#jock o'hazeldean
Explore tagged Tumblr posts
Text
Music of TURN
Round 28
The Turtle Dove
4.03: Blood for Blood
youtube
Jock O'Hazeldean
1.08: Challenge
youtube
#turn music bracket#turn: washington's spies#turn amc#turn washingtons spies#the turtle dove#jock o'hazeldean#18th century music#music history#folk music history#folk music
9 notes
·
View notes
Text
TURN: Washington’s Spies Playlist
Hush - Theme from TURN
A Lyke Wake Dirge
Spanish Ladies
Turpin Hero
Bonny Portmore - from TURN
Jock O'Hazeldean - from TURN
Turtle Dove (Ten Thousand Miles)
The Hanging Tree
Hold On To What You Believe - Mumford & Sons
Wolf Like Me - Lera Lynn
Liars - Gregory Alan Isakov
Revolution - The Score
Wolves of the Revolution - The Arcadian Wild
Bullet - The Ballroom Thieves
Woke Up A Rebel - Reuben and The Dark
Drowsy Maggie
Spies - Coldplay
Your Protector - Fleet Foxes
Family - Mother Mother
Poet - Bastille
Songs of the America Revolution
Yorktown (The World Turned Upside Down) - Hamilton
Facade - Jekyll & Hyde
Free - Mother Mother
Unedited moodboard, free to use, but, as with gifs and writing, credit where credit is due.
#tunes#my playlist#turn: washington's spies#turn washington's spies#amc turn#turn amc#american revolution#benjamin tallmadge#ben tallmadge#anna strong#abraham woodhull#abe woodhull#caleb brewster#amrev fandom
19 notes
·
View notes
Text
youtube
Happy 74th birthday Scottish musician David Paton
Paton was s member of Pilot, the band that had a smash hit in the 1970s with “Magic.”
Born 29th October 1949 in Edinburgh, he grew up in the south-eastern suburb of Gilmerton where he attended Inch Primary then Liberton High School where is art teacher was Roy Williamson of the Corries.
His first band was called The Beachcombers and they signed a recording contract in 1968 with CBS Records. The band were hugely popular in Scotland in the 60s, introduced the young Paton to the city’s live music circuit, venues like the Palais de Danse, Top Storey, The International on Princess Street, The Gonk Club and The Gamp
They changed their name for The Boots and released a couple of singles with little success, the band split because of money problems in 1970. He then replaced a guitarist in the Bay City Rollers, for a short period of time but never recorded with them. After leaving them in October 1970, he became a member of another band called Fresh, which changed their name for Chrystian and published a single, "Nursery Lane", in 1971.While still playing with the band, he took a job as a musician in Tiffanys, an Edinburgh nightclub where he met Ian Bairnson and they formed Pilot.
The band compromised, Paton with Ian Bairnson, Billy Lyall, and Stuart Tosh, Pilot literally made magic with their commercial single of the same title. “Magic,” (written by Paton and Lyall, produced by Alan Parsons) this skyrocketed the Scottish group to international star status. The band struck gold again with Paton’s “January.” More albums and singles followed. By 1977, only Paton and Bairnson were left from the original foursome, and they recorded Pilot's final album (the aptly titled Two's a Crowd) with session musicians, eventually Paton and Bairnson went there separate ways and Pilot folded.
After Pilot, Paton steadily built an impressive body of work, collaborating with The Alan Parsons Project, The Pretenders, Paul McCartney and Kate Bush, among others. In the last decade, Paton has toured the world in his own right and released his own music, including one album containing the first recording of January.
David Paton is still making music, his last album , The Traveler was released last year, I have however chosen to highlight Fragments, a collection of traditional Scottish songs and two of his own compositions, one of which I picked. Have a listen it's a cracking Scottish song, and check Youtbe for his versions of Scots' Wa Hae, Jock O'Hazeldean and The Bonnie Blue Bonnets among others.
This Honest Land
I've had my kicks wi' brother Scots
From Adelade to John O' Groats
I've met them a' the world o'er
They're on every distant shore
Though some be rich and some be poor
They'll welcome you and that's for sure
There's warmth and kindness there to see
They'll give the same to you as me
This honest land is in our hearts
No matter where we go
And when we come together
We let it show
Sing if you wanna feel love inside
Say any time is right inthe day or the night
Sing and we all can sing along
Say if you wanna feel love if you wanna be one
Well the rain may come
And the wind might blow
But the sun will shine
And the clouds will
But either way to me is fine
It's aye the same come rain or shine
5 notes
·
View notes
Text
This is still one of the top three songs on the Turn soundtrack btw. It’s just so good 😭
4 notes
·
View notes
Text
can’t believe that young frank (chief of errington and lord of langleydale) got ratioed by jock o’ hazeldean
#can't believe i'm making jokes about songs from the 1800s#turn#turn: washington's spies#jock o'hazeldean
3 notes
·
View notes
Text
Welcome welcome back to another
FOLK MUSIC FRIDAY!!
The weekly segment on my blog for those interested to discover new folk songs and enjoy old favourites!
This week I've been feeling sentimental about Turn: Washington's Spies and every time I think of how incredible the show is I'm reminded of the soundtrack, which is without a doubt one of the best soundtracks of any series I know. So I figured why not spotlight one of the songs (which I think is featured quite beautifully)?
This one, hailing from Scotland, comes from a fragment of a ballad by Sir Walter Scott. Some versions are referred to as "John of Hazelgreen," but follow a different plot to this in which the lady is betrothed to the narrator's son. The version we're listening to this week sees the lady elope with her lover across the Scottish/English border. This week's selection is Jock O'Hazeldean
Why weep ye by the tide, ladye?
Why weep ye by the tide?
I'll wed thee to my youngest son
And ye shall be his bride
And ye shall be his bride, ladye,
Sae comely to be seen
But aye, she loot the tears doon fa'
For Jock O'Hazeldean
24 notes
·
View notes
Note
im late to the party but,
playlist: slow dancing in my kitchen
you’re not too late !!! in reality you’re the only other person to ask so thank you :o]
❥ nights in white satin — moody blues
❥ i won’t give up — jason mraz
❥ chasing cars — snow patrol
❥ hidden in the sand — tally hall
❥ jock o’hazeldean — gary lightbody cover
#ask game#kinda just pulled out my slow-ish love songs#and YES i pulled jock o'hazeldean off the turn soundtrack shut up#i was gonna give ten but i couldn't remember any slower songs#inthemindofaghost#pant rambles
2 notes
·
View notes
Text
Part 1
Hamish let out a pained groan, rolling onto his side and pulling a blanket over himself. His father had taken Maureen to go get dinner; leaving the house empty and silent so that he could rest a little better. He frowned a little, hearing Someone shifting in the kitchen. Hamish grunted and pulled himself out of bed and stumbling to the sound. His frown deepened as he heard singing.
"Why weep ye by the tide, Lady? Why weep ye by the tide? I'll wed thee to my youngest son And ye shall be his bride..."
Hamish couldn't quite recognize the voice. His ears were ringing and he was squinting against the light. "Dad?"
"Nah, sorry." It was Will who spoke. Hamish pried his eyes open a little to see his friend standing in the kitchen. "My mom is not in a real...hospitable mood, so I figured I'd come hang out over here. I didn't know your dad and Mor were out and then I saw you on the couch. Migraine?"
Hamish only grunted and nodded in response.
"Figured. Here." Will handed him a plate and a mug. "I made toast. Figured you hadn't eaten anything today. And Peppermint tea because Mary said that's good for headaches."
Hamish took it gratefully moving back to the couch. "Wanna watch a movie? I'm just gonna go back to sleep after this."
"Nah. I'll go hang out in the basement for a bit, don't worry about it."
Hamish let out yet another grunt as he sat back down, and Will started to sing under his breath again.
"And ye shall be his bride. And ye shall be his bride, lady. So comely to be seen..."
4 notes
·
View notes
Video
instagram
Clip from Jock O'Hazeldean #music #musically #musical #acousticmusic #acousticguitar #celticguitar #irishguitar #traditionalmusic #acousticmusic #irishmusic #scottishmusic #ireland #scotland
#musical#acousticmusic#celticguitar#traditionalmusic#scotland#irishguitar#musically#irishmusic#ireland#scottishmusic#acousticguitar#music
3 notes
·
View notes
Text
Music of TURN
Round 24
Thanks for being patient as I edit, was not doing so well post marching band and then had to finish my anthropology readings.
Jock O'Hazeldean
1.08: Challenge
I love this song. I love it... but not so much the scene that accompanies. And yet, it still oddly fits. Anna has always held onto love for Abe even after she married Selah and he Mary. (Mary and Selah deserved way better). And after learning Selah is 'dead' she moves to Abe, who in this would represent Jock O'Hazeldean. I don't have much else on it as I feel it's pretty straight forward.
youtube
Read 'Em John
1.05: Epiphany
I've already talked about how masterful this scene in worked in with Rule Britannia. But time to focus on this scene. I absolutely love how the hammering of the attainder that announces the emancipation of all enslaved peoples of Strong Manor, falls near on beat with the song. Except not exactly freed, which I think is a great countenance to the lyrics of Rule Britannia.
youtube
I'm including two recordings of live performances, because it adds so much more context than a studio recording.
Also sorry that this was rushed out. I WAY overslept before class and didn't have time to finish my analysis. I'll edit this post when I get home
#turn music bracket#turn amc#turn: washington's spies#turn washingtons spies#18th century music#folk music history#music history#folk music#jock o'hazeldean#read 'em john#john graves simcoe#abigail 355#akinbode#turn music#Youtube#Spotify
7 notes
·
View notes
Text
if i have jock o'hazeldean playing no one is allowed to send me videos or links or anything, i am Shaking and Crying right now, this is what it's like to die or something isn't it
#honestly this song makes me want to like#cry so violently i make myself sick#there's literally no reason it just sounds like a funeral song like i want this song played at my funeral#rowboat speaks
0 notes
Video
youtube
Happy 71st birthday Scottish musician David Paton
Paton was s member of Pilot, the band that had a smash hit in the 1970s with “Magic.”
Born 29th October 1949 in Edinburgh, he grew up in the south-eastern suburb of Gilmerton where he attended Inch Primary then Liberton High School where is art teacher was Roy Williamson of the Corries.
His first band was called The Beachcombers and they signed a recording contract in 1968 with CBS Records. The band were hugely popular in Scotland in the 60s, introduced the young Paton to the city’s live music circuit, venues like the Palais de Danse, Top Storey, The International on Princess Street, The Gonk Club and The Gamp
They changed their name for The Boots and released a couple of singles with little success, the band split because of money problems in 1970. He then replaced a guitarist in the Bay City Rollers, for a short period of time but never recorded with them. After leaving them in October 1970, he became a member of another band called Fresh, which changed their name for Chrystian and published a single, "Nursery Lane", in 1971.While still playing with the band, he took a job as a musician in Tiffanys, an Edinburgh nightclub where he met Ian Bairnson and they formed Pilot.
The band compromised, Paton with Ian Bairnson, Billy Lyall, and Stuart Tosh, Pilot literally made magic with their commercial single of the same title. “Magic,” (written by Paton and Lyall, produced by Alan Parsons) this skyrocketed the Scottish group to international star status. The band struck gold again with Paton’s “January.” More albums and singles followed. By 1977, only Paton and Bairnson were left from the original foursome, and they recorded Pilot's final album (the aptly titled Two's a Crowd) with session musicians, eventually Paton and Bairnson went there separate ways and Pilot folded.
After Pilot, Paton steadily built an impressive body of work, collaborating with The Alan Parsons Project, The Pretenders, Paul McCartney and Kate Bush, among others. In the last decade, Paton has toured the world in his own right and released his own music, including one album containing the first recording of January.
David Paton is still making music, his last album , The Traveler was released last year, I have however chosen to highlight Fragments, a collection of traditional Scottish songs and two of his own compositions, one of which I picked. Have a listen it's a cracking Scottish song, and check Youtbe for his versions of Scots' Wa Hae, Jock O'Hazeldean and The Bonnie Blue Bonnets among others.
This Honest Land
I've had my kicks wi' brother Scots
From Adelade to John O' Groats
I've met them a' the world o'er
They're on every distant shore
Though some be rich and some be poor
They'll welcome you and that's for sure
There's warmth and kindness there to see
They'll give the same to you as me
This honest land is in our hearts
No matter where we go
And when we come together
We let it show
Sing if you wanna feel love inside
Say any time is right in
the day or the night
Sing and we all can sing along
Say if you wanna feel love if you wanna be one
Well the rain may come
And the wind might blow
But the sun will shine
And the clouds will go
But either way to me is fine
It's aye the same come rain or shine
16 notes
·
View notes
Text
every time i rewatch it, i'm mad that turn has such a banger soundtrack for such a bad show
1 note
·
View note
Text
William singing this to any of his friends' babies.
0 notes