#joy wilkinson

[aletterinthenameofsanity]

Feelings about Bringing Back Moffat For RTD2 + Other Writers I Think Should Get the Chance

Whelp, just found out that Steven Moffat is going to be writing an episode of Fifteen and I'm just like...eh? about the whole prospect. Like, not as terrified as I once might have been but like...hoping he grew as a writer. Because even though I vastly prefer his one-offs to his overarching season ideas...let's not pretend that you couldn't see the warning signs looking back. The focus on either women as mothers (Doctor Dances) women companions as operating in service/deference to the Doctor (Empty Child/Blink) or women as the Time Traveller's Wife (Girl in the Fireplace, Silence in the Library/Forest of the Dead). Empty Child/Doctor Dances, Blink, and Silence in the Library/Forest of the Dead are all fantastic episodes and I think Blink is the strongest one-off (though let's all remember that the ending was suggested by Gatiss, not Moffat) though I will adore Empty Child/Doctor Dances until I die (though let's not forget that Jack Harkness was an RTD invention).

I really hope he learned his lessons through writing latestage Clara and Bill as companions, but I'm honestly just as scared of his racial undertones as am of RTD's. Let's not forget that both of the black companions under Moffat (Bill&Danny) were both dehumanized/turned into Cybermen in order to service Clara and the Doctor/Missy's arcs (though Bill's ending is far better handled in terms of giving Bill her own ending than Danny's, imo), just as RTD really callously handled Martha's treatment, especially in historical episodes. That is not to say that I don't have some hope due to how Bill's race was handled in Thin Ice, but let's just say I'm cautious about getting super excited like some people are.

All of which is to say...I want Toby Whithouse to write a one-off in the RTD2 Era. Or many. I want his examination of the fucked-up and complicated psychological aspects of the Doctor/Companion relationship and even the Doctor themself (I mean he is the one who wrote School Reunion, God Complex, A Town Called Mercy, Under the Lake/Before the Flood, and Vampires of Venice).

ALSO more women and writers of color. I want to see what kind of new voices in sci-fi can be brought to the table and explore more aspects of their experiences, especially as it pertains to historical/future episodes. I'm done with pretending that Demons of the Punjab wasn't one of the best episodes of Doctor Who, and that was specifically because an Indian writer (Vinay Patel) was brought in to write it. (Also, can we see Vinay back as well? He also wrote Fugitive of the Judoon which was another banger. He's also really good at exploring character feelings/implications of time travel/memory.) I also think that Joy Wilkinson, who wrote the Witchfinders, could be a fun choice as well. I really liked the Witchfinders and I'm curious to see how she might tackle a subject matter like that again.

[do-you-know-this-play]

[stuff-diary]

Lockwood & Co. (Season 1)

TV Shows/Dramas watched in 2023

Lockwood & Co. (Season 1, 2023, UK)

Directors: Joe Cornish, William McGregor & Catherine Morshead

Writers: Joe Cornish, Joy Wilkinson, Ed Hime & Kara Smith

Mini-review:

I enjoyed this a lot more than I expected based on the first teaser! It's fast paced, engaging and very fun, even if it's far from perfect. Sometimes the pace and the developments feel kinda rushed, and it's obvious from the very first episode that the show needed a bigger budget than the one they were given. But I didn't have much problem brushing that off, cause the three characters at the core of it all are just that good. It's a combination of personalities that always works well and the cast pulls it off with great chemistry. I really do think this aspect is what carries the show and makes it so watchable, regardless of its flaws. By the end of it I was actually itching to find and read the books, but I think I'll wait to see whether this gets a second season or not.

[gebo4482]

7 KEYS Teaser Trailer (2024) Psychological Horror

Dir: Joy Wilkinson Star: Emma McDonald / Billy Postlethwaite / Amit Shah

[julykings]

what r u reading right now ?

[mannequinswithkillappeal]

okay but can we get jamie matthieson back in here now? mummy, flatline, oxygen? BANGERS

[mariemariemaria]

There are so many books I wanna read and so little time

[upcominghollywoodmovie]

Lockwood & Co — Netflix Series | Release Date, Cast, Characters, Plot, Trailer, First looks | Jonathan Stroud |

Netflix published a brief teaser for the upcoming Lockwood & Co on their official YouTube account on October 26, 2022, even though there isn’t a full-length trailer yet. Anthony Lockwood and Lucy Carlyle are facing a fierce, shrieking spirit in the teaser. 

Lockwood attempts to slay the beast with some impressive combat skills, but the enraged entity causes Lucy to fall over a stair railing, and she clings on precariously above a precipitous drop. Lockwood returns and grabs Lucy’s hand to pull her to safety just as she is about to slip and take a very bad fall.

The teaser’s final few seconds provide a brief but intriguing piece of show lore: When Lockwood asks Lucy if the ghost touched her, Lucy responds, “Of course not! If it had, she would be dead.”

Cast

The trio consists of Ali Hadji-Heshmati (Alex Rider) as George Cubbins, Cameron Chapman (Bridgerton) in his first acting role as Anthony Lockwood, and Ruby Stokes (Bridgerton) as young psychic Lucy Carlyle. 

They are joined by Ivanno Jeremiah as Inspector Barnes from Humans, Luke Treadaway as The Golden Blade from Attack the Block, Morven Christie as Penelope Fittes from The Bay, and Ben Crompton as Julius Winkman from Game of Thrones.

[justalittlesolarpunk]

I’ve teased it. You’ve waited. I’ve procrastinated. You’ve probably forgotten all about it.

But now, finally, I’m here with my solarpunk resources masterpost!

YouTube Channels:

Andrewism

The Solarpunk Scene

Solarpunk Life

Solarpunk Station

Our Changing Climate

Podcasts:

The Joy Report

How To Save A Planet

Demand Utopia

Solarpunk Presents

Outrage and Optimisim

From What If To What Next

Solarpunk Now

Idealistically

The Extinction Rebellion Podcast

The Landworkers' Radio

Wilder

What Could Possibly Go Right?

Frontiers of Commoning

The War on Cars

The Rewild Podcast

Solacene

Imagining Tomorrow

Books (Fiction):

Ursula K. Le Guin: The Left Hand of Darkness The Dispossessed The Word for World is Forest

Becky Chambers: A Psalm for the Wild-Built A Prayer for the Crown-Shy

Phoebe Wagner: When We Hold Each Other Up

Phoebe Wagner, Bronte Christopher Wieland: Sunvault: Stories of Solarpunk and Eco-Speculation

Brenda J. Pierson: Wings of Renewal: A Solarpunk Dragon Anthology

Gerson Lodi-Ribeiro: Solarpunk: Ecological and Fantastical Stories in a Sustainable World

Justine Norton-Kertson: Bioluminescent: A Lunarpunk Anthology

Sim Kern: The Free People’s Village

Ruthanna Emrys: A Half-Built Garden

Sarina Ulibarri: Glass & Gardens

Books (Non-fiction):

Murray Bookchin: The Ecology of Freedom

George Monbiot: Feral

Miles Olson: Unlearn, Rewild

Mark Shepard: Restoration Agriculture

Kristin Ohlson: The Soil Will Save Us

Rowan Hooper: How To Spend A Trillion Dollars

Anna Lowenhaupt Tsing: The Mushroom At The End of The World

Kimberly Nicholas: Under The Sky We Make

Robin Wall Kimmerer: Braiding Sweetgrass

David Miller: Solved

Ayana Johnson, Katharine Wilkinson: All We Can Save

Jonathan Safran Foer: We Are The Weather

Colin Tudge: Six Steps Back To The Land

Edward Wilson: Half-Earth

Natalie Fee: How To Save The World For Free

Kaden Hogan: Humans of Climate Change

Rebecca Huntley: How To Talk About Climate Change In A Way That Makes A Difference

Christiana Figueres, Tom Rivett-Carnac: The Future We Choose

Jonathon Porritt: Hope In Hell

Paul Hawken: Regeneration

Mark Maslin: How To Save Our Planet

Katherine Hayhoe: Saving Us

Jimmy Dunson: Building Power While The Lights Are Out

Paul Raekstad, Sofa Saio Gradin: Prefigurative Politics

Andreas Malm: How To Blow Up A Pipeline

Phoebe Wagner, Bronte Christopher Wieland: Almanac For The Anthropocene

Chris Turner: How To Be A Climate Optimist

William MacAskill: What We Owe To The Future

Mikaela Loach: It's Not That Radical

Miles Richardson: Reconnection

David Harvey: Spaces of Hope Rebel Cities

Eric Holthaus: The Future Earth

Zahra Biabani: Climate Optimism

David Ehrenfeld: Becoming Good Ancestors

Stephen Gliessman: Agroecology

Chris Carlsson: Nowtopia

Jon Alexander: Citizens

Leah Thomas: The Intersectional Environmentalist

Greta Thunberg: The Climate Book

Jen Bendell, Rupert Read: Deep Adaptation

Seth Godin: The Carbon Almanac

Jane Goodall: The Book of Hope

Vandana Shiva: Agroecology and Regenerative Agriculture

Amitav Ghosh: The Great Derangement

Minouche Shafik: What We Owe To Each Other

Dieter Helm: Net Zero

Chris Goodall: What We Need To Do Now

Aldo Leopold: A Sand County Almanac

Jeffrey Jerome Cohen, Stephanie Foote: The Cambridge Companion To The Environmental Humanities

Bella Lack: The Children of The Anthropocene

Hannah Ritchie: Not The End of The World

Chris Turner: How To Be A Climate Optimist

Kim Stanley Robinson: Ministry For The Future

Fiona Mathews, Tim Kendall: Black Ops & Beaver Bombing

Jeff Goodell: The Water Will Come

Lynne Jones: Sorry For The Inconvenience But This Is An Emergency

Helen Crist: Abundant Earth

Sam Bentley: Good News, Planet Earth!

Timothy Beal: When Time Is Short

Andrew Boyd: I Want A Better Catastrophe

Kristen R. Ghodsee: Everyday Utopia

Elizabeth Cripps: What Climate Justice Means & Why We Should Care

Kylie Flanagan: Climate Resilience

Chris Johnstone, Joanna Macy: Active Hope

Mark Engler: This is an Uprising

Anne Therese Gennari: The Climate Optimist Handbook

Magazines:

Solarpunk Magazine

Positive News

Resurgence & Ecologist

Ethical Consumer

Films (Fiction):

How To Blow Up A Pipeline

The End We Start From

Woman At War

Black Panther

Star Trek

Tomorrowland

Films (Documentary):

2040: How We Can Save The Planet

The People vs Big Oil

Wild Isles

The Boy Who Harnessed The Wind

Generation Green New Deal

Planet Earth III

Video Games:

Terra Nil

Animal Crossing

Gilded Shadows

Anno 2070

Stardew Valley

RPGs:

Solarpunk Futures

Perfect Storm

Advocacy Groups:

A22 Network

Extinction Rebellion

Greenpeace

Friends of The Earth

Green New Deal Rising

Apps:

Ethy

Sojo

BackMarket

Depop

Vinted

Olio

Buy Nothing

Too Good To Go

Websites:

European Co-housing

UK Co-housing

US Co-housing

Brought By Bike (connects you with zero-carbon delivery goods)

ClimateBase (find a sustainable career)

Environmentjob (ditto)

Businesses (🤢):

Ethical Superstore

Hodmedods

Fairtransport/Sail Cargo Alliance

Let me know if you think there’s anything I’ve missed!

[nico-nico-suavecito]

I am so excited to announce that my full-length poetry book "The Weeds Grow Anyway" is available for preorder. This first edition handmade Iimited run is going to feature a linocut printed soft cover and I will be binding the books at home.

A blurb about the book, by Mallory Everhart:

Nico Wilkinson's debut full-length poetry collection "The Weeds Grow Anyway' is a celebration of that which lies beyond resilience in the face of adversity: audacity. Writing from Colorado Springs amidst a time of anti-trans violence, they examine the relationship of trans people to this world through the lens of nature's relationship to humans. What makes a plant into a weed, something deemed unacceptable to the landscape? The poetry within much like the local flora and trans people who live there is rooted in the experience of queering the inhospitable landscape that is Colorado Springs.

About the book's creation:

Last year I made one hardcover copy of The Weeds Grow Anyway (pictured above) to visualize the manuscript I'd been working on as a real tangible book. In doing so, I remembered just how much lenjoy the bookmaking process. I realized it would be a joy to make these books myself.

I will share the book-making process as I go on my social media, mostly Instagram (and possibly YouTube, coming soon). If you are a poet who would like to learn how to create their own books, follow along and show you how.

This book is made possible by community. By the people I create alongside, the people who support my work, who connect with me about the experiences we have living in this world. It is such a gift to finally be able to share these words with my community, including poems that have been known and loved, and many, many poems that have never been seen before. I can't wait for you to read them.

The photos of the first hardcover handmade book above are by my friend Corri Mercy.

[scriptscribbles]

Quick Doctor Who women fact check

I know I replied to this shit a while back but I'm gonna make my own post to avoid giving it more notes.

It is factually true that Doctor Who did not have any women write between 2008 and 2015. It sucks.

This is not, however, solely a Moffat problem. It's an industry problem where women are underrepresented in genre media, including across Doctor Who.

So, numbers. In Russell T Davies' era, ONLY ONE WOMAN wrote for Doctor Who, Helen Raynor (lately a TERF who stands with Rowling and campaigns against trans kids going to the bathroom, too, before you decide to stan). She wrote four episodes, two part stories for the third and fourth series.

Moffat went around asking for women to write the show but has talked about having a hard time finding people who he wanted and were interested. When he did finally get Catherine Tregenna and Sarah Dollard in for the ninth series, he even mentioned Tregenna had been asked before, having "turned us down in the past, but I talked her into it with an idea she really liked." Dollard for her part ended up contributing two episodes for the ninth and tenth series, and was joined in the latter by Rona Munro, who became the only person to write both the classic and new series.

Chris Chibnall’s era of Doctor Who foregrounded giving a break to new talent unlike RTD and Moffat who tended to get established writers. That meant getting the first poc to write Who as well as seven women in Malorie Blackman, Joy Wilkinson, Nina Metivier, Charlene James, Maxine Alderton, and Ella Road. That said unlike Davies and Moffat he cowrote with most of them, with only three episodes in his run credited solely to women.

Directors fare better, with series 1 and 2 under Davies and series 6 and 7 under Moffat being the only series of Doctor Who not having episodes directed by women. Rachel Talalay of course deserves a special shout-out for being the definitive Moffat/Capaldi director and being the only woman to direct finales (for series 8, 9, and 10!) or Christmas specials for the series!

Hiring people from marginalized groups is always a struggle we can all do better on, especially in industries that are overwhelmingly dominated by white dudes. To put it on the shoulders of one man for failing when he put work in to fix that because Tumblr has a hate boner is deeply silly.

[friend-through-teenage-nights]

Transcript under cut:

Newt: Well, since you have summoned me to celebrate Jeremy Wilkinson's life, with a paeon of praise.

Jeremy Wilkinson, boy for all seasons

From conkers in autumn to swimming in spring

Hobbies, achievements, so many and various

O muse of poetry, now let us sing

Jeremy Wilkinson, friend of humanity

Put up the blackouts for old Mrs Moor

Tireless cadger of Saucepans for Spitfires

Can't be long now til he wins us the war

Jeremy Wilkinson, promising pianist

Firm with the left hand, loud with the right

Just let him loose on the William Tell Overture

That's when you'll know that you've been in a fight!

Jeremy Wilkinson's shrapnel collection

Viewed by his rivals with envious eyes

How very cunning to pick a collection

Where daily new specimens fall from the skies

Jeremy Wilkinson, grizzled old veteran

Eighth of October, an auspicious date

This is the day that, at least unofficially

He stops being seven, and starts being eight

Jeremy Wilkinson, famously courteous

To please his old uncle, will now close his eyes

Sadly, his mother is stuck on a narrowboat

Somewhere near Stratford

Or is she?

(door opens)

Vanessa: Surprise!

Jerry: Mummy!

[End credits]

John: (voiceover) 1943, Spetwith.

Newt: And so, Jack returned in triumph to the village, and his mother wept tears of joy, and the villagers sang paeons of praise. The end.

(Jerry clapping)

Jerry: What's paeons.

Newt: Paeon is a long poem about how wonderful you are.

Jerry: Oh! Can I have one?

Newt: Not now. Maybe for your birthday.

Jerry: Ohh, alright. Goodnight.

Newt: Goodnight. Sleep tight!

Jerry: (chanting) Don't let the bedbugs bite.

[hauntedselves]

I know this is a really vague question, but what are some possible ways having BPD could effect someone with DID or OSDD?

i think it would turn identity confusion up to 100. people with BPD tend to experience identity disturbances as one or more of these four factors:

role absorption ("defin[ing] themselves in terms of a single role or cause"),

painful incoherence (distress over identity confusion),

inconsistency (an "objective incoherence in thought, feeling, and behavior")

and lack of commitment

(from Wilkinson-Ryan & Western, 'Identity Disturbance in BPD: An Empirical Investigation', American Journal of Psychiatry (2000))

if someone had BPD with comorbid DID/OSDD, we can see how these factors would be amplified and probably split among parts.

mood swings would probably also be split among parts (e.g., one part holds anger, another joy, etc.). there might be parts who specifically deal with the intense anger people with BPD can experience.

fear of abandonment probably plays into trauma (neglect, emotional and physical especially). i can imagine young parts would experience this symptom especially strongly.

parts may come into conflict over impulsivity, especially as BPD impulsivity is damaging.

emptiness may accompany dissociation, especially depersonalisation.

and of course BPD dissociation will be a much more prominent symptom with a comorbid dissociative disorder!

you may find this post on BPD & DID comorbidity by this-is-not-dissociative useful.

[cowboy-heart]

also, i recently gathered all of my favourite poems (by other writers) into a single PDF for myself and decided to share it on my ko-fi!

it’s 106 pages, 62 poems, with an index, and links and credits to all the writers! and it’s free!

it’s a mix of published poets, blog excerpts, and internet poets, covering themes of love, grief, living, butch-femme, LGBT, nature and justice! - full list of contents in read more :)

it’s free since it’s not my own original work, but if you wanna tip for making the PDF then it’s much appreciated!! 🧡

(sidenote: if you/your work has appeared in this and you want it removed or edited, let me know and i’ll do so immediately!)

After The Threesome, They Both Take You Home’ - Sue Hyon Bae

‘Come, And Be My Baby’ - Maya Angelou

‘Witness’ - Crystal Wilkinson

‘lady macbeth-macbeth’ - @two-bees-poetry

‘how to spend an august afternoon in love’ - @cheruib

‘Chocolate Chip Pancakes’ - Caitlyn Siehl

‘The Teapot’ - Robert Bly

‘Little Weirds’ (excerpt) - Jenny Slate

‘Writing Prompts for the Broken-Hearted’ (excerpt) - Eden Robinson

‘Perhaps The World Ends Here’ - Joy Harjo

‘The Serious Downer’ - Jill McDonough

‘Summer Was Forever’ - Chen Chen

‘For Grace, After A Party’ - Frank O’Hara

‘A Vow’ - Wendy Cope

‘Laura, I Want You Pulling Your Hair Back’ - Natalie Dunn

‘Watching you talk on the phone, I consider the empty space around atoms-‘ - Rhiannon McGavin

‘Gram Loves You. Please Call’ - Amy Gotliffe

‘The Quiet World’ - Jeffrey McDaniel

‘the undone cowboy writes to his sweetheart’ - Silas Denver Melvin ( @sweatermuppet )

‘Song of the Anti-Sisyphus’ - Chen Chen

‘RURAL BOYS WATCH THE APOCALYPSE’ - Keaton St. James

‘A Possible Exit’ - Jarrett Moseley

‘poem on my fortieth birthday to my mother who died young’ - Lucille Clifton

‘ANSWERING HER QUESTION’ - Alice White

‘when the one you thought, finally, wouldn’t, does’ - Marty McConnell

‘fourth grader’ (excerpt)

‘Poem’ - Langston Hughes

‘For M’ - Mikko Harvey

‘A Drink of Water’ - Jeffrey Harrison

‘Cold Solace’ - Anna Belle Kaufman

‘Boot Theory’ - Richard Siken

‘Love letter as an autism diagnosis’ - Arden Kowalski

‘Tea’ - Leila Chatti

‘Night Walk’ - Frank Wright

‘Don’t Hesitate’ - Mary Oliver

‘For A Student Who Used AI To Write A Paper’ - Joseph Fasano

‘Rain’ - Raymond Carver

Unnamed/‘who’s afraid of hoverflies?’ - @a-chilleus

‘The Orange’ - Wendy Cope

‘Failing and Flying’ - Jack Gilbert

‘Can’t Get Enough Of My Love’ - Shuyler Peck

‘Invitation’ - Mary Oliver

‘Dead Rat’ - Mervyn Peake

‘Wild Geese’ - Mary Oliver

‘I Imagine The Butch’s Stripper Bar’ - Jill McDonough

‘FEMME SHARK MANIFESTO’ - Leah Lakshmi Piepzna-Samarasinha

Unnamed (fake interview) - @llovely

‘Butch Please: A Letter To Baby Butches’ - Kate

‘ROUND TWO: the body as protest’ - Joelle Taylor

‘ROUND SEVEN: the body as uprising’ - Joelle Taylor

‘Angel’ - Joelle Taylor

‘Catallus 16’

‘15. Fan Letter’ - James Crewes

‘Make Out Sonnet’ - F. Douglas Brown

‘Hey Cowboy’ - Silas Denver Melvin ( @sweatermuppet )

‘Fat Top/Switch’ - Emilia Phillips

‘On a Night of the Full Moon’ - Audre Lorde

‘The Gardens’ - Mary Oliver

‘Want’ - Joan Larkin

‘Social Skills Training’ - Solmaz Sherif

‘Bullet Points’ - Jericho Brown

Unnamed - Marwan Makhoul

[rose-of-oz]

𝐑𝐄-𝐈𝐍𝐓𝐑𝐎𝐃𝐔𝐂𝐈𝐍𝐆… 𝐌𝐘 𝐁𝐀𝐂𝐊 𝐓𝐎 𝐓𝐇𝐄 𝐅𝐔𝐓𝐔𝐑𝐄 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑, 𝐅𝐄𝐋𝐈𝐗 𝐖𝐈𝐋𝐊𝐈𝐍𝐒𝐎𝐍

❝ Felix was well-known in Hill Valley only because of his parents. Born to Rebecca and Tom Sturgess, Felix had been abandoned on the steps of the local police station by his parents when he was only three weeks old and eventually adopted by the Wilkinsons. He could've been known for so many other things - being an amazing photographer, being incredibly socially awkward and incredibly sarcastic when he did talk to people, or even (not that he wanted anyone to know this at all) being one of the only gay kids at Hill Valley High School. But no. All anyone at Felix’s school (and in his hometown, for that matter) really knew about him was that he was the kid whose parents had abandoned him, who hadn’t even cared enough about him to see him through his first year of life.

Though Felix genuinely loved and appreciated his adoptive parents, who were kind and supportive and loved him like he was their own, he had always wondered about his birth parents, the people who had created him only to leave him alone in the world, however briefly. He had tried, more than once, to find out any information about them, but it hadn’t been easy, seeing as Rebecca and Tom had skipped town hours after abandoning their son and no one in town seemed inclined to even acknowledge that they existed, at least when it wasn’t in relation to Felix being “the boy who’d been abandoned”. All he had ever been able to discover about them was their names, a general consensus that they were not good people, and two yellowed yearbook pictures he’d managed to procure from the local library. Not exactly enough to satisfy his curiosity.

Eventually, Felix had resigned himself to never learning anything about where he came from, choosing instead to love the parents who actually wanted him. By the time he was seventeen, he was focusing on nothing but earning good enough grades to be able to get into the art school of his choice once he graduated and earning enough money from his part-time job at the local mall’s movie theatre to pay the tuition for at least his first year. Slowly, life faded into a monotonous blur of the same events day after day, with the only thing Felix found joy in was taking pictures and secretly sneaking looks at Marty McFly during the classes they had together.

Until Felix wanders out into the mall parking lot one night to smoke after his graveyard shift, and sees Doc Brown, the crazy old inventor who nobody in town but his crush really tolerates, being shot to death by a group of men in a large van while standing near an odd-looking DeLorean. While rushing over to help the old man, Felix winds up yanked into the weird car by Marty McFly himself, who just appears out of nowhere, and somehow, the two boys find themselves thirty years in the past. Because, Marty explains to Felix, Doc Brown has converted his car into a motherfucking time machine.

Which is all well and good, and Felix doesn’t have an incredibly hard time believing it - he’s read a lot of sci-fi novels, so under other circumstances, this would be a dream come true. But they are also stuck in 1955 with a broken car and no way to get home, Marty has somehow managed to prevent his parents’ meet-cute by getting himself hit with his own grandfather’s car, and Felix is now forced to spend time with his own teenage parents, who are turning out to be just as self-entered and irresponsible as everyone in present-day Hill Valley has always told him.

Plus, Felix now has to help Marty play matchmaker for his parents while simultaneously hiding his feelings and watching Marty’s own mother flirt with him.

He’s starting to wish he could go back to being the invisible, bitter, abandoned kid. ❞

General Taglist: @hiddenqveendom, @foxesandmagic, @artemisocs, @reyofluke-ocs, @endless-oc-creations, @stanshollaand, @ginnystilinski-reblogs, @luucypevensie, @ginger-grimm, @arrthurpendragon, @fakedatings, @impales, @claryxjackson, @dancingsunflowers-ocs, @eddysocs, @lucys-chen, @ocappreciationtag. (Also tagging @manyfandomocs.)

[noneuclideanwhimsy]

Coming from a mutual : I was just wondering, and I’m sorry if you’ve answered this before or of if I have the wrong person, but as Willy Wonka, which sequel displays you better?

Like… do you find Gene Wilder or Johnny Depp portrays your older self better? Or is it neither, perhaps both?

Sorry, I’m just really interested. Absolutely no pressure to respond, just a curious and curiouser little octopus :)

Hello, my curious friend! Thank you for sending this ask! 🌌💜🌌

I primarily see myself as the original books’ version of the character, and I don’t feel as though either film exactly captures who I was, neither do I feel as though that was either actor’s intention to begin with. I see their interpretations as more… reimaginings of myself than direct adaptations.

Wilder’s performance in the 1971 adaptation strikes a chord (and a remarkably pleasant one) with me on many levels. We have him to thank for the original performance of Pure Imagination, and that song alone brings me a remarkable amount of kin joy. While the way he behaves isn’t quite as energetic as what I was like and he definitely shows apathy in places I probably wouldn’t have, I identify with his showmanship and playful qualities; he enjoys what he does, this place is the culmination of his every dream and passion, and he wants to show it off! That is still highly accurate to the Wonka I feel as though I was! I can also respect Wilder for choosing to convey that the children’s disrespect of his dreams did hurt him, because even though I remember trying not show it, that’s something I also relate to. With the tour I was hoping to prove to myself that there is still room for wonder in the world after being betrayed by it, something this film takes even further with the test of character in the Wilkinson subplot. While this subplot did not happen in my canon, I feel as though from the ‘you’ve won’ scene onwards it causes Wilder to completely transform into me, genuine and almost manic, faith in humanity broken but slowly healing.

While a lot of people see the 2005 adaptation as the more book-accurate of the two (and that is true in several ways!), I don’t really see myself in Johnny Depp’s portrayal of the character much at all. I have no dislike for Depp’s Wonka, in fact, I do enjoy him as a character (and have found myself quoting him on more than one occasion) but his lack of genuine enthusiasm for almost everything cannot be further from what I remember myself being like. He wears black and dark red, my every outfit was an explosion of colour. He sees the tour as an uncomfortable necessity, for me it was the opportunity to finally share the wonders of my factory personally. As Willy, I liked children and wanted to bring them joy, (yes, including Augustus, Veruca, Violet and Mike) so seeing him act like he hates them was a little jarring to me, and the possible implication that he planned the things that happened to them (which were very much real accidents that I had not accounted for in my canon) because of the lines about the Oompa Loompa songs containing the children’s names really rubs me the wrong way. And, to address the proverbial elephant in the room, the backstory. I will not deny the role this part of the movie played in distancing me from its portrayal of myself, however, one of the few scenes that did give me feelings of connection in this film was the one in the Buckets’ house at the very end. While my start with the Bucket family was… certainly something (see: Charlie and the Great Glass Elevator), in my canon I was eventually accepted as part of the family, and I really appreciate this film showing some of that onscreen.

I know I’ve been rambling for quite a long time now, and if you’ve read this far, thank you for sticking around! If you didn’t, well, that’s okay, here’s a TL;DR: I don’t think either film was trying to portray me (book version) 100% accurately, but I identify with Wilder’s performance more than Depp’s.

I hope you have a wonderful time of day 💜