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aeternallis · 2 years

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A Deep Dive: Kim’s Fight Scene in Yok’s Bar

I’ve been thinking about this scene a lot lately, and I just have so many thoughts on it.

Like low-key, but imo what makes this scene so mesmerizing yet also chilling at the same time is the fact that Kim never eliminates the possibility of Chay turning around at any time and witnessing Kim kill in order to protect him.

Whereas Porsche tends to protect Chay by keeping him from seeing the reality of the mafia life (and tragically blindsides both himself and his brother because of it; Chay because he remains ignorant of his new environment and Porsche because his judgement of the risks in keeping Chay ignorant is impaired due to his overprotectiveness), Kim protects him only from the danger of it.

It’s an all around interesting narrative choice from BOC, especially considering that it’s Kim’s one fight scene in the entire series.

I’ve seen many posts on here before of how Kim leaves the dead bodies for Chay like a feral cat or that he really took the mantra “nobody disturbs my man” up a notch or two, and while I definitely agree with all that on a surface level, I can’t help but think there’s so much more going on. Dare I say, maybe even a little manipulative? Hmm.

Because for reals, there’s a reason why this fight scene makes such an impression on so many fans--the KimChay fans (including myself), in particular--and I think it’s because so much of the context of the fight, as much as the fight itself and the events leading up to it, reveals so much about Kim’s character post-break up w/ Chay.

Like yes, there’s the aesthetic reasons and ofc, Jeff Satur and that beautiful face of his that looks like it was sculpted on a Saturday by the gods, but there’s just so much to be said in the way he’d fought and more importantly, ended the fight.

@wildelydawn wrote up an amazing meta post about how Kim fights, for which I highly recommend y’all read if you haven’t already. I definitely agree with the idea that Kim likes to play with his prey when he fights; he knows how to improvise and use his environment as sources of weapons, and he’s definitely got a bit of a sadistic streak going for him, lol.

Now, where am I going with this? Well, let’s very briefly look at the events leading up to the fight: from the moment they break up in ep 11, to one of the very last scenes in ep 13 when Kim finds out that Porsche and Chay have left the tower, somewhere in between those events, Chay had become Kim’s singular goal and most important priority. Whereas before his goal had been to investigate Porsche and Chay’s connection to the Theerapanyakun family, directly after the break up is when this plotline falls through because his investigation hits a dead end at the temple.

For me personally, methinks it’s the moment he finds out that Chay skipped his college interview in ep 12 and what a massive fuck up he’d just committed. As much as I adore him as a character, I don’t really think he knew the repercussions of his own actions until it was too late, alas. Ultimately, he’s not responsible for Chay’s choices, but he can’t deny that his previous actions influenced them.

Whether it was wanting to confess his own feelings to Chay, or perhaps setting him straight because he skipped his college interview, or wanting to keep him safe, or even just to talk to him and clear the air--the point is, regardless of his reason(s), getting to Chay becomes his next target. And more than that, once Kim sets his crosshairs on a goal--especially on this one person he’s got a romantic attachment to--he is positively ruthless.

You barely see it from how fast the camera cuts out, but if you pause at just the right moment, you can see how Kim’s expression is absolutely seething when Korn stops him from going to look for the Kittisawasd brothers (or perhaps even just Chay himself).

This is the expression of someone who’s more than willing to obliterate anyone who gets in the way of him and his goal. This is an expression of utter resentment. This is the expression of someone who’s itching for a fight, because the universe dared to get in between him and his goal.

(Side bar: I’m pretty sure part of the reason Jeff got the role of Kim Theerapanyakun is because of how intense his method acting can be. He doesn’t have many roles under his belt just yet, but if you haven’t seen He She It, I recommend giving it a go. His acting in that mini drama is a little rough around the edges, but the raw intensity by which he plays the character of Mike definitely highlights some of Jeff’s natural talent. He knows how to act with his eyes and his entire body, and when given the right director to guide him, as we’ve seen when he portrays the role of Kim, he truly thrives in his role.)

Yet still, for all his anger at being prevented by his father from getting to his goal, he’s mindful enough to know that he can’t just go against his orders either. Korn is the enemy of an entirely different caliber, and Kim perfectly knows how and when to pick his battles.

But it isn’t until we see him in the next ep quietly watching Chay from the bar that another facet of his character growth is revealed to us: by this point in time, he’s comfortable in his feelings for Chay enough that he can finally allow himself to luxuriate in his presence, even whilst knowing he’s in the metaphorical dog house.

His arms are propped up, his legs are loosely crossed, his body language is relaxed, whilst still very much aware of his surroundings. Keep in mind, this is the first time since the morning of the kidnapping that we see him perfectly content in Chay’s presence, now fully aware that there’s no reason for lies between them anymore. The only one left is the one he has to fix.

Yet, after all this time of trying to get ahold of Chay ( @bitacrytic wrote an interesting piece about Kim’s unsettling behavior when he realized Chay had cut him off, which I also highly recommend), why didn’t he take the opportunity to talk (or whatever it is he intended to do) when he was finally within sight? The camera shot of Chay talking to Yok on his phone, as well as of Kim sitting on the stool, lingers for a good 20-25 secs, so the audience is given a hint that Kim has been there for a while.

So why not take advantage of this chance?

And the answer to this question, I think, is what’s at the heart of the matter and basically defines the connotation of the entire fight.

Kim is not a fool, he knows for the time being he’s number 1 on Chay’s shit list. And because of this, it may be a stretch to say it, but I will anyway: perhaps off screen, from the moment he had him within sight, Kim may have realized that it would do him no good to talk to Chay at that moment. Not when there’s an imminent threat lying in wait, not when the heartbreak is still too raw for both of them.

Most of all, Chay has no reason to trust him right now; it would just be a repeat of their disastrous confrontation in the club.

And he knows all too well that he cannot afford to sabotage what truly little standing he has left in Chay’s good graces. So he plays it cautious and takes the next best thing: he’ll bask in Chay’s presence, keep him company (albeit one-sided). If you scroll back up real quick and see his expression in the promotional image, it’s almost as if he’s thinking to himself, ‘keep your eyes on the prize--on him. he’s the only one that truly matters.’

But even so, Chay’s safety is his priority for the moment and there’s just so many reasons Kim is itching to vent some anger and frustration: the boy he loves has cut him off completely, Daddy is hatching up some plan again, besides the ongoing 4D chess game he’s got going on with all his sons, his investigation led him nowhere. Yet lo and behold, here comes some goons who not only disturbed his peaceful serotonin-gathering session (unbeknownst to Chay), but are also looking to either use the love of his life as leverage in a conflict that barely has anything to do with him, or just outright kill him.

Really, no one can blame Kim for going a little overboard, not when these poor suckers basically offered themselves to him on a silver platter. Lol

While I won’t go too deep into analyzing the physicality or choreography of the fight itself, I’d like to instead focus on all the things Kim chose/chose not to do, which again, says so much about his character and brings me back to my overarching thesis for this long ass rant: Kim never eliminates the possibility of Chay turning around at any time and witnessing Kim kill in order to protect him.

Kim doesn’t call out for Chay to run: this makes sense, it’s a practical choice; he doesn’t want these men to draw their attention on Chay. So long as they’re focused on him, so long as he distracts them--he can kill them one by one.

Kim doesn’t draw the men away from the bar: an interesting choice that seems like it never crosses Kim’s mind. He’s more than agile enough to have led them away from where they’d entered, yet he keeps them all inside.

Kim didn’t wait for them outside: another interesting choice. Arguably, it would have been more efficient for him to have taken some bodyguards and do a stake out. Further still, it’s also arguable this choice is more an emotional one (he wants Chay where he can see him, dammit), but that’s up for debate.

Kim waits until the last possible second to use a gun: a risky choice, but he pulled it off quite well. He doesn’t go for the gun until the goons have him surrounded within Chay’s vicinity, so he goes for fast kills to end the fight even if it’s not his personal preference. Imo, it’s very obvious throughout the fight that he finds some satisfaction in twisting limbs and breaking bone, so good on him that he got to indulge for a bit.

And finally, immediately right after the fight, he never tries to pull this one over Chay’s head:

This one is pretty self-explanatory, I think. Hahaha.

But after Kim shoots the last man, he doesn’t linger for too long. Which again, why doesn’t he take advantage of yet another chance that’s fallen onto his lap to talk to Chay? The danger has been dealt with for now, after all. Why not at least attempt at some sort of clean up, maybe pile the bodies on one corner so Chay doesn’t trip over them? :’D If not to talk to Chay, why not at least linger in the shadows, to make sure Chay is all right (he’s bound to turn around eventually)?

Instead, he walks away, still panting a bit from the fighting and without a doubt, from the adrenaline rush. His body language is hard to read because his silhouette is blurred, but it’s at this point that BOC could have easily concluded this scene.

They could have left this scene as is, and made the aftermath of the fight as vague as possible, because for what it’s worth, it would have still accomplished one of the main points for KimChay: Kim’s priority is Chay’s immediate safety.

But it’s not the end of the scene. BOC made damn sure that we would see the aftermath, and with it--the changed dynamic between these two characters and the very implications of it. They didn’t leave it vague whatsoever, they pretty much shoved it in our faces.

This scene--this f*cking scene RIGHT HERE--blows wide open a potential trajectory of KimChay’s love story if/when we ever get a season 2.

I think for the first and only time in the show, this shot of Kim sitting on the stairway, enjoying a cigarette after a murder spree, mind you—is the first time we see him fully stripped away of any pretenses in not only the way he loves and protects someone, but how far he can get lost within his own emotions when he has no reason to hold back. He doesn’t even look the least bit concerned for Chay’s emotional well-being, because that’s not his priority when he chose to leave those men lying on the bar’s floors.

If anything, in this specific situation, not holding back benefits him greatly.

For the first time, his character in the show is explicitly elevated to the same level of batshit insane as Kinn and Vegas, perhaps even beyond them.

We’ve seen how WiK had won over Chay, of how tender Kim could be with him, but the fight in Yok’s bar and the conclusion of it afterwards, demonstrates how far Kim’s sharpest, most deadliest aspect of himself—Kimhan, will go in order to win back Chay. Even in trying to get Chay within his orbit once more, he remains just as calculating: he doesn’t let his own gut instinct (actually wanting to talk with Chay) get the better of him; he uses the situation, in this case--even Chay--to give himself the best advantage. Can you imagine how terrifying that is?

It’s no wonder Korn calls him the strongest, yet most dangerous of the Theerapanyakul heirs: regardless of whether Kim holds back or not depending on the given situation, he remains just as sharp, just as deadly, just as cunning. In the first KP novel, Korn presents a question to the readers indirectly: in their world, is love a weakness or is it strength?

For Kim, the answer is obvious: it’s a weakness, but he won’t allow it to be one for himself or for Chay.

And due to all this, there’s only one conclusion I can come up with as to what this shot of Kim sitting on the stairway outside Yok’s bar was trying to accomplish:

Kim—this conniving, devious, gorgeous motherfucker—absolutely wanted Chay to see the dead bodies now littering Yok’s bar.

In fact, I can even argue that he seemed to have been waiting for confirmation that Chay saw his “present.” That he had all the time in the world to make sure his bae got a good look at his kills.

Why, you ask? Simple. Kim trusts Chay’s backbone made of steel. He trusts him to be able to handle it. Why else would he let himself enjoy a smoke after killing 6 people in 6 mins? Why doesn’t he look concerned?! Why not give Chay some comfort, goddamn...! We know this fucker is in love w/ Chay, the dumbass was crying over his polaroids earlier that day. //sobs

But in all seriousness...Kim has firsthand experience of going up against it, doesn’t he? He himself saw how determined Chay could be when he cut himself off entirely from Kim, both from when he pulled his hand away in the club and then blocking his number a day or two later. I don’t necessarily think it’s that Kim overestimated Chay’s love for him, but rather he initially underestimated Chay’s resilience in keeping him away after breaking his heart so terribly.

This son of a bitch (affectionate) sobbed his pathetic heart out after finding out Chay blocked his number, probably took a good look at himself (and Chay’s cute polaroids), and came to one conclusion: “yeah, Chay can handle me. I can go all in now.”

In fairness, Chay’s steadfastness can only improve and strengthen from here on out. Kim--although in love with Chay, but does have his moments of volatile moods and cold verbal wit--is not an easy person to love, as Chay is slowly finding out the hard way. He must be able to confidently call Kim out when the latter needs to be reminded to respect him, that Chay will not take any of his shit.

Ironically enough, in creating an original story for these two characters in the show, it also brings them closer to the dynamic they have in the novel, imo. I myself have only read parts of the novel, and because we barely see KimChay in the book, it’s hard to tell how much closer show!KimChay is to novel!KimChay, but there’s hints of some similarities here and there in terms of character dynamics. Make of that what you will~

Let’s play Devil’s Advocate for a hot sec though, and address the rebuttal: “but won’t this only drive Chay further away from Kim and a life in the mafia?”

My answer to that is: will it though? Chay has more reasons to stay in the world Porsche forced him to enter than he ever has in leaving it. BOC cemented this fact when they decided to keep Namphueng alive, nevermind the fact that Chay’s one positive, healthy parental figure, is now the minor family head and as much as he’d like for it not to be true, he’s still in love with Kim.

But to reiterate, Kim trusts Chay’s backbone made of steel in a way that Porsche doesn’t (again, due to aforementioned overprotectiveness, which also serves as the fundamental difference in how they both protect Chay). But the reasoning behind placing his trust in Chay isn’t entirely selfless either.

He trusts Chay to be able to handle the disturbing scene of the dead bodies he left behind, because he has something to gain from it.

By leaving behind the dead goons for him to find, Kim inadvertently breaks another piece of Chay’s upright perception of the world, ensnares him further into Kim’s reality—and most of all, to Kim himself.

It’s a terrifying level of honesty (and wooing??) coming from Kim because it’s so brutal in its execution. What makes it even more frightening is that he’s genuinely doing this out of his desire to be with Chay. His priority during the fight is Chay’s safety, yes, but his overarching goal after their break up remains the same: to get Chay back.

It drives home the fact that although Kim loves only a handful of people in his life, he loves them fiercely to the point of questionable insanity.

#kinnporsche #kimchay #kim kimhan theerapanyakul #porchay pichaya kittisawat #meta #kinnporche the series #kpts meta

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saturfied · 4 months

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Khun Mae talking about how "Charlie and the Chocolate Factory" is her favorite movie!!!

(& jeffy now having the golden ticket for his first album-)

source link to the interview

#jeff satur #love her she's absolutely adorable and very inspiring #also jeffy is so sweet😭😭😭#he talked about it in the live too and i remembered posting about it on twitter when the golden ticket was announced #absolutely needed everyone to know about this fact and that jeffy is so lovely mamma i will sob-#the whole interview is very wholesome!!!#definitely watch the full thing #i came across it accidentally while searching up other jeff interviews and i domt regret it since #also i lovee when he's shown interactimg with his family my whole heart feels so full it will burst and melt #even the one where jesse had joined it love it love it #its saved in my favs folder i already watched it a couple of times hehehh😅#if y'all know any other interviews or have more of jeff with family or his cats comtent pls share!!!!#i will love you forever #idk rambles #ps. also the interview link is to the english sub version i came across!#space shuttle no.8 #space shuttle no.8 album #golden ticket #charlie and the chocolate factory

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arewedoneyet · 3 months

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men's folio article via mens-folio.com/my

With buttery vocals, princely features and the penmanship of a lovelorn poet, Jeff Satur is about to sing his way into your heart — one story at a time.

What makes a good story? And what makes a good storyteller? For music savant Jeff Worakamol Satur, these are the two questions that have kept him on his feet the past decade, fuelling his fearless desire to know, love and showcase his most authentic self to the world.

Magnetic in look, sound and craft, Jeff has managed to dabble in multiple genres of music — and play various instruments — without losing his signature, velvety sound. While he did skyrocket to fame portraying Kim on the TV show KinnPorsche: The Series in 2022, Jeff singing its theme song, “Why Don’t You Stay,” was what converted many casual onlookers into full-time Jeff fans (or SATURDAYs). They are now hooked onto his buttery vocals — which not only eloquently and evocatively sing in Thai, English and Chinese — but Jeff is also the very person who produced and wrote the stories in these tracks.

With ancestral roots tracing back to China, India and Italy, it is no wonder that the Phuket native navigates expression and interaction in these vastly different languages without losing their nuances. It is the openness to embrace diversity in cultures and ideas that his fans continue to grow in numbers from all corners of the world.

Since starting his personal studio — Studio On Saturn — at the end of 2022, Jeff has held concerts all over the region, most recently completing his Space Shuttle No. 8 Asia Tour in April to celebrate the release of his first full album. His appearances on music variety shows like China’s Call Me By Fire Season 3 and, most recently, Chuang Asia: Thailand — a Thai idol survival show spin-off based on the Chuang franchise in China — have also appealed to fans in a new way. His hold over both seniors and juniors in the music industry is a testament to the piercing allure he has that transcends age and gender.

Then there is his relationship with Valentino, which comes to a surging point in this interview’s accompanying visuals — each party egging one another in their courageous pursuit of new, creative frontiers.

This is not the end. There is still so much more power that Jeff has yet to harness from stories — which communicate and entertain without the boundaries of time and space, and have decidedly become a grand purpose that he is working to fulfil. From music, the big screen, and finally the horizon, Men’s Folio sits down with the prodigious artiste to discover what makes him tick and perhaps what kind of tale he would charm us into next.

Hi Jeff! How have you been? I’ve been very good. Fantastic, actually.

We noticed you have said goodbye to your signature long hair. Why did you decide to cut it? I had to change my hairstyle for a movie I was filming. I also had to change many other things about myself, including how I spoke, reacted and moved — so much so that I had to attend workshops. So, I thought changing my image would help me immerse myself in the role.

Congratulations on completing the Space Shuttle No.8 Asia tour! You have mentioned before that going on a solo tour has been your dream for the longest time — now that both your debut album and solo tour are done, how are you feeling? It’s a pretty weird feeling — I just want to do more and more. I wanted to tour more and create more songs. It’s a strange feeling to me. It’s more fun to me now, especially since I’ve completed it. It’s like the end of one dream is leading to the start of another.

What is something new about yourself as an artiste or person you learned from going on tour? It must’ve been tiring, but seeing all that support (from guest artistes or close friends attending) must have been very empowering too. What I’ve learned along the way is to be present with the audience. They give you so many different experiences and learnings from place to place. The show is never the same, even if the song and setting are. Everything is different. For me, I like to be there with them; I give my all and soak in the moment from my fans. Being in the moment without a script really pushed me to be a better artiste, and I believe it made me a better human being.

We have to talk about about your first on-screen mentoring stint on Chuang Asia, especially after that “Dum Dum” performance. How was it like mentoring so many aspiring artistes-to-be at once? Guiding and mentoring new artistes is a dream that I only just recently realised (I had). It means a lot to be there, to guide and watch these artistes where they are now, doing things they previously couldn’t. I just have so many feelings. I’m so proud. There are many things in the industry that might break you along the way. While I don’t know it all, I hope what I’ve experienced in my career can be, in some way, helpful to them in their journeys. I hope that with my stories, they can break their boundaries and avoid the same traps they might find along the way. I hope that they not only become great artistes but also become better humans, stay positive in the industry, and are able to create and find themselves along the way.

Did this experience help you reflect — in any way — on your artiste career so far? In retrospect, would you redo anything? It reminded me of my childhood. It was a time when I had so much passion for music, and seeing all the high-intensity passion in them brought me back to that time. It freshened me up. I wouldn’t change anything because I love the way things are now. Changing the past would mean changing the present, and I love where I’m at and what I’m doing right now.

What do you feel is the most important trait that any aspiring performing artiste should have? Every artiste is different, but all artistes should try to be themselves. For me, I want to be true to myself, to be able to discover my own direction, create my own work, and be brave enough to show that to the world.

What about in a song? Everyone likes to ask questions about your views on music because your personal touch does not escape any part of your music’s creative process — from melody-making, lyric-writing to the final performance. What is your definition of a good song? “Good” in itself is a subjective word, and a good song, to me, can mean something very different to another. You can love jazz; you can love metal. So long as you’re satisfied with what you have released, be able to listen to it back and forth, and even enjoy that track after 10 years — that’s what I define as a good song.

Regardless of shape or form, good music should always capture the essence of a story, one’s feelings, or who the artiste is at their core.

Does any existing song come to mind? Either one you are proud of or one from an artiste you look up to. The first song that comes to mind is “Endless Rain” by Yoshiki Hayashi. I’m not too sure if he wrote it when his mom or dad passed away. But it’s a song written with lots of emotion, and it very clearly shows his style of music. It’s just very Yoshiki.

I have many songs that I am proud of — actually, every song. But if I had to pick one, it might be “Dum Dum”. I had a lot of bad feelings bottled inside me when I wrote the song, and I really wanted to release that toxicity from inside of me. It sounds as angry as I felt when I wrote it, so listening back and feeling that anger gives me satisfaction. I think I wrote it in an honest and heartfelt manner that was true to my emotions at the time.

In your previous interview with us, you talked about the different charms (and challenges) that come with writing lyrics in Thai and English. Your debut album has both English originals and English translations of your Thai songs — which song’s story or specific lyrics are you most proud of putting together, and why? Like I said, I love and am proud of all my songs. But if I had to pick one, it would be “Black Tie”. In that track, I had to relive many memories and feelings. Honestly, even at 29, I still feel like a kid. Until today, I still address everyone around me with “P” — how people in Thailand show respect to those older than them — because l feel I have a lot more growing up to do, and that spirit to learn is still alive inside me.

As a kid, I was always told to do this and that, learn this and study that. In retrospect, those who ended up following these instructions all somehow turned out the same. I really don’t like that. I don’t want all these rules and boundaries to limit who we can be, and who I could be. That’s why I chose to sing about this in “Black Tie”, using the concept of the suit to talk about breaking those boundaries, tying in with the freedom and individuality that the Valentino collection at the time championed and empowered its wearers to embody.

Are there any stories you are looking to tell with your next music release? It’s a secret. You’ll know when you know.

More on your love for story-telling — which seems to be a common thread that links all the creative works you have released so far together — what do you think makes a good story? All stories are worth telling, even those without a happy ending. What makes a good story is how you tell it. Capturing the essence or feeling of the story and delivering that to the listeners is more important. You know it’s good if the listeners can experience the story with you,

You mentioned in an interview that if you were not an artiste today, you would be a writer. These days, it is hard to have an original voice, yet yours (both literal and figurative) is quite luminous in its own way. How do you maintain that voice despite all the noise? I don’t think an original voice is something that can be created. An original voice can only come from trusting your instincts, being honest in your work, and staying truthful to your feelings. Only then can you create work that represents you. You should never lie to yourself.

And more importantly, never lose that kid inside of you. That’s who is creating the all the art, instead of you.

More importantly, how do you rest? Are there any go-to activities (or non-activities) you like to do to return to yourself and rest your voice? I actually have a lot of time to rest. Then again, I also don’t feel like my work encompasses “working”. It’s also my vacation. Sure, even when I’m actually on vacation, I have to think about work. But I don’t mind it; I love what I do.

If we’re talking about physical rest, I prioritise resting my voice. I used to sing during my free time, but I try not to use it that often now to be ready when I actually have to sing. I think it’s important to know how to control and use my voice in the right way.

For those who are only discovering your music today, can you compile a three-track introduction to Jeff Satur’s playlist and explain why? “Dum Dum”, “Fade”, and “Loop”. “Dum Dum” shows my darker side because it’s a release of some pent-up frustration and anger. “Fade” is more romantic — it shows you how I experience love and what I am like in a relationship, and I try to tell that story in a more emotional and evocative manner. Then we have “Loop”, a more introspective exploration of who I am. Listening to these three songs will give you a good idea of the breadth of my personality and style as an artiste.

In recent years, you have been bolder with your style. How would you describe your current relationship with fashion? Has it changed over the years? I think fashion is about doing what you love, wearing what you love, and enjoying what you see in the mirror. Every morning before I go out, I feel like I should love what I see in the mirror — regardless of what other people think. Your body is a canvas, and whatever colour or pattern you choose to put on yourself that day is a form of self-expression you should enjoy.

Over the years, I’ve definitely become more confident about trying on things out of my comfort zone. I used to be scared of wearing certain things because of what others might think, but I’m no longer as shy. I’m just breaking one boundary at a time.

What values of Maison Valentino does Jeff Satur — the artiste — embody? I think Valentino and I have many things in common. Fundamentally, we both embrace the act of constant reinvention and enjoy the challenge of finding new ground, and there’s no better expression of this chemistry and kindred spirit than the soundtrack I created with and for Valentino. The brand is quite sentimental and romantic, and my body of work doesn’t stray far from these sensibilities — especially if you listen to the three tracks I mentioned earlier. A valiant kind of courage persists throughout, and I feel like that syncs up nicely with what Valentino stands for as a brand.

What is next on your cards? Will we get to sees Jeff Satur, the actor again soon? Without a doubt. In fact, more and more because actor Jeff Satur is an important part of me, and there are a lot of upcoming projects that I’m passionate about and very excited to share with the world.

Last but not least, you have said before that any interaction or activities you do for SATURDAYs feels like an everlasting dream. Is there anything you want to say to your fans right now? Always be happy. Yes, sometimes it’s hard, and sometimes the world isn’t as beautiful as the ones we read about in our favourite fairytales. Focus on the good and avoid the bad. Surround yourself with good people. Never give up on yourself. You’re beautiful, you’re great, and you’re you — and no one else can do what you do. Even I can’t do what you do. Everybody has something unique they can do. Appreciate and love what you do. Follow your dreams, and I’ll follow mine. Someday, we’ll sing together again.

#jeff satur #men's folio

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airgiodslv · 21 days

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I skipped the July creation wrap-up because nearly everything I worked on was for challenges revealed in August. There's a lot!

Fics:

Guess That Voice: WIK Edition

KinnPorsche, Kim/Chay, rated T

Kim is grilled within an inch of his life about Wik’s personal life, his projects, and his future plans. Chay takes meticulous notes on his phone the whole time. Kim has trained with professional interrogators who are less intimidating than Chay crafting a bomb to drop on Twitter.

“It’s not for Twitter,” Chay corrects him. Kim has a short-lived moment of relief before Chay clarifies: “I’m writing Wikfic.”

(Fic Text + Podfic)

The Shadow Lyctors

Jeff Satur Cinematic Universe & The Locked Tomb Series - Tamsyn Muir, rated M

Moonshine was the cavalier primary to Sunshine, Third Saint to serve the King Undying. It is unclear whether this was his given name, or how Sunshine has memorialized him after death. Sunshine calls him ‘an Alexandrite’, referring to the branch of Sixth House cavaliers whose attractiveness and skill earned them an education in erotic poetry and a Cohort assignment, for the express purpose of finding a mate to diversify the ailing Sixth House gene pool.

Given Sunshine’s sense of humor, it is possible this was a joke.

(A fandom Wiki for a fictional book trilogy)

Podfic Triptych + Ficlet: Sunshine and Rain, written by TheCookieOfDoom, shubaka, and AirgiodSLV

Jeff Satur Cinematic Universe, Sunshine/Rain, rated T

untitled ficlet, written by TheCookieOfDoom The being coalesces from smoke and shadow.

from where the light shines, written by shubaka The Rain God discovers a man on a rooftop, lying in a pool of his own blood.

ghost light, written by AirgiodSLV On the night of Wan Ok Phansa, Sunshine dances on the Mekong River.

by the light of the sun, a remix of to have and to hold by shubaka

Jeff Satur Cinematic Universe & Wuju Bakery, Sunshine/Ghost, Sunshine/Passion, rated G

Most people forget that Sunshine is the scion of a dynasty himself, too used to thinking of him only as Prince Raon’s companion.

Passion, however, forgets very little that could prove useful to him.

hiraeth and hwyl, written & performed by The Sentient Hive (AirgiodSLV, CompassRose, ellejabell, epaulettes, kitkat50311, mahons-ondine, minnabird, sisi_rambles)

Howl's Moving Castle - Diana Wynne Jones & Piranesi - Susanna Clarke, rated G

You find yourself looking at a door.

It looks like an ordinary door, but you’re somehow certain that it isn’t.

In theory, you could open the door…but something warns you off.

You might not survive, if you pass through that door. You might no longer be you.

Podfics & Audio:

you could cut ties with all the lies (that you've been living in), written by Nemainofthewater

Nirvana in Fire, Lin Chen/Xiao Jingyan & Mei Changsu, rated M

“Sir Sū,” Jĭngyán said, “Forgive me, but I can’t help but feel strange referring to you in such a manner after such intimacies.”

“Ah,” said Lìn Chén, abruptly thrown out of his warm, post-coital state, “No, Your Highness is going to have to trust me on this, calling me Chángsū is really going to spoil the mood.”

Listen to the radio, audio collage of music & interviews by Jeff Satur, with art by TheCookieOfDoom

On a desolate planet under distant stars, these heroes fight against the corporations that control society. Late at night, you can hear them broadcast to each other on pirate radio frequencies, sending secret messages across the airwaves...

"Fuck it, I'm adopting her," said John Gaius, not knowing the paperwork wasn't necessary, written by Naamah_Beherit

The Locked Tomb Series - Tamsyn Muir, rated T

Gideon, a highly distinguished Cohort lieutenant, saves the day—and the girl—and then gets stuck in the lift of The Erebos with a man feeding her peanuts as if they have all the time in the world. They don't, but if he doesn't mind, then why should she?

baby I, baby I, I'm caught in the middle, written by IsleofSolitude

KinnPorsche, Kim/Chay, Chay/OMC, rated E

Seth has had threesomes before. He knows he’s great at sex—that sex with him is something Chay enjoys immensely. He and Chay have a strong relationship, he knows Chay intimately. He’s never had a third with him and an omega during a heat before, but Kim’s sort of attractive. Besides, they are in his home. There’s no reason to not be okay with it. If things go badly, he can just kick Kim out.

(the steal the show inspired threesome omegaverse inspired by a dream)

love, let my love inside go free, written by daltoneering

KinnPorsche, Kinn/Porsche, rated E

They burst to the surface gasping for breath, water clogging Porsche’s ears, distorting the brightness of Kinn’s laughter across the pool into muffled echoes along the tall glass walls of the building. He grabs for the side, lungs screaming.

“Fuck! You want to drown me?”

Kinn shows Porsche just how grateful he is for the perfect first date.

History Talking to Itself, written by Sour_Idealist

Teixcalaan Series - Arkady Martine, Mahit Dzmare/Three Seagrass, Yskandr Aghavn/Nineteen Adze/Six Direction, Past Mahit Dzmare/OFC, rated T

Twelve excerpts from Teixcalaan and from Lsel Station.

#kinnporsche #kimchay #the locked tomb #nirvana in fire #jeffcest #jeff satur cinematic universe #teixcalaan #howl's moving castle #piranesi #writing #podfic #interactive fiction #audio puzzle

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