#john doe fan fiction

[pythiaswine]

perhaps worse than seeing them

[fedorasaurus]

Good god, Faith was a horrific game.

...

Alright time to look up naughty fanfics. >:)

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[hauntedhowlett-writes]

HAND IN UNLOVABLE HAND

PAIRING: THOMAS HEWITT X FEMALE READER

RATING: EXPLICIT (18+ MDNI) | WORD COUNT: 5.8K

SUMMARY | This new man, the tall man with the icy somber eyes and expressionless mask, appeared above you, haloed in sunlight like an angel. By all accounts, he was a far more terrifying man than John or Mike or David, but you don’t see evil when you look at him, when his eyes meet yours for a brief second before looking away. No, not evil, but a familiar reflection, an unkind life that led to unkind circumstances and unkind decisions. You know the look well, it’s the same one you see in the mirror.

WARNINGS | 18+ MINORS DO NOT INTERACT; DEAD DOVE DO NOT EAT - this is slasher fan fiction with canon typical violence, mentions of blood, death, cannibalism and gore. if slasher fiction is not your cup of tea, please keep scrolling.

EXPLICIT SEXUAL CONTENT: vaginal fingering, male masturbation, oral sex - f receiving, unprotected p in v, size kink, choking, creampie, praise kink

OTHER WARNINGS: no use of y/n, dual pov, able bodied reader, reader being picked up/carried, virgin thomas hewitt, no skin masks, monsters in love. if i’ve missed any tags, please kindly let me know.

Thomas hears a scream while he’s out in the barn. It cuts off so quickly he damn near thinks he imagined it but if he holds perfectly still and listens, listens, listens, there are noises that don’t belong. A grunt, a smack, a mumbled curse. Knife in hand, he ventures out in search of the source. 

Out on the road there’s a car, hood up and smoke billowing from the engine. A man has a woman pressed to the driver’s side door, forearm tight against her throat and a knife poised in front of her face. Red creeps into Thomas’ vision and his fingers begin to ache around the hilt of his own knife but just as he steps forward, something amazing happens.

The woman spits at the man’s face and in that brief moment of surprise, she brings her hands up and shoves the man back. He stumbles, falling to ground. The knife falls and she goes after it, lunging across the dirt and rocks. The man wraps a hand around her ankle, tugging her down and dragging her back as she screams, fingers digging into the dirt. She kicks, once, twice, the third time finally connecting with a painful crack to the man’s shin and sending him down to the ground again. She crawls away, grabbing the knife and scrambling to her feet. Thomas can see her chest heave with ragged breaths, skin glistening with sweat in the Texas heat. 

He’s not sure he’s ever seen anything more beautiful.

She approaches the man, the knife brandished in front of her. The man rolls onto his back, holds his hands up. A surrender. The woman doesn’t care. Her boot slams into his skull, a shout echoing in the vast emptiness of the road and fields. Thomas feels himself grow hard, pants tightening around his cock. He reaches down, adjusting himself.

The man is on his hands and knees now. Blood streaks his face and drips to the dirt, baptizing the land in violence. She kicks him between the shoulder blades, knocking him flat on his stomach, and stands over him with a leg on either side of his body. The breath catches in Thomas’ throat as she reaches down and tangles her fingers in the man’s hair, lifting his head. The man stares directly at Thomas and his lips move, a cry for help, but he doesn’t hear it. No, not when all his focus is on the way the woman leans close and drags the blade across the man’s neck and the skin splits, muscles and tendons ripping with the force of it and red, red, red spilling free. 

The man’s gaze grows empty and the woman loosens her grip, his head dropping to the ground. She drops to her knees, slams the knife into the man’s back over and over and over, roaring fiercely as she does. She’s covered in the red, red, red, clothes soaked through with it, skin stained and sticky. When she’s finished, she collapses on the ground beside the man, on her back, basking in the sun.

It’s then that Thomas approaches, his shadow falling over her, broad body blocking the sun. She blinks at him but doesn’t scream. Doesn’t run. 

Thomas holds a hand out to her.

To his surprise, she takes it.

Your mind is somewhere in the clouds as you walk beside the lumbering giant that carries John or Mike or David over his shoulder like he weighs nothing, is nothing. The body bounces with each step and you find it almost comical, lips twitching as you fight a smile. Something simmers in your veins, more potent than the adrenaline of the fight or the relief that you won another day against life’s shitty hand. 

This new man, the tall man with the icy somber eyes and expressionless mask, appeared above you, haloed in sunlight like an angel. By all accounts, he was a far more terrifying man than John or Mike or David, but you don’t see evil when you look at him, when his eyes meet yours for a brief second before looking away. No, not evil, but a familiar reflection, an unkind life that led to unkind circumstances and unkind decisions. You know the look well, it’s the same one you see in the mirror.

A house appears on the horizon, a two story Victorian era farmhouse that must have been impressive once before falling into a state of disrepair. There’s a woman on the porch, arms crossed over her chest and a stern look on her face as she watches the two (or is it technically three?) of you approach. 

“Bring ‘im downstairs. I’ll tend to the girl,” she says. The man looks at you, hesitating to follow the command. You give him a nod, the slight dip of your chin enough for his shoulders to relax. His heavy footsteps rattle the dilapidated porch as he disappears inside the house.

The woman leads you to the kitchen and pulls a chair out from the rough wood table for you to take a seat. You watch as she wets a cloth before returning to your side. Cool water hits the hot skin of your face and the rough fabric drags away the dried blood. Her touch is surprisingly gentle.

“You do all that to the fella my boy was carryin’?” She asks.

“Yes,” you reply, voice cracking on the single word that claws at your vocal cords. 

“‘Atta girl.” She smiles. “I’ll get you some water.”

“Thank you.”

She sets a glass on the table and you don’t hesitate to reach for it, chugging down the cold water so quickly it makes your stomach turn. She wordlessly refills it for you, twice, before murmuring a gentle, “That’s enough now, you’ll turn your stomach sour if you keep it up.”

“What’s with this fuckin’ car out on the road?” A voice yells from outside the house. Through the window you catch a glimpse of a man in a Sherriff’s uniform, shotgun held loosely in his hand as he approaches the house. The woman stands, wiping her hands on her apron.

“You don’t say nothin’, alright? You let me handle Charlie,” she commands. You nod.

The man appears in the doorway, eyes immediately landing on you. His leery gaze traces you from head to toe and you fight back the shiver that threatens to race down your spine. Your gaze drops to the floor as he addresses the woman.

“What’s with the whore?” He spits. 

“She’s a guest.”

“A guest? This a bed ‘n breakfast all of a sudden?”

“Thomas brought her up here.” As if summoned by his name, the monster returns. He looms behind the other man, silent. There’s a bucket in his hand that he drops to the floor with a loud clang that makes you jump. The woman pats your shoulder. 

“Tommy boy is takin’ in strays now, huh? What’s next, he’ll find himself some dumpster baby and finish buildin’ a whole happy family?”

The monster, Thomas, grows tense. His shoulders lift and the muscles of his arms flex, his eyes narrowed on the man who’s giving him a shit-eating smile. 

“Tommy, honey, why don’t you bring your guest to one of the rooms upstairs?” The woman suggests. Thomas shoves past Charlie and into the kitchen and stands wordlessly by your side. She nudges your shoulder and you stand, following him as he stomps through the second door to the kitchen. 

Shouting starts up as you leave, the words muffled when the door swings shut behind you. Thomas leads you upstairs to the second floor, where the hallway dark and a thick layer of dust coats anything it can reach. With a grunt he opens a door at the end of the hall and stands aside to allow you through the doorway. 

The room is bare save for a small but tidy bed and dresser. Despite the dust in the hall, the room itself is surprisingly clean. You sit on the bed, testing the squeaky springs with your weight. You look up at the man.

“Your name is Thomas?” You ask. He nods, once, a sharp dip of his chin that has his dirty hair falling into his face. You tell him your name and his blue eyes blink back at you, the only acknowledgment you’ll get.

He lingers for a moment, eyes searching. It doesn’t feel gross, not like when Charlie leered at you downstairs. No, it’s more like he’s committing you to memory. You realize, then, that he’s not looking at you like a predator looks at prey.

He’s looking at you like you’re a prize.

Thomas slams the cleaver down, the thud of it rhythmic, soothing. His thoughts keep straying to ones of you, upstairs in the kitchen with his mama. You’ve been here for two days now and he’s having a hard time concentrating on his chores knowing that you’re in the house, knowing that you’ve stuck around for God only knows what reason. It makes him antsy, suspicious. 

The door to the basement opens and he expects to hear Charlie’s boots stomping down the stairs but he’s surprised when you appear on the last step in an ill fitting dress that mama must have scrounged up for you. Thomas stands perfectly still as you look around the room. 

“This is what you do all day?” You ask. He nods. “That must be hard work.” Mama shouts your name from upstairs, making you jump. You give him a sheepish look. “I’m supposed to come tell you dinner’s ready.”

Thomas grunts, setting down the cleaver and wiping his hands on his apron. He washes up in the bloodstained sink, scrubbing at his fingers as best he can. You’re still on the stairs when he finishes, watching him. It makes the hair on the back of his neck stand up, the way you don’t look away, ashamed of your staring. 

You turn to climb the steps and he follows, a step below you. Your hips sway in front of him and he has visions of grabbing you by the hips, pulling you against his body so tightly you can’t leave, can’t leave, can’t leave. 

Mama is sitting at the table when you both emerge from the darkness, bowls of stew set out for each of you. Thomas sits down to mama’s left and you to her right, across the table from him. The two of you chat about the chores she’s assigned you and are they too much, honey? No, you tell her, you’re happy to help. Mama smiles at you and he knows what she’s thinking, that you’re sent from God himself, the perfect addition to the family. The daughter she never got to have, only the fucked up sons she was cursed and forsaken with. 

Thomas feels something prod his knee beneath the table and he freezes. All of your attention is still focused on mama, your head propped in your hand and your elbow on the table, relaxed as can be. He thinks maybe he just imagined it but he feels it again and this time he jumps, rattling the dishes on the table and sloshing stew from its bowls.

“Thomas! What’s the matter with you?” Mama asks, patting at her dress with a napkin. “You just got us all wet.”

“Yeah, Thomas,” you chime in. “Got me all wet and messy.”

By the look on your face, he knows that you’re not talking about the soup. He’s got some dirty magazines he snuck into the house over the years, women with their legs spread and their hands tied, glistening pussies on full display or the one videotape that Charlie got him, where the woman is split open on a man’s cock, begging for more as the lewd, slick sounds of sex grow louder and louder. The thought of you like that, maybe even because of him, makes his cheeks burn. He grunts, an apology, and his mama waves a hand at you both.

“You better get changed outta that dress before it stains. Can’t be lettin’ one go to waste so quick,” she tells you. You nod, standing from the table and heading for the door. You pause, looking over your shoulder at him and give him a wink. Mama clears her throat, a stern expression on her face as she looks at him.

“And you, boy. Go get yourself cleaned up and brush your damn hair for once. I raised you better than that.”

She didn’t, not really, but he listens to her anyway, trudging back down to the basement to hose himself off and change his clothes. As he cleans up, he thinks about you, because when hasn’t he been since you appeared? His cock hardens and he tries to ignore it, tries to think of the Bible lessons mama loved to teach and how it’s a sin to touch himself but maybe God will forgive him, just this once? 

He wraps a hand around his thick length and squeezes, almost punishing himself. His head drops back and he stares at the ceiling, eyes wide as he tugs and pulls at his cock, slow at first then fast, fast, fast, fist flying with a tight grip until stars burst in his vision and warm come dribbles over his hand. His chest heaves as he catches his breath, blinking away the dark spots as his high fizzles out.

Thomas dries himself and gets dressed before lying down on the mattress in the corner to toss and turn until the sun rises.

The next morning, Thomas doesn’t realize that you haven’t come down from your room until well into the afternoon. Mama’s gone to town and Charlie is off playing Sheriff so it’s just the two of you in the house. He debates whether he should check on you or leave you alone but ultimately the worry that something might be wrong pulls him upstairs and finds him knocking on your door, a quick tap of his knuckles to the wood.There’s no sound from the other side, no shout of fuck off like he’d get from Charlie or a quiet just a minute, sweetheart he’d hear from mama. Tentatively, he turns the handle and pushes the door open, just a crack, enough to peek inside.

You’re in bed, sprawled out on your back with the quilt kicked off to the floor. Your bare breasts draw his eye and he looks away quickly, shame clawing up his throat. The bed creaks as you shift, sleepy noises leaving your lips in the process, and panic races through his veins, worried that you might wake up and find him standing there, worried that it might be what sends you running, worried about what mama will say if you up and leave and it’s his fault, worried, worried, worried.

“Thomas?” You ask, voice raspy. He didn’t even realize that you were awake, stupid, stupid, stupid of him. He should have turned around and left, should have—

“Hey, it’s okay,” you murmur, sitting up. Thomas hesitates, eyes still fixed on the floor. You must notice because from the corner of his eye he notices the quilt get picked up and then you’re telling him, “I’m decent.”

He swallows around the rock lodged in his throat and looks up, meeting your gaze. You don’t look mad or disgusted or upset. You’re actually smiling at him, a hand held out in welcome. He doesn’t dare touch you, but he takes a step closer, body moving like a moth to a flame.

Your head tilts to the side, assessing him, eyes flaying him open and leaving him feeling more exposed than when someone catches him without the mask. You’re holding the quilt up over your chest but Thomas can still see the tantalizing curves of your shoulders, the long line of your neck with the flutter of your pulse beneath delicate skin. It makes his mouth go dry.

“You ever touch a woman, Tommy?” You ask. The question catches him so off guard that all he manages is a strangled noise. “Well? That a yes or a no?” He shakes his head. You smile, lowering the quilt just enough to expose the top curve of your breasts. 

“You wanna?” 

Thomas’ eyes drop to your chest before quickly looking away. A flush creeps up his neck, staining what little of his cheeks you can see above the mask he wears. His hand flexes at his side, fingers curling open and shut. 

“It’s okay, you can look,” you say, gentle, gentle, gentle, like coaxing a scared animal. He looks at you again, blue eyes wide. “Come closer.”

He shuffles closer, looming over the bed, back so wide that he blocks the sun streaming through the window and casts a shadow over your body. You reach for his hand and he jerks away, as if on instinct. You pause, giving him a few seconds of reprieve, then reach for him again, keeping your eyes fixed on his face. Lightly, you touch his hand and when he doesn’t flinch, you grasp it more tightly. 

You guide his hand to your breast, settling his warm palm to your chest. He holds perfectly still for a moment and the restraint of it drives you insane, makes you bite your tongue so hard the taste of copper blooms across your tastebuds. Finally, he leans a little closer, fingers digging into your skin and making you gasp. He massages one breast, then the other, playing with the weight and feel of them in his large hands. You press your thighs together, cunt aching from the attention.

“That feels good,” you tell him, arching into his touch. The praise spurs him on, makes him more confident, and he starts to focus his attention on your nipples, pinching and twisting the sensitive buds. He’s surprisingly gentle despite his size and demeanor. 

You kick away the quilt from your legs, exposing the rest of your body to him. His eyes trail down your body, hands going still. He looks up, tilting his head, asking a question, looking for permission. You nod your head quickly and your heart races as a palm slides down, down, down, until he’s cupping your pussy over your panties. Your hips jump at the friction.

“Oh, fuck,” you whine. Thomas holds his hand still as you grind yourself against his palm. You reach your hands down, holding onto his forearm with a death grip. “Please, please, please!”

His fingers slip beneath the elastic of your panties and you both groan. He plays with the embarrassing amount of wetness, smearing it over your skin. You guide his hand the slightest bit upwards until the calloused pads of his fingers swipe over your clit.

“That’s it, Tommy,” you tell him. “Right there, right there.”

Dutifully, he continues to lavish you with attention, taking every direction beautifully. Slower, faster, harder, he adjusts to every suggestion and has you moaning and crying his name in desperation, but it’s not enough. You’re right there, so close, but you feel so empty, you just need—

“Inside?” You ask. He pauses, brows pinching together. “Put your fingers inside me.”

Slowly, slowly, slowly, he eases one thick finger into your drenched hole. Your head drops back at the sensation, at the relief, and begin to grind your hips again. He starts to see the pattern, moving his hand so that he’s working with your rhythm. You look up at his face and the concentration in his eyes leaves you breathless. All he wants is to do good, be good, make you feel good. 

Thomas presses another finger to your entrance, glancing at your face to make sure it’s okay. When you don’t say otherwise, he works both inside of you in tandem, the stretch making you groan. He curls them, exploring, skimming a spot inside of you that makes you cry out and dig your nails into his arm so hard that he grunts but doesn’t doesn’t pull away.

“I’m gonna come,” you tell him. “You’re doing so good, Tommy, oh my god.”

He’s panting, sweat dripping down his neck, muscles tight with his efforts to wrench an orgasm from you. The lethal combination of his fingers inside of you and his palm against your clit and the muffled noises sneaking past his mask have you tumbling over a precipice so high you worry you might never come down. Your cunt pulses around his fingers and you babble his name and an incoherent stream of praise as your release washes over you, wave after wave of it.

Thomas waits until your body collapses against the mattress and you’re gasping for breath before slowly removing his hand. He holds it up to his face, pink tongue darting out from the slit afforded for his mouth to taste your cum from his fingertips. He groans, his other hand reaching down to press tightly to the sizeable bulge in his pants. He thrusts against his palm once, twice, before going still, shoulders shaking.

A door slams downstairs. Luda Mae’s voice shouts for Thomas and he takes a step back, head whipping towards the door and eyes wide with panic. You scramble from the bed, grabbing your dress and pulling it on quickly so that you can rush out the room, shutting Thomas inside. You lean over the banister and see Luda Mae standing at the top of the basement stairs, hands on her hips.

“I think he went out to the barn,” you call down. She looks up at you.

“Why would he be out there?” She huffs. “And what are you still doin’ in your room? You look a mess.”

“Sorry, m’am. Had trouble sleeping last night.”

Your politeness softens her annoyance. “That’s okay, darlin’, you’re still learnin’ the ropes. I gotta go find Thomas, Charlie’s found some troublemakers.”

“If I see him first, I’ll let him know.” You nervously smooth your hands down your skirt. “What kind of trouble?”

“You don’t worry yourself about that. We’ll let the boys handle it, alright?”

“Yes, m’am.”

“Good girl,” she says. “I’ll be back.”

Luda Mae leaves through the front door and you return to your room. Thomas is standing where you left him, hands curled at his sides. 

“You hear all that?” You ask him. He nods. “What’s going to happen?”

He walks to the window, peeks through the curtain. His shoulders are tense. When he turns back to you, he sets his hands on your shoulders and steers you to the bed, pushing gently until you’re sitting, the springs squeaking beneath your weight. He cups your cheek with one hand and points around the room with the other.

“You want me to stay in here?”

He nods.

“What if you need help?”

He shakes his head. He won’t need help.

“Okay. You better get down there.”

He nods again. Leaning down, he presses his forehead to yours, an approximation of a kiss. You smile at him when he pulls away. He lingers for a brief second longer before tugging open the door and disappearing from the room.

Trouble is heralded by the arrival of Uncle Charlie. You watch through the window as his cop car pulls up in the yard and he gets out, spitting curses you can’t hear. He waves a shotgun in the air, firing off a warning shot that makes you jump. You know Thomas told you to stay in your room but curiosity gets the better of you and you head downstairs.

Luda Mae is in the kitchen, sat at the table with a cup of tea. A piercing scream filters through the open window as she takes a tiny sip from her cup. 

“You need somethin’, dear?” She asks, unperturbed by the interruption. You shake your head.

“No, m’am. Just came to ask if you needed help with dinner.”

“No, no, that’s alright. I got it covered.” Another sip. “Could you get the laundry from the line?”

It’s then that you realize she’s testing you. Earlier she told you to let the men handle it, but she wants to see where your loyalties lie. Thomas told you to stay put, to stay safe, but she’s sending you out to join the wolves because she knows, she knows, she knows that you’re just like them. 

She just needs proof.

You smile. “Of course.”

On your way out of the kitchen, you slip a knife from the butcher block.

One of the men that Charlie dragged home writhes in pain, one leg bent at an unnatural angle. His friend takes off at run, pace as fast as his injured ankle will allow. They’re the last two that need to be dealt with. Thomas raises his chainsaw in the air, ready to end the animal’s suffering, but movement from the corner of his eye makes him pause.

The back door to the house opens and you stroll out into the yard, looking around frantically with a frightened expression. Thomas feels a rush of anger that you didn’t listen to him, didn’t stay up in your room, didn’t stay inside. The anger quickly turns to fear when he sees the other man, the one he intended to deal with later, rushes toward you. You take off, running across the field toward the barn.

Thomas cuts the gas, tosses the chainsaw aside. The muffled whimpers from the man on the ground piss him off and with one, two, three strikes of the heel of his boot, he silences him for good. He heads for the barn, red in his vision with every step. If the other man lays a single finger on you, Thomas will keep him alive but begging for death.

“Come on, we gotta get out of here,” a male voice shouts. “They’re goin’ to kill us!”

Thomas throws open the barn doors, the wood shaking with the force of it. You’re turned away from him and the first thing he notices is the knife held in a tight fist behind your back. The man stumbles to the ground, trying to scramble back from you as Thomas comes closer.

“No. We’re going to kill you,” you tell him. You spring forward, jumping on the man with a feral scream that sounds like music to Thomas’ ears. Your arms swing up, up, up and then slam down, down, down, burying your knife into the man’s chest over and over and over.

Thomas can’t wait anymore. He approaches you from behind and wraps an arm around your waist, lifting you away from the mangled body. You struggle in his hold and he hauls you over to a work bench, swiping the tools to the ground with his other arm and setting you on the surface.

“I’m sorry, I’m sorry,” you say immediately, head shaking side to side. “I just wanted to help, I just—“

Your rapid apologies morph into a choked off moan when he lifts your legs, wrapping them around his hips, grinding his painfully hard cock against you. He buries his face into your neck, licking at the blood that stains your perfect skin, the taste of salt and copper opening a pit of hunger in his belly that could never be filled by food.

“Tommy,” you whimper, head dropping back. He licks and bites at all the skin he can find and when he runs out, he drops to his knees and begins anew on the muscles of your legs. 

He pushes the fabric of your dress up, bunching it around your waist to expose your pussy, still covered by the same panties you wore earlier when he made you come on his fingers. Wrapping his fist in the elastic, he pulls until it snaps under the pressure, fabric falling away and leaving you completely bare. 

Thomas pushes your thighs apart, spreading you open. He leans closer, biting at the soft flesh of your thigh, a little harder than he should. The tiny indents his teeth make in your skin are proof that this isn’t some dream. You’re flesh and blood, just like him.

Just for him.

His mouth waters as he nears your cunt, the earlier memory of your taste making that hunger grow to near starvation. His tongue slides over the slick flesh, exploring the dips and folds that taste so sweet it hits him like a sugar high, like when he’d steal a handful of candy from the corner store and eat it all at once, afraid of getting caught.

There’s a quiet thump and Thomas looks up to find that you’ve collapsed onto the table. Hands reach down and your fingers tangle in his hair, pulling on the strands. He remembers the spot that he rubbed with his fingers and searches for it with his tongue, knowing he’s found it when your thighs press against his ears and you moan his name like you did in your room.

“Oh, god! Just like that, Tommy,” you say, holding his head in place. “So good, so fucking good.”

He licks and sucks and grazes his teeth against you to his heart’s content and you writhe beneath him, bucking up against his face so fiercely he has to hold you down with an arm across your lower belly. He grows braver, dipping his tongue into the warmth of your cunt and drinking you from the source until you’re shaking. When he pulls away, he’s awed by the mess he’s made of you, your lips puffy and skin slick and shiny from your cum. He uses his thumbs to spread you apart, admiring the way your hole clenches around nothing.

Thomas stands, unsure of what to do next. You sit up from the table, expression dazed. Tear tracks stain your cheeks and a brief strike of worry hits him. Did he hurt you? Was that too much? Are you—

“Come closer,” you whisper. His thoughts go silent as he obeys. You reach up, cupping his face, hands trailing down to the strap of his apron. You lift it over his head and drops down, hanging limply. 

Your arms wrap around his thick middle, working the knot of strings loose behind his back. It falls to the floor in a heap now and he stares at it, pulse racing as your hands roam to his chest. His breath stutters as your touch traces lower, lower, lower, until your palm presses against his cock and his mouth drops open at the pleasure of it, so different from when he touches himself or ruts his hips into the mattress. He can feel the heat of your skin even through the thick fabric of his pants.

You’re popping the button and dragging down the zipper, wrapping a soft hand around his cock and pulling it free. Thomas groans, loud and rough, as you slide your hand up, thumb swiping over the clear fluid gathered at the very tip. 

You tug on his cock, hard enough that he stumbles forward, pressing closer. You look up at him as you rub the flushed head through your wetness and his shoulders shake at the sensation. You feel so good, so warm, he just wants to—

You notch him at your entrance and on instinct he thrusts forward the slightest bit, just enough that the fat tip of him sinks into tight heat. You gasp, eyes going wide and he’s once again struck with the fear that he could be hurting you, maybe he’s too big, too much of a monster, but when he tries to pull away you’re grabbing his shirt in a tight fist.

“Don’t you dare,” you hiss. “Keep going.”

Thomas obeys, just as he always does, pushing his hips closer, shoving his cock deeper, deeper, deeper. He watches his length disappear, your body stretching to accommodate his size. You look beautiful, with the tears that gather in your eyes and the blood smeared on your chest and the way your thighs shake with the effort to take him, that his chest aches, that last thread of control keeping him slow and steady snapping like his hips as he buries himself inside of you, completely and thoroughly.

You’ve never been this full before. You fall back on the rough wood of the work bench with a gasp, stars in your vision as your body adjusts to the sheer size of the man, the thick length of him splitting you open and leaving you breathless. He leans forward, the angle changing and tears spilling from your eyes as you stare up at the hulking monster above you.

“So big,” you gasp. “God, you’re so fucking big.”

His cock twitches inside of you and you moan, back arching off the bench. He feels so good, even through the burning stretch. You give a tentative wiggle of your hips and his eyelids flutter, a moan escaping him. When the pain eases into a dull ache, you lift a shaky hand to his face, settling your palm against the cool leather of his mask.

“I want you to fuck me, Tommy,” you tell him. “I want you to ruin me.”

His pupils grow impossibly wider and a shadow falls across his features, his demeanor changing in the blink of an eye. Gone is the man who was worried he would hurt you and in his place is the ravenous beast that matches the one clawing at you from the inside, just beneath your ribs where your chest aches with need. He draws his hips back until the tip is barely inside of you before thrusting forward. Your mouth opens, a scream ripping from your lungs but it’s cut short when a large hand wraps around your throat and squeezes. 

Thomas is a man possessed, pounding into your body like it’s nothing more than a toy for his pleasure, filling your pussy to the limit with each stroke. The hand on your throat holds your body steady and he uses his other arm to lift one of your legs, then the other, your thighs pressed to his thick belly and your ankles by his ears. His moans mix with the lewd sound of skin against skin, a soundtrack of hedonism that you want to listen to on repeat until God calls you for judgment and sends you straight to Hell.

Your orgasm is quick to build, a pressure in your tummy that grows tighter and tighter until it bursts, all your muscles going taut with the force of it. Thomas roars, hands gripping your hips and holding you impaled on his cock as he floods your pussy with his release. You feel untethered, like you’re floating, and it’s not until you’re squinting into the Texas sun that you realize you are floating. Thomas is carrying you through the field, back to the main house, one arm supporting your back and other under your knees, holding you close to his chest.

Luda Mae is on the porch when he reaches the door, hands on her hips. He pauses and her keen gaze assesses you both. Finally, she smiles.

“Get yourselves cleaned up. Dinner is almost ready,” she says. 

Wordlessly, Thomas brings you inside and down to the basement, where does exactly as he’s told.

Just as he always does.

Thanks for reading! If you enjoyed, please consider reblogging or leaving a comment.

Want more to read? Check out my masterlists.

[hiddenwritingsintheworld]

🥺🥺🥺

Like. You just know he really loves her 😭

Imagine John falling in love with you

He leaned against your door, reading your latest book as he waited for you to get home. You’d met John years ago when you were young…ger. You were only in your twenties, John was twice your age, but he..well, he was simply the greatest man you’d ever laid eyes on. 

“John!” you grinned and squealed a little as you rushed your walking up to him, and wrapping your arms around him. “I’ve missed you!” you breathed out. Your feelings for the older man weren’t hidden, he knew how you felt. You’d admitted it one night after some hard drinking. “Ive missed you too Y/N. By the way, excellent work” he smirked holding up the book. You blushed and let him in your apartment. “You’re reading my book?” you asked smiling over your shoulder at him. As you headed for the kitchen, dropping items along the way in their usual spot, Johns eyes traveled over your body slowly, smirking to himself. “I read everything you write” he breathed out, his heart beating a bit faster in his chest. 

@teamfreewill-imagine @ellen-reincarnated1967 @urwarriorangel @growningupgeek @jodyri@nanie5 @abaddonwithyall @bovaria @spnashley @ariminiria @kittenofdoomage @kaz2y5-imagines

[mostlysignssomeportents]

The majority of censorship is self-censorship

I'm on tour with my new novel The Bezzle! Catch me TONIGHT in SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA (Saturday night, with Adam Conover), Seattle (Monday, with Neal Stephenson), then Portland, Phoenix and more!

I know a lot of polymaths, but Ada Palmer takes the cake: brilliant science fiction writer, brilliant historian, brilliant librettist, brilliant singer, and then some:

https://pluralistic.net/2022/02/10/monopoly-begets-monopoly/#terra-ignota

Palmer is a friend and a colleague. In 2018, she, Adrian Johns and I collaborated on "Censorship, Information Control, & Information Revolutions from Printing Press to Internet," a series of grad seminars at the U Chicago History department (where Ada is a tenured prof, specializing in the Inquisition and Renaissance forbidden knowledge):

https://ifk.uchicago.edu/research/faculty-fellow-projects/censorship-information-control-information-revolutions-from-printing-press/

The project had its origins in a party game that Ada and I used to play at SF conventions: Ada would describe a way that the Inquisitions' censors attacked the printing press, and I'd find an extremely parallel maneuver from governments, the entertainment industry or other entities from the much more recent history of internet censorship battles.

With the seminars, we took it to the next level. Each 3h long session featured a roster of speakers from many disciplines, explaining everything from how encryption works to how white nationalists who were radicalized in Vietnam formed an armored-car robbery gang to finance modems and Apple ][+s to link up neo-Nazis across the USA.

We borrowed the structure of these sessions from science fiction conventions, home to a very specific kind of panel that doesn't always work, but when it does, it's fantastic. It was a natural choice: after all, Ada and I know each other through science fiction.

Even if you're not an sf person, you've probably heard of the Hugo Awards, the most prestigious awards in the field, voted on each year by attendees of the annual World Science Fiction Convention (Worldcon). And even if you're not an sf fan, you might have heard about a scandal involving the Hugo Awards, which were held last year in China, a first:

https://www.nbcnews.com/news/world/science-fiction-authors-excluded-hugo-awards-china-rcna139134

A little background: each year's Worldcon is run by a committee of volunteers. These volunteers put together bids to host the Worldcon, and canvass Worldcon attendees to vote in favor of their bid. For many years, a group of Chinese fans attempted to field a successful bid to host a Worldcon, and, eventually, they won.

At the time, there were many concerns: about traveling to a country with a poor human rights record and a reputation for censorship, and about the logistics of customary Worldcon attendees getting visas. During this debate, many international fans pointed to the poor human rights record in the USA (which has hosted the vast majority of Worldcons since their inception), and the absolute ghastly rigmarole the US government subjects many foreign visitors to when they seek visas to come to the US for conventions.

Whatever side of this debate you came down on, it couldn't be denied that the Chinese Worldcon rang a lot of alarm-bells. Communications were spotty, and then the con was unceremoniously rescheduled for months after the original scheduled date, without any good explanation. Rumors swirled of Chinese petty officials muscling their way into the con's administration.

But the real alarm bells started clanging after the Hugo Award ceremony. Normally, after the Hugos are given out, attendees are given paper handouts tallying the nominations and votes, and those numbers are also simultaneously published online. Technically, the Hugo committee has a grace period of some weeks before this data must be published, but at every Worldcon I've attended over the past 30+ years, I left the Hugos with a data-sheet in my hand.

Then, in early December, at the very last moment, the Hugo committee released its data – and all hell broke loose. Numerous, acclaimed works had been unilaterally "disqualified" from the ballot. Many of these were written by writers from the Chinese diaspora, but some works – like an episode of Neil Gaiman's Sandman – were seemingly unconnected to any national considerations.

Readers and writers erupted in outrage, demanding to know what had happened. The Hugo administrators – Americans and Canadians who'd volunteered in those roles for many years and were widely viewed as being members in good standing of the community – were either silent or responded with rude and insulting remarks. One thing they didn't do was explain themselves.

The absence of facts left a void that rumors and speculation rushed in to fill. Stories of Chinese official censorship swirled online, and along with them, a kind of I-told-you-so: China should never have been home to a Worldcon, the country's authoritarian national politics are fundamentally incompatible with a literary festival.

As the outrage mounted and the scandal breached from the confines of science fiction fans and writers to the wider world, more details kept emerging. A damning set of internal leaks revealed that it was those long-serving American and Canadian volunteers who decided to censor the ballot. They did so out of a vague sense that the Chinese state would visit some unspecified sanction on the con if politically unpalatable works appeared on the Hugo ballot. Incredibly, they even compiled clumsy dossiers on nominees, disqualifying one nominee out of a mistaken belief that he had once visited Tibet (it was actually Nepal).

There's no evidence that the Chinese state asked these people to do this. Likewise, it wasn't pressure from the Chinese state that caused them to throw out hundreds of ballots cast by Chinese fans, whom they believed were voting for a "slate" of works (it's not clear if this is the case, but slate voting is permitted under Hugo rules).

All this has raised many questions about the future of the Hugo Awards, and the status of the awards that were given in China. There's widespread concern that Chinese fans involved with the con may face state retaliation due to the negative press that these shenanigans stirred up.

But there's also a lot of questions about censorship, and the nature of both state and private censorship, and the relationship between the two. These are questions that Ada is extremely well-poised to answer; indeed, they're the subject of her book-in-progress, entitled Why We Censor: from the Inquisition to the Internet.

In a magisterial essay for Reactor, Palmer stakes out her central thesis: "The majority of censorship is self-censorship, but the majority of self-censorship is intentionally cultivated by an outside power":

https://reactormag.com/tools-for-thinking-about-censorship/

States – even very powerful states – that wish to censor lack the resources to accomplish totalizing censorship of the sort depicted in Nineteen Eighty-Four. They can't go from house to house, searching every nook and cranny for copies of forbidden literature. The only way to kill an idea is to stop people from expressing it in the first place. Convincing people to censor themselves is, "dollar for dollar and man-hour for man-hour, much cheaper and more impactful than anything else a censorious regime can do."

Ada invokes examples modern and ancient, including from her own area of specialty, the Inquisition and its treatment of Gailileo. The Inquistions didn't set out to silence Galileo. If that had been its objective, it could have just assassinated him. This was cheap, easy and reliable! Instead, the Inquisition persecuted Galileo, in a very high-profile manner, making him and his ideas far more famous.

But this isn't some early example of Inquisitorial Streisand Effect. The point of persecuting Galileo was to convince Descartes to self-censor, which he did. He took his manuscript back from the publisher and cut the sections the Inquisition was likely to find offensive. It wasn't just Descartes: "thousands of other major thinkers of the time wrote differently, spoke differently, chose different projects, and passed different ideas on to the next century because they self-censored after the Galileo trial."

This is direct self-censorship, where people are frightened into silencing themselves. But there's another form of censorship, which Ada calls "middlemen censorship." That's when someone other than the government censors a work because they fear what the government would do if they didn't. Think of Scholastic's cowardly decision to pull inclusive, LGBTQ books out of its book fair selections even though no one had ordered them to do so:

https://www.nytimes.com/2023/05/06/books/scholastic-book-racism-maggie-tokuda-hall.html

This is a form of censorship outsourcing, and it "multiplies the manpower of a censorship system by the number of individuals within its power." The censoring body doesn't need to hire people to search everyone's houses for offensive books – it can frighten editors, publishers, distributors, booksellers and librarians into suppressing the books in the first place.

This outsourcing blurs the line between state and private surveillance. Think about comics. After a series of high-profile Congressional hearings about the supposed danger of comics to impressionable young minds, the comics industry undertook a regime of self-censorship, through which the private Comics Code Authority would vet comings for "dangerous" content before allowing its seal of approval to appear on the comics' covers. Distributors and retailers refused to carry books without a CCA stamp, so publishers refused to publish books unless they could get a CCA stamp.

The CCA was unaccountable, capricious – and racist. By the 60s and 70s, it became clear that comic about Black characters were subjected to much tighter scrutiny than comics featuring white heroes. The CCA would reject "a drop of sweat on the forehead of a Black astronaut as 'too graphic' since it 'could be mistaken for blood.'" Every comic that got sent back by the CCA meant long, brutal reworkings by writers and illustrators to get them past the censors.

The US government never censored heroes like Black Panther, but the chain of events that created the CCA "middleman censors" made sure that Black Panther appeared in far fewer comics starring Marvel's most prominent Black character. An analysis of censorship that tries to draw a line between private and public censorship would say that the government played no role in Black Panther's banishment to obscurity – but without Congressional action, Black Panther would never have faced censorship.

This is why attempts to cleanly divide public and private censorship always break down. Many people will tell you that when Twitter or Facebook blocks content they disagree with, that's not censorship, since censorship is government action, and these are private actors. What they mean is that Twitter and Facebook censorship doesn't violate the First Amendment, but it's perfectly possible to infringe on free speech without violating the US Constitution. What's more, if the government fails to prevent monopolization of our speech forums – like social media – and also declines to offer its own public speech forums that are bound to respect the First Amendment, we can end up with government choices that produce an environment in which some ideas are suppressed wherever they might find an audience – all without violating the Constitution:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

The great censorious regimes of the past – the USSR, the Inquisition – left behind vast troves of bureaucratic records, and these records are full of complaints about the censors' lack of resources. They didn't have the manpower, the office space, the money or the power to erase the ideas they were ordered to suppress. As Ada notes, "In the period that Spain’s Inquisition was wildly out of Rome’s control, the Roman Inquisition even printed manuals to guide its Inquisitors on how to bluff their way through pretending they were on top of what Spain was doing!"

Censors have always done – and still do – their work not by wielding power, but by projecting it. Even the most powerful state actors are not powerful enough to truly censor, in the sense of confiscating every work expressing an idea and punishing everyone who creates such a work. Instead, when they rely on self-censorship, both by individuals and by intermediaries. When censors act to block one work and not another, or when they punish one transgressor while another is free to speak, it's tempting to think that they are following some arcane ruleset that defines when enforcement is strict and when it's weak. But the truth is, they censor erratically because they are too weak to censor comprehensively.

Spectacular acts of censorship and punishment are a performance, "to change the way people act and think." Censors "seek out actions that can cause the maximum number of people to notice and feel their presence, with a minimum of expense and manpower."

The censor can only succeed by convincing us to do their work for them. That's why drawing a line between state censorship and private censorship is such a misleading exercise. Censorship is, and always has been, a public-private partnership.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/22/self-censorship/#hugos

[indigovigilance]

The Final Fifteen is about Terry Pratchett's Death

read on Ao3

The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.

Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.

In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.

Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.

In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:

Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person. 

It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard. 

~~~

The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry. 

Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.

Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.

Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.

~~~

In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.

But Aziraphale has to go to Heaven, and Crowley cannot follow him there.

I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling. 

I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.

[factcheckingmclennon]

pyramus & thisbe, the cats: fact or fiction?

starting this blog off on a positive note because when i deep dived & found out this was real i was floored because it does genuinely sound like fanfiction but...

"did paul mccartney really have cats named pyramus & thisbe after the lovers him and john played?"

and let's go to a read more for the source/deep dive!

so this is one that floats around a lot un-sourced. in fact, when doing this deep dive, i found quite a few fan forums INSISTING it was fake because they only ever see mclennon shippers saying it. but lo and behold........

in this interview from Animals' Agenda, 1999:

P: Oh, I’d love to tell you about the animals. I personally never had a pet growing up, because my mom and dad both worked. And even the day we saw free puppies going and my brother and I thought, “Definite, we’ll get one,” we couldn’t have one. So my first pet was when I was living alone as one of the Beatles and I got an Old English sheepdog called Martha, and I loved her dearly, she was beautiful, she was really good for me; we were good for each other. I remember John Lennon coming ’round and saying, “God, I’ve never seen you with an animal before.” I was being so affectionate it took him aback, he’d not seen that side of my character. Because you don’t do that with humans-not as obviously anyway. And then I had two cats called Pyramus and Thisbe, which showed my literate bent, and then I had three-they all had to be cool names, of course-that were called Jesus, Mary, and Joseph. And then as a family, Linda and I, after Martha died, we then got another Old English sheepdog and we eventually had a litter by the one after her. We kept two of the puppies, so that meant we’ve got three now. I have four dogs at home, three English sheepdogs and Stella’s dog, the mutt. She’d hate me to say that!

(source)

now... did he gift john pyramus?

i can't find a source on that one that isn't a mclennon blog/forum. however there's just not enough to prove it one way or the other & it's not out of the realm of possibility that he would've given pyramus to john, especially since there don't seem to be any photos of paul & pyramus even though he mentions the cat as one that he owned. also, i do feel like i've seen some quote from john where he just casually mentions the cat by name floating around? but i can't find it, so if anyone wants to add it, go ahead! for now, that part of this is getting rated....

[crepesuzette2023]

For John's Birthday: some of my favorite John POV fics

Drop Chute (bookofapril). "The last stall on the end had an “out of service” sign on it: he darted in, locked the door, and sat down on the lid of the toilet. Thank god it was clean. He put his glasses in his pocket. Then he drew up his legs and rested his head on his knees, the cool embroidered satin of his trousers a balm on his forehead, safely hidden from sight." (1967, John vs. Robert F.)

I Think of Things We Did (J_Deandra_j). "He sucked Paul’s dumb, lovely fat lips, licked his teeth, tasted the drumbeat of Paul’s heart in the stubble threatening to erupt beneath his jaw, and his soul awoke like a sad bitch at the shudder of Paul’s skin under his tongue." (Obertauern)

at midnight (anonymous). "The first time John lets another man press against him, it feels like dying." (Long brilliant character study)

Sunday Driver (@boshemians). "Tara Browne is the kind of pretty boy who wouldn’t bat an eye at being called one. Proud of it, even, and not shy of an excuse to do just that—bat his eyes, or eyelashes really, at anyone. Men, women, dogs. It annoys John when Paul does it but it annoys him even more in Tara because of the money thing, the always having had it, so that he is not so much coy as simpering." (65/66, John v. Tara B.)

February in New Orleans (@eveepe). “Kiss it,” said May, from where she was tucked in beside Linda. “Go on, he likes that.”—“Do what she says, baby.” Linda leaned over to slide her hand into Paul’s hair and guide his head gently towards John. (John and May visit Paul and Linda in 1975)

deeper than oceans you run (@orphanbeat). "Rich kisses him slowly, purposefully, as he does them all. John thinks he probably likes Rich’s kisses the best, then realizes that they all must do." (Beatles OT4, Greek Island AU)

Our Version of Events (@javelinbk). "There are also some stories that have just tilted the world’s axis slightly, asking questions like if Brian hadn’t found them, would they still be famous? The answer, according to that writer, was no, which John felt gave Brian far too much credit and Paul’s bullheadedness too little." (John discovers fan fiction in 1971)

non nobis solum (downtothelastdrop). “I think it’s cute,” Helen says again. “The way he looks at you. He likes to push back, doesn’t he, but I bet when you get down to it he’d do anything you asked.” (John's fascination with Paul in school uniform)

Bermuda (@scurator). "Today he felt that life really might begin at forty, if a bloke could just admit certain predilections to himself." (1980 as it should have been)

The McCartney Issue (@pauls1967moustache). "It’s only because it’s Perfect Beatle Paul with a dildo up his ass that anyone cares at all." (John Lennon's purely artistic appreciation of Linda McCartney's Playboy spread of her husband)

dreaming of the past (@revollver). "Meanwhile, the real Paul, sweet boyish features and Beatle-cut grown a touch too long, can be seen on the coffee table, inspecting the cupcake wrappers on George’s plate. All John gets is a brief look: soft curve of a furred thigh as Paul darts behind the paper cups. Graceful calf and perfect, miniature foot. Tantalising glimpse of one arse cheek." (1969 John imagines Tiny Paul to distract himelf from the present–with delightful consequences)

ageless children, animal sweat (eyeball2eyeball): "Looks like Pete’s got his night lined up, eh?” He looks back to John and rests his chin on his palm and smiles, this small secretive thing, and John can’t help but be convinced that Paul knows what he’s thinking somehow — dangerous, that. “What about you?” (Hamburg)

[babyaiker]

I’m writing this at 5am but when @verdemoun “kieran duffy hyperfixation page” themself encourages you to talk about your now 5 month long obsession, you know you gotta,,, 

Mini break down of Kieran’s characterization in the Paying A Social Call mission, lets go

Before I get too far please know I genuinely have no beef with people who baby Kieran. He’s a fictional character and we’re all just having fun, I just really like analyzing the text ^^

In my last post where I talked about my favorite part of Kieran’s character, I briefly mentioned how the mission Paying a Social Call (the mission in chapter 2 where Kieran is freed) contains a lot of characterization for Kieran that a chunk of the fandom misses. It was when I was watching someone's random stream did I remember how much was getting left out. While I've seen plenty of people rant about Kieran's mischaracterization in the fandom, details from this mission were often left out of the discussions I personally saw. So while I really don't care WHO you interpret Kieran as, having an excuse to rant about the mission I could probably quote start to finish is fun.

Despite the circumstances Kieran finds himself in, he’s not a coward. He knows his worth and isn’t afraid to bite back at others for messing with him. The only reason he cowers and runs off is usually because he was physically hurt, threatened to be hurt, or knows the person he's talking to would gladly hurt him. We have evidence of him acting like this in maaany different ways through the hidden dialogue scenes in camp. His goddamn catchphrase “I ain’t no O’Driscoll” is an example in of itself, showing that he isn't just cowering and crying because of how he’s treated, he's actively fighting against it.

But now let’s actually get into Paying A Social Call, as the only thing Kieran does throughout the entire mission besides show the boys where Six Point Cabin is, is defend himself. 

The beginning of that quest is well… a beginning for sure. I’d probably be a mess too if I was starving and about to get my nuts ripped off. 

His whole “I ain’t no O’Driscoll” shtick only gets louder the second he’s untied. He’s as cooperative as he needs to be, but is gonna make sure everyone knows he isn’t happy about it. While there's a lot of snarky shit he can end up saying, the dialogue where he directly compares the Van Der Lindes to the O’Driscolls is something special. Like Jesus I would not be saying that shit in the predicament you're in right now! While you can still hear the unsureness in his voice, he’s not afraid to say it as it is. (I still find it interesting that even non Kieran fans will point back to that dialogue as foreshadowing and be like "aw shit the horseboy was right fellers")

Okok skipping ahead to the end cuz arughh there's a specific line said in the last scene that completely changed Kieran’s character for me. All I’ll say about the gunfight is that right before it, when John has his gun up against Kieran, while the camera pans to a group of O’Driscolls, you can see Kieran give Arthur a thumbs up when Arthur shushes him. It’s such a tiny detail but it amused me and my partner when we discovered it.

At the end of the mission, after Arthur realizes that Colm isn't there, he confronts Kieran at gunpoint, pretty much ready to kill him. Kieran of course acts like how we’d think he would,,, he promptly begs for his life. But once Arthur spares him and gives him the decency of running away, Kieran doesn't grovel back to him, begging to be taken back, he fuckin yells at him. He understandably points out that letting him go free is as good as killing him, as the rest of the O’Driscolls would likely have his head for this (didn’t like typing that). His very blunt, angry line of “So I’m one of YOU now!” genuinely made me rethink what I’d been assuming about him. It likely dawned on me while I was staring at the streamer’s “hose goat” cam, but just demanding a spot in the gang like that isn’t something a coward would do. He is incredibly firm in his “fuck you, you’re stuck with me now”.

Even his dialogue after is just more examples of him being very aware of his vicarious situation (Arthur: “Alright, but I’m warning you”, Kieran: “Oh, I know”) and being more than eager to start proving himself useful (Kieran: “See Arthur, I ain’t so bad!” ^^)

I genuinely think the whole “whiney useless baby” assumption comes from the fact we play as Arthur. Arthur VERY adamantly views Kieran this way, literally calling him a baby as a way of antagonizing him. And because most everyone loves Arthur, they’re bound to view Kieran the same way he does. Unreliable narrator kinda thing, though I'm not saying that's a bad thing in the slightest. And with the magic of RDR2’s actually good character writing, I can sit here for 700 words summarizing why Kieran’s actually kinda cool sometimes. 

So ya, I wouldn’t say Kieran’s a coward, but I’m also not gonna say he’s some crazy cool badass murderer outlaw. He’s a dude trying to survive who’s been kicked out of or lost every home he’s known. He’s still a silly guy I wanna lovingly snap over my knee like a twig. With the life he’s lived you can’t afford to be unable to stick up for yourself, he’s just smart enough to know when it’s time to lay low.

[haru-dipthong]

How long will the japanese wikipedia article for goncharov last?

And how big is the internet, really?

I was in a wikipedia hole recently and I happened to notice that the Japanese article for Goncharov is the only language variant that is completely in-character.

Every other language specifies it as “Goncharov (meme)”. Japanese lists it as “Goncharov (1973 film)”, and formats the introduction as if it were a real movie:

Goncharov is a 1973 mafia film set in Naples, Italy. Produced by Martin Scorsese, the main cast includes Robert De Niro, Al Pacino, John Cazale, Gene Hackman, Cybill Shepherd, and Harvey Keitel.

— Wikipedia (my translation)

The rest of the article does go on to acknowledge Tumblr’s influence in Goncharov’s popularity, but every mention of this influence frames it as reviving the popularity of the supposedly real film. On two occasions the word 再燃 is used (the first kanji means “again” and the second kanji means “burn” - it means “rekindle” and can be similarly used in the metaphorical and literal sense, just like the english word “rekindle”).

Goncharov became particularly popularity on social media as a result of a reblog of a Tumblr post in August 2020. The post depicted shows the title of the film (Goncharov) in place of a brand logo on a shoe, which were described as “knockoff boots”. The image post and the comment attached to the reblog, mocking the fact that the original poster had not seen the film, became an internet meme. In November 2022, a poster made by a fan of Goncharov was uploaded to the internet, and the film’s popularity resurged. Various fan-made content about the story and production began to spread on Tumblr and other platforms. Goncharov has been widely covered in the media as an example of how fandom is born on the internet, with many prominent figures, including Scorsese himself, leaving comments.

— Wikipedia (my translation)

It’s clear the article is trying to adapt the real history of the meme and incorporate it as much as possible into the fictional history of the film. The rest follows quite similarly, and includes more analysis of how Tumblr culture created the “reignited” popularity, how Elon’s acquisition of Twitter resulted in an exodus of users to Tumblr which may have contributed to the increased awareness of the “movie”, etc. Though most of it is directly translated from the english, enough of it is original (such as the attempts to reconcile both real and fictional histories) that I suspect the article’s current state is intentional.

To get back to my initial question, how long will this article last like this?

Remember the whole Scots Wikipedia debacle? An american teenager had basically used simple word replacement to translate over 23,000 articles into Scots. Some people noticed this, but not many, and not loudly enough. It was only after a well researched reddit post pointed out the scale of the damage that people really took notice and action was taken. The wikipedia editor had apparently been doing this for 7 years before the reddit post was made.

If 20,000 articles could go largely unnoticed for 7 years, I imagine a single article could easily evade similar detection. Realistically, how many Japanese speakers are going to even hear about Goncharov and make it to the wikipedia article? Then, how many of them are going to do more googling and find out it’s all a hoax (or know already)? THEN, how many of them are going to tell a wikipedia admin that the article is a lie, or publicise it somehow in a way that forces the editors to update the article?

I think the reality is that although the internet may appear to be a massive open town square (or several), it also has side streets, and side streets of side streets. I feel like the number of active members in each online hobby or interest group are really quite small, and then they get divided between platforms, and even further divided into subgroups. I think if one decided it was something one wanted to do, it would be quite easy to become one of the most prevalent members of any online community you chose just by devoting the time and energy to it.

It’s also kind of shocking how much internet content is inaccessible on account of it being in a different language. English reigns supreme in terms of sheer volume, but there is original research and journalism and entertainment and art in every language, that hasn’t and might never be translated into english. For example, I found it very difficult to find any english sources or research for my post about the evolving conjugation of 違う, but I easily found several japanese papers and websites. In fact, if you google “違くない adjective or verb”, the first english result that doesn’t just handwave it as “informal” or “slang” is a tumblr blog with my post on it!

It’s a small internet indeed where my little hobby language blog is, according to google, the prevailing english source on what is quite a remarkable change in Japanese grammar that’s been happening since the 80s.

I think the Japanese unreality version of the Goncharov wikipedia article will stand for many years to come.

(below link shows the article at time of writing)

[inevitably-johnlocked]

A-Z Sherlock Fan Fiction Tropes Bingo

Ahhh, so I saw this Fanfiction Bingo Card by @swissmissing going around, and even though I wasn't ever tagged, I wanted to do some recs of my own because, like, that's my whole brand LOL. I hope no one minds...🙃 I needed to have a list ready for this Sunday, and this was perfect, LOL.

And because I'm always trying to overachieve on these challenges, I'm going to do full black out, BOTH tropes in each square.

This will be a Combination of my read fics and "to read" fics [to fill in spaces I don't have tags for], which I will append the latter with (MFL) just like so, for those of you who only want fics I've personally read. And apologies, I had to remove some of my standard links to fit them all within Tumblr's link limits, so author names aren't clickable AND I've removed all series' links, so be sure to check out other stories by the authors!!

AND FINALLY, this is a rare list that I DON'T have in word-count order, just so y'all know! I hope you guys like the fics I've pick for y'all. Literally random picks from my lists, based on tag searches, LOL.

AU: A Further Sea by i_ship_an_armada & ShinySherlock (E, 125,492 w., 23 Ch. || Historical Pirates AU || Enemies to Friends to Lovers, Doctor John / Pirate Captain Sherlock, Sailing, UST / RST, Masturbation, Action / Adventure, Mild Angst & Peril, Romance, Shaving, Molly/Janine, Bottomlock, Hand / Blow Jobs, Past Drug Use, Slow Burn, Mild Violence, Facial Shaving, Happy Ending) – Here be a tale of adventure for both body and soul, but beware if ye be not of stout heart, for this be piratelock, ya savvy? Luckless ship's surgeon John Watson takes a chance, and finds himself eye to eye with The Ghost, the scourge of the seven seas and a definite thorn in the side of the blaggard, James Moriarty. But when John finds there's more to this most cunning pirate than be meetin' the eye, he has to choose... is it a pirate's life for him?

Amnesia: I Need You To See Me by Mssmithlove (E, 12,625 w., 1 Ch. || Angst, Amnesia, Soldier!John) – After going back to war, John is yet again invalided home, this time with a broken ankle and a chunk of his memory missing, unable to recall the last five years he's spent being Sherlock Holmes' partner and husband. Part 9 of Happiness Awaits

BDSM: Lock and Key Series by 221b_hound (E, 59,509+ w. across 14 works || Series WiP || Post-HLV, Tattoos, First Kiss/Time, Anal, Hand Jobs, Captain John, Cuddling, Sherlock's Scars, Possessive Johnlock, Exhibitionism / Voyeurism, Frottage, Blow Jobs, Masturbation, Sherlock in Panties, PWP, Dirty Talk, Sexual Fantasies, Restraints, Photographs, Emotional Hurt/Comfort, Light BDSM, Assorted Kinks, Sherlock in a Sheet, Sex on Furniture, Domestic Fluff) – John has been back at Baker Street for a year, following the debacle that ended in Mary's death. Things are good. Back almost to what they used to be. Sherlock might wish they were something else, now, but he only has himself to blame, he thinks. It's too late, now, for the things he first denied before he'd ruined any chances he might have had. Sherlock also thinks that people who get tattoos are idiots. But perhaps he's about to learn a thing or two, not least of which might be it's not as late as he thinks it is.

Bodyswap: Inexplicable by emmagrant01 (E, 34,664 w., 6 Ch. || Body Swap, TSo3, Magical Realism / Artifacts, Infidelity, Angst) – So what was in that matchbox, anyway? John and Sherlock find out, the hard way.

Crossover: Perdition's Flames by i_ship_an_armada (E, 63,435 w., 21 Ch. || Star Trek Fusion || Established Relationship, Genetic Engineering, Angst & Fluff, BAMF!John) – Sherlock would do anything to save him. Risk anything. Give anything. His money, his life. His soul. What he does, though, is change both of their destinies forever. Genetic re-engineering is the only option left. It turns out researchers underestimated the life expectancy and potential abilities of genetically re-engineered subjects. The British government and what would eventually become the United Federation of Planets, however, had not. Part 1 of PF Universe

Crack: Fucking Cake by Random_Nexus (E, 12,965 w., 1 Ch. || Pre-Slash, Humour/Crack, Inanimate Object Smut, Frottage, “For a Case” / “Experiment”, PWP / Kinky, Mutual Pining, Fluff) – Sherlock brings home a chocolate cake, John finds him about to have sex with said cake, then exceedingly weird hijinx ensue. Part 1 of "Fucking Baked Goods" - Sherlock BBC

Domestic: Back to the Start by slashscribe (M, 14,088 w., 1 Ch. || Sherlock’s Violin, Pining Idiots, Fluff, Domestics) – Sherlock hasn't played the violin since John's wedding (which is long since over), and when John returns to 221B, Sherlock relearns the violin as he and John relearn each other. Post S3 fic with an obscene amount of pining, idiocy, and attempts to pawn off tea duties.

Disability: Breakable by MissDavis (E, 117,627 w., 34 Ch. || PODFIC AVAILABLE || Established Relationship, Major Character Injury, Fluff/Angst, Depression, Paralysis/Disabilities, Hurt/Comfort, POV Sherlock, Mental Health Issues, Drug Use, Happy-ish Ending) – After John is seriously injured, Sherlock struggles to figure out how to help him, keep himself sane, and maybe, just maybe, get their life back to the way it's supposed to be. Part 1 of Breakable Not Broken

Established Relationship: Caught In The Act Series by ShirleyCarlton (E, 9,217 w. across 7 works || Established Relationship, Unintentional Voyeurism, Alternate POVs, Humour, Blow Jobs, Walking in on Someone, Switching, Public Sex) – This is a series of six scenarios written from the points of view of six different people as they accidentally walk in on Sherlock and John having sex.

Enemies to Lovers: Synchronicity by Calais_Reno (T, 46,424 w., 10 Ch. || Alternate First Meeting || Enemies to Friends to Lovers, Case Fic, POV John, Bullying, Coming Out, Forgiveness, Drinking/Bars, Boarding School, Drunk John) – John and Sherlock meet again, years after they were school boys together. John hasn't forgotten why he still hates Sherlock Holmes. (MFL)

Future: Uncharted Territory by J_Baillier (T, 19,603 w., 4 Ch. || Dystopian Future / Black Mirror AU || Alternate First Meeting, Angst, Drama, Homophobia, Bisexuality, Technology, Humour, Romance, Near Future, Happy Ending) – The System puts people through a series of assigned relationships in order to determine who their Perfect Match is. John believes that it works; Sherlock really, really doesn't. One of them is probably going to be wrong.

Fluff: A Lifetime Together by LondonGypsy (M, 8,886 w., 1 Ch. || Tooth-Rotting Fluff, Falling in Love, Friends to Lovers, Slow Burn, Pining Idiots, Alternating POVs, Domestics, Retirement) – John and Sherlock falling in love.

Gen: Octopus by glass_rose_paperweight (G, 705 w., 1 Ch. || Established Relationship, Fluff, Bed Sharing, Limpet Sherlock) – A week after Sherlock and John finally get together, and John is finding sharing a bed with Sherlock Holmes to be ... difficult, sometimes. If not downright suffocating.

Genderswap: Cockscomb by birdie7272 (E, 115,302 w., 32 Ch. || Femlock / Gender Swap || Light Dom / Sub, Sensual Play, Cocks, Lace, Safe Words, Pining Sherlock, Case Fic, Truth or Dare, Slow Burn, Feminism, Relationships, Sexuality Crisis, Cheating, Power Play, Manipulation, Control) – Lace, whiskey, and a case full of cocks leads to a brand new kind of adventure. AKA The One With All The Cocks… When There Are No Cocks (MFL)

Historical: Enigma by khorazir (M, 289,667 w., 23 Ch. || Codebreaker / WWII / Imitation Game-Inspired AU || Case Fic, Espionage, Period-Typical Homophobia / Sexism, Pining Sherlock, Inexperienced / Virgin Sherlock, Implied / Referenced Drug Use, Non-Graphic Violence) – It’s the autumn of 1941, war is raging in Europe, German U-boats are raiding Allied convoys in the Atlantic, the Luftwaffe is bombing English cities, and the cryptographers at Bletchley Park are working feverishly to decode their enemies' encrypted communications. One should consider this challenge and distraction enough for capricious codebreaker Sherlock Holmes. But the true enigmas are yet waiting to be deciphered: an unbreakable code, a strange murder, and the arrival of Surgeon Captain John H. Watson of the Royal Navy. (MFL)

Humour: Equine Arse Anonymity by Kayjaykayme (E, 3,834 w., 1 Ch. || Established Relationship, Public Sex, Coming in Pants, Humour, Halloween, Hand Jobs) – Sherlock needs to speak with suspects at a fancy dress ball. He chooses a couple's costume for himself and John. It is logical, practical and well thought out. John doesn't agree and exacts sweet revenge.

Illness: Only To Be With You by SinceWhenDoYouCallMe_John (M, 40,768 w., 4 Ch. || Black Mirror / Future AU || Character Death, Future Technology, Sickness/Cancer/Illness, Heavy Angst with Happy Ending, First Person POV John, Pining John, Heart-Wrenching Angst, Promise of Forever) – I tell myself that next time I’ll come near this same place again. Wait around for the mysterious stranger in his coat to dash past me, hot on the heels of a new criminal in black. I think this all the way back to my Exit, planning where I’ll wait and what I’ll say when I see him. Scheming on how to get his name. It’s only once I reach the Exit Point door that I realize two hours and forty-five minutes have passed, and I realize that this won’t be the last time I Visit. It won’t be the last time at all.

Imprisonment: THERE BUT FOR THE GRACE OF JOHN WATSON by skyefullofstars (T, 110,758 w., 24 Ch. || Hurt/Comfort, Kidnapping, Angst, Violence, Whump, Nightmares, Murder, Drug Addiction, Torture) – While Sherlock grapples with his new-found feelings for John Watson, he faces a very real threat: John's kidnapping and shooting at the hands of James Moriarty. And the knowledge that the love of his life is being used to test an addictive drug - at the risk of John's sanity and life. Prequel to THE BOYS OF BAKER STREET. Part 1 of THERE BUT FOR THE GRACE OF JOHN WATSON

Jealousy: The High Tide Series by stardust_made (E, 15,269 w. across 3 works || OMC, Angst, Jealousy, Developing Relationship, First Time, Romance) – A little favour Sherlock stupidly agrees to do for Mycroft leads to John meeting a handsome, afluent man, who is going out of his way to woo him. Sherlock struggles with the situation and with his own reactions to it.

Jilted: Love Is Series by SilentAuror (E, 36,903 w. across 2 works || Post S3, Alternating POV Each Story, Angst, Unrequited Love, Rejection then Reconciliation, Romance, Mary Divorce, Eventual Happy Ending) – At Mrs Hudson's urging, Sherlock finally decides to tell John how he feels about him.

Kids: The Baker Street Nativity by SwissMiss (E, 99,662 w., 23 Ch. || Nativity! AU || Teacher Sherlock / TA John, Pining, Sherlock POV, UST, Angst, Christmas, Music/Song Fic, Anal / BJ’s, First Kiss / Time) –Fusion between Sherlock (BBC) and Nativity! (2009 movie starring Martin Freeman). Sherlock is a primary school teacher and John is assigned to be his classroom assistant. Together, they are charged with putting on the school's Nativity play. What could possibly go wrong? Part 1 of The Baker Street Nativity Verse

Kink: John and Sherlock's Kinky First Times Series by wendymarlowe (E, 247,051+ w. across 45 works || Series WiP || Short Stories, Assorted Tags with Assorted Genres, PWP) – A collection of short imaginings of how Sherlock and John might finally allow their relationship to become physical. Don't be afraid of the giant cloud of tags - each fic stands alone and you can read them in any order.

Long: Free Falling by twistedthicket1 (M, 203,574 w., 38 Ch. || Guardian Angels AU || Guardian Angel John, Fluff and Angst, Humour, Kidlock / Teenlock, Light Mystrade, Passage of Time, Possessive John, Drug Use / Overdose, Victor Trevor, Graphic Bullying, Big Brother Mycroft, Hard Drug Use, Depression, Possessive Sherlock, Possessive John, Panic Attacks, Nightmares/PTSD, Pining, Healing Abilities, Kidnapping, Violence, Torture, Blow Jobs, Virgin John, Emotional Development / Attachment, Mortality, Happy Ending) – All Guardian angels are born with a Chosen human. When this child is born, the angel comes into being to protect and care for them during their life on Earth. For John Watson, all he cares about in the world revolves around his Chosen, Sherlock Holmes. Watching him grow up though, the angel soon learns that God must have had a sense of humour the day he decided to make Sherlock, as trouble seems to follow him like a magnet wherever he goes. John can't decide what's worse, the idea of losing his Chosen one, or the fact that he may be breaking the most taboo law of heaven as he disguises himself as a human to better protect and befriend the beloved detective he's always watched from afar. He was meant to care for him. But what happens when caring evolves into something more? What happens when an emotion an angel is supposed to be incapable of possessing comes to life suddenly and viciously inside John's chest? 

Love Triangle: Isosceles by SilentAuror (E, 56,609 w., 7 Ch. || Post-S4, POV John, Original Male Character / Sherlock Dates Another Man, Love Triangle, Jealous John, Virgin Sherlock, Sexual Coaching, Angst, Romance, Domesticity, Unrequited Feelings, Miscommunication, First Kiss/Time, For a Case, Friends With Benefits, Bottomlock, Love Confessions, Spooning) – After solving a case for a major celebrity, Sherlock gets himself asked out. When John asks, he discovers that Sherlock has no intention of going, at least not until John agrees to coach him through whatever he might need to know for his date...

Magical Realism: The Frost Child by twistedthicket1 (M, 9,994 w., 2 Ch. || Frozen-ish AU || Magical Realism, Christmas, Angst, Fluff, Powerful John) – In a world where people are born with a Gift of varying levels, simple John Watson is the last person one might look at when thinking of any strong Magick capabilities. Hiding comfortably in the shadow of Sherlock's brilliant deducing abilities, John is content to keep it that way...

Major Character Death: I Think I've Come A Long Long Way To Sit Before You Here Today by ArwenKenobi (T, 18,251 w., 3 Ch. || Grief/Mourning, Passage of Time, Major Character Death, Alternating POV, Sherlock Whump, Pining Sherlock, Hospitalization, Coma, Revenge Murders, Hallucinations, Love Confessions, Brutal Accident, Mystrade, Ghost John) – One year after John is killed Sherlock starts to wonder whether John has actually gone anywhere.

NSFW: Caves in the Mountains Are Seldom Unoccupied by starrysummernights & TheMadKatter13 (E, 7,925 w., 1 Ch. || Were-Creatures ||  Werebear John, Pseudo Bestiality, Rimming, Dub Con, Rough Sex, Come Inflation / Eating, Size Kink, PWP, Bratty Sherlock, Rutting) – “This isn’t something to play at, Sherlock,” he snapped. “If it doesn’t work out- what you’re asking of me- we can’t shrug and say 'oh well, at least we tried'. If we do this… I could seriously hurt you. Do you understand? I could lose control. I could… I could kill you.” 

Next Gen.: If Equal Affection Cannot Be by blueink3 (E, 31,156 w., 3 Ch. || Post S4, Family, Retirement, Grown Up Rosie, Angst, Reunion, Loneliness, Sussex, Fluff, Sexy Times, Happy Ending) – Sherlock fled London a couple of years after John left him in hospital with nothing but an old walking stick and a half-hearted goodbye. Rosie grew up thinking that Sherlock died when he committed suicide in front of her father by jumping from Barts' roof. So it's somewhat awkward when they run into each other in a Sussex general store between the loaves of bread and the Mars bars... (MFL)

Omegaverse: A Fold in the Universe by darkest_bird (E, 152,869 w., 26 Ch. || PODFIC AVAILABLE || Omegaverse / Prime Universe Crossover || OmegaJohn / AlphaSherlock, First Kiss / Time, Friends to Lovers, Established Relationship, Angst, Hurt/Comfort, Dubious Consent, Humour) – Alpha Sherlock and Omega John are in a relationship. Prime Sherlock and Prime John are not. So what happens when a freak fold in the universe switches one John for the other?

Only One Bed: The Cure for Snoring by Goddess_of_the_Night (G, 1,278 w., 1 Ch. || Sleepy Conversations, Bed Sharing, Cuddling, Fluff, Domestic, Platonic / Sleepy Cuddles) – Sherlock and John spend the night in Scotland after finishing a case. The sole Inn in town only has one room left...one bed. This would be fine - if not a bit awkward - if Sherlock hadn't developed a habit of snoring loudly. John suffers through many hours of sleeplessness before he discovers that skin-to-skin contact stops the noise. Part 1 of Dreamscapes

Parenthood: Iris by slashscribe (E, 11,948 w., 1 Ch. || Parentlock, Pining Sherlock, Post-S3) – Sherlock does his best to make John happy when John comes back to 221B with his new baby after the events of Season 3, but Sherlock has a track record of getting things wrong in this area. This story is an exploration of their gradual shift from friends to lovers, told from Sherlock's perspective, full of a lot of pining and lack of emotional awareness.

Platonic: The Green Blade by verityburns (T, 72,929 w., 15 Ch. || Case Fic, Bromance) – As a serial killer hits the headlines, the police are out of their depth and the next victim is out of time. With faith in Sherlock Holmes at an all time low, this is a case which will push loyalties to the limit...

Queer: Rupert Street by WritingOutLoud (M, 27,262 w., 9 Ch. || Alternate First Meeting || Case Fic, Sexuality, Demisexual Sherlock, Drugging, Smart John, Sherlock Has Internalized Biphobia, Fluff, Angst with Happy Ending, Gay Bar, Flirting, John Manipulates Sherlock to Eat, John Deduces, Arguments, Kidnapping/Torture, Hospitalization, John Whump) – Discharged from the war with nothing but the clothes on his back and a realisation of his bisexuality, John Watson has to learn who he’s become. He can’t afford London on an army pension, but the city is the only friend he has. In an effort to understand his newfound queer identity, he heads to a bar one night, where he stumbles across a mysterious stranger who turns his life upside down. ‘I dug around inside myself, and I'm not quite sure what I found, but it was beautiful and terrifying all at the same time.’

Quest: Licence to Kiss by fellshish (T, 13,739 w., 4 Ch. || Post-ASIB, Sort-Of Bondlock, First Kiss, Love Confessions, Mutual Pining, Angst and Humour, Bed Sharing) – Sherlock loves John, and John loves... James Bond. He only made Sherlock watch every single film. Tedious. And now John's birthday is coming up. Sherlock can't tell him how he feels, but he can organise an amazing gift: John's very own spy adventure. Sherlock begs Mycroft for a real case with some extra gadgets. And perhaps some actors pretending to be criminals. What could possibly go wrong?

Retirement: Through the Clouds by Mazarin221b (E, 20,004 w., 6 Ch. || Retirement, Sussex, Bees, Home Improvement, First Time, Romance) – Sherlock takes a remarkably early retirement at 47, and convinces John that a change of pace would do them both good. They buy an old cottage on the South Downs, and exchange their nonstop life in Baker Street for quiet contemplation, bee studies, and book writing. They might go completely insane, but sometimes it takes stepping outside of the life you're living to find the life you want. Part 1 of Through The Clouds

Road Trip: Hitting the Water at Sixty Miles an Hour by what_alchemy (E, 30,568 w., 5 Ch. || Fake Rel., Road Trips, Slow Burn, Mummy Holmes) – “You love your mother, Sherlock?” John watched the muscles in Sherlock’s jaw jump. He nodded in one sharp jerk. “Then we’re going to her party and making her happy.” John let out a resigned sigh. “As a ruddy couple, you bastard.”

Soulmates: The Heart On Your Sleeve by flawedamythyst (T, 5,441 w., 1 Ch. || Soulmate AU || Sherlock POV, Heartmarks, Pining, Fluff and Angst, Semi-S1 / S2 Canon Compliant, Reunion) – Sherlock stared at the imperfect circle on his left wrist in horror, then sat down on his bed with a bit of a thump. After over thirty years, his heartmark was finally showing activity. This was not good.

Slow Burn: Tomorrow's Song by agirlsname (M, 24,645 w., 5 Ch. || Post-TRF, POV Sherlock, Angst with a Happy Ending, Virgin / Repressed Sherlock, Love Confessions, Slow Burn, Pining, Jealous Sherlock) – How can he think a relationship with me would be a good idea? I am the sort of person to take a break from my life and when I come back after two years, I expect to find it exactly as I left it. In reality I find it shattered to pieces. (I actually equate you with my life. When did I start doing that?)

Teen AU: The Sky is Full of Fiddles by agirlsname (T, 25,659 w., 6 Ch. || 1895 Teenlock || Romantic Fluff, Bed Sharing, Swedish Folk Music, Dancing, Sherlock’s Violin, Poetry, Skinny Dipping, Summer Love, First Kiss, Proposals, POV John, Gay Surprise) – It's 1895 in the heart of Swedish folk music and dance. During certain weekends, boys are allowed to visit girls at night, wooing them with fantastical poems. If a girl lets a boy into her room they can share a bed all night, fully clothed, to talk and eat caramels together. John is seventeen and looking for a girl to marry like everyone else. He's very surprised when another boy suddenly stands outside his door, wanting to share his bed… (MFL)

Time Travel: The Engine by stitchy (T, 8,294 w., 1 Ch. || First Kiss, Post-HLV, ASiP Do-Over, Sci-Fi, Time Travel) – Shortly after the events of His Last Vow, Sherlock has an opportunity to revisit the night of A Study in Pink and get some perspective on the destiny of he and John's relationship.

Undercover: The Skin Over My Heart by standbygo (E, 8,849 w., 1 Ch. || Post-Hiatus, Fake Relationship, Case Fic, Dog Tags, Military, Homophobia, Gay Bashing, POV First Person Sherlock, Friends to Lovers, First Kiss / Time, Declarations of Love, Undercover, Haircuts, Flashbacks, Touching, Pining Sherlock, Hospitalization, Metaphors, Introspection, Hand Jobs, On the Couch, John’s Past, Angst with Happy Ending) – Sherlock and John are still trying to adjust to Sherlock's return from his hiatus when John's friend Bill Murray brings them a case. Someone is targeting the LGBTQA+ members of Bill's unit. John and Sherlock go undercover at the unit, but when they end up having to flirt to flush out the suspect, Sherlock realizes he's in over his head.

Unrequited: Love Is Series by SilentAuror (E, 36,903 w. across 2 works || Post S3, Alternating POV Each Story, Angst, Unrequited Love, Rejection then Reconciliation, Romance, Mary Divorce, Eventual Happy Ending) – At Mrs Hudson's urging, Sherlock finally decides to tell John how he feels about him.

Vampires: Bleed Me Out by antietamfalls (E, 87,987 w., 14 Ch. || Vampire AU || Bonding, Vampire Sherlock, Fluff & Angst, Hurt/Comfort, John Whump, Magical Realism) – John isn’t exactly surprised to discover that Sherlock isn't human. His vampirism doesn't pose a problem, even when their relationship gradually grows into something more. That is, until a deadly revelation about John’s blood sends their lives spinning dangerously out of control.

Villain POV: Genesis by pasiphile (M, 19,521 w., 1 Ch. || Graphic Violence, Moriarty’s Past) – Before he was Jim Moriarty, he was just Jimmy, a street kid with more pain in his past and more ambition in his head than he could handle, and only one other person he could bring himself to trust. Part 6 of This Life Is A Trip (When You're Psycho In Love) (MFL)

Whump: Trapped and Upside Down on the M6 by BootsnBlossoms (E, 4,256 w., 1 Ch. || Whump, Car Accident, Hurt / Comfort) – Everything felt wrong. His hair was going the wrong way. His arms were bent in ways he wouldn’t choose to bend them. His neck hurt and he couldn’t really feel his toes. Something was dripping on his face – and rolling up. A car crash. He had been in a car crash.

Werewolves: John Watson’s Moon by patternofdefiance (E, 11,314 w., 1 Ch. || Supernatural Creatures || Werewolf John, First Time, BAMF John, First Time, Anal, Fleeting Depictions of Violence) – Sherlock finds out John is a werewolf and wants to see the transformation. It, uh, gets really kinky.

Xenomorphism: Forest King by Elphen (E, 141,856 w., 27 Ch. || Magical Realism / Omegaverse AU || Mythical Creatures, Group Sex, Body Worship, Drinking / Impairment, Dubious Consent, Anal Fingering/Sex, Transformations / Shapeshifting, Mpreg, BAMF John, Possessive Sherlock, Celtic Mythology, Paganism, Sherlock’s Violin, Frottage, Illnesses, Caring Sherlock, Netherworld/Underworld, Coping Mechanisms, Paternal Lestrade, Defensive John, Big Brother Mycroft, Insecurity, Self-Esteem Issues, Misunderstandings, Mild Jealousy, Pregnant Sex, Male Lactation, Birthing, Emotional Support, Parenthood, Family History) – After falling out with his sister, John ends up in a Cornwall Midsummer’s Eve celebration in the middle of a forest that’s rather…different. After the hazy night of magic and passion with a pale-eyed man, he goes home to London. He’s in for a surprise when his stomach starts growing and buds appears on his head. Not one to just accept things, he returns to Cornwall to demand an explanation. When he meets the forest king, Sherlock, again, he has to come to terms with not only what’s happened to him but what kind of magical world he’s been thrust into. Plus, there’s the questions of whether he trusts the antlered man and how he'll survive being apparently pregnant. Sherlock isn’t much help. That doesn’t mean he isn’t trying to somehow make John understand his feelings, however, even if he’s greatly hampered by being Sherlock. They slowly move forward but problems beyond their control may arise from an act done with the best of intentions. How will they cope, separately and together? (MFL)

Xmas: Our Enthusiasms Which Cannot Always Be Explained by withoutawish (M, 32,961 w., 1 Ch. || Christmas, Fluff and Angst, Hurt/Comfort, Post-TRF, Case Fic, Mild Gore, Sherlock Whump) – The list that is tacked haphazardly on the refrigerator of 221B reads, ‘Kidney(s), and/or a full cadaver (preferably male, late 30s, under six feet tall), bag of fresh toes, sixteen cow’s eyes (corneas retained), dual exhaust hand –held flame thrower, an unopened first edition copy of Joseph Conrad’s 'Heart of Darkness', and no less than ten abhorrently gruesome murders in the upcoming month.” The one neatly hanging next to it simply reads, “Sex.” One of these lists is not John Watson’s. If John Watson were to put what he really wanted in list form, to live in a land somewhere beyond ‘almosts' now that Sherlock Holmes has indeed returned to him, he would never be able to look his flatmate in the eye ever again.

Zombies: The Hollow Ones by antietamfalls (M, 100,244 w., 23 Ch. || Walking Dead Fusion || Zombie Apocalypse, Angst, Slow Build, Emotional Constipation, Protective John, Hurt/Comfort) – The dead walk. Mangled corpses of the deceased rise and mindlessly feast upon the flesh of the living. John wakes up, alone and confused, into the remnants of a city gone mad. He will search for answers. He will find Sherlock at any cost. And he will learn that the living are far more dangerous than the dead. (MFL)

Zoomorphism: How to Build a Heart out of Ashes by Teumessian (E, 144,931 w., 31 Ch. || Changeling AU || Slow Burn, Drug Use, Mentions of Child Abuse / Bullying, Mentions of Student/Teacher Relations, Uni-Age) – In an AU where a small number of the population become Changelings at a young age, at 17 John Watson believes he's destined for Normal life but then the Change takes him and he is sent to the Baker Institute. There he meets Sherlock Holmes.

[stanfordsweater]

hello i'm new to the supernatural fandom and you have been in my recommendeds for a while, reasons to ship wincest???

i thought for a long time about how to respond to this so imma link catherine tosenberger's excellent analysis of the first few seasons where "the most resistive aspect of Wincest fan fiction is that it gives the main characters a lasting happiness that the series eternally defers."

to begin with, there are a lot of people who will argue for the toxic codependency and i love them and also love it but the reason i've been here for well over a decade is because of the way that wincest offers you two paths: you can follow the path of those who write endless meta about how one or the other brother is abusive and how toxic it is and eventually brainwash yourself into being unable to ship it, or you can follow the path of love and light and perspective and recognize 1. these are fictional characters and b. there are no two characters in genre tv who are as devoted to each other as sam and dean. there is no plotline that follows through fifteen seasons of being obsessed with each other.

by choosing the incest pill, you grant yourself access to fifteen seasons of generally good tv ABOUT YOUR SHIP EXCLUSIVELY. sam and dean are the main characters and you will always know, opening up an episode, that they will be there, doing their weird-ass jealous obsessiveness, and you will never despair about not having them present, together, even if they're fighting or struggling or depressed. that is a very special thing!

now, beyond that, assuming you've watched the show, there's many reasons to cross the incest line. FIRSTLY, everyone involved was well aware of what they were doing. we have a few choice quotes i've collected below about their relationship that ramps up the intensity:

--

"Ultimately, they are pathologically dishonest with each other because John Winchester was pathologically elusive to them," consulting producer Ben Edlund says. "They learned that the truth is this dangerous thing, and that you shouldn't speak it. He even taught them to keep secrets from each other for strategic purposes." With all of the supernatural, apocalyptic, tragic drama woven into the show, Sam and Dean's relationship is rooted in human emotion. "When you look at the dysfunction that they show to each other, it comes directly from how they were brought up, and that's a kind of dysfunction that people in this world continue to face. 'Why didn't my dad tell me that he loved me yesterday?' We're just people sharing the same kind of thing," Edlund says.

--

"Why do you think Dean has had such a hard time forgiving Cas when he did forgive Sam for a similar betrayal?"

I think the easy answer is blood, I think the easy answer is family, even though if there was a family in this show it would include Bobby, it would include Cas, it would include these-- these-- kind of, broken war-torn heroes we've come to know, and you know, Bobby has that famous line, "family don't end with blood," but it is his brother, at the end of the day, that's the closest he has to a companion, and has had for a companion for many years, so I think with Cas there was always, "he's unnatural, he's an angel," and I think that for Dean, relating to someone like that, it's tricky, relating to monsters, relating to anything supernatural, his brother is flesh and blood, it's tangible, he can touch that.

--

Obviously the relationship between Sam and Dean is central to our show but we’ve been building this rift between Sam and Dean all season, so that led to the idea of having this young male character that sort of idolizes Dean and does all the cool stuff that Sam won’t do, and that’s Dean’s perfect mate.

(the thing sam won't do is literally swapping spit with him. tell me i'm lying)

--

in the hunt, page 37

--

Not all fans are content simply to attend conventions. Some of them want to take a hand in the story, and their fan fiction can explore areas mostly untouched on the show, like the latent homoerotic suggestiveness of the Winchesters’ intense relationship.

-THE NEW YORK TIMES

--

"eyefuck" became a well-known script shorthand because of how intense j2 looked at each other as sam and dean

--

it's a terrible life draft script:

Note B) They are supposed to be together

Note C) each been all alone in separate life finally found kindred spirit

--

in the hunt, page 158

--

i haven't included any eric kripke quotes because he has so much wrong with him that i don't want to enable it. this is a compliment. it is one of the highest i can give.

SO-- what these quotes tell us:

sam and dean are relatable because their relationship is intensely human

sam and dean have shared secrets they cannot voice to one another but that nonetheless make them inseparable

people have been writing motherfucking essays about sam and dean's homoeroticism since the show aired

within the mythology of the show, sam and dean are meant to be together above all other relationships

...oh, you need more? i didn't think i'd get this far. um... okay... look at them???

if you choose to walk this path you will find yourself crying and taking screenshots every time they look at each other or touch each other or hold each other and you will thank the lord in heaven that we were granted this intensely wild and beautiful homoerotic relationship back in 2005 and praise jesus that you can always return to their raw sexual chemistry-- "In fact, much like the early X-Files, the show is fueled past its failings almost entirely by the chemistry between the two principals, the boys who, like Mulder and Scully, generate enough sexual tension to power a small city" as quoted by whitney cox in 2006 in an article that otherwise fails to bring anything to the table, sorry if you love it for your meta but also literally just go read the catherine tosenberger essay

you still need more????? jesus, what have you shipped prior to this? well, go watch the pilot and enjoy the fact that the first scene these two have together they are wrestling on the floor (sexually) and getting all romantically silhouetted against this beautiful lighting

and then go watch a few fanvids like this or this and then watch the pilot and watch this and then read this post about how supernatural happily wields incest as a tool of horror and as comedy and then scroll through my entire family horror show tag to understand more and then watch this immaculate video that deals with the whole thing and think about how all these things were happening in 2005 and remember the fact that sam and dean are the main characters of the universe... and then maybe just watch the show and please do not become an annoying shit poster who just talks about how they hate it🙏

[feedists4progress]

Food is one of the most universally beloved things on planet Earth. Aligning a presidential campaign with it is smart for all the obvious reasons, but for the Harris-Walz ticket, it’s also a signal. The rhetorical challenge of progressivism is that it is by nature abstract: It imagines a world that does not yet exist, rather than advocating to return to some previous version of the one we know. [...] In foregrounding food, Harris and Walz are making theirs the candidacy of terrestrial pleasure and straightforward abundance.

The governor of Minnesota and possible future vice president’s hotdish recipe is, uh, a lot. It involves, among other things, whole milk, half-and-half, two types of meat, three cups of cheese (specifically Kraft), nearly a stick of butter, and a full package of Tater Tots. It is gluttonous, deeply midwestern, and, I am sure, delicious. Indeed, Walz won the Minnesota Congressional Delegation’s hotdish cook-off in 2013, 2014, and 2016.

Tim Walz loves food. He loves corn dogs, and the all-you-can-drink milk booth at the Minnesota state fair, and—I’m sorry to have to be the one to tell you this—dunking cinnamon rolls in chili. He gets excited about soda. He posts pictures of his sandwiches.  He loves to eat so much that people on X are already writing short-form fan fiction about it. Throughout his political career, but especially recently, he has gone out of his way to talk about food, the fattier and folksier the better. Last week, in a discussion with CNN’s Jake Tapper that was ostensibly about Joe Biden’s mental fitness, Walz recounted receiving a call from the president while eating the Minnesota delicacy Juicy Lucy, a hamburger stuffed with cheese. The next day, he posted on X about a different award-winning hotdish recipe of his, this one involving two separate kinds of canned soup.

We are witnessing what might be the most food-centric presidential campaign in American history. Kamala Harris is, by all accounts, an exceptional and enthusiastic home cook, and has made cooking part of her political brand—surely an intentional calculation, given the negative connotations that might arise when the potential first woman president openly embraces domesticity. In 2019, she offered an off-the-cuff lesson in turkey brining while getting mic’d up to go on television: “Just lather that baby up,” she said, eyes bright. The next year, she started an amateur cooking show; on it, she cracks an egg with one hand and bonds with Mindy Kaling over the fact that their parents both stored spices in old Taster’s Choice jars. She laughs a lot in the kitchen.

Unlike her running mate, Harris seems unlikely to throw four kinds of dairy in the oven for dinner—she’s a Californian, and she cooks like one: swordfish with toasted cardamom for her pescatarian stepdaughter, herb-flecked Mediterranean meatballs on an Instagram Live with the celebrity chef Tom Colicchio. But she’s not immune to the humble charms of ice cream, gumbo, Popeye’s chicken, red-velvet cupcakes, or bacon, which she describes as a “spice” in her household. She comes off as sincere in her love of food but discerning in her tastes. When a 10-year-old recently asked her at an event what her favorite taco filling was, she answered with the kind of absorbed expression that she might otherwise display when explaining foreign policy on the debate stage: carnitas with cilantro and lime, no raw onions.

Invoking food on the campaign trail is a cliché for a reason: Eating is an easy and extremely literal way to prove that you are a human being. But the Democratic Party has not always been great at it. In 2003, John Kerry visited the Philadelphia cheesesteak institution Pat’s and asked for a sandwich not with the traditional Whiz, American, or Provolone, but with Swiss. If voters needed proof that he was something other than the eggheady elitist they thought he was, this wasn’t it: In Philly, Swiss is “an alternative lifestyle,” The Philadelphia Inquirer’s food critic, Craig LaBan, said at the time. One does not get the sense that Walz or Harris would stride into Pat’s and ask for Swiss—not because they’re self-consciously avoiding a gaffe, but because they have deep respect for America’s foodways and are interested in enjoying food however it is meant to be enjoyed.

Their approach makes a marked departure both from the Obama era—what with its well-meaning but not entirely fun focus on childhood obesity, and its notorious seven almonds—and from the current leaders of the Republican Party. Donald Trump doesn’t really talk about liking eating; he does, famously, consume a lot of fast food, but that is reportedly because he’s afraid of being poisoned, not because fast food tastes amazing. His most well-known food tweet—“Happy #CincoDeMayo! The best taco bowls are made in Trump Tower Grill. I love Hispanics!”—reads like an obligatory plug rather than an earnest celebration of the way the taco bowl itself looks, smells, and tastes: all business, no pleasure. Meanwhile, Trump’s running mate, J. D. Vance, says he loves Diet Mountain Dew, but he seems mostly to be mad about it. To the degree that he has gotten specific about why he likes the beverage, the praise is purely functional: “high caffeine, low calorie.” The primary message here is that food is the site not of delight and togetherness but of anxiety and alienation, or utilitarianism at best. It’s all a little, well, weird.

Food is one of the most universally beloved things on planet Earth. Aligning a presidential campaign with it is smart for all the obvious reasons, but for the Harris-Walz ticket, it’s also a signal. The rhetorical challenge of progressivism is that it is by nature abstract: It imagines a world that does not yet exist, rather than advocating to return to some previous version of the one we know. I find it telling that Walz keeps using the word joy when he talks about the campaign and about his running mate. It’s an uncomplicated message, one that’s even more concrete than Barack Obama’s hope: Hope is the future, but joy is the present. It’s cold milk on a hot day; a perfectly cracked egg; a steaming casserole dish full of God knows what, enjoyed at a crowded table. In foregrounding food, Harris and Walz are making theirs the candidacy of terrestrial pleasure and straightforward abundance. It’s simple, really. —Ellen Cushing

[a-man-for-hire-and-his-archives]

Here’s Why Everyone Is Talking About A Pirate Drama That Ended In 2017

Black Sails has been described as Game of Thrones with pirates

If Black Sails kicked off in 2020 instead of 2014, it certainly would have thrown fuel on the raging fire that was TikTok’s sea shanty obsession. The reality is that this TV series aired on Starz from 2014 for four seasons, coming to a close in 2017. So why is everyone talking about it now, a decade after it began?

Black Sails is coming to Netflix very soon, triggering its fans to emerge from the woodwork and promote the show online. ‘I am SO excited for people who’ll be watching this show for the first time,’ one user wrote, with many others recommending the series to fans of Game of Thrones. With House of the Dragon still a few months away, here’s why you should tune into Black Sails this month.

New To Netflix: Black Sails

What Is Black Sails About?

Black Sails transports us back to 1715 – aka the Golden Age of Piracy. Set in New Providence, an island in the Bahamas, we meet the feared Captain Flint (Toby Stephens) who brings a new younger crew member into the fold (‘Long’ John Silver, played by Luke Arnold) as his crew continues to fight for survival and negotiate their space on the island.

Is Black Sails Based On A Book?

Black Sails was written as a prequel to Robert Louis Stevenson’s classic novel, Treasure Island (1883).

Is It Based On A True Story?

While Black Sails isn’t based on a true story, it does trace real events. The first season focuses on the hunt for the Spanish treasure galleon Urca de Lima, a real ship that sank in 1715 near Fort Pierce in Florida (where it still lies). Season two traces the fallout of Urca de Lima’s treasure being stranded in Florida, strictly guarded by Spanish soldiers while pirates prowl the shores. The subsequent third and fourth seasons then look at the war for the control of New Providence between the pirates and the British Empire – a la Pirates of the Caribbean.

Likewise, some of the characters are based on real people. Real pirates fictionalised in the show include:

Blackbeard (Ray Stevenson)

Anne Bonny (Clara Paget)

Benjamin Hornigold (Hakeem Kae-Kazim)

Jack Rackham (Toby Schmitz)

Charles Vane (Zach McGowan)

Ned Low (Tadhg Murphy)

Israel Hands (David Wilmot)

Meanwhile, Captain Woodes Rogers (Luke Roberts) – who represents the British Empire in seasons three and four – is based on a real English sea captain and slave trader, and subsequently the first Royal Governor of the Bahamas.

Was Captain Flint A Real Pirate?

Captain Flint is a fictional character who was first created by Robert Louis Stevenson in Treasure Island. He has since appeared in multiple works of fiction, including A. D. Howden Smith’s Porto Bello Gold (1924), John Drake’s Flint and Silver (2008), Pieces of Eight (2009) and Skull and Bones (2010), and J. M. Barrie’s Peter and Wendy (1904).

Where Was Black Sails Filmed?

Black Sails was filmed in Cape Town, South Africa, mainly inside at Cape Town Film Studio. Because the real city is so different today than it was in the 1700s, Nassau – the capital of the Bahamas, located on New Providence island – was built from scratch in a studio over a period of four months, as were two large water tanks to house the series’ two ships. Some scenes were filmed outside in and around Cape Town when new terrain was required, but most of the series was filmed on set.

The Cast

The cast of Black Sails is incredibly large, but key characters to know include:

Toby Stephens as James McGraw/Captain Flint

Hannah New as Eleanor Guthrie

Luke Arnold as ‘Long’ John Silver

Jessica Parker Kennedy as Max

Tom Hopper as William ‘Billy Bones’ Manderly

Zach McGowan as Charles Vane

Toby Schmitz as Jack Rackham

Clara Paget as Anne Bonny

Mark Ryan as Hal Gates

Hakeem Kae-Kazim as Mr. Scott

Sean Cameron Michael as Richard Guthrie

Louise Barnes as Miranda Hamilton/Barlow

Rupert Penry-Jones as Thomas Hamilton

Luke Roberts as Woodes Rogers

Ray Stevenson as Edward Teach

David Wilmot as Israel Hands

Harriet Walter as Marion Guthrie

The Trailer

Interested? Here’s the trailer for a taste of the action.

WATCH

All episodes of Black Sails are streaming on Netflix from 17 April 2024.

Source: Country & Town House

[sparkletastic-cookiedough]

Link Library

Literally just a link collection of all my tumblr writing.

Favorite Posts

DPxDC: Danny Phantom fan Damian, best friends with Dash. (they hang out at an arcade, also BATNIPPLES)

DPxDC: John Constantine is Danny's comfort human

DPxDC Dick Grayson is investigating a travelling circus (my favorite prompt, but it's just a prompt)

DPxDC: Vlad masters is a lion? Completely centered around Zeke Morris, an OC.

DPxDC: Danny does his taxes.

DPxDC: Cardboard Danny AU

Danny Phantom: Jazz Fenton Gaslighting People (Short)

DPxDC: The Tangerine Pimpernel (Long)

DPxDC: Danny is applying for a grant with Wayne Enterprieses (The best dramatic irony)

DPXDC: Constantine taking care of baby Danny

DPxDC

Danny in a Maid Dress (RECENTLY UPDATED)

The Phantom Cafe (Short)

In Love With The Speed Force : Barry Allen is obsessed with a god. Also the Justice League gets high in this one.

Bartender Dan has a no bats policy.

The Justice League investigates Danny's box selling business. (Featuring the Bodacious Vibes detector)

The Titans discover Danny and Dani are different people

Danny has access to dead knowledge

The Fentons make arrows for Green Arrow (Short)

Trans Danny, mourned by Bio-sibling Damian

The one where Team Phantom destroys all conflict in the Batman universe

Dani is in Hally's Circus, Dick thought she died and now she's back

John Constantine "rescues" Danny from the ghost zone

Steph plans to prank Batman

Bodyguard Danny

Danny vs Plastic Man vs Nightwing: Who would win at Twister? (short)

Wes Weston gets ghost powers, Flash is concerned

Riddler kidnaps Danny, Batman has to answer a riddle to save him

Team Phantom produces a fictional movie on Amity Park

Danny is traumatized, the Batfam is traumatized, everyone is sad and traumatized. (short-ish, hurt/ comfort)

Danny can predict the future, thus Flash yells at god (again, more of a prompt than a full story, cause sometimes I only write the beginnings.)

Dani pranks the justice league

The DC universe is about to collapse, Danny has to herd them out. (Prompt, as I am addicted to beginning stories and never finishing them)

Danny's family reincarnates (yet another prompt.)

Tim has infinite spleens

Jason can see through the fourth wall, and is not down for this Phantom of the Opera nonsense.

The Bats investigate Jazz

Wes is investigated by Superman, Magical shenanigans occur.

Catwoman steals an artifact that has a ghost in it.

Danny putting on his own Brucie Wayne act as Bruce's secretary

Jazz as Damian's Babysitter

Zatanna interacting with a Liminal Gotham

Danny is Batman's Clone (Dramatic Irony, my beloved)

John Constantine accidentally adopts Danny

Jason is dating Jazz, gets Tim and Danny to meet (mostly just Jason and Tim fluff)

Dash Baxter, Metropolis Cop (short)

Queer Platonic Relationship Fluff with Tim and Danny (features a prompty cliffhanger that goes absolutely nowhere)

Danny runs over Kori with a car (featuring yet another cliffhanger prompt ending that goes nowhere)

Clone Adoption Agency

Tim gets his spleen back from Cujo

Danny runs a daycare in Gotham

Maddie is Jim Gordon's Sister (short as heck and not great, but it's the first one I wrote, so it's special to me)

Batman Crossovers (No Danny Phantom edition)

Batman and the Muppets

Miraculous Ladybug: Marinette in Gotham (Fic itself is short, use of ai by another user in the beginning, more of a prompt than a post)

Batman x Game Changer: Robins do Robin trivia

Batman x BNHA: Batgirl gets isekaied into BNHA universe (Like the first chapter of a hypothetically longer fic)

Just Batman (and other DC characters)

Superbat Ship: featuring Batfam Fluff.

Jason can see through the fourth wall (short, more of a prompt than a post, and a continuation of the AU from an above DPxDC post.

Batfam tries to steal the watchtower (based on art!!!)

Matchmaker Tim Drake (again, more of a prompt)

Neurodivergent Batfam Moments

Hero Swap (Based on ART!!!)

Bruce Wayne time travels (short)

Bruce wearing his kids merch (short)

Clark Kent covering Bruce Wayne's drama

Superbat ship stuff (Short)

Percy Jackson

Percy Jackson & Harry Potter Crossover: Percy Jackson Vs Potions Class

Percy Jackson Gods react to Hadestown (Short)

Percy Jackson and Danny Phantom Crossover: Nico wants the Ghost King as his twitch username, but it's taken.

Other Fandoms

Gravity Falls: Levity Rises - the portal incident.

Just Danny Phantom: Jazz dealing with trauma (a bit of a character study, based on art)

Danny Phantom x BNHA crossover: Jazz and Nedzu meet.

BNHA: All Might and All for One completing to be the best dad. (Plot outline.)

BNHA: Izuku becomes a cult leader. (Plot outline)