#juniperwood

[fern-bubble]

JUNITHENAAA (with my headcannons heh)

[thee-radio-host-is-a-kookaburra]

Both Juniperwood and Blackquill are valid warriors names, you can skew apollo if you want enough (they must know of Justice yeah? Call it applejustice) Athena’s friend group is just a clan

you’re so right

[warriors-cat-names-for-your-use]

Juniperwood

I like it! Solid name 10/10

[teufelskunst]

Samhain incense for the dark season, made with self gathered herbs, fragrant juniper tips, amber and pine tree resin. For protection and spiritually connecting with the sylvan realm. #samhainherbs #samhain #protectionincense #incense #ritualincense #october31 #pineresin #mugwort #thyme #rosemary #vervain #sage #amber #oakbark #oakleaf #junipertips #juniperwood

[sunshinegearbox]

[toulousseandsaint]

Sleek Elegant Delicate You Le Fem pipes are unique and beautiful. Pull a bowl from your clutch and proceed delightfully! 👊🏽Shop Link in Bio👊🏽 #pipe #woodpipe #handcarved #woodworking #zebrawood #blackafricanmahogany #mahogany #juniperwood #etsysellersofinstagram #supportsmallbusiness #cannabiscommunity #cannabisculture #newmexico #california #colorado #smokeshops

[wevuxmag]

Marco Barazzuoli (1986) is an Italian designer from Tuscany. After his studies, Marco started collaborating at various projects, mainly concerning interior decoration and exhibition space set-up, while developing the interest in the furnishing product. The passion for handcraft and his artsy approach brought him to the experimentation of different materials and techniques which allowed him to create unique pieces and small series. He is working closely with artisans from Tuscany, monitoring and personally taking part in the different phases of production.

    Marco’s design method often starts from materials, the process aims at enhancing them as much as possible, even using imperfections. Instead of renderings and virtual visualizations, he prefers to go for models and tests directly in person or with the artisans. For ARKEUTHOS project Marco had the desire to change scale and to be able to create an object that has a more intimate dimensions.

ARKEUTHOS is a collection of vases in which archaic forms are re-shaped through the use of evocative materials, analyzing their use and their history. The juniper wood, Arkeuthos in Greek, is the inspirational material for a temporal journey on the coasts of the Mediterranean, where for centuries it has accompanied with its perfume the rituals of the locals. The shapes are hidden in the wood imperfections. Worked on the lathe and then burned, the wood welcomes and communicates with the polished steel elements, in a set of material and shapes contrasts. The material is the real added value of the project: the Juniper plant has not a great growth and Marco had the opportunity to find these pieces to create a limited series of vases, about a dozen. His decision to burn the wood is conceptual: he wanted to recall the ancestral use of it – always linked to rituals and ceremonies – and to enhance materials and colors. The effect is not too excessive for the naturalness of the wood but for the exaltation. The scent is partially lost with the burn, but it can be reactivated by manipulating the vases and warming them in your hands.

Visit Marco’s website for more projects!

  All Rights Reserved to Marco Barazzuoli

Please seek permission before using

ARKEUTHOS_Marco Barazzuoli #artisan #craftman #crafts #creativity #design #furniture #inspiration #ispirazione Marco Barazzuoli (1986) is an Italian designer from Tuscany. After his studies, Marco started collaborating at various projects, mainly concerning interior decoration and exhibition space set-up, while developing the interest in the furnishing product.

[1kwaystodieinadream]

Juniperwood

Last night I went to bed talking to my husband, pointing out that I think I dream the way I do because I have a lifetime of movies, books, RPGs, and goofy campfire stories filling my brain, so the structure and content is already there, it just gets endlessly shaken and regurgitated as these strange fantasies.

I dreamed about the town of Juniperwood, Alaska. Set at the base of a tall mountain, beside a deep river, the town was originally an outpost in an empty wilderness, plagued by disappearances and ruination. The turn of the century saw advances in science, in film and in exploration. The mysteries of the outpost of Juniperwood were discovered: yetis! The tall mountain peak was home to ferocious arctic apes with the strength of ten men, and their rage at the proximity of man to their home caused great destruction for the outpost, hence the difficulty in maintaining a steady footing there. It was decided that the yetis were too dangerous to come and go where humans were going to travel, and a huge expedition was mounted to block the high mountain passes.

The yetis were trapped above a certain altitude, all pathways down the mountain blockaded and watch-posts erected to keep the developing town safe. To pay for the constant vigilance and the supplies to maintain the impassible paths, the town grasped for a way to bring wealth to the remote region. As Hollywood became the premier location for film in Southern California, Juniperwood called itself the movie capital of the North. As many fly-by-night b-movies were being pumped through the scrub prairies of California, Juniperwood slogged through snow and limited means of import to try to keep pace.

Juniperwood withstood the growing pains of the entertainment world, producing films that were full of gumption, even if they lacked the quality of anything made where the cameras were not occasionally trampled by moose. While the rest of the world grew through film fads and fashions, Juniperwood had a old-timey b-movie legacy that never changed by much. They named their streets and buildings after famous pop-culture references, drummed up a molasses slow trickle of tourists to see their film sets and their quaint Main Street, and became a community full of entrepreneurs. Even if the town reputation was more “the Ed Wood of the North” than “Hollywood of the North”, the community saw economic stability. They build a hydro-electric plant on the river, unofficially known as the Frankly Dam, officially known as the Frankly My Dear I Don’t Give A Dam. They prospered with a population full of folks doing double-duty as both film crew and small town workforce. 

When an earthquake rattles free the rocky barriers that have held the yetis back all these decades, the remote town is stuck on the defense from a yeti attack, with no reinforcement on the way. They must work together with the combined skills of hearty Alaskan outdoorsmanship and cut-rate special effects to protect the townspeople and drive the yetis back to their mountain top home. The principal of the high school, an aging director well known for his direct-to-video schlock and widely considered to be more interested in the profit than the quality of his work, is old-hand with making a shoe-string budget and limited supplies last until the End. The Engineering Club of the local community college see themselves as the next Michael Bays, eager to break into the “real world” of film further south and excited to show the yetis what bored townies with access to TNT can come up with. The local high school drop outs, more interested in art film and indie comedy than continuing in the tired footsteps of bad scifi, are dragged into the fray to trade their 8mm for 9mm.

In the end, everyone has a little more hands-on experience for their resume and a fresh eagerness to bring their ideas to the people, whether the people like it or not. The yetis are fought back in to the peaks and the town learns a little more about their aging principal and his steadfast motto that no movie is truly shitty if it makes one person laugh. Not everything has to be high art.

[toulousseandsaint]

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