#jaye shepard

[mahiiimahiiii]

Joker come pick me up I'm not cozymaxed.

[jgroffdaily]

nytw79

It started out like a song... We're so excited to share the first look at the MERRILY WE ROLL ALONG artwork! Spanning three decades in the entertainment business, MERRILY WE ROLL ALONG charts the turbulent relationship between composer Franklin Shepard (Jonathan Groff) and his two lifelong friends—writer Mary (@lindsaymendez) and lyricist & playwright Charley (Daniel Radcliffe). An inventive, cult-classic ahead of its time, MERRILY WE ROLL ALONG features some of Stephen Sondheim’s most celebrated and personal songs. MERRILY WE ROLL ALONG features music & lyrics by Stephen Sondheim, a book by George Furth, and is based on the original play by George S. Kaufman and Moss Hart. Our upcoming production will be directed by Olivier Award winner Maria Friedman and choreographed by Tim Jackson. Maria Friedman first directed the musical at London’s Menier Chocolate Factory which subsequently transferred to the Harold Pinter Theatre to critical acclaim—the most five-star reviews in West End history—winning the Olivier Award for Best Musical. Performances begin Nov 21! “Dreams don’t die, so keep an eye on your dream.” If you don't have tickets yet, our daily CheapTix Lottery via @todaytix opens on Nov 23 and we'll also have an in-person cancellation line at every performance. Visit the #linkinbio for more info! --- The full cast of MERRILY WE ROLL ALONG includes @morethanonecher, @krystaljoybrown, @katieroseclarke, @leanarae, Jonathan Groff, @thecarterharris, @colin_keane_42, @morgan.kirner, @coreymach, @lindsaymendez, Daniel Radcliffe, @taliasrobinson, Reg Rogers, @amandarose_nyc, @jamilajoy, @brahsears, @iamevansmith, @christian.strangee, @koray.memo, @vishgram, @happiestactress and @jacobkeithwatson. The creative team includes Soutra Gilmour (Scenic & Costume Design), @amith_lighting_design (Lighting Design), @haradasound (Sound Design), Cookie Jordan (Hair & Wig Design), Catherine Jayes (Music Supervisor), @alvinhoughpiano (Music Director), Jim Carnahan, CSA & Jason Thinger, CSA (Casting), @tayw817, CSA (Additional Casting), @unkle_daves_fighthouse (Fight & Intimacy Direction) and @jhanaekcb (Stage Manager).

[morejamperhaps]

Priority: Geth Dreadnought

[jonathangroffappreciation]

Merrily We Roll Along

There continues to be speculation online that Jonathan has been cast as Franklin Shepard in the New York Theatre Workshop production of ‘Merrily We Roll Along’, which will be performed off-Broadway from November 2022 to January 2023 ahead of a proposed Broadway run in Spring 2023.

Jonathan would be in the principal cast with Daniel Radcliffe (confirmed) and Lindsay Mendez (rumoured).

A new casting call for principal roles is now at Backstage with more information about the key personnel and schedule (h/t link from Broadway World forums thread). 

Details:

Company: New York Theatre Workshop

New York Theatre Workshop, prod.; Maria Friedman, dir.; Stephen Sondheim, music & lyrics; George Furth, book; Tim Jackson, choreo.; Catherine Jayes, music supervisor; Alvin Hough Jr., music dir.; Jim Carnahan, casting; Jason Thinger, casting dir.

Rehearsal and Production Dates & Locations

Rehearsals begin Oct. 18; runs Nov. 21-Jan. 22 at New York Theatre Workshop in NYC.

CAST: Daniel Radcliffe - CHARLEY KRINGAS (Male, 25-40 years old) Smart and driven lyricist who is Frank’s long devoted friend. Frustrated with Frank, he begins to create his own projects and opportunities on Broadway. Charley sees the world (and their friendship) as it really is.

TBA - FRANKLIN SHEPARD (Male, 25-40 years old) Talented and handsome film songwriter who ends up having a very successful career as a film producer. One of those people who goes from success to success without realizing the impact that success is having on the people around him.

TBA - MARY FLYNN (Female, 25-40 years old) An attractive and idealistic writer who is Frank and Charley's best friend in the world. Secretly in love with Frank, she ultimately masks her feelings with quick wit, sardonic remarks and alcohol.

[bluecarelesswhisper]

TOP 100 FEMALE SOLO SINGERS OF THE '50S AND '60S

Patti Page - All My Love, The Tennessee Waltz, Mockin' Bird Hill, I Went to Your Wedding, The Doggie in the Window, Cross Over the Bridge, Allegheny Moon, Old Cape Cod; Hush, Hush, Sweet Charlotte

Connie Francis - Who's Sorry Now, My Happiness, Lipstick on Your Collar, Everybody's Somebody's Fool, My Heart Has a Mind of its Own, Where the Boys Are, Don't Break the Heart That Loves You

Brenda Lee - Sweet Nothin's, I'm Sorry, I Want to Be Wanted, Fool #1, Break it to Me Gently, All Alone Am I

Kay Starr - Wheel of Fortune, Side By Side, Changing Partners, If You Love Me (Really Love Me), Rock and Roll Waltz

Doris Day - A Guy is a Guy, Secret Love, If I Give My Heart to You; Whatever Will Be, Will Be (Que Sera, Sera); Everybody Loves a Lover

Dionne Warwick - Anyone Who Had a Heart, Walk on By, I Say a Little Prayer, (Theme from) Valley of the Dolls, I'll Never Fall in Love Again

Aretha Franklin - I Never Loved a Man (The Way I Love You), Respect, Baby I Love You, Chain of Fools, The House That Jack Built

Teresa Brewer - Music! Music! Music!, Till I Waltz Again With You, Ricochet, A Tear Fell, A Sweet Old Fashioned Girl

Jo Stafford - Shrimp Boats, You Belong to Me, Jambalaya, Keep it a Secret, Make Love to Me!

Rosemary Clooney - Come On-a My House, Half as Much, Botch-A-Me, Hey There, This Ole House

Joni James - Why Don't You Believe Me, Have You Heard, Your Cheatin' Heart; My Love, My Love; How Important Can it Be?

Petula Clark - Downtown, I Know a Place, My Love, This is My Song, Don't Sleep in the Subway

Dinah Washington - I Don't Hurt Anymore, What a Diff'rence a Day Makes, Unforgettable, This Bitter Earth

Mary Wells - The One Who Really Loves You, You Beat Me to the Punch, Two Lovers, My Guy

Georgia Gibbs - Kiss of Fire, Seven Lonely Days, Tweedle Dee, Dance With Me Henry (Wallflower)

Lesley Gore - It's My Party, Judy's Turn to Cry, She's a Fool, You Don't Own Me

Nancy Sinatra - These Boots Are Made For Walkin'; How Does That Grab You, Darlin'?; Sugar Town, Love Eyes

Sarah Vaughan - Make Yourself Comfortable, How Important Can it Be?, Whatever Lola Wants, Broken-Hearted Melody

Dusty Springfield - I Only Want to Be With You, Wishin' and Hopin', You Don't Have to Say You Love Me, Son-Of-A Preacher Man

Ruth Brown - Teardrops From My Eyes, 5-10-15 Hours, (Mama) He Treats Your Daughter Mean, Oh What a Dream

Kitty Wells - It Wasn't God Who Made Honky Tonk Angels, Makin' Believe, Searching (For Someone Like You), Heartbreak U.S.A.

Etta James - The Wallflower, All I Could Do Was Cry, At Last, Tell Mama

LaVern Baker - Tweedlee Dee, Play it Fair, Jim Dandy, I Cried a Tear

Gale Storm - I Hear You Knocking, Teen Age Prayer, Dark Moon

Dinah Shore - My Heart Cries For You, Sweet Violets, Chantz-Chantez

Jaye P. Morgan - That's All I Want From You, Danger! Heartbreak Ahead, The Longest Walk

Eydie Gorme - Mama, Teach Me to Dance; You Need Hands, Blame it on the Bossa Nova

Carla Thomas - Gee Whiz (Look at His Eyes), B-A-B-Y, I Like What You're Doing (To Me)

Patsy Cline - Walkin' After Midnight, I Fall to Pieces, Crazy

Peggy Lee - Lover, Fever, Is That All There Is

Dee Dee Sharp - Mashed Potato Time, Gravy (For My Mashed Potatoes), Ride!

Kitty Kallen - Little Things Mean a Lot, In the Chapel in the Moonlight, My Coloring Book

Annette - Tall Paul, O Dio Mio, Pineapple Princess

Cher - All I Really Want to Do, Bang Bang (My Baby Shot Me Down), You Better Sit Down Kids

Barbra Streisand - People, He Touched Me, Second Hand Rose

Linda Scott - I've Told Every Little Star, Don't Bet Money Honey, I Don't Know Why

Connie Smith - Once a Day, Ain't Had No Lovin', The Hurtin's All Over

Barbara Lewis - Hello Stranger, Baby I'm Yours, Make Me Your Baby

Anita Bryant - Till There Was You, Paper Roses, In My Little Corner of the World

Skeeter Davis - My Last Date (With You), The End of the World, I Can't Stay Mad at You

Sue Thompson - Sad Movies (Make Me Cry), Norman, Paper Tiger

Della Reese - And That Reminds Me, Don't You Know, Not One Minute More

Loretta Lynn - Don't Come Home A-Drinkin' (With Lovin' on Your Mind), Fist City, Woman of the World (Leave My World Alone)

Betty Everett - You're No Good, The Shoop Shoop Song, There Comes a Time

Jackie DeShannon - What the World Needs Now is Love, Put a Little Love in Your Heart, Love Will Find a Way

Timi Yuro - Hurt, What's a Matter Baby, Make the World Go Away

Debbie Reynolds - Tammy, A Very Special Love, Am I That Easy to Forget

Gogi Grant - Suddenly There's a Valley, Who Are We, The Wayward Wind

Maxine Brown - All in My Mind, Funny, Oh No Not My Baby

Betty Johnson - I Dreamed, Little White Lies, The Little Blue Man

Jean Shepard - A Satisfied Mind, Beautiful Lies, Second Fiddle (To An Old Guitar)

Shirley Ellis - The Nitty Gitty, The Name Game, The Clapping Song

Little Eva - The Loco-Motion, Keep Your Hands Off My Baby, Let's Turkey Trot

Vera Lynn - Auf Wiederseh'n Sweetheart, Yours, If You Love Me (Really Love Me)

Eartha Kitt - C'est Si Bon, Santa Baby, Somebody Bad Stole De Wedding Bell

Lulu - To Sir With Love, Best of Both Worlds, Morning Dew

June Valli - Crying in the Chapel, I Understand, Apple Green

Connie Stevens - Sixteen Reasons, Why'd You Wanna Make Me Cry, Mr. Songwriter

Jane Morgan - Fascination, The Day the Rains Came, With Open Arms

Nancy Wilson - (You Don't Know) How Glad I Am, I Wanna Be With You; Face it Girl, it's Over

Esther Phillips - Release Me, And I Love Him, When a Woman Loves a Man

Vikki Carr - It Must Be Him, The Lesson, With Pen in Hand

Little Peggy March - I Will Follow Him, I Wish I Were a Princess; Hello Heartache, Goodbye Love

Mindy Carson - Candy and Cake, My Foolish Heart, Wake the Town and Tell the People

Sandy Posey - Born a Woman, Single Girl, I Take it Back

Bobbie Gentry - Ode to Billie Joe, Fancy

Brenda Holloway - Every Little Bit Hurts, When I'm Gone

Eileen Rodgers - Miracle of Love, Treasure of Your Love

Barbara Lynn - You'll Lose a Good Thing, Second Fiddle Girl

Dottie West - Here Comes My Baby, Would You Hold it Against Me

Baby Washington - That's How Heartaches Are Made, Only Those in Love

Kathy Linden - Billy; Goodbye Jimmy, Goodbye

Cathy Carr - Ivory Tower, First Anniversary

Fontella Bass - Rescue Me, Recovery

Barbara Mason - Yes, I'm Ready; Sad, Sad Girl

Marianne Faithfull - As Tears Go By, Summer Nights

Shelley Fabares - Johnny Angel, Johnny Loves Me

Wanda Jackson - Let's Have a Party, In the Middle of a Heartache

Tammy Wynette - D-I-V-O-R-C-E, Stand By Your Man

Mama Cass - Dream a Little Dream of Me, It's Getting Better

Faye Adams - Shake a Hand, Hurts Me to My Heart

Jill Corey - I Love My Baby, Love Me to Pieces

Dodie Stevens - Pink Shoe Laces, No

Bettye Swann - Make Me Yours, Don't Touch Me

Jan Howard - Evil on Your Mind, Bad Seed

Nina Simone - I Loves You, Porgy; Ain't Got No; I Got Life

Norma Jean - Go Cat Go, I Wouldn't Buy a Used Car From Him

Miss Toni Fisher - The Big Hurt, West of the Wall

Damita Jo - I'll Be There, If You Go Away

Patty Duke - Don't Just Stand There, Say Something Funny

Bonnie Guitar - Dark Moon, Mister Fire Eyes

Gloria Lynne - I Wish You Love, Watermelon Man

Jody Miller - Queen of the House, Home of the Brave

Gisele MacKenzie - Hard to Get, The Star You Wished Upon Last Night

Betty Madigan - Joey, Dance Everyone Dance

Ketty Lester - Love Letters, But Not For Me

Barbara George - I Know (You Don't Love Me No More), You Talk About Love

Joanie Sommers - One Boy, Johnny Get Angry

Irma Thomas - Don't Mess With My Man, Wish Someone Would Care

Diane Renay - Navy Blue, Kiss Me Sailor

[morejamperhaps]

How did everyone come up with their Shepard’s name?

[judgeanon]

10 Female Characters Tag

Got tagged by avoyagetoarcturus. Disclaimer: I’m not gonna tag anyone else after this because I’m a selfish fuckhead I don’t feel super comfortable telling others to Do This Thing to be honest. It’s why I usually don’t do this, but damn if this subject didn’t speak to me.

The rules are to list 10 of your favorite female characters from 10 different fandoms, and then tag 10 different people whoever wants to join in, feel free to post their own.

- Chief Judge Hershey (Judge Dredd): the woman, the chief, the legend. Anderson might be a better-rounded character, but Hershey is my girl, as anyone who has spent more than five minutes with me can attest. Hell, wanna know how much I love her? Just click right here.

- Lady Shiva (DC Comics): I can spend hours talking about what a fantastic and unique character she is (under O’Neil) or what a terrible waste of potential she can be (under everyone else). Either way, don’t mention this unstoppable engine of kung fu badassery around me unless you’re sitting comfortably.

- Phyla-Vell (Marvel Comics): my favorite Guardian of the Galaxy and one of the most downright painfully relatable characters I’ve ever read in comics, I just love this cosmic loser to bits. Don’t ask me why if you ain’t ready for some Real Talk (tm).

- Lady Jaye (GI Joe): as cool as Scarlett and the Baroness are, Jaye’s more plain, down to Earth, grunt-y look is still my favorite, and she’s got the personality to boot. Although boy do I hate that goddamn javelin...

- Act Yasukawa (STARDOM): rowdy, badass and with more style than entire stables’ worth of wrestlers, Act and her amazing stretch muffler is what got me into joshi puro, and I’m overjoyed that she’s persevered through some really terrible shit.

- Modesty Blaise (Syndicated newspaper strips? Is that a fandom?): cunning, fascinating and incredibly dominant, Modesty rules every single panel she’s in. A character with endless agency and an amazing backstory, I bought a collection of her stories on a whim once and it was love at first sight.

- Riza Hawkeye (Full Metal Alchemist): look, if I’d watched Brotherhood first this spot would probably go to Olivier, but I didn’t, and the moment I saw Riza whip out those two guns in the rain like a fucking John Woo character I was hooked for life. And I have the gashapon to prove it.

- Lin Bei Fong (Avatar: The Legend of Korra): I’d actually never seen a single full ep of Avatar until the buzz about Korra started to happen. I was down for some jazzy urban kung fu adventures, but then I saw that concept art and I knew I was in for life. Something about badass mature chiefs of police...

- Commander Shepard (Mass Effect): I have a massive crush on Jennifer Hale, and spending three games listening to her gorgeous voice barking orders and huskily flirting with aliens as I turned her into The Boss IN SPACE was an experience I’ll hardly forget. Speaking of which...

- The Boss (Metal Gear): She was a true hero. A true patriot.

Honorable mentions: Vanessa (KoF), Jill Valentine (Resident Evil), Sonya Blade (Mortal Kombat), Tallulah Black (Jonah Hex), Strongarm (Transformers), Mystique/Domino (X-Men), the entirety of the Sisters of Battle (WH40K), Kathryn O’Brien (Hitman/Punisher)

[blackkudos]

Jasmine Guy

Jasmine Guy (born March 10, 1962) is an American actress, director, singer and dancer. She is best known for her starring role as Whitley Marion Gilbert–Wayne on The Cosby Show spinoff NBC comedy sitcom A Different World (1987–93), in which she won four consecutive NAACP Image Awards from 1990 through 1993 for Outstanding Lead Actress in a Comedy Series for her role.

Early life

Born in Boston, Massachusetts, to an African-American father and European-American mother, Jasmine was raised in the affluent historic Collier Heights neighborhood of Atlanta, Georgia, where she attended what was then called the Northside Performing Arts High School, later renamed North Atlanta High School. Her mother, the former Jaye Rudolph (born 1930), was a former high-school teacher, and her father, the Reverend William Guy (born 1928), was pastor of the historic Friendship Baptist Church of Atlanta, which served as an early home to Spelman College; he was also a college instructor in philosophy and religion. At the age of seventeen, Jasmine moved to New York City to study dance at the Alvin Ailey American Dance Center.

Acting career

Television roles

Guy began her television career with a non-speaking role, as a dancer, in seven episodes of the 1982 television series Fame under the direction of choreographer Debbie Allen. Following a move to California, she appeared in a 1991 episode of The Fresh Prince of Bel-Air as Kayla, one of Will Smith's girlfriends.

In 1992, Guy appeared in CBS's Stompin' at the Savoy alongside Vanessa Williams, again under the direction of Debbie Allen, and in 1993, she played the mother of Halle Berry's character in the CBS TV mini-series Alex Haley's Queen. This was based on Haley's book Queen: The Story of an American Family, a companion volume to his earlier Roots: The Saga of an American Family, which itself had been converted to a television mini-series.

In 1995, Guy appeared as Peter Burns's love interest, Caitlin Mills, on two episodes of Melrose Place, and in 1996, she appeared on Living Single, playing a psychologist advising Khadijah, who had begun exhibiting symptoms of anxiety. She also played the recurring role of Kathleen, a fallen angel, in the CBS Network drama Touched by an Angel from 1995 to 1997.

In 2002, Guy lent her voice to the PBS math-based animated series Cyberchase, performing Ava, the queen of the cybersite Symmetria, and made a cameo appearance on the Moesha spin-off The Parkers. In 2003, Ms. Guy read as Mary Estes Peters in the HBO documentary, Unchained Memories: Readings from the Slave Narrative, a documentary which premiered during Black History month. The slave narratives were based on the WPA slave interviews conducted during the 1930s with over two-thousand former slaves.

Guy starred alongside Ellen Muth and Mandy Patinkin in the series Dead Like Me, created by Bryan Fuller. The show ran 29 episodes over two seasons, in 2003 and 2004, on Showtime. Guy played Roxy Harvey, a meter maid turned police officer and one of the core group of grim reapers around which the series was based. Guy was nominated for the 2005 NAACP Image Award for Outstanding Supporting Actress in a Drama Series for the role. She later starred in the feature-length series sequel Dead Like Me: Life After Death, which was released on video in 2009 before being shown on the Syfy channel.

In 2009, Guy performed in The People Speak, a documentary that used dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's A People's History of the United States. A broad look at civil rights issues in America, The People Speak was executive produced by and seen on The History Channel.

In 2010, she was seen in the second season of the Lifetime comedy series Drop Dead Diva as a judge in the episode titled "Last Year's Model," and from 2009 to 2011, Guy had a recurring role in The CW's series The Vampire Diaries. In that program, Ms. Guy played Sheila "Grams" Bennett, the grandmother of Bonnie (Katerina Graham), who proved to be a descendant of Salem Witches. Both shows were filmed in the Atlanta area.

A Different World

More than 20 years after the series' sixth and final season, Guy today remains best known for her starring role as Whitley Gilbert in the television sitcom A Different World. A spin-off from The Cosby Show and created by Cosby himself, the show aired from 1987 to 1993 on NBC. Guy wrote three episodes of the show and directed one, in addition to appearing in every episode: she started as a co-star, but ended up replacing the show's original star Lisa Bonet, who left the series. Guy was nominated for and won six consecutive NAACP Image Awards for Outstanding Lead Actress in a Comedy Series, from 1990 to 1995.

Film roles

Guy's first appearance on the big screen came in 1988 in Spike Lee's musical-drama film School Daze. Guy played the role of Dina, a member of the light-skinned, straight-haired African American women of Gamma Ray (a women's auxiliary to the Gamma Phi Gamma fraternity). Filming on School Daze was completed just prior to her joining the cast of A Different World.

The following year, Guy appeared as Dominique La Rue in Harlem Nights starring Eddie Murphy (who also directed) alongside Richard Pryor with Redd Foxx. In the 1989 film, Pryor portrays Harlem "Sugar" Ray, the owner of an illegal casino who contends with the pressures of vicious gangsters and corrupt policemen trying to drive him out of business in 1930s Harlem. Guy's character was the girlfriend of Ray's nemesis, who set out to seduce and kill Murphy.

In 1997, she provided the voice of Sawyer Cat in the Warner Bros. animated film Cats Don't Dance. In 2011, Guy appeared in the film October Baby. In 2015, she appeared in the film "Big Stone Gap" with Ashley Judd, Patrick Wilson, Jenna Elfman, Anthony LaPaglia, Jane Krakowski, and Whoopi Goldberg.

Stage

In 1987, Guy had a starring role in the off-Broadway hit musical Beehive, before traveling to France to appear in a similar musical review. Guy has performed in several Broadway productions and national tours, including as Crow in The Wiz, Mickey in Leader of the Pack, Betty Rizzo in Grease, and as Velma Kelly in Chicago.

On April 6, 2009, Playbill reported on Guy's return to the stage, starring in the True Colors Theatre Company production of Pearl Cleage's Blues for an Alabama Sky. Directed by Andrea Frye, the show was a last minute addition to the company's season and opened May 4 in Atlanta. Blues came on the heels of Guy's held-over run in True Colors' Miss Evers' Boys, which co-starred TC Carson of Living Single.

Guy directed the world premiere of the musical I Dream in July 2010 on the Alliance Stage of the Woodruff Arts Centre in Atlanta. Also in 2010, Guy was a member of the cast of the Alabama Shakespeare Festival and the Alliance Theatre Company co-production of Pearl Cleage’s The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One-Hundred Years. The production ran Sept. 24 through Oct. 3 at the Festival in Montgomery, Alabama, before moving to Atlanta’s Alliance Theatre for performances Oct. 20 thru Nov. 14.

In early 2011, Guy directed George C. Wolfe's The Colored Museum for True Colors, and in June 2011, Ms. Guy costarred with Kenny Leon in their production of Sam Shepard's play Fool For Love at The Balzer Theater at Herren’s in Atlanta, Georgia.

In August 2010, Guy had joined the True Colors Theatre Company in an off stage role as the company's Producing Director. In announcing the hire, True Colors said Guy's full-time position would be both administrative and artistic, and both local and national. Guy continues to contribute to the company on stage as well.

Music

During the run of A Different World, Guy released her self-titled debut album in 1990. The album peaked at #143 on the US Top 200 Album Chart and spawned three singles: "Try Me" (US R&B #14); "Another Like My Lover" (US #66, US R&B #9); and "Just Want to Hold You" (US #34, US R&B #27), with the last single cracking the main US Top 40 singles chart.

Personal life

Guy married Terrence Duckett in August 1998, and the couple had one child, a daughter named Imani, born in 1999. But on April 8, 2008, People reported that Guy and Duckett were divorcing after ten years of marriage due to irreconcilable differences. Guy and her daughter subsequently took up residence in Guy's childhood hometown of Atlanta.

Filmography

Discography

Albums

Jasmine Guy (1990)

Singles

"Try Me" (1990)

"Another Like My Lover" (1991)

"Just Want to Hold You" (1991)

"Don't Want Money" (1991)

Wikipedia

[mahiiimahiiii]

Jaye Ryder > Jaye Shepard.

Abuelita may fuck but Ryder has shonen protag energy

[jgroffdaily]

New York Theatre Workshop's upcoming Off-Broadway revival of Stephen Sondheim and George Furth's Merrily We Roll Along has found its Franklin Shepard and Mary Flynn in Tony nominee Jonathan Groff and Tony winner Lindsay Mendez, respectively, joining the previously announced Daniel Radcliffe as Charley Kringas.

The production has also set dates, with previews scheduled to begin November 21 ahead of a December 12 opening night. The limited engagement will continue through January 8, 2023.

Olivier winner Maria Friedman is back at the helm after staging this production at London's Menier Chocolate Factory in 2013 prior to its transfer to the West End's Harold Pinter Theatre, where it won the Olivier for Best Musical. Following its London success, the production had a 2017 run at Boston's Huntington Theatre.

Tim Jackson is also back to choreograph, with the production also set to feature music supervision by Catherine Jayes, music direction by Alvin Hough, Jr., scenic and costume design by Soutra Gilmour, lighting design by Amith Chandrashaker, and sound design by Kai Harada. Casting is by Jim Carnahan and Jason Thinger, with additional casting by Taylor Williams. Dave Anzuelo is fight and intimacy director, and Jhanaë K-C Bonnick is stage manager.

* Tickets will first be available to subscribers of the New York Theatre Workshop's full season of productions ($285 for five shows). Single tickets go on sale Sept. 21 at 12 p.m. Eastern.

Prices start at $145, but all seats for the first two previews are $25.

[sonyclasica]

BANDA SONORA

BANDA SONORA DEL MUSICAL DE BROADWAY MERRILY WE GOLL ALONG

Sony Masterworks Broadway, junto con los productores Sonia Friedman, David Babani y Patrick Catullo lanzan la versión digital de la nueva grabación del reparto de Broadway de MERRILY WE ROLL ALONG  de Stephen Sondheim y George Furth. El CD saldrá a la venta el 12 de enero de 2024.

Mira el videoclip oficial AQUÍ

Consíguelo AQUÍ

Producido por David Caddick, David Lai, Joel FramyMaria Friedman,el álbum fue grabado y mezclado por Ian Kagey en Berklee en PowerStationNYC y Renaissance Recording NY. La nueva grabación del reparto de Broadway incluye comentarios de la directora y productora del álbum, Maria Friedman, así como del antiguo crítico teatral jefe del New York Times, Ben Brantley. 

"La breve temporada inicial de Merrily We Roll Along podría no haber sido más que una nota a pie de página en la ilustre carrera de Stephen Sondheim si no se hubiera conservado su asombrosa partitura en la Grabación Original del Reparto de Broadway", afirma Scott Farthing, vicepresidente de Sony Masterworks U.S. "Es increíble que más de 40 años después, Masterworks Broadway haya tenido la oportunidad de conmemorar la célebre nueva reposición del musical para que conviva con el icónico álbum original".

Protagonizada por Daniel Radcliffe como Charley Kringas, Jonathan Groff como Franklin Shepard, y Lindsay Mendez como Mary Flynn, MERRILY WE ROLL ALONG también cuenta con Krystal Joy Brown como Gussie Carnegie, Katie Rose Clarke como Beth Shepard, y Reg Rogers como Joe Josephson. La compañía incluye a Calvin James Davis, Max Rackenberg, Brady Wagner, Sherz Aletaha, Maya Boyd, Leana Rae Concepcion, Morgan Kirner, Ken Krugman, Corey Mach, Talia Simone Robinson, Amanda Rose, Jamila Sabares-Klemm, Brian Sears, Evan Alexander Smith, Christian Strange, Koray Tarhan, Vishal Vaidya, Natalie Wachen y Jacob Keith Watson.

MERRILY WE ROLL ALONG está dirigida por la ganadora de varios Premios Olivier® Maria Friedman, con música y letra de Stephen Sondheim, libro de George Furth y basada en la obra original de George S. Kaufman y Moss Hart. MERRILY WE ROLL ALONG se estrenó oficialmente el martes 10 de octubre y estará en cartelera de forma estrictamente limitada hasta el 24 de marzo de 2024 en el Hudson Theatre (141 W 44th Street).

A lo largo de tres décadas en el mundo del espectáculo, MERRILY WE ROLL ALONG traza la turbulenta relación entre el compositor Franklin Shepard y sus dos amigos de toda la vida: la escritora Mary y el letrista y dramaturgo Charley. Un original clásico de culto adelantado a su tiempo, MERRILY WE ROLL ALONG cuenta con algunas de las canciones más célebres y personales de Stephen Sondheim.

MERRILY WE ROLL ALONG (NEW BROADWAY CAST RECORDING)

TRACKLIST:

Overture

Merrily We Roll Along

That Frank

First Transition

Old Friends -- Like It Was

Franklin Shepard, Inc.

Second Transition

Old Friends

Growing Up

Third Transition

Not a Day Goes By (Intro)

Not a Day Goes By

Now You Know

Gussie's Opening Number

It's a Hit!

Fourth Transition

The Blob - Part I

Growing Up (Reprise)

Good Thing Going

The Blob - Part II

Fifth Transition

Bobby and Jackie and Jack

Not a Day Goes By (Reprise)

Sixth Transition

Opening Doors

Seventh Transition

Our Time

MERRILY WE ROLL ALONG cuenta con un equipo creativo y de diseño formado por Tim Jackson (coreografía), Jonathan Tunick (orquestación), ganador de un premio Tony, Soutra Gilmour (diseño escénico y de vestuario), Amith Chandrashaker (diseño de iluminación), Kai Harada (diseño de sonido), Cookie Jordan (diseño de peluquer��a y pelucas), Jim Carnahan, CSA (reparto), Joel Fram (dirección musical y arreglos vocales adicionales), Catherine Jayes (supervisión musical), Alvin Hough Jr. (supervisión musical asociada), Kristy Norter (coordinación musical).

La obra de Broadway MERRILY WE ROLL ALONG está producida por Sonia Friedman Productions, David Babani, Patrick Catullo, Jeff Romley, Debbie Bisno, Lang Entertainment Group, OHenry Productions, Winkler & Smalberg, Stephanie P. McClelland,

Timothy Bloom, Creative Partners Productions, Eastern Standard Time, Fakston Productions, Marc David Levine, Ted & Mary Jo Shen, Gilad Rogowsky, Playing Field, Key To The City Productions, Richard Batchelder / Trunfio Ryan, FineWomen Productions / Henry R. Muñoz III, Thomas Swayne / Lamar Richardson, Abrams Corr / Mary Maggio, Osh Ashruf / Brenner-Ivey, Craig Balsam / PBL Productions, deRoy DiMauro Productions / Medley Houlihan, Andrew Diamond / Katler-Solomon Productions, Dodge Hall Productions / Carl Moellenberg, Friedman Simpson / Vernon Stuckelman, William Frisbie / J. J. Powell, Robert Greenblatt / Jonathan Littman, Cleveland O'Neal III / Tom Tuft, Roth-Manella Productions / Seaview y New York Theatre Workshop.

Esta producción de MERRILY WE ROLL ALONG se realizó originalmente en la Menier Chocolate Factory (Director Artístico: David Babani) y posteriormente se trasladó al Harold Pinter Theatre, donde cosechó el mayor número de críticas de cinco estrellas de la historia del West End antes de ganar el Premio Olivier a la mejor reposición musical.

MERRILY WE ROLL ALONG fue dirigida originalmente en Broadway por Harold Prince y producida originalmente en Broadway por Lord Grade, Martin Starger, Robert Fryer y Harold Prince en asociación con Ruth Mitchell y Howard Haines.

Las entradas están disponibles en MerrilyOnBroadway.com desde 87 dólares. Habrá un número limitado de entradas de 39 dólares disponibles para las representaciones de MERRILY WE ROLL ALONG mediante lotería digital. La lotería se abrirá para inscripciones en la aplicación TodayTix cada domingo a las 12:01 a.m. para las representaciones de la semana siguiente y se cerrará al mediodía del día anterior a cada representación. Los ganadores recibirán una notificación push y un correo electrónico entre las 13.00 y las 16.00 horas del día anterior al espectáculo seleccionado, y dispondrán de 30 minutos para comprar sus entradas en la aplicación. Los participantes pueden solicitar 1 o 2 entradas, y la participación es gratuita y abierta a todos. Haz clic aquí para descargar la aplicación TodayTix.

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Live Oak Conservatory Begins Its Second Year of Classes

Live Oak Theatre announces that it begins classes registration for classes at the Live Oak Conservatory the week of August 19at the Carol and Frank Morsani Center for the Arts, 21030 Cortez Boulevard, Brooksville, Florida 34601. Although registration remains open during the entire first term, it is always recommended to begin as soon as possible.

Live Oak Conservatory Begins Its Second Year of Classes

Call 352-593-0027 for more information, or email LiveOakBoxOffice@Gmail.com. Live Oak Conservatory now offers up to 30 classes in dance, music, voice, and acting for all ages.  A full list of classes can be found on its website at LiveOakTheatre.org. To download the registration form, go to: https://docs.wixstatic.com/ugd/f581d9_0c726950e8be48709da3f4d8a9782e48.pdf. Live Oak Theatre will offer a wide range of opportunities for children and adults to learn the performing arts. Some of the classes offered include: beginning and advanced tap, jazz and ballet, acrobatics, chorale and youth choir, musical theater, acting at various levels; a beginner’s group class for ages 13 through 18 on how to play the ukulele will be offered by veteran musician Dave Shepard. Times of classes will vary and there are a variety of programs offered for home-schooled children during the daytime hours. There are adult classes in beginning tap and jazz as well as a yoga-based stretch class for adults This year’s program will feature beginning as well as intermediate and senior ballet classes under the direction of Ms. Kristin Bain. A Junior Class in Improvisation is offered on Thursdays at 1 pm and a senior Improv class is offered on Thursday at 11 am. The classes are taught by Esprit Jaye Tafelski. The adult tap and jazz classes may be taken separately, and the jazz class will focus on Luigi Technique. Luigi, known as the Innovator of Jazz Technique, developed a method of "dancing from the inside" that is also rehabilitative. Broadway and Hollywood actors study at his studio in NYC.  Individual lessons in a wide range of musical instruments are also offered at the conservatory. All classes are taught by veteran performers and instructors. Dance instruction is under the direction of Miss Jane Russell Geddings, who came to the Live Oak Conservatory directly from the adjunct faculty of the Patel Conservatory in Tampa. For information about Live Oak Theatre go to www.LiveOakTheatre.org or follow us on Facebook at www.Facebook.com/LiveOakTheatre. About Live Oak Theatre Company (LOT), Live Oak Theatre Company (LOT) is a not-for-profit 501 (C) (3) repertory company of local artists, located at the Carol and Frank Morsani Center for the Arts, 21030 Cortez Boulevard, Brooksville, FL 34601.  The Live Oak Theatre Company exists to enrich families, individuals and the community as a whole, by providing positive artistic experiences in the Performing Arts - including excellent, affordable, and edifying family-friendly entertainment, performance, and educational opportunities for Theatre patrons and participants of all ages.  Read the full article

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Does the storage compartment have adequate room, Shepard-Commander?

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Article Dod Diapers (6)

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