#jessica cheetham

[kamreadsandrecs]

Title: The Hollows Author: Daniel Church Genre/s: mostly folk horror, with a bit of what I’d call survival horror in the middle Content/Trigger Warnings: implied child and animal abuse, implied sexual assault, physical assault, kidnapping, human and animal death, gore Summary (from Angry Robot Books): In a lonely village in the Peak District, during the onset of a once-in-a-lifetime snow storm, Constable Ellie Cheetham finds a body. The man, a local ne’er-do-well, appears to have died in a tragic accident: he drank too much and froze to death. But the facts don’t add up: the dead man is clutching a knife in one hand, and there’s evidence he was hiding from someone. Someone who watched him die. Stranger still, an odd mark has been drawn onto a stone beside his body. The next victims are two families on the outskirts of town. As the storm rises and the body count grows, Ellie realises she has a terrifying problem on her hands: someone – or some thing – is killing indiscriminately, attacking in the darkness and using the storm for cover. The killer is circling ever closer to the village. The storm’s getting worse…and the power’s just gone out. Buy Here: https://angryrobotbooks.com/books/the-hollows/ Spoiler-free Review: A pretty fun read overall! The concept’s solid, and while it’s not what most people would think about when they think of folk horror, especially if their first contact with the genre is Midsomar or Wicker Man (the old one, not the remake), it fits in the genre pretty well. It takes a while for the connection to click, but when it does? Whooboy! Also like Midsomar and Wicker Man, I genuinely think this’d make a great movie or miniseries! There’s passages in the book that read as very cinematic, and a part of me wonders if this book was written with the possibility for adaptation into a show or film already in mind. Even if that was the case, I think it’d work wonderfully in a visual medium. Not sure which director would work best on this - I mean, Ari Aster’s the obvious choice because of his connection to folk horror, but there’s aspects to this that make me think another director might be a better fit. That being said: I wish the pace of the narrative was better. There were several chapters that I think could have been more tightly-written; for a moment I thought this was going to turn into survival horror, and I think it was that for a moment, which doesn’t make me happy (not because I think survival horror is a bad subgenre; it’s just not my schtick). But once you’re past that part the story picks up again; I just wish that slow chunk was, as I said, more tightly-written. Rating: Three creepy entities and one half-corpse (three and a half) Thoughts underneath the cut for spoilers

- There were plenty of nods to Lovecraft, particularly where the Harpers are concerned. I don’t know if those nods were deliberate, but there they are (or at least, there I think they are; it’s likely I’m the only one seeing them). - Speaking of nods to Lovecraft and the Harpers, I wonder if the veering away from incest when it came to Paul and Jessica was the author seeing what direction they were going and deciding “Nope!” at the last minute. This is only speculation, and I could be entirely wrong, but given the way that the “no incest happened here!” thing was put forward, I can’t help but wonder if that was the case regardless. - Can I just say that I love how women took care of most of the business in this novel? Not all of them met happy ends, but I’m glad for the ones who did. - Also: the scene where the Harpers were holding Charlotte Famuwiya and her boy hostage? And they said they’d had a noose around Charlotte’s neck? Godsdamn if that doesn’t say “lynching” to me, especially since Charlotte’s mixed-race. - And given the history of the village and the Harpers’ farm and their relationship to the Tatterskins and the old gods: fuck the Normans, and therefore, fuck the French.

[native-blog-deutsch]

Retrospektive des Künstlers Robert Houle im National Museum of the American Indian

Die erste große Retrospektive des Künstlers Robert Houle wird im National Museum of the American Indian zu sehen sein

Ausstellung feiert mehr als 50 Jahre Werk des Künstlers   Das Smithsonian's National Museum of the American Indian in Washington, D.C., eröffnet am 25. Mai die Ausstellung "Robert Houle: Red is Beautiful". Es ist die erste große Retrospektive des Werks von Robert Houle (Saulteaux Anishinaabe, Sandy Bay First Nation, geb. 1947) und deckt mehr als 50 Jahre seiner Karriere ab. Die Ausstellung, die von der Art Gallery of Ontario organisiert und von Wanda Nanibush (Anishinaabe-kwe, Beausoleil First Nation) kuratiert wird, ist bis zum 2. Juni 2024 zu sehen. Der Kolorist, der hauptsächlich in Öl arbeitet, hat in seinen Werken sein indigenes kulturelles Erbe mit der euro-amerikanischen Art und Weise, Kunst zu machen und darüber nachzudenken, zusammengebracht, was er "transkulturell" nennt. Die Ausstellung umfasst große Installationen, Gemälde, Videos, Mixed-Media-Skulpturen und Zeichnungen, die zwischen 1970 und 2021 entstanden sind.   Die Ausstellung ist in Themen unterteilt, die Hulles Arbeit zu verschiedenen Zeitpunkten seiner Karriere näher beleuchten. Dazu gehören "Beyond History Painting", in dem Houle eine indigene Perspektive in historische Ereignisse einbringt, und "Sacred Geometry", in dem der Künstler modernistische Malerei und das Design seiner Vorfahren zu einem kraftvollen Ausdruck von Emotionen verschmilzt. In "Residential School Years" erforscht Houle seine Kindheitserinnerungen an das Trauma, das er in der Sandy Bay Residential School erlebte. Andere Themen befassen sich mit der Stammessouveränität und ihrer Verteidigung sowie mit dem spirituellen Erbe des Anishinaabe-Volkes. Einige der in der Ausstellung gezeigten Werke sind "Red is Beautiful" (1970), das Werk, nach dem die Ausstellung benannt ist; "Kanata" (1992), eine Neuinterpretation von Benjamin Wests berühmtem Gemälde "Der Tod von General Wolfe"; "Parfleches for the Last Supper" (1983), eine Gruppe von 13 Acrylbildern, die Jesus und seine Apostel darstellen; und "The Pines" (2002 bis 2004), das zur Unterstützung der Kanien'kehá: ka (Mohawk) zur Verteidigung von Kanehsatake, ihrem Stammesgebiet in der Nähe von Montreal. Katalog Zur Ausstellung erscheint der vollständig illustrierte Hardcover-Katalog "Robert Houle: Red is Beautiful". Er enthält Essays von Hules Nichte Ala Goodwill, Gerald Vizenor, Mark Cheetham, Michael Bell, Jessica Horton und Nanibush sowie intime Erinnerungen und Würdigungen von Künstlerkollegen wie WalkingStick, Duke Redbird, Jamelie Hassan, Ron Benner und Faye HeavyShield und den Kuratoren Penney und Stephen Borys. Der Katalog wird gemeinsam von der Art Gallery of Ontario und DelMonico Books/D.A.P. herausgegeben. Über das National Museum of the American Indian In Zusammenarbeit mit den indigenen Völkern und ihren Verbündeten fördert das National Museum of the American Indian eine reichere gemeinsame menschliche Erfahrung durch ein besseres Verständnis der indigenen Völker. Das Museum setzt sich für Gleichberechtigung und soziale Gerechtigkeit für die indigenen Völker der westlichen Hemisphäre ein, indem es Bildung, Inspiration und Empowerment vermittelt. An zwei Standorten bietet es Ausstellungen und Programme in New York City und an der National Mall in Washington, D.C. Weitere Informationen, einschließlich Öffnungszeiten und Wegbeschreibung, findest du unter AmericanIndian.si.edu. Folge dem Museum in den sozialen Medien auf Facebook, Twitter und Instagram. Über die Art Gallery of Ontario Die Art Gallery of Ontario in Toronto ist eines der größten Kunstmuseen Nordamerikas und zieht jährlich etwa 1 Million Besucher an. Die mehr als 120.000 Kunstwerke umfassende Sammlung der AGO reicht von hochmoderner zeitgenössischer Kunst über bedeutende Werke indigener und kanadischer Künstler bis hin zu europäischen Meisterwerken. Die AGO präsentiert ein breit gefächertes Ausstellungs- und Programmangebot, darunter Einzelausstellungen und Ankäufe von verschiedenen und unterrepräsentierten Künstlern aus aller Welt. Die AGO hat sich verpflichtet, einladend und zugänglich zu sein: Der Eintritt ist für alle unter 25 Jahren kostenlos, und jeder kann eine Jahreskarte für 35 $ erwerben. Im Jahr 2022 begann die AGO mit der Planungsphase für ein Erweiterungsprojekt, das mehr Ausstellungsfläche für die wachsende moderne und zeitgenössische Sammlung des Museums bieten soll. Wenn die Bauarbeiten im Jahr 2024 beginnen, wird dies die siebte Erweiterung sein, die das AGO seit seiner Gründung im Jahr 1900 durchgeführt hat. Besuche AGO.ca, um mehr zu erfahren. Die AGO wird zum Teil vom Ministerium für Tourismus, Kultur und Sport der Provinz Ontario finanziert. Zusätzliche Unterstützung erhält die AGO von der Stadt Toronto, dem Canada Council for the Arts und großzügigen Beiträgen von AGO-Mitgliedern, Spendern und Partnern aus der Privatwirtschaft. Quelle: Smithsonian  Read the full article

[artbookdap]

Works from 'Robert Houle: Red Is Beautiful,' a staff pick for Indigenous Peoples Day, published by @delmonico_books & @agotoronto⁠ ⁠ A few quotations from the book:⁠ "I don’t mind working with [a vivacious red] on a cloudy day —⁠ it brings out the heat [while painting]."⁠ ⁠ 'If something is going to happen, our people will witness it."⁠ ⁠ "Oneida is not flatware; Apache is not a helicopter; Pontiac is not a car."⁠ ⁠ "Dreaming gave me the authenticity to say I am an artist."⁠ ⁠ Pictured here: ⁠ Red is Beautiful (1970) ⁠ In Memoriam (1987)⁠ Shaman Never Die (2015)⁠ Aboriginal Title (1989–1990)⁠ ⁠ Edited with foreword and text by Wanda Nanibush. Text by Alanaise Onischin Ferguson, David Penney, Duke Redbird, Faye HeavyShield, Gerald Vizenor, Jamelie Hassan & Ron Benner, Jessica L. Horton, Kay WalkingStick, Mark A. Cheetham, Michael Bell, Stephen Borys.⁠ ⁠ Read more via linkinbio.⁠ ⁠ #roberthoule #redisbeautiful #indigenousartist #indigenousart #indigenouspeoplesday #firstnations @contemporarycalgary @wag_ca @smithsoniannmai https://www.instagram.com/p/CjipamxMmrU/?igshid=NGJjMDIxMWI=

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[benjihuman]

Music video for ‘Cookies 4 U’ © Dream Nails [x]

In their words: We bring you a song dedicated to the entitled men who do the bare minimum to support feminism and expect prizes.

A 90s saturday morning breakfast show inspired music video packed with hand-made props and cutting sarcasm.

_______

Becca Human / Director, DOP, Art Director, Editor, Prop Design beccahuman.com/

Sandy Ogundele / Producer, On-Set Photographer

Janey Starling / Production Co-ordinator, Art Department

Tetley Clarke / Co-Art Director, Prop Design tetleyclarke.com/

Annaïs Nourry / Production Assistant, Art Department thetalentmanager.co.uk/talent/76061/annais-nourry

Veronica Llamas / Stylist, Lighting Assistant veronica-llamas.com/

Jessica Cheetham / Make Up Artist thisisjess.co.uk/

Emily Stephenson / Designer Cake Baker

Ella Thorne / Art Department

Lucy Katz / Art department

_

DREAM NAILS

Janey Starling - vocals  Anya Pearson - guitar  Lucy Katz - drums  Mimi Jasson - bass

Bandcamp: dreamnails.bandcamp.com/album... Spotify: open.spotify.com/track/4HxhZs... iTunes: itunes.apple.com/fr/album/tou... Facebook: facebook.com/yourdreamnails/ Instagram: instagram.com/dreamnailsband Twitter: twitter.com/yourdreamnails

Link to the video on YT: youtube.com/watch?v=7DWWrPrrtmc Link to the video on Vimeo: https://vimeo.com/253668060 Link to the video on FB: facebook.com/yourdreamnails/videos/1412846135487299/

[songwriternews]

New Post has been published on SONGWRITER NEWS

New Post has been published on https://songwriternews.co.uk/2019/11/izzy-thomas-trouble-official-video/

Izzy Thomas "Trouble" Official Video

Trouble (Pull That Trigger) Official Video Film – James Gallant Makeup – Jessica Cheetham Apple Music … source

[artwalktv]

‘All I Wanted’ original song by Elena Tonra. From 'Music from Before the Storm': http://bit.ly/2Kx6LG0 Music arranged by Josephine Stephenson. Directed by Simon Lane. Daughter are: Elena Tonra, Igor Haefeli & Remi Aguilella. — String Quartet: Eloisa-Fleur Thom (violin) Meghan Cassidy (viola) Max Ruisi (cello) Gregor Riddell (cello) Vocal Quartet: Ana Silvera Lucy Parnell Kate Huggett Josephine Stephenson — Crew: DOP - Jake Gabbay Producer - Hannah Wainwright Steadicam - Tom Blount Focus Puller - Henry Keep Gaffer - Kieran Brown Steadicam Assistant - Emily Tait Sound Recordist/Audio Technician - Fabian Prynn Make Up Artist - Jessica Cheetham Camera Assistant - Miles Williams Colour grade - Toby Tomkins @CHEAT Management by Matt Brown, Stay Loose. ‘Music from Before the Storm’ is available on vinyl worldwide as part of Record Store Day 2018, on Saturday 21st April: http://bit.ly/2riXhFE Copyright 4AD/Glassnote 2018.

[aristocratslog]

Daughter - 'All I Wanted' (Live at Asylum Chapel) from Clouded Vision on Vimeo.

‘All I Wanted’ original song by Elena Tonra. From 'Music from Before the Storm': smarturl.it/DaughterMfBtS Music arranged by Josephine Stephenson. Directed by Simon Lane. simonjlane.com Daughter are: Elena Tonra, Igor Haefeli & Remi Aguilella. — String Quartet: Eloisa-Fleur Thom (violin) Meghan Cassidy (viola) Max Ruisi (cello) Gregor Riddell (cello) Vocal Quartet: Ana Silvera Lucy Parnell Kate Huggett Josephine Stephenson — Crew: DOP - Jake Gabbay Producer - Hannah Wainwright Steadicam - Tom Blount Focus Puller - Henry Keep Gaffer - Kieran Brown Steadicam Assistant - Emily Tait Sound Recordist/Audio Technician - Fabian Prynn Make Up Artist - Jessica Cheetham Camera Assistant - Miles Williams

Colour grade - Toby Tomkins @CHEAT Management by Matt Brown, Stay Loose. ‘Music from Before the Storm’ is available on vinyl worldwide as part of Record Store Day 2018, on Saturday 21st April: recordstoreday.com/

Copyright 4AD/Glassnote 2018.

[jordanmunson]

Daughter - 'All I Wanted' (Live at Asylum Chapel) from Clouded Vision on Vimeo.

‘All I Wanted’ original song by Elena Tonra. From 'Music from Before the Storm': smarturl.it/DaughterMfBtS Music arranged by Josephine Stephenson. Directed by Simon Lane. simonjlane.com Daughter are: Elena Tonra, Igor Haefeli & Remi Aguilella. — String Quartet: Eloisa-Fleur Thom (violin) Meghan Cassidy (viola) Max Ruisi (cello) Gregor Riddell (cello) Vocal Quartet: Ana Silvera Lucy Parnell Kate Huggett Josephine Stephenson — Crew: DOP - Jake Gabbay Producer - Hannah Wainwright Steadicam - Tom Blount Focus Puller - Henry Keep Gaffer - Kieran Brown Steadicam Assistant - Emily Tait Sound Recordist/Audio Technician - Fabian Prynn Make Up Artist - Jessica Cheetham Camera Assistant - Miles Williams

Colour grade - Toby Tomkins @CHEAT Management by Matt Brown, Stay Loose. ‘Music from Before the Storm’ is available on vinyl worldwide as part of Record Store Day 2018, on Saturday 21st April: recordstoreday.com/

Copyright 4AD/Glassnote 2018.

[ozkamal]

‘All I Wanted’ original song by Elena Tonra. From 'Music from Before the Storm': https://ift.tt/2vjUInm Music arranged by Josephine Stephenson. Directed by Simon Lane. Daughter are: Elena Tonra, Igor Haefeli & Remi Aguilella. — String Quartet: Eloisa-Fleur Thom (violin) Meghan Cassidy (viola) Max Ruisi (cello) Gregor Riddell (cello) Vocal Quartet: Ana Silvera Lucy Parnell Kate Huggett Josephine Stephenson — Crew: DOP - Jake Gabbay Producer - Hannah Wainwright Steadicam - Tom Blount Focus Puller - Henry Keep Gaffer - Kieran Brown Steadicam Assistant - Emily Tait Sound Recordist/Audio Technician - Fabian Prynn Make Up Artist - Jessica Cheetham Camera Assistant - Miles Williams Colour grade - Toby Tomkins @CHEAT Management by Matt Brown, Stay Loose. ‘Music from Before the Storm’ is available on vinyl worldwide as part of Record Store Day 2018, on Saturday 21st April: https://ift.tt/2JUqyyZ Copyright 4AD/Glassnote 2018.

[laeirbag]

＊ ‘All I Wanted’ original song by Elena Tonra. From 'Music from Before the Storm': http://bit.ly/2HQGhxA Music arranged by Josephine Stephenson. Directed by Simon Lane. Daughter are: Elena Tonra, Igor Haefeli & Remi Aguilella. — String Quartet: Eloisa-Fleur Thom (violin) Meghan Cassidy (viola) Max Ruisi (cello) Gregor Riddell (cello) Vocal Quartet: Ana Silvera Lucy Parnell Kate Huggett Josephine Stephenson — Crew: DOP - Jake Gabbay Producer - Hannah Wainwright Steadicam - Tom Blount Focus Puller - Henry Keep Gaffer - Kieran Brown Steadicam Assistant - Emily Tait Sound Recordist/Audio Technician - Fabian Prynn Make Up Artist - Jessica Cheetham Camera Assistant - Miles Williams Colour grade - Toby Tomkins @CHEAT Management by Matt Brown, Stay Loose. ‘Music from Before the Storm’ is available on vinyl worldwide as part of Record Store Day 2018, on Saturday 21st April: http://bit.ly/2rhRIbe Copyright 4AD/Glassnote 2018. ＊ Ｓｔａｒｒｅｄ　ｖｉｄｅｏ　ａｕｔｏ　ａｄｄｅｄ．　Ｔｏ　ｍａｙｂｅ　ｗａｔｃｈ　ｓｏｍｅｄａｙ．

[arikenjp]

Daughter - 'All I Wanted' (Live at Asylum Chapel) from Clouded Vision on Vimeo.

‘All I Wanted’ original song by Elena Tonra. From 'Music from Before the Storm': smarturl.it/DaughterMfBtS Music arranged by Josephine Stephenson. Directed by Simon Lane. Daughter are: Elena Tonra, Igor Haefeli & Remi Aguilella. — String Quartet: Eloisa-Fleur Thom (violin) Meghan Cassidy (viola) Max Ruisi (cello) Gregor Riddell (cello) Vocal Quartet: Ana Silvera Lucy Parnell Kate Huggett Josephine Stephenson — Crew: DOP - Jake Gabbay Producer - Hannah Wainwright Steadicam - Tom Blount Focus Puller - Henry Keep Gaffer - Kieran Brown Steadicam Assistant - Emily Tait Sound Recordist/Audio Technician - Fabian Prynn Make Up Artist - Jessica Cheetham Camera Assistant - Miles Williams

Colour grade - Toby Tomkins @CHEAT Management by Matt Brown, Stay Loose. ‘Music from Before the Storm’ is available on vinyl worldwide as part of Record Store Day 2018, on Saturday 21st April: recordstoreday.com/

Copyright 4AD/Glassnote 2018.

[centrestagereviews]

Interview: Theatre Search

🎭 Interview: Jessica Cheetham 🎭 With many UK theatres closed with no reopening date, @spun_glass are developing ‘#TheatreSearch’ - a free, shared resource for independent and touring producers to help rebuild the industry 🎭

British Theatre is revered globally for its innovation and quality but stage doors are currently shut with no set date for reopening. Many may never reopen.

Even before Covid-19 hit, there was a growing sense that something needed to be done to help diminish the cracks that were appearing in the ecology of touring theatre. In order to support independent producers and develop a more sustainable…

[artbookdap]

"Red is Beautiful" (1970) — from 'Robert Houle: Red Is Beautiful,' published by @delmonico_books & @agotoronto⁠ ⁠ An extensive survey spanning more than 50 years, 'Robert Houle: Red Is Beautiful' celebrates Houle’s ongoing career as an internationally recognized Indigenous artist, curator and writer, calling attention to First Nations and settler-colonialist histories through the critical lens of his impressive oeuvre. Painful personal experiences from the time he spent in residential school as a youth are brought into sharp relief through painting. Houle’s visual commentary tackles global topics including commercial appropriation, Indigenous resistance movements, land rights, religion and war, among others. A leader in challenging systemic racial biases, Houle has played a significant role at successfully introducing Indigenous art and its relationship to the contemporary art world in Canada and beyond. Rare excerpts from the artist’s archive are featured alongside major scholarly texts, poetic writings and personal anecdotes from fellow prominent Indigenous thinkers and creators, offering new insights about an artist ahead of his time.⁠ ⁠ Edited with foreword and text by Wanda Nanibush. Text by Alanaise Onischin Ferguson, David Penney, Duke Redbird, Faye HeavyShield, Gerald Vizenor, Jamelie Hassan & Ron Benner, Jessica L. Horton, Kay WalkingStick, Mark A. Cheetham, Michael Bell, Stephen Borys.⁠ ⁠ Read more via linkinbio.⁠ ⁠ #roberthoule #redisbeautiful #indigenousartist #indigenousart #firstnations https://www.instagram.com/p/CbyKFm0J5nJ/?utm_medium=tumblr

[rumahmewahsidoarjo]

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[spikelarock]

Daughter - 'All I Wanted' (Live at Asylum Chapel) - ‘All I Wanted’ original song by Elena Tonra. From 'Music from Before the Storm': http://bit.ly/2C7a4Qa Music arranged by Josephine Stephenson. Directed by Simon Lane. Daughter are: Elena Tonra, Igor Haefeli & Remi Aguilella. — String Quartet: Eloisa-Fleur Thom (violin) Meghan Cassidy (viola) Max Ruisi (cello) Gregor Riddell (cello) Vocal Quartet: Ana Silvera Lucy Parnell Kate Huggett Josephine Stephenson — Crew: DOP - Jake Gabbay Producer - Hannah Wainwright Steadicam - Tom Blount Focus Puller - Henry Keep Gaffer - Kieran Brown Steadicam Assistant - Emily Tait Sound Recordist/Audio Technician - Fabian Prynn Make Up Artist - Jessica Cheetham Camera Assistant - Miles Williams Management by Matt Brown, Stay Loose. Copyright 4AD/Glassnote 2018. http://vevo.ly/8u1JgE - https://youtu.be/isges2l3qaY