#jewish Velma Dinkley
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libraryofgage · 6 months ago
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Meddling Kids
Part of: Steve Deserves Good Parents, Actually
Debbie and Fester Addams One | Two | Three | Four | Five | Six Rick and Evelyn O'Connell One | Two | Three Harley Quinn One | Two | Three 10th Doctor and Rose One | Two Scooby Gang One (you're here!) Jedidiah and Octavius (from Night at the Museum) One | Two Queen Clarisse Renaldi One | Two | Three Leverage Crew One
From the girl that brought you that silly little Spicy Six Scooby Movie post (I've been thinking of making that post into one of those social media series things on Tumblr but imma let that cook a little longer actually lmao) is a brand new Stranger Things and Scooby Doo crossover
Anyway, we're here for good vibes and fluffy Scooby gang, so definitely don't point out any typos hfjkds
Have fun reading!
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People coming.
Steve freezes, looking at the possum that's scurried into the room and sidled up next to him. He takes a deep breath and forces his shoulders to relax. People have come to explore the abandoned lab before; usually, it's just older kids daring each other to stand inside for a few minutes. There's been that lady recently who likes dressing up as a weird rat-thing, but she hasn't bothered Steve or his friends. Actually, she may not even realize Steve is here.
"Is it the lady again?" he asks, his voice low as he places a hand on the possum's head. He feels its nerves flow through his palm, and it pushes its head against him, snout nuzzling against the 004 on his arm.
No. Four big ones and a beast.
Four adults and a dog, probably. Steve frowns slightly and gets up, carefully making his way across the dirty floor toward the window. He lifts the corner of the curtain and stares at the bright blue, green, and orange van parked in front of the building. Four adults are standing around with a big dog, which isn't looking too happy about being near the place. Steve can't blame it.
He slowly pushes the window open a crack, straining his ears to hear one of the adults say, "Okay, gang. Daphne, Velma, and I will look around downstairs. Shag, you and Scooby will take the second floor. We'll meet back in the lobby in an hour."
"Can't we just, like, not explore the creepy abandoned lab for once?"
Steve assumes this is the one called Shag, and he hopes the other man agrees to just leave. That would make his life so much easier. He hears the dog, Scooby, agree with the sentiment and hopes the other people can understand him, too.
Unfortunately, one of the women says, "C'mon, guys, the monster isn't real. Here, I'll give you some Scooby Snacks for the road."
And that seems to be the end of that. The man and dog accept the snacks, the people enter the building, and Steve resigns himself to hiding for however long they stick around.
He bunkers down, leaning against the wall beneath the window, and goes back to coloring the floor with markers. This entire room is covered in drawings that reach only a few feet up the wall. Steve isn't tall enough to go any higher.
Right now, he's drawing all the animals in the building. There are the ones that were there to begin with (mostly rats and rabbits) and the ones that moved in after the bad people left (possums and raccoons and cats and more rats). He doodles them marching across the floor, a relaxed smile tugging at his lips as he colors a cat purple.
He's putting the finishing touches on the final animal in the line (the very same possum that came to warn him about the people) when he hears a scream from down the hall. Steve blinks, looking up just in time to see Shag and Scooby throw open the door, slide into the room, and slam it behind them.
They lean against it, sinking to the ground, and finally notice Steve sitting against the opposite wall. "Like, Scooby, please tell me I'm imagining that kid over there," Shag says, his voice wavering and cracking near the end.
Scooby starts out looking as scared as Shag, but then he tilts his head. He hesitates for a few seconds before dropping low to the floor and slowly moving toward Steve. "Scoob, what are you doing?" Shag asks.
Not a ghost, Shaggy!
"Not a rhost, Raggy!"
Steve blinks, frowning in confusion. Scooby talked. Like, actually talked. He talked out loud and Shaggy (it makes as little sense as Shag in Steve's opinion) understood him. "There, like, can't be a kid here!"
By the time he says this, Scooby has reached Steve, looking up at him from the floor with hopeful eyes and an eagerly wagging tail. Steve holds himself back for all of two seconds before reaching out and scratching behind Scooby's ear.
The dog lights up and tries to squeeze into Steve's lap, licking his cheeks and covering him in slobber. Steve laughs, trying to evade Scooby's tongue and utterly failing. "Stop, stop!" he shouts breathlessly, still giggling even when Scooby finally gives him a break.
"Oh, man," Shaggy says, slowly moving from the door to approach Steve. When he's a few steps away, he stops and crouches. "What are you doing here, little guy?"
Steve blinks, glancing at Shaggy before turning his attention back to Scooby. He reaches up, scratching under Scooby's chin and trying to ignore his nerves about talking to another human after being alone for so long. "This is my home," he says.
Your home?
"Your rome?"
"Like, man, this is not a good home," Shaggy says, looking around at the dust and the cobwebs and the possum in the corner of the room. "Don't you have, like, parents or something?"
"Not really."
Can we keep him, Shaggy?
"Can re keep him, Raggy?" Scooby asks, his tail wagging hopefully as he looks at Shaggy over his shoulder.
"Gee, Scoob, I don't know," Shaggy says, frowning slightly as he finally sits down on the floor and hunches over. "A kid's a lotta responsibility, man. We gotta feed him and clothe him and, like, make sure he doesn't get sick."
Steve looks between the two and can't help a slight smile. Shaggy is nice, and Scooby is a dog, which automatically makes him good to Steve. He doesn't mind helping them out a little. "You're here about that lady, right?" he asks.
Lady?
"Rady?"
"Like, what do you mean lady?" Shaggy asks.
"The one dressing like a rat," Steve says, wondering how they didn't make that connection themselves. Haven't they already realized it's not a real rat-thing?
"Oh, man, I guess Velma was right," Shaggy says, a relieved laugh bubbling out of him as he slumps even more. "We gotta tell the gang, right, Scoob?"
Yeah, yeah!
"Reah, reah!"
"Are you trying to catch her?" Steve asks, looking between the two once more.
"Well, like, the rest of the gang's gonna want to."
"I can help with that," Steve offers, smiling reassuringly at the concerned looks that Shaggy and Scooby give him in return.
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Hawkins is supposed to be a vacation. Sort of. There's a possible mystery in the town, but even Velma couldn't confirm for sure, and Daphne had encouraged them to just relax.
Steve is inclined to agree with her, especially when she buys them a house with a pool that Scooby immediately launched himself into.
Still, he can tell that Velma won't relax unless she gets a chance to look around, so he finds her to go on a grocery run. "Oh, you're right," she says when he points out the lack of food in the house. "We'd better get something before Shaggy and Scooby start chewing on the walls."
"We'll set up the bedrooms while you get groceries," Fred says, grinning at them from across the living room. He digs in his pocket and pulls out the keys to the Mystery Machine. After making sure Steve is ready, he tosses them over.
"Please just don't put me in that plaid room," Steve tells him, catching the keys and passing them to Velma.
"I think that would count as cruel and unusual punishment, Steve," Daphne calls, her voice coming from down the hall where she's no doubt started setting up her room. She pokes her head into the hall, smiles at him, and adds, "Don't worry. We'll put Shaggy and Scooby in that one."
"Knowing them, they'd like it," Velma says.
As if he was just waiting for his queue, Shaggy leans over the second-floor railing and shouts, "Dibs on the plaid room! It looks groovy!"
Steve snorts as Velma rolls her eyes with an amused smile. "Come on, Steve, let's get going."
The drive to the grocery store is quiet, with Steve paying more attention to the town around him and Velma focusing on driving. He notes anything that looks weird, like the lack of people walking around. They pass other cars, of course, but even when they drive past what could be called Downtown Hawkins, he doesn't see anyone walking around.
He tucks that away for later, seeing nothing else of note until they park near a pile of bikes at the grocery store. "They're not locked," he says, nodding to them.
"It's a small town, Steve," Velma says, unbuckling as she turns the radio down so their ears aren't blasted when they get back. "They probably don't feel the need to."
"I guess," Steve mumbles, hopping out of the van and waiting for Velma to round the front. He walks next to her and holds the door open when they reach it. "Maybe we can get sandwich stuff."
"We'll have to wipe out their entire deli section," Velma says, sighing as she grabs a cart and pushes it towards the produce aisle. "At least we never have to worry about food waste."
Steve hums in agreement, easily falling into their normal routine of Velma calling out items and him grabbing at least five of them if there's enough in stock. "What do you think about that mystery?" he asks, placing a bag of apples in the cart.
"I think that forest out there is prime real estate," she replies, leaning on the cart's push bar. "Get a watermelon, too, Steve. Anyway, demon dogs aren't the weirdest we've run across."
"They were demodogs. Not demon dogs."
"I still think that was just a typo. Either way, I'm sure we can walk around the forest later and, you know, learn what the squirrels have seen."
Steve crinkles his nose, glancing at her as they make their way towards the deli. "You know the squirrels are too flighty. We're better off with the raccoons. Or, like, the sparrows."
He looks over to see her smirking and realizes she was just teasing him. Steve huffs and grabs as many sandwich meats as he can, getting everything but ham since Velma can't eat it and it gives Daphne migraines.
"Well, whichever animals you interrogate, I'm sure they'll clear up this mystery in no time."
Steve hums in agreement, follows Velma into the cereal aisle, and is about to say they should consider focusing on field mice when a voice from the other side of the shelf says, "Dude, spray cheese isn't gonna help us against the demodogs."
He blinks, pauses, and looks at Velma. She tilts her head, holds a finger up to her lips, and waves off the smirk he gives her at being right about demodogs not being a typo. "Yeah, I know," another voice says, followed by the clatter of grabbing a few cans, "but I want Cheez-Whiz."
"That stuff is gross," a girl's voice says, her tone flat in a way that Steve almost recognizes. He frowns slightly, tilting his head as he silently places a few cereal boxes in the cart. "It tastes fake."
"That's the point, El."
"Shouldn't we focus on lighters and hairspray?"
"I mean, this is technically a spray, right?"
Steve glances at Velma, raising an eyebrow before gesturing to the end of the aisle. She nods once and starts pushing the cart in that direction, huffing in amusement when Steve drops in a few more boxes along the way. "You'd think we're feeding an army," she says, tone dry.
"We might as well be," Steve replies, feelings his shoulders relax at the routine exchange.
They round the corner to see three kids down the aisle, two boys and one girl. One of the boys has curly hair and a baseball cap while the other is wearing a basketball jersey, and the girl has short hair that falls to her shoulders. They're all looking at the shelf, but the girl glances over when Velma and Steve enter the aisle.
She meets Steve's eyes, and he wonders if he's met her before. Her eyes narrow slightly, more in confusion than anything else, and her gaze travels down. He feels it on his arm as she lands on the 004, and her eyes widen as she steps away from the shelf.
Steve glances down at her arm in turn, sees the 011, and feels like his breath has been punched out of him. "Eleven," he whispers.
Next to him, Velma shifts closer, placing a hand on Steve's shoulder. "I'm here," she says, her voice low and more reassuring than she'll ever know.
"Four," Eleven says, walking up to him without another glance at her companions. "Are you here to hurt me or my friends?"
Steve blinks. "What?"
"Are you violent? Kali, Eight, was violent. And angry. Are you angry?"
As she talks, the two boys move to flank her, looking between Steve and Velma with something between suspicion and confusion. "Is this one of your siblings, El?" Basketball Jersey asks.
"Yes. Four. He was...transferred a year before the Upside Down. Four, these are my friends Dustin and Lucas"
"I go by Steve now. And, uh, no, not violent. We're grocery shopping," Steve says, awkwardly gesturing to their cart.
"Steve? You can name yourself and you choose Steve?" Dustin asks.
Steve blinks and frowns. "I didn't name myself. I asked the smartest rat I knew to name me."
The two boys blink as El nods in understanding. "The rat chose well," she says.
"Dude, how many people are you feeding?" Lucas asks, seeming to finally notice the shopping cart.
"Well, one of them is a Great Dane," Velma says. "Hello, El. I'm Velma, one of Steve's...guardians, I suppose. How would you like to come by for dinner? El and Steve can catch up, and you can tell us about those demodogs you mentioned."
"Were you spying on us?" Lucas asks.
"You weren't exactly being quiet," Velma tells them.
Before Lucas or Dustin can start arguing, El cuts them off, "We will come by for dinner. I am glad we met again, Steve."
"Yeah. Me, too," Steve replies, smiling at El and wondering if they'll have to explain how Scooby can talk.
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Tag List (please let me know if you'd like to be added!)
@romanticdestruction,
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yourfaveisqueerandreligious · 4 months ago
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velma dinkley from scooby doo is jewish (implied) and a lesbian (implied)
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submitted by @zwalrus
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kassandrasdisciple · 5 months ago
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~~~ spoilers for mystery incorporated ~~~
Like all my posts this'll be a rambling mess.
I didn't dedicate enough memory to mystery incorporated when I watched it as a child, this is a masterpiece.
The mystery is actually pretty good, it's set up well, there's crumbs everywhere, the repeating theme of "this has happened before" the other mystery groups. Do I understand what happened in the final act? Do I know why they didn't just destroy the keys/pieces/coffin when they had the chance? Did I understand the extradimentional beings? No to all the above, and guess what? I don't care, and that's how you know it's a good mystery, there are dozens of poirot, mrs marple and Columbo stories that I never know what's going on in and I still enjoy them. I wanted to know and I wanted out gang to succeed AND. THEY. DID.
Second point H O L Y S H I T, how many tragic characters can you stuff in a narrative? Some where for jokes, like the conquistador serving classic catholic guilt™ that makes him haunt the literal psychoscape. But we also had characters like Mr. E and angel/Cassie, the later who's fate I didn't realise was real until ... the marcie scene.
Marcie aka hotdog water, was introduced as a one off, villain of the week, with some nerd quirks and then I blinked and she was patroclus to Velmas Achilles, the lead in a Sapphic Romeo and Juliet, my baby. I won't lie, I had to pause and go listen to Two Slow Dancers on my bathroom floor. The gaul of this show to hit me in the face twice, once by gatling gunning my gays and twice by making me realize my DJ queen did infact get blown to pieces and I've been in denial for half a season.
Anyways watch mystery incorporated, it's 2 seasons 26 episodes each and unlike most netflix shows it can't be canceled and your guaranteed a completed story.
In the words of my girlie Marcie when looking at Velma from her bed
"That's my girl"
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rebeccakrijtofficial · 11 months ago
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If Scooby Doo was Jewish:
Fred-Feivel
Daphne-Dafna
Velma-Varda
Shaggy-Slapi
Scooby Doo- Dooby Doo
Scooby instead of a dog is a vintage Teddy Bear since Dooby means Teddy Bear in Hebrew. Also the Teddy Bear has Jewish origins. Has a pull string that makes him talk. Old Hasidic Rabbi voice.
Fred/Feivel is the quintessential Nice Jewish Boy and obsessed with superstitions. Has orange kotel tzitzit and kippah instead of ascot.
Dafna is basically a younger and more naive and innocent version of The Nanny. Loves modest fashion and tzedakah since her family is wealthy.
Varda is the self proclaimed Torah law police. Dry wit and a passionate debater.
Slapi could clear a Shabbat spread faster than the Birkat Hamazon could be sung. Was originally studying to be a scribe but was relieved of his training because he kept dropping food on the parchment.
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wouldshesnip · 2 years ago
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Daphne Blake and Velma Dinkley (Scooby-Doo)
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Nothing is more important to Daphne than fashion, so in addition to making sure her son has all the most fashionable clothes, she would also want to make sure he has fashionable privates.
Velma is all about the science, and despite her Jewish heritage, would base her decision on science alone. She would research circumcision enough to realize that the American medical community is in the minority when it comes to advocating for routine infant circumcision.
Would She Snip?: Yes, no
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baroque-hashem · 1 year ago
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After taking not one, not two, but SIX Uquizzes to discover which Scooby Doo character I am, I have determined once and for all that I am, without a doubt, Velma Dinkley, our Queer Jewish nerd queen
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Time's flying by -- half of Jewish Heritage Month has come and gone, and we've reached the semifinal round of the NJCS Heritage Month Special Event! Polls go live tomorrow, May 16th, at 3pm EST. Your competitors are:
Clark Kent/Superman/Kal-El VS Velma Dinkley
Tevye VS Shaggy Rogers (& Scooby-Doo)
As always, tracking “#nice jewish character showdown”, plus “#njcs jewish american heritage month” for this event specifically. I only tag the round announcement posts as “#jumblr” to avoid clogging the tag, so if you’re finding this post on there, hi guys!
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jes12321 · 2 years ago
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Scooby Doo Redesign
Because I cannot stop thinking about it.
[art credits at bottom]
Fred Jones
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💙 Frederick Steven Jones
💙 19 years old
💙 he/him
💙 Currently identifies as bisexual, but he’s still figuring it out.
💙 Autism
💙 Caucasian (like, the whitest boy to ever white)
💙 Adopted by a middle class family as a baby. Considers his birth parents the biggest mystery yet.
💙 Mom friend of The Gang. He has a satchel that’s really just a mom purse that he takes on all the mysteries. It has baby wipes in it.
💙 Is the one who got the whole Gang to really start hanging out. He dragged them along on their first mystery. Apparently almost dying is a big bonding experience.
💙 Owns the Mystery Machine. He bought it at a junk yard and fixed it up himself. It was a labor of love and he cares about it more than anything in the world (except maybe his friends)
💙 Hyperfixates on mystery and/or traps.
Shaggy Rogers
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💚 Norville Dennis Rogers
💚 20 years old
💚 he/him or they/them
💚 Pansexual demiboy
💚 Anxiety, ADHD
💚 Black/African-American
💚 Born into a new-money, rich family. They were very supportive of Shaggy when he told them he didn’t want to take over the family business.
💚 He is usually either stress eating for has the munchies.
💚 Scooby Doo is his support animal. He doesn’t do the best job (considering) but it’s the thought that counts and Scoob would never leave Shaggy hanging.
💚 Got the name “Shaggy” In kindergarten because he refused to let the barber cut his hair all year.
💚 Has a prescription for medical marijuana. Uses it liberally.
Velma Dinkley
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🧡 Velma Ruth Dinkley
🧡 18 years old (baby of The Gang)
🧡 she/her or they/them
🧡 Lesbian
🧡 Autism
🧡 Jewish-Mexican
🧡 Both of her parents are Jewish-Mexican as well. They own a small tourist shop in their town and live comfortably enough to be considered middle-class.
🧡 Has literally the worst vision ever. Lenses so thick she has to get a special coating on them so they aren’t so heavy.
🧡 Doesn’t necessarily believe in God or religion, but still practices because it was mostly how she bonded with her parents as a kid.
🧡 Skipped a grade in elementary school. She could have skipped another, but her parents didn’t want her to be with kids that much older than her.
🧡 Hyperfixates on different science fields and history. Comes in handy a lot during mysteries.
Daphne Blake
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💜 Daphne Ann Chun Blake
💜 19 years old
💜 she/her
💜 Bisexual transgender
💜 ADHD
💜 Korean-Scottish
💜 Born into an old-money, rich family. Her parents have very high expectations of her and often compare her to her older sisters.
💜 Her mother is Scottish and her father is Korean. He took her last name when they married, but Daphne and all her sisters have the second middle name “Chun” because that was his family name. Somehow Daphne and all her sisters got their mom’s red hair.
💜 When she came out as trans to her parents, they were actually really supportive because they had always wanted all daughters.
💜 Jack of all trades. Her parents made her do everything they could think of to make her “well-rounded” which just ended with her having a lot of random skills.
💜 Has difficulty sticking to one thing for too long before getting bored of it. The mysteries keep her on her toes.
Other info
❤️ The Gang met in a history class they all had together. Shaggy was a senior and needed to retake the class to graduate. The rest of the gang were juniors.
❤️ They are all in a polyamorous relationship with each other. I might make a chart later. Who knows?
❤️ Scooby talks. There is no explanation. No one questions it.
❤️ They are a family. This is very important. They all care about each other.
Art Credits
Also show support on their website:
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krasnyel · 2 years ago
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man do i love redesigning the scooby gang
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mosscoveredc4t · 4 years ago
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Velma is Jewish
A) bc I said so
B) she listens to Klezmer music
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hopepunk-priest · 2 years ago
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Okay since everyone's doing it, I'm gonna do it too
My version takes place in the 70's, the gang is college-aged, dodging the draft by solving mysteries with a background of the rise of grindhouse horror films, second wave feminism, student strikes, "the silent majority," environmentalism, Watergate, Queer liberation, and groovy rock music. As a more adult take, the monsters of the week and overarching villains will reflect, criticize, and celebrate the cultural movements of being in your early 20's during the 70's. That means villains ranging from nerds in star wars costumes to paranoid political scandals to actual real aliens. Stakes range from being inconvenienced to being in mortal peril.
Fred Jones: Mom friend with first aid training (that he learned from med students during a campus protest), the moral compass of the show in that he reminds the gang that laws exist and they are very much on the run, fucking HATES Nixon dude like HATES Nixon. Heart's always in the right place, even if things don't always work out. Knowledgeable in traps and whatever level of engineering is needed to solve the episode, also acts as the primary face. Also just loves mysteries.
Norville "Shaggy" Roberts: former track star, dropped out of culinary school, collects cool belt buckles a la original series, straight man in the horror movie "maybe we don't go in the haunted house" way, brave considering zombies and witch's ghosts are straight up real and he will still never leave his friends to face danger alone. Anxiety disorder he treats with weed, super knowledgable in pop culture which also gives him a variety of random trivia needed to fill gaps when needed. I think he really likes Lord of the Rings and Pink Floyd. Good at riddles.
Daphne Blake: inferiority complex because of her many successful siblings, wants to be a journalist like Gloria Steinem. Has taken a few self defense classes, but overall acts as the second face for the group. Still into make-up and fashion, and can use her skills (and a little high school theatre experience) to make believable disguises. She can pick up when someone's lying and can pick locks.
Velma Dinkley: Jewish. Loves mysteries and paranormal fiction, believes in conspiracy theories and urban legends. Her intelligence specializes in puzzles, historical, and chemical knowledge. She can be reckless, but only because she becomes very single-minded when she's onto something. Snarky, lesbian, and headstrong.
Scooby: Mischievous, food motivated, and gentle. Protective of the group, Scooby is just a big, goofy great dane who doesn't understand he isn't a lapdog anymore. He can talk, no one inside the group questions it, and only a select few outside the group even notice (part of the mystery). Intergalactic being but doesn't know it, he's much more dog than other iterations.
Scrappy: Just appears one episode, everyone acts like he's always been there. Revealed at the end that he's actually a trickster deity, comes in and causes chaos every now and then mostly just to fuck with Scooby.
The Hex Girls: a psychedelic witch-rock group with a heavy emphasis on environmental protection and new age metaphors, actual witches, a sound somewhere between Cream, Hendrix, and Stevie Nicks. Genuinely just friends with the gang.
Scooby is Shaggy's emotional support dog.
Daphne and Fred are together, healthy, and often end up hyping each other up to the point where other members have to step in and go "you're getting carried away, can we focus."
Daphne and Velma met at a feminist rally, and often have nuanced discussions about different feminist theories. Honestly, most likely to commit very real crimes to get to the bottom of a mystery.
Fred and Velma met in elementary school at a Hardy Boys and Nancy Drew book club (or whatever the 50's equivalent of this was) where they were the only two members. Their friendship is like an anti-macho brotherhood, paralleling the overly masculine friendships of the era.
Daphne met Shaggy in High School and she immediately adopted him the way extroverts adopt introverts. She is very dedicated to helping him build confidence, and Shaggy helps her with her inferiority complex and keeps her true to herself.
Fred and Shaggy are very physically affectionate, share a brain cell, most likely to get into shenanigans if left alone together. Second most likely to get into shenanigans if left alone together are Fred and Daphne.
Shaggy and Velma have a shared interest in music and films, and love talking conspiracy theories.
Shaggy and Scooby are inseparable. Real boy and his dog vibes.
They all smoke weed on screen, are constantly broke, they all are capable of being equally intelligent and dumb as rocks, they're all snarky in their own way, and they all say things like jinkies and Ruh Roh to like... Murders and cryptid kidnapings and issues of national security.
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miss-rum-hee · 2 years ago
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Hey! I was just wondering: How would you fix the following reboots? Velma and Monster High.
For MH I would
Make Draculaura Romanian again
Keep Clawdeen the MC
Frankie's okay I guess
Abbey would be Russian or mixed Russian Himalayan
Lagoona would be Aussie again (specifically aboriginal) and she wouldn't be snarling at people
Bloodgood wouldn't hate humans (she's literally a human herself, the daughter of the Headless Horseman)
I would put my OC in there for Filipino representation, and bring badk Jinafire, Kiyomi, and Euna, instead of taking away non villainous Slavic rep which is rare
Same with Latinas, Skelita (I know she's coming back but still)< Marisol, and Batsy would come back
Isi Dawndancer would return, but done more accurately
Lorna McNessie, Venus, and Silvi would come back because I love Scotland
All I know for Velma is:
Velma would be Japanese Jewish (Japanese from Hayley Kiyoko's version, Jewish from the white German version), and her surname would be Hashimoto not Dinkley. She wouldn't be a racist, slut shaming, sexist, vain, bully
Daphne would be Scottish American like she should be, and she would be the kind, glamourous lady who gets in trouble, because being girly and needing help is hated by radical feminists these days. But she wouldn't be dumb like some people who see "girly girl" and "damsel" think.
Shaggy would be Shaggy again, he would not be a druggie in denial
Fred wouldn't be the tool for anti white and anti rich propaganda like he is in the show.
I would bring back the Hex Girls, as well as movie characters like Crystal, Amber, Miyumi, and Shannon.
There would be no sexualizing teens, no gore, and no meta jokes.
For M0nst3er H1gh:
Keep Frankie the MC still, mostly cause' I feel like she's perfect for introducing new fans to the world of Monster High. She's new & doesn't really know much about the world, so I feel like it's better to keep her the main character.
Draculaura is still Romanian. I'd keep the whole witch thing because I kinda like it. I'd make it so that she's insecure about her being unable to do certain things yet as a vampire (turning into a bat, etc) so to compensate, she turns to witchcraft. It would be a nice opportunity to bring Casta Fierce back into the picture.
Cl4wdeen? Yeah no she's reverting back to her old self. G3 Cl4wdeen is just plain awful man, I'm sorry 🤧 The one thing I'll keep from G3 is her being nerdy. Make her nerdy about fashion & get all excited when someone shows interest in fashion. I like that idea.
For Abbey, I'd make her mixed. I'd change Bloodgood to not be a monster racist no more because that's fucking stupid (not letting yetis & half-human monsters attend, not letting gorgons play casketball) & I'd bring back some G2 monsters.
I'm afraid I don't really have much to say about the trash fire that is Velma, through.
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07170 · 2 years ago
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velma dinkley is jewish TO ME.
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magnetothemagnificent · 2 years ago
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You're telling me that Velma was based off of a Jewish lesbian and was explicitly Jew-coded multiple times but all of fandom denies her Jewishness?
so you’re telling me that velma dinkley is directly based off a character played by a woman who would later go on to become the first openly gay california legislator but people are still saying she’s straight? so you’re telling me that james gunn originally wrote in a daphne/velma kiss in the 2002 live action scooby doo movie but people are still saying she’s straight? so you’re telling me that hayley kiyoko literally played velma dinkley in the 2009 live action adaptation but people are still saying she’s straight? so you’re telling me that in scooby-doo: mystery incorporated velma dinkley was written to purposefully show that she could not have a healthy relationship with a boy but in season two is in a loving relationship with a girl and the writers say velma was meant to be specifically lesbian in this series but people are still saying she’s straight? so you’re telling me tha
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briek58454521 · 4 years ago
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Let’s rant about bigotry in media and fake allies.
.Look. I get it. You want to believe that your cartoons, media and celebs are completely perfect darlings that can do no wrong, but let me be frank. I don’t care how much you don’t want to talk about it. I care about the creators who keep inviting the discourse their way through their idiocy. Whenever a creator gets in trouble for doing shit like making jokes about slave hats on a live stream, or including a blackface caricature in an art book, or killing off their gays the very episode they come out or are introduced, there’s always a subset of people who say shit like, “it was a mistake, they didn’t mean it. It kinda gives us as a leftist community a bad name when we keep attacking each other like this”.
Let’s dismantle that. And let’s break this down in three basic points I’ll use throughout. 1. It is not your place to accept an apology that was not for you, especially when in regards to racism, sexism, anti-LGBTA+ bigotry, and anti-semitism. 2. We need to stop lumping in actual criticism with alt-right idiots being shitty about marginalized groups existing, because ultimately, infighting is not the end of the world, and disagreements are not inherently bad. They are a fact of life. 3.  Most importantly of all, just because these people claim to be allies, that does not mean that they are. Because make no mistake. CARTOONS ARE NOT ANY LESS EFFECTED BY THE BIASES OF THE ENVIRONMENTS WHICH PRODUCED THEM THAN ANY OTHER WORK OF ART.
Now. Let’s break down that shit completely.
1. I used those examples as a jumping-off point, but in general, this shit always happens. A creator fucks up, they get criticism which was unquestionably earned, they get rightfully dragged, and the creator uses the backlash to garner sympathy from their audiences and paint their critics in a bad light and whine about Cancel Culture. NOW, I already talked about that in another post, but basically, it doesn’t exist, and is used as a weaponized shield from criticism. 
Thing about all of that as well is when the creators keep bringing up how they didn’t mean it like that. Most people would answer this with, “doesn’t matter, what matters is what you did”, but there’s something else that people don’t talk about. This is usually a bunch of white people excusing this shit. Or otherwise, a bunch of people who weren’t actually affected by the latest controversy. And therein lies the rub. Allies, let me put it this way. WHEN THE SUBJECT OF THE CRITICISM IS ABOUT THE PORTRAYAL OF MINORITIES IN MEDIA, YOU ARE IN NO POSITION TO EXPECT SAID MINORITIES TO FORGIVE THOSE CREATORS WHEN YOU WERE NOT AFFECTED BY IT.
Remember the Lana Del Rey controversy, where her dumbass ended up getting shit for her statement filled with venom towards other artists? Could have been cleared up if she had just accepted that she messed up and didn’t word her statement correctly, but no. She lashed out at the people who told her it was kinda racist to lump a bunch of black female artists into a conglomerate of artists who just, “twerk, cheat, have sex, and get money”, and dismissing feminism as needing to accommodate women “like her, who were more delicate”, perpetuating inadvertently to the idea that black women are less delicate, white women are petite, demure, and need to have a place above the others. AND LOOK, it’s how she responded that sealed it. Accusing her critics of being the actual racists, who hate women, and conflating the criticism with.....ugh....a FUCKING RACE WAR. Do I EVEN need to explain the problem with that?
The point is that it was idiotic of her to assume that she didn’t deserve the criticism because she “technically didn’t mean it”, when ultimately, she wasn’t the victim, she wasn’t the one who ACTUALLY got hurt by all of this, and that most of the criticism WAS NOT ANYWHERE NEAR as vitriolic as Lana accused it of being. And people do this to minorities all the fucking time. Where the praise for the work is what matters, but then they’re just upset and looking to be upset about things when they....sorry, when WE have shit to say about the fuckups. Constantly, minorities are expected to praise bare minimum bullshit lest we have self proclaimed “””””allies””””” get pissy that we aren’t playing along. Well, sorry, but, I think it be time to stop with that shit. It doesn’t matter how pure you think that person is. If the people who are the actual part of the controversy have shit to say about it, MAYBE LISTEN TO THEM instead of trying to force people to accept the apology that wasn’t even yours to accept, nor was it for you to shove in our faces to shut us up. And if you dislike that I’m saying that, just know. That’s exactly what you’re doing when you pull that shit.
2. As simply as I can put it, complaining about how a trans person is portrayed badly is not the same as complaining ABOUT the presence of a trans person, and to lump that shit onto the other pile is dishonest and willfully ignorant. When we keep getting upset about the tone, or upset about, “WAAAH, they said a me-no-like”, and lump that in with the actual facists looking to erase us from the history books, we are doing half of their job for them, and normalizing shit like what I saw the other day, where on Twitter, some asshole complained, “Anime is supposed to be an escape from reality. Adding black people to it kinda ruins the point.”
I’m gonna talk about it in the next point, but for now, understand this. NO ONE says shit like that just out of the blue without having it come from somewhere, and that attitude is all too prevalent.
In cartoons especially, criticism of the NB lizard from She-Ra is not being bigoted towards non-binary people, because the use of a fucking lizard to portray them is the ACTUALLY bigoted thing. And to lump in criticism of that with the criticism of She-Ra not being conventionally attractive enough for men to masturbate to the fucking minor is only going to long-term HARM any discourse. Because having these conversations as well as discussing these issues and educating each other about them is how we AVOID THEM. Criticism is not just a vector for asshole conservatives to be pissy about your existence. It’s also a veritable TREASURE TROVE for how not to fuck your shit up. And when we all get it, we learn. I get it, you don’t want to do shit wrong, but when you do, as everyone will, the backlash will burn itself out, and once you’ve fixed it, people will be very forgiving. Because, and it’s gonna sound mean....THAT’S HOW AUDIENCES WORK. THEY WANT TO FORGIVE YOU FOR WHEN YOU DO SHIT WRONG. So just...fix it. And listen. Yeah, you’ll get called stupid, you’ll get called “moron”, but you will have saved yourself from getting that shit ten times worse later on down the line. BEAR IN MIND, THOUGH, any of you already typing about how that’s enabling cyberbullying under the guise of critique, IT’S NOT. There’s a wealth of difference between the two, and trying to distract from the point with that is just a red herring. So stop with that.
And now....for the biggest one of all.
3. See...here’s the thing. About that anime douche. That doesn’t happen in JUST anime. It’s been around for decades, and has been a thing to this day. The WoW community got upset about womz being in power for the past 15 years, and have gotten on their high horse about black people being in the game, stating that if they were around sooner, maybe it wouldn’t, “SEEM TOO POLITICAL”, with that Asmongold jackass trying to start a second wave of GamerGate because one of the people at Blizzard said, “Black Lives Matter”. Fantasy as a genre has been so rooted in racism, that the inclusion of goblins for the most part is synonymous with anti-semitism towards Jewish people. Captain Marvel was pilloried for the past two years because the mean lady said that shit needs to change and wasn’t too nice, and also, me don’t like her too much. Basically, tone policing over a personality that we still give Howard Stern a platform for. In cartoons, the inclusion of black people is seen as an inherently political opinion. The rumors of Gen 6 Apple Jack possibly having a black voice actress prompted comments such as:
“The thiing with AJ is clearly anti-white/conservatist as a response to Trump America. What is opposite of country redneck female? Of course, and urban black woman.”
“It’s the fact that she’s black that bothers me.”
“Killing a blonde freckled Southern character for some political agenda is the last thing I want to see.”
The news of Velma Dinkley being gay was immediately pounced upon with shit about a homosexual agenda, and constant bullshit about how it was so forced, or whatever. This shit always happens, and is gonna keep happening. You know why?
Because the entertainment industry is not ready to accept minorities. The games industry is not ready to accept minorities. Cartoons are still not ready to accept minorities. They accept them for a moment, until those minorities challenge someone’s ego. Fans embrace a character until they’re a woman, or a POC, or on the spectrum, or LGBTA+. The existence of us is denigrating to these idiots’ escape, not from reality, but from us. It’s bad enough that they have to put up with us in the real world, but even worse that they have to see us in fictional shows that aren’t real.’ Us merely BEING AROUND is a bad thing, and to ask for some improvements is met with bemoaning about agendas.
Supposed allies begin and end their support with how much money we put in their wallets and how much we stroke their egos about how woke they are, and actual allies are lumped in with actual offenders. If we get upset that a show they’ve posited as so enlightening is actually the utter pits and not in any way healthy, they get upset. Tell a Reylo they’re shipping something toxic and dangerous, they’ll get upset and yell racial slurs at John Boyega for sitting next to Daisy Ridley. Say, “Fuck Arthas”, people get upset jump down your throat about how you hate forgiveness. Tell people that the Grinch ought not to be forgiven, people get upset you’re strawmaned about how you hate forgiveness.
They just don’t understand, or care about the essential fact about all of this. As I said earlier. The environments which produce the worst of offenders in these fields, and the problems we hate seeing so much are in no way less affected by the biases that they were cultivated by. And media has never been any more ready to accept minorities as people and as worthy of being portrayed as people than literally anywhere else right now. And speaking up about that is what gets these fake allies mad, especially when they LIKE the media. What makes these people so mad is not the troubling portrayal of POC, or women, or minorities. Not that we are routinely ostracized for existing in cartoons, not that this shit happens at all. They don’t give a flying fuck about any of that. It’s the thing that they have to put up with as a result of that that makes them the most upset.
Criticism. And they don’t like that.
And no matter whether or not these cartoons are made by bootlickers, or this movie was made by a TERF,  or if this creator has a history of blackface, racism, or has made garbage statements about women, if you aren’t nice and considerate enough towards their feelings, you’ll make them, and us, the allies, feel uncomfortable. NO DWAMA, just not too divisive feedback that’s ultimately worthless as it was made purely to try to appease idiots and the people most affected by these issues at the same time, meaning it had to be watered down past the point of no return in order for us to factor it in with our jaded mindsets and worldviews that are the direct cause of the problems we complain about, yet keep exacerbating through our ignorance and unwillingness to change.
If you aren’t like that, and don’t believe you should be lumped in with that, don’t behave as if you are that sort of person. But, even then, if you aren’t...listen to the actual experts. Stop listening to some white guy’s idiotic hot takes about black rep, and actually listen to black people. Listen to trans people instead of some cis white chick with no understanding of trans issues. Stop platforming the worst of offenders within these communities as the bestest ever. And most importantly....
remember that horses don’t exist.
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magnetothemagnificent · 2 years ago
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apparently in one continuity, velma's middle name is daisy, so i'm going to headcanon that she was given her first name to honor a grandfather named velvl, her middle name to honor a grandmother named daisy, and her hebrew name is nitzan, meaning "flower bud"!
I love that! I personally headcanon that her ancestors' surname was Finkelstein but they changed it to Dinkley when they immigrated to the US.
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