victim”, he’s also done terrible things to characters who weren’t lucky enough to be protagonists?

As I said, it’s down to personal experiences, squicks, triggers and narrative dislikes; I’m not saying the series or the handling was Problematic or anything like this! And it’s possible that we could hear from Jon’s victims in season 5!

(- A bit related: I do hope that season 5 is not a string of random people getting butchered or suffering while Jon&Martin are strolling through, or Jon Narrating Their Fate As Statements and moaning about how hard it is for him while said people are dying and suffering, because the emotional beat won’t work much for me if it’s the case ;; On the one hand, I usually don’t like apocalyptic stories much; on the other hand, I’m curious about what Jonny can do with the style; but on the third hand, the whole “Jon had secretly hurt people and hid from the others” subplot wasn’t really my brand in the way it was executed, so… I’ll See how it goes.)

- I felt like on its own, it… wasn’t technically a great season for female characters.

I loved Daisy and Melanie’s stories, and Basira’s was heart-breaking in retrospect (though she didn’t get any form of closure or temporary “end” as of now)! For me, they made the most striking storylines in season 4!

But when it comes to the main plot, what would dictate the overall circumstances all characters would suffer from… the main actors were all men. It was a bit “Mm” to me to end up in the situation, in the Panopticon, with four male characters as main players and nobody else – Annabelle wasn’t (explicitly) one, and Helen was apparently there to Watch&Giggle without intervening, Georgie&Melanie didn’t want to get involved, Basira&Daisy mostly made sure that Jon would be able to go rescue Martin, Gertrude has been dead for a while.

Now, it’s a remnant of season 1, which was mostly made of which members and friends of RQ were available to work with in this story (Jon, Martin, Elias are the only main characters who have survived since then, although Melanie had been introduced); if it had been a female character in the place of Peter or Martin… it would have felt iffy too (played and killed off, manipulated/used and needing to be rescued). Furthermore, it makes a lot of sense that, given that this is all Elias-Jonah’s chessboard, he would favour men in general (Victorian asshole who was mostly acquainted with men, if his correspondence is any hint).

At the same time it’s a bit obvious that Annabelle has been more active than she took credit for so far, and has her own plans (why did she so actively help Jonah bring the apocalypse, and why was it necessary for Jon to stay away from Hill Top Road?); plus, Helen is still around, Jonah indirectly pointed out that he can’t see in her corridors; Georgie can’t feel fear, and Melanie might get some immunity (at least from Beholding), so all of them have reasons to get exceedingly relevant in season 5 (if one power gets to “win” in season 5, it’s easy to bank on the Mother of Puppets). So. I didn’t feel like season 4 was super-satisfying in that regard, but also, there is a season 5, and there are enough open doors to think that, when the series will get concluded, it won’t be a gentlemen’s club moving the main plot forwards. So, I’m curious about how season 5 will unfold in that regard.

  Fav episodes this season were:

- MAG127, “Remains To Be Seen”: I loved the “voice” of Jonathan Fanshawe, and how delightful it was to hear someone tell Jonah Magnus to fork off? Plus, we got the continuation of Albrecht’s story and his demise a few years after his letter from MAG023; the whole atmosphere was… very eerie and dusty?; I feel like Jon’s description of his “door” (and the “I drown.”) was one of the most striking pictures this season; and it also marked the return of Elias. Jinglebells!Elias, letting us to know that he spends his time gesturing when he talks.

- MAG129, “Submerged”: “When would you start to worry about the rain?” gODS. Very good atmosphere in that one, too, and Jon&Martin’s exchange at the beginning of the episode made us scream so loudly (“iS MARTIN OKAY, LISTEN, HIS VOICE WAS SO OFF, WHAT IS HAPPENING–” “Actually, Alex had the flu” “oh”)

- MAG132, “Entombed”: Resolution of the Saving Daisy mini-arc, and the pay-off was delightful!! Big “OH” moment when it was revealed why Daisy had asked about Jon’s shirt in season 3! Daisy not being a wild monster inside of the Coffin, as we feared, but able to be… herself and expose her doubts and what she didn’t want to be anymore… (Plus, I really felt that indeed, Jon&Daisy had shared something in the Coffin? I loved that small fragile bond that was created out of almost nothing, it felt very genuine and beautiful ;_;)

- MAG145, “Infectious Doubts”: Arthur Nolan’s VA was fantastic, and the exemplification of how Gertrude interacted with avatars was… something, alright. Indeed, one could understand how she managed to live as long as she did. And their discussion about Agnes and the fact that neither of them really knew her keeps breaking my heard for Agnes ;_; (Still crossing fingers that we’re able to hear her in some form in season 5? Given the whole, constant thing about how we only “know” her through male characters and/or people romantically or sexually interested in her…)

- MAG151, “Big Picture”: Simon Fairchild, okay. And Martin having had Enough. Plus, obviously, the… not exactly “answers”, indeed, but the way Simon tried to explain how to look at things and concepts without freezing them into concrete like Robert Smirke had done (given that Martin was the one to be given that talk, I’m really curious about whether he will put this to use in season 5); the shade-throwing about Peter; the reveal that Jon had listened to Martin’s tapes, which was also a “!!” moment.

- MAG157, “Rotten Core”: Tfw you’re The Corruption in season 4 and you don’t get a dedicated statement until near the end of it, but when you do, there is another one shortly afterwards, and it’s. This. About Adelard’s end. It was a very gruesome one, but also so… just plain sad? When it comes to Adelard, still managing to shape him as a character with a mind of steel, with his ultimate resolve and last words. I really came out of it wondering what Gertrude had felt when receiving it, because it… indeed felt like the end of an era/a long-distance partnership. (Also, THE RETURN OF THE ADMIRAL!!! Kitty cuddles and purring!!)

- MAG158, “Panopticon”: Still so impressed that so much had been crammed into this episode, with so many different tones, and with the sense of urgency going crescendo. Plus, you know, big reveals about Gertrude’s death, Elias’s identity, what was Peter and Elias’s deal, and finally, what was hidden in the tunnels.

  Things to *squint* about in season 5, or overall questions/pondering:

- … The name of the show still works as of now, though it’s almost “Magnus’s Archive(s)” as things are right now. I suppose that characters will go back to the Institute at some point (if only to reach the Panopticon for some reason), I wonder how long it will take?

- How will the “one episode = one statement” thing fare in season 5…? I kind of hope it’s not a succession of Jon narrating/describing people’s gruesome demises, or live-statements which would make things (SOMEHOW) even worse for them. Technically, Jon had received statements and tapes, so we could explore those first… if he’s in any state to. (Obligatory: will we begin the season with “Recording by The Archive”? Or by Martin, searching for Jon, to reverse the end of season 4?)

- Who is listening through the tapes and why are they manifesting. (I was banking on Web at the end of season 3, nowadays I’m not so sure given how it’s been using them physically, a bit too blatantly.)

- What are the tapes Jon received in MAG160 about���? And were they sent by The Web? Is there another Gertrude tape amongst them? (A message about her “retirement plan”? The “little chat” Gertrude had mentioned in MAG158, which happened after Jonah had taken Elias as a new host and when she realised what was happening? An Adelard-Gertrude conversation if they manage to find The Perfect VA for Adelard? … A Jon-Gertrude conversation for when he began to work at the Institute? Jon had recalled that he had talked with her once or twice – what if it had been recorded because Jon was already relevant for whatever-is-listening-through-the-tapes…?)

- WHAT DOES THE WEB WANT / WHAT DID IT WANT AND GET

- Hey Jon, how is your lighter today (and how many cigarettes have you smoked recently)?

- Hill Top Road trip 2.0, and what the “scar in reality” means (and why Annabelle didn’t want Jon to get involved there… as of season 4, at any rate)

- I remembered about Anya Villette’s statement recently, and namely that bit:

(MAG114, Anya Villette) “I don’t know this place. They said I should come and talk to you. A few people did. People I thought I knew, but they were different. I should know this place, I think. I used to go to the Tate a lot when I lived in London, and I, I passed the building, but… I don’t know you people. Nothing makes sense anymore.”

For me, her statement was clearly Spiral, but the implication of the Institute not being there did grab my interest, because see: Robert Smirke died earlier in the Magnusverse than in our real world – Martin pointed out that he had died the day he had written MAG138’s letter, on February 13th 1867, while the historical Robert Smirke died on April 18th 1867. The difference being that, in the Magnusverse, it was implied that Jonah’s experiments and preparations of The Watcher’s Crown had directly caused Smirke’s death; the Watcher’s Crown attempt which resulted in the sinking of Millbank, and the establishment of the Institute to hide the Panopticon. The main difference between a world “without the Magnus Institute in London” and a world with it was… Jonah’s ritual attempt. It wonder if this is where two realities may have shifted and diverged, in the Magnusverse? We still don’t know much about this “scar in reality” lying at Hill Top Road, and why it’s hidden, or what it could cause…

- Given how Peter wasn’t sure why The Web had never tried to push for its own ritual, was it because the Mother knew that it would fail anyway? Was is something well-known amongst Web agents that it was All or Nothing, or was Jonah a pioneer in that area, and Annabelle (?) decided to lend him her support?

- … Or maybe not at all: I’m curious about other avatars’ stance on/in the new world, if there will be divergences, if most will embrace it, it if it will cause dissatisfaction because they’re not needed as vessels to feed their patrons anymore? Having the time of their lives, or dissatisfied/now useless when it comes to feeding the Fears?

- Elias hinted that Gertrude might have had a backup plan to stop The Dark, if it had turned out that their ritual could succeed – could that help with the whole apocalypse? I’m… not really convinced that the apocalypse can be undone or tuned down, and it’s likely that season 5 ends even more badly than season 4, but we shall see… Reminder that:

(MAG126) ARCHIVIST: … I remembered Gertrude’s notebook; we found it alongside the plastic explosives, but it rather got lost amongst the business of… [SIGH] saving the world at the cost of two lives… It… it’s borderline incomprehensible, not because of any code, or cypher – there’s every chance I could read those; just simply because… most of it is… numbers or fragments of sentences that would no doubt mean something to her, but… well, not to me. I have been staring at it for hours, in the hope something from it would just… come to me.

Jon hadn’t managed to decipher her notebook as of season 4, I wonder if it could get relevant again.

- How many episodes before we hear Elias again.

- I’m not sure how Elias is supposed to get “on top” of this, since Jon had been the one to “open the door” to the Fears? Why is Elias so confident that he will never die? Given how he had mentioned “an eternity of terror and suffering” for all at the beginning, I wonder if people might not become “immortal” in the new landscape – in the sense of not being able to die at all, of The End being a fear but also out of reach, putting people in a state worse than death? Still, curious about why Elias was so sure that he would get an edge and not share the same fate as everyone else, since I doubt the Fears could feel anything, to say nothing of gratefulness? So, what protection does he have?

- How will Elias die/be neutralised, and by whom or what? (I kind of randomly hope that Georgie will do something? I always found it a bit interesting that she was introduced as a talking character right after Elias had been revealed to be the villain… while Georgie is connected with The End and knows the words that killed her friend.)

- Will we learn a bit more about “Emma”, Gertrude’s third assistant named by Eric?

- Are we absolutely done with Agnes’s story, and/or is there a tiny chance that we could hear her voice in some way…?

- What happened with Salesa, and what was the broken lens he retrieved supposed to do?

- Was Eduardo Acosta’s statement relevant, for Tim to interrupt Martin in MAG104.

- Will Jon’s two missing ribs become relevant again? Did Jon leave his rib at the Institute, or did he take it with him in Scotland? (Jon, putting it on the fireplace lintel as soon as he unpacked–)

- There is still the matter of Extinction and whether it was a partial bust (that is now irrelevant) or if it will come into play after all; perhaps we’ll meet or witness the creation of one of its first avatars or something. (Honestly, I was beginning to wonder if Gertrude hadn’t been one for the Fears, given how she had pointed out that she was Desolation To The Desolation…)

- Martin spent a lot of time studying the Fears in season 4, to the point that he received Simon’s guidance about how to perceive them… so I wonder if that will be relevant, too, since he wasn’t able to use that knowledge at all in the season finale. It really felt like he was growing as a main character, until he was cast into The Lonely and took a backseat so… I’m expecting for it to come into fruition? Jon had the rigid knowledge of the Fears, and the knowledge given by Beholding, but Martin was taught to get the feeling of them, and it might be more efficient now that they’re here?

- How will the connection between Martin and The Lonely manifest? Martin had to suffer Peter’s influence for almost a year, has been shown to be able to use powers in front of Georgie, and still wanted to isolate himself a bit in MAG160, so I doubt that The Lonely will let him go this easily.

- Will Martin’s studies over the entities help in some way? Will The Extinction (and other aspects of the Big Blob Of Terror that weren’t contained in Jonah’s invocation) be relevant?

- Was MAG158 the “true end” of Daisy, and will it lead to her being absolutely unhinged and lost in season 5…? It felt like it when it happened, but the way Jon&Martin mentioned her in MAG160, it didn’t really feel like she was lost-lost – but that card has already been played with the Coffin…

- I found the season incredibly harsh on Basira overall: she tried to handle the situation while Martin was jumping ship and Melanie was getting more erratic; she got manipulated by Elias multiple times; she wasn’t even the one to rescue Daisy from the Coffin; she hadn’t noticed that Jon had been attacking people behind her back; she “lost” Daisy emotionally a bit further by initially refusing to respect her wish of not going back to The Hunt; she ultimately lost Daisy a second time… Except for punching Elias, she didn’t really get any “win”? I mean, everyone’s lives suck, but it feels that comparatively, Basira got the worst of it (Jon managed to save people, to elope with Martin; Melanie managed to flee from the Institute and has Georgie with her; Martin was finally found and cared for… but Basira?). I wonder how it will come out in season 5, and if she will manage to get… something. Anything. There were a few red threads (ha) thrown around with the fact that she was trying to track Annabelle, we’ll see if it leads somewhere… (If anyone was desperate for control, it was Basira in season 4…)

- On that note: is Basira still vitally “tied” to the Institute, even in this new world paradigm?

- I’m really curious about how Melanie will be handling things in season 5 and how she will fare in the new world, given how she cut herself off from Beholding, which is still supposed to be reigning a bit over the other Fears in this apocalypse. And she mentioned being “not scared anymore”, so…

- Same thing with Fear-less Georgie.

- I’m curious about Jon’s state at the beginning of season 5: absolutely collapsed on himself? Barely responsive? Already centred back while also still depressed? Already with a plan? Stuck for a while before Martin&him begin to move for one reason or another (trying to find Basira, Georgie, Melanie, or getting a clue regarding what to do?).

  Bits about the trailer/teaser for season 5:

- I like how it was casually introduced that life in Scotland hadn’t been that idyllic, since they had run out of tea even before the apocalypse. Englishmen in Scotland, raiding the tiny village shop until it was out of tea. Amazing.

- … Martin still not getting Jon’s sense of humour with the “knock-knock” joke.

- And it meant A LOT that JON was WILLING to make a knock-knock joke, given his relationship to doors and especially Mr Spider’s!! ;w;

(- This is how Web!Martin can still win, given the parallel.)

- … Aouch for Martin suggesting coffee instead. Jon doesn’t drink much of it, according to season 2.

- Not!Tea is canonically ~something that isn’t tea~, and I’m… mostly D: about the fact that Martin was convinced that it was tea. He was thinking that he had brewed and prepared this thing – did he really? – and sounded absolutely certain that it was plain ordinary tea he was holding… so the world is really messing with people’s heads and perceptions, uh…

- And it makes me worried because anyone else wouldn’t have had Jon’s “advantage” of seeing through deceptions and fears, and warning someone about it. Quite honestly, I’m not really worried about Jon&Martin (bad stuff will happen to them, but we will hear their thoughts about it); my worry is mostly about regular people, because again, I don’t like random innocents being canon fodder around protagonists for the sake of their own progress or because of their actions. (And yes, I’m aware that s5 will probably be a lot of this, especially given the short comment about the village orz)

(- It’s possible that the village would be the theme of the first “statement” if Jon begins to narrate people’s fates, I guess…)

- Though at the same time. Jon didn’t sound afraid at the prospect of the not!tea potentially attacking Martin, which should have been a concern?

- Things are “unchanged” according to Jon, who isn’t sure that things can change again… and it’s aouch given his laments over things changing during all of season 4 (+ Martin “not big on change” according to Tim). Jon isn’t sure things can change again, I’m really not sure either, so… either they can’t, either they do, either people keep changing too…?

- Things have changed, and Elias was apparently kind of right that Jon… was made to live in/feed from this world.

- … The way Jon described the rolling wave of knowledge was directly echoing how he had portrayed his inner door in MAG127 so: now, the door has opened and the entire ocean is indeed out there, uh…

- But Jon is not “drowning”? We’re still following the same logic as at the end of season 4: that something feeling right doesn’t mean that it is right. It is actually a bit reassuring, since… Jon kept his morals? Is trying not to know, not to use his powers? Saying that he wished it didn’t feel right means a lot: that it does, but that he still would prefer otherwise. Jon is not a creature of pure instinct but someone able to decide what is right and wrong, still fighting against urges and new influences. That’s weirdly optimistic, in this situation?

- Jon was going for bitterness and “despair”, but it was also contradicted by what he was doing: if he had truly fallen into despair, he wouldn’t be this cautious about his powers and the knowledge, he might “stop feeling guilty” like Helen. He isn’t. He’s still holding on, which means that, indeed, there is still some hope or something to salvage – or at least, the idea of not making things worse.

- Same with his comment about the fact that “comfort” doesn’t exist anymore: he… immediately proved that, no, yes, it does, with the hug (?) he shared with Martin.

- Jon&Martin still together as of now (which, honestly, I wasn’t expecting! I was bracing myself for them to already be separated somehow), still in Scotland given their comments. Will they stay in the safehouse for a while, or will they quickly get on the move?

- Martin’s “You know I’m here for you” sounds to me like we’ll end up with a situation in which it isn’t the case anymore – because Martin would have to let Jon down, would be dead, or because Jon is not even there anymore.

- Tape recorders still around, we don’t know what they are, but they’re still listening in. Despite Jon’s claim that “it’s over”, it’s not and there are still Tales To Be Told, even after the end (?) of the world.

Anyway, expectations are overall “they’re going to die (or not even be granted that, and they’ll be condemned to an eternity of worse)”, but ;___; It feels weird to think that I’m already going to say goodbye to that bunch of idiots in 40 episodes ;_;

  MAG161’s title is surprisingly a bit obtuse for me, and I wonder if it will still be possible to try to “guess” an entity through announced titles this season (now that all the Fears are there and acknowledged as part of a whole) – Buried stuff??? As a season opener, I would say, either Annabelle stuff, either Jon&Martin; Aaangst is a given; but after that…

[soveryanon]

Reviewing time for MAG146 /X_X/*

- Replacing things chronologically, what Jon was doing vs. what he was saying and telling the others throughout the season? (Not suuuure about the first having happened before MAG124, though, since. Yeah. We had squinted at that comment, back in MAG125. And it could take on A Very Special Meaning if that actually came just after Jon’s first victim.)

(MAG146) ARCHIVIST: … The first was a supermarket cleaner. Em, ended up lost for a week in an endless warehouse. I didn’t even…! I–I just went in for some shopping, and he was there, and I–I just… asked.

(MAG124) ARCHIVIST: It’s been a week and… Melanie’s attitude towards me hasn’t softened. And Basira, though she is very willing to talk, still doesn’t seem to trust me enough to let me in on whatever plans she might have.

(MAG125) ARCHIVIST: Regardless, I’ve hit another research dead end with this. It’s… frustrating, to be honest. I finally feel myself, I feel… focused, and ready – and I find myself basically alone.

(MAG146) ARCHIVIST: The second was, uh, it was after I got… stabbed by Melanie. MELANIE: You are not putting this on me! ARCHIVIST: No, that’s not what I meant! [SIGH] I was walking the streets, I–I thought I was trying to clear my head– DAISY: [DELIBERATE] But you were hunting. ARCHIVIST: … Apparently. I found a woman who… every year on her birthday, wakes up in a fresh grave. Just for her.

(MAG127) ARCHIVIST: I’m sorry Basira, I–I will try to keep anything I learn about you to myself. My priorities haven’t changed; I hope you can believe that. [SIGH] I’m still on your side. You can trust me.

(MAG128) ARCHIVIST: You can trust me, Basira– BASIRA: Stop saying that.

(MAG146) DAISY: And the third was after the coffin. ARCHIVIST: A man rejected by all who knew him, searching ever-darker places for love. When he told me his story, he started… weeping maggots.

(MAG133) ARCHIVIST: Look, I’ve… been where you are. BASIRA: Have you? ARCHIVIST: Yes, I have. Like you’re the only one responsible for everyone, the weight of all their lives on your shoulders: it leads to bad decisions. […] Fine. I don’t care if you trust me, but I think I’ve proven at the very least that I’m useful. So use me. Because if you go it alone, you are going to die. Even Gertrude worked with people. We make bad decisions when we don’t communicate…

(MAG146) ARCHIVIST: [SIGH] Jess Tyrell, the woman on the tape… [SIGH] She was the fourth. I–I just tried to… I was weak, r–ravenous, I–I didn’t feel…

What Jon did would have warranted the others’ anger anyway; but I think what made it even worse is… that he spent the season taking the higher and stable ground, assuring them that he could be trusted, that they had to communicate and work together, and actively complained and presented himself as… a victim who was tragically cut out by the others? And in the end, Basira was right from the start, without knowing it: he was actually untrustworthy, and unreliable to us listeners.

And it’s not even a New Jon thing! He hid himself to the tapes back in season 1, covered up his true feelings and played pretend because he was afraid that acknowledging the supernatural and the feeling of being watched would only make it more real.

- So, personally? I felt so relieved by the girls’ reaction: yes, it’s irrational; yes, it’s confrontational; yes, it’s not constructive; yes, they’re probably making a series of mistake again. But after MAG142 (and the fact that Martin was partially refusing to believe it was Jon-Jon behind it, then presenting Jon as someone who needed to be protected rather than protected from, and Daisy who was also prompt to highlight how Jon had suffered himself), I… think I really needed characters to be horrified and disgusted by what he had done; to express something raw, leaking betrayal, hurt, disappointment and disgust.

The setting of The Intervention 2.0 is especially interesting since… it’s once again something that Martin, though reluctant, slowly planned or at least contributed to put into motion:

(MAG058) MARTIN: Look, look, you just got to let me work through this. Alright? I suggested therapy, but he just says no, so– TIM: Well, we need to do something! MARTIN: Yeah, maybe.

(MAG059) ARCHIVIST: Supplemental. Everyone is avoiding me. They’ve taken to working farther away from me than normal, and when I call them for any reason, they’re always keen to leave as soon as possible. They share furtive glances when they think I’m not looking. I don’t like it. I feel like they’re planning something.

(MAG060) ARCHIVIST: You don’t mind if I record this, I trust? ELIAS: Well, to be honest– TIM: –That’s kind of one of the things we wanted to talk about. MARTIN: This is an intervention. ARCHIVIST: Excuse me. [CHAIR] ELIAS: If you’d rather it was an official disciplinary hearing, Jon, we can arrange it. ARCHIVIST: … Fine. Say your piece. NOT!SASHA: We care about you, Jon. And you’ve been rather erratic since the Prentiss’s incident. MARTIN: And we’d really like– ELIAS: To not have to fire you. MARTIN: –to make sure that you’re doing okay.

(MAG142) MARTIN: [SIGH] Th–the worst part is I don’t even want to talk to him about it. I’m just… [SIGH] I suppose I’m just getting comfortable with the distance. […] I should probably try to get him this tape, let him know what happened, that someone came in to… But then, ahah, would that just come across as an accusation? Like, because I don’t wanna… And then, then I guess he’d… hear this bit as well, so… I… I… [LONG EXHALE] What do I do…?

(MAG145) BASIRA: Martin left a tape for us. [SHUFFLING NOISE] ARCHIVIST: And what exactly is on this t– … Oh… MELANIE: Yes.

(Martin had tried to partially lead the “intervention” back in MAG060: the way he had corrected Elias was especially impressive, given how Elias was “just” his boss at the time.)

But now, it’s an entirely different team confronting Jon about his actions than in MAG060 – from Martin, Tim, Not!Sasha and Elias, to Melanie, Basira and Daisy: back then, it was half composed of people who… were not being honest to the others about who they were (Elias was scolding Jon for his behaviour and paranoia induced by Gertrude’s murder, when he was the one responsible for it in the first place, and knew about Not!Sasha; Not!Sasha was gleefully pouring salt over the wounds while she had killed Sasha a few months ago, while the others didn’t know yet). Now, unless twist, the three new assistants have made mistakes of their own but are not “toying” with Jon, and are genuine about their feelings; and, more importantly, the three of them have been victims of Jon’s statement-induced nightmares. Daisy had deemed them bad enough to knowingly sign an employment contract, to get immunity from them even though it meant trapping herself in work for Beholding. They all know, from experience, how difficult to bear the dreams were, for victims.

(Not even counting the additional symptoms described by Jess in MAG142. And I can’t help but think that there is something a bit… stronger, for women, to hear about a woman who was terrorised by a man, who happened to be someone close to them. MAG142’s whole setting had made me viscerally uncomfortable more than horrified (“story about a woman being preyed upon while on a date, cornered once alone, pressured to do something painful, then receiving the thanks of her tormentor” was… Heavy) so, although it’s a sheer emotional&personal response, hearing characters-who-are-women unambiguously denouncing what happened without searching for excuses for the perpetrator, meeting him with nothing but coldness and anger… was reassuring. Yes, narratively and strategically, it’s probably not going to help the characters. But emotionally, if felt, to me, like a necessary reaction.)

(And it was even more significant, in the story, that amongst these three characters, Melanie has always been leaning a bit towards denouncing oppressive social structures (her rant about Elias in MAG117 was… yeah.), and the two others… used to be police officers. Basira, especially, led the intervention as an interrogation against Jon; being firm, pushing him to confess, not allowing him to dissimulate or minimise the hurt – though she also made herself partially a judge, in this case, by claiming what Jon was, and I think that was her emotions pouring out.)

- I’ll try to cover the statement first: it was a very interesting case, time-wise, because it intertwined multiple lives and events. The doors had haunted Marcus McKenzie for most of his life, but his father ended up pursued by one and was the first to leave his statement, on August 24th 2003 (MAG027). Marcus left his statement a week later, on September 1st  2003 (MAG146), in reaction to his father’s. Jon stumbled upon Paul’s first, but already learned at the time, through the follow-up work, that Marcus had also given one:

(MAG027) ARCHIVIST: Martin made contact with the son, Marcus McKenzie, but he declined to talk to us, saying that he’d “already made his statement.” This leads me to believe that Marcus McKenzie may also have a statement lurking somewhere here in the archives, lost among the mess and misfiling.

(MAG146) ARCHIVIST: [SIGH] … So it seems we did have Marcus McKenzie’s statement after all. I spent so long looking for it, back when I found his father’s, and… no luck.

And Paul had died “of a stroke” two months after leaving his statement (MAG027), which was confirmed by Helen (MAG146: “And technically, I didn’t eat the old man. He passed away from terror!, before I even had the chance to open properly.”)… while Marcus had been fine for almost fifteen years, given how Jon’s team had been able to contact him, back in (April or earlier) 2016, but this wasn’t the case anymore as of now (June-July 2018):

(MAG146) ARCHIVIST: And his son Marcus, he… he was fine, when I found his father’s statement two years ago – but now, suddenly, I can’t get through to him! HELEN: No… I imagine not~! I decided it was time to finish that game a few months ago.

So things kept going, Spooks kept on terrorising innocents, and this time it was one who is… closer to Jon. The first statement Jon had read at the Institute post-coma had already been about someone who got snatched while he was already in charge:

(MAG123) ARCHIVIST: […] I did do some light searching myself on Gregory Cox. … Vanished, unsurprisingly. Sometime in late July 2016, which is… [CHUCKLE] two years ago. … That doesn’t seem right. It doesn’t feel like… … There’s just this… great… gap of time, where I wasn’t. No notes or follow-up here that I can see, just… [SIGH] It looks like the statement came in just after Gertrude disappeared. Another gap. And whoever took it didn’t do any follow-up, just… filed it away. I may be the first person to actually read it, so… sorry Angie, I suppose.

Most of the events involving innocents have been taking place during Gertrude’s era: there were sometimes pleas of people knowing that they were losing someone, or on the verge of being eaten themselves (which was the case for Paul McKenzie in MAG027: “I guess that’s why I’m here. This is what you people do. You investigate these things. You know what to look for and can identify the signs of things that… aren’t right. You know, not of this world. I’m not saying it’s a ghost or anything like that, it’s just… that well, if it was a ghost, you’d be the ones to talk to, right? I just need it to stop. And I don’t want to be put in a home.”), and we were getting glimpses of their gruesome fates from a later point in time – Jon and his team digging through a distant or recent history, but overall covering events that were absolutely unrelated to them. They didn’t know anything while it was happening, and they couldn’t have done anything. But in the case of Gregory Cox, there had already been the fact that the statement had come in when Jon was (on the verge of, or just) beginning his work as the new Head Archivist, and that Gregory disappeared while he was already well-installed; now, with Marcus McKenzie, it’s someone who he had been in contact with, through Martin. It’s the slow dissolution of one of Jon’s own eras, too: because back in MAG027, the Archival Assistants were Sasha and Martin (who had worked on this peculiar case) and Tim, and now, only Martin is left alive, and Jon’s current Archival Assistants are three completely different people.

And indeed, it’s not Team Archives’s responsibility to save everyone; but it’s still someone they had interacted with, and who got consumed since then. It’s closer. It feels more personal, hence, probably… Jon’s franticness: because in the same episode, he acknowledged the fact that he has attacked five people himself, and is confronted to the fact that he hasn’t saved any statement-giver, either.

(- And… remember what Jon had said about Elias in MAG017? “I know he’ll just give me the old ‘record and study, not interfere or contain’ speech again”. The Archives have never been about helping or saving people, nor has the Institute in general, it’s been proven again and again – but it’s something else to be confronted with so directly. In this case, since it was someone Jon’s team had been able to contact, and who got snatched by Helen, who is present in the Institute and has helped Jon occasionally, telling him that she has decided to help him… and there was, obviously, a gigantic echo about deception/relying on (or trusting) someone close, who had repeatedly stated that they were on your side and ready to help you, before you learned about their crimes, with Jon learning what Helen had done, and the Assistants learning what Jon himself had done.)

(- This bit is more gratuitous and solely due to the wording, but I couldn’t help but think about Martin, too, because of the “I’m sorry he’s so lonely, truly I am; I try to see him as much as I can, but I have my own life, and I can’t be there all the time. And I don’t like being manipulated. I don’t like being lied to.” bit (Martin had told Peter word-for-word, in MAG126, “I don’t like being manipulated.”) + the boat painting. Peter Lukas has ruined me for those forever. The familial situation and dynamic was fairly different this time around (… MAG144 was much closer to Martin’s own), but hearing Jon read a statement about someone saying that x was “lonely” because the statement-giver was not around enough also  reminded me, a bit, of the whole Jon-Martin deal.

+ obviously, the ~not liking to be manipulated~ is relevant to Jon as well given his hatred of spiders and his overall Web-related trauma.)

- It’s also amusing because, as much as I relistened to old episodes, I never labelled MAG027 a Spiral episode (and more specifically, a Distortion one) in my mind. Relistening to it, yeah, obviously, it was a Spiral episode, with the statement-giver being aware that others thought he was delusional or getting too old, but back then… there was the door, indeed, but I kind of remembered it as a Dark statement for some reason? The feeling of empty houses, the reflexion about noises and how you become aware of all the strange little things when you’re alone in it, and the fact that… something could come for you from within? I think it comes to the fact that, back then, Michael was not so strongly associated with “doors”, and also because MAG026 had already been about him – it’s rare to get two episodes in a row involving the same person/monster/manifestation unless Jon is actively researching the subject.

- … Jon’s… nostalgia of a simpler time? felt accidentally funny to me, though, because I did remember that I had found Jon especially savage with Paul McKenzie, back in MAG027:

(MAG146) ARCHIVIST: … I never thought I’d miss those days, when I could throw out some half-baked speculation about drug abuse or mental illness, and whoosh, away all the statements went. There is… nothing in the world more reassuring than ignorance which we can mistake for certainty. But no. Almost every one of those statements, those… people… that poor old man… [HUFF] Like I can talk…! Like I’m in any position to mourn the suffering of the innocent.

(MAG027) ARCHIVIST: I want to believe Mr. McKenzie, I really do. I am not entirely made of stone, and am apt to be moved by the plea of a scared old man as much as anybody. I mean, dementia is, of course, the most likely explanation, and he admits himself that he has no proof of any of it. Yet part of me still wants to believe him. Perhaps this job is making me sentimental.

And I knooow, Jon was lying and hiding because afraid, but. Still. It had been one of my biggest “OOOH, SHUT UP?!” moment in season 1. How low can you be, to be melancholic about a time when Jon Was Like That.

At the same time, it’s interesting how… Jon’s fake detachment, back in season 1, although absolutely biased and deliberately anti-supernatural, made him sound more… like how you could picture a neutral-uncaring-Archivist. Even in season 2, he was mostly obsessed with the threads going on, the mysteries of the Archives, of the monsters, of Gertrude’s murder. Compared to season 4 in which… with the exception of some recent statements, and although it was just revealed that he had been harming people all along, he was also shown to be softer, more philosophical, more emotional over the victims, sparing a thought for them – and acknowledging their status. More human, in a way, than he had been when he wasn’t this deep in…? (Although still self-centred, in a different way, but more on that later.)

- On the subject of echoes and the situation feeling closer: there was also the fact that… Marcus McKenzie had done absolutely nothing to earn what had happened to him, that his targeting was absolutely unwarranted and began when he was just a little kid (“… The first door I remember seeing that shouldn’t have been there must have been when I was five or six. […] So one night – it was in the Christmas holidays, so I must have been six… I wake up. There’s a noise in my room, like something being… dragged along the floor.”) – just… like Jon, who was only eight when he stumbled upon A Guest For Mr. Spider. And we had the proof that Marcus was pursued and toyed with (before eventually getting eaten) throughout his entire life; so what does it say about Jon’s own situation…?

(- And in the list of things just plainly sad: Marcus’s “and I watched my most treasured possession disappear forever, as the door closed behind it, and I ran back to bed.”, accompanying the end of his innocence – since the door kept popping up, more and more sneakily and/or threatening, starting with this incident.

In the list of “aouch” and conveying a lot in just a few words: “all that remained of my worldly possessions were packed up for yet another return to childhood.”)

- Smaller echoes: the way Marcus was, at first, trying to hide that he had seen another door fairly recently (“But they were just… specific, weird little hallucinations that have long since stopped! Haven’t had one in… Well, it’s not important.”) before finally telling about a last encounter that had taken place recently, after fifteen years of nothing – just like Jon had been hiding his current streak of victims (and even gave the lower number before admitting the actual one, when cornered).

- Slow build-up with Jon introducing the statement with a beautiful circumlocution… and finally calling a spade a spade:

(MAG146) ARCHIVIST: Statement of Marcus McKenzie, regarding a series of… unexplored entryways. […] But there is one thing I know an awful lot better now, than I did when I read his father’s statement: I know an awful lot more about doors…! [CLICK.]

And… more concerning:

(MAG146, Marcus McKenzie) “And as I passed that empty space of grass, there it was – a pale yellow door, stood all alone, like the entrance to a house that I just couldn’t see. It had no frame around it, but I was sure that if I grasped its handle and twisted… it would still swing open, silent, and inviting. […] The street was silent, but I could feel it screaming at me to open it. I just about managed to not do. I was… just about able to walk away. […] Sometimes, you just have to leave. Even if what’s on the other side scares you.”

And ooooh, do Jon does have his own “doors” – Mr. Spider’s, which he almost knocked on; Michael/Helen’s (and the fact that Elias had described how, in his dreams, Jon “knows the dream it used to lead to; he knows it well. But that’s not where it leads anymore. He does not know what is behind it anymore, and he is deathly afraid of finding out. The Archivist turns away.”); his own inner door of knowledge, with the danger of drowning…

- And Marcus’s case was big enough for Jon to… finally knock (bang.) on a door, which, I think, was the first time we ever heard him do? He was especially adamant about not knocking on this particular door?

(MAG131) ARCHIVIST: Oh. This, this door… It shouldn’t be here. MELANIE: Yes. ARCHIVIST: I, uh… I don’t want to open it. I’m not going to. [MELANIE SIGHS, KNOCKS ON THE DOOR]

(MAG139) ARCHIVIST: Haven’t seen Helen much. The door is… sometimes there, sometimes not. … I haven’t knocked. I’m never going to trust it. Trust… her. … Trust it. [DRY EXHALE] And I shouldn’t. Whatever its relationship to the person who was or is Helen… assuming that I can ever know its motivations is a mistake.

(MAG146) ARCHIVIST: [BREATHING HEAVILY, FRANTICALLY BANGING ON A DOOR] [A DOOR CREAKS OPEN] [DISTORTION SOUNDS, BRINGING CONSTANT STATIC] HELEN: You rang~?

I didn’t keep tabs in season 4 but I think it was still a Thing that nobody ever knocks on Jon’s door when they expect him to be inside (… Georgie did in MAG145, but she was pretending to not know), although the assistants did, between them. And of course, knocking on a door might have a special connotation for Jon! It’s what almost got him killed when he was a kid, and ~compelled~ to knock by a Web book!

(And I just realized with this episode that, doors-wise, Martin and Jon actually make the worst combination possible. Jon would have been snatched by Mr. Spider if he had knocked on its door; and on the other hand… Martin stayed holed up inside of his flat while harassed by Jane Prentiss’s constant regular knocking. Jon having a trauma related to being forced to knock to go inside; Martin having a trauma related to something knocking and threatening to come inside.)

- One of the themes mentioned by Arthur in the previous episode also poured into this one: the perception that we have of a person, and how “many” of that same person there is.

(MAG145) GERTRUDE: What was Agnes like? […] ARTHUR: I… [PAUSE] I don’t know. Not really. You got as many answers to that as… folks who met her. Never really knew what she felt ‘bout any of it! Not really. Not in her own words. […] At the end of it, you’re always just the… point of someone else’s story. Everyone clamouring to say what you were, what you meant, and… your thoughts on it… all don’t mean nothing.

We could see a glimpse of that idea throughout Marcus’s statement: in Marcus’s point of view, his father was obsessed with the idea of protecting him, and had made up the story about his own door to try and manipulate him into going back to living with him. That point of view… didn’t age well: Helen confirmed that The Distortion had gone after both father and son, so Paul’s words were likely genuine (and there was nothing about an obsession with his son in his statement). And the theme was, once again, present within both Jon and Helen deceiving people: Helen, who had been fairly benevolent towards the Archives (trapping Jared and neutralising him, allowing Jon to go inside and offer him freedom against what he needed, announcing that she would help the Archives, fetching Jon and Basira back from Ny-Ålesund, swallowing Manuela) was also revealed to have embraced the “feed what feeds you” lifestyle and to be killing innocents without any remorse. In the same way, Jon, whose “monsterhood” had mostly been existential and manifesting through his abilities in the first half of this season, was revealed to have attacked and condemned five innocent people to his nightmares since he woke up – and hid that from both the Assistants and the tapes.

- (“Jack… I was wrong… I was so wrong…………”) => I really wanted to believe in Helen, damniiiiiiiiiiiiit ;; I'd been hoping that Jon was wrong to not trust her, but he was right…

I had hope that Something Had Indeed Gone Wrong with Helen becoming the Distortion, since she had mentioned that Helen hadn’t been “ready” when she had supplanted Michael, and that eating a man had made her feel “wrong”… It looks like she’s not getting second-thoughts anymore about these kind of things. Was it deception, back then? Was it an unavoidable process? Or did it happen partially because Jon pushed her away that time? As far as monsterhood goes, does it have to do with the nature of the Distortion itself? The Distortion sounds like a very particular case, since Helen uses “I” to refer to itself/herself, but also identifies with Michael Shelley and Helen Richardson, while also being able to detach itself/herself from them and refer to them in third person. It… fits The Spiral, obviously, and the whole identity-is-hard, and there is the question of how much what happened to Helen Richardson (being eaten/fusing with/being consumed by The Distortion) can be relevant to Jon’s own experience of… ~becoming~ The Archivist. Back in season 3, Jon had already regarded The Distortion as a “mantle” and was fearing that the same might apply to him – but Jon… did keep his personality, when Helen indeed doesn’t sound much like Helen Richardson anymore/is becoming more and more like Michael and an overall function…?

Though what remained (… officially, unless misleading/lying) is that Helen wanted to help and talk with Jon because Helen Richardson liked him. So, is Helen genuinely trying to “help” Jon by encouraging him to embrace his need to feed, because it’s indeed making him feel bad right now?

(MAG146) ARCHIVIST: You… Why…? HELEN: Not sure. I suppose Helen didn’t have quite the same attachment to him as a project. I’m not quite as much for decades-long campaigns of subtle terror, these days. ARCHIVIST: [QUIET] … That’s horrible… HELEN: Is it? We do what we need to do when it comes to feeding, don’t we? … Don’t we, Archivist? ARCHIVIST: … Yes… HELEN: It would be better if you embraced it. ARCHIVIST: … It’s not… […] Were you controlled? HELEN: What a delightful thought! … I don’t believe so, no. But the Spider’s strings are subtle, so I suppose it’s not impossible. Why? ARCHIVIST: I–I want to know; can The Web control another avatar, one that serves a different power? HELEN: [HELEN LAUGHS AND LAUGHS, ECHOING] ARCHIVIST: Make them do things they don’t want to, make them… [BREATHING FASTER] find victims, feed? HELEN: [SLOWLY STOPS LAUGHING] Perhaps! Perhaps not. Would that make life easier for you? ARCHIVIST: [SHAKY EXHALE] HELEN: Are you so sure you didn’t want to? ARCHIVIST: [FRANTIC BREATHING] HELEN: [HELEN LAUGHS AND LAUGHS, ECHOING] [THE DOOR CREAKS CLOSED]

Or is Helen getting her kicks from tormenting him, because he’s confused, unsure of what is happening and of his own actions (=> food for Spiral)?

- Alright so: yeah, no, I don’t think it’s The Web, Jon. At most, She made him leave the Institute when he needed to feed and/or led him towards people with stories (possibly because She knew thanks to the Chelicerae?), through the lighter or something else. But then, Jon talking to them and getting their “stories”? Not, it’s The Eye, it’s The Archivist, it’s Jon, it’s his new status, it’s what his “choice” meant, and he’ll probably have to acknowledge it and come to terms with it (that he’s not only an “existential” monster with powers, but something who feeds from others’ pain). And it’s an influence, but Daisy had showed us that it’s not absolutely unavoidable… as long as you acknowledge the parts of you which are responsible for it.

- It’s not The Web, but we already had proof that She can manipulate avatars:

(MAG121) OLIVER: Honestly, I’m… still not exactly sure why I’m here. But… you know better than anyone how the spiders can get into your head. Easier to just do what She asks!

But not for Jon’s particular case, most likely. (And it’s… really the ideal culprit, for Jon, who hates spiders, who has been traumatised by them when he was just a little boy. But… probably not The Web here, and most likely having to do with himself. I don’t even think that Jon is actually fearing that he is controlled: as Helen highlighted, it would be more of a relief. Would that fear feed The Web although The Web did nothing? And what is the fear of learning that it was you all along, not something else making you do atrocious things?)

- Elias had told Jon he knew that Jon “had problems with moderation” (MAG092), there was the talk about Jon relentlessly seeking knowledge (MAG092, “In a hundred ways, at a hundred thresholds, you pressed on. You sought knowledge relentlessly, and you always chose to see.”), even Georgie reminded Jon that he tended to be the one asking dangerous questions (MAG093, “You were always the one who pushed too far, and asked smart-arse, awkward questions.”)… so yes, he was a recipe for disaster re:spooky influence and addiction dealing a god of knowledge.

But the biggest question is HOW did Jon manage to stop smoking, around the time he joined the Institute? (MAG080 “I’m going to have a cigarette. […] Sorry, I’ve been quit for five years now”.) He began smoking again at an unknown time (Elias’s “He’s not smoking again, is he?” in MAG039, Jon had cigarettes on him in MAG080, MAG091 and MAG111…) but. He had stopped, once upon a time. Disaster who affirms that he Cannot Stop at every turn had managed to stop, a few years ago. How.

(Or was it “Ahaha, I’ve quit!” while he was still smoking five cigarettes a day, and in denial about that too.)

- Jon’s way of “defending” himself also tied in with bits that we had already seen previously, and which are In True Jon Fashion: rejecting responsibility when confronted, minimising, etc. It’s… a bit like what he did with Tim in MAG065? He tends to be fiercely defensive when called out about things that he did directly (while more easily accepting blame when things happened due to his inaction, or peripherical to him)…?

(He. Tends to really react like a kid, sometime, and. It’s really Jon. It’s the same Jon, reacting in Jon’s fashion.)

- Fun Thing: we began the season with “zombies” and here we are.

(MAG122) ARCHIVIST: [EXHALE, INHALE] Statement of… er… Lorell St John, regarding… zombies. […] Right… Well, I guess we should probably… let one of the nurses know I’m awake. I’m sure they have all sorts of… tests to do. Make sure I’m not a… zombie, or…

(MAG146) BASIRA: I’ll tell you all what I find. Don’t let him eat anyone’s brain while I’m gone. ARCHIVIST: That’s not what I do.

(And, well. Basira had seen what he had done to Breekon, live.)

- I… am not 100% convinced yet that Martin indeed sent the tape to the Assistants, himself and deliberately. Because true, he was hesitating about finding a way for the tape to reach Jon:

(MAG142) MARTIN: I should probably try to get him this tape, let him know what happened, that someone came in to… But then, ahah, would that just come across as an accusation? Like, because I don’t wanna… And then, then I guess he’d… hear this bit as well, so… I… I… [LONG EXHALE] What do I do…?

(MAG146) ARCHIVIST: Been a while since you’ve all come to see me together. I assume it’s… not good news. DAISY: No. MELANIE: What the hell have you been doing, Jon? BASIRA: Martin left a tape for us. [SHUFFLING NOISE] ARCHIVIST: And what exactly is on this t– … Oh… MELANIE: Yes.

… but on the other hand… we know that Martin can begin letters without sending them (MAG042 and Jon finding “an unfinished letter, addressed to his mother in Devon”), so… the most likely is that Martin indeed chose to send it, but I’m not shutting off other options: even if there was a message with it or something, it doesn’t mean that he had indeed sent it, and either Peter either The Web could have arranged for it to reach the Assistants’ hands given the… consequences of hearing the tape.

In any case, it’s probably Not What Martin Wanted, given how he had ranted about Jon jumping into danger at every opportunity, back in MAG142. (I’m curious about how he will react to this one.)

(- I’m glad that “Jess Tyrell” has a name! I was super-uncomfy with the “Bystander” back in MAG142 – and it’s… quite significant that Jon was able to tell her name, while Helen hadn’t been able to identify her victims with theirs. Though: how did Jon understand what the tape was about, in this episode…? Was there a label? Was it accompanied with the complaint? Martin himself didn’t know her name, so he wouldn’t have been able to write it on the paper, but then, Jon could immediately tell what it was about. How…?)

- Basira’s dryness, coldness and harshness towards Jon make… a lot of sense. Jon repeated time and time again that she could trust him, although she was extremely wary of him when he woke up. Her reactions in MAG143 (telling Jon that he didn’t have to face the Dark Sun) hinted that she had either warmed up to him since then, or had been forcing herself to be cautious all this time – at the very least, she wasn’t ready to see him sacrifice himself, she wasn’t ready to “use” him. And now, it turns out that… she had been partially right, when she was berating Jon for being a monster or not being what he seemed.

She snapped at him for taking Floyd’s statement in MAG141 but still allowed it to happen; The Dark’s ritual turned out to have been a bust, encouraged by Elias; and previously, Elias had sent her around on wild goose chases, explicitly acknowledging that he just wanted her to leave Jon alone to allow him to go inside of the coffin (… and Jon coming out of it was followed by a third victim). She’s been played by Elias; she accepted Jon’s actions; and turns out she didn’t manage to accomplish anything since Jon woke up. I’m not that surprised that she decided to rush it to Hill Top Road – Daisy had told Martin that she was prone to improvising, and in this case, it’s probably reinforced by her own personal frustrations? I don’t think that she believes that The Web is behind Jon’s actions – maybe she’s hoping, maybe she’s not; or it could be sheer anger at Jon and the desire to put him face-to-face with the fact that he did it all, that there was no Hidden Spider Forcing Him To Do Things. Or maybe a mix of everything. I don’t know.

- Now that Jon’s activities are known, I wonder how long it will be before the others learn that Basira’s intel had been Elias… I’m not sure that Jon hasn’t picked up on that (since we now have confirmation that he had been hiding things from the tapes for months). Daisy didn’t know about Floyd (which means that Basira had hidden this one from her, already), but making it known that she had been in contact with and listening to Elias all along… won’t go down easily with either Daisy (who had been coerced into working for him, with Basira as blackmail, after her own blackmail when Elias told her “statement never given”) or Melanie (the fact that Elias trapped her, and MAG106… ;;). They… still haven’t picked up on the fact that trying to keep Big Secrets in Beholding’s temple, while Elias is able to spy on them, is an ESPECIALLY bad idea, uh.

(;; And now, I’m afraid that Melanie and Daisy also have their list of Dirty Secrets accomplished during this season…)

(- I HATE HOW THIS SEASON BASICALLY FEELS LIKE ELIAS WINNING AT EVERYTHING, AAAAAARGGGG.

Because Bastard most likely knew and witnessed Jon feeding from people and extorting their statements?! And he mostly used Basira to cultivate Jon into using his powers: isolating him and extending the status quo until Jon would go inside of the coffin, playing on Jon’s uncertainty about The Dark’s activities to get him to meet the remnant of the cult.)

- About Hidden Activities: I’m really not sure that Melanie knows that Helen has been eating innocent people? She disliked Jon, but I doubt she would have been so casual with Helen in MAG131 if she had known?

- Meanwhile, yes, Basira is utterly biased about Daisy, but… she kinda… had a point…

(MAG146) MELANIE: [EXHALE] So. What do we do, now? ARCHIVIST: I don’t know. BASIRA: You’re a danger, Jon. A monster. You’re hurting innocent people. ARCHIVIST: So did Daisy…! BASIRA: Shut up! It’s not the same thing at all. DAISY: Basira… [EXHALE] He has a point. BASIRA: You didn’t know what you were doing! DAISY: [SIGH] BASIRA: And since you did, you’ve spent every waking hour resisting. He knows exactly what he’s doing. ARCHIVIST: I don’t–! Uh, it’s not that simple, it–it feels… [BREATHING QUICKENING] … I don’t know if I can control it, I don’t know if it’s even me doing it…!

Because unlike Daisy, Jon had the knowledge about monsters: Elias excluded, he was the person in the Institute who knew the most about them and what they did. And he kept telling the others to trust him, while hiding the harm he was causing from them. Since she came back, Daisy took responsibility, insisting that it was her, although she wasn’t proud of it and was regretting it; Jon… is currently trying to shift the blame on something else. Daisy made sacrifices since she came back (not going with them to fight The Dark, avoiding thinking too much about Elias…); Jon… didn’t even try at all…? And I really think that it wouldn’t hurt the others as much if Jon hadn’t shown some understanding of their situations, encouraging them to get better, while he (Jon “One thing I’ve learned, Daisy, is that we all get a choice. Even if it doesn’t feel like one.” Sims) himself apparently didn’t try. Even for unspooky things: while Melanie went to therapy, Jon only passive-aggressively confirmed that Georgie wouldn’t accompany him, when she brought it up. Even Jess… had recalled how she had fought to heal and get better:

(MAG142) JESS: So. It… It took a long time to get over that. I mean… That’s not weird, right? I mean, it was a bad time. You know? It–it stays with you. I was signed off for, what, probably about six months, with the injuries? I had pretty bad, uh, nightmares, claustrophobia, I mean… Obviously, right? But, uh, but–but I did my physio, and, you know, talked wi–with the counsellor they gave me? Look, I did everything I was supposed to, and–and yeah, I… I guess I was fine. You know, once the bruises were gone, I… Well, it’s easy to blame memory, right? You know, ha–hallucination, coincidence, all the… classic shite you tell yourself. Look, life went back to… normal, I… I was fine. Until… [CHOKING] about two weeks ago. MARTIN: And that was when you met J– … Er, one of our employees. JESS: … That’s when he showed up.

And both Daisy and Melanie, who had been under influence, acknowledged their feelings and actions as their own:

(MAG131) MELANIE: And then, one day, I suddenly have this thing that takes all that rage, and it holds it. Tells me it’s right. That it’s me. It didn’t stay in my leg because of some Ghostly Masterplan; it stayed… because I wanted it.

(MAG142) MARTIN: Oh, that can’t– that can’t… I mean, it’s not him, is it? Not, not really? It’s, what, addiction, instinct, maybe mind control, something like that? I… can’t believe he’d choose to do something like that. … No, no, I, I can’t think like that, though, I, I can’t let myself, ‘cause I mean, if, if he’s already gone, then all of this is just…

(MAG142) MARTIN: It’s alright. Wasn’t you. [INHALE] Not really. DAISY: No, it was. I hate… a lot of what I did back then; doesn’t mean I’m not… responsible for it, doesn’t mean it… wasn’t me.

Of course, Jon has his issues. Daisy was right about him having PTSD, being self-destructive, being plagued by survivor’s guilt. He’s probably depressed, hence the aimlessness and his whole sinking (the fact that Martin cut all ties was stated multiple times to make him brood). And he’s still acknowledging that what is happening to innocent people is wrong (and it is genuine, and not only a reaction to match the Assistants’ outrage: he was upset, before, both on his own and in front of Helen).

But Jon is not “only” a victim anymore, like he was in season 3: now, he actively causes harm, he hurts people. The way Jess described her life in MAG142, it got utterly ruined and there is likely no fixing (she was in obvious distress, she couldn’t work anymore, couldn’t function; even if she’s supposed to live like this for the rest of her life, we just got Helen mentioning that one of her victims had died of “natural” causes due to his terror – with the amount of stress Jess is put under, she probably won’t live long, and if it’s manifesting like this for the four others… neither will they?).

- That said, I DON’T WANT TIM TO HAVE BEEN RIGHT ABOUT IT, GDI…

(MAG114) TIM: So, why don’t you “Archivist” me, then? Just pull it straight out. ARCHIVIST: Because I don’t want to! I am not your enemy, Tim. TIM: [DISMISSIVELY] Like that matters! These things aren’t human. It’s… instinct. You can’t not. ARCHIVIST: [SOFTLY] I’m still me, Tim. [TIM HUFFS] I’m still… me.

And getting confirmation that no, it’s nooot The Web making him feed, could act as a wake-up call? Or… actually listening to Jess’s tape could, maybe. Because the portrayal she made of Jon was especially upsetting:

(MAG142) JESS: But he just starts talking. Slowly. But real intense. He says he works here, at the–the Magnus Institution and I say what even is that, and he says he wants my story. He says he needs to hear what happened to me. And I… I wanted to tell him to–to–to to go away, I–I wanted to–to to kick him, and run. But… I… [SHAKY DUMBFOUNDED EXHALE] I sit down. […] It felt like… like I was throwing up all those feelings again, and I wanted to, to scream, but instead I just… sat, and calmly told him my life story, and he just watched me. His eyes, like… his eyes, like, we–were… drinking in every fragment of my misery. I can’t… It… [PAUSE] And then it was over. And he looked… he looked at me like he’d just eaten… like, a perfectly cooked steak. You know what he said? He said: “Thank you.��� “Thank you,” just like that. Like… like reliving the worst parts of my whole life were just a bit of a… a favour, that I’d done him. And then he left, and, and I… I just sat there, and cried for a while.

(MAG146) ARCHIVIST: [SIGH] Jess Tyrell, the woman on the tape… [SIGH] She was the fourth. I–I just tried to… I was weak, r–ravenous, I–I didn’t feel… […] I don’t–! Uh, it’s not that simple, it–it feels… [BREATHING QUICKENING] … I don’t know if I can control it, I don’t know if it’s even me doing it…!

And the Whole Thing came up now, not at the end of the season. Which raises the question: why should Jon be kept alive…? The fact that the assistants directly confronted him is a proof that they didn’t totally antagonise him (they would have plotted and thought about a way to get rid of him if they genuinely thought he was… over and done with. There is still the coffin in Artefact Storage.) but… if Jon isn’t even trying to be kept in check, if he’s fated to target innocent people, if he’s not trying to find a way to control it (nor tried to warn the others about it, to be contained or monitored)… there is absolutely nothing differentiating him from the monsters we previously saw? And there is the added looming threat of The Watcher’s Crown? I don’t think the overall conclusion will be that yes, he would have been better off dying, and that Tim actively trying to die was The Only Respectable Way Out. I think there is probably still ways to do something meaningful in their current situation? But there is the fact that, right now, Jon isn’t paying the price of his powers anymore (his victims are) and that, as far as they know, there is nothing else than The Eye’s ritual in front of them.

- It feels like what’s currently happening also had to do with Jon’s overall passivity regarding his powers. He had told Georgie, in season 3, that he couldn’t stop his research. He had realised, in America, that he was indeed dependant of statements, and had decided, at that moment, to just accept it since he didn’t have the time to interrogate it (since there was The Unknowing coming closer – but after he woke up, Jon didn’t have… much to do, and it would have been the moment to ponder about it). It was highlighted with Jon’s passivity around the tape recorders, contrasting with how Basira had chosen to… woosh them away:

(MAG123) ARCHIVIST: And we’ve got an audience. Perfect. I thought you said you decided to throw them all out. BASIRA: Yup. And I did. And here’s another one. ARCHIVIST: Maybe it’s hungry. BASIRA: Seriously? ARCHIVIST: I mean, I did have a statement I was planning to record. BASIRA: Great. Perfect. You can get on with that, and I’ll just leave, then.

(MAG126) ARCHIVIST: [DRY EXALE] There was a tape recorder waiting for me when I sat down. They’re not even hiding it anymore. There weren’t any tapes from when I was… away – I checked. Whatever they are, they are here for me. I suppose I should be worried, but I have so much to keep watch over. So I’ve decided to let the tapes run. They’ve… proved useful before, so… [TINY CHUCKLE]

(MAG146) MELANIE: [EXHALE] Why didn’t you record them? BASIRA: Why do you think? Because he was ashamed. ARCHIVIST: No! I don’t– … I–I mean, I don’t record anything anymore, not… not really, I just… sort of assume they’ll… turn on, if it’s important. BASIRA: Well, they didn’t. ARCHIVIST: … No, I suppose not.

(Also: eff you, tape recorders, for not thinking that these people’s stories were Important :<)

And it was also shown in the way Jon… kept saying that he couldn’t control his Knowing:

(MAG127) ARCHIVIST: [STATIC] Look, I don’t know, Basira. I hope I’m still human, but it… but it’s seeming more and more unlikely. BASIRA: … I didn’t ask. ARCHIVIST: No, I suppose you didn’t. BASIRA: Don’t snoop in my head. ARCHIVIST: I’m not “snooping”, I’m not looking. That’s not… how this works.

(MAG128) BASIRA: You heard me. Don’t ask about them, and don’t know about them either. ARCHIVIST: I can’t exactly control that! BASIRA: Learn.

(MAG133) DAISY: [BREATHING HEAVILY] Basira said you could just… “know” all this now anyway. ARCHIVIST: Yeah, it’s… I–I can’t really… control it.

(And unless he lied to us about it too, he kinda managed to keep in check for Martin’s and Basira’s activities, in the end, when they pressed him to stop? So… maybe, sadly, being firm and cutting Jon on his bullshit is the only way to get him to actively try to hold on.)

- Daisy seemed to have picked up on a pattern regarding Jon’s feeding, though, which is that they happened after he used his powers in new ways and/or experienced another Fear and/or got hurt by spooks:

(MAG146) ARCHIVIST: [SIGH] Jess Tyrell, the woman on the tape… [SIGH] She was the fourth. I–I just tried to… I was weak, r–ravenous, I–I didn’t feel… … The first was a supermarket cleaner. Em, ended up lost for a week in an endless warehouse. I didn’t even…! I–I just went in for some shopping, and he was there, and I–I just… asked. The second was, uh, it was after I got… stabbed by Melanie. MELANIE: You are not putting this on me! ARCHIVIST: No, that’s not what I meant! [SIGH] I was walking the streets, I–I thought I was trying to clear my head– DAISY: [DELIBERATE] But you were hunting. ARCHIVIST: … Apparently. I found a woman who… every year on her birthday, wakes up in a fresh grave. Just for her. DAISY: And the third was after the coffin. ARCHIVIST: A man rejected by all who knew him, searching ever-darker places for love. When he told me his story, he started… weeping maggots.

So: first one after waking up from the “coma”, second after using his powers to see and remove Melanie’s bullet (and getting stabbed), third after coming out of the coffin, Jess Tyrell… after trying to peer through the Lonely (at the end of MAG139). There is still Floyd: why was he recorded? Is it because he had been involved with someone we already knew (Salesa)? And how come there was nothing after The Dark – is it because Floyd worked as a power up/healing by anticipation?

- I’m sad for Daisy!! ;; Daisy, who had spent time around Jon, who had shared things (The Archers!!) with Jon, and who was giving the impression that she was pulling him off… She sounded like she could understand the mechanism, but at the same time, Jon… didn’t tell her. Too ashamed? Not trusting her enough? So deep in denial…?

- DAISY CALLED MELANIE “MEL”!!! FRIENDS!!!

(MAG112) DAISY: Couldn’t find Tim, but he’s gone with Martin and… the other one. BASIRA: Melanie. DAISY: Sure.

(MAG146) ARCHIVIST: … So we’re going with her. DAISY: [SIGH] Come on, Mel. I’ll see if I’ve got a stab vest in your size. MELANIE: … Yeah. Sure.

Daisy came so far, with her ;w;

- On the one hand, it’s hilarious, indeed, that Melanie acts like a voice of reason.

(MAG146) MELANIE: Uh, okay, seriously. [CHAIR SQUEAKING] I–I’m going to have to be the one to point out that this is a terrible idea? BASIRA: Daisy? DAISY: … Be better if we could prepare. MELANIE: I–I just think that… we shouldn’t be exposing ourselves like this until we have a little bit more than a hunch…!

… On the other hand, we still don’t know if her therapist is a Regular Therapist or a potentially Web-y spook, so the fact that she was inciting the others to not go to Hill Top Road… could be due to an influence. … Or not, and it’s just regular therapy putting some common sense into her.

- The Annabelle mentions were interesting because:

(MAG146) BASIRA: … So you say you’re being controlled. ARCHIVIST: I–I don’t know. Maybe? Th–The Web, it– BASIRA: What, what was the name you said before? Annabelle Cane? ARCHIVIST: … Yes, uh, she’s… she’s been watching us, I–I’m pretty sure of it… DAISY: Jon… I’m not sure there’s actually the– BASIRA: No. No, if he is being controlled, we need to know. And we need to know now. Do you know where she is? ARCHIVIST: H… Not… not properly, I, I think she has some connection to Hill Top Road.

1°) … we have no connection between Annabelle and Hill Top Road as of now, except that both are Web-business. (Not all Spiders, Jon.)

2°) When Jon discussed about Annabelle Cane in MAG136, it was actually with Daisy! So either Jon has been sharing some thoughts about her with Basira, either Daisy told Basira (which would match with Daisy communicating overall!).

- On the one hand, Jon hypothesising that The Web could be behind the fact that he has been attacking people sounds like something he might have thought about because he just heard Gertrude (another Archivist) mentioning how she had been manipulated into doing what She wanted, in her own youth:

(MAG145) ARTHUR: Alright. Agnes: how’d you do it? Never did understand it, not really. GERTRUDE: Ah. That’s a fair enough question. [PAUSE] It was… The Web. I didn’t know it at the time, of course, and I would call it an accident – but it never is, with them. It’s only after the fact that you can see all the subtle manipulations. I was very new to it all, of course. I mean, I was, what? Can’t have been older than… twenty-five. […] Like I said, mm, I was young. Naïve. I somehow found just the right books, made just the right connections, and even got what I thought was a piece of blind good luck, when I found a tin box in the ashes of Hilltop Road, containing some perfectly preserved cuttings of her hair. Of course, what I thought was a “banishment ritual” turned out… not to be. The circle I constructed was more of a… an invitation. It let the Mother of Puppets bind me to Agnes, interweave our existences at some… metaphysical level, as it had with Fielding and the house. … It was the most painful experience of my life.

On the other hand, Jon… researched quite a bit about the notion of “control” this season, and thinking all along that he might be puppeteered could have been the reason behind that?

(MAG123) ARCHIVIST: The Web does seem to have a preference for those who prefer not to assert themselves. […] Perhaps a coincidence, just… people… shopping their traumatic event around… but I have to wonder… how much their actions were their own.

(MAG125) ARCHIVIST: In many ways, The Slaughter fascinates me. There seems to be, in all cases, a question at its heart about… control. Is it a mindless dance, dragging participants along by the beat of a drum or… is there a kernel of will in there, a lucidity and deliberateness to the random fury and violence? I suppose that’s the question with so much of “violence”, “war”: how much are you really in command of yourself or of others? I’m not sure what scares me more: the idea that deep down, everyone is in complete control of their actions, that everything is, on some level, intentional; or that ultimately, we don’t have any control of ourselves at all, and the rest is just… rationalisation.

(MAG129) ARCHIVIST: I don’t like this. I don’t like… not being sure what’s going to be in my mind. What thoughts are mine and what are from… elsewhere.

(MAG136) DAISY: You think I’m weak, just… [SIGH] ‘cause I’m not already chasing the next kill? You think I’m less me? ARCHIVIST: I… [SIGH] I don’t feel like I’m exactly in the best place to judge the… intersection [CHUCKLE] between free will and humanity. Still trying to figure that out myself. [SILENCE] DAISY: Jon… when you went into the coffin. Was it you choosing to do that? Did you actually think you could save me, or was… that something telling you to do it? [SILENCE] ARCHIVIST: It was me. I was… drawn to it, I’ll admit, but it was my decision.

Though it was, once again, a consideration which was also relevant to his Beholding powers (the fact that he knew things unprompted).

- Since Peter mentioned his belief that The Extinction could have been born from The End, although taking an active form, I still wonder if that could have been the case originally between The Eye and The Web, or if they aren’t currently merging due to the information&control-related fears being especially overlapping with our era’s development of the means of communication…

There have been so many moments, this season, in which I wondered “is it the Web, or Beholding?”, and especially in the way Jon got dragged towards x or y statement. Trying to get an overview of season 4 regarding the nature of statements and how Jon stumbled upon them (when he was the one reading or listening), there are… recurring threads? (ha.)

* MAG121: Oliver’s statement, about choices; Web interested in Jon.

* MAG122: (Statement brought by Basira; feeling like the only person left in the world)

* MAG123: Web & Annabelle, link with the Institute

* MAG124: (Simon Fairchild casually feeding)

* MAG125: Slaughter statement, notion of “control”, led to Melanie’s surgery

* MAG126: Pre-Spiral ritual

(MAG126) ARCHIVIST: … I remembered Gertrude’s notebook […]. I’ve been staring at it for hours, in the hope something from it would just… come to me. And it worked well enough to point me towards this statement, which is… useful background, and perhaps gives some insight into how Gertrude formulated her counter-rituals, but… not much more.

* MAG127: Jonah Magnus & Beholding (Albrecht)

(MAG127) BASIRA: And what was that you were doing yesterday? ARCHIVIST: … When…? BASIRA: You were sat on the floor for like four hours. ARCHIVIST: … Oh! Er, n–n–no, I was, er, I was… listening. Y’know, it’s, trying to see if any of the statements… called to me. BASIRA: And? ARCHIVIST: [FLIPS PAPER]

* MAG128: Breekon’s visit, Jon “extracting” his statement; going towards Daisy’s rescue

* MAG129: Buried statement, notion of “anchor”, going towards Daisy’s rescue

(MAG129) ARCHIVIST: I don’t like this. I don’t like… not being sure what’s going to be in my mind. What thoughts are mine and what are from… elsewhere. Why I just know some statements are what I should be reading. I assume this one is related to the coffin. To Daisy.

* MAG130: Flesh ritual (Lucia Wright surviving it), nudging towards Flesh-as-anchor or Jared (kept in Helen’s corridors), towards Daisy’s rescue. Tape explicitly sent by The Web.

(MAG130) ARCHIVIST: I found this tape tucked in the corner of my desk drawer. [AGGRAVATED SIGH] Covered in cobwebs. I suppose subtlety is gone out the window a bit. And the question is now simply … how much I trust the Spider to have my… best interests at heart. … Hm. I suspect my assuming it has a heart might be a clue I’m looking at this the wrong way. […] what is it trying to tell me with this? Is it about… rituals? About getting Daisy back? About… about an anchor. What was it she said, “the siren call of Flesh”… Hm. It’s possible, I suppose.

* MAG131: Jared’s story (bit of Flesh ritual), notion of “anchor” through Jon’s ribs, going towards Daisy’s rescue

* MAG132: Coffin trip, Daisy’s rescue

* MAG133: Hunt ritual (Percy Fawcett surviving it)

(* MAG134: Martin reading Adelard Dekker’s letter about The Extinction)

* MAG135: Pre-Dark ritual

* MAG136: Web & Annabelle, link with the Institute

* MAG137: Slaughter ritual (Wallis Turner surviving it)

(MAG137) ARCHIVIST: There’s a box of tapes and statements in the corner. Obviously those Elias either didn’t feel he could trust me with yet, or maybe just the ones he was checking himself. […] So I just took the first one that called to me, and it’s… [DRY NASAL EXHALE] It’s good. I suppose.

(* MAG138: Martin reading Robert Smirke’s letter to Jonah Magnus, warning him about The Watcher’s Crown/Beholding)

* MAG139: Desolation, Agnes, Hill Top Road

* MAG140: (Statement brought by Basira; about The Dark’s ritual attempts)

* MAG141: Jon feeding on Floyd, statement regarding Salesa’s activities and (presumed) death. The tape recorder activated on its own.

(* MAG142: Martin taking Jess Tyrell’s complaint, about how Jon had attacked her two weeks ago.)

* MAG143: (Jon making Manuela give her statement about the failure of The Dark’s ritual)

(* MAG144: Martin reading an Extinction statement)

* MAG145: Desolation, Agnes, Hill Top Road, “anchor”, The Web manipulating an Archivist and tying them to another avatar in order to neutralise Agnes (/Gertrude too?).

(MAG145) ARCHIVIST: And here? I reached out, I took another tape, eh!, hoping for a bit of guidance, but… [HUFF] To be honest, this hasn’t helped.

* MAG146: Spiral-statement, Hill Top Road.

(MAG146) ARCHIVIST: So it seems we did have Marcus McKenzie’s statement after all. I spent so long looking for it, back when I found his father’s, and… no luck. But now, I decide to start looking properly into Hill Top Road, and all of a sudden… I’m drawn to rearrange a filing cabinet – and what do I find behind it?

When Jon “knows” something, it’s clearly Beholding, no problem. But when he feels the “call” of a statement, is it Beholding/the Archives, or is it The Web making him take one, and Jon rationalising that he had felt something? Most statements, this season, have involved Web and/or getting the means to save his assistants (/getting involved with other Fears), and/or learning about rituals – and now, about Hill Top Road. A lot of them seem possibly… pointed?

- Same old questions: we can guess that The Web has plans for Jon, hence the lighter, hence sending Handsome mlm Death Prophet Oliver to convince him to choose avatardom, hence the cobwebs following him around (Jon mentioned them in MAG123), hence revealing itself when sending him MAG130’s tape (and encouraging him to go inside of the coffin, and possibly helping him come out of it, if it was indeed The Web which made Martin set up the tape recorders around it?). But ~what does the Spider want~? Is Jon supposed to fix the “scar in reality” left by Agnes&Fielding’s fight, somehow, since he managed to do things that had never been accomplished before (getting out of the coffin) and has proven that he could “kill” powerful phenomenon (seeing the Dark Sun)? And what is Her stance on The Watcher’s Crown, amongst other things…? Is She just there to enjoy the show, is She worried about something (The Extinction?) or has She decided to jump on The Watcher’s Crown’s bandwagon, or does She want to make sure it doesn’t happen?

Georgie had been the one to recommend that Jon find “anchors”, back in season 3, but season 4 expanded the meaning of the word: “anchors” as a way to escape the clutch of a Fear, an “anchor” as a way to neutralise a Chosen One – and Jon likened his own situation to Agnes (MAG139), before learning that she had been bound to an Archivist to put the Desolation’s activities on hold (MAG145), by The Web itself. If The Web was indeed behind a majority of Jon’s readings and researches lately (after all, Gertrude highlighted how The Web had manipulated her through her researches, by orientating her towards specific books and materials!), everything could sound like it’s supposed to slowly introduce Jon to the concept of being, himself, bound to something/someone…?

(- We’ve been putting so much excitement on the prospect of seeing Annabelle, of thinking that Annabelle is currently pulling all the strings, though… that I can’t help but wonder. What if she is actually… dead. Because that would strike quite the blow on a lot of things re: who is currently in control.)

- Practical questions regarding the Hill Top Road trip, from London to Oxford

* Are they going by train? Or by car, and if by car, who’s driving (Basira and Daisy both can drive, it has been mentioned), and does that mean Melanie will get stuck with Jon in the back seats?

* Will they actually reach Hill Top Road, or will something happen before. (Web preventing them from doing so, or even… lonely endless road, courtesy of Peter, if Martin hears about the Expedition and threatens to stop doing his spreadsheets?)

* Will the tree still be there…? Anya had seen it in April 2009 (MAG114) although Ivo Lensik had uprooted it in November 2006, the night of Agnes’s death (MAG008)… (And there was the tree burning in MAG127, that Albrecht/~the master~ had wanted “dead”…)

* What or who will they find, if they manage to reach Hill Top Road? They certainly won’t take The Web by surprise, so if they meet some of Her agents, it will be because She consented to it. Annabelle herself? Another Web avatar? Melanie’s therapist, if she isn’t Annabelle herself? Oliver, once again as a messenger? Adelard Dekker? Weird ghosts from the past haunting the place (Agnes or Raymond)? A Giant Big Spider? Or nobody, and only an item? A message? A Guest For Mr. Spider, for Jon to have a breakdown? Elias and Peter’s 9th marriage certificate from the last four years? A tape or a statement giving them a clue?

Alriiiiiiiiiiight alright alright, unless we’re being dramatically misled, title for MAG147 promises ~Web stuff~. Part of me is a bit sad, because the… exact title had been used for a while by the fandom to refer to something/someone Very Specifically, and it probably means that past that episode, it will be entirely jossed and we won’t be able to use it the same way – but eh, that’s the deal with Speculation overall. Other part of me is “YIIIIIIIIIIIIH” because. Yep. That’s it. Something Is Coming.

Forms of the title have been roughly used by Martin in MAG117 and Elias in MAG106 (and other times, but those two uses stuck with me), but it’s probably going to be about… Annabelle? Although it doesn’t match her official title of ~the Story Spinner~ used in MAG123. It could be something else Web-related, though – we… don’t know much about Raymond Fielding except for how he was getting Babies in the house, technically? Or something else entirely?

As for Events… Martin meeting Peter’s friend (who is a “he”) is still pending, so it could be that, just to make us even more impatient about the Hill Top Road trip. Or it could also be Annabelle or another spider visiting him while the others are off. Or it could be the group at Hill Top Road, so soon. Any of these cases would mean: DREAD. /o/

[soveryanon]

Reviewing time for MAG125 /o/

- I’m still going to nickname that power ~Insight~ until further notice because of MAG123 (“I have no theories on it, no… no sudden insights.”), though Basira’s “spooky brain” is A Very Tempting Phrase to cover it. Interestingly, there were similarities in the ways it has manifested so far:

(MAG124) ARCHIVIST: Still no sign of Peter Lukas of course, or Mar– [STATIC] Wait– Wait.

(MAG125) ARCHIVIST: Peter Lukas is just… sitting up there, doing whatever the hell it is he [STATIC-] and Elias have planned, and Melanie still has that bullet pumping violence into her, waiting to turn this place into another Lanncraig. [/STATIC] I just wish there w– … w… … Wait, I, I, I didn’t… Did I read that somewhere, or…? R–right, yes [CLEARS THROAT]. The bullet, er, didn’t show up on… electronic or… mechanical scans, but it’s still lodged in her leg, just above the tibia. … And it’s been getting slowly infected ever sin– I have to find Basira.

1°) After Jon read a statement. (It had also been the case in MAG099 when he had dropped Gerard’s name amongst the list of Gertrude’s acquaintances when he’d been given absolutely no reason to do so.) 2°) Both times, regarding the assistants – who are Jon’s primarily concern as of now (at least explicitly). (3°) Right after Jon mentioned Peter Lukas, but that one is most likely to be a coincidence. Probably.)

-> … is this the equivalent of Beholding throwing him a treat and going “thank you for the meal”.

- If his screams are any indication: Jon got hurt. Again. Beating his own record from season 2, in which it had taken 7 episodes for him to Get A New Injury (the reopening of his worms-induced wounds in MAG041 notwithstanding). I wonder how long it will take for us to know where he got hurt and what happened exactly? It had taken from MAG047 to MAG053 to learn that Michael had cut him deeply enough to require five stitches – and even know, we don’t know where he got stabbed exactly. (I’m love it, I love that we know that Jon gets hurt but that it’s rare to know which part of his body was damaged every time around; we’re not even sure what hurt him here? Could have been the scissors, could have been the scalpel, could have been a surprise! hidden knife. So many sharps things laying around.) (*Tim’s voice from MAG082* “When you[’ve been hurt] and there are more than three different ways you might [have gotten sta]–”.)

On the one hand, insert jokes here about how Jonathan “Disaster” Sims is collecting the set.

…………….. on the other hand, he is. Indeed. Slowly completing the set of getting physical injuries from other entities, things that might be considered a form of marking?, and/or getting live-statements from other avatars, and it has never been highlighted as a problem by Elias – all the contrary, it’s technically a good thing according to what he said about Jon’s job description (MAG092: “It is your job to chronicle these things, to experience them, whether first-hand or through the eyes of others.”):

* The Web: encountered “A Guest For Mr Spider” as a child (recounted in MAG081: “The first of the dark powers to touch me, perhaps, but it did not claim me.”). * Beholding: claimed him hard (when becoming the Archivist? when he signed on as Head Archivist? when he began working for the Institute? when he watched the other boy get taken as a child?). * The Corruption: worms digging into him during the Jane Prentiss invasion (MAG039), Jon still has the scars on various parts of his body. * The Spiral: slashed/stabbed by “Michael”, probably on his arm/hand since he was trying to stop it? The injury required five stitches (MAG047). “Michael” gave its statement in MAG101. * The Desolation: one hand burned by Jude Perry following a Handshake Event (MAG089). Received her live-statement. * The Vast: thrown into it by Mike Crew, sayonara to your already tar-filled lungs motherfucker (MAG091). Received his live-statement. * The Hunt: Alice “Daisy” Tonner did something to his neck, half-strangling him or cutting it with his own knife, we don’t know, but it wasn’t pretty since Elias commented on it the following episode (MAG091). Received her live-statement in MAG061, and Trevor&Julia’s in MAG109. * The Stranger: terrorised by the Not!Them (MAG079), punched or strangled a bit by Nikola (MAG097), held captive by Nikola for a month (MAG101), the whole Unknowing mess (MAG118-MAG119). (And Nikola left her mark on his skin uwu) * The End: approached it following the bombing of the Unknowing, and received a live-statement from Oliver Banks (MAG121: “You’re… balanced on an edge where The End can’t touch you – but you can’t escape him”) + dead-but-not-dead-dead!Gerry’s in MAG111. * The Slaughter: given his screams, probably hurt by Melanie (MAG125).

Now, for the missing ones:

- The Buried: no direct injury on that front, but a few weird occurrences around that one – Jon received that live-statement from Karolina Górka in MAG071, who might have been claimed after her experience (“Aside from that, all that’s left to do is sweep up after Ms. Górka. She left the place rather dusty.”); the “DIG” ad that crept into Jon’s nightmares (MAG120) was not from a statement he had read, but from one read by Martin (MAG088), and Elias’s narration had the same static as Martin’s when he described it (what happened with that one?!); the statement-giver, Enrique MacMillan, had felt something in what is now Jon’s office and tried to dig it up in November 2003 (“cold, empty and calling. There’s something here, you see. Something to be dug up, rooted out, buried within. A hollow space that all eyes point towards. And I intend to reach it, if my fingers don’t give out first. I know where to dig.”) – the tunnels? Daisy had mentioned they felt “empty”… - The Flesh: attacked the Institute when Jon was in a coma (as mentioned in MAG123). Curiously, we haven’t met/heard any avatar of that one yet, not… in the flesh (badadadumdum), so it might be coming? - The Dark: has people lurking around (MAG125: “In the last week, I’ve seen two different people wearing symbols for the People’s Church of the Divine Host”) and, in the same way, we haven’t met/heard any avatar of that one yet (though Basira has). - The Lonely: has Peter as interim director of the Institute, and Jon has already highlighted that he’s feeling isolated on multiple occasions:

(MAG123) ARCHIVIST: I wish I could talk it through with Martin. … Or Tim. Or Sasha. But we never really did that, did we…? … Everything’s changed.

(MAG124) ARCHIVIST: It’s been a week and… Melanie’s attitude towards me hasn’t softened. And Basira, though she is very willing to talk, still doesn’t seem to trust me enough […]. Still no sign of Peter Lukas of course, or Mar–

(MAG125) ARCHIVIST: I find myself basically alone.

So… it might be at least affecting him already, although it’s not a physical injury (yet).

Once again: is Jon supposed to catch them all as a part of The Watcher’s Crown ritual…? ;;

- There were a few hours of panic for Patreons when the episode came out in early release, because Martin was listed in the voicecast for the episode. So, WHERE WAS HE. WAS HE THERE DURING THE SHOUTING AT THE END OF THE EPISODE?? HAD HE COME BACK JUST BECAUSE JON SCREAMED AND HAD BEEN HURT AGAIN?? HAD HE BEEN TRYING TO STOP THE OTHER TWO WHEN THEY BEGAN OPERATING ON MELANIE?? IS HIS VOICE SOMEWHERE IN THE CHAOS??

In the end, nop, genuine mistake, he wasn’t meant to be in the episode.

Schrödinger’s Martin.

- I stand with this statement-giver on the idea that Sheep Are Weird And Evil. You’re valid, statement-giver.

- I really like the way Slaughter statements are tackled, because there is an overall quietness in them: the violence erupts, or has left its victims behind and is only reconstructed through them, but it’s mostly… stillness and silence. The Slaughter has its own logic and, from an exterior point of view, you never understand why things are happening; they just happen, breaking all the links and coherences that had been reigning until then. It might actually one of the fears that gets me the most, now that I think about it, because of the suddenness of its outbursts, the fact that you don’t see the violence coming? (This plot in particular made me think of the last arc of Naoki Urasawa’s Monster, too!)

- … this statement felt especially gruesome, and one of the things that freaked me out even more, at first, was that Jon… was apparently unfazed by it?

(MAG125) ARCHIVIST: Statement ends. Hm. An Englishman returning from Scotland with a fear of bagpipes and sheep. I’m sure we can all relate! In many ways, The Slaughter fascinates me.

Immediately throwing a joke and then going on philosophising about the Slaughter’s implications, without giving a thought to the villagers…? Really, Jon, really…? Nnnnnot the time, maybe? On first hearing, I was very unsettled/worried (comparatively to MAG123 and MAG124, it sounded… very harsh); after stepping back, I realised that it’s… actually a Typical Jon Thing, though. He wasn’t only doing that in season 1 (when it’s official that he was faking it to conceal the fact that he was actually afraid), and he wasn’t discovering the story for the first time (like us listeners), so that could be why he felt too detached to me there. Still. Not great, Jon ;;

(I’ll keep being a bit paranoid about Jon having lost something since he woke up, until we learn about what it’s supposed to mean for him…)

- Also, I’m *squints* about this bit:

(MAG125) ARCHIVIST: Regardless, I’ve hit another research dead end with this. It’s… frustrating, to be honest. I finally feel myself, I feel… focused, and ready – and I find myself basically alone.

“READY” FOR WHAT, JON???

Sidenote, but I wonder whether Jon is absolutely sincere and genuine here, or trying to… wave a hand at Elias or whoever can be listening in, basically trying to bait them into acting by showing that he’s impatient/waiting for them to do something? I’m glad that, at least, Jon has no illusion that Peter’s behaviour might be going all according to Elias’s plan, slumping them in the same bag:

(MAG125) ARCHIVIST: But honestly, it’s the internal threats I’m worried about. Peter Lukas is just… sitting up there, doing whatever the hell it is he and Elias have planned […].

(I love that although they’re (almost) entirely absent, Jon delivers a Quota of mentions about Martin and Elias(+Peter).) Peter could actually be something outside of Elias’s control/plans/interests but… I’m glad that Jon is assuming that they’re on the same side, and that it means Bad News, for now. (/ meanwhile, other side of my brain: “oh my gods, it sounds like Elias&Peter are a power couple when you say it like that, Jon.”)

- This is the third statement picked up by Jon since he woke up (since he didn’t have any say on MAG122’s), and the second one that delved a bit into an aspect of “control”, together with MAG123’s.

(MAG125) ARCHIVIST: There seems to be, in all cases, a question at its heart about… control. Is it a mindless dance, dragging participants along by the beat of a drum or… is there a kernel of will in there, a lucidity and deliberateness to the random fury and violence? I suppose that’s the question with so much of “violence”, “war”: how much are you really in command of yourself or of others? I’m not sure what scares me more: the idea that deep down, everyone is in complete control of their actions, that everything is, on some level, intentional; or that ultimately, we don’t have any control of ourselves at all, and the rest is just… rationalisation.

It sounded a bit too Relatable to his own situation and concerns, uh? Since the end of season 3 had a few moments of Jon’s worry about becoming a monster and how to deal with it – Georgie’s advice in MAG093, Tim’s “These things aren’t human. It’s… instinct. You can’t not!” (MAG114), Jon’s decision to trust the assistants in MAG117, etc. Jon’s lines, here, specifically reminded me of Tessa Winters’s pondering about the human consciousness, what control you exert on it?

(MAG065) TESSA: […] Assuming I’m not losing my mind, of course. ARCHIVIST: Yes, I hear that a lot too. TESSA: Well, that’s what’s terrifying, isn’t it? Your mind is all you are. There’s no backup, no reset, if it goes… I’m not just talking about madness as it appears, but what it is from inside… The way people talk about it, it’s like you have to think you’re saying that our mind is everything we perceive, everything we are. Well that means… you can never know when your grasp might be slipping. I’m not convinced that’s it, though. Or maybe deep down, somewhere inside, you understand what’s happening to you and… No, I am… I don’t know which scares me more.

That’s still a relevant thematic, now more than ever, since Jon apparently ~became The Archivist for real~ and we still don’t know what that means, and what he truly knows about it (officially, he’s missing some of his memory, but to what extent?). Jon’s “and the rest is just… rationalisation” also put me to mind of how the Web tends to operate according to Trevor:

(MAG056, Trevor Herbert) The weirdest sensation began to flow through me; I wanted to leave. It wasn’t like with a vampire, where I would feel like I’d been spoken to. This was just a sudden awareness of my own desire. I’d been sober for three years at that point, but I felt like I desperately wanted to get high, and I knew that the best place to get some was out in the night. Looking back, I think it might have been my own mind rationalising the way I felt my will being tugged out of the room, but it was still very powerful. If I hadn’t had a lifetime’s experience of identifying and fighting off the effect of the vampire’s gaze, I probably would have done it, too.

Aaaand of course, what Elias had said to Melanie about her own intentions (which is a bit more relevant here in a Slaughter context):

(MAG106) ELIAS: Whatever I’m planning needs to be stopped! Even if it costs a few lives. Including your own. MELANIE: Well, that’s not even– ELIAS: A rationalisation, of course. A lie, about your own selfishness, that you would rather be dead than trapped without the self-determination you prize so highly.

I was assuming that Slaughter and Web would probably be on opposite sides on the spectrum of Colours-That-Hate-Me, since respectively unleashed chaos and absolute control, but I’m not so sure anymore?

- There was a tiny allusion to “What The Ghost?” in Jon’s pondering, though! Patreons got one episode of it (so far? I hope that they are more to come, the first one was… plainly amazing) and this bit sounded like a reference to its content:

(MAG125) ARCHIVIST: […] In many ways, The Slaughter fascinates me. There seems to be, in all cases, a question at its heart about… control. Is it a mindless dance, dragging participants along by the beat of a drum or…

We already knew that Jon listens to WTG but still… nice!! … and also sad because that’s a way to think about Georgie without even naming her. *cRIES*

- Jon, please.

(MAG125) ARCHIVIST: Another Leitner, obviously. Not one I can readily identify, though it sounds like it would now be… inert, anyway. Given the blank pages, I do wonder whether its destruction was a last-ditch effort to stop its effects, or the exact thing that released its power in such an… extreme way.

Technically Not A Leitner since the statement was from 1993 (implying that it never made its way into the library before it was destroyed in 1994), how dare you slander Leitner by associating his name to this book :ww

- Okay, so Melanie and Basira are now living in the Institute, that was made explicit.

(MAG125) ARCHIVIST: You’ve been staying here too. BASIRA: Got a camp bed at the other end, near the tunnels. I like to keep an eye on them. Besides, I wanted to give her some space, y’know. But yeah. Living outside the Institute, ’s just not safe anymore. ARCHIVIST: What about Martin…? BASIRA: I think he’s still got a place? He’s not down here anyway.

1°) Not exactly sure where exactly they’re sleeping? It definitely sounded like they were in the tunnels, but Basira very clearly said that she’s sleeping “near the tunnels” (not inside of them)? Unless they’re in one of the rooms and Basira is staying close to its entrance to keep a broader look on the corridors? 2°) (Melanie and Basira… are… roommates… (OH MY GODS THEY ARE ROOMMATES.)) 3°) ;;;;;;;;;;;;;;;; Where is Martin sleeping, that is a good question. Does he really still have his flat or did he… leave everything behind when he began working with someone-that-we’re-assuming-must-be-Peter? Or is he living in the Archives, too, though in ~another space~? DO HE AND JON SOMETIMES ACCIDENTALLY SHARE A BED IN THAT-ROOM-IN-THE-ARCHIVES, WITHOUT EVEN REALISING IT? (… Or does he sleep at Peter’s place.)

- Except for season 1 (in which he was a stuck-up ass) and season 2 (in which he was a paranoid ass), Jon has never mentioned Martin so much, has never been so concerned about Martin… and it’s understandable that he would, if Martin is acting in a worrisome way!! But. But. Still. He immediately wondered about Martin’s own accommodations and, after their encounter in MAG124:

(MAG125) ARCHIVIST: I am now sure Martin is actually avoiding me.

aOUCH… I’m glad that Jon is preoccupied about Martin, thinking about Martin and not taking him for granted anymore (kind of)… but AT WHAT COST………………

- uUUUuuuh… Meanwhile, Jon kind of implied that he is still going outside?

(MAG125) ARCHIVIST: Basira was right about the Institute being watched, though. In the last week, I’ve seen two different people wearing symbols for the People’s Church of the Divine Host, and it’s rare I go anywhere without cobwebs anymore. … I, er, find myself keeping my guard up around mannequins as well, though I’ll admit that one is more likely to be my own projection.

I would have assumed that Jon would have been the most likely to migrate long-term in the Archives, there is something funny in the idea that he… isn’t, somehow. (Also, Jon: what. are. you. doing. with all this free time.)

I’m not sure if cobwebs are a new thing around Jon, or if it’s only that he is able to pay attention to their gravitating around him nowadays: spiders had been… very prevalent in the Institute before. Or is it just growing even worse? (;; Sad for Jon, regarding the mannequins mention… Jude Perry is a prime example of avatar being still around and holding grudges after Gertrude messed with them, so… Jon being cautious of potential Stranger agents is not unwarranted. Maybe some survived, and maybe some would want to go after him…)

I’m laughing at the fact that is sounds like you can NEVER GET RID OF THE PEOPLE’S CHURCH OF THE DIVINE HOST. From “a small cult that grew around the defrocked Pentecostal minister Maxwell Rayner in London during the late eighties and early nineties. […] Mr Rayner himself disappeared from public view sometime in 1994 and the group fragmented shortly afterwards.” (MAG009) to them being around in March 2015 (MAG025), to Maxwell Rayner being stopped by the police in February 2017 (MAG073). It’s almost a running gag at this point, that they’re still there and lurking in whichever circumstances efurefdvhjnref. (Julia!! Julia, come back!! They’re still around, surely you would like to take care of them? Please? Pretty please?)

- ONE GOOD THING ABOUT WHAT THEY DID TO MELANIE if it was indeed in the tunnels (it sure sounded like it): assuming that they’re right and that Elias can’t see shit inside of them… then Elias didn’t see it, didn’t watch as Jon was able to ~see~ the bullet inside of Melanie. I’m taking all the Positivity I can, okay. :[

- But also: Jon escapes your Eyes for 35min, and he comes back bloody and with a new stab wound. Typical Jon. (Do you think that Peter and Elias had a bet going on about how much time Jon would need before getting a new injury once he would be back? Or about the nature of the next injury? Who betted what? We know that Peter was implied to go with the gruesome option when betting with Salesa (MAG066); but on the other hand, Elias is supposed to know Jon a bit more. Who would have gone the most realistically pessimistic about Jon?)

- I’m worried that Jon is using his powers so much since he woke up, because it feels like there should be a compensation or a catch – it’s… very beneficial to Jon right now, and I can’t really believe that it could be solely positive and something he’s using without being used by it. Jon is more than ready to use it to his own advantage, quite obviously; the contrast with how he had been startled and thrown-off when Elias had highlighted the phenomenon in MAG102 is just… telling:

(MAG102) ARCHIVIST: […] Is there anyone else who might know what it is, or– or where? Aside from Leitner, or Gerard. ELIAS: … Sorry? Gerard Keay? ARCHIVIST: Uh… yes…? ELIAS: How did you… Who, who told you he was working with Gertrude? ARCHIVIST: No-one, I–I–I just, I… I read it in one of the statements. ELIAS: I don’t think you did. ARCHIVIST: I… but… aaah… ELIAS: You just… knew it! ARCHIVIST: What, no, I, I… Th– that’s not a– ELIAS: No, no, no. No, Jon, this is good. It’s a promising development! ARCHIVIST: [GETTING FLUSTERED] No, No I… It’s just, it’s just… just d–deduction or– ELIAS: Is this the first time it’s happened? ARCHIVIST: Look, I don’t– Look… Haaa… Gerard’s not really a lead. He… he’s dead, isn’t he?

^His stuttering was terrible back then. In MAG125, he was startled, a bit shaken at first, but quickly got back on his feet, accepted what had happened, and ran with the new information in order to do something for Melanie. More used to it? More comfortable with it? Ready to use everything he can in order to fight? There was something overall… more firm, more goal-orientated within Jon afterwards, and it also made me think of… Gertrude.

(MAG101) “MICHAEL”: Gertrude Robinson did not waver. She did not… hesitate. She gave no indication that she saw anything more or less than was expected. Hers was not a mind that left room for doubt. She stared into us carefully, her eyes scanning for something that was my heart. Looking for my door. And she found it.

(MAG125) BASIRA: The guy said you’d need to hit the right nerve for it to work. Do you know much ab– ARCHIVIST: [STATIC-] Here. [/STATIC] BASIRA: You sure? ARCHIVIST: [SHARPLY] Yes. […] … God. Look at that. [STATIC] BASIRA: I don’t… It’s a leg. ARCHIVIST: No. Inside… BASIRA: I don’t know what you’re seeing, Jon. ARCHIVIST: It’s… Christ, it’s all rotten… BASIRA: Can you see the bullet? ARCHIVIST: Yes… […]  BASIRA: You better be right about this. ARCHIVIST: I am.

Jon was sure when it came to what was happening and… that part was a novelty. It wasn’t the fake-it-until-it-becomes-real from season 1, nor the blatant bullshitting from season 2; he was certain of his information. (And!! Using it for good!! Gertrude had one priority, stopping the rituals, and… so far, it seems that Jon’s is more about protecting the assistants. … which means there will probably come a point where he’ll have to choose between the two, and it will hurt, uh.)

- But at the same time, it was still… Jon. Jon being awkward, Jon asking the wrong kind of questions to the person in front of him,

(MAG125) ARCHIVIST: … yes, right. Sorry. You, er… you managed to get some anaesthetic? BASIRA: Here. The guy said it was a nerve block. Should numb pretty much the whole leg. ARCHIVIST: Right. Right. … Was it hard to come by? BASIRA: No, I just popped down Superdrug. Yes it was hard to come by. ARCHIVIST: You–you couldn’t get any general anaesthetic, knock her out fully? BASIRA: Oh, sure! Did your spooky brain tell you the right dosage to not kill her? ARCHIVIST: … N–no. N–no, it didn’t. BASIRA: Then it’s got to be the local. Here, get on with it. ARCHIVIST: What, me? BASIRA: Yeah, she comes around, she’s gonna kill us or someone, and… You know. Not it. […] Okay, go for it. ARCHIVIST: [SHAKY VOICE] R–right. BASIRA: And pray the injection doesn’t wake her. ARCHIVIST: Yes, thank you Basira. […] BASIRA: You ready? ARCHIVIST: [DRY HOLLOW LAUGHTER] No…? [SHAKY VOICE] You’re sure you don’t have… restraints, or…

1°) I’m love Basira. I’m love how casually dry and savage she can be, how she’s just throwing Jon into the lion’s den without any hesitation nor remorse. What a legend. 2°) That [“You ready?” “No…? *laughs hollowly and does it anyway*”] refdhbjrefdhj Jon, you absolute millennial icon.

The mix of Jon being certain and awkward and obviously thinking about how it could easily end badly for him was so… satisfying and fun and hilarious to me. Still an awkward dork, I’m glad!! =D

- BUT I’M STILL WORRIED ABOUT THE WHOLE “JON USING POWERS” DEAL… if Elias had portrayed it as a good thing and as Jon sinking deeper into Beholding territory, then it’s *gulps*:

(MAG0116) ELIAS: I have been doing my best to prepare you, Jon, to See. You should hopefully have it a bit easier than the others. ARCHIVIST: Another of my… powers? ELIAS: More… an aspect of your becoming. DAISY: You don’t say. ARCHIVIST: Er… right. ELIAS: Regardless, it should, I hope, give you an edge. Otherwise I would never suggest you go yourself.

It wasn’t only a punctual ~insight~, it was a series of them (helping Jon to know where to inject the product and block the nerve) and x-ray vision allowing him to see the Spooky State of Melanie’s leg, when it was officially fine in our realm (the scans hadn’t revealed anything). I’m glad that Jon is using his powers for Good, but I don’t believe that it can last and remains as positive as it is, even though there would be something very beautiful and satisfying in the idea that no, the Fears do not actually corrupt you – it’s just that most avatars were already rotten humans to begin with? ;; (There is something fishy, to start with, with the fact that Jon is missing memories…)

(… okay, and there would also be something utterly satisfying if Elias was proven totally wrong. And bittersweet, if Tim was also proven wrong about the idea that you can’t fight these things or things happening to you.)

- The way I understood Jon’s “The bullet, er, didn’t show up on… electronic or… mechanical scans, but it’s still lodged in her leg, just above the tibia. … And it’s been getting slowly infected ever sin–” is that: Jon had listened to MAG117’s tape(s), potentially even before the Unknowing, and knew about Melanie’s recollection of how she got shot – I think that part wasn’t coming from the Insight? But the new knowledge that was planted within him, or emerged from him, was something irrefutable: that the bullet was still there and the root of the problem (“Melanie still has that bullet pumping violence into her, waiting to turn this place into another Lanncraig.”) It could/should have been a hypothesis from him, it sounds like a logical explanation; but the way it was presented, it wasn’t some wild guess or pondering. It was a certainty.

Insert here obligatory sobbing about how compulsion and this power provide Jon, who is prone to paranoia fits, who is prone to be wary of people, with absolute truth… yeah, the powers cater a bit too much to him, as a way of keeping his own personal human relationships-oriented fears at bay, uh.

- On the relationship side: gOSH, Melanie… probably won’t be fine, and would have every right to not be ;; But Melanie specifically… won’t react positively with something deliberately done to her while she had not consented (MAG102, Elias: “Even more than the others she has a visceral hatred of being trapped. Regardless of how much freedom I afford her.”), even if it could ultimately save her from The Slaughter. She probably won’t forgive.

She was already in an antagonistic spiral regarding Jon, (MAG102: “We’ll try it your way. But whatever your way actually is, you’d better figure it out fast. Because it is your fault that I’m here. Fix it, or get out of the way!” / MAG124: “Wipe that look off your face. Like you’re not the reason all of this is happening. Like you’re any better than– […] He’s still alive. You are still alive. So THIS PLACE is still–!”), and even though part of it was probably Slaughter-induced (MAG117: “Elias thinks he’s got this ingenious way to hurt people, but it’s just the same old bullshit in a creepy new package. … asshole… God! I just want to rip his…! [BREATHES] When did I… start to lose the parts of me that weren’t just anger…? … Hum.”), Jon highlighted in his conclusions about MAG125’s statement that perhaps The Slaughter is not making people lose their mind so much as making them follow something they already had inside of them.

At the same time, we already got Tim resenting and antagonising Jon at every turn, so I don’t know if Melanie will ultimately follow the same path? Technically, it’s… probably Basira who should deserve her ire about the non-consensual surgery on her asleep body, since:

(MAG125) ARCHIVIST: And it’s been getting slowly infected ever sin– I have to find Basira. [STANDS UP] [CLICK.] […] You’re sure we shouldn’t just… tell her…? BASIRA: … I really don’t know how she’d take it. Not well. If we want to get it out of her, this is it. ARCHIVIST: [SIGHS] Okay.

JON WANTED TO TALK TO MELANIE ABOUT IT!!! Holy shit, Jon!! Such progress ;__; First for going to talk to Basira about it right away, and then for offering to talk to Melanie, and for ultimately trusting Basira’s judgement about it!!

Basira’s cold pragmatism is not… exactly surprising, to be honest: she’s always been prone to assessing the situation and making drastic decisions right away when it comes to saving lives or to doing what she deems right (Daisy in MAG092, the expedition to stop Rayner, the fact that she took the tapes from the police to give them to Jon when they tried to cover up the reason her colleague died…). In this particular case, there was no right thing to do? Melanie would have probably exploded and ruined any chance for them to remove the bullet if they had even tried to mention its existence to her, true? But they took the decision for her and it was definitely wrong on many levels, and Melanie will have many reasons to feel shaken, violated and betrayed by what they did ;; She already had it bad in season 2 (the fact that her old team fell apart, her first injury, her downfall) and season 3 (the second injury, the lack of options, the fact that she actually got trapped in the Institute, Elias torturing her with the memories of her father’s death), I hope she won’t get too messed up by this new thing?? ;; But the concept of non-consensual surgery applied to her, with her personality, with everything that has already happened to her… is especially horrifying ;; (And she has no support network either… Maybe Georgie still applies, though, but the situation is likely to get complicated in that area since Georgie is also tied to Jon.)

… at the same time, there could be something comforting for Melanie in getting a hold back on her own anger, instead of the foreign surge of violence that was injected into her? I really don’t see how the situation could get better for her and ;; I’m sad sad sad.

… on the other hand, Basira will probably open up a bit more to Jon after this, since… he kinda proved himself to her, here? Proved that, even though he has powers, even though he’s ready to use them, even though he has sunk deeper in, he’s also there to help the assistants, even if it means getting hurt or ruining his relationships with them – as long as it helps them to survive. So. We’ll see.

;;

(I have trouble picturing that nobody will visit Elias in prison at some point, so, hey. Basira is the one who has contacts in the police. She might be a bit more willing to share them with Jon.)

- I can Never Believe how this show manages to always make moments… creepy, and tense, and horrifying, and convey that well a sense of dread while, at the same time, making them so hilarious. The dialogues are always lovely; but Basira and Jon were just… amazing, here.

  (- Patreons already got the title for MAG126 with the new schedule planning, and it feels so weird to speculate with the title alone! Not spoiling it, then, but I’m worried about its second meaning (outside of the statement itself). Could be many very wrong things, and the worst I’m coming to on my own, as of now, is “what if it’s about Peter and Martin”.)