#johnsloane

[aic-american]

Renganeschi's Saturday Night, John Sloan, 1912, Art Institute of Chicago: American Art

John Sloan often explored the leisure activities of working-class women and the changing social mores of the 20th century. Here he focused on three women who sit together at the central table of a popular Italian restaurant in New York City. By showing the women celebrating a night out on the town, the artist emphasized their newfound freedom to socialize in public spaces without the need for male escorts. Although he indicated their working-class status through their “unladylike” gestures—legs wrapped around their chairs and pinkies flared in the air—Sloan did not cast judgment on the women’s relaxed behavior. His informal style and loose brushwork enliven this scene of urban leisure with a sense of immediacy and action. Gift of Mary Otis Jenkins Size: 66.7 × 81.3 cm (26 1/4 × 32 in.) Medium: Oil on canvas

https://www.artic.edu/artworks/118284/

[bm-american-art]

The Haymarket, Sixth Avenue, John Sloan, 1907, Brooklyn Museum: American Art

iI public domain: published prior to 1923 (New York's Art War, in The World, 2/2/1908). Size: 26 1/8 x 34 13/16 in. (66.3 x 88.5 cm) frame: 34 1/8 x 42 13/16 x 3 1/8 in. (86.7 x 108.7 x 7.9 cm) Medium: Oil on canvas

https://www.brooklynmuseum.org/opencollection/objects/252

[moma-prints]

Isadora Duncan, John Sloan, 1915, MoMA: Drawings and Prints

Gift of Abby Aldrich Rockefeller Size: plate: 8 15/16 x 7 5/16" (22.7 x 18.6 cm); sheet: 15 3/16 x 12 5/8" (38.6 x 32 cm) Medium: Etching

http://www.moma.org/collection/works/76370

[harvard-art-museums-prints]

Monsieur Gerval Returns, John Sloan, 1903, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Gift of Charles Bain Hoyt

https://www.harvardartmuseums.org/collections/object/262019

[harvard-art-museums-drawings]

Atlantic City Beach, John Sloan, c. 1894, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, Gift of Mrs. John G. Pierce Size: 36.1 x 17.3 cm (14 3/16 x 6 13/16 in.) Margin drawn around image: 35.6 x 16.6 cm (14 x 6 9/16 in.) Medium: Black ink and white gouache on cream card

https://www.harvardartmuseums.org/collections/object/308778

[chowdownmyvegetables]

“X-Rays” by John Sloan (1926)

[nicks-lunchbox-service]

10.5.18 Lunchtime drawing: A too-tall and spindly Washington Square Arch sketch dedicated to the “Free and Independent Republic of Washington Square”—declared as such atop the Arch on the wintry night of January 23, 1917, by 6 artists who called themselves the “Arch Conspirators,” including John Sloan, Marcel Duchamp and “Woe is Me” Gertrude Drick, that made their way to the top of the Arch via a hobbit-sized stairwell door and threw a party up there. Bohemians!

[barefoot-a-pregnant]

So lovley! 

To Each Her Own by John Sloane

[thehairhistorian]

Sunday, Women Drying Their Hair, 1912, John Sloan ⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀ #hairhistory #hairstyle #vintagehair #arthistory #thehairhistorian #johnsloan #theeight #longhair (at Addison Gallery of American Art)

[checkeredpasts]

NOS - Vintage 1997 Candamar Designs Counted Cross Stitch Kit #50858 - Fall House by John Sloane. Part of the Four Seasons Collection https://www.ebay.com/itm/133747976976 #checkeredpasts #vintagegiftshop #vintageneedlecraft #needlecraftkit #vintagecrossstitchkit #crossstitchkit #johnsloane #candamardesigns #fourseasons #fallhouse (at Checkered Pasts) https://www.instagram.com/p/COZIQjBghbP/?igshid=17ed23ozuk4er

[aic-american]

Renganeschi's Saturday Night, John Sloan, 1912, Art Institute of Chicago: American Art

John Sloan often explored the leisure activities of working-class women and the changing social mores of the 20th century. Here he focused on three women who sit together at the central table of a popular Italian restaurant in New York City. By showing the women celebrating a night out on the town, the artist emphasized their newfound freedom to socialize in public spaces without the need for male escorts. Although he indicated their working-class status through their “unladylike” gestures—legs wrapped around their chairs and pinkies flared in the air—Sloan did not cast judgment on the women’s relaxed behavior. His informal style and loose brushwork enliven this scene of urban leisure with a sense of immediacy and action. Gift of Mary Otis Jenkins Size: 66.7 × 81.3 cm (26 1/4 × 32 in.) Medium: Oil on canvas

https://www.artic.edu/artworks/118284/

[bm-american-art]

Sunbathers on the Roof, John Sloan, 1941, Brooklyn Museum: American Art

Size: image: 5 7/8 x 6 15/16 in. (15 x 17.6 cm) sheet: 8 3/8 x 10 9/16 in. (21.2 x 26.8 cm) mat: 19 5/16 x 14 3/16 in. (49 x 36.1 cm) Medium: Etching on laid paper

https://www.brooklynmuseum.org/opencollection/objects/90847

[moma-prints]

Seeing New York, John Sloan, 1917, MoMA: Drawings and Prints

Gift of Abby Aldrich Rockefeller Size: plate: 2 5/16 x 3 7/8" (5.9 x 9.9 cm); sheet: 5 5/8 x 6 9/16" (14.3 x 16.7 cm) Medium: Etching

http://www.moma.org/collection/works/76423

[harvard-art-museums-prints]

Nude on the Hearth, John Sloan, 1933, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Donald E. McNicol

https://www.harvardartmuseums.org/collections/object/261536

[harvard-art-museums-drawings]

A Mug of Ale at McSorley's, John Sloan, 1913, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs Size: 45 x 56 cm (17 11/16 x 22 1/16 in.) Medium: Black crayon on off-white wove paper

https://www.harvardartmuseums.org/collections/object/308784

[andybnyc]

#occupywithart #johnsloan #detail (at Memorial Art Gallery of the University of Rochester) https://www.instagram.com/p/B9cUd_yAU-g/?igshid=18dm61e008cpw