#johnny simmons icons

[ecnmatic]

JENNIFER'S BODY (2009) dir. Karyn Kusama.

[beautifulfaces-icons-and-gifs]

Johnny Simmons on Girlboss Season 1

as Shane on Girlboss [S01 E12]

Information on beautifulfaces

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[vamp1r0]

“you’re killing people”

“no, i’m killing boys”

[primemeganfox]

Megan at "Jennifer's body premiere" gives me Mob boss's daughter vibes 😍

[starozzes]

ㅤㅤ ㅤ◞ ㅤ ★ㅤMasterlist !

　　　*　　　.　　　♡　　001 Sexualitys

(After cut is Profiles / Rentry Graphics)

Mortal Combat Johnny Cage Rentry Graphic And Template

Nicole and Jecka Rentry Graphics

Matching Ecolo&Ringo Rentry Graphics

Kenneth Simmons Rentry Template

Two Face / Harvey Dent Batman '89 Rentry Template

Jester / Clown NT

Sanegiyuu Matching Graphics

Nenekasa Matching Graphics

Cole from Yaelokre Mood Board

Sig from Puyo Puyo Graphics

Two Face / Harvey Dent Batman '89 Icons

Rengoku ( KNY ) Graphics

Death Note Themed ID Pack

Akito Shinonome themed pixels

Dessert Duo + Matching LDSB Graphics

Dib Membrane Rentry Graphics

Matching Wanderer & Furina Rentry Temps

Bench Trio Graphics

Zim Tumblr Layout

Blue Midnight's Taylor Swift Graphics

Matching Laugh and Player Graphics (lts)

Eunyung Baek Graphics

Shadow The Hedgehog Graphics

Q!Juanaflippa Graphics

C!Ghostbur Graphics / Profiles

C!Tommyinnit Graphics / Profiles

C!Wilbursoot Graphics / Profiles

C!Ranboo Graphics / Profiles

C!Sapnap Graphics / Profiles

Q!Forever Graphics / Profiles

Matching Q!Forever and Q!BBH Graphics / Profiles

Generationloss Matching Graphics / Profiles

Homestuck Nepeta Graphics / Profiles

[moorheadthanyoucanhandle]

SKETCHER ON THE RISE

Opening here in the Valley today; wide October 11:

Saturday Night--The evening in question is October 11, 1975, and we're at 30 Rock in Manhattan, watching the final rehearsal for the very first episode of Saturday Night Live. Out on the sidewalk an NBC page (Finn Wolfhard) is trying to scare up an audience for the show, but passersby aren't interested in free tickets for this moment in broadcast and cultural history. Up in the studio, the camera darts and weaves through the chaos backstage and onstage as the minutes tick down to 11:30 p.m. in something approximating real time.

Through most of the movie, director Jason Reitman follows the frantic pipsqueak Lorne Michaels (Gabriel LaBelle) as he scurries from one absurd crisis to another. These range from getting a live llama up from the loading dock to getting bricks laid on the stage while union stagehands refuse to help to getting John Belushi (Matt Wood) to sign his contract.

Belushi is immobilized by anger at having to wear the silly bee costume, until he's taunted by his cocksure castmate and rival Chevy Chase (Cory Michael Smith), at which point Michaels must keep the two men from pummeling each other. There are also executives and affiliates for Michaels to schmooze, with the diplomatic help of his long-suffering, appeasing Programming Executive Dick Ebersol (Cooper Hoffman), and technical difficulties to solve, and sketches and musical numbers to be cut; the earlier rehearsal ran three hours. And Jim Henson (Nicholas Braun) would like somebody to write a script for his Muppets to perform. 

And so on. At heart this is an old-school "hey kids, let's put on a show" movie, with Michaels in the Mickey Rooney part. But like it or not, this isn't just any show. Even in its formidable best vintages, Saturday Night Live has never been the finest sketch comedy show on TV. But it has almost certainly been the most directly and widely influential, and Reitman's movie makes the case that its very existence was a tenuous fluke, borne of a squabble between the network and Johnny Carson over weekend airings of reruns of The Tonight Show.

The script, which Reitman co-wrote with Gil Kenan, feels romanticized, but it also ingeniously finds ways to incorporate references to classic bits that came on later episodes, like Julia Child's kitchen accident or Garrett Morris singing "Gonna Get Me a Shotgun." When these and countless other iconic gags are spun past us in such a concentrated way, we realize the degree to which SNL has inhabited our generational psyches.

Not everything works, but like the show it's celebrating, Saturday Night barrels along even when jokes fall flat, largely through remarkable acting. LaBelle, from Spielberg's The Fabelmans, is willing to play Michaels as a bit of a pretentious, self-important young ass, which goes a long way toward holding sentimentality at bay. It helps you buy into the hero's determination to get the show on, both because he believes his vision could be great and because he knows this night might be his only chance to take over the asylum.

Rachel Sennott strikes a strategically seductive tone as writer Rosie Shuster, the insufficiently-recognized wife of Michaels. The huge supporting cast includes impressive work by Dylan O'Brien as a handsy Dan Aykroyd, Nicholas Podany as Billy Crystal, Emily Fairn as Laraine Newman, Kim Matula as an alluring Jane Curtin, Lamorne Morris nailing the voice and body language of Garrett Morris (no relation!) and Ella Hunt coming about as close as a mortal could to capturing some of the enchantment of Gilda Radner. Some of these work better than others, but none are embarrassments.

Amusing in smaller turns are Matthew Rhys as George Carlin, J.K. Simmons as Milton Berle, Jon Batiste (who also wrote the score) as Billy Preston, Tracy Letts as Herb Sargent, Willem DaFoe as forbidding NBC exec David Tebet and Robert Wuhl as director Dave Wilson. There's also a startlingly chameleon-esque double role; see if you can spot it.

With Batiste's insistent jazz pushing Michaels along through the halls and dressing rooms, the film often recalls Inarritu's Birdman, from 2014. But I found Saturday Night much more enjoyable than Birdman; it's Birdman with a heart, and without the sour, unearned cynicism.

I'm predisposed to like show-biz stories, and I well remember watching, at 13, that baffling but entertaining first "cold open," between Belushi and headwriter Michael O'Donoghue (Tommy Dewey). So Saturday Night admittedly had an advantage with me. But it wouldn't have held me without Reitman and his cast's skillful execution of Hawksian overlapping dialogue and manic ensemble hum. SNL has turned many of its performers into stars, and this film could do the same.

[wrestlinghistorywithkay]

I would like to wish Marc Mero ( Johnny B Badd/The Wild Man ) a happy birthday!

Marc Mero is a retired professional wrestler and boxer. Mero’s career began in 1990 after going to train under the Malenko family. The year after he began training, he made his professional wrestling debut in 1991 in Floridian Sun Coast Pro Wrestling. Mero was a boxer before deciding to become a professional wrestler. Mero retired in 2006 and opened his own wrestling school , the Marc Mero Body Slam Training Institute. He is now a motivational speaker , traveling to schools.

Marc Mero’s Boxing and Wrestling Career Championships

Boxing :

NY State Championships

AAU

3X New York Golden Gloves Winner ( He did this three years in a row )

Empire State Games

Professional Wrestling:

1991 PWI Rookie of The Year

3X World Championship Wrestling ( WCW ) World TV Champion

1995 World Cup Of Wrestling Champion ( w/ Sting , Lex Luger , Alex Wright , Macho Man Randy Savage , Chris Benoit , and Eddie Guerrero)

1x World Wrestling Federation Intercontinental Champion ( defeated Faarooq aka Ron Simmons in 1996 )

WON Most Improved Wrestler in 1995 and Rookie of The Year in 1991

My Final Thoughts:

Marc Mero is one of those wrestlers who I think is very fun to watch. I know that I was too young to remember him ( I was born in 1997 ) , but I’ll go back on YouTube and Peacock streaming service to watch him. I love his Johnny B Badd entrance, it’s iconic. I’m also a huge fan of his motivational speaking . He’s such an inspiration to all and I’m proud of him. Again , happy birthday Marc!

Love You All,

- Kay

[parasiteicons]

jennifer's body icons

like/reblog if you use/save

[arielrpt]

Under the cut you will find #5 dash icons of Johnny Simmons in style 6, made for @rcserph as part of my giveaway prizes

[joyexe]

[twizzlecrain]

cast icons • scott pilgrim vs the world

[beautifulfaces-icons-and-gifs]

Johnny Simmons on Girlboss Season 1

as Shane on Girlboss [S01 E09]

Information on beautifulfaces

Like or reblog.

[robertsonicons-blog]

para os sofredores de plantão

© psicobeca or like

[thehollowedartists]

Johnny Simmons in The Perks of Being a Wallflower

rp use

720p bluray screencaps

100x100 icons

15 Icons

credit if you use them

[editsdelbarrio]

Johbby Simmons icons;

credit to fckeditixns on twiter.

or  like and reblog if you use/save.