#jg ep
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manifestnotfound · 7 months ago
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pr o TO ty p E
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it took kinda long, but now it's done YUPPIE
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the-art-ghost · 2 months ago
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to the pastas:
LOOK WHAT HAPPENED TO UR HOST
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I H A T E being wrong…
But I must say… Host does love these strange creatures
Love them enough to keep them away from me…
-???
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ableedingpromise · 4 days ago
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SEASON 2 IS HEREEEEEEEEEE
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jgthirlwell · 11 months ago
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2023 Year In Review
This year once again I invited some friends and colleagues to reflect on 2023
JG Thirlwell Composer Foetus Xordox Manorexia Steroid Maximus Venture Bros Archer
2023 was an intense year. The year began with the premiere of my symphony for Alarm Will Sound and ended with guesting vocalizing with Dinosaur Jr on some Stooges classics. I completed the final season of Archer. Wrote a lot of material for new Xordox and Foetus albums. Released an album of string quartets and scored a Venture Bros movie. Worked with some great singers and premiered my Ensemble project in London. I spent several months traveling and set up a small studio in Melbourne for a bit. Road tripped through NZ with my partner, Dora. I played some excellent shows in London, Colchester, Auckland, Wellington, Melbourne and Sydney. I still woke up 5am in a panic on too many occasions. And I saw some great concerts.It was difficult to whittle down this list but here are a lot of albums I enjoyed in 2023, in no particular order.
Albums
Poil Ueda Yoshitsune (Dur et Doux) Poil Ueda - Poil Ueda (Dur et Doux) Genevieve Artadi Forever Forever (Brainfeeder) Knower - Knower Forever (Brainfeeder) Ultraphauna No No No No (Dur Et Doux) Gahlmm Break A Leg (GEIGER Grammofon) Oneohtrix Point Never Again (Warp) Lankum - False Lankum (Rough Trade) Evian Christ Revanchist (Warp) Chromb Cinq (Dur et Doux) Deskartes A Kant After Destruction (Cleopatra) Gazelle Twin Then You Run (Original Score) L’Rain I Killed Your Dog (Mexican Summer) Loraine James Gentle Confrontation (Hyperdub) Royal Blood Back To The Water Below (Warner) John Luther Adams Darkness and Scattered Light (Cold Blue) Catherine Christer Hennix Solo for Tamburium (Blank Forms) Rachel Fannan Bjork Impersonations (Instagram) Regal Worm Worm! (Quatermass) Wild Up Julius Eastman Vol. 3: If You’re So Smart, Why Aren’t You Rich? (New Amsterdam) PJ Harvey I Inside the Old Year Dying (Partisan) Poppy I Disagree (Sumerian) Sparks The Girl Is Crying In Her Latte (Island) Queens Of The Stone Age In Times New Roman (Matador) Time Wharp Spiro World (Leaving) Murderpact Ultraheaven (Bandcamp) RVG Brain Worms (Our Golden Friend) HMLTD - The Worm (Lucky Number) Catarina Barbieri - Myuthafoo (Editions Mego) Ligeti Quartet and Anna Meredith - NUC (Mercury KX) Mandy Indiana I’ve Seen a Way + EP(FireTalk) Kate NV WOW (RVNG) Kelly Moran Vesela EP (Warp) Kurws Powiez / Fascia (Korobushka) Fever Ray Radical Romantics (Mute) Netherlands Severance (Svart) Tim Hecker No Highs (Kranky) Bohemian Flesh Bohemian Flesh (Ojet) Pure Adult II (FatCat) Model/Actriz - Dogsbody (True Panther Sounds) Laurel Halo - Atlas (Awe) Water From Your Eyes - Everyones Crushed (Matador) Moritz Von Oswald - Silencio (tresor) REZZETT Meant Like This (Trilogy Tapes) Jess Johnson and Simon Ward 'Terminus' Virtual Reality exhibition at the Museum in Dunedin NZ.
Books
Naomi Klein Doppelganger Graham Rayman and Reuven Blau Rikers : An Oral History Thurston Moore Sonic Life Malcolm Gladwell The Bomber Mafia Tony Cohen Half Deaf, Completely Mad Brett Anderson Coal Black Morning Book Wesley Doyle Conform To Deform Primo Levi Survival in Auschwitz
Films + TV
Beef Barry Fargo The YouTube Effect Mutiny In Heaven Beau Is Afraid In The Court Of The Crimson King Oppenheimer
Concerts
01.28.23 Kodak Quartet performed at the Jack Studio Festival Event at The New School, performing a work by Khyam Allami and a stunning rendition of Ligeti’s String Quartet No 1. 02.21.23 Pure Adult opened for Gilla Band at Brooklyn Made and both were excellent! 02.22.23 Clown Core (featuring Louis Cole on drums and keys) Elsewhere in NYC. 03.02.23 Laurie Anderson performs at a drone event anchored by Lou’s guitar generating feedback drones, on the occasion of Lou Reed’s birthday .Other musicians joining the drone included Shazad Ismailey, Steven Bernstein, Stan Harrison, Briggan Krauss and more. 03.09.23 Michael Byron’s new work In One Second There Will Be A Thousand Plateaus Perhaps for two pianos and small orchestra featuring pianists Joseph Kubera and Steve Beck with Petr Kotik conducting members of the S.E.M. Ensemble. At Roulette Intermedium. 04.04.23 Pigs Pigs Pigs Pigs Pigs Pigs Pigs brought the rock power and played an intense and triumphant show at Mercury Lounge to end their first US tour. 04.08.23 Amarcord Nino Rota, a reimagining of the Hal Willner’s Nino Rota tribute album, at Roulette Intermedium. 05.03.23 Genevieve Artadi played a grreat set at Public Records in Brooklyn to support her new album Forever Forever, with Louis Cole on drums. 05.27.23 Gloryhammer at Irving Plaza. Saw them in Melbourne too. 06.27.23 Sparks played a brilliant show at the Beacon Theater in NYC and I also caught them at Palais Theater in St Kilda, Melbourne, Australia on 10.26.23 07.04.23 75 Dollar Bill at Union Pool 08.20.23 BeatFox . Incredible luck to see this guy busking on Brick Lane. 08.21.23 The very wonderful Deerhoof at The Lafayette in London 08.22.23 clipping. played a killer show at Outernet in London 08.23.23 The incredible Poil Ueda from Lyon, France played in London at the Lexington + Lost Crowns 08.24.23 Swans played an epic set at The Troxy in Londo 09.24.23 TENGGER played an amazing set at the Art Gallery of NSW. 10.06.23 Fuji|||||||||||ta at Tempo Rubato in Melbourne, Australia. 10.07.23 RVG played a killer show to a packed house at Northcote Theatre in Melbourne, Australia 10.17.23 Chloe Sobek at Make It Up Club in Melbourne Australia. 10.21.23 Paul McCartney at Marvel Stadium in Melbourne Australia 10.28.23 Sarah Mary Chadwick at Wesley Anns as part of The 86 Super Saturday Festival 10.28.23 Party Dozen from Sydney played a great set at The 86 Super Saturday Festival in Melbourne Australia. 11.10.23 Devon Townsend played a beautiful, brutal and ecsatic show in Melbourne Australia at the Forum. 12.06.23 Ashley Bathgate and percussion sextet Mantra Percussion performed Matt McBane’s Topography at National Sawdust in NYC.
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Michel Langevin (aka Away/Voïvod)
My coups de coeur in 2023:   TV Series: The Last of Us   Music: The Damned - Darkadelic Godflesh - Purge Crown Lands - Fearless Gong - Unending Ascending Soft Machine - Other Doors   Best show: KISS End of the Road World Tour in Montréal on Nov 18th   Best Moments: -Recording and touring the new Voïvod album, Morgöth Tales, celebrating the 40th anniversary of the band -Celebrating my 60th birthday on stage in Lyon on the Voïvod/Testament Euro tour -Jason Newsted joining the band on stage in Fort Lauderdale, USA -Eric Forrest joining the band on stage at Hellfest, France  
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Lydia Lunch
https://www.lydia-lunch.net/
“Time-one long second that goes on forever” So enjoy it motherfuckers!
BOOKS
Love the World or Get Killed Trying Alvina Chamberland Mother Howl Craig Clevenger Nein, Nein, Nein! : One Man's Tale of Depression, Psychic Torment, and a Bus Tour of the Holocaust Jerry Stahl Mystic Debris Justin Gradin Niagara, NY Ric Royers The Pale-Faced Lie : A True Story David Crow The Conspiracy Against the Human Race: A Contrivance of Horror Thomas Ligotti The Field: The Quest for the Secret Force of the Universe Lynne McTaggert Yuval Noah Harari Box Set (Sapiens, Homo Deus, 21 Lessons for 21st Century) Season of the Witch Cathi Unsworth Every word John Tottenham utters or writes
TOURS with Sylvia Black & Gregg Foreman, Joseph Keckler, Marc Hurtado (tribute to Alan Vega & Suicide), Ian White, Kevin Shea (Sinister Impulse), Tim Dahl & Matt Nelson (Murderous Again)
Workshop & Performance Badass Babes of Burlesque w Rita D’Albert Zebulon LA
Workshop at the University of New Mexico thanks to Greg Moss
Reading with Zoe Hansen & Ron Athey at The Philosophical Research Center LA Reading with Eugene Robinson Makeout Room SF
Finishing the documentary with Jasmine Hirst Artists - Depression, Anxiety, and Rage and premiering it in Italy
Meeting butuh Queen Azumi OE and discussing up coming performances together with Tim Dahl
Completing the 233 episode of The Lydian Spin with Tim Dahl
FUN
Nights in London & Brighton spent with Nick Soulsby, Cathi Unsworth, Billy Chainsaw, Chris Bohn, Jack Sargeant, Pam Hogg,
Tina Kit (opened for my Suicide tribute in London & Brighton) best new band of suited and booted bad boys
Squired around Europe by Sebastien Greppo, a man like no other - who so lightens my burden…
Watching every episode of The Dark Side of The Ring with Kevin Shea
Training squirrels, levitating objects, saving lives, screaming into the void.
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Mike Berdan
(Uniform) https://uniform-nyc.com/
ALBUMS
Lankum - False Lankum
Surgeon - Crash Recoil
Ryuichi Sakamoto - 12
Fellwinter - The Dawn Of Winter
Abysmal Lord - Bestiary Of Immortal Hunger
Death Kneel - Dawn Simulation
Shit And Shine - 2222 And Airport
Carnivorous Bells - Room Above All
Agonal Lust - Mankind Is A Talisman Of Misfortune
Godflesh - Purge
FIRST-TIME READS
A History Of Violence (1973) - David Cotner
Someone Who Isn't Me - Geoff Rickly
Your Dreams - Thomas Moore 4. In A Lonely Place - Karl Edward Wagner
Burn You The Fuck Alive - B.R. Yeager
The Holy Day - Christopher Norris
A Collapse Of Horses - Brian Evenson
The Devil Thinks I'm Pretty - Charlene Elsby
Let's Go Play At The Adams' - Mendal W. Johnson
Counterillumination - Audrey Szasz
MOVIES
Godzilla Minus One
CIGARS
Cohiba Magico Maduro Petit Robusto
God Of Fire Serie B Double Robusto
Padron Family Reserve no. 95 Maduro Petit Gordo
El Pulpo Toro
Tatuaje Reserva J21 Broadleaf Robusto
Atabey Benditos Double Corona
Romeo y Julieta Línea de Oro Nobles
H. Upmann Half Corona
Foundation Cigars The Tabernacle Robusto
OpusX Eye Of The Shark
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Mario Diaz deLeon (composer, Luminous Vault, Bloodmist)
ALBUMS Evita Manji - Spandrel? Eartheater - Powders Slowspin - Talisman Marta DePascalis - Sky Flesh Kalia Vandever - We Fell in Turn Eraldo Bernocchi + Hoshiko Yamane - Sabi JakoJako -  Verve Surgeon - Crash Recoil Cavalera - Morbid Visions / Bestial Devastation Bell Witch - The Clandestine Gate Steve Lehman + Orchestre National de Jazz - Ex Machina
SONGS Kelly Moran - Vesela Vines - I Don’t Mind Cybotron - Maintain Barker - Birmingham Screwdriver VMO - Supergaze Omar Hisham - Adhan (Be Heaven)
EVENTS New Firmament: MONAD - Roulette Peter Evans: Being and Becoming - Roulette Anna Sperber: Amplifier - Roulette 20 Years of Shinkoyo - Roulette Anthony Braxton + Wolf Eyes - Pioneer Works Caterina Barbieri - Pioneer Works Felipe Lara + Claire Chase + Esperanza Spaulding + NY Phil TAK Ensemble: Swoonfest - The Clemente Center Kayo Dot: Choirs of The Eye - MilkBoy Cecilia Vicuña / Raven Chacon - The Poetry Project Krallice / Indocrithere / Geryon / Ocrilim - Saint Vitus Cavalera: Morbid Devastation - Irving Plaza Hulder / Blackbraid / Aeviterne - Le Poisson Rouge Eartheater / Concrete Husband - Elsewhere
BOOKS Roxanne Dunbar-Ortiz - An Indigenous Peoples History of the United States
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Alexander Tucker (Microcorps)
I started off the year by releasing a project very close to my heart: Fifth Continent, a collaboration with the late Keith Collins, partner and collaborator of film maker and artist Derek Jarman. The album was partially recorded in Jarman’s cottage in the desert-like landscape of Dungeness, on the South East coastline of Kent, in the UK, with elements constructed from Collins own spoken word pieces, and environmental recordings. The album was released on James Ginzberg’s Subtext label, and we also produced Fifth Quarter, an anthology publication of writing, recollections, photography and newly commissioned artworks about Jarman, Collins and Dungeness.
Although I probably made more music than usual this year, and had a greater focus than ever on the various projects I have underway, 2023 felt like a weird and often frustrating year for me and music. About five years ago I set about teaching myself modular systems, experimenting, and recording the results as I went along. This culminated in a new solo guise primarily for electronics and the synthesis of voice and acoustic instruments, MICROCORPS (the debut album Xmit came out on Alter records in 2021). Using these systems is at the same time liberating and incredibly frustrating. For a while this year nothing felt good enough: I could feel the potential of my ideas glimmering in the distance but was unable to catch up with them. I decided to take a short break from the modular, and focused upon compositions for cello, saxophone, and clarinet. But the pull of electronics is never far, so I began processing these recordings, using granular synthesis to stretch, mutate and reorganise the audio into new pieces. As soon as you want more from your practice and yourself, things can become more laborious - it’s difficult to be in the moment and focus on what’s in front of you. I used to be happy with the immediate effects I produced, but I think this is being replaced by a different approach, something more considered, which is exciting and, in some ways, sobering - even if the results are far from what you would describe as sober. I’m also so lucky to have many friends and fellow artists around me to offer help and suggestions, to whom I’m eternally grateful. As R.Crumb says, “Keep on truckin”.
Music I dug this year: Godflesh - Purge (Avalanche Recordings) Rắn Cạp Đuôi - *1 (nhạc_gay) Mun Sing - Inflatable Gravestone (Planet Mu) RS Tangent - When A Worm Wears A Wig (The Trilogy Tapes) Arnold Dreybaltt And The Orchestra Of Excited Strings - Resolve (Drag City) Elvin Brandhi and Lord Spikeheart - Drunken Love (Hakuna Kulala) Mark Fell and Will Guthrie - Infoldings / Diffractions (NAKID) Afrorack - The Afrorack (Hakuna Kulala) Kinn - Dogtooth (First Light Records) General Magic - Nein Aber Ja (GoTo Records)
Live shows: Emptyset - Village Underground Elvin Brandhi - IKLECTIK Mick Harris/FRET – Downwards’ 30th, Centrala Mun Sing, Crys Cole, Penelope Trappes - Boundaries Festival  Maxwell Sterling - Cafe OTO Pole - EartH Nik Colk Void - Too many to count! Phew - Cafe OTO Residency Acid Horse Festival Devo - Hammersmith Apollo Kinn - New Cross Road Baptist Church
Comics: In 2023 I produced a new issue of my ongoing oblique and nonlinear comic series, Entity Reunion. For this issue I drew upon my love of HP Lovecraft, using the repetition of the comic format to peel back layers of the everyday to reveal omnipotent entities underlying all reality. The viewpoint of each page is from the point of view of the protagonists, who hold an electronic device, photographing their surroundings only to capture the blurred features of some insidious face. There are also references to Lovecraft’s own fictional grimoire the Necrononmicon. I wanted that dreamlike sensation of being the protagonists of the dream but also viewing yourself as separate entity.
Books: I read nearly all of Patrica Highsmith’s ‘Ripley’ books, a bunch of John Le Carré novels, Mark Kermode’s book on The Exorcist and I’m currently working my way through the spy novelist Eric Ambler’s books. I also re-read Bruce Robinson’s analysis on Jack the Ripper and Victorian society, ‘They All Love Jack’. 
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Tom Chiu (composer, Flux Quartet)
2 0 2 3  IN  REVIEW
Albums Worth Exploring (including a couple entries from 2022 that I discovered late)
Bar Italia                 Tracey Denim (Matador)
Blur                         Ballad Of Darren (Parlophone)
Bush Tetras             They Live In My Head (Wharf Cat)
Death Valley Girls    Islands In The Sky (Suicide Squeeze)
Dummy                    Mono Retriever (Sub Pop)
Duster                        Remote Echoes (Numero Group)
En Attendant Ana       Principia (Trouble In Mind)
Everything But the Girl     Fuse (Verve)
Horse Lords               Comradely Objects (RVNG)
Kelela                         Raven (Warp)
Lael Neale                  Star Eaters Delight (Sub Pop)
Lana Del Rey             Do You Know That There's A Tunnel Under Ocean Blvd (Interscope)
Lewsberg                   Out And About (12XU)
Munya                        Jardin (Luminelle)
Slowdive                    Everything Is Alive (Dead Oceans)
Sweeping Promises    Good Living Is Coming For You (Sub Pop)
Wednesday                Rat Saw God (Dead Oceans)
Yo La Tengo               This Stupid World (Matador)
Night at the Movies
Poor Things Past Lives Monster
Recurring Personal FAVES
FAVE Sandwich: Mekelburg's  Clinton Hill, Brooklyn
FAVE Burger: Two8Two Bar & Burger, Boerum Hill, Brooklyn
FAVE Craft Beer Brewery Omnipollo (Sweden), brewed at Twelve Percent Beer Project, North Haven, CT
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Pierre Cerrato
Producer - Editor  Floyd County Productions (Archer)
Favorite Movies/TV Archer Season 14 The Last of Us Gen V Beef This Fool Season 2 Fargo Season 5 Primo (Amazon Prime Show) The Bear Season 2 Episode Barry Season 4
Favorite Records  I listened to a lot of music but these were in constant rotation.  Some are from last year but what is time and who cares?
Boris/Uniform - Bright New Disease (2023) Birds in Row  - Gris Klein (2022) Fleshwater - We Are Not Here to Be Loved (2022) Asunojokei - Islands (2022) Everything But the Girl - Fuse (2023) Night Owls - Versions (2022)
Honorable mention Boris - Feedbacker (2003) this was my introduction to Boris. This year is the 20 year  anniversary of its release. Roberto Carlos Lange shared it with me one day while at work. He said it was something he thought I would like. Blew my mind and I have been a fan  ever since.
Favorite Concerts The Cure - State Farm Arena - also saw The Cure at Riot Fest but this was better of the 2. I regret not going to Night 2 in Atlanta because they played Disintegration.  H20 - Riot Fest 2023 Set Fleshwater - Riot Fest 2023 Set Future Islands - Shakey Knees 2023 Set The Yeah Yeah Yeahs - Shakey Knees 2023 Set Converge / Brutus - The Masquerade Drain / Drug Church - The Masquerade Donny Benet - Terminal West Idles - Re:Set 2023 Set
Favorite Food
MF Sushi - Atlanta - went twice and each time it was a special occasion.  Heirloom Market BBQ - Atlanta - best BBQ in my neck of the woods. The Aviary - Chicago - specialty cocktails with spectacular presentation.  Cafe Tola - Chicago - best empanadas i've ever had in my life.  Selva Negra - Miami - a solid contender for Nica food. Jaguar - Miami - great vibes, service and ceviche! No Hard Feelings - Chatanooga - great cocktails and vibes! 
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Zachary Lipez
(editor at large of Creem Magazine, writer, singer of Publicist UK)
Music I made a (very) long list on my wildly popular blog, Abundant Living. But, for kicks and with the understanding that maybe you don’t feel like reading (or subscribing to) my wildly popular blog, here’s some stuff I included and some stuff I forgot (with particular attention paid to albums I think might be of particular interest to JG friends/fans but which may have slipped through the radar) (meaning: I mainly put the stuff that wasn’t on too many other lists). Fatboi Sharif Decay (Backwoodz) Skech185 He Left Nothing for the Swim Back (Backwoodz) Zohra Murder In The Temple (American Dreams) The Native Cats The Way On Is The Way Off (Chapel)  Geese 3D Country (Partisan) Gold Dime No More Blue Skies (No-Gold) Algiers Shook (Matador) EXEK The Map and the Territory (Foreign) Skinhead Everything Was Beautiful and Nothing Hurt (Closed Casket) Débruit & Alsarah Aljawal ا​ل​ج​و​ا​ل (Soundway) Fairytale Shooting Star (Toxic State) Among The Rocks and Roots Pariah (Cacophonous Revival)  Full of Hell, Nothing When No Birds Sang (Closed Casket) Uniform & Boris Bright New Disease (Sacred Bones) Sleaford Mods  UK Grim (Rough Trade) Money&King Act Unnaturally (self released) Blu Anxxiety Morbid Now, Morbid Later (Toxic State) Nana Benz du Togo  AGO (Komos) Citric Dummies Zen and the Arcade of Beating Your Ass (Feel It) Ghösh  Prismassive (Ramp Local) Peasdez  Fenomenologia Del Espiritu Agonico: De La Existencia Sordida Al Pendulo De La Nada (SPHC) Upper Wilds Jupiter (Thrill Jockey) Death Valley Girls Islands In The Sky (Suicide Squeeze) Raphael Rogiński Talán  Body Void Atrocity Machine (Prosthetic) Feeling Figures Migration Magic (Perennial) Ryan Davis & the Roadhouse Band  Dancing on the Edge (Sophomore Lounge) Nosaj from New Kingdom & steel tipped dove House of Disorder (Fused Arrow Records) mclusky unpopular parts of a pig / the digger you deep (self released) Advertisement Escorts (Feel It) King Vision Ultra  Shook World (hosted by Algiers) (PTP)
Live Shows that Stand Out In My Memory Moor Mother/Armand Hammer/The Caretaker/Raphael Roginski for the Unsound Fest at Lincoln Center (I covered this for The Quietus if yr interested) Sleaford Mods at Coachella (profiled them for CREEM) Lydia Lunch/Zohra at St.Vitus Lydia Lunch Retrovirus last American show ever (?) at TV Eye Various skinhead/nü oï bands at the Monarch/TV Eye etc. with Liberty & Justice being the standout Son Rompe Pera at TV Eye Chisel (the Ted Leo outfit, not the neo-bootboy band with the “the” in their name) at LPR
BOOKS My phone has pretty much eliminated my ability to read. I did read the first 100 pages of more books than I care to admit. I finally finished Mark Andrews’ Paint My Name In Black and Gold: The Rise of the Sisters of Mercy and I recommend it if, like me, you think The Sisters of Mercy are better than the Beatles (or whatever inane comparison annoys your friends the most). I also discovered Gene Wolfe and read the first book in the Book of the New Sun trilogy. Otherwise, it’s pretty much been just using Louise Glück poetry as inspiration to write terrible versions of Louise Glück poetry. 
TV Doom Patrol Pokerface Rick and Morty (idc idc idc idc) HasanAbi twitch stream  A ludicrous amount of Britbox mysteries and—passively, yes, but not without a fair amount of emotional investment—various Real Housewife shows/spinoffs
Movies Didn’t watch any new movies this year but I did have a lot of youtube videos playing in the background while I did other things, and sometimes those videos would be three hour long screeds about what was wrong with a number of movies I’d never heard of. So I feel like I got the gist. 
LIFE Converted to Islam and married Zohra in January. Both choices have proven to be rewarding as all hell. Cashing in my “as a Jew I…” argument card—while simultaneously being too new a Muslim to reasonably claim either special knowledge and/or marginalization status—has really fucked with my ability to be self-righteous online. But the love that Zohra and her family have shown me has more than made up for my newfound inability to really wipe the floor with a motherfucker in the instagram comments. In fact, I liked marrying Zohra so much that I did it again in December (first time was a religious ceremony, the second time was our rendering to Caesar etc). If you know me/us and weren’t invited to either that’s because essentially no one was. As my parents couldn’t attend (on account of being dead) I didn’t really see the point of a big party. That was perhaps selfish. We love you (probably) and will have some sort of to-do in 2024. 
Otherwise, I am still very much enjoying working for the new CREEM Magazine (please subscribe) and doing my newsletter (please subscribe). Musically, I lived vicariously through Zohra and the release of her first solo album. Murder In The Temple, with amazing production by Ben Greenberg and contributions by Lydia Lunch, is a synthesis of so many of Zohra’s obsessions. It’s unlike anything in the post-goth-dark-whatever sphere and I can’t express how proud I am of it and her. As for my music, I did some neat-o Scientists-esque stuff with Telematics (Sohrab Habibion, Robert Austin, and Alexis Fleisig) and Zohra and I did a Sheer Terror cover in the style of Tindersticks to commemorate Paul Bearer’s marriage. Also, I’m pretty sure my most successful band (Publicist UK) got dropped by our label (apparently taking eight years to finish a demo is a long time) so get at me if you have a low-to-mid tier label and want to put out an album of eight minute gothic metal songs with zero mosh parts, about an aging hipster loving his wife and cats and missing his dead mom and dad. C’mon, do it. You’d be printing money. 
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Jim Siegel
Vivid Oblivion
Records And Other Things I Liked In 2023
Lankum - False Lankum (Rough Trade)
Milford Graves with Arthur Doyle and Hugh Glover - Children Of The Forest (Black Editions Archive)
Nakibembe Embaire Group (Nyege Nyege Tapes)
Henning Christiansen - Mediterranean Music-Water (Holidays)
Alain Goraguer - La Planete Sauvage (Expanded) (Decca)
Phill Niblock - Boston III (Alga Marghen)
Sam McLoughlin & David Chatton Barker - The Heavenly Realms (Folklore Tapes)
Svitlana Nianio & Tom James Scott - Eye Of The Sea (Skire)
Half Mortal - Creature Of Christ (Hospital Productions)
Pharoah Sanders - Pharoah box (Luaka Bop)
Ragnar Johnson & Jessica Mayer - Spirit Cry Flutes And Bamboo Jews Harps From Papua New Guinea (Ideologic Organ)
PJ Harvey - I Inside The Old Year Dying (Partisan)
Jana Winderen - The Blue Beyond (Touch)
Rezzett - Meant Like This (The Trilogy Tapes)
Arsenije Jovanovic - Sailboat Galiola Nuria's Unfinished Logbook (Pentiments)
Only Voices Vol. 1 + 2 (DDS)
Wounded Son - Pain Is All I Have For You (Hospital Productions)
Various - Cease & Resist: Sonic Subversion & Anarcho Punk In The UK 1979-1986 (Optimo Music)
Umeko Ando - Upopo Sanke (Pingipung)
Philip Jeck & Chris Watson - Oxmardyke (Touch)
Lori Vambe - Space-Time Dreamtime: The Four Dimensional Music Of Lori Vambe (Strut)
Mozart Estate - Pop-Up! Ker-Ching! And The Possibilities Of Modern Shopping (West Midlands)
Sandwell District - Feed Forward box (The Point Of Departure)
Japan Blues - Japan Blues Meets The Dengie Hundred (DDS)
Various - A Web Of Braided Willow - The Folklore Of The Wickerman (Folklore Tapes)
Surgeon - Crash Recoil (Tresor)
Mark Glynne And Bart Zwier - Home Comfort (La Scie Doree)
Ariel Kalma - French Archives Vol. III 1964-89 (Black Sweat)
Marginal Consort - 06 06 16 (St Elisabeth Kirche, Berlin) (901 Editions)
Brendan Perry - Eye Of The Hunter / Live At The I.C.A (4AD)
The Complete Obscure Records Collection box (Dialogo)
Various - Avant Garde 21xCD Box (Deutsche Grammophon)
Bill Nace Live at Public Records, December 2023
The Elephant 6 Recording Co. Documentary
Squaring The Circle - The Story Of Hipgnosis 
Shame And Dignity with Stanley Schtinter and Sukhdev Sandhu at UnionDocs, NY November 2023
Godland, dir. Hlynur Palmason
Wawa Pretzel w/ Melted Cheese (Sandwich)
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Simon Karis
(CEO of Nice Music, recording artist)
Okay so fave releases of 2023
Absurd Cosmos Late Nite 'These Magic Clothes Don't Play Themselves' (Reseach Laboratories) Actress 'LXXXVIII' (Ninja Tune) Armand Hammer 'We Buy Diabetic Test Strips' (Fat Possum) Danny Brown 'Quaranta' (Warp) De-Bons-En-Pierre 'Card Short Of A Full Deck' (Dark Entries) Evian Christ 'Revanchist' (Warp) Eyes Of The Amaryllis 'Perceptible To Everyone' (Horn Of Plenty) Francis Plagne 'Into Closed Air' (Bison) Francis Plagne 'Udge' (Horn Of Plenty) Giuseppe Ielasi 'Down On Darkened Meetings' (Black Truffle) HHOST 'Windswept Italics' (Altered States Tapes) HHOST 'Veil' (Snail Editions) JPEGMAFIA & Danny Brown 'Scaring The Hoes' (no label) Kassell Jaeger 'Shifted In Dreams' (Shelter Press) Khanate 'To Be Cruel' (Sacred Bones) Klein 'Doubt'/'Normani's Torment'/'STORM' (no label) L'Rain 'I Killed Your Dog' (Mexican Summer) Land's Air 'Land's Air' (Tone List) Locust 'The First Cause' (Mysteries Of The Deep) Low Flung 'The Wheel' (Snail Editions) Matt Harkin 'The Door Knocker' (no label) Nick Ashwood 'Inside The Body Of A Wave' (no label) Nuno Loureiro 'Lua Onus' (Super Pang) Patten 'Mirage FM' (555-5555) Pissed Jeans 'No Convenient Apocalypse' (Sub Pop) Princess Nokia 'I Love You But This Is Goodbye' (Arista) Red Wine & Sugar 'Turkish Coffee & Twice Baked Potatoes' (Chocolate Monk) Rezzett 'Meant Like This' (The Trilogy Tapes) Richard Youngs 'Modern Sorrow' (Black Truffle) Rory J S 'P' (no label) Rrose 'Please Touch' (Eaux) Solo Andata 'Slip Casting' (12k) WPH 'III' (no label) 100 Gecs '10,000 Gecs' (Dog Show/Atlantic)
fave back catalogue listens that made sense in 2023 Armand Hammer & The Alchemist 'Haram' (Backwoodz Studioz) Beherit 'H418ov21.C' (Spinefarm) Bernard Parmegiani 'De Natura Sonorum' (INA-GRM) Bowery Electric 'Beat' (Kranky) Charalambides 'Exile' (Kranky) Def Leppard 'Hysteria' (Mercury) Elastica 'Elastica' (Deceptive/Geffen) Elucid 'I Told Bessie' (Backwoodz Studioz) Emptyset 'Demiurge' (Subtext) Emptyset 'Recur' (Raster-Noton) Hematic Sunsets 'Musik Aus Dem Aroma Club' (Klang Der Festung) Joey Beltram 'Classics' (R&S) Ka 'Languish Arts' (Iron Works) Kim Cascone 'Cathodeflower' (Ritornell) The Kinks 'Lola Vs Powerman And The Moneygoround Part One' (Reprise/Pye) Kreator 'Terrible Certainty' (Noise International) Lol Coxhill & Morgan Fisher 'Slow Music' (Pipe/Aguirre) Low 'Hey What' (Sub Pop) Marsfield 'The Towering Sky' (Faraway Press) Massive Attack 'Mezzanine' (Virgin) Matt Harkin 'Sanctuary 1, 2015-2016' (Hobbies Galore) Maurizio Bianchi 'Endometrio'  (no label/Dais) Moodymann 'Mahogany Brown' (Peacefrog) Moor Mother & billy woods 'Brass' (Backwoodz Studioz) Nearly God 'Nearly God'  (4th & Broadway) Nightcrawlers '2031 AD' (no label) Richard Youngs 'Beyond The Valley Of The Ultrahits' (Sonic Oyster) Rita Revell 'I Had A Very Bad Time!' (Happy Endin') Roc Marciano 'Reloaded' (Decon) Seine Trance-Parenz Fredi Alberti 'Klaenge Aus Dem Engelsraum (Die Verdunklung Der Sonne Und Des Mondes)' (Scribble Art) Simbiosi 'Elements' (Werkdiscs) Suede 'Dog Man Star' (Nude) Valerio Tricoli 'Say Goodbye To The Wind' (Shelter Press) 100 Gecs '1000 Gecs' (Dog Show)
fave melbourne/naarm restaurants in 2023
Khabbay (Indian/Pakistani, Carlton) Laksa Village (Malaysian/Chinese, Donvale) Cinger Biang Biang (Dolan/Uyghur/Chinese, Carlton) Lim Kopi (Malaysian, Naarm/Melbourne CBD) Raya (South East Asian desserts, Naarm/Melbourne CBD) Taste Hunan (Hunan/Sichuan/Chinese, Naarm/Melbourne, CBD) Laksa House (Malaysian, Naarm/Melbourne, CBD)
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Brendon Randall-Myers
(composer, Scarcity, Marateck, Glenn Branca Ensemble)
If 2022 was the Return of the Show and the Return of Travel, 2023 was about Building Stability (i.e. making my teaching studio a primary income source), Hunkering Down to Finish Two Albums, and Re-Learning How to Be a Human Being. I also played a bunch of cool shows with Dither (collabs w/ Carla Kilhlstedt, Lee Ranaldo/Brian Chase, Amirtha Kidambi, AJ Santillan, and Laurie Spiegel; playing Electric Counterpoint on GFA), a couple fun Scarcity shows (playing with Liturgy, improvising on graphic scores by Anthony Hawley) and did some performances with Whimbrels and Contemporaneous. 
These were albums I enjoyed (incessantly) at some point during 2023 that were mostly - but not exclusively - also released in 2023.
Agriculture - Agriculture Armand Hammer - We Buy Diabetic Test Strips Arnold Dreyblatt - Resolve Big Brave - Nature Morte Blackbraid - Blackbraid II Bummer - Dead Horse Caroline Polachek - Desire, I Want to Turn Into You goat (JP) - Joy in Fear Goldfeather - Change JPEGMAFIA & Danny Brown - SCARING THE HOES Jute Gyte - Unus Mundus Patet KEN Mode - VOID Killing Joke - Night Time Krallice - Mass Cathexis 2 - The Kinetic Infinite Model/Actriz - Dogsbody Modern Nature - How to Live  Nabihah Iqbal - Dreamer Neil Young - Greatest Hits Oren Ambarchi - Shebang Pink Pantheress - Heaven knows The Prodigy - The Fat of the Land  Rid Of Me - Traveling  Slowspin - Talisman Smashing Pumpkins - Siamese Dream Swans - The Beggar Trauma Bond - Winter’s Light  Tristan Kasten-Krause and Jessica Pavone - Images of One Victory Over the Sun - Dance You Monster To My Soft Song! Yaeji - With A Hammer
Here were some shows I attended:
Wolf Eyes + Raven Chacon @Union Pool Liturgy @TV Eye Gamelan Dharma Swara, Ridgewood Presbyterian Church Moor Mother @Merkin Hall Object Collection @The Brick Theater Spectral Wound @Saint Vitus Pyrrhon + Barrsheadahl @Saint Vitus The Smile @Forest Hills Stadium Krallice @Saint Vitus Mediaqueer @Windjammer Sarah Hennies + Tristan Kasten-Krause @Issue Project Room Peter and the Wolf @Guggenheim Model/Actriz @Music Hall of Williamsburg  
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Grace Bergere
(songwriter / singer / performer)
This year was full of firsts for me! 
Definitely the most musically eventful year of my life to date. I went on my first tour playing bass with my great friends in COP/OUT, supporting Days n' Daze (A band I'd been listening to for years as a young punk kid.)  I immediately realized touring is really all I want to do.  I also got to tour alongside Subhumans in Cop/Out. Meeting them and getting to know them was mind expanding.  They were all kind and humble thoughtful individuals, completely down to earth and engaged with everyone they spoke to. Every night across the midwest they brought the crowd to a cathartic screaming euphoric mess. Working with COP/OUT, whose message is so clear; to be good to each other, question everything even when it means swimming upstream with every bit of strength you have, filled me with hope.  Playing on that tour with them, and watching Subhumans every night reminded me the power of music to affect real social change which is something I believed to have been  lost in recent years.  I met my great friend Jessica Mills on that tour and we still talk all the time. 
I also started playing guitar in The Art Gray Noizz Quintet. One of my longtime favorite bands (that my very talented cool boyfriend happens to play bass in.) We went all across the West Coast, landing in Las Vegas. Playing with them has demanded I advance as a guitarist, stepping into Andrea Sicco's shoes. Andrea is a complete beast of a musician and all of his musical projects are awesome. Check out MOVIE MOVIE, his most recent project. 
I also joined Crazy And The Brains on second guitar. They’re a super fun high energy punk band. I love being around such positive fun loving musicians and watching them bounce around while I do my best to keep up. 
I recently finished recording my album at HOBO SOUND in Hoboken by James Frazee. The time and effort it took over the several years since I started, was at times grueling. But James never stopped caring or checked out. He helped me shape this album into something I am truly proud of, along with Richard Dev Greene, one of the first people to ever believe in my music. I am so grateful to both of them.
I started spending time with Victoria and Kay of Puzzled Panther. They quickly have become two of my best friends. It is so meaningful for me to have found such badass, driven young women to share a dream with. Puzzled Panther is raw and hypnotizing. They have a unique strong hold over their audience and every show of theirs I’ve been to has been fantastic.  Victoria has joined me a few times on a song at my shows, and every time I believe has been one of the strongest points in my set. 
I Met Eugene Hutz of Gogol Bordello (the first huge band I ever went to see as a young teenager.)  He will be releasing my upcoming single and video for “Come And Go”  on his label Casa Gogol Records in early 2024. 
I just played the biggest show I’ve ever played with my solo project that plays under my name.  We were on a bill with Gogol Bordello and JON SPENCER (Also one of my favorite artists.)  Being on that stage standing there in front of more people I’ve ever seen in an audience from that vantage point, I felt like every second of my life was leading to that moment. Each song brought me back to the time in my life when Id written it and it felt very much like watching my life projected in front of me. It was indescribably satisfying to be on that stage. Later, in the audience, I screamed along to Gogol and watched my mom dance to songs she'd heard me blasting through the house as a kid, and felt just as moved by them as I did as a young teenager the first time I saw them.
I am so grateful to be working with Eugene. He is kind and thoughtful in his feedback and hugely supportive of me and my dreams. 
I will be playing New Years Eve with the Art Gray Noizz Quintet before Kid Congo Powers and The Pink Monkey Birds !!
This last week I can honestly say, has been the best of my life to date. Like looking out over a valley after climbing for years.
BEST SHOWS
(other than the ones I was lucky enough to play at listed above) 
RICHARD DAWSON 
I got to see Richard Dawson three whole times!!! it was his first US appearance. He is a completely unique force. I’ve never seen such a captivated crowd. we all cried and screamed along with him. 
PIGS X 7 
One of those times he was playing with Pigs x7. They quickly became another favorite band of mine despite having severe technical difficulties. it was actually kind of a highlight because their front man just started joking around and had the entire audience laughing along with him and talking for about 10 minutes. I got to see them two other times that went perfectly. What a band.. 
JON SPENCER AND THE HIT MAKERS
I saw them at TV Eye. I had been able to squeeze myself into the DJ booth for their set. They hammered away into some kind of magical hypnosis that made me feel like I'd taken MDMA. (I had not.) I had to lean against a wall to keep my balance. They played with Licks, a badass 60s garage rock inspired band fronted by my friend Skunk. 
LYDIA LUNCH RETROVIRUS 
Also driving and hypnotic and loud as hell. I was left with a similar feeling of having been dosed with something at all of their shows…
JOSEPH KECKLER
The first time I saw Joseph perform was at TV eye with Lydia Lunch. He’s completely unique. He writes gorgeous songs that he sings in an incomprehensibly wide range, sometimes in languages that he has invented himself! His seamlessly mixes humor with honest beautiful songwriting.
SONGS I LISTENED TO A BILLION TIMES THIS YEAR. 
ART GRAY NOIZZ QUINTET- Lie Come True  JOSEPH KECKLER- The Ride JON SPENCER AND THE HIT MAKERS- Death Ray  GOGOL BORDELLO- Shot Of Solidaritine  PUZZLED PANTHER- Smoke And The Mirrors We Broke  PIGSX 7 - Reducer  ARCHERS OF LOAF- Banging On a Dead Drum 
OLDER HITS THAT WERE NEW TO ME
LAURIE ANDERSON- Poison  POISON GIRLS- Fear Of Freedom CULTURE SHOCK- Things To Do  CAPTAIN BEEFHEART- Tropical Hot Dog WARREN ZEVON- Desperados Under The Eves MINNIE RIPERTON- Les Fleurs  BOBBY GENTRY - Ode To Billy Joe TOWNES VAN ZANDT- Highway Kind
BOOKS 
Joseph Keckler-  Dragon at the edge of a flat world.  Mark Lanegan- Sing Backwards and Weep Miriam Toews- Fight Night
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Marc Urselli
producer / engineer / sound designer
I want to thank JG Thirlwell for inviting me to submit my 2023 Year in Review. I had never done one of these before and it's been a fun challenge to go through my calendar and social media to remember and realize how much I was able to pack into this year! Selecting and writing down all of these things also helped me further grasp and understand how tremendously privileged and lucky I am to be able to do what I love all year around, year after year, and to live my life to the fullest and according to my own wishes and my own design. I don't take this lightly and I don't take it for granted. I am very aware that it comes from hard work, limitless passion and unweavery dedication, not just luck and good fortune, but nevertheless I am grateful every single day for this life and for being healthy, being able to do all of this, and for all the people in my path who trust me, inspire me, support me, challenge me, and enlighten me!
STUDIO SESSIONS, ALBUMS & PRODUCTIONS When compiling this list, it really dawned on me how fortunate I am to be working with such incredible talents and how priviledged I am to be able to witness, participate and contribute to the creation of exceptional works such as the following:
Producing, Recording & Mixing sessions with David J of Bauhaus, Norwegian artist Ihsahn (of Emperor) & Toby Driver (of Kyao Dot), John Stanier (of Battles), Brian Chase (of Yeah Yeah Yeahs), Restless Spirit, Vicki Peterson (of the Bangles), John Cowsill (of the Cowsill Family and The Beach Boys touring band) and many others for my new RAMONES tribute album to come out next year on Magnetic Eye records
Producing, Recording and Mixing a cover of Soundgarden's song "4th of July" with my doom metal / throat singing project SteppenDoom for the Magnetic Eye album "Soundgarden (Redux) and featuring Matt Cameron of Soundgarden themselves on drums
seeing the release of Brian Carpenter's "Ghost Train Orchestra & Kronos Quartet - The Music of Moondog" album featuring Kronos Quartet (which I recorded at EastSide Sound) and many other amazing guest artists
Producing, Recording, Mixing, and Mastering a live album by Brazilian artists Zé Ibarra, Dora Morelenbaum and Julia Mestre of Bala Desejo for Glasshaus Presents & Tower Records
Mixing new albums by Glenn Max Vanderwolf (produced by Dennis Martin), by Bloodmist (Toby Driver, Mario Diaz De Leon, Jeremiah Cymermann), and by Ikue Mori & Zeena Parkins at EastSide Sound fully utilizing the analog console and the analog outboard gear (something nowadays is more and more rare)
Recording & Mixing 6 new albums by John Zorn this year alone, which brings my total JZ count to over 120 albums, and which as of this year can finally be heard on streaming platforms as well!
Recording and Producing a new album by Marco Cappelli's Italian-inspired band IDR at EastSide Sound in NYC and then going to Rome, Italy to overdub trombone and vocals with famed contemporary Neapolitan singer Raiz
Producing, Recording, Mixing, and Mastering 2 new albums by incognito jazz / blues artist Russell Orr with legendary Brian Marsella & Brian Mitchell on keys, respectively
Recording, Mixing, and Mastering two new albums by Jessica Pavone and her trio
Producing, Recording, Mixing and Mastering a "We Are the World"-type track for NYC Mayor's Office of Immigrant Affairs with a song composed by Captain Beefheart / Jeff Buckley's guitarist Gary Lucas and 10 other musicians from various parts of the world playing their local instruments and singing in their mother's tongue
Recording and Mixing the new album by Italian singer/songwriter Beppe Voltarelli, produced by Simone Giuliani, which took second place in Italy's Premio Tenco
Recording a new film score by composer Billy Martin (of Medeski, Martin & Wood) and arranged by Simon Hanes (of Tredici Bacci)
Producing, Recording, Mixing, and Mastering contemporary classical music sessions commissioned by Miller Theater and Columbia University with artists such as Laura Barger & Julia Den Boer, Miguel Zenon, Matt Mitchell & Miles Okazaki, Russell Greenberg & Vicky Chow
Recording new albums by contemporary classical/jazz musicians such as Miles Okazaki, Brian Drye, Anna Webber & Matt Mitchell and others Recording new albums by amazing Latin Jazz artists such as Gili Lopes, Homan Alvarez, Rodrigo Recabarren, Benjamin Furman
seeing the HBO release of John Lurie’s “Painting with John” new season where all the music was recorded & mixed by me and seeing my face briefly on TV
recording in an old church in Italy with Adriano Viterbini and Vincenzo Vasi for a project that will come out sometimes next year hopefully 
SOUND DESIGN GIGS & LIVE SOUND MIXING GIGS Similarly to the list above, I am eternally greatful for the fact that all these wonderfully talented people trust me with designing, mixing and amplifying their sound so that the rest of the world can truly and fully experience their art in the most complete, sonically articulated, detailed and full spectrum way there is! Some of these highlights include:
Mixing a 90-piece orchestra + 90-piece choir playing the score to Stanley Kubrick "2001: A Space Odyssey" live-to-picture  conducted by Brad Lubman in the Auditorio Nacional of Mexico City to a sold-out crowd of 10'000 people 
Mixing the Grammy Award Premiere Ceremony in Los Angeles and being there to amplify and mix the immensely talented house band led by Cheche Alara and the performances by musicians such as Samara Joy, Anoushka Shankar, Arooj Aftab and more…
Mixing the Robbie Robertson tribute concert & memorial organized by Martin Scorsese at Village Studios in Los Angeles with artists such as Jackson Browne, Jason Isbell, Rocco DeLuca, Citizen Cope, Angela McCluskey, Blake Mills and Jim Keltner
Mixing the National Christmas Tree Lighting Ceremony concert at the White House with artists such as Dionne Warwick, Samara Joy, Joe Walsh of the Eagles, St. Vincent and others.
Sound Designing and Mixing the world premiere of "Perle Noire: Meditations for Joséphine" at the DNO Dutch National Opera House in Amsterdam, a beautiful performance/concert/opera directed by Peter Sellars, composed by Tyshawn Sorey and performed by Tyshawn Sorey and ICE International Contemporary Ensemble with soprano Julia Bullock
One of my sound design pieces inspired by Icelandic nature sounds and folklore was presented at the "Le Son 7" Art Gallery in Madrid between the 3rd and the 13th of May 2023, after it was presented the year before in London and will be presented in January 2024 in New York
mixing 12 shows by John Zorn in 2 days at Big Ears Festival in Knoxville TN
mixing more shows by John Zorn to celebrate his 70th birthday in places like Walker Art Center in Minneapolis, Miller Theater in New York, Reggio Emilia and Modena in Italy, Philharmonie in Paris, November Music Festival in Den Bosch Netherlands and Mexico City
Mixing Brian Carpenter's Ghost Train Orchestra live at Roulette with special guests David Byrne, Karen Mantler, Joan As Policewoman AND doing so right after I mixed another matinee gig earlier in the day with the New York Choral Society
working sound for the Met Gala at the Metropolitan Museum of Art with musical guests Lizzo and David Byrne
Mixing Claudia Acuna at Lincoln Center
mixing Idina Menzel's performance in Trafalgar Square in London for Gay Pride 2023
playing keys (something I almost never ever do!) for Japanese electronic artist Coppé's first-ever performance in Italy
mixing my first ever K-pop gig in Times Square NY
teaching Mixing Workshops at SAE in Mexico City and MOB Studios in Rome, Italy
RECORDS In no particular order, here are some of my favorite records of 2023 that I was not involved with but I wish I had been ;-)
Anohni and the Johnsons "My Back Was a Bridge for you to Cross"
Lil Yachty "Let's Start Here"
Boygenius "The Record"
Ryuichi Sakamoto "12"
Jaimie Branch "Fly or Die Fly or Die Fly or Die ((World War))"
Arooj Aftab / Vijay Iyer / Shahzad Ismaily "Love in Exile"
Peter Gabriel "I/O"
Hania Rani "Ghosts"
Meshell Ndegeocello "The Omnichord Real Book"
Bill Frisell "Four" - Ambrose Akinmusire, Bill Frisell, Herlin Riley "Owl song"
Porcupine Tree "Closure / Continuation"
Dr. John "The Brightest Smile in Town"
Spencer Zahn "Statues II"
Meshuggah "Chaosphere 25th anniversary 2023 Remastered edition"
Ennio Morricone "Segreto Songbook 1962-1973"
Sin Fang, Kjartan Holm "Angakok"
MUSIC SHOWS It's always hard for me to recount the shows I've seen because I usually see about 300-500 shows every year. LPR (Le Poisson Rouge) definitely shines through as my favorite venue and the one I've visited most often! Here are some of the highlights of 2023:
Spotlights, Imperial Triumphant, Puzzled Panthers at Saint Vitus
"La Splendida", a heavy metal opera by Laurent David & Kilter at Culture Lab LIC
Exotech 3 times, at Public Records, Mark Morris Dance Theater and at LPR
Tredici Bacci at least 2-3 times, one of which at Sultan Room
John Cale at Paradiso, Amsterdam
Plini at Melkweg, Amsterdam
Mary Halvorson Quintet at Bimhuis, Amsterdam
Thurston Moore at OCCII, Amsterdam
Jeff Goldblum at Town Hall
Xylorius White at LPR
Hal Willner's Amarcord tribute concert at Roulette
Snarky Puppy at Beacon Theater
Tim Bernardes at LPR
Groa at Taste of Iceland showcase at Pianos
JG Thirlwell & Mivos Quartet at National Sawdust
Bloodywood at Irving Plaza
Hermeto Pascoal twice, at Pioneer Works and LPR
Sexmob at Fotografiska
Grace Jones at Hammerstein Ballroom
Lisa Fisher at Blue Note
Iggy Pop and Debbie Harry / Blondie, London
Laurie Anderson & SexMob Let X=X at Barbican in London and BAM in Brooklyn - The Cult at MEDIMEX festival in Taranto, Italy - Tom Morello at MEDIMEX festival in Taranto, Italy
Emperor at Kings Theater
Ibrahim Malouff at Drom - Elan Mehler & Dave Douglas at Fotografiska
The Misfits at Prudential Center - Oumou Sangare at Brooklyn Bandshell
Red Fang at Gramercy Theater
The Eagles & Steely Dan at MSG - Tammy Faye Starlight at Joe's Pub
Julian Lage at Village Vanguard - Mdou Moctar at Summerstage
Makaya McCraven at Locus Festival, in Locorotondo Italy
Fatoumata Diawara at Locus Festival, in Locorotondo Italy
Sisters of Mercy at Cinzella Festival, in Grottaglie Italy
SunRa Arkestra at Locus Festival, in Locorotondo Italy
Robert Plant at Locus Festival, in Bari Italy
Mr. Bungle at Terminal 5
Melvins, Boris and all the other amazing bands at Desert Fest at Knockdown Center
Front Line Assembly at LPR
Peter Gabriel at MSG
Empire State Bastard at LPR & St Vitus
Cavalera Conspiracy at Irving Plaza
Swans at Music Hall of Williamsburg - Steven Bernstein w/ Millennial Territory at Dizzy's
Nick Cave & Jonny Greenwood  3 times, twice at Beacon Theater and once at Kings Theater
The Mission at LPR - Titan to Tychons at NuBlu
Dresden Dolls at Bowery Ballroom
Robert Glasper's Art Blakey tribute at Blue Note - Puzzled Panthers at Bowery Electric
Ghost Train Orchestra at Roulette
Arthur Brown in London
The Mongol Khan theater production at the Coliseum in London 
8 Bit Big Band at Sony Hall
Bud Spencer Blues Explosion at Monk in Rome Italy
plus all the amazing artists I can't recall individually that I have seen at Winter Jazz Festival, Long Play Festival and Big Ears Festival
BOOKS I am sadly a slow reader and my pile of books on my bedside table is always bigger than the time awake I have when I finally do get to bed, but here are some I have read, or started to read or am planning on starting to read:
Kid Congo Powers "Some New Kind Of Kick"
Nick Cave & Seán O'Hagan "Faith, Hope and Carnage"
Warren Ellis "Nina Simone's Gum"
Rick Rubin "The Creative Act: A Way of Being"
Quincy Jones "12 Notes: On Life and Creativity"
Quincy Trouple "Miles & Me"
MUSEUMS I try to visit museums in every city I go to, whether I am on tour, working, traveling for pleasure or whatever the reason is… Art is my passion, my love and a way of life…
Museu Picasso, Barcelona, Spain
Fundcaio Joan Miró, Barcelona, Spain
The Salvador Dali Theater and Museum, Figueres, Spain
Salvador Dalí House / Fundació Gala, Cadaqués, Port Lligat, Spain
Park Gúell, Barcelona, Spain
Moco Museum, Barcelona, Spain
Sagrada Familia, Barcelona, Spain
Vermeer Exhibit, Rijksmuseum, Amsterdam, Netherlands
Moco Museum, Amsterdam, Netherlands
Rijksmuseum, Amsterdam, Netherlands
Amsterdam Museum, Amsterdam, Netherlands
Stedelijk Museum, Amsterdam, Netherlands
Van Gogh Museum, Amsterdam, Netherlands
Art on Paper, New York
Frieze, New York
Karl Lagerfled "A Line of Beauty", Metropolitan Museum of Art, NY
Yayoi Kusama "Infinity Mirror Rooms", Tate Modern, London, UK
Frida Kahlo & Diego Riviera House & Studio, Mexico City
Palacio De Bellas Artes, Mexico City
Museo Jumex, Mexico City
Museo Tamayo Arte Contemporanea, Mexico City
Paul Gugelmann "Poetic Machines", Aarau, Switzerland
MOVIES There are soooo many movies I still want to / need to see… I love movies but I prioritize work and live music in my life and I will only watch movies on planes, on (very very) rainy days or those rare times when I don't have a concert on my calendar, so here are a few of those rainy/non-concert films, in no particular order:
Killers of the Flower Moon (for the story, the acting and the soundtrack)
Equalizer 3 (because aside from its Hollywood-ish story and ending, it's a realistic look at how organized crime works in Italy)
Little Richard: I am Everything (for his story, his character, his music and his courage!)
Psychedelicized: The Electric Circus Stroy (for the amazing portrait of a time that's past but that changed NYC forever!)
American Symphony (for the amazing story, talent, spirit and courage of Jon Batiste)
32 Sounds (because my life is about sound…)
Hallelujah: Leonard Cohen, A Journey, A Song (because Leonard was an amazing artist and songwriter and singer and so many friends are in this movie)
Oppenheimer (because that history is so complex and so divided as the country in which it took place)
TRAVEL Travel is the richess of life! I travel SO MUCH that I am on a plane AT LEAST once a month and usually it is to an international location… This year was no different, so I've decided to only list 12 trips for this section:
January: Ringing in the year in a medieval tower in Barcelona and spending the first 4 days of the new year trying all the tapas bars, restaurants, food stands this beautiful city has to offer and seing the Sagrada Familia cathedral for the 3rd time in my life
February: Living in Amsterdam for 3 weeks visiting all the musuems, all the music venues and all the while working at the Dutch National Opera with some amazing folks (see list above)
March: Snowboarding the Swiss and the French alps
April: Visiting Knoxville Tennessee for Big Ears (easily the best independent music festival in the US!!!) for the 2nd time in 2 years, and hopefully the beginning of many more visits in the future!
May: Spending time in sunny Los Angeles and plotting a way to spend more time there and make music
June: Visiting London twice in one month to work and see amazing music shows, theater shows and art exhibits
July: coming back from London on July 6th only to realize that strangely there is no travel for the rest of this month! So weird and unusual!
August: Spending the month in Puglia, Southern Italy eating good food, kitesurfing in the Adriatic and Ionium sea, seeing tons of concerts and playing one myself!
September: arriving in Mexico City and getting my very own police escort motorcade to make it in time from the airport to the theater
October: On tour with John Zorn in Italy, France and the Netherlands
November: Flying to Los Angeles with a 36 hour notice for a concert I was hired for in secrecy having been told "we need a mixing engineer who can mix music for a room full of musicians" and showing up for the Robbie Robertson tribute orgnaized by Martin Scorsese with people like Joni Mitchell and Leonardo DiCaprio in attendance
December: DC-to-DF aka flying to Washgington DC to work at the White House and then flying straight to Mexico City I've finished the year with travel to my motherland of Switzerland, my fatherland of Italy and my second home of London UK!
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DJ Food aka Kevin Foakes
Music: Kosmischer Laufer - Volume 5 LP (UCR) Soia, Julien Sénélas, Jérôme Vassereau - In C for 11 Oscillators and 53 Forms LP (unjenesaisquoi) Cate Brooks - Tapeworks DL (Cafe Kaput) Memorials - Music For Film: Tramps! LP (State 51 Conspiracy) King Gizzard & The Lizard Wizard - PetroDragonic Apocalypse… LP (Album of the year) Brian Eno - The Lighthouse radio station (Sonos) (most listened to) Niholoxica - Source of Denial LP (Crammed Discs) SareemOne - Olivine Window Coast Contra - Breathe & Stop Freestyle/Never Freestyle/Scenario Freestyle Move78 - Grains LP Heiroglyphic Being - The Moon Dance LP (Apnea) Raj Pannu - Past Crimes EP 12" (To Pikap Records) Gordon Chapman-Fox - The Nine Travellers LP (Castles In Space Subscription Library)
Gigs / Events: Beyond The Streets exhibition @Saatchi gallery, London Sunroof / Finlay Shakespeare @iklectik, London The Light Surgeons - The Consensual Hallucination @iklectik, London Memorials at the State 51 Summer Psych party @State 51, London FogFest2 @iklectik, London JG Thirlwell & Ensemble @Bush Hall, London Machina Bristronica, Bristol Visiting Peel Acres with Eilon Paz for Dust & Grooves Nihiloxia @the Jazz Cafe, London
Design / Packaging: Yves Malone - A Hello To A Goodbye LP (Castles In Space) Drumetrics - Phuzzle (Drumetrics) Waclaw Zimpel - Train Spotter LP (State 51) David Boulter - Factory 3" CD (Clay Pipe Music) Fluctuosa - Wetware EP 12" (Analogical Force) Fluxus - Orbit & Shine LP (Castles In Space) Floating Points - Birth4000 12" (Ninja Tune) Cate Brooks - Easel Studies LP + badge (Clay Pipe Music) Brian Eno - Top Boy OST CD (Beatink)
Books / Magazines / Comics: Medical Grade Music - Steve Davis & Kavis Torabi (White Rabbit) Doctor Strange - Fall Sunrise - Tradd & Heather Moore (Marvel) Tales To Enlighten - The New Testament - Matt King and James Edward Clark Pop - Milton Glaser (Phaidon) Kevin O'Neill Apex Edition (2000AD) Mark Stafford - Salmonella Smorgasbord (Soaring Penguin Press) Savage Impressions - Bruce Lichen (Independent Project Records) Hexagon Bridge - Richard Blake (Image) Monica - Daniel Clowes (Fantagraphics) Acid Valley - Luke Insect Petrol Head - Rob Williams & Pye Parr (Image) Lawless - Dan Abnett & Phil Winslade (Rebellion) Giant Robot Hellboy - Mignola/Fegredo (Dark Horse) Facelss & The Family - Matt Lesniewski (Oni Press)
Films: Barbie Squaring The Circle : The Story of Hipgnosis
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hetaoren · 1 year ago
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After seeing screenshots from LXC and LQR having tea and tags wondering what room that is, if it's the Hanshi (aka LXC house/room), but it's not, it's a room/building called song feng shui yue, I went into a bit of an obsession to find out what that building might be. If it's possible that it's LQR's place of living. I found this post, which is great (some really amazing drawings there, guys), but what 'annoys' me a little is that they call it Hanshi/Yashi but never mentions the name song feng shui yue, even though it's right there, even in their drawings. Yashi is on another sign, but there's never any sign that says Hanshi, so it doesn't seem like it's actually LXC's place of living. The place does have a bed though, so I think it might maybe be where LQR sleeps.
(TL;DR at the bottom.)
Let's dive into this now. Starting with the name of the place:
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松風水月 - sōng fēng shuǐ yuè (it's read right to left)
松 - loose; to loosen; to relax; floss (dry, fluffy food product made from shredded, seasoned meat or fish, used as a topping or filling); pine; 風 - wind; news; style; custom; manner; 水 - water; river; liquid; beverage; additional charges or income; (of clothes) classifier for number of washes 月 - moon; month; monthly
This might come from a poem or similar, since that seems to be a Gusu Lan thing. I'm not Chinese and I couldn't find anything with these words or signs in them when I searched.
Edit: I've now found stuff and it is indeed from a poem/verse written by Emperor Taizong of Tang. This also means the characters are meant to be read as one on one and not together as the dictionary told me, aka be read as feng + shui, not feng shui (which I did find a little weird, but I rather trust a Chinese dictionary than my very low knowledge of Chinese, especially since I know that feng shui is more than just how to place your furnitures).
"As clear as the pine breeze, as bright and clear as the moon in the water. It means a noble character."
It also seem to be a part of the Yashi, since it says Yashi ( 雅室 ) (once again read right to left) by the door that leads to the walkway/courtyard where song feng shui yue is, as seen in ep 6. (I think it's possible Yashi is the collective name of several buildings/rooms belonging to the main Lan family.)
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Now to analyse what can be seen in different episodes, mainly ep. 7.
Firstly, the building seems to be the entrance/reception hall with the "high seat" at the end and then a room to the right and one to the left.
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To the right is where we see Qiren and Xichen having tea at least twice (and I think Xichen sees Guangyao there too later on). This part of the building is seen from several angles and quite well. Nothing is really hidden here and seems to be a table for 2-3 people.
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The room to the left is not seen much at all. As far as I've found, it's best seen when Jin Guangshan is there and we can see if behind him. There you can see a bed and a guqin. I'm quite certain that's not Wangji's guqin, it could possibly be Xichen's, but it could also be Qiren's. In any case, it's there and so is the bed, so someone sleeps there regularly and my bet is that it's Lan Qiren. Because if this truly was the Hanshi, why doesn't the sign in the front says that instead of song feng shui yue?
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Another reason I believe this might be Qiren's living area is because we get to see Xichen talk to Wen Chao, but that is not in this building. It might seem like it, but unless they've changed interior and moved around furniture etc, it's a different place. I believe Xichen talks to Wen Chao in the Hanshi aka his home (especially considering the bamboo you can see behind him, even if it's just a bamboo motif + there's a bed in the background too).
This is where Xichen sees Wen Chao:
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Not the same as song feng shui yue:
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TL;DR: song feng shui yue where we see LQR & LXC have tea and LQR meet with JFM & JGS is possibly LQR's place of living and seems to be a part of the Yashi. Hanshi seems to be elsewhere (although could still be a part of Yashi).
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My craziest theory is that JGY survived in The Untamed.
First of all, CQL and MDZS could be considered entirely separate canons. There are countless differences between the two.
Secondly, when WWX saw the curse marks, at first he thought publicly humiliating the Mo family would be enough to fulfill MXY's wish (even though MXY told him to "kill them all"). So, I assume killing the target isn't the only thing that can make the cuts disappear, MXY just wanted specifically the Mo family to die.
Then there's the question of why MXY even included JGY in the list. Yes, JGY kicked him out but QS's reaction when he sees "MXY" is out of line with WWX's theory and we already know QS isn't easy to gaslight. Also, how would MXY find out about QS being JGS's daughter? Only 3 people knew about it, Madam Qin wouldn't tell him and neither would JGY. MXY couldn't tell QS about it without QS thinking he was harassing her and that makes it seem like JGY knew about MXY finding out the truth pretty much from the start. Given that JGY didn't know the letter sender's identity and Bicao was still working for QS by the time of the banquet in ep. 40, I think it's safe to say MXY didn't find out about it from Bicao either. NHS is a bit of a wild card because I'm not even sure he knew about JGY killing NMJ before jGY kicked MXY out, let alone if he found out about the incest and told MXY about it (and how would JGY know too?).
This leads me to believe that WWX's theory about the whole thing was false and MXY really harassed QS. JGY kicking him out would be understandable and MXY's resentment towards JGY was enough to make a cut for him (possibly with some manipulation from NHS too) but not enough to demand JGY's death.
Finally, unlike in the novel, JGY didn't get stuck in the coffin with NMJ. The last shot we saw with JGY was him running somewhere. Hat would be a very pointless thing to show if he really died. We're also not told anything about the cultivators finding his body and the temple didn't even collapse fully. WWX noticed the curse mark disappearing but what if destroying JGY's life (his reputation and everything he loved) was enough for MXY?
TLDR: JGY is living his best life in CQL canon.
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bipirate · 2 years ago
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hel-lo111 · 1 month ago
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🔺Are you a human that got digitized somehow? Um, is there anything we can do to help or make you more comfortable?
I think
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and I be
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not sure
if there
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com fort
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tho ugh
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people
^^
I gues
s that
makes
me com
fort a
ble !
^^
so ke ep
sending
things !
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.-|=====-.
| | MAIL |
|________|___
||
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|| www %%%
vwv || )_(,;;;, ,;,\_/ www
)_( || \|/ \_/ )_(\| (_)
\| \ || /\\|/ |/ \| \|// |
___\|//jgs||//_\V/_\|//_______\\|//V/\\|/__
// not doing the ratings. It is complicated
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postsofbabel · 3 months ago
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lamyaasfaraini · 8 months ago
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Akhirnya ngejer sampe ep 4 haha. Tunayt ya ep 5 tp spoiler dah dimana2~ udah lama ngga nonton drakor on going, beginilah kudu sabar sminggu sekali.
Romcom selalu jadi andalanku sih, penyegar kalo abis nonton genre thriller dan yg berat2. Kebetulan ttg marriage life jg yah.. Memang ya begitulah ups and down nya pernikahan, yang asalnya klean saling tergila2 bisa bgt jadi patiis2 malah ilang feeling dan sparks nya, mungkin bisa aja saling benci yah. Dan mreka baru 3 tahun udah ilang sparks vroohhhh..
Senengnya liat mreka bisa saling mengusahakan untuk bertahan sih, wlpn cara bertahan mreka yg didramatisir ala2 drakor bgt lah yaa wkwk. Seneng liat tiba2 pasutrinya timbul lg rasa "deg2an" atau mungkin saling jatuh cinta lg~ oemjeehh unyu unyuuu yah. Ngerti bgt lah rasanya aku pribadi sbg seorang istri yg jg mengalami segala rasa itu, kadang cintaaaa bgt kadang idih ko begini pasti sih pastinya suamiku pun jg sama yah wkwkwk.
Semoga drama ini berakhir happy ending please~
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zippverschluss · 1 year ago
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ep 9 notes
haven't checked the tag yet, need to sort through / document my thoughts first.
i'm a bit... disappointed, i guess? but i think that's owed to my expectations. after a week of collective theorizing i was (not so) secretly hoping for a sauruman VS gandalf style face off and so what we got felt a bit... pedestrian?
so i guess the gardener did hurt him after all, just not the 'shears-in-your-body' kind of inury? i honestly thought he'd stick to stalking.
speaking of which, i'll be disappointed if it's really garden dude using nayeon and not the other way round. nayeon being skilled in black magic and just using / playing men left and right to reach her own various ends and satisfy her needs would have elevated the character immensely. feels a bit disrespectful tbh.
speaking of disrespect, i suspected as much, but still... how can they have the mother not know? like honestly? how can her asshole husband tell the woman his son just broke up with about the illness but not his wife? i reeeaaally want hj to hex him... like, make him step on a lego everyday of his life. or have shampoo get into his eyes. something like that.
back in ep. 3 when sy saw hj in the dress and just last episode, we focused on his right hand. same happend during the proposal scene in ep. 5 and yesterday in the hospital with nayeon. i guess that holds significance?
were sy and ny ever intimate with each other?
i liked how they filmed the nightmare hj had.
also, how ambigious jg still feels. though i'm leaning towards ally who hasn't realized yet that he missed his shot. (also, does jg know the mayor is dirty? the mayor is dirty, right? playing footsie with the haum ceo? is that why he poached sy? to take on the mayor? and if he doesn't know, doesn't that just really undercut his character?)
did garden dude hit sy with some magic to make him black out? did that magic bring back his past memories? i thought he remembered when he woke up in the hospital.
but then i really don't understand the artistic decision process behind the scene in front of the hospital. that scene made (makes) me think i must be mistaken? how can he remember loving / killing her 300 years ago and the first thing he asks about is the in house messenger? (yeah, i know, he wanted her to go back on her word...) but even if he wanted to not let on, where were the longing / pining / loving eyes from last episode? the whole thing just felt very bland and weird.
also, poor rowoon. they obvs. didn't find hospital pants long enoug for him.
also, pls. don't push sick / hospitalized people. you don't know what tubes / needles they have sticking in or out of them. drama writers, find other ways to initiate physical touch. (just as lazy as drunk alley dude in ep 2).
i cared about ma and go for the first time. that scene was funny. i don't appreciate that once again show insinuates that a man is needed to keep a home in order, but since ma is freshly divorced it is plausible. for a moment i thought he was gonna choke her out or pass out himself. lol
also, re the hug, 'what kind of man asks that beforehand?'. the kind that respects boundaries and gives you the chance to say no? uncool ma, uncool show.
i guess no tentative friendships at work, but passive-aggressiveness?
loved the fireworks and the traditional music. was my favourite part of the episode. that slapped. wished they would have kept that music for the romantic scene.
there's still the option that him wholeheartedly embracing his feelings for hj brought upon the past memories. in which case that must be one long-ass hug. still, i'd prefer that scenario over the hospital-dream one. embracing his feelings because he remembers cheapens it a bit imo. its prob. the latter though seeing how he asked his mom about past lives.
his parents' bickering is getting on my nerves.
this episode felt really disjointed. i understand the cuts / edits were to not reveal too much, but at this point i'm just really annoyed by it.
for that reason bridge scene didn't have the impact it prob. should have had since i wasn't really sure what was going on?
spell scene too short, dress not as strange / pretty. but loved the music. also, what spell did she use? seduction?
i liked the child actors surprisingly much. i liked it even more that already as a child she had shaman capabilities.
i know tall people fall in love too, but man those hugs looked uncomfortable.
there's many other thoughts in my head but lastly: i guess only him remembers the past out of the two of them. i don't like that. at all. after 8 episodes it finally felt like they were on somewhat even footing when it came to knowledge about magic, spells, curses.... having only him remember once again means he knows more and is the proactive one, whereas she is only reacting and being driven by him. (but, if only him remembers, how can we as an audience see the things that only she can know? being brought to the shaman as a child? her premunition of the bloody hand?)
on that note, i hope the next kiss is initiated by hj. would be nice to see her express her desires / feelings. 3 kisses in and it's always him planting one on her. reciprocity is hot!! gimme gimme gimme!
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marymoss1971 · 1 year ago
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Star Trek: Lower Decks eps 4.1 & 4.2
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Twovix
This was surprising. Of course, I knew it’d be a callback to Tuvix, but this episode went all-in on the premise. LOL, They even acknowledged that Janeway’s solution was, uh, controversial. I did feel sorry for the curator—he worked so diligently at making Voyager a museum, then it all goes to hell when the Cerritos arrives. Speaking of which, it was odd when all the holograms spilled into the ship. It was even odder that they had the mind-clown since he wasn’t actually a hologram, nor was he created on Voyager. My guess is the curator took some liberties and created the hologram based on the logs.
Speaking of which, apparently the curator decided to create the salamaders also. For years, I tried to pretend that the whole Threshold debacle just wasn’t commented on. Yes, it happened but no one likes to talk or think about it. Apparently, I’m wrong there.
Oh, and I’m imagining Admiral Janeway shaking her head and rolling her eyes when she reads this mission report. LOL
My favorite quotes were Mariner geeking out over Voyager and Boimler’s “but things always go sideways” (because, they do)
The gang (minus Rutherford) earned promotions! Yay!! A part of me really hopes that Ensign Casey did not get promoted—because I want to see his face when our Lt. (jg)’s start giving him orders.
I Have No Bones Yet I Must Flee
I HATED the Mariner story here. Her being insubordinate as a way to get demoted on her own terms was just painful to watch. Huge kudos to Ramson for seeing through it and being patient because she would’ve really deserved being demoted.
Moopsy—Amazing something so cute can stay cute even when it’s deadly. Speaking of which, I don’t understand the logic in releasing him—they’re just putting themselves at risk.
Poor Boimler! As soon as he walked into his quarters, I thought “There has to be a way to dim the viewscreen.” and I was right! Also, I know it was done for laughs, it’s really hard to believe that holodecks aren’t soundproof.
It’s strange that while there was a ceremony where the first officer placed the pips on officers, Billups can do it in engineering himself.
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llycaons · 1 year ago
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ep27 (1/3) : it's not that jgs is a master manipulator, it's all these people are just so easy to manipulate
honestly these in-between episodes are not my favorite, but what can ya do <- written before I watched the episode and I completely did a 180. I LOVE eps where all they do is talk. get that juicy drama and characterization out there into the world. BUT FIRST
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ICONIC ROMANTIC LINE FROM THE WORLD"S GOTHEST MAN
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SINGLE TEAR OF REGRET AND LONGING
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DRAMATICALLY STANDING IN THE RAIN FOR WHEN A REALLY RESERVED GUY JUST NEEDS TO BE INSANE FOR A BIT
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this line makes me insaannee it gives him nightmares postres stil 'I'm friends with it' ITS HURTING YOU
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oh shit lqr hasn't left CR in that long?
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jc does try to stand up and apologize for, then defend wwx's actions.
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and so does lxc! a tiny bit of respect for him once more
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nie mingjue fans I hope you know your guy advocates openly for war crimes. not living him this rewatch. in fact I find his reputation for justice pretty galling at this point
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i never cared about this before but that's sect leader ouyang. whose son will become one of wen yuan's best friends, who will defend him and care for him and fight by his side, who will advocate for wen ning and choose to stay with wwx instead of returning to his own father. this sect leader calls for the murders of wen yuan and his entire family, and 20 years later his son is one of that boy's best friends. might be getting emotional over ouyang zizhen for the first time...ever? it's the close read. I didn't dislike him, it's just the juniors are all best as symbols. only jin ling is much more than that
...really does make me wish the blood pool scene was in this show. fuck, what a moment. watch the donghua if only for that
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oh, dastardly. he pretends to not care and play the forgiving patriarch and people naturally jump in to defend him and vilify wwx anyway. he pretends to care about jc as a sect leader but he really plants doubt and feeds off insecurities to push jc in the right direction. he was how jc grew up, he knows him. jc isn't that hard to manipulate, unfortunately. but this is vile
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and now he's blatantly lying about things wwx said, and people are agreeing with him because they're eager to hop onto a scapegoat and they want to be one with the group, and jc is clearly believing it bc he doesn't trust wwx again and maybe never did, and lwj is the only one to go um? no?
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yeah we know they're buds but this is one of the few times a stranger has recognized their closeness, and the fact that everyone knows about it. very different from the novel obviously, where tales of lwj hating and pursuing wwx were legendary and fed a lot into the miscommunication
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uh oh. that means his actions are under suspicion too. not much lwj can say here without being undermined
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ik I said earlier that wyb is too reserved sometimes? this isn't one of them. he's so angry here he looks about to cry, or throw up, or something. it's in the throat, and the mouth mostly. really good expression here
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OH I SAW THIS TRANSLATION AGES AGO. LMAO
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MIANMIAN YOU GO GIRL!!! xizun is so offended to have someone disagree with him. someone from his own sect! who should be parroting his words!
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GIRL. ITS A LOST CAUSE BUT I LOVE YOU FOR TRYING
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agox · 2 years ago
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Last night I got high and wrote a program to find all of the unused elemental symbols. It turns out there’s 585 of them and it’s much less interesting the next day.
One interesting finding: I couldn’t be bothered to generate all possible one and two letter strings, so I asked ChatGPT to write me code that would do all that for me. It worked surprisingly well!
['a', 'd', 'e', 'g', 'h', 'j', 'l', 'm', 'q', 'r', 't', 'x', 'z', 'aa', 'ab', 'ad', 'ae', 'af', 'ah', 'ai', 'aj', 'ak', 'an', 'ao', 'ap', 'aq', 'av', 'aw', 'ax', 'ay', 'az', 'bb', 'bc', 'bd', 'bf', 'bg', 'bj', 'bl', 'bm', 'bn', 'bo', 'bp', 'bq', 'bs', 'bt', 'bu', 'bv', 'bw', 'bx', 'by', 'bz', 'cb', 'cc', 'cg', 'ch', 'ci', 'cj', 'ck', 'cp', 'cq', 'ct', 'cv', 'cw', 'cx', 'cy', 'cz', 'da', 'dc', 'dd', 'de', 'df', 'dg', 'dh', 'di', 'dj', 'dk', 'dl', 'dm', 'dn', 'do', 'dp', 'dq', 'dr', 'dt', 'du', 'dv', 'dw', 'dx', 'dz', 'ea', 'eb', 'ec', 'ed', 'ee', 'ef', 'eg', 'eh', 'ei', 'ej', 'ek', 'el', 'em', 'en', 'eo', 'ep', 'eq', 'et', 'ev', 'ew', 'ex', 'ey', 'ez', 'fa', 'fb', 'fc', 'fd', 'ff', 'fg', 'fh', 'fi', 'fj', 'fk', 'fn', 'fo', 'fp', 'fq', 'fs', 'ft', 'fu', 'fv', 'fw', 'fx', 'fy', 'fz', 'gb', 'gc', 'gf', 'gg', 'gh', 'gi', 'gj', 'gk', 'gl', 'gm', 'gn', 'go', 'gp', 'gq', 'gr', 'gs', 'gt', 'gu', 'gv', 'gw', 'gx', 'gy', 'gz', 'ha', 'hb', 'hc', 'hd', 'hh', 'hi', 'hj', 'hk', 'hl', 'hm', 'hn', 'hp', 'hq', 'hr', 'ht', 'hu', 'hv', 'hw', 'hx', 'hy', 'hz', 'ia', 'ib', 'ic', 'id', 'ie', 'if', 'ig', 'ih', 'ii', 'ij', 'ik', 'il', 'im', 'io', 'ip', 'iq', 'is', 'it', 'iu', 'iv', 'iw', 'ix', 'iy', 'iz', 'ja', 'jb', 'jc', 'jd', 'je', 'jf', 'jg', 'jh', 'ji', 'jj', 'jk', 'jl', 'jm', 'jn', 'jo', 'jp', 'jq', 'jr', 'js', 'jt', 'ju', 'jv', 'jw', 'jx', 'jy', 'jz', 'ka', 'kb', 'kc', 'kd', 'ke', 'kf', 'kg', 'kh', 'ki', 'kj', 'kk', 'kl', 'km', 'kn', 'ko', 'kp', 'kq', 'ks', 'kt', 'ku', 'kv', 'kw', 'kx', 'ky', 'kz', 'lb', 'lc', 'ld', 'le', 'lf', 'lg', 'lh', 'lj', 'lk', 'll', 'lm', 'ln', 'lo', 'lp', 'lq', 'ls', 'lt', 'lw', 'lx', 'ly', 'lz', 'ma', 'mb', 'me', 'mf', 'mh', 'mi', 'mj', 'mk', 'ml', 'mm', 'mp', 'mq', 'mr', 'ms', 'mu', 'mv', 'mw', 'mx', 'my', 'mz', 'nc', 'nf', 'ng', 'nj', 'nk', 'nl', 'nm', 'nn', 'nq', 'nr', 'ns', 'nt', 'nu', 'nv', 'nw', 'nx', 'ny', 'nz', 'oa', 'ob', 'oc', 'od', 'oe', 'of', 'oh', 'oi', 'oj', 'ok', 'ol', 'om', 'on', 'oo', 'op', 'oq', 'or', 'ot', 'ou', 'ov', 'ow', 'ox', 'oy', 'oz', 'pc', 'pe', 'pf', 'pg', 'ph', 'pi', 'pj', 'pk', 'pl', 'pn', 'pp', 'pq', 'ps', 'pv', 'pw', 'px', 'py', 'pz', 'qa', 'qb', 'qc', 'qd', 'qe', 'qf', 'qg', 'qh', 'qi', 'qj', 'qk', 'ql', 'qm', 'qn', 'qo', 'qp', 'qq', 'qr', 'qs', 'qt', 'qu', 'qv', 'qw', 'qx', 'qy', 'qz', 'rc', 'rd', 'ri', 'rj', 'rk', 'rl', 'rm', 'ro', 'rp', 'rq', 'rr', 'rs', 'rt', 'rv', 'rw', 'rx', 'ry', 'rz', 'sa', 'sd', 'sf', 'sh', 'sj', 'sk', 'sl', 'so', 'sp', 'sq', 'ss', 'st', 'su', 'sv', 'sw', 'sx', 'sy', 'sz', 'td', 'tf', 'tg', 'tj', 'tk', 'tn', 'to', 'tp', 'tq', 'tr', 'tt', 'tu', 'tv', 'tw', 'tx', 'ty', 'tz', 'ua', 'ub', 'uc', 'ud', 'ue', 'uf', 'ug', 'uh', 'ui', 'uj', 'uk', 'ul', 'um', 'un', 'uo', 'up', 'uq', 'ur', 'us', 'ut', 'uu', 'uv', 'uw', 'ux', 'uy', 'uz', 'va', 'vb', 'vc', 'vd', 've', 'vf', 'vg', 'vh', 'vi', 'vj', 'vk', 'vl', 'vm', 'vn', 'vo', 'vp', 'vq', 'vr', 'vs', 'vt', 'vu', 'vv', 'vw', 'vx', 'vy', 'vz', 'wa', 'wb', 'wc', 'wd', 'we', 'wf', 'wg', 'wh', 'wi', 'wj', 'wk', 'wl', 'wm', 'wn', 'wo', 'wp', 'wq', 'wr', 'ws', 'wt', 'wu', 'wv', 'ww', 'wx', 'wy', 'wz', 'xa', 'xb', 'xc', 'xd', 'xf', 'xg', 'xh', 'xi', 'xj', 'xk', 'xl', 'xm', 'xn', 'xo', 'xp', 'xq', 'xr', 'xs', 'xt', 'xu', 'xv', 'xw', 'xx', 'xy', 'xz', 'ya', 'yc', 'yd', 'ye', 'yf', 'yg', 'yh', 'yi', 'yj', 'yk', 'yl', 'ym', 'yn', 'yo', 'yp', 'yq', 'yr', 'ys', 'yt', 'yu', 'yv', 'yw', 'yx', 'yy', 'yz', 'za', 'zb', 'zc', 'zd', 'ze', 'zf', 'zg', 'zh', 'zi', 'zj', 'zk', 'zl', 'zm', 'zo', 'zp', 'zq', 'zs', 'zt', 'zu', 'zv', 'zw', 'zx', 'zy', 'zz']
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jgthirlwell · 2 years ago
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2022 Year In Review
This year once again I invited some friends and colleagues to reflect on 2022
JG Thirlwell
Composer Foetus Xordox Manorexia Steroid Maximus Venture Bros Archer www.foetus.org
2022 was a marathon year. I took on too much work, but somehow got through it. It challenged me. I played some excellent shows in Woodstock, Los Angeles, Orlando and NYC. Reconnected with Soft Cell at the Beacon. Reconnected with Sarah Lipstate. Wrote a ton of new music for Archer and a Venture Bros movie. Taught a class on film scoring at the New School. I still woke up 5am in a panic on too many occasions. And I saw some great concerts.It was difficult to whittle down this list but here are a lot of albums I enjoyed in 2022, in no particular order.
Tyondai Braxton Telekinesis (Nonesuch) Zeal & Ardor Zeal & Ardor (MVKA) Papangu Holoceno (Bandcamp) Extra Life Secular Works Vol 2 (Bandcamp) Carl Stone Wat Dong Moon Lek (Unseen Worlds) / Gall Tones (Unseen Worlds) / We Jazz Reworks Vol 2 (We Jazz Records) Louis Cole Quality Over Opinion (Brainfeeder) Ben Frost 1899 OST (Invada Records) Loraine James Building Something Beautiful For Me (Phantom Limb) Persher Man With The Magic Soap (Thrill Jockey) Anna Meredith Bumps Per Minute (Moshi Moshi) Sault Air (Forever Living Originals) The Smile A Light For Attracting Attention (XL) Shamblemaths Shamblemaths 2 (Apollon Prog) Julia Wolfe Oxygen (Cantelope) Heiner Schmitz’s Symprophonicum Sins & Blessings (Big Band Records) Burial Antidawn EP / Streetlands EP (Hyperdub) Gotho Mindbowling (Controcanti Produzioni) Oliver Coates The Stranger OST Gilla Band Most Normal (Rough Trade Records Ltd) Blanck Mass Ted K OST (Sacred Bones) Arcade Fire WE (Interscope) Yeah Yeah Yeahs Cool It Down (Secretly) Catarine Barbieri Spirit Exit (light-years) Felicia Atkinson Image Language (Shelter Press) Netherlands Kali Corvette (Three One G) Kemper Norton estrenyon (Zona Watusa) Elysian Fields Once Beautiful Twice Removed (Ojet) Simon Hanes Hurricane Salad Two Fingers Red Bass DJ Mix 22 (NoMark) Backxwash His Happiness Shall Come…(Ugly Hag) Bob Vylan The Price of Life (Ghost Theater) John Elmquist’s Hard Art Groop Stars and Bells / Zero Rest Mass / Trip Up reissues (Bandcamp) Dan Deacon Hustle OST (Netflix Music) Bent Knee Frosting (TTTH) Boris Heavy Rocks 2022 (Relapse) Wet Leg Wet Leg (Domino) Author and Punisher Kruller (Relapse)
Honorable mentions Hudson Mohawke Cry Sugar / Rival Consoles Now is / Haunted Horses The Worst Has Finally Happened / Sirom The Liquified Throne of Simplicity (Tak:Til)/ Meshuggah Immutable / Ani Klang Ani Klang / Pimpon Pozdrawiam (Pointless Geometry)
Shows
The Smile at Kings Theater Julia Wolfe Steel Hammer Carnegie Hall The Protomen LPR Tristan Perich St Thomas ChurchSparks Town Hall Anna Meredith Elsewhere Lingua Ignota LPR Royal Blood Terminal 5 Kraftwerk Radio City Hiro Kone Pioneer Works RATM / RTJ MSG Matmos LPR Rammstein MetLife Stadium Yeah Yeah Yeahs Forest Hills Stadium Melvins Irving Plaza Roxy Music MSG Sean Lennon Stone Elysian Fields The Owl The Comet Is Coming Bowery Ballroom Child Abuse TV Eye Fennesz Pioneer Works Helm Elsewhere
Film / TV
The Stranger All Quiet In The Western Front Dont Worry Darling Moonage Daydream The Velvet Underground Elvis Men Northman Unbearable Weight Of Massive Talent White Lotus
Books
I read a ton of memoirs this year. Standouts were
Kid Congo Powers Some New Kind Of Kick Danny Sugerman Wonderland Ave
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Kemper Norton
LISTENING
My favourite album of the year was the dayglo psychedelic joy of Panda Bear/ Sonic Boom’s Reset , with honourable mentions for the amazing Aethiopes by billy woods and Alison Cotton’s beautiful The Portrait You Painted of Me. Also, must mention the massive , varied and crucial Rental Yields compilations on Front and Follow /Gated Canal Community in aid of homeless charities in the UK.
GIGS
Didn’t get out much this year but live events I loved this year here in Brighton, UK included the blasted joy of deafkids at The Hope, the final gig of the mighty Slum of Legs at The Green Door Store, and playing alongside Alexander Tucker’s Microcorps and Opal X at The Wire’s 40th anniversary shows at The Rosehill as part of the reanimated Outer Church.
In terms of radio, as well as Elizabeth Alker’s essential breakfast and Unclassified shows on Radio 3 there were loads of great shows on the fantastic Repeater Radio ( many previously on the mighty Neon Hospice) including Afternoon Delight by Ix Tab and the best of Eastern Europe showcased on Slav to the Rhythm by Catherine and Iris.
READING
Apart from the works of nonconformist Cornish poet Jack Clemo and American novelist Pete Dexter ( Deadwood and Paris, Trout ), new discoveries were thin on the ground this year. I read and reread a lot of old favourites ( Ray Bradbury, Cormac McCarthy, Pat Barker , Elmore Leonard ) and finally fell in love with Jane Austen.
WATCHING
My film and TV viewing in 2022 was largely informed / enforced by my 5 year old daughter, and the essential texts we rewatched repeatedly were the lively and proactive Gaby’s Dollhouse, multi-species global explorers the Octonauts , surreal UK gem Sarah and Duck and of course, the inspirational Aussie masterpiece Bluey. I did manage to catch a few films either new or new to me in 2022…
Wake in Fright ( 1971) : another Australian key text ( although less adorable than Bluey ). The horrors of closed environments, toxic masculinity and continuous drinking.
Enys Men (2022) : Cornish filmmaker Mark Jenkin’s spooky and minimalistic follow-up to his incredible Bait (2019) , a wonderful drama of local economic realities and identities. Would love to score one of his films but unfortunately he does an excellent job of this himself.
Stalker (1979) : As good as everyone said it would be.
EATING
Chorizo with honey Chinese black fungus
DRINKING
Everything by Burning Sky brewery ( Sussex, UK)
CREATING
I managed to churn out two tape releases in 2022 in between all the watching, listening, eating, drinking etc.
Estrenyon was released on tape and download with the Barcelona label zonawatusa and was inspired by historical UFO sightings throughout Cornwall from 1888 to 2021. Rife is the story of a Sussex Spring day and was released via Woodford Halse, who have released loads of great electronic and folky music by the likes of Xylitol and Sairie. On top of that , our first volume of download-only pay-what-you-like winter tunes Montol Melodies is available on our bandcamp until the traditional English old ‘ twelfth night ‘ ( January 12 2023).
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Lee Ranaldo
2022 LIST
I’m terrible at lists like this, and usually don’t keep track towards such a year-end summary. Pardon the self-focus, this is my year-in-review accounting, mostly just remembering to myself.
August in Vienna Leah and I spent the month of August in Vienna, creating a public artwork, sound+image, called Fermata. I discovered the world of small-body, near century-old, German + Austrian guitars. I wrote the main melodic material one one of these tiny, wonderful instruments,. At one point we had 3 of them in the apartment down in the MuseumQuartier. A whole new world of sound to explore. Side trips to Berlin and Prague. (https://tonspur.at/soundworks/lee-ranaldo-leah-singer/?lang=en) Exhibitions in Berlin and Eupen, Chile Media Arts Biennial, Covid Flowers online Exhibitions of my Black Noise record print editions in Berlin, Lost Highway road drawings in Belgium, and watercolor covid-flowers online. In Chile Leah and I created an outdoor sound/art work, Do You Read Me?, in a field of trees surrounding an observatory above Santiago. Sounds were generated from signals collected from deep space by another observatory in the Atacama desert. A sound displacement work.
Medicine Singers in Brasilia, Montreal, NYC Had fruitful wanderings this year with Yonatan Gat, working with indigineous players from the USA, Brasil and Canada. Recording sessions in Montreal at fabulous Hotel2Tango studio, and in a splendid house set on the edge of the city in Brasilia, one of my favorite places. Happy to have been invited along for this most interesting ride.
Touring resumes Mostly in Europe, mostly quite wonderful. After 2 years at home it felt good to stand up in front of audiences again. Lots of solo acoustic shows playing In Virus Times and singing songs, but also interesting collaborations with Yuri Landman; My Cat Is An Alien, Jean-Marc Montera and Sophie Gonthier, and a special ‘Velvets Suite’ with French legend Pascal Comelade in Banyoles, Spain. Also the beginnings of a new collaboration with Chicago guitarist Michael Vallera, in a great new space in NYC for experimental music, 411 Kent (aka Shift). Leah and I premiered the new version of our Contre Jour performance with suspended guitar and films, in A Coruna, Spain and at the Three-Lobed Fest in Durham, North Carolina – which was an amazing three days of music. Also a short NorthEast tour with Jeff Parker in May.
London/Paris/Leah/ Catpower My touring year ended with a month split between Europe and the UK. A friend-lent apartment in Paris as base, with shows and lectures in Nantes, and Brittany. Five shows in the UK, the most I’ve played in some time there, including a free-ranging set with the Pop Group’s Mark Stewart and an eclectic band. Wild night! Leah flew over to celebrate her birthday, with CatPower at Royal Albert Hall (first time there for us both) recreating Bob Dylan’s legendary show there – both acoustic and electric sets – from 1966. What a great night, and our time together, in London, Paris and Brittany, was splendid.
Hurricane Transcriptions This year I played solo keyboard shows for the first time ever – the solo-for-Fender-Rhodes performance of my Hurricane Sandy Transcriptions, first at Karma Gallery in NYC, accompanied by films from LA Artist Mungo Thomson, and also at a Xenakis celebration in Vienna and at the opening of my exhibition of Lost Highway drawings, ‘The Road Is Like The River, Constantly Changing Yet Ever The Same’ – at IKOB Museum in Eupen, Belgium. (ikob.be)
Circuit des Yeux at Green-Wood Cemetery I think my favorite gig of the year was Circuit des Yeux in Green-Wood Cemetery on a rainy night in June. The weather threatened the show all evening, which made this incredible performance – just Haley and Whitney Johnson (Matchess). Just a magical, powerful night.
Godard’s King Lear In late August I committed to introduce Jean-Luc Godard’s King Lear, which I’d never seen, at TriBeCa’s Roxy Cinema, which has been doing terrific programs organized by Illyse Singer. I love Godard’s films, they are an important touchstone for me, and I took this as an opportunity to discover both the film and Shakespeare’s play; my Shakespeare knowledge is terrible, so I boned up on the play. Four days before the screening, the great master died, which cast the whole night in a new light. The film has been described by Richard Brody of the NY’er as ‘one of the best films of all time’ – wow. Burgess Meredith, Molly Ringwald, Norman Mailer, Julie Delpy, Leos Carax, and Godard himself center-stage and the plugged/unplugged oracle Professor Pluggy. What a film. As usual with a Godard film: what a sound mix!. See it in 35mm.
Broken Circle / Spiral Hill I have had a long fascination with the work of Robert Smithson, since discovering the book of his writings in the 70s. In the early 80s on the first few SY tours, I ‘coaxed’ the band into visiting one of his 3 still existing artworks – Broken Circle/Spiral Hill – in the countryside of northern Holland. Back then it was like a treasure hunt trying to find it, in the dark, late on the way to Club Vera in Groningen. In 2020 I visited it for a third time w friend Carlos, in the week before the world shut down. It had been totally restored and ready for it’s moment – just at it’s 50-year mark. In 2022 the site-an old, long-unused quarry – was opened to the public for the first time in ages, across 8 weekends. This year I narrated a podcast for the Holt/Smithson Foundation and the Netherland’s Land Art Contemporary, about Smithson and the work, which went live in November. (brokencircle.nl)
Birdsong Project I worked on this project, as both producer and performer, to raise money to benefit the Audobon Society for the preservation of avian habitats. Over 200 musicians contributed to this 20-LP set, as well as writers, poets and artists. Uplifting and surprising. (https://www.audubon.org/birdsong-project)
James Jackson Toth In the early 2000s I produced an album – James and the Quiet – with Mr. Wooden Wand, who’s music I love. This year a group of friends organized a birthday tribute to James, with 33 of us recording versions of songs from his vast catalog. I recorded ‘Wired to the Sky’, a favorite from the album we made together, recorded in our Viennese apartment in August, which closes this Birthday Blues collection. (https://aquariumdrunkard.com/category/jamesjackson-toth/)
Some Music/Art/Books etc:
Lou Reed – Words + Music, 1971 RCA Demos David Bowie – Divine Symmetry Catherine Christer Hennix – Selected Early Keyboard Works (https://blankformseditions.bandcamp.com/album/selected-early-keyboard-works) Plus Instruments, Februari-April ’81 (first record I was ever on) on Domani Records, NYC. In/Out/In, Sonic Youth. So cool to see this release welcomed so warmly! Cecilia Vicuña, Tate Modern Turbine Hall Venus of Willendorf, Naturhistorisches Museum, Vienna Matisse: The Red Studio, Museum of Modern Art, NYC Claude Monet – Joan Mitchell, Fondation Louis Vuitton, Paris Marco Fusinato, Desastres, Venice Biennale Family Affair, a 20-minute short film included in the Criterion Collection edition of Josh & Benny Safdie’s 2009 Daddy Longlegs, outlining our two families intertwined involvement in the making of the film. The most glorious home movie ever. The Double Life of Bob Dylan: A Restless, Hungry Feeling, Clinton Heylin. First of a 2-part bio of the (other) Bard, making first use of all the new material out from Tulsa’s Bob Dylan Center archive. Loved: Olivier Assayas’ Irma Vep mini series. He’d used SY’s ‘Tunic’ in his original 1995 film, and we became friends and occasional collaborators. The new limited series mines the story anew, meta-mixing in his 1995 film and Louis Feuillade’s 1915 original, Les Vampires. The most contemporary piece of ‘television’ I’ve seen in ages, just wonderful, with fantastic cast including a spot-on stand-in portrayal by Vincent Macaigne as the director, Alicia Vikander as Irma Vep, and Lars Eidinger as Gottfried. Also Devon Ross, Carrie Brownstein, many other great performances. Loved it. Still watching: Westworld, Handmaid’s Tale. Hal Willner Memorial, St. Anne’s, April. Miss Hal all the time…
---LR, Winnipeg, December 2022
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Brian Chase
Yeah Yeah Yeahs
Brian chose to write about one album that impacted him in 2022
This write-up is in no way meant to be a formal review - I don’t deem myself qualified for that task here - rather, this is meant to share personal enthusiasm and bring an album to light - like, "Have you heard this, it's really really amazing and inspiring and why isn't there more talking about it, and…" As a musician working within a greater community, I am acutely aware of the creative drive to continually uncover new modes, methodologies, practices etc. of expressing our chosen art form - each performance and each album serving as an instance of discovery and offering new perspectives on old conundrums. Whether the genre is rock, jazz, noise, free-improvisation, modern classical etc. the relationship of discourse and dialogue is still the same. At the forefront of this dialogue is John Zorn, as he has been for decades, and a major contribution to the conversation is the 2022 album Incerto - Existentialism, Psychoanalysis, and the Uncertainty Principle. Here, Zorn is the composer and the performing ensemble consists of some of Zorn's tightest in recent years: Brian Marsella on piano, Julian Lage on guitar, Jorge Roeder on bass and Ches Smith on drums. As Zorn says in the liner notes, "Incerto is about possibilities, probabilities, inevitabilities and improbabilities." Formal logic for musical structure is considerably expanded with these compositions and never before have I heard such new forms for improvisation. In these pieces, unexpected juxtapositions and superimpositions abound, as foremost examples of its many distinct features. The syntax of this music is beyond the scope of any previous way that I've conceived of music existing. Not only are harmonic and rhythmic conventions regularly reconstructed - often replaced with adjacent compliments and aggressive contradictions - but entire paradigms of improvisatory behavior are game as well. Shifts in genre/mood/tempo/texture/harmonic character/melodic personality place the improvisor in varying contexts - often in a short amount of time - and each context requires its own set of responses. The whole scope of musical history+trends+possibilities takes on a dynamic relational co-existence, in ways that I've never previously heard or thought possible - like when angular atonal lead lines enter on top of a serene ostinato, or impressionistic chords alternate between stillness and motion, or genre styles and idiomatic references collide, or gravelly density and noise build tension culminating into a placid release. Plus, so much of the composed material is really just so cool. Paramount to it all is the music’s immense depth of feeling. The moods on this album are evocative, romantic and ecstatic as much as they are revolutionary, kaleidoscopic and mystifying. As the music winds through its structural twists and turns, the key that holds it all together is sincerity of spirit - the performance of this music, as well as listening to it, is a literal experience. And within each singular track is the remarkable performance of the individual musicians themselves - each a respective master at the craft. Additionally, the album as a collective whole, being comprised of eleven very different tracks, functions as a macro-structure in itself which expands on the themes present in each individual track. So many new modes of music making are presented here - integrating them into current music making will take a while as more people discover its brilliance and begin to absorb the concepts and ideas it conveys. It is uniquely Zorn and there for us musicians to process and in turn produce that which is uniquely ours. Incerto is a gem in the conversation - we can listen and run with it how we like - but we have to hear it first.
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David T. Little
composer www.davidtlittle.com
MUSIC (new, revisited, & in rotation)
Vile Creature – Glory! Glory! Apathy Took Helm! Burning Witch – Crippled Lucifer tryphème – Aluminia Louis Cole – Quality Over Opinion KANGA – You and I Will Never Die DELANILA – Overloaded Amyl & the Sniffers – Comfort To Me Kae Tempest – Let Them Eat Chaos Graindelavoix & Björn Schmelzer – Josquin, the Undead: Laments, Deplorations & Dances of Death Run The Jewels – 1, 2, 3, 4 The Cure – Disintegration, Wish, Show, Pornography Tenderheart Bitches – High Kicks George Walker – Piano Sonatas (Steven Beck) Rammstein – Herzeleid, Mutter, Sehnsucht, Untitled (in heavy rotation after the MetLife Stadium show) Living Colour – Vivid Utah Phillips – We Have Fed You All For A Thousand Years Tom Morello – Hold The Line (track, feat. grandson) ACRONYM – Oddities & Trifles: the Very Peculiar Instrumental Music of Giovanni Valentini Late Stravinsky (various) Son Lux – Everything Everywhere All At Once (ost) Harrison Birtwistle – The Moth Requiem Christopher Tin – The Lost Birds Karim Sulayman, Apollo’s Fire – Songs of Orpheus Hermann Nitsch – Symphony No. 9 “The Egyptian” Jay Wadley – Swan Song (ost) Herem – Pulsa diNura Danny Elfman – Big Mess / Bigger. Messier. (Deluxe.) Scott Walker – The Drift
FILMS & SERIES (new & rewatched) Hellraiser (Clive Barker) The Rocky Horror Picture Show (Jim Sharman) Tetsuo: The Iron Man (Shin'ya Tsukamoto) Private Life (Tamara Jenkins) Double Take (Johan Grimonprez) After Life (Ricky Gervais) One Big Bag (Every Ocean Hughes) The Village Detective (Bill Morrison) Polia & Blastema (E. Elias Merhige) Sibyl (William Kentridge)
The Copper Queen (Crystal Manich) Wishes (Amy Jenkins) The Once and Future Smash (Sophia Cacciola & Michael J. Epstein) End Zone 2 (August Kane) All Quiet on the Western Front (Edward Berger) Everything Everywhere All At Once (Daniels) Russian Doll (multiple directors) Piggy (short) (Carlota Pereda) The Mitchells vs. The Machines (Michael Rianda & Jeff Rowe) WHAT DID JACK DO? (David Lynch) The Power of the Dog (Jane Campion) Pig (Michael Sarnoski) The Green Knight (David Lowery) The Northman (Robert Eggers) Muriel’s Wedding (P.J. Hogan) BoJack Horseman (multiple directors) Eyes Wide Shut (Stanley Kubrick)
BOOKS (some) Body Horror - Anne Elizabeth Moore Mrs. Dalloway - Virginia Woolf a ghost in the throat - Doireann Ní Ghríofa Cleanness – Garth Greenwell A Saint from Texas – Edmund White Out Loud – Mark Morris The Gastronomical Me – M.F.K. Fisher Agamemnon – Aeschylus (trans. Robert Fagles)
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Jonnine
HTRK
2022 good vibes - Hackedepicciotto tour photos such #couplegoals, kicking off the HTRK tour in Atlanta was exhilarating! Big hangs with my overseas buds Nathan Corbin and Yasmina Dexter, writing new songs with Nigel and keeping THE dream alive, my puppy Pali growing up into mumma’s good boy, instagram follows @the.holistic.psychologist (self healing)  @cracked.bolos (cakes), DJ Sundae, Amir Shoat, ‘Crush’ by Richard Siken (borrow from Nigel) writing bonkers dreams down again, Jonathan Richmond lyrics, tik tok #stayathomegirlfriend, jamming with Brother May in London and playing cafe OTO, second season Euphoria, White Lotus, Heartbreak High, rewatching Curb, Julia Fox’s eye makeup tutorial, films The Weekend and 45 Years by director Andrew Haigh, Charlotte Rampling interviews, fam long drives with Conrad and Pali finding songs for NTS <3 <3 Conrad got me into the Kinks!
Some music  i liked Actress — Dummy Corporation (Ninja Tune)  Autumn Fair - Autumn Fair  DALE CORNISH — Traditional Music of South London (The Death Of Rave)  Delphine Dora — A Stream Of Consciousness II (for piano solo) Coby Sey — Conduit (AD 93)  CS + Kreme — Orange (The Trilogy Tapes)  Harry Howard  - Slight Pavilions  Various / Kashual Plastik — Field of Progress Jonathan Richman - Jonathan Goes Country  Julia Reidy - World in World  Kitchen Cynics — Strange Acrobats Liz Durette - A Christmas Gift To You  Malvern Brume — Body Traffic (MAL)  Taylor E. Burch — The Best of Taylor E. Burch (Downwards)  The Incredible String Band — Wee Tam and the Big Huge  The Kinks - The Kinks Are the Village Green Preservation Society  Thomas Bush — Preludes Warm Currency — Returns (Horn Of Plenty) 
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Lawrence English
(Room 40 Records)
This year was the first time I had travelled internationally since 2019. The thing I realised I've truly missed is seeing people. The opportunity to share ideas, to be curious with others and to just be in the world was, well, magical. I think if anything the past few years has reminded me (us?) not to take things for granted…especially each other. This year was also the first time I returned to making solo electronic works. It had been about six years since I had completed Cruel Optimism and, if I am honest, I wasn’t sure if I still had an appetite for making solo electronic works. Approach however proved, to me at least, I can still derive great pleasure from working alone. Unexpectedly, I found the whole process of the album very satisfying, like it was new all over again, not something I always feel.
There’s been a tonne of great input into the system this year. Ergo Proxy totally got me thinking. I was late to the party, but it was a party I am glad I did make it to. Puce Mary made some tapes back in April, both of them were totally ace, filled with an acute sense of heaviness. I very much enjoyed Boy Harsher’s work this year too, outside my usual orbit in some ways, but they are really onto something of late. I caught up with my old and dear friend Kate Crawford, and had a chance to read over he excellent Atlas Of AI book, she is a tower of radiance. Annea Lockwood’s, work occupied a great deal of my thoughts this year, realising her Piano Transplants all at once was quite simply a delight. Adam Curtis’s TraumaZone left an indelible mark in more ways than one. I returned to Vancouver to photograph the crows that started off my homage to Masahisa Fukase, perhaps that tract of work is done? Oh and thanks to a dinner with Atsuo from Boris, and the encouragement of my small humans, we all started down the pathway of the epic saga of Gundam too. I missed that when I was younger, so it’s a long road to catch up on….but I started.
Oh and on a purely personal note I was able to commission a shikishi from Yoshihisa Tagami. Seriously, my 12 year old self was reborn when it arrived. The world is so much bigger, and smaller, than that little human could ever have imagined!
Love to you all and here’s hoping 2023 is full of curious surprises and wonder.
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John Tottenham
author
A LISTLESS LIST
Best Books:   Woodcutters Concrete Extinction| Wittgenstein’s Nephew Old Masters 
Thomas Bernhard
A Father and his Fate More Women than Men Manservant and Maidservant A Family and a Fortune  -  Ivy Compton Burnett   Hawkwind: Days of the Underground  -  Joe Banks
Best Songs:   Eunice Collins  –  At the Hotel Gloria Barnes  -  Old Before My Time Sonia Ross  -  Every Now and Then Rozetta Johnson  -  A Woman’s Way Debbie Taylor  -  I Don’t Wanna Leave You Denise LaSalle  -  Trapped by a Thing Called Love Barbara Stant  -  Unsatisfied Woman Ann Alford  -  If It Ain’t One Thing Big Martha  -  Your Magic Touch Helene Smith  -  Sure Thing     Best Shows By Octogenarians And Nonagenarians:
Ramblin’ Jack Elliott – Zebulon, LA  / Bob Dylan  -  Pantages, LA / Marshall Allen (Arkestra)  -  Zebulon, LA / Swamp Dogg  -  Teragram, LA / Doug Kershaw  -  Zebulon,  LA / Sonny Green  -  Barnyard & La Louisianne, LA / Tommy McClain  -  Stowaway, LA
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Brian Carpenter
Composer / Ghost Train Orchestra
My favorite recordings of 2022, in no particular order…also the most frequently played albums on my long-running radio show Free Association on WZBC in Boston. As I'm writing this I'm reminded that a lot of great records came out of bands from South London this year, across genres. 
The Comet is Coming - CODE Caroline - caroline Dry Cleaning - Stumpwork William Orbit - The Painter Akusmi - Fleeting Future
Electric Youth, David Sylvian, et al - A Tribute to Ryuichi Sakamoto - To the Moon and Back Portico Quartet - Next Stop The Smile - A Light for Attracting Attention Zola Jesus - Into the Wild Mary Lattimore and Paul Sukeena - West Kensington Lucrecia Dalt - Ay! Bjork - Fossora Tindersticks - Stars at Noon Original Soundtrack Kamikaze Palm Tree - The Hit Bitchin Bajas - Bajascillators Bill Callahan - YTILAER Thurston Moore - Screen Time Bill Orcutt - Music for Four Guitars Horse Lords - Comradely Objects Curha - Curha III
Sharon Van Etten - We've Been Going About This All Wrong Aldous Harding - Warm Chris Weyes Blood - Hearts Aglow Big Thief - Dragon New Warm Mountain I Believe In You Oneida - Success Brandon Seabrook - In the Swarm Jacob Garchik - Assembly Oren Ambarchi - Shebang The Lord and Petra Haden - Devotional Roedelius & Tim Story - 4 Hands Brian Eno - Foreverandevernomore Steve Reich - Runner Moor Mother - Jazz Codes Makaya McCraven  - Dream Another Sun Ra Arkestra - Living Sky Danger Mouse and Black Thought - Identical Deaths A Far Cry - The Blue Hour Nils Frahm - Music for Animals Mary Halvorson - Amaryllis Kronos Quartet, Van-Anh Vanessa Vo, Rinde Eckert - My Lai Attacca Quartet - Caroline Shaw: Evergreen
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DJ Food
Music: Clocolan - Empathy Alpha LP (Redpan) Brian Eno - The Lighthouse (Sonos HD) King Gizzard &The Lizard Wizard - Omnium Gatherum LP (Flightless) Twilight Sequence - Trees in General: and the Larch 12" (Castles In Space) WTCHCRFT - Drugs Here 12" (Balkan Vinyl) Ghost Power - Ghost Power LP (Duophonic Super 45s) Dexorcist - Night Watch 12" (Yellow Machines) The Advisory Circle - Full Circle LP (Ghost Box) Fenella - The Metallic Index (Fire Records) S'Express & Daddy Squad - Music 4 The Mind (DL)
Podcasts: The Bureau of Lost Culture We Buy Records Oh God, What Now?
Gigs / Events: The Orb play U.F.Orb @ The Fox & Firkin, London Staying in a restored Futuro House, Somerset Fogfest @ Iklectik, London Funki Porcini's Lasarium @ Iklectik, London The Trunk Groovy Record Fayre @ Mildmay Club, London
Books / Comics: 99 Balls Pond Road - Jill Drower (Scrudge Books) Radio Spaceman - Mike Mignola & Greg Hinkle (Dark Horse) A-Z of Record Shop Bags - Jonny Trunk (Fuel) Mud Sharks - Dave Barbarossa Good Pop, Bad Pop - Jarvis Cocker (Vintage) House Music - Andy Votel (The Modernist) Defying Gravity - Jordan Mooney w. Cathi Unsworth 69 Exhibition Road - Dorothy Max Prior (Strange Attractor) Judge Dredd - Mike McMahon (Apex Edition) It's Lonely At The Centre Of The Universe - Zoe Thorogood (Image Comics) The Black Locomotive - Rian Hughes (Picador)
Films: Get Back (Disney+) Who Killed The KLF? (Chris Atkins) In The Court of the Crimson King (Toby Aimes)
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maple9 · 1 year ago
Text
Yes, JC did not want to kill WWX until JYL was killed.
However, that is Donghua!JC.
In Season2 EP.8, LWJ said "(After JZX's death) At that time, YMJ opposed JGS's attempt to kill you (WWX), Lan Zongzhu and Nie Zongzhu said that we should first reveal the truth about the Hundred Holes."
Canon!JC wasn't oppose JGS.
At the donghua nightless city, there was a memorial ceremony for the war dead. That is why LWJ was present. But at the canon, there was a "kill YLLZ!WWX party". So, LWJ was not present. And JC was one of the organizers of the event.
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