#jane doe is for the girls and theys TO ME
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I may think... about them... alittle.. too much... maybe...
#*leans into the mic* i love girls and yuri.#jane doe is for the girls and theys TO ME#3 promo vidoes and its her being creepy offputting and overstimulatingly hot to WOMEN#sorry.#anyway i love you zhu yuan my babygirl cool loser#i think theyre neat#togethwr#in a boat#yeah#ill be not posting again bcs im really busy with college#seajjae illustrations#my art#fanart#zzzero#zzz fanart#zhu yuan#jane doe#janeyuan#is that the ship name?#zhudoe lmao 😭#wlw
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costumes / looks I desperately need gerard way to wear on stage (add your own in reblogs!!)
greek statue, he’s fully painted white including his hair with a white toga with a golden wreath thing on his head. I just think that would look sick
police uniform covered in blood
straight up zombie with full on green decaying gory make up
one of the heathers from heathers
either the blue cheerleader outfit from the i’m not okay mv or the iconic red ones from teenagers. then we’d have a little trio!
ghostface. possibly cunty ghostface as a treat
vanya from umbrella academy - young version with the school girl fit and black mask OR the all white comic version of course
also number five from umbrella academy (classic school boy fit)
this sounds weird but I think this would be really cool and meta for wwwy - a stereotypical mcr fan / emo. as in with that one black parade t shirt, heavy eyeliner, black nails, side swept emo fringe, studded bracelets and belts, skinny black jeans, vans or converse. again a very meta concept, after their old person looks in 2022 I can really see them doing this as a whole band this year and I would loooove to finally see gerard in the fashion style that’s so associated with him and his music
howl from howl’s moving castle
possibly also sophie from howl’s moving castle
slenderman
literally just satan. like the most stereotypical devil, give them fully painted red skin, horns, fangs, yellow or black eyes, maybe even goat legs. probably with a majestic black suit or something, or for a succubus vibe a black flowy dress with a slit down the leg. now that I think about it, this would be a SICK wwwy look to shock us all, esp if ray mikey and frank all dressed as other demons or the souls of the damned or some shit.
peni parker - he made her!!
question mark jumper from doctor who
also missy from doctor who omg
jane doe from ride the cyclone, possibly with added marionette or cracked porcelain makeup like in some renditions
classic majestic white-robed angel, with enormous fake wings and maybe even sparkly gold makeup and a big gold halo. also would be cool in all black, or all white but covered in blood (red, gold, or black, all would look cool)
buffy summers in prophecy girl, except he also has blood all over his neck from where the master bit her. I hope he’s watched btvs I think he would very much enjoy it this look would fit with their vampire vibe sooooo well
classic frankenstein’s monster
mothman. not only is he a heartthrob but he’s also a hunched goblin cryptid to me. the duality of man (he/theys)
jane prentiss from the magnus archives. if you don’t know she is a living flesh hive of sentient worms, she’s decaying and full of holes. again with all the nasty decaying rotting prosthetic makeup plus THE RED DRESS!!!
mr darcy vibes, sopping wet regency man with a big puffy white t shirt
opposite side of that, fuck it give him a full on ballroom gown
henry creel from stranger things (pre-vecna, nurse outfit)
any disney princess
crowley from good omens. my man looks GOOD in those anthony janthony aah sunglasses he has
cute flowy summer dress with like a flowery pattern. either go cottagecore with it and have flowers in his hair, or go full white soccer mum and put him in huge cunty sunglasses a massive straw sun hat with a ribbon on it
all-black cowboy!!!! the fact I’ve never seen him in a cowboy hat is actual sacrilege. also would very much appreciate an all-pink sequin studded cowboy
any alice in wonderland character, especially alice herself, the classic disney movie look with the blue dress and the bow in the hair. he would also do a great chesire cat (spooky big grin makeup paired with his weird ass dramatic facial expressions?? inspired) or a super extravagant queen / king / knave of hearts. also 100000% the mad hatter omfg, he was BORN to do a jefferson from once upon a time look!!
#he can just pull anything off#and so many things are just his VIBE like jane prentiss’s whole look and concept is SUCH a swarm tour gerard look like are you kidding me??#gerard way#gee way#my chem#my chemical romance#my chemical fucking romance#mcr#swarm tour#dear god I have too much free time on my hands I think about this more than is necessary or maybe even possible
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I am about to lose my mind with y'all, for real. To recap, we got: tons of new backstory content on Aziraphale and Crowley's relationship; tons of cute new content including them dancing together a la Jane Austen; two other queer relationships meant to parallel and contrast their own; a FUCKING KISS; confirmation from Neil that he has an entire third season planned out and, regardless of whether it gets made in a TV format, will definitely give it to us in some form or fashion... and there are still fans jumping online and acting the fool.
Look. I totally understand if relationship angst isn't your thing. I'm not always in the mood for it, and it has to make sense for the story and the characters. However, feeling a lot of feelings about how the season ended, or wishing it had gone differently as a personal preference, is not the same as getting on this platform and saying, with your whole chest, that it was HOMOPHOBIC for Aziraphale and Crowley to hit a major relationship snag. Was it goddamn sad? Absolutely. Did it hurt my soul? 100%. But there are people claiming that it's part of some new "queer people have to suffer" trend (an emotional bury-your-gays, if you will), and that Neil (noted storytelling genius and LBGTQ ally) wrote this ending as an elaborate form of queerbaiting.
My girls. My gays. My theys. My sweet, silly geese. This is preposterous. First of all, this is not how the story ends. It is a clear and masterful setup for a third season (or whatever form it takes, hopefully TV but we shall see). It's pretty typical for the second act of a story to end in some kind of tragedy or twist that needs to be resolved in the third act, and it's typical because it works great for narrative flow and character development.
Second of all, and I'm begging you to listen to me: it is not homophobic to have your queer couple experience relationship problems. It is not homophobic for there to be pain and difficulty before they get a happily ever after. It is not homophobic to let your queer characters deal with commitment issues, unresolved trauma, or other baggage that temporarily prevents them from being together. This is literally a staple of the romance story, regardless of the sexualities involved, and is something that almost anyone who's been in sexual or romantic relationships has experienced in real life to some degree.
Now, if there were truly a phenomenon in fiction where every single queer couple had to go through astronomical levels of difficulty to get a happy ending, proportional to fictional straight couples, and the sweet, uncomplicated stuff just wasn't there to indulge in, I'd concede a little. But that's just... not true. If you think it is, you may not be reading or watching broadly enough. Queer folk deserve to see queer characters overcome relationship conflict just as much as they deserve to have sweeter, escapist options.
If you're mad about Good Omens 2 because you prefer drama-free escapism in you queer relationships, or were expecting that and felt let down, that's fine, you have a right to your feelings. And it's always hard when you've waited for a story for four years and built it up in your head (which is why I generally try not to do that, but you do you). But, you do not have to justify your feelings by accusing the story of queerbaiting or homophobia. In fact, I beg you not to. Just say that it hurt and you wish it had been happier; it's okay for you to feel that way, and people shouldn't put you down for it.
But propping up your emotions by accusing a piece of media of implicitly contributing to a system of oppression that it actively works to undermine is just not where it's at, folks. There is media that genuinely does that, but this isn't it. Again, have all the emotions about the ending that you want, but stop crying wolf. It's getting old.
#good omens season 2#good omens#good omens spoilers#discourse#feel free to yell at me in the comments but I probably won't respond#I've got a lot going on this weekend
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Let's think about how, why, and when we invite books into our classrooms #JACBA Newsletter 27Oct2017
Why Are We Still Teaching 'To Kill a Mockingbird' in Schools?
Take, for instance, "Monster," a 1999 novel by award-winning African-American novelist Walter Dean Myers that also takes place in a courtroom. Here, however, the focus is on the young black defendant and narrator, Steve Harmon; the white lawyer, on the other hand, plays a lesser, but still complex, part. Monster is a complex and powerful modern classic that does much of the same work - providing a portrait of a young artist budding ethical integrity while confronting racism - as "Mockingbird" but does it with arguably more complexity.
We are often in practice censoring books like "Monster" from the curriculum to maintain a space for "Mockingbird." Often, we maintain that the book's inclusion is in fact necessary to prevent censorship. But what if keeping it in the curriculum maintains the status quo of the past as much as it illuminates it?
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Now Is Your Time! The African-American Struggle for Freedom by Walter Dean Myers 1992 Awardee
Patrol: An American Soldier in Vietnam by Walter Dean Myers 2003 Awardee
What Most Humans Don't Know About Animal Intelligence: An Interview With Sy Montgomery
We are now learning that there are, even within our own species, different types as well as degrees of intelligence -and this is the case for other species and among individuals of other species as well. As with evaluating the intelligence of fellow humans, we should not underestimate the intelligence of other species. If we do so, we overlook something wondrous and transformative, and we underestimate the glory of the world.
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Temple Grandin: How the Girl Who Loved Cows Embraced Autism and Changed the World by Sy Montgomery 2013 Awardee
School welcomes author for visit
Some novels break through, however, with messages and characters with which pre-teens and young adolescents can identify. That's the case with "Wolf Hollow," a recent Newberry Medal winner by novelist and artist Lauren Wolk. The Maryland native recently visited Frederica Academy, and addressed middle grades students first in an assembly, and subsequently in small group sessions throughout the day.
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Wolf Hollow by Lauren Wolk 2017 Awardee
Javaka Steptoe Conducts Youth EDUCATION Workshop for Students
Author and illustrator Javaka Steptoe recently conducted an art workshop at the Harold Washington Library Center (HWLC). The event was hosted by the Chicago Public Library (CPL) and included 300 second and third grade students Steptoe is the 2017 recipient of the American Library Association's Randolph Caldecott Medal and Coretta Scott King Illustrator Award for his book Radiant Child: The Story of Young Artist John Michel Basquiat, according to a CPL press release.
"Art is an important vehicle for self-expression during childhood and it's also important in developing creativity, which is a critical 21st century learning skill," McChesney said. "We have kids solving problems, collaborating and communicating together and hitting all of the important 21st century skills."
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Hot Day on Abbott Avenue by Karen English, with collage art of Javaka Steptoe 2005 Awardee
Vermont Reads: 'Brown Girl Dreaming'
Woodson: "So much of the feedback I've gotten on Brown Girl Dreaming has been from white kids especially young white boys, which has surprised me," she said. "I think in terms of childhood, the essence of childhood is universal. We know what it's like to not belong someplace. We know what it's like to miss someone. We know what it's like to search for a home. I mean you look at Vermont and its poverty rate, a lot of people know what it's like to be poor. A lot of people know what it's like to have a single mom. So if the writer is responsible and if the book is well written is going to touch a lot of people across lines of economic class, across lines of race and gender and sexuality and all the ways that books can touch people. "
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Each Kindness written by Jacqueline Woodson, illustrated by E.B. Lewis 2013 Awardee
From the Notebooks of Melanin Sun by Jacqueline Woodson 1996 Awardee
I Hadn't Meant to Tell You This by Jacqueline Woodson 1995 Awardee
Four Questions for Katherine Paterson
Paterson: “As I read, and watched [Maestra by Catherine Murphy], I learned that in fall 1960, shortly after Fidel Castro came to power in Cuba, he announced to the U.N. General Assembly that within a year's time, Cuba was going to become a literate nation. More than 250,000 Cubans volunteered for his literacy effort, becoming known as brigadistas, or members of the volunteer teaching brigade. More than half of those brigadistas were female, and about 108,000 of them were between the ages of 12 and 18. These volunteers went into rural areas to teach the campesinos to read and write. As I was about to head to Cuba to address people concerned about literacy, I knew that I wanted to make this campaign the heart of what I was going to say in my speech”
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The Same Stuff as Stars by Katherine Paterson 2003 Awardee
The Great Gilly Hopkins by Katherine Paterson 1979 Awardee
The Snowy Day Forever
The United States Postal Service has issued new Forever stamps featuring images from Ezra Jack Keats's The Snowy Day (Viking, 1962). The Central Library at the Brooklyn Public Library held a dedication ceremony on October 4. Among those who spoke at the event was Andrea Davis Pinkney, v-p and editor-at-large at Scholastic. She is also the author of A Poem for Peter: The Story of Ezra Jack Keats and the Creation of the Snowy Day (Viking, 2016).
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Sit-In: How Four Friends Stood Up by Sitting Down by Andrea Davis Pinkney, illustrated by Brian Pinkney 2011 Awardee
Sojourner Truth's Step-Stomp Stride, by Andrea Davis Pinkney & Brian Pinkney 2010 Awardee
Award-Winning Author Naomi Shihab Nye to Speak at Houghton
Award-winning Palestinian-American poet, writer, anthologist, and educator Naomi Shihab Nye will speak at Houghton College on October 27, 2017. Events include a luncheon from 12:00 - 12:45 p.m. in the Houghton College Lennox Dining Room, followed by a Q&A session from 1:00 - 2:00 p.m. in the Center for the Arts Recital Hall.
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Habibi by Naomi Shihab Nye 1998 Awardee
Sitti's Secrets by Naomi Shihab Nye, illustrated by Nancy Carpenter 1995 Awardee
Lois Lowry, Author Of THE GIVER, To Visit Florida Rep This Fall
Florida Repertory Theatre is proud to announce that award-winning author, Lois Lowry, and Broadway playwright, Eric Coble, will be in residence on November 6 for a performance and post-show discussion of Coble's adaptation of Lowry's acclaimed book, "The Giver."
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Number the Stars by Lois Lowry 1990 Awardee
Children take a seat then take charge
Deborah Ellis's new book, Sit (Groundwood, 144 pages, $15, hardcover), contains 11 separate stories, each with a common theme: they all start with a young person sitting down who begins to take control of their own life.
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The Heaven Shop by Deborah Ellis 2005 Awardee
The Breadwinner Trilogy, three books by Deborah Ellis 2004 Awardee
Parvana's Journey by Deborah Ellis 2003 Awardee
National Book Award nominee 'Far From the Tree' and more reviewed in this week's Y.A. roundup
The title of Mitali Perkins' welcoming multigenerational saga, recently long-listed for a 2017 National Book Award, comes from a line by Bengali poet Rabindranath Tagore: "Thou hast brought the distant near and made a brother of the stranger." Perkins tells a nuanced, quintessentially American story. She affectionately traces four young women's interrelated yet distinct paths to determining their identities.
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Rickshaw Girl by Mitali Perkins, illustrations by Jamie Hogan 2008 Awardee
'The Breadwinner' Wins Grand Prize and Audience Award at Animation Festival
The Breadwinner, the story of a young girl growing up under the Taliban regime, received the Grand Prize, selected by the festival jury, and the Audience Award, selected by audience members, at the inaugural Animation Is Film festival that took place over the weekend in Hollywood.
Speaking on behalf of the jury, its chair, Variety critic Peter Debruge, said, "The Breadwinner is not just an incredibly important film, but one that reminds us of the power of animation to communicate serious issues in the world. Transforming hardship into a warm and moving story, the movie represents a triumph by its director, Nora Twomey, in terms of script, voice acting, design, music and editing. The films in competition this year illustrated the many techniques and possibilities of animation, but The Breadwinner was a clear favorite among our jury.
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The Heaven Shop by Deborah Ellis 2005 Awardee
The Breadwinner Trilogy, three books by Deborah Ellis 2004 Awardee
Parvana's Journey by Deborah Ellis 2003 Awardee
Love of books inspires miniature library
Books relate history, Schmitt said, and can also explain important and controversial subjects with simplicity. "That's the miracle of children's books," she said. For example, author E.B. Lewis tackles concepts of race in his books, others write about the environment, or bullying.
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First Step: How One Girl Put Segregation on Trial, written by Susan E. Goodman, illustrated by E. B. Lewis, 2017 Awardee
Each Kindness written by Jacqueline Woodson, illustrated by E.B. Lewis 2013 Awardee
Night Boat to Freedom, written by Margot Theis Raven with pictures by E. B. Lewis 2007 Awardee
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The Jane Addams Children's Book Award annually recognizes children's books of literary and aesthetic excellence that effectively engage children in thinking about peace, social justice, global community, and equity for all people.
Read more about the 2017 Awards.
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