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aimihayashi · 1 year ago

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International Dance Festival "踊る。秋田(Odoru. Akita)" 2023

Original text was written in Japanese, for ProLab Dance Critic Program at Dance Base Yokohama

Introduction

The International Dance Festival "Odoru. Akita" marked its 8th edition in 2023. Akita City, located in the northern region of Japan, is a provincial city about four hours by bullet train from Tokyo. While not widely known even among Japanese people, Akita is the birthplace of two pioneers who built the foundations for modern dance in Japan: Baku Ishii and Tatsumi Hijikata. With this festival, the city makes a deep connection to dance until nowadays. The festival ran for three days, from October 27th to October 29th. The program on the first and final days featured the selected international works, and the middle day showcased a special performance program for this festival. Approximately 100 works from six countries were gathered for the selection process. After careful deliberation by the festival artistic director Santa Yamakawa and other juries, 11 finalists were chosen (although, as I will mention later, one work could not be performed due to the artist being unable to travel to Japan). Each of these pieces was strikingly unique, creating a microcosm of unexpected encounters. Here, I would like to introduce highlights.

幻(Maboroshi) "Phenomenon" - Yuri Yamamura (Japan)

youtube

The work choreographed and performed by a juggler Yuri Yamamura. The music was performed live by Azumi Piano, a pianist who trained in Germany. The breathtaking techniques, filled with the essence of the juggling art, were accompanied by the rain-like cascade of notes of the piano, creating a sense of exhilarating momentum. Yamamura wore fully black. In the dim-lit stage, the only things illuminated were his hands playing with the 24 white balls soaring through the air. The rapid movement left afterimages, and they layering up as a fantastic landscape in front of the audience's eyes. When the music becomes serene, the following scene appeared with a stark contrast. On the floor Yamamura gently gathered each scattered ball, carefully rearranging them. The mandala on the floor continued to transform, and the scenery slowly shifted into something purely abstract— from "a juggling performer with balls" to what could only be described as "a playful interaction between a man and something white, round, and soft." It was a mesmerizing journey where we can touch the different dimension of juggling art , guided by beautiful piano sound.

There was no room for food - Seo Jeong Bin (Korea)

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Seo Jeong Bing from Korea initially she sits on the stage surrounded by plastic chairs. After rounding and arching her back several times as if awakening herself, she began gathering the chairs, stacking them in front of the light which illuminates the stage from the side. The light coming through the gaps between the chair legs created unexpected effect, like a dappled sunlight, casting organic shadows on her body. It was a beautiful spatial practice with minimum intervention, playing with everyday goods (which she mentioned the chairs were purchased at 1 dollar shop in Korea). The work, in fact, contains a concept of conveying an SOS from marine animals that mistakenly consume plastic waste discarded by humans. In addition to the representation of plastic chairs, Jeong Bing suddenly sat down on the floor and blew out a convenience store bag from her mouth like a bubble gum at the end of the performance, which she had been hiding there during the stage. While carrying a powerful message, the piece leaves room for interpretation, and it is poetically expressed as a beautiful dance within a space created from repurposed everyday objects.

Little Love - Rio Yamaguchi (Japan)

youtube

In "little love," choreographed and performed by Rio Yamaguchi, what stands out is her formidable expressiveness. Moving freely throughout the stage space, her awareness remains constantly focused on the audience. The fierce energy of her dance, reminiscent of a beast trapped in a cage, not only showcases her impressive physical abilities but also conveys a palpable sense of hunger and drive. The composition’s dynamic structure, which includes a deliberate moment of silence at the climax of the music, reflects the dancer's experience in showcases and battle-style performances, demonstrating her mastery of theatricality. There is a growing expectation that she will become a pioneer of contemporary dance that merges various backgrounds into a captivating presentation.

New Work (Untitled) - Ayane Nakagawa

The last piece of the selection, a new work by Ayane Nakagawa, who received the "Odoru. Akita" Award last year, left a special resonance. Dressed in a T-shirt with disheveled hair, she roamed the silent stage. While her movements seemed to hint at messages related to sexuality, what struck me most was the introduction to the preceding work. Using an entire waltz by J. Strauss, she sat on a chair, shaking her body vigorously as if she were trembling from deep within, unable to stop despite her own will. In this moment, she exposed herself in a way that seemed to plead that this was all she had in her current state. Before I could even comprehend it, my heart was already shaken by her raw vulnerability.

Jap/Vanese - Reisa Shimojima and Moh Hariyanto

On the second day of the festival, the special program featured "Jap/Vanese," performed by Rei Shimojima and Mo Harriant in collaboration with the Fujisato Town Kamikawa Local Performing Arts Preservation Society. This project was born from the interactions that Shimojima and her collaborators had during their stay in Fujisato Town for the production.

To begin, two traditional performing arts from Fujisato Town, in which Shimojima and her team received instruction, were showcased by the local preservation society members. The lion dance, characterized by steps synchronized with the powerful rhythms of drums, and the horse dance, where participants strike their armor like a musical instrument, overwhelmed the audience with their powerful expressions that engaged both sight and sound simultaneously. These performances are traditionally presented during the annual shrine festival in September, with rehearsals starting about two weeks before the event. One performer’s comment after the show left an impression: “The movements have been ingrained in my body since childhood, but I’ve never thought of them as dance.” This sensation of bodily expression before it becomes dance is linked to the subsequent performance of "Jap/Vanese."

"Jap/Vanese" was created during a workshop held in Singapore last year and has been refined since June through the "Odoru. Akita" artist residency. The piece draws from Shimojima's roots in Yosakoi dance and Mo’s Indonesian background, with various sources of inspiration, including their training in Fujisato Town, intricately intertwined without descending into chaos. The steps synchronized with the beats of electronic music, along with the sound of their bodies striking and their tongues clicking, evoke elements of Fujisato's dances while presenting them as original movements born from reinterpretation. Shimojima explained that instead of directly incorporating specific movements, they established the work from the shared festival spirit flowing beneath both her and Mo's experiences in Fujisato Town. With Mo wrapping gamelan balls around her waist and Shimojima waving hand-held naruko, the exhilaration created by their wild dancing radiated throughout the space, transforming into an emotional experience of witnessing a new world that lingered in the venue even after the performance ended.

Another artist, Annabel Dubilier, who was also a finalist in the selection performance, was supposed to participate in the festival. Despite her desperate attempts to find a flight to Japan under the current circumstances, she ultimately could not make it. “Loneliness, isolation, and the anxiety of not being able to foresee the future. I can’t find words to express these feelings…” On the final day, when she was supposed to perform her piece "FICTIONS," Mitsuta Yamakawa read her message aloud to the audience with a trembling voice.

In her place, Shimojima and Mo stepped up to perform *"Jap/Vanese" once again, presenting it with an entirely different resonance than the previous day. Although this is a duo piece, the performers never physically touch one another during the performance. This is partly due to Mo’s Islamic beliefs and can be seen as their response to the question of how to handle their distinct personalities. The boundary of light cast on the floor by the lighting divides the stage space in two. The two dancers perform as if they are struggling against each other across this divide, yet their competing energies somehow create a harmonious landscape. The differences are certainly present. Acceptance of this reality is where the approach begins, and it embodies the essence of what the term "coexistence" signifies.

At the end of the piece, the stage wall splits in two, revealing a large horse’s tail hanging from the ceiling. Surrounded by red light, the gentle swaying of the horse's tail behind Shimojima and Mo seems to encapsulate all the emotions imbued in the work, nodding in agreement.

To the end

The subtitle given to this year's festival presented by Director Yamakawa was "Your arts adventure awaits." As the phrase suggests, it was a three-day journey filled with unexpected encounters with emotions buried deep within oneself, stirred by each work presented.

Along his passion, Mr. Yamakawa also shared his concerns and difficulty of holding the festival. Due to its northern location and cold weather, the outdoor events are only possible to be hold in the summer, which means they can lose the opportunity to attract the public for the festival in other seasons. Second concern is that with few public transportation options, it is difficult for young people to even attend the performances on evening, as they don’t have a car and have to ask their parents to drive to the place. The locality of the festival, which is a part of attractive aspect of it, also brings those dilemma to organizers. Nevertheless, the special program on the second day was lively, filled with local people who had likely come to support the local performer who presented for the collaboration with "Jap/Vanese". It felt like a very natural form of cultural exchange between the citizens and festival members. It was a remarkable example of making a way for the festival’s reach to grow even further in the future.

The next "Odoru. Akita" is scheduled for February 2025. One of the key themes that the organizers are focusing on is "Transcending Borders." This year's festival already hinted at various forms of crossover, which are expected to evolve even more. With the newly established artist residency program as a core feature, the festival related activities will also extend throughout the year. Points will connect into lines, forming a path. It is exciting to think what kind of new vistas can be seen at next "Odoru. Akita" in the city covered by white snow.

#comtemporary dance #comtemporary dance festival

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konoototomareinfo · 1 year ago

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KOT 128 Indonesia

Halaman 1

Tanda tangan: Ruang Tunggu Hakim.

Teks Samping: Sekarang giliran Tokise. Kompetisi hari kedua dimulai…

Judul Bab: #128 Langkah Kaki yang Tumpul

Hakim Tatsumi: !

Hakim Tatsumi: Agata-sensei, Kurokawa-sensei. Selamat pagi. ku lihat kalian berdua datang lebih awal,

Halaman 2

Hakim Agata: Tidak, kami baru saja tiba.

Hakim Tatsumi: Apakah Anda mendapatkan cukup istirahat kemarin?

Hakim Agata: Yah, ya.

Hakim Tatsumi: Saya sangat bersemangat sampai tidak bisa tidur sedikitpun!

Hakim Tatsumi: Tidak menyangka klub sekolah menengah atas akan menampilkan level setinggi itu!

Hakim Tatsumi: Dan hari ini Ichiei, yang terbaik di negara ini, akan bermain. Saya benar-benar tidak sabar menunggu.

Hakim Kurokawa: Tentu saja, mereka telah menang selama 5 tahun berturut-turut.

Hakim Tatsumi: Tepat! Itu luar biasa---

Juri Kurokawa: Kemudian lagi, semua anggota Ichiei adalah anak-anak yang bercita-cita untuk menjadi profesional, jadi sudah bisa diduga bahwa mereka berada di level yang sama sekali berbeda.

Hakim Tatsumi: Anda mungkin benar tentang hal itu, tapi… Penampilan Meiryo dan Chibana kemarin sangat sempurna

Hakim Tatsumi: Saya tidak bisa membayangkan apa yang bisa melampaui itu.

Halaman 3

Hakim Tatsumi: ---Juga, ada satu sekolah yang menarik minat saya.

Hakim Kurokawa: !

Hakim Kurokawa: Aah, maksudmu sekolah yang bermasalah itu…

Hakim Kurokawa: Mereka tidak mungkin, menurutku.

Hakim Kurokawa: Bagaimana mereka bisa menyebabkan keributan seperti itu dan tidak diskors?

Hakim Tatsumi: Mereka menjelaskan kepada kami bahwa para siswa tidak benar-benar bersalah atas insiden tersebut.

Hakim Kurokawa: Di mana ada asap, di situ ada api. Hal ini juga merugikan siswa lain.

Hakim Kurokawa: Setidaknya kita, para hakim, harus memberikan evaluasi yang tepat dan adil ----

Hakim Agata: Apakah anda tidak berencana untuk menilai mereka hanya berdasarkan penampilan mereka?

Hakim Kurokawa: Eh…?

Halaman 4

Hakim Agata: Maaf, tapi, bagi saya, sepertinya Anda berencana untuk menurunkan peringkat Anda di area yang tidak relevan dengan kinerja, jadi…

Hakim Kurokawa: … Saya minta maaf Anda melihatnya seperti itu. Pertama-tama, saya tidak percaya Anda bisa memisahkan pertunjukan dari penampilnya.

Hakim Kurokawa: Untuk instrumen dan musik… Sikap. Kesopanan, rasa hormat… Saya percaya hal-hal itu termasuk dalam pertunjukan.

Hakim Kurokawa: Dan saya pasti akan mempertimbangkan mereka dalam penilaian saya.

Hakim Kurokawa: - Saya tidak tahu apakah Anda akan memahami hal ini, Agata-sensei, karena Anda adalah seorang musisi yang selalu melakukan hal-hal baru, seperti berkolaborasi dengan genre lain dan menggunakan metode pertunjukan yang tidak biasa tanpa menghormati tradisi.

Halaman 5

Hakim Agata: Saya tidak pernah tidak menghormati tradisi.

Hakim Arata: Saya mencoba mengeksplorasi semua kemungkinannya sambil menghargainya.

Hakim Tatsumi: Sekarang, sekarang.

Hakim Tatsumi [pikiran]: Astaga… Mereka berdua sangat menyebalkan seperti biasanya…

Hakim Tatsumi [berpikir]: ---Kemudian lagi, sekolah yang dimaksud… Aku merasa kasihan pada anak-anak Tokise.

Hakim Tatsumi [berpikir]: Bahkan jika mereka berhasil mencapai puncak

Hakim Tatsumi [pikiran]: Saya bisa melihat dengan jelas cacian yang akan kami terima dari sekolah lain dan orang tua mereka.

Hakim Tatsumi [pemikiran]: Saya ingin menghindari kerumitan semacam itu.

Halaman 6

Hakim Tatsumi [pemikiran]: Tapi bukan berarti saya tidak akan tersentuh hati nuraninya jika saya menurunkan peringkat saya karena hal itu.

Hakim Tatsumi [pemikiran]: Pada akhirnya

Hakim Tatsumi [pemikiran]: Itu akan baik-baik saja selama penampilan Tokise tidak terlalu bagus.

Hakim Nanba: Selamat pagi---

Hakim Tatsumi: Nanba-sensei, Iwagaki-san, selamat pagi.

Hakim Tatsumi [pikiran]: --Saya … untuk berpikir saya bisa begitu penuh perhitungan dan pengecut.

Hakim Tatsumi [pikiran]: Saya pikir saya telah menjadi orang dewasa yang membosankan.

Halaman 7

Isaki [pikiran]: Aku agak terlambat untuk pergi. Aku ingin tahu apakah aku masih bisa menyergap Takaoka-kun.

Isaki [pikiran]: Juga, aku ingin tahu apakah Uzuki akan menungguku

Isaki [pikiran]: Jika tidak… baiklah, itu adalah jalan yang dia pilih sendiri.

???: Isaki.

Halaman 8

Isaki: Eh?

Tetsuki: …

Tetsuki: … Terserahlah, aku sudah terbiasa. Pola ini.

Baiklah, baiklah. Aku akan masuk.

Halaman 9

Isaki: … Takaoka-kun, maaf.

Tetsuki: Eh?

Isaki: Setiap kali aku mengajakmu berkendara secara paksa, aku tidak pernah merasa menyesal sedikitpun. Jika ada, aku senang melihat betapa kau membencinya.

Tetsuki: Apa?

Isaki: Tapi hari ini

Isaki: Aku menyesalinya dari lubuk hatiku yang paling dalam. Aku sangat menyesal.

Tetsuki: Ada apa dengan itu, tiba-tiba? Aku takut sekarang.

Isaki: Baiklah, pertama, masuklah.

Tetsuki: Aku benar-benar tidak ingin…

Isaki: Lakukan saja

Tetsuki: Whaa---…

Halaman 10

Tidak ada teks

TL/N: Selamat datang di musim yang menyeramkan.

Halaman 11

Tetsuki: ----… Uh… umm…

Tetsuki [pikiran]: Jangan… katakan padaku

Tetsuki [sfx]: Ternyata

Isaki: Yup, seperti yang diharapkan, kamu cepat tanggap.

Isaki: -----

Halaman 12

Isaki: Itu ayahnya Chika.

Chika(?): Tidak main-main, udaranya begitu segar dan jernih begitu Anda tiba di lokasi acara!

Mittsu(?): Rasanya seperti ada sesuatu yang akan terjadi

Satowa(?): Bukankah ada lebih banyak orang daripada kemarin?

Chika(?): Ah, kamu benar.

Suzuka: Baiklah, sekarang giliran Ichiei, orang nomor satu di negara ini. Juga--

Halaman 13

Murid 1: Bukankah mereka orang Tokise?

Murid 2: Woah, benar.

Siswa 3: Mereka agak menonjol seperti jempol…

Siswa 4: Mereka benar-benar datang…

sane: Ri… benar…

Pria yang mencurigakan: Apa kau mengambilnya?

Chika: !

Satowa: Kudou?

Tsukaji: Halo, kalian!

Tsukaji: Bagaimana perasaanmu?

Halaman 14

Chika: Pak Tua!

Tsukaji: Apakah kamu tidur nyenyak kemarin?

Chika: Ye-ya

Pria mencurigakan 1: Siapa pria itu. Menyingkirlah dari sini---

Komaki: Whaaat---

Komaki: Apa yang kulihat ini penguntit?stalker? Oh astaga, menakutkan.

Tsurugi: Keamanan, di sini--!

Pria mencurigakan 1: Diam. Apa-apaan ini!

Orang mencurigakan 2: Hei, ayo kita pergi.

Tsurugi: Apa? Kau diamlah!!

Tsurugi: Apa kau baik-baik saja?

Suzuka: Maafkan aku. Terima kasih banyak.

Siswa 1: Bahkan voyeurs.

Murid 2: Yah, bukankah ini salah mereka sendiri?

Halaman 15

Murid 3: Bukankah karena Tokise datang, orang-orang yang tidak memiliki kesopanan berkumpul di sini?

Murid 4: Ini benar-benar mengganggu.

Tsukaji: Ugh---

Chika: osan…

Sane: Tidak apa-apa, Tsukaji-san.

Sane: Aku tidak bermaksud menyombongkan diri di sini, tapi kami sudah terbiasa bermain di lapangan yang tidak bersahabat

profesionalitas sekali abang ini :V

Halaman 16

Mittsu: Kau benar-benar membual---

Satowa: Ya, kami sudah terbiasa dengan hal itu.

Satowa: Kepada orang-orang yang berbicara di belakang kami dan memandang kami dengan jijik.

Takezou: [pikiran]: Mereka benar-benar memiliki kulit yang tebal… Haruskah saya senang dengan hal itu…?

Hiro: Hozuki-chan tumbuh dengan cepat.

Takezou [pikiran]: Ah tapi, bagaimana dengan tahun-tahun pertama---

Atsumu: Dulu aku sering diganggu! Kenyataan bahwa kalian bersamaku sekarang membuatku merasa sangat nyaman!

Natsu: Aku tidak peduli dengan orang lain.

Takezou [pikiran]: Aah, begitu kuat.

sane: Wahaha kami tahu, Momoya.

Halaman 17

sane: Ya, begitulah adanya. Jadi, Anda tidak perlu - -

Tsukaji: Aku sangat tersentuh…

sane: Apa--…?

Tetsuki: … Isaki-san.

Isaki: … Ya.

Halaman 18

Tetsuki [pikiran]: Wahana apa ini dari neraka?

Isaki [pikiran]: Maaf. Aku benar-benar minta maaf…

Isaki [pikiran]: Kakakku bahkan tidak menghubungiku, dia tiba-tiba saja muncul…!!

[kilas balik dimulai]

Ayah Chika: ---Isaki

Isaki: Eh?

Isaki: Wai- apa!? Kakak!?

Isaki: Apa-apa. Kenapa kau ada di sini!? Jangan bilang kau datang untuk mendengarkan pertunjukan!?

Halaman 19

Ayah Chika: …

Ah, tidak.

Isaki: Maaf, aku benar-benar berpikir kau tidak datang. Anda memberi saya sebuah awal.

Ayah Chika: Aku akan kembali.

Isaki: Apa!?

Isaki: Sekarang, tunggu sebentar. Mengapa kau begitu membungkuk karena ini? Bukankah butuh tekad yang kuat untuk datang ke sini!?

Isaki: Dan bukankah kamu datang jauh-jauh ke tempatku menginap dengan harapan aku bisa memberimu tempat tinggal bersama Chika!?

Halaman 20

Ayah Chika: … Aku tidak benar-benar memikirkan hal seperti itu.

Ayah Chika: Aku tidak ingin bertemu dengannya.

Isaki: … Lalu kenapa kau datang jauh-jauh ke tempat ini.

Ayah Chika: …

Ayah Chika: … ….

Isaki [sfx]: Kesal

Terserahlah, aku harus menjemput mereka berdua. Untuk saat ini, masuklah ke dalam mobil, Kakak!!

[akhir kilas balik]

Isaki [berpikir]: Mungkin aku terlalu ceroboh---

Halaman 21

Isaki [thoguths]: Tidak, tapi jika aku membiarkannya seperti itu, aku yakin Kakak pasti sudah kembali…

Isaki [pikiran]: Meskipun begitu, suasana ini begitu berat---

Tetsuki: Um.

Tetsuki: Apa hari ini mungkin… hari liburmu dari pekerjaan?

Isaki [berpikir]: Takaoka-kun…

Ayah Chika: Tidak…

Tetsuki: Ah, berarti kau mengambil hari libur untuk datang ke sini, kalau begitu.

Ayah Chika: Silau…

Tetsuki [berpikir]: Woah

Isaki: Tunggu!! Hentikan sikap kasarmu pada Takaoka-kun sekarang juga, dasar bodoh.

Ayah Chika: !

Halaman 22

Isaki: Dia selalu ada di samping Chika untuk mendukungnya, dan alasan dia bisa tersenyum sekarang adalah karena Takaoka-kun!

Isaki: Daripada memelototinya, bukankah seharusnya kamu berterima kasih padanya?

Ayah Chika: … Aku… Lihat.

Ayah Chika: … … Maaf…

Tetsuki: Ah, tidak sama sekali…

Isaki [pikiran]: Seorang pria yang tidak mau mengatakan "Terima kasih"…

Halaman 23

Ayah Chika: … Apa kau juga temannya?

Tetsuki & Isaki: !!

Uzuki: … Tidak, aku…

Uzuki: Orang yang merusak rumah kakek Chika dan kemudian menuduh Chika sebagai pelakunya.

Tetsuki & Isaki [thoguth]: Geh….!!!!

Halaman 24

Ayah Chika: Apa…

Uzuki: Selain itu, baru-baru ini, untuk membuat Chika terlihat buruk, saya mengedit video di mana dia menolong seorang anak yang dilecehkan, mempostingnya di media sosial, dan menjadi trending.

Tetsuki: Hei- Hei, Uzuki apa kau serius…

Ayah Chika: .. Apa

Ayah Chika: Apa… Apa yang kau katakan…?

Ayah Chika: Maksudmu kejadian itu, itu bukan karena dia bergaul dengan orang-orang---

Isaki: Entah sudah berapa kali aku katakan padamu, Chika tidak ada hubungannya dengan itu.

Ayah Chika: Tapi… Kenyataan bahwa dia adalah penyebabnya adalah benar, bukan!?

Isaki: … Mencoba untuk menjadi bahagia… Dia memegang tangan Ayah, itu saja.

Ayah Chika: Hu…

Halaman 25

Uzuki: Fu… Jika kau benar-benar melihat Chika.

Uzuki: Kau pasti akan dengan mudah mengetahuinya.

Isaki: Uzuki-kuuun?? Kamu benar, tapi itu bukan sesuatu yang seharusnya kamu katakan, bukan?

Isaki: Kamu tidak punya hak untuk mencela kakakku.

Halaman 26

Uzuki: … Maafkan aku…

Tetsuki [berpikir]: … Wahana apa ini dari neraka… (Kedua kalinya)

Isaki [berpikir]: Aku berjanji akan mengajakmu makan daging yang mahal.

[kilas balik]

Ayah Chika: Kamu memalukan!!

Ayah Chika: Di tahun ke-3 sekolah menengah pertama, dan kamu tidak bisa membedakan mana yang benar dan mana yang salah untuk dilakukan!?

Isaki: Tunggu, Kakak! Hentikan, kita ada di depan Ayah.

Ayah Chika: Kamu jangan ikut campur!

Ayah Chika: Ada apa dengan mata itu. Kalau kamu punya alasan, katakan saja.

Chika: … Tidak, tidak juga.

Halaman 27

Ayah Chika: Ayah: Kau bilang apa?

Chika: Terserah, aku tidak peduli.

Chika [ingatan]: Ayah

Chika: Ayah: Ayah.

Chika [terdistorsi]: D a d…

Halaman 28

Chika: Aku tak peduli lagi dengan apa yang kau pikirkan tentang aku.

Chika [memori]: Maafkan aku karena dilahirkan.

[akhir flashback]

Halaman 29

Ayah Chika [pikiran]: Meskipun ada orang di sebelah saya yang menjebak anak saya untuk melakukan kejahatan.

Ayah Chika [pikiran]: Bahkan jika orang itu melontarkan sindiran kepada saya.

Halaman 30

Ayah Chika [pikiran]: Hak untuk marah tentang hal seperti itu.

Ayah Chika [pikiran]: Aku tidak memilikinya.

Sane: Aku senang kita bisa duduk bersama.

Kota: Benar?

Halaman 31

Ibu Takezou: Takezou! Takezou!

Takezou: Ah

Chika: Ibu dan ayahmu?

Takezou: Ya…

Chika: Wahaha, kamu mirip sekali dengan ibumu!!

Halaman 32

Asisten: SMA Ichiei, anda punya waktu 10 menit sebelum berangkat.

Kifune-sensei: Ya, terima kasih. Baiklah, teman-teman, ayo bersiap-siap untuk pergi…

Halaman 33

Kifune-sensei: Mi…

Luka: Miran, sudah waktunya.

Halaman 34

Akira: Jika aku tidak salah ingat, Ichiei bermain di urutan ke-4, kan?

Suzuka: Ya.

Akira: Um… Apa kau memperhatikan? Bagian Ichiei. Sebelumnya, mereka---…

Suzuka: Aah, ya.

Program:

Solo - Luka Chevalier

Koto pertama - Hoshou Sao

Koto ke-2: Hanahata Imari

Koto ke-3 Saotome Miran

Koto 17-Senar: Takamura Togo

Suzuka: Tampaknya, mereka juga tidak berniat untuk melepaskan posisi pertama tahun ini.

Teks Samping: Interpretasi baru dari [Tomfoolery] yang dipicu oleh pertukaran Luka dan Miran adalah…

---Kono Oto Tomare! akan berlanjut di edisi berikutnya!

0 notes

shirtlessjohnnysidols · 2 years ago

Video

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Kikuchi Fuma, Tanaka Juri, Kawai Fumito & Tatsumi Yudai

2020.12.12 すこジャニ〜ルールだらけの旅〜

#kikuchi fuma #tanaka juri #kawai fumito #tatsumi yudai #sexy zone #sixtones #A.B.C-Z #菊池風磨 #河合郁人 #田中樹 #辰巳雄大

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tu-tu-lu · 3 years ago

Photo

CHAMPON

KameJuri

#FumaJuri #Black and White #kimono #yukata #ryokan #japanese culture #tatsumi yudai #kawai fumito #kikuchi fuma #tanaka juri #CHAMPON #my gifs #tv show #sukojani #KameJuri

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tokusatsugirlsfans · 5 years ago

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#kayoko shibata #juri miyazawa #kyuukyuu sentai gogo v #seijuu sentai gingaman #matsuri tatsumi #gogo pink #saya #ginga pink #柴田かよこ #宮澤寿梨

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mateushonrado · 6 years ago

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Status Post #8047: Super Sentai 101-200

Row 1 - Carranger (Yellow, Pink and Blue) [Yellow Racer: Natsumi Shinohara (Yuka Motohashi), Pink Racer: Yoko Yagami (Atsuko Kurusu) and Extra Hero (Blue): Signalman (Yoshinori Okamoto and Kenji Takechi in some episodes, voiced by Hochu Otsuka)], Megaranger [Mega Red: Kenta Date (Hayato Oshiba), Mega Black: Kouichirou Endou (Atsushi Ehara), Mega Blue: Shun Namaki (Masaya Matsukaze), Mega Yellow: Chisato Jougasaki (Eri Tanaka), Mega Pink: Miku Imamura (Mami Higshiyama) and Mega Silver: Yuusaku Hayakawa (Shigeru Kanai)] and Gingaman (Red) [Ginga Red: Ryouma (Kazuki Maehara)]

Row 2 - Gingaman (Green, Blue, Yellow, Pink and Black) [Ginga Green: Hayate (Koji Sueyoshi), Ginga Blue: Gouki (Shoei), Ginga Yellow: Hikaru (Nobuaki Takahashi), Ginga Pink: Saya (Juri Miyazawa) and Black Knight: Hyuuga (Teruaki Ogawa)] and GoGoV [Go Red: Matoi Tatsumi (Ryuichiro Nishioka), Go Blue: Nagare Tatsumi (Kenji Taniguchi), Go Green: Shou Tatsumi (Atsushi Harada), Go Yellow: Daimon Tatsumi (Kenji Shibata) and Go Pink: Matsuri Tatsumi (Kayoko Shibata)]

Row 3 - Timeranger [Time Red: Tatsuya Asami (Masaru Nagai), Time Pink: Yuri (Mika Katsumura), Time Blue: Ayame (Yuji Kido), Time Yellow: Domon (Shuhei Izumi), Time Green: Sion (Masahiro Kuranuki) and Time Fire: Naoto Takizawa (Shinji Kasahara)] and Gaoranger (Red, Yellow, Blue and Black) [Gao Red: Kakeru Shishi (Noboru Kaneko), Gao Yellow: Gaku Washio (Kei Horie), Gao Blue: Kai Samezu (Takeru Shibaki) and Gao Black: Soutaru Ushigome (Kazuyoshi Sakai)]

Row 4 - Gaoranger (White and Silver) [Gao White: Sae Taiga (Mio Takeuchi) and Gao Silver: Tsukumaro Ogami (Tetsuji Tamayama)], Hurricaneger [Hurricane Red: Yousuke Shiina (Shun Shiyoa), Hurricane Blue: Nanami Nono (Nao Nagasawa) and Hurricane Yellow: Kouta Bitou (Kohei Yamamoto)], Gouraiger [Kabuto Raiger (Crimson): Ikkou Kasumi (Yujiro Shirakawa) and Kuwaga Raiger (Navy): Isshu Kasumi (Nobuo Kyo)], Hurricanger (Green) [Shurikenger (Green): Asuka Kagura (Koji Kimura, voiced by Taiki Matsuno in suit, hence Matsuno's pic represents what Asuka would've looked like prior to renouncing his name and face, which forced him to remain in his costumed form permanently)] and Abaranger (Red and Blue) [Aba Red: Ryouga Hakua (Koichiro Nishi) and Abare Blue: Yukito Sanjyou (Shou Tomita)]

Row 5 - Abaranger (Yellow, Black and White) [Abare Yellow: Ranru Itsuki (Aiko Ito), Abare Black: Asuka (Kaoru Abe) and Abare Killer (White): Mikoto Nakadai (Kotaro Tanaka)] and Dekaranger (Red, Blue, Green, Yellow, Pink, White and Black) [Deka Red: Banban Akaza (Ryuji Sainei), Deka Blue: Houji Tomasu (Tsuyoshi Hayashi), Deka Green: Sen'ichi Enari (Yousuke Itou), Deka Yellow: Marika Reimon (Ayumi Kinoshida), Deka Pink: Koume Kodou (Mika Kikuchi), Deka Break (White): Tekkan Aira (Tomozaku Yoshida) and Deka Master (Black): Doggie Kruger (Hideaki Kusaka, voiced by Tetsu Inada)]

Row 6 - Dekaranger (Orange/White) [Deka Swan (Orange/White): Swan Shiratori (Mako Ishino)], Magiranger [Magi Red: Kai Ozu (Atsushi Hashimoto), Magi Yellow: Tsubasa Ozu (Hiroya Matsumoto), Magi Blue: Urara Ozu (Asami Kai), Magi Pink: Houka Ozu (Ayumi Beppu), Magi Green: Makito Ozu (Yuuki Ito), Magi Shine (Gold): Hikaru / Sungel (Yousuke Ichikawa), Magi Mother (White): Miyuki Ozu (Azusa Watanabe) and Wolzard Fire: Isamu Ozu / Blagel (Tsutomu Isobe)] and Boukenger (Red) [Bouken Red: Satoru Akashi (Mitsuomi Takahashi)]

Row 7 - Boukenger (Black, Blue, Yellow, Pink, Silver and Gold) [Bouken Black: Masumi Ino (Yasuka Saitou), Bouken Blue: Souta Mogami (Masahi Mikami), Bouken Yellow: Natsuki Mamiya (Chise Nakamura), Bouken Pink: Sakura Nishihori (Haruka Suenaga), Bouken Silver: Eiji Takaoka (Masayuki Deai) and Extra Hero (Gold): Zubaan (Riichi Seike, voiced by Hideyuki Hori)], Super Sentai Generations [Aka Red (Keizo Yabe, voiced by Toru Furuya)] and Gekiranger (Red, Yellow and Blue) [Geki Red: Jan Kandou (Hiroki Suzuki), Geki Yellow: Ran Uzaki (Mina Fukui) and Geki Blue: Retsu Fukami (Manpei Tagaki)]

Row 8 - Gekiranger (Violet, White, Black and Green) [Geki Violet: Gou Fukami (Riki Miura), Geki Chopper (White): Ken Hisatsu (Sotaro Yasuda), Black Lion: Rio (Hirofumi Araki) and Green Chameleon: Mele (Yuka Hirata)] and Go-onger (Red, Blue, Yellow, Green, Black and Gold) [Go-on Red: Sosuke Esumi (Yasuhisa Furuhara), Go-on Blue: Renn Kousaka (Shinwa Kataoka), Go-on Yellow: Saki Rouyama (Rina Aizawa), Go-on Green: Hant Jou (Masahiro Usui), Go-on Black: Gunpei Ishihara (Kenji Ebisawa) and Go-on Gold: Hiroto Sutou (Hidenoki Tokuyama)]

Row 9 - Go-onger (Silver) [Go-on Silver: Miu Sutou (Yumi Sugimoto)] and Shinkenger [Shinken Red: Takeru Shiba (Tori Matsuzaka), Shinken Blue: Ryunosuke Ikenami (Hiroki Aiba), Shinken Pink: Mako Shiraishi (Rin Takanashi), Shinken Green: Chiaki Tani (Shogo Suzuki), Shinken Yellow: Kotoha Hanaori (Suzuka Morita), Shinken Gold: Genta Umemori (Keisuke Sohma) and Princess Shinken Red: Kaoru Shiba (Runa Natsui)] and Goseiger (Red and Pink) [Gosei Red: Alata (Yudai Chiba) and Gosei Pink: Eri (Rika Satoh)]

Row 10 - Goseiger (Black, Yellow, Blue and Silver) [Gosei Black: Agri (Kyousuke Hamao), Gosei Yellow: Moune (Mikiho Niwa), Gosei Blue: Hyde (Kento Ono) and Gosei Knight (Silver): Groundion (Jiro Okamoto, voiced by Katsuyuki Konishi)] and Gokaiger [Gokai Red: Captain Marvelous (Ryota Ozawa), Gokai Blue: Joe Gibken (Yuki Yamada), Gokai Yellow: Luka Millfy (Mao Ichimichi), Gokai Green: Don Dogoier (Kazuki Shimizu), Gokai Pink: Ahim de Famille (Yui Koike) and Gokai Silver: Gai Ikari (Junya Ikeda)]

#super sentai

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gear-project · 6 years ago

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. . .

Soul Calibur VI voices (because I love blowing people’s minds)

Ivy Valentine > Carl Clover (BlazBlue), also Slan from Berserk Mitsurugi > Dante (DMC5), Ryu, Griffith (old Berserk), Sephiroth (Dissidia), Hayato/Nash/Ryu (MvC2), Hwoarang (Tekken)

Siegfried > Joe Higashi (Fatal Fury), Demitri/Donovan/Pyron (Darkstalkers), Link (Legend of Zelda), Batsu (Rival Schools), Uzu Sanageyama (Kill la Kill the Game)

Groh > Griffith (Berserk), Cloud Strife (Dissidia/Smash Bros) Geralt > Hit (DBFZ), Cid Highwind (Dissidia Opera Omnia), G (SFV), Xianghua > Mika (UNIEL/BBTAG), Elphelt Valentine (Guilty Gear) Kilik > Bartz (Dissidia), Ryu (Pocket Fighter) Zasalamel > Abyss (Soul Calibur III) Taki > Satsuki (SFV) Yoshimitsu > Cell (DBFZ), Vega/Bison (SF Series), Chaos (Dissidia), Johnny (Guilty Gear), Igniz/Rugal (KOF), Nobunaga (Sengoku Basara X) Azwel > Deus (Asura's Wrath), Sazh Katzroy (Dissidia Opera Omnia/FFXIII), Monsoon (Metal Gear Rising), Might Guy (Naruto Series), Nohman (Zone of Enders) Tira > Black Rose (.//hack games), Hakufu Sonsaku (Senran Kagura) Cervantes > Enkidu (FF Type 0), Caius Ballad (FFXIII-2), Bane (Injustice) Raphael > Orca/Sanjuro (.//hack series), Nuova Shenron (DB Xenoverse), Wallachia (Melty Blood), Nightmare (Soul Calibur V), "That Man" (Guilty Gear Drama CDs/Pre-GGXX)

Astaroth > Dabura/Shenron (Dragonball Z), Cyan Garamonde (Dissidia Opera Omnia), Zantetsu (The Last Blade)

Talim > Suzuha (Steins;Gate), Misty (Blade Arcus), June (Plasma Sword/MvC), Krile (Dissidia Opera Omnia), Rozalin (Disgaea 2)

Hildegard von Krone (SCV) > Matsu (Sengoku Basara X)

Algol (SCV) > Sol Badguy (Guilty Gear Xrd), Neko-Arc Chaos/Nero/Kirei (Nasuverse/Melty Blood), Ken Mishima/Godhand (Ehrgeiz), Enrico Pucci (JJBA:EoH), Wesker (UMvC3), Kazuya/Devil (Tekken 2)

Ezio Auditore > Answer (Guilty Gear Xrd), Han Daehan (Ehgeiz), Gilgamesh (Fate Series), Kanji Tatsumi (BBTag/P4A), Daru (Steins;Gate), Bryan Fury/Yoshimitsu (Tekken)

Custom Male Young Knight (English) > Faust (Guilty Gear Xrd), Guts (Berserk: English Dub)

Custom Male Scoundrel (English) > Ky Kiske (Guilty Gear Xrd: English Dub), Phoenix Wright (UMvC3)

Custom Male Assassin (English) > Adult Gohan (DBFZ), Ryu (SFV/UMvC3), Pikkon (DB Series),

Custom Male Reliable Leader (Japanese) > Chipp Zanuff (GGXrd), K' (KOF), Genji (Overwatch)

Custom Male Reliable Leader (English) > Thor (MvCI/UMvC3), Flash/Jay Garrick (Injustice 2), Guile (SFV), Knuckles (Sonic Series), Relius Clover (BlazBlue)

Custom Male Main Bad Guy (English) > Lord Geo Dampierre (Soul Calibur V/Broken Destiny)

Custom Male Main Bad Guy (Japanese) > Gouki/Akuma (SF Series)

Custom Male Super Human (English) > Joker (Injustice 2), Akuma (SFV), Raiden (MK Series), Demitri (Cross Edge/Darkstalkers), Daisuke Jigen (Lupin the 3rd), Batou (Ghost in the Shell)

Custom Male Veteran Knight (English) > Siegfried/Nightmare (SCVI!!), Jubei (BlazBlue/BBTag), Gen Fu (Virtua Fighter/DoA)

Custom Female Upbeat Girl (English) > Ayane (DoA/Ninja Gaiden)

Custom Female Upbeat Girl (Japanese) > Dophin Hayase/Mizuki Tachibana (Wrestle Angels)

Custom Female Cynical (Japanese) > Jam Kuradoberi (GGXrd), Li-Fen (SFV)

Custom Female Cynical (English) > Lightning (FFXIII/Dissidia)

Custom Female Serious (English) > Mai Natsume (BBTag), Silmeria Valkyrie (VP2)

Custom Female Reliable Leader (Japanese) > Leona (SNK Heroines), Julia Chang (SFxT)

Custom Female Reliable Leader (English) > Juri (Street Fighter Series), Dixie/Clemets (Rumble Roses XX)

Custom Female Veteran Knight (English) > Freya (VP2)

Custom Female Super Human (English) > Makoto Nanaya (BlazBlue), Labrys (BBTag/P4A), Amazon (Dragon's Crown), Barbara/Girl Laharl (Disgaea D2), Amy Rose (Sonic Series)

Custom Female Young Lady (English) > Es (BBTag), May (GGXrd), Hitomi (DoA Series), Elf (Dragon's Crown), Marie (P4A), Iris (FFXV), Devola/Popola (Nier Automata)

#Seiyuu #Voice Acting #This isn't a Soul Calibur Blog!

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jayleedraws · 4 years ago

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"Baka-chan & ShortStack" / Bakugou x Juri MHA [2020]

Cute illustration of my #MHA OC, Juri Tatsumi aka "RePLAY" and Katsuki Bakugou - they become unlikely besties in my fan series, MHA Paladins, and I adore drawing them together! This was done with a 90's vibe and I'm really proud with how playful I got them both to look in this!

And "Baka-chan" is Juri's nickname for Bakugou, as "Short Stack" is what Bakugou nicknames Juri. <3

See more on my IG!

IG | @ jaylee_draws

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architectnews · 3 years ago

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AZ AWARDS Competition, Buildings, Architects

2022 AZ Awards, Canadian Design Contest News, Past Winners, Buildings, Best Property Projects

AZ AWARDS 2022, Canada

International Architecture Awards – Canadian Architectural Competition News

12 February 2022

2022 AZ Awards Architecture Competition, Canada – International

Still open for submissions:

The deadline to submit is February 25, 2022

Call for Submissions

AZ Awards 2022

The AZ Awards celebrates the world’s best projects, products and ideas.

Recognized for its influence and significance within the global design and architecture sphere, the prize is a unique opportunity for architects, designers, urban designers, graphic designers, interior designers, landscape architects and architecture & design students to receive the international exposure and acknowledgement that their exceptional work deserves.

All winners and shortlisted projects are published in the AZ Awards Annual – AZURE’s July/August issue – and featured on AZURE’s and media partners’ digital and social channels.

Submission Deadline is February 25, 2022

Winners will be revealed on June 24, 2022.

awards.azuremagazine.com

Previously on e-architect

AZ Awards

AZ Awards 2020 2020 AZ Awards Winners

AZ Awards 2019 2019 AZ Awards Finalists

AZ Awards Architecture Competition 2018, Canada – International

* Entries are juried by a panel of architects & designers at the forefront of their professions

* Finalists and Winners are published in the AZ Awards Annual issue and are recognized at the AZ Awards Gala in June

* Student winner receives a $5000 cash prize

AZ Awards 2018

28 Jun 2017

AZ Awards 2017 Winners

Winners of AZ AWARDS 2017 – Architecture Competition, Canada – International

Canadian contemporary design publication Azure magazine annually welcomes designers, architects, firms, manufacturers, and students from all design disciplines worldwide to send in the best of their work for a chance to win.

There were 813 submissions from 41 different countries in 2017.

From this, 20 projects were selected fort their excellent and innovative design:

Best Residential Architecture, Single Family – Jean Verville Architecte: FAHOUSE, Eastern Townships, Canada.

Best Residential Architecture, Multi-Unit – Hiroyuki Ito Architects: Tatsumi Apartment House, Tokyo, Japan.

Best Architecture Over 1,000 Square Metres – Patkau Architects: Audain Art Museum, Whistler, Canada.

Best Architecture Under 1,000 Square Metres – Anmahian Winton Architects: Gemma Observatory, New Hampshire, U.S.

Best Recreational Architecture – Matter Design and FR|SCH Projects: Five Fields Play Structure, Lexington, U.S.

Best Temporary & Demonstration Architecture – Peoples Architecture Office: Peoples Canopy, Preston, U.K.

Best Lighting Installations – CannonDesign and NEUF Architect(e)s: CHUM Passerelle, Montreal, Quebec, Canada.

Best Landscape Architecture – Turenscape: Quzhou Luming Park, Quzhou City, China.

Unbuilt Concept – Adamiczka Consulting: A Church for the Local Community, Wroclaw, Poland.

Best Residential Interior – Desai Chai Architecture: Photographers Loft, New York, U.S.

Best Institutional & Commercial Interior – Neri&Hu Design and Research Office: The HUB Performance and Exhibition Center, Shanghai, China.

Best A+ Student Award – Students of Kansas State University: Preston Outdoor Education Station, Cottonwood Falls, U.S.

Non-Architecture Prizes:

Best Furniture Design – Republic of Fritz Hansen: Pair Chair, by Benjamin Hubert.

Best Furniture System – Keilhauer: Hangout Collection, by EOOS.

Best Lighting Fixtures – Flos: Infra-Structure, by Vincent Van Duysen.

Best Interior Products – Young Projects: Pulled Plaster Panels.

Best Architectural Products – Rimadesio: Soho Doors, by Giuseppe Bavuso.

Best Experiential Graphic Design – Volume: Bloomberg SF Tech Hub, San Francisco, U.S.

Best Environmental Leadership – Michael Green Architecture: T3 Minneapolis, Minneapolis, U.S.

Best Social Good – OPSYS: Extraction, Venice, Italy.

All images courtesy of Azure

28 Feb 2017

2017 Design Contest

AZ AWARDS 2017 – Architecture Competition, Canada – International

April 2017: Finalists notified April 6 to May 5, 2017: People’s Choice Friday, June 23, 2017: AZ Awards Gala June 2017: AZ Awards Annual released

Previously:

Eligibility

The design contest is open to:

•Designers and design firms from all disciplines •Architects, landscape architects and architectural firms •Post-secondary students enrolled in design and architecture programs in 2016 •Clients and manufacturers •Projects must be completed by December 31, 2016 •Products must be prototyped or in production •Concepts must have been developed or presented for the first time in 2016

Judging Criteria

Each project is evaluated on its own merits according to the following criteria: •Aesthetics: Is the design contemporary, visually and intellectually stimulating? Does it provoke curiosity, have the capacity to uplift spirits or simply delight? •Function: How well does it serve its intended use? Does it effectively resolve problems? •Creativity: Does it incorporate a unique approach, use a new medium or materials? Is it technologically innovative, forward-looking? •Social and Environmental Responsibility: Does it make respectful use of materials and resources? Does it possess a long life span? Does it contain recycled materials and/or can it be recycled? Does it provide a social benefit?

Monday, January 3, 2017: AZ Awards opens for submissions Wednesday, February 1: Early-bird deadline Tuesday, February 21: Submissions close Deadline Extended to Friday, February 24 at 12noon est

19 Feb 2016

AZ Awards 2016

AZ Awards 2016 Jury

Now in its 6th year, the AZ Awards attracts entries from some of the most innovative firms around the world. In 2015, over 700 architects, landscape architects, product designers, interior designers, students and manufacturers from 43 countries entered the AZ Awards. From this impressive number of entries, the jury selected 66 finalists, singled out for their innovative design, environmental or social benefit, or for simply evoking, as Vitruvius called it, delight.

AZ Awards 2014

Last chance! The 2014 AZ Awards for Design Excellence closes Wed, Feb 26!

Deadline is now February 26, 2014 @ 12noon EST (but the backend will be open until Friday 28th February).

The 2014 AZ Awards for Design Excellence closes Feb 26. Take this opportunity to have your work viewed by Ron Arad, Diego Burdi, Jamie Gray, Patricia Patkau and Charles Waldheim.

awards.azuremagazine.com

Design Competition in 2013

AZ AWARDS – Architecture Competition, Canada – International

Feb 26 2013 – extended submission deadline

The deadline has been extended to February 26, 2013 at 12noon est.

25 Feb 2013 – update – the jury: Furniture manufacturer Giulio Cappellini, architect Shirley Blumberg, product designer Todd Bracher, landscape architect Ken Smith, interior designer George Yabu and architect Todd Saunders.

AZURE, the influential contemporary design and architecture magazine announces the opening of submissions to the AZ AWARDS January 2, 2013. The 3rd annual international competition celebrates excellence in design.

SUBMISSIONS OPEN JANUARY 2, 2013

Submissions are open to designers and design firms from all disciplines, manufacturers and clients.

AZ AWARDS Categories

– Architecture: single-family, and multi-unit residential, commercial & institutional, landscapes, temporary & demonstrational spaces

– Design: furniture, furniture systems, lighting, interior products

– Interiors: residential, commercial & institutional

– Concepts: unbuilt competition entries, other unrealized concepts

– A+ Award: $5000 prize for work developed by a student enrolled in a post-secondary design or architecture program in 2012.

Sponsored by TD Bank Group.

SUBMISSIONS CLOSE: FEBRUARY 22, 2013

awards.azuremagazine.com

20 Jun 2011

AZ Awards Winners – 2011

AZURE has revealed the winners of its first annual AZ AWARDS. An exhibition produced by AZURE and presented by opened to the public on Saturday at the Harbourfront Centre, Toronto, and runs until September 25.

These awards are the first of their kind: the only international, multi-disciplinary design competition in Canada. Representing a global snapshot of the world of design, submissions were open to designers, architects and firms of all disciplines, as well as students in these fields. To be eligible, designs and concepts had to be realized by 2010.

The high-calibre international jury included landscape architect Claude Cormier of Claude Cormier Landscape Architects (Montreal), architect Craig Dykers of Snøhetta (Oslo/New York), designer and consultant Patty Johnson of Patty Johnson Design (Toronto), architect and product designer Eero Koivisto of Claesson Koivisto Rune (Stockholm) and interior designer Glenn Pushelberg of Yabu Pushelberg (Toronto/New York). In March, the expert panel conferred at Toronto’s Hotel Le Germain, narrowing the field from an impressive 600 entries arriving from 25 countries to a shortlist of 52 finalists. From there, they selected the 14 outstanding winners.

“The AZ AWARDS shows the high calibre of Canadian design by pitting it against the best in the world,” said Nelda Rodger, editor-in-chief of AZURE. “This competition is the next step in AZURE’s mission to provide our readers with visionary and engaging coverage of the international contemporary design scene.”

During the month of April, the public was also given the chance to vote online for their favourite designs in the People’s Choice Awards.

WINNERS

(*Indicates both jury-selected and People’s Choice Winner)

Residential Architecture: Linear House, by Patkau Architects (Canada) photograph : James Dow Linear House – People’s Choice: 60 Richmond East, by Teeple Architects (Canada)

Commercial and Institutional Interiors: Scandinave Les Bains, by Saucier + Perrotte Architectes (Canada) photo : Marc Cramer Spa Scandinave Montréal – People’s Choice: DRU Cultural Factory, by M&R Interior Architecture (The Netherlands)

Unbuilt Concepts: Musée National des Beaux-Arts, by Saucier + Perrotte Architectes (Canada) photo © Les Photographes Kedl, 2004 Musée National des Beaux-Arts Quebec – People’s Choice: Openair, by Jet Architecture, CXT Architects and Archasia Design Group (Canada/China)

Commercial and Institutional Architecture: Long Studio, by Saunders Arkitektur (Norway)*

Temporary and Demonstration Architecture: NY-11-18-02-10, by Campaign (UK) – People’s Choice: Ontario Pavilion, by Hariri Pontarini Architects (Canada)

Residential Interiors: Surry Hills Warehouse, by Ian Moore Architects (Australia) – People’s Choice: Crosstown Loft, by Campos Leckie Studio (Canada)

Landscape Architecture: Ballast Point Park, by McGregor Coxall (Australia) – People’s Choice: Trinity College Quadrangle, by gh3 (Canada)

Other Unrealized Concepts: Metropolitan Vertical Amusement Park, by Ju-Hyun Kim (USA)*

Student Work: Temporary Mosque, by Alex Josephson, University of Waterloo (Canada) – People’s Choice: Visions of Settlement, by Katherine Kovalik, University of Waterloo (Canada)

Furniture Design: Ply Shelves, by Matter Design and CW Keller (USA)*

Furniture Systems Design: Invitrium Recyclable Kitchen, by Valcucine (Italy)*

Lighting Design: Softlight, by Molo (Canada) People’s Choice: Canopy, by United Visual Artists (UK)

Interior Product Design: SensoWash Stark, by Duravit (Germany)*

For the Jury Award: Hydroelectric Lamp, by Hierve (UK) – People’s Choice: OMS Stage, by 5468796 Architecture (Canada)

AZ AWARDS – 2011

AZ AWARDS for Design Excellence, International

1 Mar 2011 deadline – submission by 11:59 pm ET

AZURE, the influential contemporary design and architecture magazine announces the opening of submissions to the AZ AWARDS, its first annual international competition celebrating excellence in design.

Online submissions are open to designers and design firms from all disciplines, manufacturers and clients for work completed before December 31, 2010.

The 13 categories are:

DESIGN: furniture, furniture systems, lighting, interior products

ARCHITECTURE: residential, commercial & institutional, landscapes, temporary & demonstration spaces

INTERIORS: residential, commercial & institutional

CONCEPTS: unbuilt competition entries, other unrealized concepts

A+ AWARD: students are eligible for the $2,500 prize

Entries will be juried by a panel of international experts including:-

– CLAUDE CORMIER of Claude Cormier Landscape Architects – CRAIG DYKERS of Snøhetta – PATTY JOHNSON – EERO KOIVISTO of Claesson Koivisto Rune – GLENN PUSHELBERG of YABU PUSHELBERG

Winners will be featured in the AZURE AWARDS ANNUAL on newsstands Jun 2011.

Submissions deadline for the AZ Awards was 1 Mar 2011.

Location: Toronto, Ontario, Canada

Architecture Awards

American Architecture Awards

American Institute of Architects Gold Medal

Pritzker Prize architects

Stirling Prize

Canadian Architectural Designs

Canada Architecture Design – chronological list

Canadian Building Designs – architectural selection below:

Fredericton Performing Arts Centre, New Brunswick Design: Diamond Schmitt Architects image courtesy of architects Fredericton Performing Arts Centre, New Brunswick

Canadian Architects

Canadian Architecture

Comments / photos for the AZ AWARDS 2022 page welcome

Website: https://awards.azuremagazine.com/

The post AZ AWARDS Competition, Buildings, Architects appeared first on e-architect.

#e-architect

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juliandmouton30 · 7 years ago

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RIBA reveals 62 projects vying to be named world's best new building

A forest chapel in Japan, an oyster-shell-inspired ferry terminal in Italy and a grain silo converted into an art museum in South Africa are among the projects shortlisted for the second edition of the RIBA International Prize.

The Royal Institute of British Architects has released a longlist of 62 projects vying for the RIBA International Prize 2018, a biennial architecture award that aims to set a global standard for architecture.

Covering everything from small housing projects, to major new museums and office buildings, the list includes projects from 28 countries, by firms including BIG, Zaha Hadid Architects, Foster + Partners and Heatherwick Studio.

Zeitz MOCAA, Cape Town, South Africa, by Heatherwick Studio

Dezeen is media partner for the RIBA International Prize 2018.

Other projects in the running for the award include Dorte Mandrup's sculptural extension to the Wadden Sea visitor centre, along with Ensamble Studio's large-scale contemporary sculptures set in the Montana wilderness.

Also longlisted is a library in Istanbul by Tabanlıoğlu Architects, and a nearby mosque set into terraced steps by Emre Arolat Architects.

Salerno Maritime Terminal, Salerno, Italy, by Zaha Hadid Architects

Rogers Stirck Harbour + Partners has two buildings on the list: a 34-storey office tower in Sydney with criss-crossed red braces, and a 50-storey tower block for a bank headquarters in Mexico City.

Japanese architect Hiroshi Nakamura is behind the forest chapel on the list, while Stefano Boeri is recognised for his tree-covered tower in Milan.

The project that was named World Building of the Year at the World Architecture Festival last month is also among the nominees. The structure, created by a team from the Chinese University of Hong Kong, is a prototype for an affordable, earthquake-proof house built from rammed earth.

BBVA Bancomer Tower, Mexico City, Mexico, by Rogers Stirk Harbour + Partners with Legorreta + Legorreta

"The RIBA International List 2018 shines a light on the world's best new buildings and most impressive architectural talent," said RIBA president Ben Derbyshire.

"Most importantly, this significant selection of 62 projects illustrates the meaningful impact and transformative quality that well-designed buildings can have on communities, wherever they are in the world."

Vertical forest, Milan, Italy, by Boeri Studio with Studio Emanuela Borio and Laura Gatti

The RIBA International Prize was open to any registered architect in the world – not just RIBA members. All projects were eligible, regardless of size, type or budget, provided they demonstrated "visionary and innovative thinking".

A jury – including Diller Scofidio + Renfro co-founder Liz Diller and Joshua Bolchover of Rural Urban Framework – will select a shortlist from these 62 projects.

They will then visit each of these projects in person and name four finalists, before an overall winner is announced in November 2018.

Wadden Sea Centre, Ribe, Denmark, by Dorte Mandrup

The first edition of the prize was won by Grafton Architects, with their vertical campus for a Peruvian University.

Described by judges as a "modern-day Machu Picchu", the Universidad de Ingeniería y Tecnología (UTEC) was praised as an exceptional example of civil architecture.

Explore the entire longlist here:

› 8 Chifley Square, Sydney, Australia, by Rogers Stirk Harbour + Partners with Lippmann Partnership › AP House Urbino, Pieve di Cagna, Italy, by Gardini Gibertini Architects › Audain Art Museum, Whistler, British Columbia, Canada, by Patkau Architects › Baan Huay Sarn Yaw - Post Disaster School, Chiang Rai, Thailand, by Vin Varavarn Architects › Baitasi House of the Future, Beijing, China, by Dot Architects › BBVA Bancomer Tower, Mexico City, Mexico, by Rogers Stirk Harbour + Partners with Legorreta + Legorreta › Beyazıt State Library, Istanbul, Turkey, by Tabanlıoğlu Architects › Bremer Landesbank Headquarters, Bremen, Germany, by Caruso St John Architects › Bundner Kunstmuseum Chur, Chur, Switzerland, by Barozzi Veiga › Cabbage Tree House, Bayview, Australia, by Peter Stutchbury Architecture

Beyazıt State Library, Istanbul, Turkey, by Tabanlıoğlu Architects

› Captain Kelly's Cottage, Tasmania, Australia, by John Wardle Architects › Central European University - Phase 1, Budapest, Hungary, by O'Donnell + Tuomey with M-Teampannon Kft › Children Village, Formoso do Araguaia, Brazil, Alephzero with Rosenbaum › City Hall Deventer, Deventer, Netherlands, by Neutelings Riedijk Architecten › Cluny Park Residences, Singapore, by SCDA › Cuernavaca House, Mexico City, Mexico, by Tapia McMahon › Empower, Khayelitsha, South Africa, by Urban-Think Tank, ETHZ › EY Centre, Sydney, Australia, by Francis-Jones Morehen Thorp › Factory In The Forest, Penang, Malaysia, by Design Unit Sdn Bhd with Chin Kuen Cheng Architect › Garden Tower, Wabern, Switzerland, by Buchner Br��ndler Architekten

Structures of Landscape, Fishtail, Montana, United States of America, by Ensamble Studio

› GS1 Portugal, Lisbon, Portugal, by PROMONTORIO › Joolz, Amsterdam, Netherlands, by Space Encounters Office for Architecture › Kannikegaarden, Ribe, Denmark, by Lundgaard & Tranberg Arkitekter › Kericho Cathedral, Kericho, Kenya, by John McAslan + Partners with Triad Architects › King Fahad National Library, Riyadh, Saudi Arabia, by Gerber Architekten › Kunstmuseum Basel, Basel, Switzerland, by Christ & Gantenbein › Lanka Learning Center, Eastern Province, Sri Lanka, by Feat Collective › M4 Metro Line Budapest, Budapest, Hungary, by Palatium Studio, with Budapesti Építőművészeti Műhely, Gelesz és Lenzsér Építészeti, Puhl és Dajka Építész Iroda, sporaarchitects, VPI Építész Studio and Palatium M4 Projekt › MAAT, Lisbon, Portugal, by AL_A › Maersk Tower, extension of the Panum complex at the University of Copenhagen, Copenhagen, Denmark, by CF Møller Architects › Mount Herzl Memorial Hall, Jerusalem, Israel, by Kimmel Eshkolot Architects in collaboration with Kalush Chechick Architects

Sayama Forest Chapel, Tokorozawa, Saitama, Japan, by Hiroshi Nakamura & NAP

› Msheireb Museums, Doha, Qatar, by John McAslan + Partners › Mulan Weichang Visitor Centre, Weichang, China, by HDD › Musee d'arts de Nantes, Nantes, France, by Stanton Williams › Museum Voorlinden, Wassenaar, The Netherlands, by Kraaijvanger Architects › National Design Centre, Singapore, by SCDA › Oasia Hotel Downtown, Singapore, by WOHA Architects › Post-earthquake reconstruction demonstration project of Guangming Village, Zhaotong City, China, by One University One Village Programme, The Chinese University of Hong Kong › Queen Elisabeth Hall, Antwerp, Belgium, by SimpsonHaugh, with Bureau Bouwtechniek › ROGIC ROKI Global Innovation Centre, Hamamatsu, Shizuoka, Japan, by Tetsuo Kobori Architects › Salerno Maritime Terminal, Salerno, Italy, by Zaha Hadid Architects with Interplan Seconda

The Palestinian Museum, Birzeit, Palestine, by Heneghan Peng Architects with Arabtech Jardaneh

› Sancaklar Mosque, Istanbul, Turkey, by EAA-Emre Arolat Architecture › Sayama Forest Chapel, Tokorozawa, Saitama, Japan, by Hiroshi Nakamura & NAP › Social Housing in Bairro Padre Cruz, Lisbon, Portugal, by Orange - Arquitectura e Gestão de Projecto with Bruno Silvestre Architecture and D Sul › Stavros Niarchos Foundation Cultural Center, Athens, Greece, by Renzo Piano Building Worskhop with BETAPLAN › Structures of Landscape, Fishtail, Montana, United States of America, by Ensamble Studio › Studio Dwelling at Rajagiriya, Colombo, Sri Lanka, Palinda Kannangara Architects › Suzhou Chapel, China, by Neri&Hu Design and Research Office › Tatsumi Apartment House, Tokyo, Japan, Hiroyuki Ito Architects › The Ancient Church of Vilanova de la Barca, Spain, by AleaOlea architecture&landscape › The Palestinian Museum, Birzeit, Palestine, by Heneghan Peng Architects with Arabtech Jardaneh

Kericho Cathedral, Kericho, Kenya, by John McAslan + Partners with Triad Architects

› Three Metro Stations L9, Barcelona, Spain, by Garcés-de Seta-Bonet Arquitectes with TEC 4 Ingenieros Consultores › Tirpitz, Blåvand, Denmark, by BIG › Toho Gakuen School of Music, Tokyo, Japan, by Nikken Sekkei › Tolsa 61, Mexico City, Mexico, by MOCAA Arquitectos › University of Amsterdam, Amsterdam, Netherlands, by Allford Hall Monaghan Morris › Vertical forest, Milan, Italy, by Boeri Studio with Studio Emanuela Borio and Laura Gatti › Wadden Sea Centre, Ribe, Denmark, by Dorte Mandrup › Welcome Centre and office building, Shanghai, China, by Sergison Bates Architects › Xiao Jing Wan University, Shenzhen, China, by Foster + Partners with GDI › YKK80 Building, Tokyo, Japan, by Nikken Sekkei › Zeitz MOCAA, Cape Town, South Africa, by Heatherwick Studio with Van Der Merwe Miszewski Architects, Rick Brown Associates and Jacobs Parker

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from ifttt-furniture https://www.dezeen.com/2017/12/12/riba-international-prize-2018-longlist-worlds-best-building-hadid-heatherwick-rogers-foster/

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