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gameofthunder66 · 2 years ago
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Snowfall (2017-2023) tv series
-(finished) watchin' Series (6 Seasons)- 4/20/2023- 4 stars- on Hulu (FX)
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ncisfranchise-source · 7 months ago
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“Even if all your choices are bad, you have to pick the best bad choice because that’s the only choice you’re going to have to survive,” says Gary Cole, explaining why his character, NCIS Special Agent in Charge Alden Parker, made the split-second decision to pose as a heart surgeon in the latest episode.
The actor told us more about filming the adrenaline-pumping installment in our weekly after show NCIS: Case Closed. (To see the entire interview where he breaks down the episode, watch the video above.) Parker allowed himself to be kidnapped along with a real cardiac specialist, Navy Commander Clara Logan (Christina Kirk), who was being taken to operate on Colombian drug kingpin Carlos Savina (Juan Javier Cardenas).
Suspenseful storyline aside, the hour also gave us the opportunity to learn more about Parker, who almost passed out when the patient’s chest was opened up. “Apparently [Parker has problems] stomaching certain things, which is funny to me because he seems to have no problem walking through an autopsy room looking at carved up bodies. There must be something about an actual beating heart that throws him — or the actual cutting,” says Cole. “I wouldn’t say that I’m squeamish on a level like that. But I don’t have any needle fear.”
Turns out that “needle fear” known as “trypanophia” is also an issue for the team leader. But it’s another one of his “phobias” — commitment — that he might have to deal with going forward. Even in crisis, he and doc Logan delivered on banter. By the episode’s end, their exchanges took on a tender aspect that seemed to surprise Parker himself. “I don’t know that you were left with the feeling that Christine’s character may be returning. That’s the way it looks to me. And since we’re coming back, we’ll find that out,” Cole says, alluding to the procedural’s renewal for a 22nd season.
Will this season, like previous ones of NCIS, end on a cliffhanger? Cole will only drop a subtle hint about the finale: “What I can say that people are in trouble. Big trouble. And it’s going to take everybody — and I’ll lay a little hint — it’s going to take everybody on board. If you take the clue.”
Check out the video above for more from Cole on behind-the-scenes details from the shoot, like trying an inversion table for the first time; auditioning for one of the movies that was name-checked in this episode; and Parker’s friendship with Torres (Wilmer Valderrama). Come back each week for a new episode of NCIS: Case Closed to hear from the people who make the show.
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architectuul · 2 years ago
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Interview: Zuloark
Weltraum, a radio podcast about space on the jabbering Independent Coastal Radio NOR we hosted Juan Chacón, an architect, researcher and educator. He is the co-founder of the collective Zuloark (2001), which enables the open-source distribution of architectural and urban planning knowledge, a co-founder of the cooperative Zoohaus (2007) and part of the open-source network Inteligencias Colectivas (2010). 
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Zuloark's Collective Portrait at IX Zuloark International Congress in La Palma, Spain (2020). | Photo © Lourdes Cabrera
Since 2009, Juan has been researching community development models in Berlin. With Christina Serifi (Digital Architectuul Fellow 2020), he co-founded the Tirilab initiative, which explores intercultural heritage related to local technologies, gastronomy and cultural specialties of rural communities in northern Greece. 
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An atlas of rural commons in Northern Greece by TiriLab (Christina Serifi and Juan Chacón) were part of Future Architecture. | Photo via Future Architecture
Juan taught as a member of zuloark and researcher at UDK in Berlin, Pontificia Universidad Javeriana in Bogotá, Technische Universität in Berlin and San Jorge University in Zaragoza. His work with zuloark and zoohaus has been exhibited in the MoMA in New York, the Akademie der Kunste in Berlin, the Lisbon Architecture Triennial and the Matadero Museum in Madrid, among others.
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Zuloark is an open office for architecture and urbanism. You co-founded it in Madrid in 2001 and in 2010 expanded its headquarters to La Coruña, Berlin, Bologna, Athens and La Palma. What does open office mean?
Juan Chacón: For Zuloark the word open office is not really well defined.  Since our principle is based on belonging to the collective,  It means that the environment or the name is open to everyone for participation. Also the word open reflects open source, that’s why we use it to define ourselves. Of course, there are so many voices in the collective and each one is defined in a different way.    
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Workshop in El Campo de Cebada, Madrid in Spain (2012). | Photo © zuloark
What is its approach?
JC: First of all we will need to define what it means architecture. We can understand architecture as a built environment but you can understand architecture as a place where education happens and then spaces are created in different ways. The practice of architecture can unfold in different ways. 
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F.U.A!! Imagina Madrid  (Zuloark +  Enrique Espinosa -Eeestudio- + David Cardenas + Lys Villalba + Juanito Jones), Madrid, Spain (2017-2018). | Photo © Javier de Paz García
In Zuloark we don’t close a definition of one type of architecture but we try to engage with architecture in different layers and ways. Therefore we develop projects in different scales, we engage different communities and agents, we are trying to involve different parts in our practices, all this to create better places in a more participatory way that engages more people in the design of it. 
In all these countries that I’ve mentioned? 
JC: In 2001 we founded Zuloark and in 2010 we expanded. We founded it while we were students and between 2008 and 2010, after finishing our studies, we started to professionalize the structure. In that period members started to move around Europe and elsewhere, so we found a way to adapt to its members. When a member moves in a city also the office moves there and starts to activate different networks.
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MADPAZ Conama Madrid (Zuloark +  Enrique Espinosa -Eeestudio- + David Cardenas + Lys Villalba + Juanito Jones + María Mallo) Madrid, Spain (2016-2027). | Photo © Javier de Paz García
In a way you also have an open structure of work?
JC: In the last ten years we have been trying to develop governance, forecasting and evaluation  systems and tools. We try to be strict in the way we organize, to benefit the participants and  projects that are common to everyone. This creates the independence of work with some guidelines and fixed points towards the collective in order that we can be all coordinated. This methodology intends to create a structure that allows flexibility but at the same time allows the collective to work as a network not as independent units.
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Pavillion in CCE Malabo, IC Red Guinea (Zoohaus) , Equatorial Guinea (2015). | Photo © zoohaus
Zuloark involves tactical urbanism, participation, festivals and construction workshops in a DIY way. How do you involve users in architecture?
JC: We never use the word user. It doesn’t exist in our vocabulary. We always involve the group of people or community in the process of final design. We share the methodology of how we can build the place together. When we design for example a public square, we don’t think about how we will work with the users. We are going to be part of this square and of the group of people creating the place by itself. 
You co-founded the cooperative Zoohaus, which initiated the international practical research Collective Intelligences; what is the field of this research?
JC: Zoohaus is a wider network than Zuloark. It is a network launched in 2010 that tries to rephrase what we are doing. It was constituted in Madrid as a cultural association that engaged in cultural projects related to the public space. The idea is to engage and collaborate with networks all around the world based on intelligent design. We started to create a catalog where anybody can upload and contribute to its database their solutions. It is not organized by institutions but is coming from communities or individuals.      
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Casa Tejida en NOcaima (Santiago Pradilla y Zuloark), NOcaima Cundinamarca, Colombia (2019). | Photo © Federico Cairoli
Zuloark has had an active involvement in academic contexts, teaching in Madrid, Berlin and Monterrey. What is based on your educational practice?  
JC: ...is based on ourselves. The most important educational process for Zuloark is Zuloark itself. We consider a collective as a kind of learning environment. We were always talking about the Vygotsky’s Zone of proximal development, a concept that explains how you can learn things by helping each other and creating environments of professional learning, where you can always engage with new skills. This is the core of Zuloark. The second thing started with educational models in collaboration with universities in a more punctual way, proposing workshops or formats that can take education out of the universities itself. Some of us engaged in a more formal way inside universities with an approach of situated knowledge, always learning about a specific case going out of the theoretical level and trying to create hands-on spaces.  
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Aquí hay Dragones La Palma, Canary Islands, Spain (2020). | Photo © zuloark
How do you manage to fund your projects?
JC: The funding is very diverse, fifty percent are public coming from cultural institutions through grants and open calls, also applying for European funding. These funds are for self initiated projects. Other part is based on private commissions for clients, which want to be involved in participatory projects.   
Your collaborations include different collectives; how do you choose them and develop the working process?
JC: There are many levels, one of them is based on a daily basis collaboration where people have a regular income, then is a network of collaborators that have some collaborations during a year in some project and we define them as individual agents. We create a lot of partnerships with other entities to learn from. All collaborations are developing during a period of time so we can create some kind of trust among each other.       
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Yesterday you said tomorrow Information Pavillion and 274 Benches (Zuloark + Tipi Studio + Alberto Rey), San Sebastian, Spain (2016).| Photo © zuloark
On what shall architecture focus in the future?
JC: On situated knowledge, waste, emissions, environment, society and social interactions.
You can listen to the WELTRAUM interview on Independent radio NOR
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vintagewarhol · 2 years ago
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gameofthunder66 · 2 years ago
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-(started) watchin' Season 6- 2/24/2023- on Hulu (FX)
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FX has renewed the Snowfall TV series for a sixth and final season. https://buff.ly/3LGOtkr Do you keep up with this crime drama? Will you be sorry to see it end or, is six seasons a good place to end it? https://ift.tt/WrLN1O6
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movies-tv-more · 2 years ago
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GORDITA CHRONICLES season 1 is now available on HBO Max
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bxmbitch · 4 years ago
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𝑳𝒐𝒄𝒌𝒔𝒄𝒓𝒆𝒆𝒏𝒔: 𝑱𝒖𝒂𝒏 𝑱𝒂𝒗𝒊𝒆𝒓 𝑪𝒂𝒓𝒅𝒆𝒏𝒂𝒔 𝒂𝒏𝒅 𝑨𝒗𝒊 𝑵𝒂𝒔𝒉 | 𝑫𝒂𝒏𝒕𝒆 (𝑻𝒉𝒆 𝑾𝒂𝒍𝒌𝒊𝒏𝒈 𝑫𝒆𝒂𝒅) ✨
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juanjaviercdaily · 5 years ago
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You can tell Dante didn’t like how Lydia was being treated.
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thedeadwalkers · 5 years ago
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thegaymerist · 5 years ago
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So no Dante being gay gifs? Homophobic...
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lyrasky · 5 years ago
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【ウォーキングデッド-シーズン10】禁断の恋! 新キャラ紹介と最新情報 TWD10 Lovers&News
【ウォーキングデッド-シーズン10】禁断の恋! 新キャラ紹介と最新情報 TWD10 Lovers&News LyraのBlogへ #thewalkingdead #thewalkingdead10 #ウォーキングデッド #daryldixon #negan #michonne #normanreedus #laurencohan #danaigurira #jeffreydeanmorgan #andrewlincolin #melissamcbride #twd #newcharacters #新キャラ
Hi, Guys! What’s Up!
皆さん、おひさ〜♪
「最近Lyraはどうした?The Walking Deadネタ書いてないじゃん!」とのご指摘、誠に申し訳なく、心苦しい気持ちで一杯です。
今、大好きな Temple Of The Dogを聴きながら気分上げようとして書いてるの。( → 和訳【Temple Of The Dog / Hungerstrike】クリス・コーネルとグランジ Happy Birthday Chris Cornell)
いよいよシーズン10が10月からスタートするThe Walking Dead 。
7月終わりアメコミ、つまり原作があんな終わり方をした為に、アメコミネタを書きはしたが途中で放置したまま、Powerがでないのよ、、、TWDを書こうとすると何回も読んだ32巻がね、頭に浮かぶわけ。
でも、待っていて下さる皆さんがいる!
ここは元気出して「ウォ…
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ramascreen · 2 years ago
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Key Art And Trailer For Max Original Comedy Series GORDITA CHRONICLES Which Debuts June 23
Key Art And Trailer For Max Original Comedy Series GORDITA CHRONICLES Which Debuts June 23
The Max Original comedy series, GORDITA CHRONICLES, from Sony Pictures Television, will debut with all ten episodes on THURSDAY, JUNE 23 on HBO Max. Check out its key art and trailer here below!   Synopsis: The year is 1985 and Cucu “Gordita” Castelli (Olivia Goncalves) has just said goodbye to all of her friends and family in Santo Domingo and moved to Miami with her marketing executive father…
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ncisfranchise-source · 7 months ago
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@kennedycasting - It’s almost time for another all-new episode of NCIS tonight on CBS! Join us for "Heartless," written by Sydney Mitchel & Brendan Fehily and directed by Michael Zinberg! Don’t miss our incredible guest cast, which includes Christina Kirk, Juan Javier Cardenas, Tim Russ, Krishna Smitha, Jake B. Miller, Michael Monasterio, Mathew Yanagiya, Calida Jones, George Tsai, Alfred Chou, and Ethan Corn! Enjoy the show, and thanks for watching! #SydneyMitchel @brendan_fehily #MichaelZinberg #ChristinaKirk @juanjaviercardenas @trvulcan @krishnasmitha @motomill2 @max.sterio @mattyanagiya #CalidaJones @georgetsai #AlfredChou @e_corn #CastingBy @kennedycasting #KrystiBaxter #MeredithGoble
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stephtastrophe · 7 years ago
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I watched the season 1 finale of Snowfall the other week and it was really awesome.
Lucia’s family were scared of her ambition, wow and the shoot out as well was epic! She decided she wanted the business so she definitely had ambition.
Teddy shot Alejandro for cutting up that girls body, yeah that was pretty gross, I am not surprised. I think he deserved that. Teddy is morally a good guy so I can see why he did that. Then he got the Columbian’s to let him be the supplier of the cocaine.
Franklin is moving up in his business world and growing himself an empire! 
I really enjoyed season 1 of this show! it was really good!
I like the vibrant colours and tone of the show and writing/directing.
It’s really great.
I can’t wait for season 2 <3
Filipe Valle Costa <3
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mockingjayne12 · 7 years ago
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Get Christie Love
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