#just WOW :O

[egophiliac]

I love how you draw Leona’s hair…so soft and floofy…I know that man uses a 5 in 1 body wash and yet still looks like that…

thank you! 💛💛💛 truly, it is unfair how many of the Twst boys have absolutely gorgeous hair with zero -- nay, negative -- effort. do not make the mistake of asking them about their hair routine. it will only lead to madness.

[shwarmii]

i just heard one of my favorite youtubers say this meme out loud in a video and the pronounciation FLOORED ME so now i gotta know:

poll is just "which way do you say it"; tags is "which way is right", assuming your answer to "which way is right" is different to "which way do you say it". or i guess tags are also for uhhhhhh if your answer is complicated and if you wanna explain, if you have a diff way of pronouncing (pls tell meeeee), or whatever else you want, im not your parents, idk

[coldbycrossfade]

MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME

[homoqueerjewhobbit]

Audrey Plaza knew that Megalopolis was high camp but I'm not sure anyone else did.

[ssruis]

Good eye!

[krysmcscience]

BILLDUMP TIME (with transparency, because I can). Don't mind me, I'm just yeeting my goofy art at some way more talented individuals out of nowhere and then hauling ass back to the security of being a weird silent lurker ahaha

@tesscourtes and @beccadrawsstuff, respectively! These two Bills make a little prism of sorts together because of their recent crossovers on Patreon~ :3c Speaking of which, I highly recommend supporting both these artists! They do fantastic work! (TessCourtes and Beccup)

@qoolk on the left, and @monobmp on the right! I am such a sucker for these outfits~ OuO Go and check these two out, their art is phenomenal!!! >u<

@1spooky2me The most difficult Bill of the lot for me to draw, ahaha... Their art is so incredibly consistent and dynamic, I am, a little envious <:,) A little envious, but mostly impressed, so go look at their amazing art, what are you waiting for

And finally, @ckret2, whose writing is sublimely in-character and just a delight to read - they're a great artist, as well! I simply Could Not resist drawing their Bill in this ridiculous incredible and very fashionable pink feather dress, even though he only briefly wears it in their fic, so I also did a little bonus doodle of him in his standard hoodie to make up for it. XD (Also, as far as I'm concerned, Bill and Mabel were both correct in that lime green accessories make the dress Much Better.)

This is just a small selection of the human Bill designs I enjoy. I may draw and post more later on, who knows! Feel free to reblog with some neat Bill designs, either your own or by other folks - if any of the designs particularly call to me, I'll add them to the little list I've got going~ :D (Alternatively, if you really like my stuff and want me to draw something specific, you could...mmm...perhaps, commission me...? OuO)

Also I'm tagging Billford because uhhhh yeah, sorry not sorry, every single one of these Bills is getting shipped with Ford by the artists in some way or another, lmao

[sparring-spirals]

loved exu calamity. so deeply and immensely. REALLY fucking love. cr downfall. as a mirror to it. in so many ways.

i promise i wont make 3 million posts until ive watched it properly in full but. well. for posterity i am posting this incoherent message sent live

calamity where we spend the whole time knowing theyre fighting a doomed battle and so much of calamity came down to what do you do when the world is going to end? what do you do when you cannot stop the end? when there is no way you will survive- what do you do, when you WILL lose? wins that are not complete but feel earned.

vs here when success is guaranteed in a way that is awful and terrifying and is like a natural disaster bearing down. Like the inherent horror of. you will win. you WILL win. your humanity unravelling and falling away. this success is guaranteed. your enemies will fall. everything crumbling before you like the force of nature that you are. you win but. do you. do you. does it mean anything.

[fbfh]

you know what I'm thinking about?? beck oliver. yeah the one from victorious first of all FUCK YOU dan schneider and I'm specifically thinking about this clip from the episode where they try to make a reality show about their high school 0:31

I really hate that beck is one of those characters like lucas friar and tristin dugray where we simply do not get more clarity on them as a person. one of the few times we get to see beck really open up and talk about WHY he's so passionate about acting and it's immediately cut off and overshadowed by how he looks. dare I say he has elle woods syndrome. "beck and jade are toxic" "beck should date cat" "beck and robbie fuck" yeah yeah you know what he REALLY NEEDS????? he needs someone that does not give a single fuck about how he looks. he needs someone who prioritizes HIM instead of his hair. yes he's pretty and he has nice hair but those are all sprinkles. he needs somone who cares about the rest of the cupcake, not just the decorations. I think the reason he thinks he likes angry girls who yell and fight with him all the time is because when he and jade fight she's yelling at him about anything other than his hair. he needs a break from constantly being objectified is my point. you know what would be great?? beck dating a screenwriter. someone who works on the scripts for the hollywood arts shows they put on. someone who hunts him down in the halls looking like they rolled out of a dumpster with sikowitz and reeks of coffee because they've been up for 36 hours to meet their deadline and finish their homework.

you are just that. you do other stuff at hollywood arts too, but there's really not a lot of script writers there, so you've found a way to pretty much corner the market and it looks FANTASTIC on your student transcript, plus you get extra credit for it, which is even better. you're wearing a hoodie that looks like you slept in it for two days (true if you had slept at all) and you're not aware of the two or three empty jet brew cups shoved into your hoodie pocket, plus the extra one you're carrying that you're almost done with.

"Beck!"

you manage to startle him a little which is surprising because he is totally unscareable. he doesn't think you've ever exchanged two words before now, he doesn't even know if he knows your name.

"I need to talk to you," you pant, a little delerious from caffeine and sleep depravation and excitement. "I finished the script for the next play-"

Beck didn't realize that a student was writing any of the shows they put on, he thought they were all lisenced or from local writers.

"It's a dystopian retelling of frankenstein with- with cyberpunk influences," you ramble, "and I need to know if you're okay playing the lead." you pant, still trying to catch your breath and not lose your train of thought.

"some pretty fucked up stuff happens and you'd have to quickly lose your morals and go from morally gray to kind of antagonistic pretty quickly..." you look up at him and hand him a script full of sticky flags. "I wanna make sure there's nothing that'll make you too uncomfortable... like I said it gets pretty fucked up, but I wrote it with you in mind for the doctor, so- just, let me know what you think."

before he can answer, you trudge into the janitor's closet and fall asleep on top of a pile of paper towels.

Beck takes the script home to look over, and he's genuinely surprised for a number of reasons. he expected to be typecast as the love interest yet again, but you want him as the antagonistic lead. it's a really complex role, and has absolutley nothing to do with how he looks. you even left a sticky note in there by accident, and he reads your scribbled handwriting. doc MUST be smwn who fully commits and dgaf if it makes them look bad or silly or unattractive. if they get self consious it ruins the char

underneith are two or three names scribbled out, then his, underlined several times. he is so genuinely shocked by this decision, and absolutely fascenated by your script. he's actually getting really excited to play a role that will challenge him for once.

the next day he meets you with the script tucked under one arm and a coffee in each hand. he hands one to you, and you thank him with a pleasantly surprised smile.

"You seem like you could use it."

"That's putting it mildly..." you mutter in agreement, and he bites back a chuckle when you remove the lid and down half the cup at once. You look at him anxiously after that, and your eyes flit between him and your script. "So... what did you think?"

"I... accept." relief floods through you. "I've already been thinking about my character and going over my lines. But why did you want me for Victor?"

You shrug a little.

"Well, you got the script like, 12 hours ago and you're already developing your portrayal of him, so that's a pretty good reason there," you chuckle, "and I... I hope this doesn't sound mean, but I don't think there are a lot of other people here who could pull off such a complex antagonistic main character."

you state, taking another sip of coffee.

"Everyone here is great, really-" you emphasize, hoping you don't sound like a dick. "I just feel like no one else could really bring the depth to him that you could. He's a horrible person, but I still want the audience to sympathize with him at times, and go wow he's a fucked up asshole at others without making it feel disjointed. I think you're really the only one who has the skills to pull that off."

honestly, if Beck had slightly less self control he would have started wailing and sobbing right then. Instead, he's determined to live up to your expectations and prove to you that your faith in him will pay off. You work pretty closley with production of the show, and with Beck. after closing night, you and Beck are still pretty close, to your pleasant surprise. his friends are a little curious why Beck suddenly is spending all his free time with one of those kids in their class who never talks or says anything, but he seems... happy. he did in fact fall first, and he definitely fell harder. he falls even more when months pass and he realizes you are still too adorably oblivious to realize how he feels.

[svampira]

you could never hurt me

[skippingthroughfields]

these days a lot of romance in books, TV, and film leave me a bit cold, which sucks as a lover of romance. there has to be something ~interesting there for me. I've been watching the day of the jackal and it's pretty entertaining so far. but the one thing I haven't quite been able to wrap my head around is jackal's love for his wife, nuria. the show clearly wants us to believe he truly loves her, even if he can't shed his assassin skin and lies like crazy to her. he spies on her. he dreams about her. he thinks about her constantly. even more so than the baby which I (and the show apparently) regularly forget exists.

the chemistry between eddie redmayne and ursula corbero isn't necessarily the issue even though it is middling. ursula certainly does the best with what she's got, which isn't much. but I always struggle when shows place us in an established marriage or relationship and tells the audience how much the two characters love each other, without really being convincing of why they go to the lengths they do because of this love. the jackal is a sociopath with a hundred different faces (though we spend quite a bit of time with him in his true face). he has no qualms whatsoever about killing innocent people to accomplish his objectives. that's established within 20 minutes of the very first episode. so what does it take for this murderer-for-hire to fall in love? why should we be so convinced of this cold-blooded killer's love for his wife? what is it about her that made him fall in love? and vice versa? the show doesn't even try to make us second guess this love. on some level, I'd be obsessed with a suave killer brought to his knees by a woman to the point where he starts a family with her. the deception, the two separate lives, the cat and mouse of it all. but everything about them is spectacularly bland.

throughout the series nuria is constantly questioning who she fell in love with. but who did she fall in love with? in episode 7 we get flashbacks of their first meeting, at a restaurant where jackal is a regular and where nuria works as a waitress. she's hot and vivacious and effortlessly charming. he's a mysterious loner who seems sweet. jackal takes a shine to her and later asks her on a date, to which she immediately says yes. and that's it. that's pretty much all of the flavorless context we have for their relationship. we're simply supposed to believe they fell in love with each other. she doesn't even make him work for the date. there's no push and pull there. she's not even a calculating golddigger or anything, just completely guileless. our favorite sociopath fell in love because she's just that charming? our charming waitress falls for this boring and rich-looking foreigner and that's it? and then we're told that she's completely trusting of him up until the ~turning point. ok. I don't believe the show is trying to pull wool over our eyes. they very much want us to believe there's love there. but there's just nothing convincing me of why these two characters love each other. this failmarriage is of no interest to me.

otoh, the connection jackal has with zina is compelling and sexy. this mysterious corporate shark archetype of a woman who dared to meet an assassin in person. who went to bat for this assassin even when her bosses were not convinced he was the man for their goals. who broke into this assassin's temporary lodgings and withstood his menacing energy. who wasn't afraid to yell and put pressure on this scary assassin. I'd be more obsessed if the actress was better at acting and there was actual chemistry between her and eddie. alas.

otooh, there is ALSO serious messy romantic potential with bianca. also a sociopathic liar. also a married woman (who we're also supposed to believe loves her husband. lol.) with a child. a woman who will do anything to catch jackal. a woman who has no qualms about using innocent people who get killed in the process (even if she does feel some degree of guilt about it). like the parallels are allll there. but she's black and we all know how that goes. in another series jackal would be intrigued and also as obsessed with this mi6 agent who somehow always finds him. sigh.

[lbhslefttiddie]

youve heard of sex flowers get ready for the flower that makes you into a celestial shoujo herione complete with particle effects you cannot turn the fuck off and creates a wifebeam so powerful it can incapacitate and maim and keeps making you burst into tears and fall on your ass which makes the wifebeam More Powerful and you also cannot turn this off either. and is also still, sort of, a sex flower

from one of my favorite fanfictions, Celestial Afterglow by elanor_pam, a fic that defies description in the best possible way

[egophiliac]

new chapter 7 installment dropped how we feelin????

YOU DON'T UNDERSTAND

THAT'S HIS DAD

[sluckythewizard]

FIIIINALLY almost nailed my designs for lizzie and caspian can i get a HEEEELLL YEAAH???? i think these two make a vvery cute duo and i cannt wait to see them again. i also hope they both get hurt reaaaallly really badly. togeter

[dewarism]

these photos have killed three people and wounded several others - more on this story at 11 o'clock

[deadchannelradio]

my fanfiction abortion morgue is gaining another jayroy victim that is not long enough to clean up for ao3. this was going to be a very long and meandering noodle about in the river that is jason's mental health and trauma and relationships of all types and healing and the asexual/aromantic spectrum (not that that's the verbage jason would use or language hes even aware of) and low sex drives all that beautiful muck and mire but i have not put a single word on it in well over a year now. so i'm letting her go. be free little fish.

-

They’re better now, anyways, better than they ever were before. Jason had a crisis a few months back, stopping himself from reaching reflexively for his phone to give Dick a call about- nothing important. And then he had realized that he had reflexively gone to call Dick about nothing important, and had gone and stared out the window for 15 minutes, trying to work himself into a different, less horrifying conclusion than the one gathering in his brain like an avalanche. Roy had come home in the middle of it, taken one look at his face and dropped his bag on the floor with a thunk.

“Holy shit,” he said. ���Who died?”

“I like him,” Jason said, somewhere between incredulous and horrified. “That cunt, that motherfucker- he made me actually like him-,”

“Who?”

“Dick!” Jason had shouted. “That piece of shit, I want to spend time with him, hours out of my actual human life that I can’t get back-,”

Roy had proceeded to laugh in his face for a solid ten minutes, positively gleeful about Jason’s horrible emotional crisis. “He does that to you, man,” he said once they’d settled in, still chuckling as he cracked open a can of soda, posted up on their couch with Ethiopian takeout in his lap. “One minute you’re sitting there thinking oh my god, this guy, he’s so loud and annoying-,”

“And he never fuckin’ stops moving,” Jason groaned from his spot laying on the floor below him. “His body or his mouth. And he chews loud, he’s obnoxious on purpose, and he’s a model and dated Kory but half the time he dresses like something a goodwill dumpster threw up-,”

“Have you seen his new shoes?” Roy asked. “I dress like dogshit, man, but those things-,”

“Wally got them for him,” Jason said, and then immediately slapped his hands over his face, horrified that he knew that. Roy laughed again. “He’s constantly in your fuckin’ business! Constantly! Last time I saw him he knew the social security numbers of the baristas in the coffee shop I’d been going to-,”

“He gets enabled,” Roy muttered, shoveling injera into his mouth.

“He gets enabled!” Jason said. “Everyone enables him! I enable him! And god, his fucking- puns, man, his quips, we’re all guilty of it but this is a fight, not comedy hour, and even if it was you’d get booed off the stage-,”

“He texted me what he said to Mr. Freeze two weeks ago and I wanted to eat my phone,” Roy said. “It’s amazing no villains kill themselves after he hands their asses to them, I would be humiliated.”

“He sucks!” Jason snapped. 

“He sucks,” Roy agreed. “And then you look around one day at your life-,”

“And you go oh shit, I think this motherfucker’s alright!” Jason mimed hitting himself in the face with Roy’s abandoned house slipper. “Fuck! What’s fucking wrong with me?”

Roy laughed at him, again. “Dick Grayson Derangement Syndrome gets us all in the end,” he said. Jason curled a hand around his bare ankle, and Roy looked down to smile at him, the smallest touch making his whole face bloom open like a rose. Jason had to look away from it, wanting to say: stop. No. You know I’m not enough. You know I’m not like you. You know I can’t give you enough.

He’s been wanting to say that a lot, these days. Toss Roy off the sinking ship with a lifeboat before he has to wake up one day, years on, and realize he’s wasted years with Jason, who can’t love that loud.

He wanted to call Dick about it, which was another horrible realization. Hi big bird, I’m having boy problems. Dick would probably tell him that it means more that Jason has to try, that wanting to try for it is selfless, makes it more significant, which is the kind of thinking that lands a motherfucker in bed with Barbara Gordon, who is enough like Jason to warrant a comparison, but not enough to call her and ask what he should do. Babs loves like the Bolton Strid, and sometimes Jason isn’t sure he loves at all. Not like that.

Jason isn’t nearly as selfless as Dick is convinced he is, not deep down. Because he doesn’t want to let Roy go at all.

It’s late, well into the witching hours, and they’re laying in bed in what was formerly Roy’s bedroom but now holds them both, blinds cracked to let the streetlights through. Jason doesn’t like the dark. Roy’s threatening to buy an eyemask. Jason thinks it’s stupid to blind yourself to potential attackers. Neither of them have brought up going back to sleeping separately. Roy’s nose is pressed between Jason’s shoulder blades, breath humid through his shirt. Not asleep yet, but close. Jason’s books are proliferating on Roy’s shelves, his boxers in Roy’s laundry basket, garrotte wires coiled next to bow strings on the desk that has framed photos, past-Jason’s mouth a little white slash in the bar of orange streetlamp.

Something is clawing at the inside of Jason’s chest, scrabbling like a wild little animal. Trying to dig its way through his spine, into Roy. It hurts.

He shifts, turns over, pushes Roy over onto his back and rolls on top of him, propped up on his elbows to look down at him. Roy grunts, half-awake and confused, but takes his weight. He blinks blearily up at Jason, a crease between his eyebrows- Jason must look intense right now. “Jaybird?” he starts, quiet.

Jason knows this feeling- as all-consuming as it is- is fleeting. It’ll be gone in the morning, and he’ll forget it was ever here. He won’t be able to recall its bite until it comes back around again, like Halley’s comet. He should say something now, while he has it. While he feels it. So Roy can know it’s real. He just doesn’t know how to describe it.

“Jase,” Roy says, sounding more concerned, “Jason, what’s-,”

“Something in here,” Jason interrupts, putting a hand on his own chest, a thudding sound of muscle on muscle, “Wants to eat you.” God, he feels dumb. He’s not good at this, he sounds so much better in his head. His words come out of his mouth sour and curdled and stupid, there’s a reason he doesn’t try to talk about this shit-

Roy lights up, slow at first, then all at once, his face creasing up in his smile like old paper, following familiar folds. Jason feels his toes curl next to his calves, his feet pointing and flexing in excitement. Jason wishes he could make himself smile back, anything other than the dead-eyed concentration he knows he’s wearing right now, but the weight in his ribs is too real and too wild for that- if his teeth come out this might get literal. He wants to crack open Roy’s sternum with his bare hands, climb in like a contortionist and slam it shut behind him.

“Really?” Roy asks, small and soft and giddy. Jason nods, serious. Roy’s teeth dig into his bottom lip, smiling so wide his nose is wrinkling up, little inky lines in the artificial twilight. “Cool,” he says. 

Jason’s hands spasm in the sheets next to Roy’s head. “Roy,” he starts, “Can I-,” stops. Doesn’t know what he wants. Maybe just to look at him until the sun comes up, just to watch the light turn his freckles from a smear in the dim to pinprick-sized marigolds. Maybe to go to sleep on him like this, the thunder of his heart under Jason’s cheek. Maybe he wants everything. Maybe he wants to be the greediest son of a bitch in Gotham. 

“You can do anything,” Roy promises, and the sincerity in his voice makes the thing chewing on Jason’s lungs shake. “Anything you want. I’ll let you do everything.”

Jason drops his head against Roy’s chest with a grunt like he’s just been punched, unable to choke it back. He pushes himself up- Roy makes a quiet, sad noise, grabbing for him- and fumbles the bedside lamp on. He wants to see everything. Roy’s pupils are huge, even in the light he’s flinching from, irises that strange half-color, too dark for blue or green and too flat for hazel and too light to be brown. His cowlick’s sending his hair in every direction at the left temple, and he’s still smiling at Jason, like he can’t help it. Jason doesn’t know what to do, now that he’s here. A restaurant with an infinite menu. What he wants is strange, probably. Not how normal people want things, not what they want. Jason is off-putting, sometimes on purpose, frequently not, and he doesn’t know how this will come across. But Roy said he could have anything. Whatever he wanted. Giving up all of himself, for nothing. For free. 

Jason should take it. Roy will stop him, if he needs it. He puts his mouth on the cowlick, not a kiss, tucks his nose into Roy’s hair and breathes in deep. The nothing-smell of hair that’s not clean but not dirty. Roy’s hands are pressing into his lats, his legs spreading and crossing behind Jason’s thighs, holding him there. Jason curls both his hands around Roy’s skull, presses gently, cradling his head- all of Roy is in there, somehow, and he needs to be careful with it. His skull feels too small to hold something so important, too fragile. 

Jason drags his thumbs over his eyebrows, presses a thumbnail into the scar bisecting the left one- string snap, Roy told him, nearly took that eye out. Roy’s looking up at him still, and they’re close enough that Jason could count his eyelashes, if he wanted. He runs his fingers over Roy’s ears, feeling the cartilage, gently pinches the flesh of his earlobe, over the hole where he used to have gauges. He moves down to Roy’s neck, puts his hands around his throat, doesn’t squeeze. He feels it when Roy’s breath hitches. Roy shuts his eyes, swallows, his Adam's apple moving under Jason’s palms. 

Jason bites him where his neck meets his shoulder, hard. He thinks about being normal, trying to make it a hickey- but Roy jerks hard beneath him with a strangled noise and that thing in Jason’s chest makes him hold that position until Roy stops moving, until the bolt of his jaw aches. He lets go, spit shining around the deep purple indents in Roy’s skin. Roy lets out a shaking breath, eyes still shut.

Roy already knows he’s an inscrutable freak, Jason decides. He’s going to do everything he’s ever looked at Roy and thought about doing, everything he thought might be weird that he’s ever refrained from. Roy won’t run.

If he does, well. Jason will chase him. Roy is the one who said he was locking Jason down, said nobody in or out. He can’t get too mad if Jason takes him up on it.

He presses his nose near Roy’s armpit. The sharp, live smell of his sweat in Jason’s lungs, muted by whatever axe deodorant he uses that always makes Jason think of a cold wet morning. He rubs his mouth over Roy’s deltoid, teeth dragging. Jason pushes up and kneels with his thighs on either side of Roy’s torso, picks up an arm, runs his hands over Roy’s bicep, digs his thumbs into his elbow. Puts Roy’s thumb in his mouth, tastes skin and salt, bites the draw calluses on his fingers, gentle. Does the other arm too, to keep it even. Roy’s breathing slow and even, looking at Jason again as he shoves his mouth into Roy’s wrist until he can feel the pulse against his lower lip. Roy’s trying to caress his face with that hand, can’t quite manage more than a brush of his fingertips against Jason’s ear. 

Jason knows what he should say here. What he hasn’t been saying, because he knows it’s not the same as how Roy will say it, thinking that it will somehow be a lie because the meaning’s different. But it’s words, which are only stories. There is nothing in a story that is a lie, and no analysis that is wrong, with supporting evidence. Which Jason has, which Jason has always had. Roy at his right shoulder. Never wanting anyone else at his back. Saying to Dick: if there wasn’t Roy, there wouldn’t be anybody. The way they keep finding each other at the lowest of lows, facedown in bottles or looking down barrels of guns to see if they can spot the bullet. Standing there feeling stupid in the holes they’ve dug, pickaxes in hand, before turning and finding the other, just as deep as they are. Saying: gimme a boost and I’ll give you a hand.

Even if he doesn’t mean it in the same way, he means it. I want you, I want you, I want you. The inflection changes the meaning, but only by the barest degrees. 

“I love you,” Jason says, and he’s not lying, because he means them, even if it’s not always how he thinks he should.

[rockybloo]

I promised the masses a pretty bat and I delivered