#john furnival

[garadinervi]

TOMATO ATOM, Openings Press Card Series 1, Openings Press, Woodchester, 1968 [Unoriginal Sins, The Old Primary School, Temple, Midlothian]

[ztxtz]

John Furnival, Free Wheel, 1967

[ocombatenterondonia]

Inglês confunde motorista de ônibus com astro Johnnie Ray e o persegue por 60 anos

ESTADÃO CONTEÚDO Inglês confunde motorista de ônibus com astro Johnnie Ray e o persegue por 60 anos Um homem que perseguiu um motorista de ônibus por quase 60 anos acreditando que ele era Johnnie Ray, um astro pop dos anos 1950, foi preso por três anos na Inglaterra. Kenneth Furnival, de 75 anos, bombardeou John Ray, de 78, com uma avalanche de cartas de amor e presentes indesejados ao longo de…

[spryfilm]

Blu-ray review: “Julius Caesar” (1970)

Blu-ray review: “Julius Caesar” (1970)

“Julius Caesar” (1970) Drama Running Time: 116 minutes Written by: Robert Furnival based on Julius Caesar by William Shakespeare Directed by: Stuart Burge Featuring: Charlton Heston, Jason Robards, John Gielgud, Richard Johnson, Robert Vaughn, Richard Chamberlain, Diana Rigg, Christopher Lee and Jill Bennett Julius Caesar: “Let me have men about me that are fat; Sleek-headed men, and such…

[tittaempire]

Gaius julius caesar documentary

Chr.Gaius Julius Caesar was born in Rome, Italy in the year 100 BCE to the patrician family of Gaius Julius Caesar and his wife Aurelia. Gaius Julius Caesar - Gaius Iulius Caesar (Porträtkopf, Antikensammlung Berlin) Gaius Iulius Caesar (deutsch: Julius Cäsar * 13. Julius Caesar - Gaius Iulius Caesar (Porträtkopf, Antikensammlung Berlin) Gaius Iulius Caesar (deutsch: Julius Cäsar * 13. in Rom) war ein … Deutsch WikipediaĬaius Julius Caesar - Gaius Iulius Caesar (Porträtkopf, Antikensammlung Berlin) Gaius Iulius Caesar (deutsch: Julius Cäsar * 13. (Copperplate engraving by Edward Scriven from a painting by Richard Westall: London, 1802.) The Tragedy of Julius Caesar, also known simply as Julius Caesar, is a tragedy by William… … Wikipedia Julius Caesar (play) - The ghost of Caesar taunts Brutus about his imminent defeat. Julius Caesar (disambiguation) - Gaius Julius Caesar the Dictator (100 BC 44 BC) was a Roman military and political leader and one of the most influential men of classical antiquity.Julius Caesar may also refer to: * Any of the Julii Caesares, a branch of the patrician Julian… … Wikipedia Julius Caesar (1953) - Filmdaten Deutscher Titel Julius Caesar Produktionsland USA … Deutsch Wikipedia Julius Caesar (1950 film) - Infobox Film name = Julius Caesar image size = caption = Theatrical release poster director = David Bradley producer = David Bradley writer = David Bradley William Shakespeare narrator = starring = Harold Tasker Charlton Heston David Bradley… … Wikipedia Julius Caesar (1970 film) - Infobox Film name = Julius Caesar image size = 225px caption = film poster director = Stuart Burge producer = Peter Snell writer = Play: William Shakespeare Screenplay: Robert Furnival starring = Charlton Heston Jason Robards John Gielgud Richard … Wikipedia It won the Best Film and Best Actor Award for James Mason from The National Board of Review. Brando won the BAFTA Best Actor award in three consecutive years for " Viva Zapata!" (1952), "Julius Caesar" (1953), and " On the Waterfront" (1954). It was also nominated in the Best Film category. It also won two BAFTA awards for Best British Actor (John Gielgud) and Best Foreign Actor(Marlon Brando). He was nominated in 1951 for " A Streetcar Named Desire" and in 1952 for " Viva Zapata!". Brando's nomination was the third time in three consecutive years that he was nominated for the Best Actor Academy Award. The film won the Academy Award for Best Art Direction, and was nominated for the Best Actor in a Leading Role (Marlon Brando), Best Cinematography, Black-and-White, Best Music, Scoring of a Dramatic or Comedy Picture and Best Picture. Mankiewicz even considered Paul Scofield for the role of Marc Antony if Brando's screen test was unsuccessful, but he was so dedicated in his performance during shooting that John Gielgud offered to direct him in a stage production of " Hamlet," a proposition that Brando turned down. Pasinetti, Italian-American writer, scholar, and teacher at UCLA served as a technical advisor.īrando's casting was met with some scepticism when it was announced, as he had acquired the nickname of "The Mumbler" following his performance in " A Streetcar Named Desire". By this time, however, Welles and Houseman had had a falling out, and Welles had nothing to do with the 1953 film. John Houseman, who had produced the famous 1937 Broadway version of the play starring Orson Welles and the Mercury Theatre, also produced the MGM film. Gielgud later played the title role in the 1970 film with Charlton Heston, Jason Robards and Richard Johnson (as Cassius) and in a stage production directed by John Schlesinger at the Royal National Theatre. John Gielgud had played Marc Antony at the Old Vic Theatre in 1930 and Cassius at the Shakespeare Memorial Theatre in Stratford-on-Avon in 1950, James Mason had played Brutus at the Abbey Theatre in Dublin in the 1940s, and John Hoyt, who plays Decius Brutus, also played him in the 1937 stage version. Many of the actors connected with this film had previous experience with the play. The film stars Marlon Brando as Mark Antony, James Mason as Brutus, John Gielgud as Cassius, Louis Calhern as Julius Caesar, Edmond O'Brien as Casca, Greer Garson as Calpurnia, and Deborah Kerr as Portia. The original music score is by Miklós Rózsa. Mankiewicz, who also wrote the uncredited screenplay, and produced by John Houseman. "Julius Caesar" is an MGM fy|1953 film adaptation of the play by Shakespeare, directed by Joseph L.

[moma-prints]

Revue OU Cinquième Saison, no. 30/31, Various Artists, Brigitte Chopin, Denis Chopin, Henri Chopin, Jean Chopin, Luigi Ferro, John Furnival, Aude Jessemin, Luc Peire, Anatol Stern, Ben Vautier, 1967, MoMA: Drawings and Prints

General Print Fund Size: overall (closed): 10 5/8 × 10 1/4 × 1/2" (27 × 26 × 1.2 cm) Medium: Periodical with 10-inch vinyl record

http://www.moma.org/collection/works/273921

[basic-channel]

Babel, John Furnival (1965)

[onceuponatimetheworldwasround]

Various Artists with Brigitte Chopin, Denis Chopin, Henri Chopin, Jean Chopin, Luigi Ferro, John Furnival, Aude Jessemin, Luc Peire, Anatol Stern, Ben Vautier

Revue OU Cinquième Saison, no. 30⁄31, 1967

[thequietestnoiseonearth]

John Furnival

[marcogiovenale]

*

Alcuni fogli di HARCK, periodico a cura di Magdalo Mussio, numero unico in attesa di registrazione, cm 70×50, pp. 40, Roma 1971.

(Collezione Giuseppe Garrera)

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pagine da “harck”, periodico a cura di magdalo mussio, numero unico, 1971 * Alcuni fogli di HARCK, periodico a cura di Magdalo Mussio, numero unico in attesa di registrazione, cm 70x50, pp. 40, Roma 1971. (Collezione Giuseppe Garrera) _

[garadinervi]

John Furnival, All the color of the Rimbaud, (mixed media on cardboard), 2000 [Fondazione Bonotto, Molvena (VI). © John Furnival]

[ztxtz]

John Furnival, Arlington-Une, 1966

[s0irenic]

Flashback (recto) - John Furnival

[minervacasterly]

Thomas More’s Younger Years

"On the face of it he had just about everything going for him ... He possessed the qualities and talents necessary to make the most of his material advantages: a brilliant analytical mind; a ready wit; a conscientious application to study; a natural gift for acting; and an ability to make friends. More's progress through the law's nursery was at this time proceeding rapidly. The combination of his own talents and his father's influence (John More was a senior member of Lincoln's Inn) set him on the fast track to qualification as a barrister, which took less favoured mortals upwards often years. He attended lectures delivered by "readers" who were so called because they expounded from the great medieval standard works but by 1499 he was sufficiently well versed in the texts to become a reader himself at one of the Inns of Chancery (Furnival's). He took an increasingly prominent part in the 'moots', the debates on points of law arising frmo current cases. At Westminster Hall he was allowed to assist the pleading barristers. The loftly and already ancient building was divided by partitions into several enclosures or courts where the justices of King's Bench heard criminal or other cases affecting the Crown, those of Common Pleas determined civil actions and those of Exchequer dealt with revenue matters. More may have also accompanied, out of term, the justices who went on circuit to preside over civil and criminal cases in the provinces. There was, as there always is, more to student life than dry books and dryer expounders of books. London offered a host of diversion to young, men with long purses or indulgent parents. The narrow, gorged streets of the capital were abustle with taverns, cook shops, brothels and the unscrupulous hawkers, of fashion accessories, bawdy ballads, cheap ale and sundry items 'fallen off the back of a wagon'. They were the battleground for affrays between bads of students and apprentices ... Few of these youthful delights entrapped Thomas More for he was incapable of abandoning himself to pleasure. This was not because he lacked a sense of humour; he was an accomplished, if cynical and sometimes cruel, wit with a penchant for detached irony and the barbed shaft fired from an emotional distance. Nor was the young More an introvert. As a child and later at Oxford he took part in dramatic performances and wrote scenes of his own -valuable early experiences for a barrister. If More eschewed the rumbustious and carnal delights of his peers it was because his early training and his own inclinations steered him in the direction of spiritual and intellectual delights. An enquiring mind and an acute sense of filial duty had been the twin goads of More's early development. It must have become evident at a very early age that the boy was very bright (perhaps even a prodigy) and this can only have encouraged the ambition that his father had for Thomas's success. John More decided that his son should follow his own profession. More senior seems to have been a hard parent even by the standards of the day and the adolescent entertained no thoughts of rebellion. On the contrary, he stifled his own interests in obedience to his ather's wishes. He was a natural shcolar and at Oxford became intoxicaed with the mingled wine of ancient wisdom and new methods of study." Source: In the Lion's Court by Derek Wilson

[gdbot]

John Furnival, Arlington-Une, 1966, the front cover of... https://ift.tt/2Br2mke

[artbookdap]

Get it @theconcernnewsstand !! #Repost・・・Brand new, in store / online, a good one for poets & graphic artists alike: Concrete Poetry, a book that features the semipermanent collection of concrete poetry from 1960's ++ at the Musee D'Art Moderne et Contemporain (MAMCO Geneva). The collection features important figures such as Ian Hamilton Finlay, Augusto and Haroldo de Campos, Dom Sylvester Houédard, John Furnival, Maurizio Nannucci, Franz Mon, Ruth Wolf-Rehfeldt, Natalie Czech, Julien Blaine, Jean-François Bory, Pierre and Isle Garnier, Bob Cobbing and Richard Kostelanetz. . . #concretepoetry #mamco #geneva #collection #poetry #graphicarts #stevenleiber #paulbernard #gabrielledetterer #maurizionannucci @mamco_geneve https://www.instagram.com/p/CdNy5qfuRvK/?igshid=NGJjMDIxMWI=