#joris hoefnagel

[cuties-in-codices]

"guide to the construction of letters"

pages from the "model book of calligraphy", vienna, originally created by georg bocskay from 1561-62, illuminated and expanded by joris hoefnagel, c. 1591–96

source: Getty Museum Collection, Ms. 20 (86.MV.527), fol. 143r-147r

[uwmspeccoll]

Typography Tuesday

We return to our facsimile of a 16th-cnetury calligraphic manuscript, Mira Calligraphiae Monumenta, or Model Book of Calligraphy, written in 1561/62 by Georg Bocskay, the Croatian-born court secretary to the Holy Roman Emperor Ferdinand I, and illuminated 30 years later by Flemish painter Joris Hoefnagel for the grandson of Ferdinand I, Emperor Rudolph II. The manuscript was produced by Bocskay in Vienna to demonstrate his technical mastery of the immense range of writing styles known to him. To complement and augment Bocskay's calligraphy, Hoefnagel added fruit, flowers, and insects to nearly every page, composing them so as to enhance the unity and balance of the page’s design. Although the two never met, the manuscript has an uncanny quality of collaboration about it.

Our facsimile was the first facsimile produced from the collection at the J. Paul Getty Museum in Los Angeles. It was printed in Lausanne, Switzerland by Imprimeries Reunies and published by Christopher Hudson in 1992. 

View another post from Mira Calligraphiae Monumenta,

View more Typography Tuesday posts.

[collectionstilllife]

Joris Hoefnagel (Flemish, 1542-1601) • Still Life with Flowers, a Snail and Insects • 1589

[lindahall]

Joris Hoefnagel – Scientist of the Day

Joris Hoefnagel, a Flemish painter, miniaturist, and topographical artist, was born in Antwerp in 1542 and died on July 24, 1600, in Vienna (or so it is thought). 

read more...

[arthistoryanimalia]

For #FrogFriday + #DragonflyWeek:

Joris Hoefnagel (Flemish, 1542-1600) & Georg Bocskay (Hungarian, d.1575)

Common Pear, Lake Demoiselle, Moor Frog, and Hyacinth: Mira calligraphiae monumenta, Ms. 20 (86_MV_527), fol. 75

1561–1562; illumination added 1591–1596

Watercolors, gold & silver paint, ink

16.6 × 12.4 cm (6 9/16 × 4 7/8 in.)

Getty Museum collection

[christreginlave]

Joris Hoefnagel

[heracliteanfire]

Watercolours by Joris Hoefnagel, ca. 1575. From the National Gallery of Art.

[lucienballard]

Caterpillar, Dog-Tooth Violet, Pear, and Apricot

1561–1562; illumination added 1591–1596

Joris Hoefnagel (Flemish, / Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575)

source

[threegolddoves]

Guide to the Construction of Letters from the Mira calligraphiae monumenta illustrated by Joris Hoefnagel (about 1591–1596)

Getty Open Content

[yinyangsoup3000]

Trompe l'Oeil Stem of a Maltese Cross; Joris Hoefnagel, Flemish / Hungarian, 1542 - 1600; Vienna, Austria

[drrestlesshate]

[marthajefferson]

manuscript and calligraphy, Joris Hoefnagel Flemish (1542-1600)

[uwmspeccoll]

Typography Tuesday

Sometimes, things in our collection still surprise me, even after 29 years. From our fairly sizable manuscript facsimile collection, I was surprised I had never encountered this little (5 X 7 in.) reproduction of a 16th-cnetury calligraphic manuscript, Mira Calligraphiae Monumenta, the first facsimile produced from the collection at the J. Paul Getty Museum in Los Angeles, printed in Lausanne, Switzerland by Imprimeries Reunies and published by Christopher Hudson in 1992. 

As the relatively new invention of printing came to dominate the production of books by the 1500s, the calligraphic inventiveness of scribes became prized for their aesthetic qualities rather than their production value. 

From 1561 to 1562, Georg Bocskay, the Croatian-born court secretary to the Holy Roman Emperor Ferdinand I, created this Model Book of Calligraphy in Vienna to demonstrate his technical mastery of the immense range of writing styles known to him. About thirty years later, Emperor Rudolph II, Ferdinand's grandson, commissioned the [Flemish painter] Joris Hoefnagel to illuminate Bocskay's model book. Hoefnagel added fruit, flowers, and insects to nearly every page, composing them so as to enhance the unity and balance of the page's design. -- Getty Museum Collection webpage.

Although the two never met, the manuscript has an uncanny quality of collaboration about it.

Today we only show 11 pages from the facsimile, but we hope to present more from this highly-inventive manuscript of calligraphic virtuosity in the future.

View more Typography Tuesday posts.

-- MAX, Head, Special Collections

[mysterious-secret-garden]

Michael Snijders, after Hieronymus Wierix, after Joris Hoefnagel - Allegory of Death.

[clawmarks]

Joris Hoefnagel and Georg Bocskay - Dragonfly, Pear, Carnation, and Insect - 16th c. - via Getty Open Content

[adjpngs]

(1) stag beetle, (2) papillon (butterfly), (3) vintage butterfly illustration, (4) stag beetle by joris hoefnagel, (5) large moth by by joris hoefnagel, (6) der herkuleskaefer (the hercules beetle) from biodiversity library, (7) green beetle by joris hoefnagel, (8) large dragonfly by joris hoefnagel, (9) king stag beetle by artbyestherbolz